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The competition continues on Great British Menu and this week it's all about the North-East. | 0:00:02 | 0:00:08 | |
Tim Bilton, Andrew Pern and Stephanie Moon are battling it out for the chance to cook | 0:00:08 | 0:00:13 | |
at the ultimate street party, a magnificent banquet to celebrate the nation's unsung food heroes. | 0:00:13 | 0:00:20 | |
On yesterday's programme, Steph remained in the lead with 20 points... | 0:00:20 | 0:00:27 | |
I want to cook for those judges. To be in the lead at this stage, | 0:00:27 | 0:00:31 | |
it's just mind-blowing. | 0:00:31 | 0:00:34 | |
..which is cause for concern for Tim, as he slipped into last place on 16. | 0:00:34 | 0:00:39 | |
I always seem to be the horse at the back | 0:00:39 | 0:00:41 | |
and I've got to start charging forward a little bit. | 0:00:41 | 0:00:44 | |
I did last year, I'm confident I can do it this year. | 0:00:44 | 0:00:48 | |
Scoring them all week has been former champion Nigel Haworth. | 0:00:48 | 0:00:52 | |
This is the final push. | 0:00:52 | 0:00:53 | |
They've got to really really go for it with this course, because it's still anybody's competition. | 0:00:53 | 0:01:00 | |
Today it's dessert and the three dishes vying for a place at the banquet are a celebration | 0:01:00 | 0:01:05 | |
of Yorkshire rhubarb, gooseberry and apple crumble and Yorkshire mess. | 0:01:05 | 0:01:11 | |
At this stage, it can go either way. | 0:01:11 | 0:01:13 | |
I just need that sort of extra pointer or two just to keep my head above water cos it's now or never. | 0:01:13 | 0:01:18 | |
This year's competition is all about creating the perfect food to share for the people's banquet. | 0:01:28 | 0:01:34 | |
Stunning and exciting dishes that are a feast for the eyes. | 0:01:34 | 0:01:38 | |
And on this last course, Nigel will expect nothing less than completely amazing desserts. | 0:01:38 | 0:01:43 | |
This is the one that could get them through to the judges, that could make or break them. | 0:01:43 | 0:01:48 | |
This one's got to be the winner. | 0:01:48 | 0:01:51 | |
Only two chefs can face the judges tomorrow, so everything rests on the quality of their dishes. | 0:01:51 | 0:01:56 | |
Today, one chef will be leaving the competition. | 0:01:56 | 0:02:01 | |
The chef with the least points has got to do the walk of shame. I don't want it to be me. | 0:02:01 | 0:02:05 | |
First up is Stephanie Moon. | 0:02:09 | 0:02:11 | |
She's taken a commanding lead this week so knows she mustn't throw it all away now. | 0:02:11 | 0:02:16 | |
This dessert is a risk-taker. | 0:02:16 | 0:02:19 | |
It's wacky, I think, it's fun. | 0:02:19 | 0:02:22 | |
Nigel is going to love it or he's going to hate it. | 0:02:22 | 0:02:25 | |
How are you? Very well. So what have you got for us today? | 0:02:25 | 0:02:28 | |
I'm making something called Yorkshire mess. | 0:02:28 | 0:02:31 | |
-And I'm using Yorkshire rhubarb. -Right. | 0:02:31 | 0:02:35 | |
It's absolutely stunning stuff. There's meringue happening there. | 0:02:35 | 0:02:38 | |
I'm actually making rhubarb set in a ginger beer jelly. | 0:02:38 | 0:02:41 | |
And I'm making a crumble-type thing but out of Yorkshire parkin, all sorts of things going on. | 0:02:41 | 0:02:49 | |
But is it a sharing dish? | 0:02:49 | 0:02:50 | |
You do not get much more sharing than this dish, honestly. | 0:02:50 | 0:02:54 | |
It is a serious sharing dish. | 0:02:54 | 0:02:56 | |
And it's, I kind of don't want to spoil the surprise, Nigel. | 0:02:56 | 0:03:00 | |
You're either going to love this dish or you're going to slate me. | 0:03:00 | 0:03:05 | |
So Steph is playing her cards very close to her chest | 0:03:07 | 0:03:10 | |
with her dish that combines a myriad of different elements. | 0:03:10 | 0:03:14 | |
Yorkshire mess, it could be anything. | 0:03:14 | 0:03:16 | |
It could be spectacular or it could be messy and disastrous | 0:03:16 | 0:03:20 | |
but let's hope it's not too messy and quite spectacular. | 0:03:20 | 0:03:23 | |
Next up is Andrew Pern. | 0:03:23 | 0:03:26 | |
