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It's the final reckoning on Great British Menu. | 0:00:02 | 0:00:05 | |
This week, our eight regional finalists have pushed themselves to the absolute limit. | 0:00:05 | 0:00:11 | |
PAN CLATTERS | 0:00:11 | 0:00:13 | |
I've got the fear. | 0:00:13 | 0:00:14 | |
-BLEEP -come on. -Do you think you'll be on time? | 0:00:14 | 0:00:16 | |
Yeah, everything's getting covered in ash. | 0:00:16 | 0:00:19 | |
Some have reaped the rewards... | 0:00:19 | 0:00:21 | |
Lisa, Lisa, Lisa - top three again today. | 0:00:21 | 0:00:25 | |
Is there a petting zoo in there?! What's going on? | 0:00:25 | 0:00:27 | |
..while others have been bitterly disappointed. | 0:00:27 | 0:00:30 | |
My table's covered in blood. | 0:00:30 | 0:00:31 | |
-There was a bin beside you. That's where it belonged. -Ouch! | 0:00:31 | 0:00:34 | |
But the pace isn't going to let up yet. | 0:00:34 | 0:00:38 | |
Today, their desserts are under scrutiny, and it's do or die for some. | 0:00:38 | 0:00:43 | |
It's the last day, it's my last chance to get into the top three. | 0:00:43 | 0:00:46 | |
The knives are out... | 0:00:46 | 0:00:48 | |
Are you nervous? You've seen mine, you've seen Lisa's. | 0:00:48 | 0:00:50 | |
Is there anything else going with it, or is that it? | 0:00:50 | 0:00:53 | |
Are you going to put a flake in that? | 0:00:53 | 0:00:56 | |
Have you got the ice cream van chimes coming along? | 0:00:56 | 0:00:59 | |
..and emotions are running high. | 0:00:59 | 0:01:01 | |
I can't cry on Great British Menu. | 0:01:01 | 0:01:03 | |
Also today, the judges face a tough decision. | 0:01:03 | 0:01:07 | |
They must pick just four dishes to create the perfect sharing menu for the ultimate street party. | 0:01:07 | 0:01:13 | |
I vote for that one, I want that one. | 0:01:13 | 0:01:15 | |
You can see that being carried in. | 0:01:15 | 0:01:17 | |
There has to be a massive element of drama in Leadenhall Market. | 0:01:17 | 0:01:20 | |
Who will make the grade and who will be left behind? | 0:01:20 | 0:01:24 | |
If I got through to the banquet, I would be absolutely ecstatic. | 0:01:24 | 0:01:27 | |
I want to win this, and I'm desperate to win this. | 0:01:27 | 0:01:29 | |
It's day four in the kitchen, and the very last chance for our chefs to prove themselves. | 0:01:49 | 0:01:54 | |
Michael Smith and Lisa Allen are in the fortunate position | 0:01:54 | 0:01:57 | |
of having two dishes in contention for the banquet. | 0:01:57 | 0:02:00 | |
Hopefully today, if I put my head down, I can try and make it a third one. | 0:02:00 | 0:02:05 | |
Almost everybody else has one dish in a top three spot. | 0:02:05 | 0:02:09 | |
I want to make sure I get this dessert into the top three, so it gives me more of a fighting chance. | 0:02:09 | 0:02:13 | |
But for one chef, Andrew Pern, so far, success has eluded him. | 0:02:13 | 0:02:18 | |
It's the last day, it's my last chance to get into the top three, | 0:02:18 | 0:02:22 | |
so I'm going to go for it and do my bit for the north east. | 0:02:22 | 0:02:24 | |
Until the final menu is chosen no-one can rest on their laurels, | 0:02:24 | 0:02:29 | |
so it will be another gruelling day in the kitchen. | 0:02:29 | 0:02:33 | |
I'm expecting to see really amazing stuff today, | 0:02:33 | 0:02:35 | |
cos throughout the week it has just been getting more and more spectacular. | 0:02:35 | 0:02:39 | |
Our chefs aren't just competing for themselves. | 0:02:39 | 0:02:42 | |
All of them want to invite the people | 0:02:42 | 0:02:44 | |
they've met in their communities who inspired their menus. | 0:02:44 | 0:02:47 | |
I'm going to have another one, if you don't mind! | 0:02:47 | 0:02:49 | |
-Yes. -Delicious. -You can always come back for seconds. | 0:02:49 | 0:02:52 | |
My heart's for Scotland, the wonderful people I met on the Isle of Skye. | 0:02:52 | 0:02:56 | |
That would be fantastic if I could get them all the way down here to that great occasion. | 0:02:56 | 0:03:01 | |
To make it to the banquet, the chefs will have to seriously impress the panel of judges. | 0:03:01 | 0:03:07 | |
