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The competition on Great British Menu is really fierce. | 0:00:03 | 0:00:05 | |
The nation's top chefs are pushing themselves to the limit | 0:00:05 | 0:00:09 | |
to produce spectacular food to share. | 0:00:09 | 0:00:11 | |
BLEEP | 0:00:11 | 0:00:13 | |
There have been highs... and lows. | 0:00:13 | 0:00:16 | |
And the veteran chefs are driving them hard. | 0:00:16 | 0:00:18 | |
Skill in execution is what I'm looking for. | 0:00:18 | 0:00:21 | |
That's what a Great British Menu chef is all about. | 0:00:21 | 0:00:24 | |
This week, three of the south-west's most ambitious chefs | 0:00:24 | 0:00:28 | |
step up to the challenge. | 0:00:28 | 0:00:29 | |
Returning chef John Hooker, | 0:00:29 | 0:00:31 | |
keen newcomer Paul Ainsworth | 0:00:31 | 0:00:33 | |
and Michelin star holder Andre Garrett | 0:00:33 | 0:00:36 | |
all have their sights trained on the People's Banquet. | 0:00:36 | 0:00:39 | |
Does having a Michelin star background help with this, Andre? | 0:00:39 | 0:00:42 | |
The first set-piece is the starter, | 0:00:42 | 0:00:44 | |
and the fight is between spring vegetables with cured pig's cheek, | 0:00:44 | 0:00:48 | |
Cornish duckling with Scotch eggs | 0:00:48 | 0:00:50 | |
and slow-roast pork belly. | 0:00:50 | 0:00:52 | |
But there can only be one winner. | 0:00:52 | 0:00:54 | |
I believe I can come out on top. | 0:00:54 | 0:00:56 | |
I want to win, I want to get a dish to the banquet. | 0:00:56 | 0:00:58 | |
I'm here to compete and I'm ready for a fight. | 0:00:58 | 0:01:01 | |
The big challenge for the chefs this year | 0:01:13 | 0:01:15 | |
is to get out into their local communities | 0:01:15 | 0:01:18 | |
and find the unsung heroes who use food power to bring people together. | 0:01:18 | 0:01:23 | |
The People's Banquet will celebrate their work | 0:01:23 | 0:01:26 | |
and they'll be amongst the guests. | 0:01:26 | 0:01:28 | |
It would be the biggest honour to actually cook for these people | 0:01:28 | 0:01:33 | |
because they're people that devote their lives to these amazing causes. | 0:01:33 | 0:01:36 | |
These elite chefs have to create dishes that are perfect to share. | 0:01:36 | 0:01:40 | |
That looks like a real royal feast, that, doesn't it? | 0:01:40 | 0:01:43 | |
Platters that will wow the guests and get people talking | 0:01:43 | 0:01:46 | |
when they're served at the ultimate street party. | 0:01:46 | 0:01:48 | |
Scrutinising the chefs this week is a man | 0:01:48 | 0:01:51 | |
who has two Michelin stars to his name | 0:01:51 | 0:01:54 | |
and recently won Restaurant of the Year. | 0:01:54 | 0:01:57 | |
It's former South West Champion, Michael Caines. | 0:01:57 | 0:02:02 | |
It's his scores that will determine who faces the judges on Friday. | 0:02:02 | 0:02:06 | |
The challenge this year will be really difficult, | 0:02:06 | 0:02:09 | |
taking them out of their comfort zone. It's not an easy challenge. | 0:02:10 | 0:02:13 | |
These guys better rise to the occasion. | 0:02:13 | 0:02:15 | |
Check on, four covers. | 0:02:19 | 0:02:21 | |
First up is John Hooker. | 0:02:21 | 0:02:23 | |
Born, bred and trained in Devon, | 0:02:23 | 0:02:26 | |
he's passionate about showcasing local ingredients. | 0:02:26 | 0:02:28 | |
Last year, he was narrowly beaten to the south-west title. | 0:02:28 | 0:02:33 | |
Now he's back - with fire in his belly. | 0:02:33 | 0:02:35 | |
I did well but I didn't do well enough. | 0:02:35 | 0:02:37 | |
I have to overcome a lot more hurdles in order to truly shine | 0:02:37 | 0:02:41 | |
in this year's competition. | 0:02:41 | 0:02:42 | |
His strategy is to stick with his personal style | 0:02:42 | 0:02:45 | |
of putting his stamp on British staples. | 0:02:45 | 0:02:49 | |
To him, it's a sure-fire recipe for success. | 0:02:49 | 0:02:51 | |
The traditional values, family service, | 0:02:51 | 0:02:54 | |
people brought together with the food | 0:02:54 | 0:02:56 | |
with great, big, bold flavours. | 0:02:56 | 0:02:58 | |
-Hi, John. -Hello. | 0:03:00 | 0:03:03 | |
My starter, I'm doing a slow-roast pork belly | 0:03:03 | 0:03:05 | |
with a salad of summer and spring vegetables | 0:03:05 | 0:03:08 | |
-and I've got some Coppa ham from Cornwall. -Oh, yeah. | 0:03:08 | 0:03:10 | |
I'll bake that up with some honey, crisp it up, serve that with it. | 0:03:10 | 0:03:14 | |
And then I've got some apples, I'm doing pickled apple. | 0:03:14 | 0:03:17 | |
I'm also doing pickled apple puree. | 0:03:17 | 0:03:19 | |
What's the inspiration behind this sharing platter? | 0:03:19 | 0:03:22 | |
It's all about a family service. | 0:03:22 | 0:03:24 | |
The food inspiring people, bringing people together at the table. | 0:03:24 | 0:03:27 | |
Obviously, I can see you're raring to go. Confident as ever. | 0:03:27 | 0:03:31 | |