Much to his surprise, he only scored a six for his main course | 0:03:26 | 0:03:30 | |
putting in just one point ahead of Tim and only one chance left to impress. | 0:03:30 | 0:03:35 | |
I need to get some points on the dessert course. | 0:03:35 | 0:03:38 | |
Prove that the dish I'm doing will be a winner and get some more points. | 0:03:38 | 0:03:41 | |
-All right. How you doing? -So, what have you got for us today? -What have we got here? | 0:03:41 | 0:03:45 | |
It's a celebration of Yorkshire rhubarb, basically. | 0:03:45 | 0:03:49 | |
It's the theme of an afternoon tea. | 0:03:49 | 0:03:51 | |
We're going to have different desserts. Rhubarb jelly and custard. | 0:03:51 | 0:03:55 | |
Then some Yorkshire puddings. We've got some spiced syrup to dip them in. | 0:03:55 | 0:03:59 | |
Pistachio cream and a rhubarb compote to go on the Yorkies. | 0:03:59 | 0:04:02 | |
We've got a glass of rhubarb schnapps. I'm going to show you how to make a bit of rhubarb schnapps. | 0:04:02 | 0:04:07 | |
-A lot of rhubarb going on there, Andrew. -Yeah. | 0:04:07 | 0:04:10 | |
And from your point of view, a dish that's good enough to wow the people's banquet? | 0:04:10 | 0:04:17 | |
Yeah. I think it's definitely got that wow factor. | 0:04:17 | 0:04:20 | |
There'll be a tall tea-stand going to the table, | 0:04:20 | 0:04:23 | |
so that's a wow-factor. A feast for the eyes. | 0:04:23 | 0:04:25 | |
So you're keying really into the sharing bit here, aren't you? | 0:04:25 | 0:04:30 | |
-That's what we're looking at. -All the best, Andrew. | 0:04:30 | 0:04:32 | |
-All right. Cheers. -Bye. | 0:04:32 | 0:04:34 | |
Another complicated dish from Andrew | 0:04:34 | 0:04:37 | |
could either be the making or breaking of him. | 0:04:37 | 0:04:40 | |
He's got lots of things going on and must bring all those elements together. | 0:04:40 | 0:04:44 | |
Giving us a dessert that really is a winner. | 0:04:44 | 0:04:47 | |
Last to arrive and currently in last place, it's Tim Bilton. | 0:04:47 | 0:04:52 | |
Andrew and Steph should be watching out. | 0:04:52 | 0:04:54 | |
Tim Bilton's on his way up. They know I'm not out of the game yet. I know I'm not. | 0:04:54 | 0:04:59 | |
-Tim, how are you? -Very well, thank you. Very well. | 0:05:00 | 0:05:03 | |
So what have you got for us today, Tim? | 0:05:03 | 0:05:05 | |
What I'm going to make today, Nigel, is a gooseberry and apple crumble, with custard, | 0:05:05 | 0:05:10 | |
and elderflower jelly and toffee ice-cream. | 0:05:10 | 0:05:12 | |
I remember the whole family sitting round the table. | 0:05:12 | 0:05:15 | |
Sunday afternoon tea, fantastic crumble and just digging in. | 0:05:15 | 0:05:20 | |
That's where you get the sharing thing cos you used to do that. | 0:05:20 | 0:05:23 | |
-Absolutely. Yeah. -How are you going to deliver me a really special dessert here? | 0:05:23 | 0:05:28 | |
Yeah, I am. Nigel, the pressure's gone. | 0:05:28 | 0:05:31 | |
I can't go any lower than where I am now so it's all to gain. | 0:05:31 | 0:05:37 | |
Tim only needs to score one point more than Andrew | 0:05:37 | 0:05:40 | |
to be in with a chance of cooking for the judges, | 0:05:40 | 0:05:43 | |
but is he playing it safe with a traditional crumble? | 0:05:43 | 0:05:46 | |
Let's hope that he makes the best crumble of his life. | 0:05:46 | 0:05:49 | |
It might not be showcase enough for what we're looking for but it could be. | 0:05:49 | 0:05:53 | |
There are only a few points separating the chefs so everything is riding on this course. | 0:05:57 | 0:06:02 | |
A mistake at this stage could mean leaving the competition for good. | 0:06:02 | 0:06:06 | |
-Andrew, only one point behind you now. -It's all going on, isn't it? | 0:06:06 | 0:06:11 | |
So you know, we don't want to have any slip-ups or any hiccups. | 0:06:11 | 0:06:16 | |
Really is the last chance now to get to that banquet. | 0:06:16 | 0:06:19 | |
I think you're halfway there, Steph. | 0:06:19 | 0:06:21 | |
-I'm feeling the pressure. -That's what we like to hear. | 0:06:21 | 0:06:25 | |
There's hope yet, Tim, there's hope yet. | 0:06:25 | 0:06:28 | |
It's mind games now, that's what it's all about. | 0:06:28 | 0:06:32 | |