Over the course of the week they've been helped by some of the biggest guns of the culinary world. | 0:03:07 | 0:03:12 | |
I would serve this to my two-year-old's party. | 0:03:12 | 0:03:16 | |
I thought it was very average. In fact, I thought it was poor. | 0:03:16 | 0:03:19 | |
Today they've enlisted the help of a fourth judge, a veteran of the competition, | 0:03:19 | 0:03:24 | |
who holds a Michelin star, an MBE, and is Britain's top female chef. | 0:03:24 | 0:03:29 | |
It's Angela Hartnett. | 0:03:29 | 0:03:31 | |
Welcome, Angela. | 0:03:31 | 0:03:32 | |
Thank you very much, lovely to be here. | 0:03:32 | 0:03:34 | |
Angela, it's pudding day, the last day, the most important course. | 0:03:34 | 0:03:39 | |
It's where everyone expects that wow, | 0:03:39 | 0:03:41 | |
that razzmatazz, and I think we expect a bit of Charlie and the Chocolate Factory. | 0:03:41 | 0:03:45 | |
It's a banquet, it's got to be amazing. | 0:03:45 | 0:03:47 | |
With Angela's formidable reputation, | 0:03:47 | 0:03:50 | |
there will be nowhere for the chefs to hide, and they're already feeling the pressure of her presence. | 0:03:50 | 0:03:56 | |
Having Angela on the panel is fantastic. | 0:03:56 | 0:03:59 | |
It's an honour to be able to serve food up to her. | 0:03:59 | 0:04:03 | |
I think Angela Hartnett will be very fair, but tough when she has to be. | 0:04:03 | 0:04:08 | |
First up today are brasserie chef Chris Fearon, | 0:04:15 | 0:04:18 | |
Michelin-starred Hywel Jones and first-time finalist Paul Ainsworth. | 0:04:18 | 0:04:23 | |
-All the best. End of a journey. -It's the last chance saloon, lads. | 0:04:23 | 0:04:27 | |
Risk-taker Chris is first. He's making Lemonicious, | 0:04:27 | 0:04:30 | |
a special box packed with lemon and liquorice Battenberg, | 0:04:30 | 0:04:33 | |
lemon meringues, lemon ice cream and lemon shortbread. | 0:04:33 | 0:04:37 | |
The problem with Chris's pudding was this idea of Lemonicious. | 0:04:37 | 0:04:41 | |
The idea was good, but I just didn't feel he carried it through. | 0:04:41 | 0:04:44 | |
There was one thing in that box | 0:04:44 | 0:04:47 | |
that I will never forget, and that was the Battenberg. | 0:04:47 | 0:04:50 | |
Oh! It was the best Battenberg, wasn't it? | 0:04:50 | 0:04:53 | |
Yes, he's obviously a chef who has a great sense of humour. | 0:04:53 | 0:04:57 | |
Sometimes his technical skill hasn't quite lived up to the ambition of his cooking, I'd say. | 0:04:57 | 0:05:01 | |
After poor scores for two of his courses plus a slating in the chamber, | 0:05:01 | 0:05:06 | |
he's been feeling the stress. | 0:05:06 | 0:05:08 | |
So last year's champion, Tom, is giving him a pep talk. | 0:05:08 | 0:05:11 | |
Calm, controlled, collected, not throwing pans around. | 0:05:11 | 0:05:15 | |
I think I had a hard last two days. | 0:05:15 | 0:05:18 | |
There was almost an element of I wasn't enjoying myself. I felt bad about myself. | 0:05:18 | 0:05:22 | |
Today, Chris is determined to pull things back. | 0:05:22 | 0:05:26 | |
Chris, what have you got going on over there? | 0:05:26 | 0:05:29 | |
I've got a few things going on. I'm calling it Lemonicious. | 0:05:29 | 0:05:33 | |
-Lemonicious? -Yeah, I want to be a bit humorous. | 0:05:33 | 0:05:37 | |
I could call it an assiette of lemon, or textures of lemon, or compression of lemon. | 0:05:37 | 0:05:42 | |
But I decided just to be normal and call it what it is. | 0:05:42 | 0:05:46 | |
He's convinced that if he can hold his nerve | 0:05:46 | 0:05:48 | |
and execute this dish well, he'll be in with a good chance of a second top-three ranking. | 0:05:48 | 0:05:53 | |
What feedback did you get on your dessert? | 0:05:53 | 0:05:55 | |
Richard Corrigan called me the Charlie Wonka of Belfast. | 0:05:55 | 0:05:58 | |
-Willy Wonka. -Is it Charlie Wonka? -It's Willy Wonka, isn't it? | 0:05:58 | 0:06:02 | |
You know what I'm talking about. | 0:06:02 | 0:06:03 | |
Chris has been in a better mood today in the kitchen. | 0:06:03 | 0:06:06 | |
I think his spirits are high. | 0:06:06 | 0:06:08 | |
Chris is the only chef making a lemon dessert today, | 0:06:08 | 0:06:11 | |