-No pressure! -No pressure at all. | 0:03:31 | 0:03:33 | |
So John's gone for a hearty starter | 0:03:33 | 0:03:36 | |
packed with some of the South West's finest ingredients. | 0:03:36 | 0:03:39 | |
But is his slow-roasted belly of pork with mustard, apple and pickles | 0:03:39 | 0:03:43 | |
the best way to begin a banquet? | 0:03:43 | 0:03:46 | |
John's got to prove to me that this dish isn't their main course | 0:03:46 | 0:03:49 | |
and that it's a delicate, well-balanced starter. | 0:03:49 | 0:03:52 | |
Quite a challenge. | 0:03:52 | 0:03:53 | |
Main course away, one veg, one pork du jour. | 0:03:53 | 0:03:56 | |
Oui! | 0:03:56 | 0:03:58 | |
Next up is Michelin-starred Andre Garrett. | 0:03:58 | 0:04:01 | |
He was classically trained in London and Paris | 0:04:01 | 0:04:04 | |
but is confident he can make his style work for a street party. | 0:04:04 | 0:04:08 | |
I had to think very much outside the box. | 0:04:09 | 0:04:13 | |
Completely different to what I might cook normally in a restaurant. | 0:04:13 | 0:04:17 | |
Andre grew up in Bath | 0:04:17 | 0:04:19 | |
but is now Head Chef at London's Galvin at Windows. | 0:04:19 | 0:04:22 | |
He's hoping to draw on his French culinary training | 0:04:22 | 0:04:26 | |
to answer this year's brief. | 0:04:26 | 0:04:28 | |
I looked a lot at the old classical way of cooking, | 0:04:28 | 0:04:32 | |
back to Escoffier days and the great French dishes | 0:04:32 | 0:04:35 | |
and you had that sharing idea. | 0:04:35 | 0:04:39 | |
Andre is taking this competition very seriously. | 0:04:41 | 0:04:44 | |
Hey, Andre. What's the dish you're cooking for me? | 0:04:44 | 0:04:47 | |
A cocotte of spring vegetables with a Wiltshire-cured pork cheek and mini-brioche. | 0:04:47 | 0:04:51 | |
So vegetables-wise, got some asparagus... | 0:04:51 | 0:04:54 | |
I'm trying to use the best of what the spring has got. | 0:04:54 | 0:04:57 | |
I've got asparagus, radish, lettuce. | 0:04:57 | 0:04:59 | |
I want to bring that whole spring time together | 0:04:59 | 0:05:02 | |
and then I've looked at my Wiltshire-cured pork cheeks. | 0:05:02 | 0:05:05 | |
I've pre-cured these, then I slow-cook them like a ham. | 0:05:05 | 0:05:08 | |
I'm hoping to bring that idea of sharing to the table | 0:05:08 | 0:05:11 | |
and everyone rip in, talking points. | 0:05:11 | 0:05:13 | |
Like John, Andre is using pork but he's keeping it light | 0:05:13 | 0:05:17 | |
with his French-style vegetable stew served with brioche. | 0:05:17 | 0:05:20 | |
He's sure the fresh, clean flavours will be a winner | 0:05:20 | 0:05:23 | |
but Michael's got some serious concerns. | 0:05:23 | 0:05:26 | |
Andre's dish is very humble and simplistic in its concept, | 0:05:26 | 0:05:30 | |
and I just hope it's got that theatre and excitement | 0:05:30 | 0:05:33 | |
in its presentation that we're looking for. | 0:05:33 | 0:05:36 | |
I'm going to go one monkfish, one lamb, one cod, one beef. | 0:05:36 | 0:05:40 | |
The last competitor is Paul Ainsworth. | 0:05:40 | 0:05:43 | |
Trained under Gary Rhodes and Marcus Wareing, | 0:05:43 | 0:05:46 | |
he then struck out with his own restaurant, | 0:05:46 | 0:05:48 | |
Number 6 in Padstow, Cornwall. | 0:05:48 | 0:05:50 | |
It's his first time in the competition and he's aiming high. | 0:05:50 | 0:05:55 | |
It would mean the world to me to have a dish on the People's Banquet. | 0:05:55 | 0:05:58 | |
It would really show people what I can do. | 0:05:58 | 0:06:01 | |
Paul's trademark is simple, quirky cooking with a sense of fun. | 0:06:01 | 0:06:06 | |
I think the best way is leaving you wanting more. | 0:06:06 | 0:06:10 | |
Not kind of full up like... Cor, push it away, but wanting more. | 0:06:10 | 0:06:14 | |
OK, service. Go, please. | 0:06:14 | 0:06:17 | |
-Hi, Paul. -Hi, Michael. How are you? -So tell me, | 0:06:19 | 0:06:23 | |
what's the dish you're putting on today? | 0:06:23 | 0:06:25 | |
I'm going to be showcasing Cornish duck. | 0:06:25 | 0:06:28 | |
And then just giving it a really nice spring salad | 0:06:28 | 0:06:31 | |
of asparagus, radishes, spring onion and cucumber. | 0:06:31 | 0:06:34 | |
A little poached rhubarb and some little pancakes. | 0:06:34 | 0:06:37 | |
Alongside that, I'm doing little Scotch eggs. | 0:06:37 | 0:06:40 | |
What was the inspiration behind this dish? | 0:06:40 | 0:06:42 | |
I just wanted to pick family favourites | 0:06:42 | 0:06:44 | |
that are just great to graze, share and get stuck in and stuff. | 0:06:44 | 0:06:49 | |
Paul's using British ingredients but serving them in a Chinese style. | 0:06:49 | 0:06:53 | |
But while his duckling with asparagus, rhubarb, | 0:06:53 | 0:06:56 | |
pancakes and smoked duck Scotch eggs might be witty, | 0:06:56 | 0:06:59 | |
he's also taking a big risk. | 0:06:59 | 0:07:00 | |