Stephanie's in front. The two boys can still come through. | 0:06:32 | 0:06:35 | |
They've got to raise the game and deliver a fantastic dessert that we're all going to be proud of. | 0:06:35 | 0:06:42 | |
Steph's not giving anything away | 0:06:42 | 0:06:44 | |
but it's clear that she's gambling on making a very unusual dish. | 0:06:44 | 0:06:49 | |
Now we're starting to see part of your Yorkshire mess? | 0:06:49 | 0:06:53 | |
-Not yet. -But you've kind of got an idea of what's happening. | 0:06:53 | 0:06:57 | |
I think so. I think so. | 0:06:57 | 0:06:59 | |
Stephanie, she's very secretive in what she's going to do. | 0:07:02 | 0:07:06 | |
I'm intrigued to find out what it's going to be. | 0:07:06 | 0:07:09 | |
Nigel's also keen to find out exactly what Steph is up to. | 0:07:09 | 0:07:12 | |
There's a lot of noise coming from over in the rhubarb corner. | 0:07:14 | 0:07:17 | |
-Look how red they are! -Yeah. -So what are we up to now? | 0:07:17 | 0:07:23 | |
Me? I've got quite a lot going on, chef. | 0:07:23 | 0:07:26 | |
I'm making rhubarb curd. I'm making rhubarb syrup. | 0:07:26 | 0:07:29 | |
I've got my ginger parkin crumb. | 0:07:29 | 0:07:32 | |
I've got my rhubarb jelly in the chiller. I've got my rhubarb ginger beer jelly in the fridge. | 0:07:32 | 0:07:37 | |
Stephanie's got that confidence, I think she's really going to make sure she stays in front. | 0:07:37 | 0:07:45 | |
While Steph gets on with preparing the nine complicated components of her dish, | 0:07:45 | 0:07:52 | |
Tim is concentrating on the four elements of his. | 0:07:52 | 0:07:54 | |
The heat's around here, isn't it? | 0:07:56 | 0:07:58 | |
It is, chef, it is. | 0:07:58 | 0:08:00 | |
-It's cool round here, Andrew, it's cool round here. -Hey, look at him over there! | 0:08:00 | 0:08:04 | |
Nothing's scaring me about the other two's dishes. | 0:08:04 | 0:08:07 | |
It's all to play for. I'm one point behind Andrew. | 0:08:07 | 0:08:10 | |
He's starting to feel a little bit of pressure, yeah. | 0:08:10 | 0:08:13 | |
Some of his stuff that he's done has looked absolutely amazing. | 0:08:13 | 0:08:19 | |
Tim has to score well today to get in front of the judges tomorrow. | 0:08:19 | 0:08:23 | |
If he doesn't, his time in the competition will be coming to an end. | 0:08:23 | 0:08:27 | |
This is crunch-time for me. | 0:08:27 | 0:08:29 | |
I've got to be completely and utterly focussed, organised. | 0:08:29 | 0:08:33 | |
It's a great dish. The flavours really marry well. | 0:08:33 | 0:08:36 | |
Tim's put all his eggs in the basket of a crumble here. | 0:08:36 | 0:08:40 | |
Crumble's great but you've got to deliver it. | 0:08:40 | 0:08:42 | |
It's a very fine line between a bad one and a great one. | 0:08:42 | 0:08:45 | |
Andrew has no intention of being sent home today and is confident | 0:08:47 | 0:08:52 | |
that his afternoon-tea-style dessert has been honed to perfection. | 0:08:52 | 0:08:57 | |
So this dish, Andrew, you tried it out on anybody? | 0:08:57 | 0:09:02 | |
Yeah. The Helmsley Tea Club, yeah. With the idea behind | 0:09:02 | 0:09:06 | |
having the tea-stand and the afternoon tea, sort of thing. | 0:09:06 | 0:09:09 | |
The chefs are competing to create fantastic dishes to share at the ultimate street party, | 0:09:09 | 0:09:15 | |
and they've been out in their communities looking for ideas and inspiration | 0:09:15 | 0:09:19 | |
from people who'll be their guests of honour if they get a dish through to the banquet. | 0:09:19 | 0:09:25 | |
To make sure he nailed the brief for his dessert, | 0:09:25 | 0:09:29 | |
Andrew arranged to visit the tearoom in his village of Helmsley. | 0:09:29 | 0:09:32 | |
Hi, Alison. How are you? | 0:09:32 | 0:09:34 | |
He's come to meet Alison Souter who runs a quarterly tea club for the locals. | 0:09:34 | 0:09:39 | |
The people that come to the club, have they made friendships as they've come along? | 0:09:39 | 0:09:43 | |
-Friendships have been formed here. -Thriving. | 0:09:43 | 0:09:47 | |
Yeah. It is thriving. People say when's the next meeting, Alison, when's the next meeting? | 0:09:47 | 0:09:52 | |