and thinks this will help him stand out from the crowd. | 0:06:11 | 0:06:14 | |
I prefer to do lemon than strawberries and stuff like that. | 0:06:14 | 0:06:17 | |
-What do you mean, you prefer to do lemon? -Everybody will do strawberries, won't they? | 0:06:17 | 0:06:22 | |
-Are you doing strawberries? -No. -Hywel, you doing strawberries? | 0:06:22 | 0:06:25 | |
-CHRIS: -BLEEP. -HYWEL: -I am doing strawberries, yeah. | 0:06:25 | 0:06:29 | |
-Paul, are you doing strawberries? -Er, no, not really. | 0:06:29 | 0:06:33 | |
Not really means you are doing something with strawberries in it. | 0:06:33 | 0:06:37 | |
Chris adds the finishing touches to his meringues, | 0:06:37 | 0:06:40 | |
places the desserts into the box before pouring his lemonade into bottles. | 0:06:40 | 0:06:44 | |
This first contender has the other chefs worried. | 0:06:44 | 0:06:48 | |
Chris, I didn't have him down as a pastry chef. | 0:06:48 | 0:06:50 | |
I saw him as a big, shouty, sweary, Irish chef. | 0:06:50 | 0:06:54 | |
Actually, today, he showed some fantastic pastry skills. | 0:06:54 | 0:06:57 | |
Off you go, careful with that. | 0:06:57 | 0:06:59 | |
Big boy, you be careful with this, too. | 0:06:59 | 0:07:02 | |
Having delivered his dessert, his confidence is riding high. | 0:07:02 | 0:07:06 | |
I think my Lemonicious was delicious. Very happy with that. | 0:07:06 | 0:07:10 | |
I think it's got a nice wow factor to it. | 0:07:11 | 0:07:14 | |
There's a fun element to it, there's a good sharing element. | 0:07:14 | 0:07:18 | |
It has to be up near the top, it has to be in the top three. | 0:07:18 | 0:07:21 | |
Will the judges agree? | 0:07:21 | 0:07:24 | |
I'd forgotten about this lovely little box, it's beautiful, isn't it? With a lemon tree on it. | 0:07:24 | 0:07:29 | |
I think it is fabulous. And I love inside you can see the descriptions. | 0:07:29 | 0:07:34 | |
I think it looks pretty. | 0:07:34 | 0:07:36 | |
-If you could get a lemon ice cream as good as that in Italy, you'd be really pleased. -Mmm. | 0:07:36 | 0:07:40 | |
It's sharp, it's got just the right texture, it's creamy. | 0:07:40 | 0:07:44 | |
And that meringue is right. It's toffeeish but not squishy. | 0:07:44 | 0:07:49 | |
I think it's too overwhelmingly lemon. | 0:07:49 | 0:07:52 | |
Slightly overwhelmed by the whole thing. | 0:07:52 | 0:07:55 | |
What you've got is a series of lovely textures, | 0:07:55 | 0:07:58 | |
different variations on lemon, but it actually leaves you quite clean at the end of the meal. | 0:07:58 | 0:08:03 | |
I think the weakest thing is this Battenberg, which you guys bigged up and sold to me. | 0:08:03 | 0:08:08 | |
It was far more flavoursome than before, but I think the whole thing is just...that he's trying too hard. | 0:08:08 | 0:08:15 | |
I think you're just anti... You would like something else to cut the flavour, take one away and change it. | 0:08:15 | 0:08:19 | |
You're far too soft. | 0:08:19 | 0:08:22 | |
-You're far too soft, come on! -No! -This quite simply won't do! | 0:08:22 | 0:08:25 | |
I must say, the spirit of misery that you import... | 0:08:25 | 0:08:31 | |
Let's just be a bit cheerful here. | 0:08:31 | 0:08:33 | |
You see a whole series of boxes, and actually, each one may be filled with the same element. | 0:08:33 | 0:08:40 | |
If some people like more of one thing than another, they can help themselves. | 0:08:40 | 0:08:44 | |
The only thing that's making me happy with this, | 0:08:44 | 0:08:46 | |
-is, I know that I'm right. -THEY LAUGH | 0:08:46 | 0:08:49 | |
Oliver's not sold on Lemonicious. Are Chris's fellow chefs? | 0:08:49 | 0:08:54 | |
-It's very tasty. -Very tasty. | 0:08:54 | 0:08:56 | |
Visually, it makes you excited, it makes you want to try it. | 0:08:56 | 0:08:59 | |
What do you think to the lemon? | 0:08:59 | 0:09:01 | |
I can't see why it's a problem. | 0:09:01 | 0:09:04 | |
It's very, very refreshing for the palate. | 0:09:04 | 0:09:06 | |
Brings it all alive again, doesn't it? | 0:09:06 | 0:09:08 | |
I think he will be a lot happier with today. | 0:09:08 | 0:09:11 | |