Paul's dish sounds fun. | 0:07:00 | 0:07:02 | |
He's taking the inspiration from the takeaway scenario | 0:07:02 | 0:07:05 | |
where you have the crispy duck in the pancakes, | 0:07:05 | 0:07:08 | |
but he's given a modern twist on it. | 0:07:08 | 0:07:10 | |
He has to make sure he executes it so it doesn't taste like a takeaway. | 0:07:10 | 0:07:14 | |
As the three contenders get cracking with their prep, | 0:07:20 | 0:07:23 | |
returning chef John seizes an early opportunity | 0:07:23 | 0:07:26 | |
to put the wind up his rivals. | 0:07:26 | 0:07:29 | |
-You boys feeling the pressure -Yes, I'm feeling the pressure. | 0:07:29 | 0:07:32 | |
-More from you, though. -It's not about doing it previously, it's about the food. | 0:07:32 | 0:07:37 | |
It's important someone from the south-west is there, we've got a strong chance this year. | 0:07:37 | 0:07:42 | |
But to be in with a chance, they must withstand Michael's scrutiny. | 0:07:42 | 0:07:46 | |
I'm feeling a lot of pressure, cooking for Michael, I must say. | 0:07:46 | 0:07:49 | |
When he starts scoring, that's when you feel the pressure. | 0:07:49 | 0:07:52 | |
John's been here before so he's got the upper hand. | 0:07:55 | 0:07:58 | |
It will be a good challenge, I'm looking forward to it. | 0:07:58 | 0:08:01 | |
Andrew's quietly getting on with his pig's cheeks, | 0:08:01 | 0:08:04 | |
while Paul's starting his stock | 0:08:04 | 0:08:05 | |
and Michael's on the lookout for the slightest mistake. | 0:08:05 | 0:08:09 | |
Both John and Andre have chosen pork for their starters | 0:08:10 | 0:08:15 | |
which just adds to the rivalry. | 0:08:15 | 0:08:16 | |
-How's that pork belly? Up on time? -Let's hope it renders in time. | 0:08:16 | 0:08:21 | |
Good cheffy dish, that's why you've chosen it. | 0:08:21 | 0:08:23 | |
Andre might have a Michelin star, | 0:08:23 | 0:08:26 | |
but he knows that John's previous experience of the competition | 0:08:26 | 0:08:30 | |
could well give him the edge. | 0:08:30 | 0:08:32 | |
Meanwhile, across the hobs, | 0:08:32 | 0:08:33 | |
the other newcomer, Paul, has made a start on his duck. | 0:08:33 | 0:08:36 | |
He's ambitious and keen to impress, but has he taken on too much? | 0:08:36 | 0:08:41 | |
Paul's got a lot going on there, but that's going to be his challenge, | 0:08:41 | 0:08:45 | |
how all of the elements come together to create one dish. | 0:08:45 | 0:08:48 | |
The chefs are well underway with their starters. | 0:08:54 | 0:08:57 | |
But one of them has taken his eye off the ball | 0:08:57 | 0:08:59 | |
and the smell of burning fills the kitchen. | 0:08:59 | 0:09:02 | |
John's furious with himself. | 0:09:05 | 0:09:08 | |
-BLEEP. -Burnt my ham. | 0:09:08 | 0:09:10 | |
-You've burnt the ham? Oh, -BLEEP. | 0:09:10 | 0:09:13 | |
Johnny burnt his ham. | 0:09:19 | 0:09:21 | |
Sod's Law you do it as soon as Michael comes in, | 0:09:21 | 0:09:24 | |
there's a big waft of smoke. | 0:09:24 | 0:09:26 | |
What's going on? | 0:09:26 | 0:09:27 | |
It's been in a bit too long, Chef. Caught me out. | 0:09:27 | 0:09:30 | |
I've got time to get more in. | 0:09:30 | 0:09:32 | |
It's not just the mishap that has Michael concerned. | 0:09:32 | 0:09:35 | |
Listen, I'm a bit worried about your dish. | 0:09:35 | 0:09:38 | |
Is it not a bit hearty? More of a main course than a starter, John? | 0:09:38 | 0:09:41 | |
The lightness of the salad is going to cut through everything. | 0:09:41 | 0:09:44 | |
Those little pockets of flavour, | 0:09:44 | 0:09:46 | |
with the crackling, will marry it all altogether. | 0:09:46 | 0:09:49 | |
I'm looking forward to that crunch, without the burnt... | 0:09:49 | 0:09:51 | |
Good man, thank you. | 0:09:51 | 0:09:53 | |
It just reminds me of last year, a little bit, | 0:09:53 | 0:09:55 | |
where he's easily distracted. | 0:09:55 | 0:09:57 | |
Whereas with Andre, he's very focused, | 0:09:57 | 0:10:00 | |
and Paul, on what they're doing. | 0:10:00 | 0:10:02 | |
Technically, he's going to have to raise his game. | 0:10:02 | 0:10:04 | |
Those two other guys are really sharp. | 0:10:04 | 0:10:06 | |
John's cooking skill is under the microscope. | 0:10:06 | 0:10:09 | |
But to really shine in this contest, he must also prove he's mastered the brief. | 0:10:09 | 0:10:13 | |
He's looked to his own past to inspire his ideal sharing menu. | 0:10:13 | 0:10:17 | |
John's passion for good food dates back to childhood days | 0:10:17 | 0:10:21 | |
in the Devonshire countryside. | 0:10:21 | 0:10:24 | |
On the way to my grandad's farm now. | 0:10:24 | 0:10:25 | |
It would always be a great experience around, | 0:10:25 | 0:10:28 | |
with all of my cousins, all of the family. | 0:10:28 | 0:10:30 | |
At the end of it, we'd always have a great, huge meal and put the world to rights. | 0:10:30 | 0:10:34 | |
