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It's day two on Great British Menu. | 0:00:03 | 0:00:06 | |
Three of the South West's most elite chefs, | 0:00:06 | 0:00:09 | |
Andre Garrett, John Hooker and Paul Ainsworth, | 0:00:09 | 0:00:13 | |
are battling for the chance to cook at the People's Banquet. | 0:00:13 | 0:00:17 | |
Former champion Michael Caines is scoring their efforts day by day | 0:00:17 | 0:00:21 | |
and for the starter, he gave Paul a stunning nine out of ten | 0:00:21 | 0:00:26 | |
with John picking up seven points and a disappointed Andre just six. | 0:00:26 | 0:00:30 | |
I need to cook the best I can. I came here to be there at the end. | 0:00:30 | 0:00:33 | |
But the chef with the lowest total score on Thursday will be out. | 0:00:33 | 0:00:37 | |
Only two can face the judges on Friday, so they have to deliver. | 0:00:37 | 0:00:42 | |
It's so important to hit the ground running today. | 0:00:42 | 0:00:44 | |
It's my complete and utter drive to catch up now. | 0:00:44 | 0:00:46 | |
Today it's the fish course | 0:00:46 | 0:00:49 | |
-and the chefs are on a mission to outdo each other. -Oooh! | 0:00:49 | 0:00:52 | |
You're trying to unnerve me, Mr Garrett, are you? | 0:00:52 | 0:00:54 | |
It's going to be a great course, highly competitive | 0:00:54 | 0:00:57 | |
and very, very close. | 0:00:57 | 0:00:58 | |
Looks like we've got a bit of work on, John. Topple the master. | 0:00:58 | 0:01:01 | |
This year, our winning chefs have the honour of inviting | 0:01:14 | 0:01:17 | |
their local food heroes to a magnificent street party, the People's Banquet. | 0:01:17 | 0:01:23 | |
But to earn those invites, the chefs must come up with delicious sharing dishes, | 0:01:23 | 0:01:27 | |
spectacular platters to tuck into together, | 0:01:27 | 0:01:30 | |
to help get guests talking. | 0:01:30 | 0:01:32 | |
I'm going to have another one, if you don't mind. | 0:01:32 | 0:01:35 | |
It's a tough call and this week's veteran, Michael Caines, | 0:01:35 | 0:01:39 | |
fought for the South West title twice, so he knows exactly what he's looking for. | 0:01:39 | 0:01:43 | |
The South West is just absolutely a wonderful larder for seafood | 0:01:44 | 0:01:47 | |
so I'm expecting these guys to really champion that. | 0:01:47 | 0:01:50 | |
First out of the blocks today is Paul Ainsworth, | 0:01:55 | 0:01:59 | |
who settles for nothing but the best on the menu at his restaurant in Padstow. | 0:01:59 | 0:02:03 | |
After impressing Michael with his starter, he's currently | 0:02:03 | 0:02:07 | |
topping the leaderboard but knows he can't rest on his laurels. | 0:02:07 | 0:02:10 | |
I may be ahead on the first course but there are still three more to go | 0:02:10 | 0:02:14 | |
and I could potentially throw it away on the next three courses. | 0:02:14 | 0:02:18 | |
-Good day, Paul. -Morning. -What dish are you going to be doing? | 0:02:18 | 0:02:21 | |
Just a fisherman's platter. | 0:02:21 | 0:02:22 | |
Sea bass, I'm keeping it really, really simple, | 0:02:22 | 0:02:25 | |
so I'm just going to bake that in newspaper. | 0:02:25 | 0:02:27 | |
-Of course, some oysters. -Oysters. -And a little bit of sardine. | 0:02:27 | 0:02:30 | |
Trying to keep everything that I've got | 0:02:30 | 0:02:32 | |
down there on the doorstep and make the most of it. | 0:02:32 | 0:02:35 | |
Listen, you've got your neck in front at the moment. | 0:02:35 | 0:02:38 | |
Keep the pressure up because these guys are going to be wanting to claw back some marks. | 0:02:38 | 0:02:42 | |
It may have a simple title but there's a lot in this dish, | 0:02:42 | 0:02:45 | |
which Paul plans to lay out to share on a Cornish rock. | 0:02:45 | 0:02:49 | |
He's cooking some interesting ingredients | 0:02:49 | 0:02:51 | |
with some wonderful textures as well, but I'll have to see | 0:02:51 | 0:02:55 | |
how he marries all those flavours together to make that work. | 0:02:55 | 0:02:58 | |
Check on. Four covers! | 0:02:58 | 0:03:00 | |
Next up is John Hooker, determined to win | 0:03:00 | 0:03:04 | |
after being narrowly beaten into second place last year. | 0:03:04 | 0:03:07 | |
He's a big, bold character and likes his flavours that way too. | 0:03:07 | 0:03:12 | |
He came second in the starter with seven points | 0:03:12 | 0:03:14 | |
for his slow roast pork belly. | 0:03:14 | 0:03:16 | |
He's fixed his sights on a higher score for his fish dish. | 0:03:16 | 0:03:19 | |
I'm one point ahead of Andre. I need to hang onto some lead | 0:03:19 | 0:03:22 | |
and not let the boys get too far ahead of me. | 0:03:22 | 0:03:24 | |