He'll be singing now, unfortunately! | 0:09:11 | 0:09:13 | |
THEY LAUGH | 0:09:13 | 0:09:15 | |
This Lemonicious made me suspicious. | 0:09:16 | 0:09:19 | |
But really, it turned out quite delicious. It's a seven. | 0:09:19 | 0:09:23 | |
I really loved Chris's little box. | 0:09:23 | 0:09:26 | |
I thought it was so exciting, and what was inside was lovely, too. | 0:09:26 | 0:09:29 | |
And so I'm giving it a seven. | 0:09:29 | 0:09:33 | |
Chris Fearon's Lemonicious left me feeling bitter and twisted. | 0:09:33 | 0:09:38 | |
Six. | 0:09:38 | 0:09:39 | |
I loved the lemonness of it, and I thought the pastry was the best thing on the plate. I'm giving it seven. | 0:09:39 | 0:09:45 | |
So, a good score for Chris, but is it enough to get him into the rankings? | 0:09:45 | 0:09:50 | |
Newcomer Paul is up next. With one top three in the bag for his main, | 0:09:50 | 0:09:54 | |
he's desperate for another for his quirky Taste of the Fairground. | 0:09:54 | 0:09:58 | |
On specially made carts, he's serving | 0:09:58 | 0:10:01 | |
raspberry curd-filled doughnuts, toffee apples on marshmallow, | 0:10:01 | 0:10:04 | |
chocolate popcorn with coconut custard and honeycomb lollipops. | 0:10:04 | 0:10:08 | |
Paul's pudding, when I first tasted it, I felt the years roll back. | 0:10:08 | 0:10:13 | |
That's what it tapped into, those wonderful memories of childhood. | 0:10:13 | 0:10:16 | |
I can't believe you remember that far! | 0:10:16 | 0:10:18 | |
This pudding is what this competition is all about. | 0:10:18 | 0:10:21 | |
That popping popcorn, the peanut, it was amazing. | 0:10:21 | 0:10:24 | |
I loved it, I thought the whole... It comes in little carts, it's just like a toy. | 0:10:24 | 0:10:28 | |
The doughnut was delicious. | 0:10:28 | 0:10:30 | |
It was very beautifully done. | 0:10:30 | 0:10:32 | |
But there are technical problems. | 0:10:32 | 0:10:34 | |
For example, candyfloss. Candyfloss for 100? | 0:10:34 | 0:10:37 | |
Luckily, Paul has listened and has dropped the candyfloss, and he's feeling positive. | 0:10:37 | 0:10:43 | |
I think it's spectacular, it's a brilliant way to end a meal. | 0:10:43 | 0:10:46 | |
I think it's got substance running through it. | 0:10:46 | 0:10:49 | |
I'm hoping... I really, really would love it to be in the top three. | 0:10:49 | 0:10:53 | |
But Paul needs to work extremely hard to make sure every element is executed to the highest standards. | 0:10:53 | 0:11:00 | |
Andrew, who badly needs a top three today, comes over to check out his competition. | 0:11:00 | 0:11:06 | |
-What's this, a bit of booze going in? -Yeah. -What is it, cider? | 0:11:06 | 0:11:09 | |
Yeah, cider toffee apples, basically. | 0:11:09 | 0:11:12 | |
-My take on a sticky toffee apple. -What else have you got with that? | 0:11:12 | 0:11:16 | |
I've got a bit of everything, Andrew. Everything you can relate to the fairground. | 0:11:16 | 0:11:21 | |
-Is it Fairground Attraction? -Yeah. | 0:11:21 | 0:11:23 | |
-Very good. -Just hope it's not Fatal Attraction. | 0:11:23 | 0:11:27 | |
Next, Paul moves on to making his honeycomb lollipops, | 0:11:27 | 0:11:30 | |
-which he's coating in chocolate and popping candy. -This? | 0:11:30 | 0:11:34 | |
That is popping candy, you know, like the cracking candy you used to have? | 0:11:34 | 0:11:38 | |
That's amazing. It's all tingly. | 0:11:38 | 0:11:42 | |
I think I might have put too much in my mouth, chef, it's still going. When does it stop? | 0:11:42 | 0:11:47 | |
-Make it stop, chef! -It's to put you off! | 0:11:47 | 0:11:51 | |
His intense concentration hasn't gone unnoticed. | 0:11:51 | 0:11:55 | |
He's just in a zone. He's not going to rely on yesterday's result. | 0:11:55 | 0:11:58 | |
He will push it all the way and look for a top three. He's a very competitive boy. | 0:11:58 | 0:12:03 | |
Paul adds the final touches to his cart then brings it all to the pass, | 0:12:03 | 0:12:07 | |
anxiously hoping his dessert will hit the top spot today. | 0:12:07 | 0:12:12 | |
There you go, lads. No plates. | 0:12:12 | 0:12:16 | |
I think I've pushed to the absolute limits, | 0:12:16 | 0:12:19 | |