John learned to cook with his gran, | 0:10:34 | 0:10:36 | |
and to manage a smallholding with his grandad. | 0:10:36 | 0:10:40 | |
It was a hands-on education in food production. | 0:10:40 | 0:10:43 | |
-We used to milk the cows... -In that bottom corner. | 0:10:43 | 0:10:46 | |
The cow would be tied up by the neck. | 0:10:46 | 0:10:49 | |
That's where the cow was, down the bottom corner. | 0:10:49 | 0:10:51 | |
I remember that milking stool. | 0:10:51 | 0:10:54 | |
You were the best milker. You had the most strength in your hands, and that's what made the best cream. | 0:10:54 | 0:10:59 | |
I remember trying to keep the dung out of the bucket. | 0:10:59 | 0:11:02 | |
And trying not to get kicked off the stool by the cow. | 0:11:02 | 0:11:06 | |
The fresh produce went straight into big, family meals, | 0:11:06 | 0:11:09 | |
with everyone sharing and talking at once. | 0:11:09 | 0:11:12 | |
That's where I feel inspired, | 0:11:12 | 0:11:14 | |
from living off the land, farming the land. | 0:11:14 | 0:11:16 | |
Living off the land is living well. | 0:11:16 | 0:11:20 | |
John inherited a skill from his gran that's perfect for this year's competition. | 0:11:20 | 0:11:25 | |
How to adapt dishes when lots of people show up for dinner. | 0:11:25 | 0:11:29 | |
She'd do it in a snap. | 0:11:31 | 0:11:32 | |
I can draw on those experiences I had as a child, | 0:11:32 | 0:11:35 | |
to bring that to the table for my Great British Menu. | 0:11:35 | 0:11:38 | |
Back in the kitchen, John needs to use every trick in the book | 0:11:40 | 0:11:43 | |
to get his pork belly starter back on track. | 0:11:43 | 0:11:47 | |
His rivals include classically trained Andre, | 0:11:47 | 0:11:50 | |
the only one of the three chefs to hold a coveted Michelin star. | 0:11:50 | 0:11:54 | |
But hard at work on his ambitious duck dish, | 0:11:54 | 0:11:56 | |
newcomer Paul refuses to be fazed by Andre's awards. | 0:11:56 | 0:11:59 | |
Do you think having a Michelin-star background helps with this sort of thing, Andre? | 0:11:59 | 0:12:04 | |
I knew that Michelin star chestnut would come out. | 0:12:04 | 0:12:06 | |
Obviously, there's pressure on me. | 0:12:06 | 0:12:09 | |
He's a three-star boy, you've only got one. | 0:12:09 | 0:12:11 | |
Paul did work under a three-star chef in Paris. | 0:12:11 | 0:12:15 | |
I was washing up when I was there. | 0:12:15 | 0:12:17 | |
Just pot wash, was it? | 0:12:17 | 0:12:18 | |
Does that count, does it? | 0:12:18 | 0:12:20 | |
They're all giving as good as they get, | 0:12:20 | 0:12:22 | |
and that adds to the pressure there're under. | 0:12:22 | 0:12:25 | |
I'd forgotten how intense it is. | 0:12:25 | 0:12:27 | |
It's full on, especially cooking against the calibre of Paul and Andre. | 0:12:27 | 0:12:32 | |
Now they all need to concentrate, | 0:12:32 | 0:12:34 | |
as they're being watched like a hawk by Michael. | 0:12:34 | 0:12:37 | |
He's concerned that Andre's classic style may be missing the mark. | 0:12:37 | 0:12:42 | |
Andre, one of the things I was really curious to understand is the presentation. | 0:12:42 | 0:12:47 | |
Obviously, pork cheek is going to be separate in a bowl, is it? | 0:12:47 | 0:12:50 | |
I'm putting some pork cheek diced into the broth. | 0:12:50 | 0:12:53 | |
-And there's going to be some on a little plate... -Oh, I see. | 0:12:53 | 0:12:56 | |
Some little pea shoots, just to give it a little bit of an elegant touch. | 0:12:56 | 0:13:00 | |
So you're confident yours is more suited as a starter? | 0:13:00 | 0:13:03 | |
As a starter I think, yeah. | 0:13:03 | 0:13:05 | |
The risk is, maybe, it isn't risky enough. | 0:13:05 | 0:13:08 | |
Maybe the creativity's going to be somewhat subdued | 0:13:08 | 0:13:11 | |
compared to some of the other dishes going on. But, hey, who knows? | 0:13:11 | 0:13:15 | |
All the chefs have had to stretch their creativity to the limit this year | 0:13:15 | 0:13:19 | |
to dream up dishes worthy of our street party celebration. | 0:13:19 | 0:13:23 | |
And Andre's quest for ideas took him back to his Somerset roots. | 0:13:23 | 0:13:27 | |
He grew up in Bath, where his grandmother worked as maitre d' | 0:13:27 | 0:13:30 | |
at the prestigious Pump Room. | 0:13:30 | 0:13:33 | |
Here I am again. When we were children, we always used to come in the kitchen. | 0:13:33 | 0:13:36 | |
I remember this very big, old, grand kitchen, all the chefs in tall, white hats | 0:13:36 | 0:13:40 | |
and big stock pots boiling away, and I can remember | 0:13:40 | 0:13:43 | |
standing here with my mum and I was totally transfixed on all the chefs, | 0:13:43 | 0:13:46 | |
and all this busy time and bubbling stockpots, and that got me into cooking. | 0:13:46 | 0:13:50 | |
Having been introduced to cooking in lavish kitchens | 0:13:50 | 0:13:53 | |
and serving palatial dining rooms, | 0:13:53 | 0:13:56 | |