I had a strong starter, so onwards and upwards. | 0:03:24 | 0:03:27 | |
What dish are you doing today? | 0:03:29 | 0:03:32 | |
Cured sea bass with crab cakes and a tomato jelly. | 0:03:32 | 0:03:36 | |
The sauce, I'm doing parsley and crab mayonnaise with it as well. | 0:03:36 | 0:03:39 | |
How do you think this dish is going to get people interacting? | 0:03:39 | 0:03:42 | |
I've gone a different angle with the cured element. | 0:03:42 | 0:03:44 | |
It's not something people have had a lot of and that's the thing, saying, "I've never had this before", | 0:03:44 | 0:03:49 | |
and then with the crab, eating it with the texture and the crunch. | 0:03:49 | 0:03:51 | |
-I think it'll inspire people. -Feeling quite confident today? | 0:03:51 | 0:03:54 | |
Yeah, I am. | 0:03:54 | 0:03:56 | |
After yesterday, Mr Number One over here, game's on today | 0:03:56 | 0:04:01 | |
and we've got to cook some good fish courses. | 0:04:01 | 0:04:03 | |
John's putting his faith in a few strong, distinct flavours | 0:04:04 | 0:04:08 | |
and textures, presented simply and without theatre. | 0:04:08 | 0:04:12 | |
It's a radical strategy to capture the lead, so is Michael impressed? | 0:04:12 | 0:04:17 | |
John's box of ingredients is actually quite simple. | 0:04:17 | 0:04:20 | |
I was slightly underwhelmed by it. | 0:04:20 | 0:04:22 | |
He's asking a lot of some very humble ingredients. | 0:04:22 | 0:04:25 | |
I think perhaps I was expecting a little bit more from him. | 0:04:25 | 0:04:28 | |
Main course away, one veg, one pork du jour. | 0:04:28 | 0:04:33 | |
The final chef today is the quietly determined Andre Garrett. | 0:04:33 | 0:04:36 | |
As the only Michelin-starred competitor in this heat, | 0:04:36 | 0:04:39 | |
he's the favourite | 0:04:39 | 0:04:41 | |
but his Wiltshire pig cheek only earned him six points in the starter. | 0:04:41 | 0:04:46 | |
I've taken a little bit of a knock. I'm a bit disappointed, but I need to focus on what I'm doing. | 0:04:46 | 0:04:51 | |
I need to bring up a good dish and get my points back up. | 0:04:51 | 0:04:54 | |
It's vitally important and I'm determined to do that. | 0:04:54 | 0:04:57 | |
So, the name of this dish is "mackerel caviar" | 0:04:59 | 0:05:03 | |
with seashore herbs and shellfish. | 0:05:03 | 0:05:06 | |
My mackerel is done in two stages. | 0:05:06 | 0:05:08 | |
I'm doing a brandade and a tartare and I'm cooking tapioca in squid ink. | 0:05:08 | 0:05:12 | |
That will give me what I fake caviar. | 0:05:12 | 0:05:14 | |
-OK. -It'll give that idea. -How is this going to be served? | 0:05:14 | 0:05:17 | |
It's important we get this wonderful platter of seafood out there | 0:05:17 | 0:05:20 | |
-for them to get involved. -It's been a big thought for me. | 0:05:20 | 0:05:24 | |
What I want to do is recreate a seashore with the shellfish. | 0:05:24 | 0:05:27 | |
That will go down the centre of the table. | 0:05:27 | 0:05:29 | |
Then the caviar I want to share between two people. | 0:05:29 | 0:05:32 | |
You've got conversation between two and something in the middle. | 0:05:32 | 0:05:35 | |
-Obviously, a little bit behind. -I hope I can pull it out of the bag. | 0:05:35 | 0:05:40 | |
All the best. | 0:05:40 | 0:05:42 | |
So, Andre's captured the spirit of sharing but is his inclusion | 0:05:42 | 0:05:46 | |
of cheffy elements like his tartare of raw cured mackerel | 0:05:46 | 0:05:49 | |
a risky tactic? | 0:05:49 | 0:05:51 | |
There's a few pitfalls there for Andre. | 0:05:51 | 0:05:53 | |
He's got a lot to present and do. | 0:05:53 | 0:05:55 | |
Put that into a banquet scenario, is it too much? I wonder. | 0:05:55 | 0:06:01 | |
As the cooking commences, | 0:06:08 | 0:06:09 | |
Andre knows it's crucial he makes a splash with his elaborate platter. | 0:06:09 | 0:06:13 | |
He must overtake at least one of his rivals | 0:06:13 | 0:06:17 | |
to get in front of the judges on Friday. | 0:06:17 | 0:06:19 | |
I don't want to be going home upset. | 0:06:19 | 0:06:21 | |
I don't want to be going home thinking I missed out. | 0:06:21 | 0:06:24 | |
Yeah, the benchmark has been set. It's there. Yeah, let's cook. | 0:06:24 | 0:06:29 | |
First, Andre has a little dig to undermine Paul's confidence. | 0:06:29 | 0:06:34 | |
-Paul, nine out of ten. Good start. -I'm pleased. -Unbelievable. | 0:06:34 | 0:06:39 | |
As you know, it's no good getting nine out of ten | 0:06:39 | 0:06:42 | |
and then scoring threes the rest of the week. | 0:06:42 | 0:06:45 | |
Do you think you're up to maintaining that? | 0:06:45 | 0:06:48 | |
I think so. | 0:06:49 | 0:06:51 | |
All of my dishes are like platters and big, hearty eating dishes | 0:06:51 | 0:06:55 | |