I've given everything I've got, I've cooked with all my heart and soul, | 0:12:19 | 0:12:23 | |
and that was what I went with. | 0:12:23 | 0:12:25 | |
How will the judges rate his quirky approach? | 0:12:25 | 0:12:27 | |
I think you said it, it's a smile on your face, it absolutely looks brilliant. | 0:12:27 | 0:12:32 | |
And I'm delighted that Paul feels the same way about candyfloss as I do, because he's taken it off! | 0:12:32 | 0:12:38 | |
We've got honeycomb instead, which is great. | 0:12:38 | 0:12:40 | |
This is so clever. The honeycomb has a bit of white chocolate on one side with chocolate bits. | 0:12:40 | 0:12:48 | |
And on the other side, dark chocolate, with walnuts. | 0:12:48 | 0:12:51 | |
What I think is really wonderful about the marshmallows is he's put a bit of poached apple on top, | 0:12:51 | 0:12:57 | |
which gives it the sharpness that wasn't there in the original. | 0:12:57 | 0:13:02 | |
The popping popcorn is absolutely the best thing, it is just amazing. | 0:13:02 | 0:13:07 | |
I think this is a brilliant dessert. It fulfils it as a banquet. I love this honeycomb. | 0:13:07 | 0:13:12 | |
The doughnuts, he's obviously improved them, they're so much better, from what you said before. | 0:13:12 | 0:13:17 | |
It's very clever, and it's not too sweet, so he's listened. | 0:13:17 | 0:13:21 | |
The apple, it's cutting everything, you feel you could eat it and eat it. | 0:13:21 | 0:13:25 | |
Come to Daddy! | 0:13:25 | 0:13:28 | |
This is about as good as it gets. This is going to be one of my pudding memories, this one! | 0:13:28 | 0:13:32 | |
Hold on a minute, can I just...? You're in agreement? | 0:13:32 | 0:13:35 | |
Sorry, you're technically incorrect there. | 0:13:35 | 0:13:38 | |
Because Matthew is now agreeing with me. | 0:13:38 | 0:13:40 | |
-Oh, I see! -Let's be clear! | 0:13:40 | 0:13:42 | |
But is it a taste sensation back in the kitchen? | 0:13:42 | 0:13:45 | |
Picking and choosing, isn't it? | 0:13:45 | 0:13:48 | |
Exactly, you've got the toffee apple there, and this there. | 0:13:48 | 0:13:52 | |
-Nice. Nutty. All the crystals just pop in your mouth. -Mmm. | 0:13:52 | 0:13:57 | |
-You can feel it dancing around in your mouth. -Yeah, yeah. | 0:13:57 | 0:14:00 | |
What else have we got? A little bit of marshmallow. | 0:14:00 | 0:14:03 | |
Doughnuts? | 0:14:03 | 0:14:06 | |
Mmm. | 0:14:06 | 0:14:08 | |
They're nice, aren't they? | 0:14:08 | 0:14:09 | |
I'm happily eating any component of it. I think it works great. | 0:14:09 | 0:14:13 | |
Together, it's all quite sweet. | 0:14:13 | 0:14:14 | |
If there was just something to cut through that sweetness, then it think it would be... | 0:14:14 | 0:14:19 | |
-That's the thing missing. -It would be a contender, yeah. | 0:14:19 | 0:14:21 | |
I'm tempted to say that this fairground was child's play, but it wasn't. | 0:14:25 | 0:14:30 | |
It was a brilliant idea, brilliantly executed, brilliant on every level. | 0:14:30 | 0:14:35 | |
It's a nine from me. | 0:14:35 | 0:14:36 | |
I thought that little fairground cart was a thing of genius, | 0:14:36 | 0:14:40 | |
and I can just imagine what fun that would be at the banquet. | 0:14:40 | 0:14:43 | |
I'd love to see it there, and it's a nine. | 0:14:43 | 0:14:46 | |
It is the best pudding I've had in any competition, it is absolute perfection. Ten. | 0:14:46 | 0:14:53 | |
What can I say? I absolutely loved it, loved it, loved it. | 0:14:53 | 0:14:56 | |
I thought it was absolutely brilliant, therefore I'm giving it a ten. | 0:14:56 | 0:15:00 | |
A huge accolade for Paul. | 0:15:00 | 0:15:02 | |
Can Hywel perform as well? | 0:15:02 | 0:15:05 | |
In the regional heats, his cooking was impeccable. | 0:15:05 | 0:15:08 | |
But he often didn't hit the brief. Will it be the same again today? | 0:15:08 | 0:15:12 | |
He's serving rhubarb and strawberry trifle tart. | 0:15:12 | 0:15:17 | |
But his confidence has taken a battering after being ranked last for his main course. | 0:15:17 | 0:15:23 | |
-How is your dessert going? -So far, so good. | 0:15:23 | 0:15:25 | |
I haven't made any blunders, yet. | 0:15:25 | 0:15:28 | |