Andrew is hoping to try out the rhubarb fancies he's planning to serve | 0:09:52 | 0:09:56 | |
and Alison has agreed to let him loose on her members. | 0:09:56 | 0:10:00 | |
-How are you finding the tea club? Do you like it? -Oh, excellent. Yes. -Good reason to come out? | 0:10:00 | 0:10:05 | |
-Absolutely. Any excuse. -Exactly. We like that, don't we? Exactly. It's perfect. -Yes. | 0:10:05 | 0:10:11 | |
He makes up his cake-stand but he'll be competing against the tea room patissiere, Paul, | 0:10:11 | 0:10:17 | |
who's serving his own rhubarb plate. | 0:10:17 | 0:10:20 | |
-Tea club special, eh? -It is, indeed. | 0:10:20 | 0:10:22 | |
Pleasing this group will be no mean feat. | 0:10:24 | 0:10:27 | |
These regulars are connoisseurs of all things sweet. | 0:10:27 | 0:10:30 | |
That's a rhubarb fool, that one. | 0:10:30 | 0:10:33 | |
Now, the moment of truth. | 0:10:33 | 0:10:34 | |
Whose rhubarb fancies will these discerning Yorkshire folk prefer? | 0:10:34 | 0:10:41 | |
-Yorkshire rhubarb? -The old Yorkshire Triangle. | 0:10:41 | 0:10:44 | |
-I used to live in the Triangles. -Did you? -Yeah. | 0:10:44 | 0:10:46 | |
The Yorkshire puddings are absolutely delicious. | 0:10:46 | 0:10:50 | |
And if I could only make those normally, like that. | 0:10:50 | 0:10:54 | |
Don't bother with the rhubarb next time! | 0:10:54 | 0:10:56 | |
Andrew's planned his dessert to fit this year's brief, to get people talking. | 0:10:56 | 0:11:01 | |
And on that note, he's certainly scored. | 0:11:01 | 0:11:06 | |
I just enjoyed everything he did today. It was so nice. | 0:11:06 | 0:11:10 | |
-But not all the regulars are won over. -Andrew, there's bad news. -Go on then. | 0:11:10 | 0:11:14 | |
One person voted for your stand, everybody else did vote for the Black Swan. | 0:11:14 | 0:11:20 | |
-Very good. -We'd just like to thank you very much. | 0:11:20 | 0:11:23 | |
However, it's still been a worthwhile trip for Andrew. | 0:11:23 | 0:11:27 | |
One or two things I might tweak, but yeah, taken it all on-board | 0:11:27 | 0:11:31 | |
and we've still got a bit of time to work on things. Never say never. | 0:11:31 | 0:11:34 | |
What sort of reaction did you get then, Andrew? | 0:11:36 | 0:11:39 | |
Well, I don't think they really liked it, to be honest. | 0:11:39 | 0:11:42 | |
I love the sound of Andrew's dish. Yorkshire puddings served as a dessert. Very clever. | 0:11:42 | 0:11:47 | |
But not sure about the feedback from the tea club, | 0:11:47 | 0:11:50 | |
so maybe this could come and bite him on the backside. | 0:11:50 | 0:11:54 | |
All three chefs are working hard to create the perfect food to share. | 0:11:58 | 0:12:02 | |
Steph's intriguing dish | 0:12:02 | 0:12:04 | |
is called Yorkshire mess, including meringue, rhubarb curd, | 0:12:04 | 0:12:09 | |
rhubarb jelly and parkin crumbs. | 0:12:09 | 0:12:11 | |
Andrew's making a selection of dishes using Yorkshire rhubarb. | 0:12:12 | 0:12:17 | |
And Tim is preparing a gooseberry and apple crumble | 0:12:17 | 0:12:21 | |
with elderflower jelly and toffee ice-cream. | 0:12:21 | 0:12:23 | |
Nigel will have a tough decision to make. | 0:12:23 | 0:12:26 | |
After his scores today, one of these chefs will leave the competition. | 0:12:26 | 0:12:30 | |
Stephanie seems to have so much to do. Is she going to deliver? | 0:12:30 | 0:12:35 | |
Tim has so little to do he's got to deliver. | 0:12:35 | 0:12:38 | |
And Andrew's got all these different components that he's got to get right. The reality's kicking in. | 0:12:38 | 0:12:44 | |
Somebody's got to go. | 0:12:44 | 0:12:46 | |
Andrew splashes some elderflower cordial into his rice pudding. | 0:12:51 | 0:12:57 | |
Only one point ahead of Tim and three points behind Stephanie, he can't let anything to go wrong. | 0:12:57 | 0:13:04 | |
Mr Pern, how we doing? | 0:13:04 | 0:13:06 | |
-We had a slight hiccup with the rice pudding split. -Rice pudding split? | 0:13:06 | 0:13:10 | |
Don't know what happened there, but we're under a bit of pressure now. | 0:13:10 | 0:13:14 | |
-What milk did you put in? -I think it's full fat in there. | 0:13:14 | 0:13:17 | |