so I hope so. | 0:06:55 | 0:06:57 | |
Looks like we got a bit of work on, John. Topple the master. | 0:06:57 | 0:07:02 | |
I think you're the man to beat on this course. | 0:07:03 | 0:07:05 | |
-Oh, really? -Written me off already, Paul, have you?! | 0:07:05 | 0:07:08 | |
No, I haven't! | 0:07:08 | 0:07:10 | |
Paul's had a wonderful starter, got some really good marks there. | 0:07:12 | 0:07:15 | |
We're looking at the fish dish. He's got to keep that energy up | 0:07:15 | 0:07:18 | |
and make sure he produces yet again another great dish. | 0:07:18 | 0:07:23 | |
The pressure's on him now. | 0:07:23 | 0:07:24 | |
In his bid to hold onto the lead, Paul is cooking | 0:07:24 | 0:07:27 | |
an ambitious dish with three main elements - sea bass, sardines and oysters. | 0:07:27 | 0:07:34 | |
He's even baking bread to go with it. | 0:07:34 | 0:07:35 | |
But first he has the tricky job of deboning and skinning the bass. | 0:07:35 | 0:07:41 | |
Desperate for points, Andre's also thinking big. | 0:07:41 | 0:07:44 | |
He's preparing octopus, just one of eight types of seafood | 0:07:44 | 0:07:47 | |
he plans to include in his dramatic platter. | 0:07:47 | 0:07:52 | |
And John's aiming to surprise everyone. | 0:07:53 | 0:07:56 | |
He's hoping that the other two will overreach themselves | 0:07:57 | 0:08:00 | |
and that his clean, strong flavours of crab and bass will win the day. | 0:08:00 | 0:08:04 | |
The atmosphere in there's really intense. | 0:08:04 | 0:08:07 | |
They've really knuckled down on this course. | 0:08:07 | 0:08:09 | |
Paul and Andre have got a lot going on, more so, I think, than John has. | 0:08:09 | 0:08:13 | |
To balance his dish, John's making a tomato jelly. | 0:08:15 | 0:08:17 | |
He's blending tomatoes, cucumber, fennel, chilli and herbs | 0:08:17 | 0:08:21 | |
and he's feeling rattled. | 0:08:21 | 0:08:23 | |
I'm pretty worried about this course. | 0:08:24 | 0:08:26 | |
The boys have pulled it out of the bag and again, | 0:08:26 | 0:08:29 | |
I've gone simple pimple. | 0:08:29 | 0:08:30 | |
I've got to have faith in that and really pull it through | 0:08:30 | 0:08:33 | |
and that's the best I can do, really. | 0:08:33 | 0:08:35 | |
As he adds gelatine to vegetable essence, | 0:08:35 | 0:08:38 | |
to make his jelly set, should he be questioning his strategy? | 0:08:38 | 0:08:41 | |
I don't think it's an issue that John's gone for simple and fresh approach, | 0:08:41 | 0:08:45 | |
the crab and the sea bass. | 0:08:45 | 0:08:47 | |
I just worry about whether or not all those people | 0:08:47 | 0:08:50 | |
will get the curing, and that's quite daring, really. | 0:08:50 | 0:08:54 | |
A lot of people are going to see that as raw. | 0:08:54 | 0:08:56 | |
John's boldly decided to escabeche his fish, | 0:08:56 | 0:08:59 | |
curing it in lime juice rather than cooking it. | 0:08:59 | 0:09:03 | |
I'm a little bit concerned about whether or not that escabeche | 0:09:03 | 0:09:07 | |
-is going to be embraced by everybody around that table. -Yeah. | 0:09:07 | 0:09:11 | |
You're quite confident that the curing of the fish is going to go down well? | 0:09:11 | 0:09:15 | |
The crab's a big element as well. The mayonnaise will cut through it as well. | 0:09:15 | 0:09:19 | |
-I've got to keep faith. -It's about balancing that. -Balancing it all up. | 0:09:19 | 0:09:23 | |
It's a risk, but if you don't take a risk, you don't get anywhere. | 0:09:23 | 0:09:27 | |
I've got faith in it. Marry all the flavours together. | 0:09:27 | 0:09:30 | |
Let's hope so. | 0:09:30 | 0:09:32 | |
Across the kitchen, rival Andre is mixing mackerel with potato | 0:09:36 | 0:09:40 | |
to make what's called a brandade - it will form the bottom layer | 0:09:40 | 0:09:43 | |
in his tins of fake caviar, but Michael's got some concerns. | 0:09:43 | 0:09:47 | |
You know, interesting, the tapioca with the black squid ink. | 0:09:47 | 0:09:50 | |
Do you think they're ready for that, the tapioca texture? | 0:09:50 | 0:09:54 | |
Well, I'm keeping it... I don't want it sticky. | 0:09:54 | 0:09:57 | |
-I want it to be like caviar. -Yeah. | 0:09:57 | 0:10:00 | |
I want that whole caviar, that talking point | 0:10:00 | 0:10:02 | |
and when I serve it in the caviar tin as well. | 0:10:02 | 0:10:04 | |
Any other flavour coming through? | 0:10:04 | 0:10:05 | |
-I'm going to keep it to myself. -OK. | 0:10:05 | 0:10:07 | |
-Hear that, guys? -And... we'll see, we'll see. -Secretive. | 0:10:07 | 0:10:11 | |
-Yeah, secretive. -Andre is doing fake caviar. | 0:10:11 | 0:10:16 | |
It's an interesting take on it and let's see. | 0:10:16 | 0:10:19 | |