-You've made it bigger, haven't you? -Made it bigger. | 0:15:28 | 0:15:31 | |
One thing they said was that it lacked a bit of occasion, | 0:15:31 | 0:15:35 | |
so I tried to make it bigger, and I made a crackling that goes on top, | 0:15:35 | 0:15:38 | |
so it stands up, a bit more theatre when it gets to the table. So, final day. | 0:15:38 | 0:15:43 | |
Disappointing result yesterday, so the pressure's on today to really perform. I want to finish on a high. | 0:15:43 | 0:15:47 | |
Hywel assembles the rhubarb and sponge on his tart. | 0:15:47 | 0:15:51 | |
The other chefs are gunning for each other's dishes. | 0:15:51 | 0:15:55 | |
-Is there anything else going with it, or is that it? -No, this is it. | 0:15:55 | 0:15:58 | |
So that's going to be one really, really good trifle tart, then, isn't it? | 0:15:58 | 0:16:04 | |
I don't like much messing about on a plate, you know. Stick to the main thing, and that's it. | 0:16:04 | 0:16:09 | |
Hywel has seen what Chris and Paul have done, and he's very deflated. | 0:16:09 | 0:16:15 | |
I think he feels he's kept it a bit too simple, and maybe he should have done more. | 0:16:15 | 0:16:20 | |
Then, as Hywel pipes his Chantilly cream over the custard, | 0:16:20 | 0:16:23 | |
his confidence is shaken even further by Chris. | 0:16:23 | 0:16:26 | |
-Is there anything else, any compote or anything? -No, I mean, | 0:16:26 | 0:16:31 | |
all the flavours are in the tart. | 0:16:31 | 0:16:35 | |
I'm doing it back-to-front. | 0:16:35 | 0:16:37 | |
It's very different in style to yours and Paul's. | 0:16:37 | 0:16:41 | |
You need to have a wow factor, and I don't think it's going to tick that box. | 0:16:41 | 0:16:45 | |
There's nothing salivatory about that at all, in my eyes. | 0:16:45 | 0:16:48 | |
Hywel adds basil, pistachio nuts and shards of almond crackling to the strawberries and jelly | 0:16:50 | 0:16:55 | |
and then brings it to the pass. | 0:16:55 | 0:16:57 | |
There you go, guys. | 0:16:57 | 0:16:59 | |
This dish faced a mixed reaction from the judges in the heats, | 0:16:59 | 0:17:03 | |
and Hywel's not expecting any better this time. | 0:17:03 | 0:17:07 | |
I don't think my dish is anywhere near the top three today. | 0:17:07 | 0:17:10 | |
I think it's going to be low-scoring. | 0:17:10 | 0:17:12 | |
I tried to make it a little bit bigger, grander, more theatre, | 0:17:12 | 0:17:16 | |
but I know today that the dish doesn't meet the criteria. | 0:17:16 | 0:17:20 | |
I think the whole thing would look a lot better without all of this sugarwork on top. | 0:17:22 | 0:17:27 | |
-Oh, Oliver! -No, look! | 0:17:27 | 0:17:29 | |
The reason he's done that is because you complained last time it was boring. | 0:17:29 | 0:17:33 | |
I know, but, look, it looks better like that, no? | 0:17:33 | 0:17:35 | |
No. Put them back. | 0:17:35 | 0:17:39 | |
Put them back, Oliver. | 0:17:39 | 0:17:41 | |
The pastry's breaking quite nicely. It's cutting crunch when you do it. | 0:17:41 | 0:17:45 | |
Last time it was so undercooked, but this is good. | 0:17:45 | 0:17:49 | |
-Yes, it's much better. -You didn't like it last time, Oliver? -No, I didn't like it. | 0:17:49 | 0:17:53 | |
I think the quality... He's spent a lot more time on it. | 0:17:53 | 0:17:57 | |
And he's layered the rhubarb underneath it all, so the balance between the acidity, | 0:17:57 | 0:18:02 | |
the fruit and the creamy custard and the cream, is just much better. | 0:18:02 | 0:18:07 | |
I think it really is delicious. My only fear would be, | 0:18:07 | 0:18:09 | |
compared to the previous one, or even the previous two, | 0:18:09 | 0:18:12 | |
the sharing element is, you slice it, you pass the thing along. | 0:18:12 | 0:18:16 | |
You are looking for a sense of occasion, | 0:18:16 | 0:18:19 | |
and I think that's the fault in this dessert, brilliant as it is, executed perfectly. | 0:18:19 | 0:18:23 | |
To me, when I see something like that, | 0:18:23 | 0:18:25 | |
I just go "wow," because it looks like something I want to dive into. | 0:18:25 | 0:18:29 | |
It's a very beautiful looking pudding, minus the sugarwork. | 0:18:29 | 0:18:32 | |