-Just seems to have...don't know. -Split. -Yeah. | 0:13:17 | 0:13:23 | |
So have you got time to get it right? | 0:13:23 | 0:13:25 | |
-Yeah. -Yeah. | 0:13:25 | 0:13:26 | |
We'll make time, Nigel. Don't you worry about that, mate. | 0:13:26 | 0:13:30 | |
He must have tried the dish but somehow or other, maybe the heat of the day, the pressure's enough. | 0:13:30 | 0:13:36 | |
Pressure makes you do funny old things. | 0:13:36 | 0:13:39 | |
He knows he has to deliver his dessert to get through to the judges. | 0:13:39 | 0:13:43 | |
Steph seems flustered by the amount she still needs to do. | 0:13:43 | 0:13:47 | |
After caramelizing rhubarb in amber liquor, | 0:13:47 | 0:13:50 | |
she quickly makes her parkin crumbs, but she still has to complete her rhubarb curd and rhubarb fool. | 0:13:50 | 0:13:56 | |
Do you want anything doing for five minutes? | 0:13:56 | 0:13:58 | |
I'm just waiting for my crumble. Seriously. | 0:13:58 | 0:14:02 | |
The only chef who seems relaxed is Tim who's finishing off his ice-cream. | 0:14:02 | 0:14:08 | |
It's the last thing he needs to do before cooking his crumble. | 0:14:08 | 0:14:11 | |
This is his final chance to impress Nigel and he's feeling confident. | 0:14:11 | 0:14:18 | |
Having seen their dishes | 0:14:18 | 0:14:20 | |
I'm more than happy with my crumble. | 0:14:20 | 0:14:24 | |
It's going to be the winner. | 0:14:24 | 0:14:27 | |
Andrew's still having problems with his rice pudding and for the second time the milk has curdled. | 0:14:27 | 0:14:32 | |
It's done it again. | 0:14:32 | 0:14:34 | |
It's gone again. | 0:14:34 | 0:14:36 | |
It's gone again. | 0:14:36 | 0:14:38 | |
Are you putting elderflower in there? | 0:14:38 | 0:14:40 | |
Yes. A splash of elderflower in. | 0:14:40 | 0:14:42 | |
Must be the elderflower that's turning it. | 0:14:42 | 0:14:45 | |
-Citric acid. -Uh? -Citric acid. -That's what's doing it, yeah. | 0:14:48 | 0:14:51 | |
Put it in the end. | 0:14:51 | 0:14:54 | |
Put that right in at the end, wouldn't you? | 0:14:54 | 0:14:57 | |
The man of his stature, I would've thought, | 0:14:57 | 0:15:00 | |
he's putting cordial in which has got citric acid, | 0:15:00 | 0:15:03 | |
I thought he might have known it would have split the milk. | 0:15:03 | 0:15:06 | |
So the pressure must be on his shoulders now. | 0:15:06 | 0:15:09 | |
Is he executing his dishes to the best of his ability? I don't know. | 0:15:09 | 0:15:14 | |
This could be just the break that Tim needs to beat Andrew's score today. | 0:15:14 | 0:15:18 | |
His is the first dish to be tasted and as he puts the last minute finishing touches to his apple | 0:15:18 | 0:15:25 | |
and gooseberry crumble, he's hoping his homely dessert will be enough | 0:15:25 | 0:15:29 | |
to put him before the judges. | 0:15:29 | 0:15:31 | |
Gooseberry and apple crumble. | 0:15:35 | 0:15:38 | |
Elderflower jelly. | 0:15:38 | 0:15:40 | |
Custard and toffee ice-cream. | 0:15:40 | 0:15:43 | |
We're going to put it in the bowl, start digging. | 0:15:43 | 0:15:47 | |
-Go for it, go for it, makes no difference. -OK. | 0:15:47 | 0:15:50 | |
It's a very safe dish that I've done. | 0:15:50 | 0:15:52 | |
I'm completely aware of that but it's a fantastic dish. | 0:15:52 | 0:15:56 | |
It's a little bit jelly and ice-cream and it's a little bit crumble and custard. | 0:15:56 | 0:16:01 | |
So it's all there. | 0:16:01 | 0:16:04 | |
Well, it's all done to now eating it and the flavours and does everything go together? | 0:16:04 | 0:16:09 | |
-Shall we go and have a try? -Yeah. -Come on then. Let's go. | 0:16:09 | 0:16:13 | |
And for you, enough va-va-voom, enough spectacle for the people's banquet? | 0:16:15 | 0:16:22 | |
I think if this was delivered to the people's banquet, I think they'd be happy with that. | 0:16:22 | 0:16:28 | |
I think it's everybody's sort of food, Nigel. | 0:16:28 | 0:16:31 | |
-That's lovely. -I like gooseberry crumble. -Yeah. Me, too. | 0:16:32 | 0:16:36 | |
-Thoughts? -Great combination of flavours, there. | 0:16:36 | 0:16:40 | |
And elderflower jelly, is that coming through enough for you? | 0:16:40 | 0:16:44 | |