Michael's looking for textbook execution. | 0:10:19 | 0:10:21 | |
The chefs know that to impress, they must deliver knockout dishes | 0:10:21 | 0:10:25 | |
suitable to share at a street party, and to help perfect their menus, | 0:10:25 | 0:10:28 | |
they started their research close to home. | 0:10:28 | 0:10:32 | |
To find inspiration for his dishes, Paul travelled down to Newlyn | 0:10:32 | 0:10:37 | |
on Cornwall's south coast to meet some local food heroes. | 0:10:37 | 0:10:42 | |
Fantastic. Brilliant. Thank you. I hope I do them justice. | 0:10:42 | 0:10:46 | |
He's going to cook some fresh sardines for the people | 0:10:46 | 0:10:49 | |
at the Fishermen's Mission, a charitable organisation | 0:10:49 | 0:10:51 | |
that provides emergency and welfare support to the fishing community. | 0:10:51 | 0:10:55 | |
Keith Dixon is the local superintendent. | 0:10:55 | 0:10:59 | |
The canteen and the food reserve is the heartbeat of the mission in Newlyn, it really is. | 0:10:59 | 0:11:04 | |
I mean, fishing is a very solitary job and when you come ashore, | 0:11:04 | 0:11:08 | |
it's a place to meet, | 0:11:08 | 0:11:10 | |
a place where people can be accepted for who they are | 0:11:10 | 0:11:12 | |
and they can enjoy good food. | 0:11:12 | 0:11:14 | |
Paul's own grandfather was a fisherman | 0:11:14 | 0:11:16 | |
and served on the lifeboats, so it's an industry close to his heart | 0:11:16 | 0:11:20 | |
as well as providing him with superb fresh ingredients. | 0:11:20 | 0:11:24 | |
-Hi, Allie. This is Paul. -Hello. How are you? -Fine, thanks. | 0:11:24 | 0:11:29 | |
-Allie is the... -Lovely to meet you. -..kitchen manager. -You're freezing. -I know! | 0:11:29 | 0:11:33 | |
Fishing's one of the most dangerous and demanding professions in the world | 0:11:33 | 0:11:38 | |
and it's volunteers like Allie the cook that keep the mission going and make it so welcoming. | 0:11:38 | 0:11:44 | |
I think it's a place where they can come and sit for hours, | 0:11:44 | 0:11:47 | |
-whether it's a coffee that they have or a meal. -Yeah. | 0:11:47 | 0:11:50 | |
There's no pressure on time and they just come and they chat. | 0:11:50 | 0:11:53 | |
It's a social thing more than anything, I think. | 0:11:53 | 0:11:57 | |
Paul wants to find out | 0:11:57 | 0:11:59 | |
if his idea for a sardine dish would create a great sharing experience. | 0:11:59 | 0:12:03 | |
-What kind of food do the fishermen like? -They're all fond of chips. | 0:12:03 | 0:12:06 | |
Perhaps that's because they don't get them at home. | 0:12:06 | 0:12:09 | |
No chips from Paul but plenty of fish, and the orders are piling in. | 0:12:09 | 0:12:13 | |
-It's gotten really busy, hasn't it, Allie? -It certainly is. | 0:12:13 | 0:12:15 | |
He's serving his sardines in person to get first-hand feedback. | 0:12:15 | 0:12:19 | |
Hurry up...! | 0:12:19 | 0:12:21 | |
-Yeah? -That's delicious. -Tasty. | 0:12:22 | 0:12:26 | |
-I'm going to have another one, if you don't mind. -Yeah, finish it. | 0:12:26 | 0:12:30 | |
I think we've eaten it all. We didn't leave much behind. | 0:12:30 | 0:12:32 | |
It's a good sharing dish. | 0:12:32 | 0:12:34 | |
The only thing that's missing, if it wasn't a mission, we'd have a glass of wine! | 0:12:34 | 0:12:39 | |
Finally, after a busy service, | 0:12:39 | 0:12:42 | |
it's time for Keith and Allie to give their verdict. | 0:12:42 | 0:12:46 | |
-That's lovely. That's really, really nice. -Really very nice. -Excellent. | 0:12:48 | 0:12:53 | |
Paul's been touched by what he's seen here | 0:12:53 | 0:12:57 | |
and has a special request for the volunteers. | 0:12:57 | 0:12:59 | |
If I do make it to the banquet, I'd like to invite you to the banquet and all the people from the mission. | 0:12:59 | 0:13:04 | |
-I'd be honoured. -Thank you very much. | 0:13:04 | 0:13:06 | |
I don't want a kiss, it's all right! | 0:13:08 | 0:13:10 | |
Back in our kitchen, Paul's still buzzing from his visit. | 0:13:12 | 0:13:16 | |
The job they do is incredible. | 0:13:16 | 0:13:18 | |
It's not only getting your course there, it's that extra pressure. | 0:13:18 | 0:13:22 | |
-You'd love to get these people there. -Giving something back. -Yeah. | 0:13:22 | 0:13:25 | |
Taking their time out to give to others. | 0:13:25 | 0:13:27 | |
Got to get past Michael first. | 0:13:27 | 0:13:29 | |
Three top chefs from the South West of England are slaving away | 0:13:36 | 0:13:39 | |
to make fish dishes designed to be shared at the People's Banquet. | 0:13:39 | 0:13:44 | |
Paul's creating an understated fishermen's lunch of sea bass, | 0:13:44 | 0:13:47 | |