I think at the banquet, there would be a slight sense of, "we'd better be on best behaviour." | 0:18:32 | 0:18:39 | |
Hywel might be surprised by those positive comments. | 0:18:39 | 0:18:42 | |
Will his fellow chefs be as generous? | 0:18:42 | 0:18:45 | |
-That's not the easiest thing to be serving. -No. | 0:18:45 | 0:18:48 | |
That rhubarb's lovely. | 0:18:50 | 0:18:52 | |
And you can taste everything. You're getting the nut, the strawberry, rhubarb, custard. It's lovely. | 0:18:52 | 0:18:59 | |
But I don't think it's good enough for a banquet. | 0:18:59 | 0:19:02 | |
There's no wow factor. | 0:19:02 | 0:19:04 | |
This is a people's banquet, we were told to give it the beans. | 0:19:04 | 0:19:07 | |
It's a slice of tart. | 0:19:07 | 0:19:09 | |
Where's the interaction, you know? You can slice it, give him a slice, but is it theatre? | 0:19:09 | 0:19:14 | |
Hywel, what can I say? | 0:19:15 | 0:19:18 | |
He's a brilliant technical chef, but was that dessert fit for a banquet? | 0:19:18 | 0:19:22 | |
I don't think so. Therefore, seven. | 0:19:22 | 0:19:25 | |
This tart is far superior to the last one that he served up, | 0:19:25 | 0:19:28 | |
so for that reason it's an eight. | 0:19:28 | 0:19:30 | |
It was absolutely beautiful. | 0:19:30 | 0:19:32 | |
But it wasn't for sharing, | 0:19:32 | 0:19:35 | |
so I am giving it a seven. | 0:19:35 | 0:19:39 | |
This was not a pudding to be trifled with, and that was part of its problem. | 0:19:39 | 0:19:44 | |
It was just a bit too solemn for the banquet. | 0:19:44 | 0:19:46 | |
So it's a seven from me. | 0:19:46 | 0:19:48 | |
Will Hywel make the grade? Once the judges have ranked their top three desserts, | 0:19:53 | 0:19:58 | |
they must decide which dishes should be on the final menu for the banquet. | 0:19:58 | 0:20:02 | |
Michael's desperate to know what it's like to be chosen. | 0:20:02 | 0:20:06 | |
Getting one on the banquet is amazing. | 0:20:06 | 0:20:08 | |
The word amazing is just the way it is, because everyone works together as a team, don't they? | 0:20:08 | 0:20:13 | |
You have fun, you serve some great food, and you get a real enjoyment out of it. | 0:20:13 | 0:20:18 | |
-You bond together as one team. -Scotland's not been for a while! | 0:20:18 | 0:20:22 | |
-To the banquet? -Yeah. First series. | 0:20:22 | 0:20:25 | |
-Is that when it was? -Mmm. So, hopefully Team Scotland are going to be there. | 0:20:25 | 0:20:30 | |
Now, the unflappable former champion Lisa and self-taught Aktar head into battle in the kitchen. | 0:20:34 | 0:20:40 | |
-Last course of the week. -Yeah, this is, I guess our last chance. | 0:20:40 | 0:20:45 | |
Aktar was very disappointed not to get his main course into the top three yesterday. | 0:20:45 | 0:20:50 | |
And with just his fish dish in contention for the banquet, he knows his pudding must impress. | 0:20:50 | 0:20:56 | |
I really want to make sure today counts, because I want to make it to the people's banquet. | 0:20:56 | 0:21:00 | |
It's the only thing I've been thinking about for so long. | 0:21:00 | 0:21:03 | |
But he's up against stiff competition. | 0:21:03 | 0:21:06 | |
Returning champion Lisa's confident cooking has seen her in the top three | 0:21:06 | 0:21:11 | |
with both her starter and her fish course. | 0:21:11 | 0:21:13 | |
She's serving raspberry and chocolate pavlova | 0:21:13 | 0:21:16 | |
with wobbly jellies and pots of sheep's milk ice cream with nuts. | 0:21:16 | 0:21:19 | |
Aktar, sensing another strong dish from Lisa, tries to put her off her stride. | 0:21:19 | 0:21:25 | |
What are you actually doing? | 0:21:25 | 0:21:26 | |
Sheep's milk's so light, it kind of reminds me of Mr Whippy. I've gone for that. | 0:21:26 | 0:21:30 | |
Could you put a flake in that? | 0:21:30 | 0:21:32 | |
-No. -Have you got the ice cream van chimes coming along? | 0:21:32 | 0:21:37 | |
No, I was going to send you in and you can be it! | 0:21:37 | 0:21:39 | |
HE LAUGHS | 0:21:39 | 0:21:41 | |
I think everyone's nervous today. | 0:21:41 | 0:21:43 | |