it's hardly surprising that Andre became a very upmarket chef. | 0:13:56 | 0:14:00 | |
His mum joined him at the Pump Room | 0:14:00 | 0:14:02 | |
to share some family memories. | 0:14:02 | 0:14:05 | |
-So who's this? -It's Granny. | 0:14:05 | 0:14:07 | |
She was a bit like you, very fussy about her job. | 0:14:07 | 0:14:11 | |
Everything had to be spick and span. | 0:14:11 | 0:14:13 | |
That's 1930 to 1950. | 0:14:13 | 0:14:15 | |
Look at the palms there. | 0:14:15 | 0:14:17 | |
That was just how it was. | 0:14:17 | 0:14:20 | |
So this one here reminds me of the banquet that we're cooking for. | 0:14:20 | 0:14:24 | |
-I can see. -Very grand and big entrance. | 0:14:24 | 0:14:27 | |
Are you going to do something spectacular like that? | 0:14:27 | 0:14:31 | |
I have to try to. | 0:14:31 | 0:14:32 | |
I want my dish to come to the table and suddenly everyone becomes quiet, | 0:14:32 | 0:14:37 | |
there's an expectation and suddenly, "What's that? What's that?" | 0:14:37 | 0:14:40 | |
Back in the kitchen, | 0:14:43 | 0:14:45 | |
Andre's all cool efficiency as he prepares his brioche. | 0:14:45 | 0:14:48 | |
And John's trying hard to recover from his difficult start. | 0:14:48 | 0:14:51 | |
But Paul's struggling to stay on schedule. | 0:14:51 | 0:14:54 | |
Getting on all right with your mis-en-place, Chef? Not too much to do? Cracking on? | 0:14:54 | 0:14:58 | |
You seem very confident there, John. | 0:14:58 | 0:15:01 | |
Give you a hand, yeah? | 0:15:01 | 0:15:03 | |
I'll peel your carrots, Chef. | 0:15:03 | 0:15:05 | |
Paul's got a lot going on. He has to slow-cook this duck, | 0:15:05 | 0:15:08 | |
but I don't want that skin to be rubbery and inedible. | 0:15:08 | 0:15:12 | |
I'd like that to be crispy and delicious. | 0:15:12 | 0:15:14 | |
Bit concerned, you've gone for a soft skin rather than crispy skin? | 0:15:14 | 0:15:18 | |
Yeah, it's going to be like a glaze going all the way round. | 0:15:18 | 0:15:21 | |
-Back through the oven? -Yeah. | 0:15:21 | 0:15:23 | |
-Hoping to get a bit of texture on that? -Yeah. | 0:15:23 | 0:15:25 | |
Paul's also looked to his own family for inspiration for his feast. | 0:15:25 | 0:15:29 | |
He travelled from Padstow to Southampton | 0:15:29 | 0:15:31 | |
to meet his parents at his childhood home | 0:15:31 | 0:15:33 | |
which they used to run as a bed and breakfast. | 0:15:33 | 0:15:36 | |
Brings some memories back, coming here. | 0:15:36 | 0:15:38 | |
You'd cook in the evening for the guests, | 0:15:38 | 0:15:40 | |
but you AND Mum cooked. | 0:15:40 | 0:15:42 | |
-That's right. -That was nice. | 0:15:42 | 0:15:44 | |
Growing up here really made it clear how food can bring people together. | 0:15:44 | 0:15:48 | |
Paul's mum comes from the Seychelles, so he learned Creole cookery too. | 0:15:48 | 0:15:52 | |
Dad says you've told him that I get all my flair and everything from you | 0:15:52 | 0:15:57 | |
and, basically, all the bad stuff is from him. | 0:15:57 | 0:16:00 | |
I never said that. I just do the foreign stuff. | 0:16:00 | 0:16:03 | |
Ah, right, the foreign stuff. | 0:16:03 | 0:16:05 | |
I didn't say anything else. | 0:16:05 | 0:16:06 | |
Eating with guests in the B&B, along with his family, | 0:16:06 | 0:16:09 | |
played a big role in his upbringing. | 0:16:09 | 0:16:11 | |
Laughing, joking, having fun. | 0:16:11 | 0:16:13 | |
The joy of sharing good food inspired Paul to become a chef | 0:16:13 | 0:16:17 | |
and is now driving him on towards the banquet. | 0:16:17 | 0:16:21 | |
I've just got to give it my best shot. | 0:16:21 | 0:16:23 | |
I am going to be pushing myself to the limit. | 0:16:23 | 0:16:26 | |
Three top chefs from the south-west are creating perfect starters to share, | 0:16:28 | 0:16:33 | |
which they hope will cause a stir at the People's Banquet. | 0:16:33 | 0:16:36 | |
Paul's banking on his quirky riff on a Chinese takeaway, | 0:16:36 | 0:16:39 | |
based on Cornish duckling. | 0:16:39 | 0:16:41 | |
Andre thinks he's onto a winner | 0:16:41 | 0:16:42 | |
with his light, French-style spring veg with cured pig's cheek. | 0:16:42 | 0:16:46 | |
And John's pinning his hopes on the big, bold flavours | 0:16:46 | 0:16:49 | |
of slow roast pork belly. | 0:16:49 | 0:16:51 | |
They're all desperate to convince former champion Michael Caines | 0:16:51 | 0:16:55 | |
that their dish meets the brief best. | 0:16:55 | 0:16:57 | |
There's a real element of competition starting to emerge. | 0:16:57 | 0:17:00 | |
They know this is a competition, and they'll be pushed all the way. | 0:17:00 | 0:17:03 | |
Cooking is well underway and the pressure is on. | 0:17:08 | 0:17:12 | |
John knows that having burnt his ham earlier, he can't afford another mistake. | 0:17:12 | 0:17:16 | |
While Paul's juggling the many elements of his high-risk duck dish. | 0:17:16 | 0:17:20 | |