sardines and oysters. | 0:13:47 | 0:13:49 | |
Andre's desperate to beat him with his innovative mackerel "caviar" | 0:13:49 | 0:13:52 | |
and shellfish platter. | 0:13:52 | 0:13:54 | |
John's determined to outshine them both | 0:13:54 | 0:13:56 | |
with his simple plate of wild bass and crab cakes. | 0:13:56 | 0:13:59 | |
Michael Caines will be dishing out the scores | 0:13:59 | 0:14:02 | |
once he's seen and tasted them all. | 0:14:02 | 0:14:05 | |
I think both Paul and Andre | 0:14:05 | 0:14:08 | |
have planned a few surprises with the presentation. | 0:14:08 | 0:14:11 | |
It looks like John's just going to let it speak for itself | 0:14:11 | 0:14:14 | |
with the freshness of the dish | 0:14:14 | 0:14:16 | |
and I think he's relying on that to come through. | 0:14:16 | 0:14:18 | |
They're flat out in the kitchen now. | 0:14:24 | 0:14:27 | |
John's making his choux pastry crab cakes while Andre's opening huge numbers of clams, | 0:14:27 | 0:14:32 | |
cockles, scallops and oysters for his extravagant | 0:14:32 | 0:14:35 | |
shellfish sharing platter to be served with his quirky fake caviar. | 0:14:35 | 0:14:39 | |
They all have their eye on the prize | 0:14:41 | 0:14:44 | |
and frontrunner Paul has some surprises planned. | 0:14:44 | 0:14:47 | |
He's thought long and hard | 0:14:47 | 0:14:49 | |
about the look of his humble fisherman's lunch. | 0:14:49 | 0:14:51 | |
Paul, what's going on here? | 0:14:51 | 0:14:53 | |
I've got a newspaper from the fishermen's mission | 0:14:53 | 0:14:56 | |
and it's from 1919, they dug it out of the archives for me, | 0:14:56 | 0:14:59 | |
so I got it printed onto baking paper. | 0:14:59 | 0:15:01 | |
-Seen this? -He's got loads of tricks, hasn't he? | 0:15:01 | 0:15:03 | |
-I know. Seen that one, J? -Yeah, really under pressure(!) | 0:15:03 | 0:15:08 | |
-That sounded sarcastic. -Did it? Is that what it is, is it? | 0:15:08 | 0:15:12 | |
Obviously you're baking blind here. | 0:15:12 | 0:15:14 | |
-The timing of that fish cooking is everything. -Is everything, yeah. | 0:15:14 | 0:15:19 | |
So Paul's gambling big-time, | 0:15:19 | 0:15:21 | |
combining a tricky cooking technique with clever presentation. | 0:15:21 | 0:15:25 | |
Paul's got a great dish | 0:15:25 | 0:15:26 | |
but it's all about the cooking of the sea bass. | 0:15:26 | 0:15:29 | |
He's got to get it absolutely spot-on. Too much, it's overcooked. | 0:15:29 | 0:15:33 | |
Too little, it'll be raw. | 0:15:33 | 0:15:35 | |
He's brave doing it but there's a risk element there | 0:15:35 | 0:15:38 | |
because you're in a new kitchen, you've got different ovens than you've practised with before. | 0:15:38 | 0:15:43 | |
They're all taking chances today as they battle to get to the banquet. | 0:15:43 | 0:15:48 | |
Michael's already expressed concern about John serving raw, cured fish | 0:15:48 | 0:15:52 | |
but Andre's using some in his dish too. | 0:15:52 | 0:15:55 | |
-Is that are you doing yours? -Yeah. | 0:15:55 | 0:15:57 | |
I'm using a little rice wine vinegar. It's very, very mild, then just lime zest. | 0:15:57 | 0:16:02 | |
-Yeah? -You've got the flavour of the lime but you ain't got that acid. | 0:16:02 | 0:16:05 | |
-Unlike John's, perhaps. -Using any rice wine vinegar? | 0:16:05 | 0:16:09 | |
No, no vinegar. Just literally juice and the acidity's going to come through the lime anyway, | 0:16:09 | 0:16:15 | |
and the richness of the olive oil - simple cure. | 0:16:15 | 0:16:17 | |
But could it be too simple? | 0:16:17 | 0:16:20 | |
Andre's patiently building a base layer of his mackerel brandade, | 0:16:20 | 0:16:23 | |
topped with parsley and fish cured his way. | 0:16:23 | 0:16:27 | |
Andre, is this your tartare? | 0:16:27 | 0:16:28 | |
Yes, this is my mackerel tartare. | 0:16:28 | 0:16:30 | |
I didn't use any citrus acid, no lime juice, because I believe it cooks the mackerel too much. | 0:16:30 | 0:16:37 | |
It's still cooking it with the vinegar to keep that marine flavour coming through it. | 0:16:37 | 0:16:41 | |
The last layer will be the faux caviar. | 0:16:41 | 0:16:45 | |
-This is the tapioca, it's just been washed off, yeah? -Yeah. | 0:16:45 | 0:16:49 | |
-Shellfish stock, is that? -Try to keep that seaweed flavour. | 0:16:49 | 0:16:53 | |
And finally, black squid ink to make it look like caviar. | 0:16:53 | 0:16:56 | |
Just using your stock as a seasoning now. You've now got yourself a nice little black lipstick there. | 0:16:58 | 0:17:05 | |
I now get the concept of the tartare and the brandade in the caviar dish, topped with that tapioca. | 0:17:05 | 0:17:12 | |
A bit worried about the flavour, so let's see. | 0:17:12 | 0:17:14 | |