I don't want it to be, elderflower can be very overpowering. | 0:16:44 | 0:16:48 | |
Too much elderflower? It's very cordially, isn't it? | 0:16:48 | 0:16:51 | |
Has this dessert delivered for you enough to get you through to the judges? | 0:16:51 | 0:16:56 | |
-I certainly think this dessert has delivered on flavour, and presentation as well. | 0:16:56 | 0:17:03 | |
It's a crowd-pleaser but is it a crowd-exciter? | 0:17:03 | 0:17:07 | |
I'm not sure if it, I don't know. | 0:17:07 | 0:17:09 | |
It's been an incredibly tough week | 0:17:11 | 0:17:13 | |
but I really feel that the dessert course has been my strongest dish, | 0:17:13 | 0:17:19 | |
so who knows, who knows? | 0:17:19 | 0:17:21 | |
Next to face Nigel is Andrew. | 0:17:21 | 0:17:24 | |
He puts the final flourishes to his rhubarb jelly and custard, | 0:17:24 | 0:17:28 | |
pours out his rhubarb schnapps and drizzles syrup over his filled Yorkshire puddings. | 0:17:28 | 0:17:33 | |
Has he done enough to make sure that he will be one of the chefs | 0:17:33 | 0:17:37 | |
going through to face the judges tomorrow? | 0:17:37 | 0:17:40 | |
Celebration of Yorkshire rhubarb. | 0:17:42 | 0:17:45 | |
Absolutely. | 0:17:45 | 0:17:46 | |
Happy with that? | 0:17:46 | 0:17:49 | |
Yeah, it's all right. It's come out well in the end. | 0:17:49 | 0:17:52 | |
Yes. Can we divide everything up? | 0:17:52 | 0:17:55 | |
At the top we've got the rhubarb jelly and custard, with blood orange. | 0:17:55 | 0:18:02 | |
The little Yorkshire puddings. The pistachio. | 0:18:02 | 0:18:06 | |
OK. The little glass of the old schnapps. | 0:18:06 | 0:18:10 | |
Shall we put two of those on? | 0:18:10 | 0:18:12 | |
And then, um, a little rice pudding. the old, yeah... | 0:18:12 | 0:18:17 | |
-Been a lot of work gone into that rice pudding, Andrew. -Exactly. | 0:18:17 | 0:18:21 | |
OK. Shall we go and have a little try then? | 0:18:21 | 0:18:23 | |
So the big question is, is that a dish | 0:18:26 | 0:18:28 | |
that you think is good enough and spectacular enough in presentation | 0:18:28 | 0:18:33 | |
to be at the people's banquet? | 0:18:33 | 0:18:36 | |
You've got the spectacle of the height of the stand. And the individual flavours. | 0:18:36 | 0:18:42 | |
So again, I've always tried to concentrate on something for everybody. | 0:18:42 | 0:18:46 | |
People have all got different tastes, so they can have a taste of individual things. | 0:18:46 | 0:18:51 | |
What do you eat first? | 0:18:51 | 0:18:54 | |
I don't know. | 0:18:54 | 0:18:56 | |
I think I'll start with this. | 0:18:56 | 0:18:58 | |
If you think of like the French sort of profiterole, clafoutis, that sort of thing. | 0:19:02 | 0:19:07 | |
It's not dissimilar to that, the ingredients. | 0:19:07 | 0:19:10 | |
I'm going to try the rice pudding cos you had a nightmare with that. | 0:19:10 | 0:19:14 | |
But the rice is ever so slightly undercooked, isn't it, do you not think? | 0:19:14 | 0:19:18 | |
-A bit chalky? -Well, we had a few hiccups obviously, | 0:19:18 | 0:19:21 | |
that put me slightly out of my stride, but I can do it better | 0:19:21 | 0:19:25 | |
but it's there or thereabouts, just needs tweaking a little bit | 0:19:25 | 0:19:28 | |
but I think it would be with those tweaks and not having the hiccups, | 0:19:28 | 0:19:33 | |
would make it through to the people's banquet. | 0:19:33 | 0:19:36 | |
I think something like that coming out after the dessert, | 0:19:36 | 0:19:40 | |
with the Yorkshire puddings and what have you, and the shot, perfect. | 0:19:40 | 0:19:44 | |
-But as a... -Main event. -..main-event dessert, | 0:19:44 | 0:19:48 | |
I don't know. I am a little bit underwhelmed, to be honest. | 0:19:48 | 0:19:52 | |
Just come back from Nigel. | 0:19:54 | 0:19:57 | |
Clean plate. | 0:19:57 | 0:19:58 | |
Perfectly good sign and then hopefully good points. | 0:19:58 | 0:20:01 | |
Stephanie is last to the pass and her rivals can't wait for her to reveal her Yorkshire mess. | 0:20:03 | 0:20:10 | |
She plates up the individual elements but much to the bemusement | 0:20:15 | 0:20:19 | |