It's only Andre who appears to be quietly confident | 0:17:20 | 0:17:23 | |
and keeping a cool head. | 0:17:23 | 0:17:24 | |
Guys, you've gone for two quite big dishes. | 0:17:24 | 0:17:27 | |
The whole pork belly, you've got duck. | 0:17:27 | 0:17:29 | |
Both very big dishes. | 0:17:29 | 0:17:30 | |
Just wondering if people will get full up? | 0:17:30 | 0:17:33 | |
With mine, I'm imagining eight to ten people tucking into this, | 0:17:33 | 0:17:38 | |
so when you eat it like that, you're only going to have... | 0:17:38 | 0:17:41 | |
The pancakes are very, very dainty. | 0:17:41 | 0:17:43 | |
Who knows? I may have got it completely wrong. | 0:17:43 | 0:17:47 | |
With you doing a light broth, with your Bath chaps, | 0:17:47 | 0:17:50 | |
that is a nice, light starter but mine eats very lightly as well. | 0:17:50 | 0:17:53 | |
It's complemented, the flavour's balanced, so I'm not worried about my dish. | 0:17:53 | 0:17:59 | |
With tension rising in the kitchen, John will be first | 0:18:01 | 0:18:05 | |
to serve his dish to Michael. | 0:18:05 | 0:18:07 | |
Then, disaster threatens. | 0:18:07 | 0:18:10 | |
BLEEP | 0:18:10 | 0:18:11 | |
BLEEP | 0:18:13 | 0:18:15 | |
Costly mistakes by John at this late stage | 0:18:16 | 0:18:18 | |
could give the other chefs an advantage. | 0:18:18 | 0:18:22 | |
Catastrophe averted, | 0:18:24 | 0:18:26 | |
John starts plating up his platter with dabs of broccoli puree. | 0:18:26 | 0:18:31 | |
He knows that superb presentation could win him points, | 0:18:31 | 0:18:35 | |
so he carefully arranges his salad and pickles | 0:18:35 | 0:18:37 | |
before slicing up the pork belly. | 0:18:37 | 0:18:39 | |
Sorry, boss. | 0:18:41 | 0:18:42 | |
Here we are, boys. | 0:18:44 | 0:18:45 | |
First course up. | 0:18:45 | 0:18:47 | |
Do you think this will get people talking round the table, | 0:18:47 | 0:18:50 | |
with regards to engaging them? | 0:18:50 | 0:18:52 | |
Yeah, I think so. | 0:18:52 | 0:18:53 | |
It looks effective with the presentation. I'm relieved. | 0:18:53 | 0:18:56 | |
Thanks, boys. Over to you boys! | 0:18:56 | 0:18:59 | |
Over to me, more to the point. | 0:18:59 | 0:19:00 | |
Yeah. The proof's in the pudding! | 0:19:00 | 0:19:03 | |
From the start, Michael's been worried that pork belly | 0:19:03 | 0:19:07 | |
is too heavy to kick off a banquet. | 0:19:07 | 0:19:09 | |
Can John convince him his fears are unfounded? | 0:19:09 | 0:19:12 | |
So just remind me, any inspiration behind this? | 0:19:12 | 0:19:15 | |
It's all about the pork belly, it's a visual spectacle to the eye | 0:19:15 | 0:19:18 | |
which then can be enjoyed with the little pockets of flavour | 0:19:18 | 0:19:21 | |
from the pork belly, the acidity from the salad | 0:19:21 | 0:19:24 | |
and then carrying it all through with the two purees. | 0:19:24 | 0:19:27 | |
Do you think that visual element has transferred into the presentation? | 0:19:27 | 0:19:31 | |
Yeah, not totally perhaps, but in a banquet, | 0:19:31 | 0:19:34 | |
I think I've nailed it. | 0:19:34 | 0:19:35 | |
What do you think? | 0:19:35 | 0:19:36 | |
I think it's nice as it is, for four, | 0:19:36 | 0:19:38 | |
but I'm a bit worried if it's for ten. | 0:19:38 | 0:19:40 | |
Just in my opinion, it doesn't look like what I perceive to be | 0:19:40 | 0:19:44 | |
getting in and sharing. | 0:19:44 | 0:19:46 | |
The pork smell, the aroma coming through, is nice. | 0:19:46 | 0:19:49 | |
The key is getting crackling right. | 0:19:49 | 0:19:51 | |
If that's soft, the textures are all wrong. | 0:19:51 | 0:19:53 | |
Do you think you need the ham on the plate? | 0:19:53 | 0:19:56 | |
I like the smokiness it brings. | 0:19:56 | 0:19:59 | |
Not got enough of that in the crackling itself? | 0:19:59 | 0:20:02 | |
This one is a broccoli puree. | 0:20:02 | 0:20:04 | |
I don't know if that's gone cold, or he intends to serve it warm. | 0:20:04 | 0:20:07 | |
I think he intends to serve that cold | 0:20:07 | 0:20:10 | |
because this is cold, here. | 0:20:10 | 0:20:13 | |
I'll be distraught if I don't get a good score. | 0:20:13 | 0:20:15 | |
I executed everything how I wanted it. | 0:20:15 | 0:20:17 | |
I need to give myself a little head start. | 0:20:17 | 0:20:19 | |
Andre is going to plate up next, so Paul has to sweat a little longer. | 0:20:20 | 0:20:26 | |
He's seasoning his cocotte | 0:20:26 | 0:20:27 | |
with a generous grinding of black pepper and coarse sea salt. | 0:20:27 | 0:20:31 | |
Andre? Just seen the, er, first dish go up. | 0:20:33 | 0:20:38 | |
Any added pressure? | 0:20:38 | 0:20:39 | |
We're all individuals, all doing something different. | 0:20:39 | 0:20:42 | |
I think it's very good. We'll see. | 0:20:42 | 0:20:44 | |
So, still quietly confident then, that your dish has got the edge? | 0:20:44 | 0:20:48 | |