Andre is plating up first, but he doesn't have much time. | 0:17:17 | 0:17:20 | |
He starts by arranging his props and scallop shells | 0:17:20 | 0:17:23 | |
and then lays a bed of seaweed to support the tins of caviar. | 0:17:23 | 0:17:27 | |
He adds cockles and sliced scallops, and, watched closely by his rivals, | 0:17:27 | 0:17:32 | |
gets the massive platter ready for the pass. | 0:17:32 | 0:17:35 | |
But there's something missing. | 0:17:35 | 0:17:38 | |
Oh, hang on. Something I've forgotten. | 0:17:38 | 0:17:40 | |
You can't be forgetful in such a tightly fought competition. | 0:17:40 | 0:17:44 | |
The oysters are crucial to his presentation. | 0:17:44 | 0:17:47 | |
A little bit over time here, though. | 0:17:47 | 0:17:49 | |
-A little bit. -Lot to do? -Yeah. | 0:17:49 | 0:17:51 | |
You can't take him seriously with that black lipstick, can you? | 0:17:51 | 0:17:55 | |
-Is it still black? -Yeah! | 0:17:55 | 0:17:57 | |
Well done. | 0:17:57 | 0:17:58 | |
Andre's certainly thought about his presentation. | 0:17:58 | 0:18:01 | |
But will this imaginative dish be enough to impress Michael | 0:18:01 | 0:18:06 | |
and get Michelin-starred chef Andre off the bottom of the scoreboard? | 0:18:06 | 0:18:11 | |
Andre, are you happy that this is a really great sharing dish? | 0:18:11 | 0:18:14 | |
I think there's a lot going on, there's a lot of talking points. | 0:18:14 | 0:18:18 | |
There's something a little bit quirky. | 0:18:18 | 0:18:21 | |
So yeah, it's quite different, but, yeah, I think it works. | 0:18:21 | 0:18:25 | |
Spot-on. | 0:18:25 | 0:18:26 | |
-That's lovely. -Yeah. Beautiful. | 0:18:26 | 0:18:29 | |
Have a look at this caviar. | 0:18:29 | 0:18:31 | |
This is going to be a real talking point, isn't it? | 0:18:31 | 0:18:34 | |
Exactly. I wanted something that's a little bit unique, in a way. | 0:18:34 | 0:18:38 | |
I've got the earthiness of the brandade, the freshness of the tartare. | 0:18:38 | 0:18:42 | |
Then the talking point of the fake caviar. | 0:18:42 | 0:18:45 | |
You're happy with the seasoning in there? | 0:18:45 | 0:18:47 | |
-I'm happy with that. I wanted to keep that freshness. -Yeah. | 0:18:47 | 0:18:50 | |
-Not much flavour coming through that. -But it's fun. It's cool. | 0:18:50 | 0:18:54 | |
You'd like that, you'd enjoy it. That's really skilful. | 0:18:54 | 0:18:58 | |
-With the toast, it eats like a dream. -Yeah, really is. | 0:18:58 | 0:19:01 | |
You were under pressure getting it out. How do you feel about doing it for 100? | 0:19:01 | 0:19:05 | |
Um... Yeah, no problem. Plenty of practice by then! | 0:19:05 | 0:19:10 | |
Pleased with the presentation of it, I'm pleased with all the flavours. | 0:19:10 | 0:19:13 | |
I really had to push on that one. It was a big task. | 0:19:13 | 0:19:16 | |
I hope I get a better score than my starter. | 0:19:16 | 0:19:18 | |
Now it's Paul's turn to serve up, and with time ticking, he has to push on with his ambitious dish. | 0:19:21 | 0:19:27 | |
The most critical element is the sea bass baked in newspaper. | 0:19:27 | 0:19:31 | |
A huge risk, as Paul can't see whether it's cooked or not. | 0:19:31 | 0:19:35 | |
But despite this gamble, he starts to fill his sardine tins with toasted focaccia, | 0:19:35 | 0:19:39 | |
topped with sardines and vegetables. | 0:19:39 | 0:19:43 | |
Fried rock oysters are placed on piles of fennel and apple, | 0:19:43 | 0:19:47 | |
the sea bass parcels are arranged, and Paul's rivals can see | 0:19:47 | 0:19:50 | |
that they may have trouble knocking him off the top spot today. | 0:19:50 | 0:19:53 | |
There we have it - fisherman's lunch. | 0:19:56 | 0:19:59 | |
You happy with that? | 0:19:59 | 0:20:01 | |
Yeah, I really am. | 0:20:01 | 0:20:03 | |
Well, on that note, let's take it away and have a taster. | 0:20:03 | 0:20:06 | |
So, has Paul done it again? | 0:20:09 | 0:20:12 | |
Is this platter worthy to be the fish course at the People's Banquet? | 0:20:12 | 0:20:16 | |
Dig in. | 0:20:16 | 0:20:18 | |
-Happy with the cooking there? -Yeah. | 0:20:18 | 0:20:20 | |
Really, really moist. | 0:20:20 | 0:20:23 | |
Mmm. | 0:20:23 | 0:20:24 | |
I'm really happy with that. | 0:20:24 | 0:20:26 | |
-And the seasoning? -Yeah. | 0:20:26 | 0:20:29 | |
-Good marine flavour. -And that bass is fabulous. -The bass is lovely. | 0:20:32 | 0:20:36 | |
-Let's move onto the sardines on toast. -Yeah. | 0:20:36 | 0:20:39 | |
And the balance of flavours on that sardine, you're really happy with? | 0:20:41 | 0:20:45 | |
Yeah. Again, nice and sweet, quite sort of, like, quite mild. | 0:20:45 | 0:20:48 | |