of Andrew and Tim, she doesn't stop there. | 0:20:19 | 0:20:23 | |
This is a rhubarb syrup. We've got some rhubarb curd. | 0:20:25 | 0:20:30 | |
Then we've got some rhubarb gel. | 0:20:31 | 0:20:34 | |
Next, we've got some flambeed rhubarb sticks in an amber liquor. | 0:20:34 | 0:20:42 | |
Ginger parkin | 0:20:48 | 0:20:51 | |
which adds a nice hot kick to the dish. That's rhubarb jelly. | 0:20:51 | 0:20:57 | |
And last but not least, this is the meringue layers | 0:20:57 | 0:21:02 | |
with rhubarb set in a ginger beer jelly. | 0:21:02 | 0:21:06 | |
And then some rhubarb wafers on the top. | 0:21:06 | 0:21:09 | |
-And then just have to ask you to dive in, chaps. -Dig in. | 0:21:09 | 0:21:15 | |
Stephanie, it's got to be a first this, hasn't it? A dessert of this stature. | 0:21:15 | 0:21:21 | |
-Right, well, bravo. -Yes, Nigel, I'll be known as the girl who threw the dessert on the table. | 0:21:21 | 0:21:26 | |
-Absolutely. -Bravo. | 0:21:26 | 0:21:29 | |
Is the reaction from her fellow chefs what she was expecting? | 0:21:29 | 0:21:34 | |
So, Stephanie, enlighten me. How are we tasting this? Do I roll it up? | 0:21:34 | 0:21:39 | |
Hopefully you don't feel like rolling it up but I think the best thing to do is to just | 0:21:39 | 0:21:44 | |
dive in. | 0:21:44 | 0:21:47 | |
Yeah. Maybe for yourself, Nigel, a plate might be an idea. | 0:21:47 | 0:21:52 | |
This dish is a risk-taker, isn't it? | 0:21:52 | 0:21:57 | |
If you like it, it's great. If you don't, you're going to hate it. I need some of that parkin. | 0:21:57 | 0:22:04 | |
You know, it's a sharing dish. | 0:22:04 | 0:22:06 | |
It's taking sharing to the cliff edge, I think, really. | 0:22:06 | 0:22:09 | |
But if this dish has fallen over the cliff, | 0:22:09 | 0:22:12 | |
Steph's risk-taking may have ended her chances in the competition. | 0:22:12 | 0:22:17 | |
I think, | 0:22:18 | 0:22:20 | |
on all counts, | 0:22:20 | 0:22:22 | |
we're all a little bit speechless. | 0:22:22 | 0:22:24 | |
How do you feel? | 0:22:24 | 0:22:27 | |
That's good, to create a reaction like that. | 0:22:27 | 0:22:31 | |
It's got to be a good thing. | 0:22:31 | 0:22:33 | |
Well, Tim, what do you think to that? I know my kids'd love it. | 0:22:33 | 0:22:38 | |
It's either very, very clever, | 0:22:38 | 0:22:41 | |
or she's lost the plot! | 0:22:41 | 0:22:43 | |
Are you happy with the harmony of the dish, there's nothing overpowering, it's working for you? | 0:22:50 | 0:22:56 | |
I feel it does, yeah. I feel it does. | 0:22:56 | 0:22:58 | |
I'm absolutely speechless, completely and utterly speechless. | 0:22:58 | 0:23:02 | |
I don't like this at all. | 0:23:02 | 0:23:05 | |
From a flavour point-of-view, I'm really happy with the rhubarb in the ginger beer. | 0:23:05 | 0:23:12 | |
That feels good to me. | 0:23:12 | 0:23:14 | |
The parkin is nice, nicely done. | 0:23:14 | 0:23:18 | |
And I think the meringue really adds a nice sweetness. | 0:23:18 | 0:23:21 | |
People's banquet, do they want to eat off a tablecloth? | 0:23:21 | 0:23:26 | |
It's getting it off the table, | 0:23:26 | 0:23:28 | |
isn't it, really? | 0:23:28 | 0:23:30 | |
It's quite funny eating off the table. | 0:23:30 | 0:23:33 | |
I've never really eaten, well, I probably have when I've had one or two drinks, not before. | 0:23:33 | 0:23:38 | |
Is it the right dessert for the people's banquet? | 0:23:38 | 0:23:41 | |
I'd like to think so. | 0:23:43 | 0:23:46 | |
If that was on a plate, Andrew, she'd walk it. | 0:23:46 | 0:23:52 | |
I think the way of serving it, | 0:23:52 | 0:23:55 | |
if that is acceptable, I think it is the right dessert. | 0:23:55 | 0:23:59 | |
If that is not acceptable for whatever reason, I feel it should go to somebody else. | 0:23:59 | 0:24:05 | |
You can either be laughed out the door or you can succeed. | 0:24:07 | 0:24:11 | |
And at this moment in time, it felt like a success. | 0:24:11 | 0:24:16 | |
To get the chefs silenced, that's good, surely? | 0:24:16 | 0:24:21 | |
But it's not what Stephanie thinks that matters. | 0:24:21 | 0:24:24 | |
Now, there's only one opinion that counts. Nigel's scores will decide which chef is going home today. | 0:24:24 | 0:24:31 | |