Not sure I'd say that! | 0:20:48 | 0:20:52 | |
As the moment of truth approaches, Andre takes his mini brioche | 0:20:52 | 0:20:55 | |
out of the oven and arranges them in a rustic bread crock. | 0:20:55 | 0:20:59 | |
Finally, he dishes up his spring vegetable stew into individual bowls. | 0:20:59 | 0:21:05 | |
But there's no sign of a spectacular sharing platter. | 0:21:05 | 0:21:09 | |
-OK. -Happy? -Yeah. | 0:21:09 | 0:21:12 | |
I've got a tray here, let's get this on | 0:21:14 | 0:21:17 | |
and then we can take that through. | 0:21:17 | 0:21:20 | |
Will the Michelin-starred chef trounce his rivals | 0:21:20 | 0:21:23 | |
with his refined, broth-style starter? | 0:21:23 | 0:21:25 | |
Or has Andre played it too safe | 0:21:25 | 0:21:27 | |
by sticking to tried-and-tested restaurant classics? | 0:21:27 | 0:21:30 | |
You're happy that you've got enough flavours coming through? | 0:21:30 | 0:21:34 | |
In the actual bouillion and the vegetables itself, are you? | 0:21:34 | 0:21:37 | |
Yeah, I wanted that natural, individual flavour profile. | 0:21:37 | 0:21:40 | |
-Mm-hm. -I wanted the carrot to taste of a carrot, | 0:21:40 | 0:21:43 | |
-the asparagus to taste of asparagus. -It smells so fresh. | 0:21:43 | 0:21:46 | |
Yeah, that's beautiful. Nice. | 0:21:46 | 0:21:48 | |
So far, they're impressed. Will they find any faults? | 0:21:48 | 0:21:52 | |
-Rich with the butter. -Seasoned to the max as well. | 0:21:52 | 0:21:55 | |
It might be over-seasoned if you were going to eat the whole thing. | 0:21:55 | 0:21:59 | |
Yeah. | 0:21:59 | 0:22:01 | |
You're happy with the seasoning here? | 0:22:01 | 0:22:03 | |
Might be a little too much salt. | 0:22:03 | 0:22:06 | |
The ham itself, you feel there's enough in there to come through, | 0:22:06 | 0:22:09 | |
-the spirit of this? -Yeah, I think so, yeah. | 0:22:09 | 0:22:12 | |
I think it needs more pork. Maybe in larger pieces, I don't know. | 0:22:12 | 0:22:16 | |
-Something to get your teeth into. -Yep. | 0:22:16 | 0:22:18 | |
It's more of a garnish than a main element. | 0:22:18 | 0:22:21 | |
Andre can do no more. He won't find out till later | 0:22:21 | 0:22:24 | |
if his Michelin credentials have earned him top marks. | 0:22:24 | 0:22:27 | |
I was proud of the dish I did, I think it came out well. | 0:22:27 | 0:22:31 | |
The theme of what I'm trying to do is, I think, showing through. | 0:22:31 | 0:22:35 | |
And, yeah, we'll just wait and see. | 0:22:35 | 0:22:37 | |
It's Paul's turn now, and he's still up against it. | 0:22:37 | 0:22:41 | |
Paul, running a bit late here. | 0:22:41 | 0:22:43 | |
Are you confident this is achievable for a hundred? | 0:22:43 | 0:22:46 | |
Er, yeah, definitely, it's just doing it in a different environment. | 0:22:46 | 0:22:52 | |
Just getting used to it all, find my feet. | 0:22:52 | 0:22:55 | |
I think I'm just a couple of minutes over. | 0:22:55 | 0:22:58 | |
With his cucumber garnish chopped, | 0:22:58 | 0:23:01 | |
he just has to deep fry the scotch eggs and he'll be done. | 0:23:01 | 0:23:04 | |
-Oh, you're -BLEEP -joking me. | 0:23:04 | 0:23:06 | |
But there's a problem. | 0:23:06 | 0:23:09 | |
There's no oil in the fryer! Well, not enough. | 0:23:09 | 0:23:12 | |
With no time to heat any more, | 0:23:12 | 0:23:14 | |
Paul must make do with what oil there is. | 0:23:14 | 0:23:17 | |
He can only hope Michael will be lenient this time. | 0:23:17 | 0:23:20 | |
Three more long minutes pass before Paul is finally ready. | 0:23:23 | 0:23:28 | |
He's taking a big chance. | 0:23:28 | 0:23:30 | |
If Michael doesn't think this dish is good enough to outweigh all the delays, | 0:23:30 | 0:23:34 | |
Paul could pay for it in points, on day one. | 0:23:34 | 0:23:38 | |
-There we are. -Well done, Chef. -Thanks. Sorry I was a bit late. | 0:23:39 | 0:23:43 | |
-That's all right. -Looking good. | 0:23:43 | 0:23:45 | |
-So, Paul, pleased with the way this looks? Happy? -I really am, yeah. | 0:23:45 | 0:23:49 | |
-I'll do yours, Chef, they can do theirs. -All right. | 0:23:49 | 0:23:53 | |
OK, let's go, then, Paul. | 0:23:54 | 0:23:57 | |
Paul's dish is certainly ambitious. | 0:24:02 | 0:24:04 | |
Will Michael think it's the perfect starter to serve at the People's Banquet? | 0:24:04 | 0:24:10 | |
Have a wee taste here. | 0:24:10 | 0:24:12 | |
Are you OK that it's a little small, or is that how you intended them? | 0:24:12 | 0:24:16 | |
I wanted to sort of keep them quite dainty | 0:24:16 | 0:24:18 | |
and I just wanted to sort of... | 0:24:18 | 0:24:20 | |
I didn't want you to wrap it, | 0:24:20 | 0:24:22 | |
I wanted it almost being like a canape, sort of style. | 0:24:22 | 0:24:26 | |
I'm not sure if he's meant to crisp the skin up too much, | 0:24:26 | 0:24:31 | |