Nice piquant. | 0:20:50 | 0:20:53 | |
The carrot works well. | 0:20:53 | 0:20:55 | |
-That bread's good, the focaccia with the olive oil. -Very good bread. | 0:20:55 | 0:20:58 | |
Of course, finally the oyster. | 0:20:58 | 0:21:00 | |
Oysters aren't everybody's cup of tea, but I think that would be a nice introduction to oysters, | 0:21:00 | 0:21:05 | |
I think, deep-frying it. | 0:21:05 | 0:21:06 | |
The majority of the banquet would at least try it and give it a go. | 0:21:06 | 0:21:11 | |
-Very good. -Definitely. | 0:21:11 | 0:21:13 | |
Can you see this working at a banquet for 100 people? | 0:21:13 | 0:21:16 | |
I really, really can. There is an element of sort of push to it. | 0:21:16 | 0:21:20 | |
I want to show something different, but make sure it's achievable for the banquet. | 0:21:20 | 0:21:26 | |
Yeah, I really want to be in the lead after this score. | 0:21:27 | 0:21:31 | |
Andre really set the tone. | 0:21:31 | 0:21:32 | |
-It's not easy going up last, is it? -Not with everyone watching you. | 0:21:32 | 0:21:37 | |
A bit anxious about the whole thing, really. | 0:21:37 | 0:21:39 | |
Now it's John's turn to feel the pressure. | 0:21:39 | 0:21:42 | |
You've hit the wow factor and perhaps I haven't done quite enough. | 0:21:42 | 0:21:45 | |
We've got two courses to go after today and I've got two strong dishes coming up. | 0:21:45 | 0:21:49 | |
-Good man. -See what Michael thinks about it. -Stop winking at me! -Yeah! | 0:21:49 | 0:21:53 | |
John starts by plating up his cured sea bass. | 0:21:54 | 0:21:57 | |
He's relying on the adage less is more, so he's serving it up on plates, not platters, | 0:21:57 | 0:22:03 | |
and he needs to be spot-on. | 0:22:03 | 0:22:05 | |
A sprinkle of curry salt is followed by a garnish of dill and finely chopped baby fennel. | 0:22:05 | 0:22:11 | |
-Oh! -Who is this guy? | 0:22:12 | 0:22:15 | |
Oh! | 0:22:15 | 0:22:17 | |
-You trying to unnerve me, are you? -No. | 0:22:17 | 0:22:20 | |
But John has a trick up his sleeve with some unusual greenery, and it's got Andre guessing. | 0:22:20 | 0:22:25 | |
-What's that, John? -A little touch of these oyster leaves, just lift the dish a bit. | 0:22:25 | 0:22:31 | |
Named for their strong oyster flavour, John uses them to finish the garnish. | 0:22:33 | 0:22:38 | |
With the crab cakes out of the fryer and parsley mayonnaise ready, | 0:22:38 | 0:22:42 | |
the last of the fish courses is ready to go. | 0:22:42 | 0:22:45 | |
There you are, Michael. | 0:22:46 | 0:22:47 | |
Probably a little less wow factor than what the boys did with the sand and the seaweed and stuff, | 0:22:47 | 0:22:53 | |
but I'm not compromising any flavour with this. | 0:22:53 | 0:22:56 | |
So we've got the crab cakes, the crab mayonnaise and then the ceviche just simply dressed. | 0:22:56 | 0:23:02 | |
Will this simple yet bold combination pay off with Michael? | 0:23:02 | 0:23:06 | |
John's up against it already | 0:23:06 | 0:23:08 | |
but he's completely forgotten the tomato jelly. | 0:23:08 | 0:23:11 | |
It was meant to offset the flavours and textures of his escabeche sea bass and crab cakes, | 0:23:11 | 0:23:16 | |
but is it the right sort of dish anyway? | 0:23:16 | 0:23:19 | |
Do you think that this fits nicely into that sharing concept? | 0:23:19 | 0:23:23 | |
You're happy that this represents that criteria well? | 0:23:23 | 0:23:27 | |
I think it is about sharing and it is quite daring with the cured sea bass bit. | 0:23:27 | 0:23:31 | |
I think you have to take a risk and educate people and just push the boat out a little. | 0:23:31 | 0:23:37 | |
You can scale it up or scale it down. | 0:23:37 | 0:23:39 | |
-These are little oyster leaves, I believe. -Never had those before. | 0:23:39 | 0:23:43 | |
-Tastes like an oyster. -It does, doesn't it? -Very good. | 0:23:43 | 0:23:47 | |
Just want to taste your sea bass and tell me what you think of the seasoning and flavours. | 0:23:47 | 0:23:52 | |
On it own, it's probably a touch dull, but I like it when you eat it with all the other components. | 0:23:55 | 0:24:00 | |
Paul's missing the component of tomato jelly, and that affects his balance of bold flavours. | 0:24:00 | 0:24:07 | |
I think the marinade might have sat on the fish a little bit of time. | 0:24:07 | 0:24:11 | |
He's lost the raw feel to it, the marine flavour. | 0:24:11 | 0:24:16 | |
Are you happy with the balance of the flavours there, the way it's all marrying together? | 0:24:16 | 0:24:20 | |
I think on the whole, it's there. | 0:24:20 | 0:24:23 | |
OK. Excellent. | 0:24:23 | 0:24:26 | |
Are you confident? | 0:24:26 | 0:24:28 | |