I'm a little bit excited. I really want to go on to the judges' chamber. | 0:24:31 | 0:24:36 | |
We're just waiting for the points. | 0:24:36 | 0:24:39 | |
My last chance there to get any points. Nigel had a smile on his face. | 0:24:40 | 0:24:43 | |
He cleared the plate so we've gathered a few points and we'll be through to see the judges. | 0:24:43 | 0:24:48 | |
I've had sleepless nights worrying about serving a dish like this. | 0:24:48 | 0:24:52 | |
I feel the dessert was a success. | 0:24:52 | 0:24:54 | |
-Hi, guys. -Nigel. | 0:25:05 | 0:25:07 | |
Tim, I'm going to start with you. | 0:25:08 | 0:25:11 | |
A good solid crumble. | 0:25:13 | 0:25:15 | |
Very good ice-cream. | 0:25:15 | 0:25:16 | |
Didn't get the jelly. Didn't think it really worked. | 0:25:16 | 0:25:19 | |
And for me, a crumble needs more crumble. | 0:25:19 | 0:25:23 | |
Andrew, a celebration of rhubarb and custard. | 0:25:26 | 0:25:30 | |
You had difficulty with the rice pudding, it was undercooked. | 0:25:30 | 0:25:34 | |
Presentation was quite flamboyant, but needed a bit more detail in there. | 0:25:34 | 0:25:38 | |
Stephanie, your Yorkshire mess, | 0:25:40 | 0:25:46 | |
I love the ambition. | 0:25:46 | 0:25:47 | |
It was daring. On the slight negative, | 0:25:49 | 0:25:53 | |
presentation is open to interpretation is what I would say. | 0:25:53 | 0:25:57 | |
Yeah. | 0:25:57 | 0:25:59 | |
So I sit a bit on the fence with that. | 0:25:59 | 0:26:02 | |
So with a score of eight for the dessert, | 0:26:04 | 0:26:09 | |
making them the chef with the highest total score | 0:26:09 | 0:26:13 | |
across the week is... | 0:26:16 | 0:26:19 | |
Steph. | 0:26:25 | 0:26:27 | |
So congratulations, Steph. | 0:26:30 | 0:26:33 | |
You'll be cooking a menu tomorrow for the judges. | 0:26:33 | 0:26:36 | |
But that leaves two of you and there's only a point between you at this stage. | 0:26:38 | 0:26:45 | |
Well, I can announce that I gave Andrew with your celebration of rhubarb and custard... | 0:26:49 | 0:26:55 | |
..seven points. | 0:26:57 | 0:26:59 | |
And Tim... | 0:27:01 | 0:27:03 | |
..with your gooseberry and apple crumble, | 0:27:05 | 0:27:08 | |
I gave... | 0:27:08 | 0:27:10 | |
six points. | 0:27:10 | 0:27:12 | |
Which means, with your total, Andrew, you will be the second chef going through | 0:27:14 | 0:27:19 | |
to the judges tomorrow. | 0:27:19 | 0:27:21 | |
Well done and congratulations. And to you, Tim, commiserations | 0:27:21 | 0:27:26 | |
cos it's always tough when somebody has to leave us at this stage. | 0:27:26 | 0:27:30 | |
But well done and I wish you much success. | 0:27:30 | 0:27:33 | |
-Thank you. -Cheers, Nigel. | 0:27:33 | 0:27:35 | |
-Well done. -Well done. -Well done, Steph. Excellent. | 0:27:35 | 0:27:39 | |
Commiserations, pal. | 0:27:39 | 0:27:41 | |
So Stephanie's spectacular gamble has paid off | 0:27:41 | 0:27:44 | |
and she and Andrew will be cooking for the judges tomorrow. | 0:27:44 | 0:27:48 | |
Tim must now leave the competition. | 0:27:48 | 0:27:51 | |
Totally gutted but two cracking representations for the North East | 0:27:51 | 0:27:57 | |
in Stephanie and Andrew and I wish them all the best | 0:27:57 | 0:27:59 | |
because tomorrow is a very very hard day. | 0:27:59 | 0:28:01 | |
I need to up my game a bit, I think. | 0:28:01 | 0:28:04 | |
I'm still confident with the dishes. I'm just going to go for it and make sure they're precise, spot on. | 0:28:04 | 0:28:10 | |
At the beginning of the week, I wasn't feeling confident and I think now it's fired me up. | 0:28:10 | 0:28:15 | |
I want to get in there and get on with it now. | 0:28:15 | 0:28:18 | |
Steph and Andrew will have to cook their entire menu tomorrow | 0:28:18 | 0:28:22 | |
and they'll expect nothing but perfection. | 0:28:22 | 0:28:25 | |
If you're going to do this, there has to be warmth and love to it. | 0:28:25 | 0:28:29 | |
I can't feel any love from this dish. I am not feeling the love. | 0:28:29 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:28:38 | 0:28:41 | |
E-mail: [email protected] | 0:28:41 | 0:28:44 |