-it's not too crispy. -It's sticky, isn't it? -Yes, it's like a sticky glaze, yeah. | 0:24:31 | 0:24:36 | |
-Obviously, it's not crispy. -That way, for a banquet, | 0:24:36 | 0:24:39 | |
I can keep it consistent, cos it's braised, | 0:24:39 | 0:24:41 | |
as opposed to trying to get it all crispy | 0:24:41 | 0:24:43 | |
and then it might get to the tables, and the last table, it might not be as crispy. | 0:24:43 | 0:24:47 | |
-The rhubarb's quite acidic, though, isn't it? -Yes. | 0:24:47 | 0:24:50 | |
-It takes over a little bit, doesn't it? -At the end, | 0:24:50 | 0:24:52 | |
you're left with a bit of acidity. | 0:24:52 | 0:24:54 | |
Paul's dish is left field. He's gone for the wow factor, | 0:24:54 | 0:24:57 | |
and the contact with people, finger food and stuff, | 0:24:57 | 0:25:00 | |
whereas we're a bit more restauranty. | 0:25:00 | 0:25:02 | |
-So it's exciting times, really, to see what Michael's got to say about it. -Very much. | 0:25:02 | 0:25:07 | |
Watch this space. | 0:25:07 | 0:25:09 | |
Paul's convinced the dish works, but now it's all down to Michael. | 0:25:09 | 0:25:13 | |
Michael knows what he wants, so I will be happy with anything over... | 0:25:13 | 0:25:18 | |
..anything over... anything over a five. | 0:25:18 | 0:25:21 | |
Michael's considering his verdict. | 0:25:22 | 0:25:26 | |
He's looking for an outstanding starter | 0:25:26 | 0:25:28 | |
to represent the best of the south-west at the People's Banquet. | 0:25:28 | 0:25:32 | |
The contenders have put their all into their dishes | 0:25:32 | 0:25:34 | |
and the wait seems endless. | 0:25:34 | 0:25:37 | |
I want it to be received well and if it's not, | 0:25:37 | 0:25:40 | |
it's going to knock me for six. | 0:25:40 | 0:25:42 | |
Stood here, on the Great British Menu, | 0:25:42 | 0:25:44 | |
and about to get my first score from him, I'm, yeah... | 0:25:44 | 0:25:47 | |
Don't know, I'm all over the place. | 0:25:47 | 0:25:49 | |
I hope Michael's scoring well today. | 0:25:49 | 0:25:51 | |
Guys, well done, it's a great start. | 0:26:07 | 0:26:10 | |
John, starting with you first, your slow-cooked pork was fantastic, | 0:26:10 | 0:26:14 | |
great flavours, bit of a restaurant dish, really, on a platter, | 0:26:14 | 0:26:17 | |
and didn't quite transfer as well as I'd like it to on the dish. | 0:26:17 | 0:26:23 | |
Andre, your choice was the spring vegetables with the cured pork cheek. | 0:26:25 | 0:26:29 | |
Well-cooked, and it was confidently done. | 0:26:29 | 0:26:34 | |
In a way, I felt perhaps you could have made a little bit more of the pork cheek. | 0:26:34 | 0:26:38 | |
A bit over seasoned, a little bit salty for me. | 0:26:38 | 0:26:41 | |
Paul, your Cornish duckling, beautifully cooked. | 0:26:41 | 0:26:44 | |
Put yourself, perhaps, under pressure | 0:26:44 | 0:26:48 | |
and I just question whether or not that's achievable for 100 people. | 0:26:48 | 0:26:51 | |
Moving on to the scores, then. | 0:26:57 | 0:26:59 | |
John, for your slow-roasted pork, I'm going to give you... | 0:26:59 | 0:27:02 | |
..seven out of ten. | 0:27:04 | 0:27:07 | |
Andre, for your cocotte of spring vegetables | 0:27:09 | 0:27:11 | |
with your Wiltshire pork cheek, I'm going to give you... | 0:27:11 | 0:27:16 | |
six out of ten. | 0:27:16 | 0:27:17 | |
Paul, for your Cornish duckling, I'm going to give you... | 0:27:20 | 0:27:24 | |
..nine out of ten. | 0:27:26 | 0:27:29 | |
-Well done. -Thanks. | 0:27:29 | 0:27:31 | |
-Happy days. -Good boy. -You nailed it, Chef. | 0:27:31 | 0:27:34 | |
So, Paul's ducking has taken a strong lead | 0:27:34 | 0:27:38 | |
with a massive nine points. | 0:27:38 | 0:27:40 | |
John's recovered to score a respectable seven | 0:27:40 | 0:27:43 | |
for his slow-roast pork belly. | 0:27:43 | 0:27:46 | |
And Michelin-starred Andre trails in last place | 0:27:46 | 0:27:49 | |
with just six for his spring vegetables and pig's cheek. | 0:27:49 | 0:27:53 | |
I don't know what to say. I'm completely overwhelmed. | 0:27:53 | 0:27:57 | |
I'm in shock. My mouth's dry. I don't know what to say. | 0:27:57 | 0:28:01 | |
I'm trying not to swear. | 0:28:01 | 0:28:02 | |
To be at the bottom, of course, I'm very disappointed. | 0:28:02 | 0:28:05 | |
But I think I've got to be big enough and come back from it. | 0:28:05 | 0:28:09 | |
Tomorrow, it's the fish course | 0:28:09 | 0:28:11 | |
and Andre and John will do whatever it takes to knock Paul off the top spot. | 0:28:11 | 0:28:15 | |
Paul needs to keep on the gas. | 0:28:15 | 0:28:17 | |
Those two could easily catch him up over the next three courses. | 0:28:17 | 0:28:20 | |
-You're the man to beat on this course. -Really? | 0:28:20 | 0:28:23 | |
-Written me off already, Paul, have you? -No, I haven't. | 0:28:23 | 0:28:26 | |
Subtitles by Red Bee Media | 0:28:34 | 0:28:37 | |
E-mail [email protected] | 0:28:37 | 0:28:40 |