Yeah, you know you are! | 0:24:28 | 0:24:30 | |
-Got this one in the bag, haven't you?! -No. | 0:24:30 | 0:24:33 | |
Yeah...! | 0:24:33 | 0:24:34 | |
I made a mistake today under a lot of pressure and I forgot to put my tomato jelly on. | 0:24:35 | 0:24:40 | |
In hindsight, it would have given that little bit of zing and cut through the bass, | 0:24:40 | 0:24:45 | |
but hey ho, silly schoolboy error on my part. | 0:24:45 | 0:24:48 | |
Michael wants only the very best dishes to be running for a place at the banquet. | 0:24:50 | 0:24:55 | |
And with today's cooking behind them, | 0:24:55 | 0:24:57 | |
all three chefs can only ponder what scores he'll give them | 0:24:57 | 0:25:01 | |
and who'll be going home on Thursday. | 0:25:01 | 0:25:04 | |
Just because I got a nine on the starter, that means absolutely nothing. | 0:25:04 | 0:25:08 | |
Who knows? It's all down to Michael. | 0:25:08 | 0:25:10 | |
Can't call it with the scores today. I think it's going to be tight. | 0:25:10 | 0:25:14 | |
I'm feeling pretty nervous about the scoring today. | 0:25:14 | 0:25:17 | |
I'm up against it, trailing those two boys, and hopefully my taste and execution has got me there. | 0:25:17 | 0:25:22 | |
Gentlemen. | 0:25:25 | 0:25:27 | |
John, your cured wild sea bass, crab cakes, crab mayonnaise and tomato jelly was a good dish. | 0:25:30 | 0:25:37 | |
Better if it had the tomato jelly on, perhaps, but I don't know, you forgot it. | 0:25:37 | 0:25:41 | |
The positive were the crab cakes, they were delicious, and your mayonnaise was lovely. | 0:25:43 | 0:25:48 | |
Perhaps lacked seasoning through the sea bass. | 0:25:48 | 0:25:50 | |
It was quite a risky and daring dish to put up for that type of banquet. | 0:25:50 | 0:25:55 | |
Perhaps more of a restaurant dish than a banquet dish. | 0:25:55 | 0:25:58 | |
Paul, your fisherman's lunch really captured the essence of the sharing platter. | 0:26:00 | 0:26:06 | |
I loved the sea bass in the paper. | 0:26:06 | 0:26:08 | |
Sardines were cheeky in the tin. | 0:26:08 | 0:26:10 | |
My only concern - whether or not the bread would stay crunchy | 0:26:10 | 0:26:13 | |
if you were serving that for a lot of people. | 0:26:13 | 0:26:17 | |
Perhaps a touch more seasoning in the sardines | 0:26:17 | 0:26:20 | |
and the dish was a little bit awkward to service | 0:26:20 | 0:26:23 | |
when you're trying to take the sardine out of the tin. | 0:26:23 | 0:26:26 | |
Andre, your mackerel caviar with seashore salad and shellfish was stunning. | 0:26:26 | 0:26:33 | |
You really captured the spirit of the competition. | 0:26:33 | 0:26:36 | |
Perhaps the oysters were a tad overcooked, I know you forgot them, | 0:26:36 | 0:26:40 | |
and that was something that you could improve on. | 0:26:40 | 0:26:45 | |
Well, now to the crunch time - the scores. | 0:26:45 | 0:26:49 | |
John, for your cured sea bass... | 0:26:49 | 0:26:52 | |
..I'm going to give you four out of ten. | 0:26:55 | 0:26:57 | |
Paul, your fisherman's lunch... | 0:27:00 | 0:27:04 | |
..I'm going to give you... | 0:27:05 | 0:27:08 | |
seven out of ten. | 0:27:08 | 0:27:09 | |
Andre, your mackerel caviar... | 0:27:12 | 0:27:14 | |
Well, I'm going to give you eight out of ten. | 0:27:17 | 0:27:20 | |
Congratulations. | 0:27:20 | 0:27:22 | |
It was very tough between the two of you. | 0:27:22 | 0:27:26 | |
John, obviously the main course is up next and I really need you to deliver. | 0:27:26 | 0:27:32 | |
So pressure's on, lads, keep it up. Well done. | 0:27:32 | 0:27:37 | |
-Well done, chef. -Nice. | 0:27:37 | 0:27:40 | |
So with two dishes down, Paul has held onto his lead with 16 points, | 0:27:41 | 0:27:46 | |
Andre's leapfrogged into second place with 14 | 0:27:46 | 0:27:49 | |
and John's now three points adrift with just 11. | 0:27:49 | 0:27:53 | |
I'm really happy. I'm ecstatic. I'm overwhelmed by it all. | 0:27:53 | 0:27:57 | |
I feel a lot better now. It's a good score. I'm really proud. | 0:27:57 | 0:28:00 | |
I buckled a little bit, but I'm man enough and ugly enough to admit to that. | 0:28:00 | 0:28:05 | |
So, bring on tomorrow. | 0:28:05 | 0:28:07 | |
In the fight for the main course, it's vital they nail the brief. | 0:28:07 | 0:28:11 | |
Andre, you're using a lot of French influence. Is that right for a Great British Banquet? | 0:28:11 | 0:28:15 | |
Can John seize the day and get back in the running? | 0:28:15 | 0:28:18 | |
It's imperative to get it bang on and be back in contention to get to that judges' chamber. | 0:28:18 | 0:28:23 | |
Subtitles by Red Bee Media Ltd | 0:28:39 | 0:28:42 | |
E-mail [email protected] | 0:28:42 | 0:28:45 |