The banter's going on, trying to put you off, it's all added pressure. | 0:21:43 | 0:21:47 | |
This dish did well in the heats, and Michael's feeling threatened by his fearsome competitor. | 0:21:47 | 0:21:52 | |
-How you doing, Lisa? -Good. How are you? | 0:21:52 | 0:21:54 | |
More meringues! This is pavlova, isn't it? | 0:21:54 | 0:21:57 | |
-Yeah. Are you doing meringues as well? -I am. | 0:21:57 | 0:22:00 | |
There's quite a few! Meringues everywhere! | 0:22:00 | 0:22:04 | |
Lisa's dish and my dish are very, very similar, so that always makes it even tougher. | 0:22:04 | 0:22:08 | |
She is an awesome cook, she's also a past champion, | 0:22:08 | 0:22:11 | |
so that in itself could be enough to get her the result. | 0:22:11 | 0:22:15 | |
The other chefs also want to find out how much of a threat | 0:22:15 | 0:22:19 | |
Lisa's pavlova will be to their own chances. | 0:22:19 | 0:22:22 | |
-What have you got there? -Like a hazelnut sugar. | 0:22:22 | 0:22:25 | |
Just looking at that sugarwork, it's already pretty wow, isn't it? | 0:22:25 | 0:22:28 | |
-You can see it's going to have a wow factor. -She's done it again, ain't she, boys? | 0:22:28 | 0:22:33 | |
Lisa's has everything. It's a very, very clever dish. | 0:22:33 | 0:22:36 | |
For me at the moment, that's the one dish that's really rattled me, yeah. | 0:22:36 | 0:22:40 | |
Under the anxious gaze of her opponents, Lisa places her raspberries on the pavlova, | 0:22:40 | 0:22:45 | |
adds the wobbly jellies, then dresses it with the sugarwork. | 0:22:45 | 0:22:48 | |
Let's go, boys. | 0:22:48 | 0:22:51 | |
Excuse me. | 0:22:51 | 0:22:53 | |
-OK, boys. -There you are, lads. | 0:22:56 | 0:22:58 | |
Be gentle, don't wobble too much. | 0:22:58 | 0:23:00 | |
With three impressive desserts already served, | 0:23:01 | 0:23:04 | |
will the judges be as kind to Lisa's pavlova as they were in the regional heats? | 0:23:04 | 0:23:09 | |
I think visually, my dessert has got the wow factor, and hopefully it tastes as good as it looks. | 0:23:14 | 0:23:20 | |
I really don't like the look of this thing at all. | 0:23:22 | 0:23:25 | |
I don't know what she's doing. It's just... | 0:23:25 | 0:23:28 | |
Well, she's put some spun sugarwork on top! | 0:23:28 | 0:23:31 | |
But look, it's a mess. | 0:23:31 | 0:23:33 | |
It's like, "I know, I'll put on some sugarwork." | 0:23:33 | 0:23:35 | |
It is now that you've played around with it! | 0:23:35 | 0:23:37 | |
I think the jelly's delicious, it's really sharp, | 0:23:37 | 0:23:41 | |
beautiful texture. | 0:23:41 | 0:23:42 | |
But that's about as far as it goes, really. | 0:23:42 | 0:23:47 | |
And the idea is then obviously to help yourself with the ice cream. | 0:23:47 | 0:23:50 | |
This is very dinner party-ish, and then this is very fairground. | 0:23:50 | 0:23:55 | |
So I don't think it really works. | 0:23:55 | 0:23:57 | |
There's no excuse for the pot, really. It could just be in a bowl. | 0:23:57 | 0:24:01 | |
You notice as you're cutting it, you should have that crunchy thing to it, and there's not. | 0:24:01 | 0:24:05 | |
And then when you taste it, you see that it's chewy. | 0:24:05 | 0:24:08 | |
With every other one of Lisa's dishes, there was a clear sense of direction. | 0:24:08 | 0:24:12 | |
You knew what she was aiming at. You knew the result that she wanted to achieve. | 0:24:12 | 0:24:16 | |
This, you simply don't know. | 0:24:16 | 0:24:18 | |
You just wonder, what was going through her mind? | 0:24:18 | 0:24:21 | |
I think if that's the feeling you get when you come away from it, | 0:24:21 | 0:24:24 | |
then you feel this is not a pudding which has been properly realised. | 0:24:24 | 0:24:27 | |
Do her competitors agree with the judges, | 0:24:27 | 0:24:30 | |
or are they blinded by her reputation? | 0:24:30 | 0:24:32 | |
Whoa! The raspberries are really tart. | 0:24:34 | 0:24:37 | |
The jelly's very, very tart, too. | 0:24:37 | 0:24:39 | |
Very sharp, it goes straight to your glands. | 0:24:39 | 0:24:41 | |
The jelly, yeah, it is tart, | 0:24:41 | 0:24:43 | |
but I think it freshens the dish up so much. | 0:24:43 | 0:24:46 | |
And the ice cream's not overly sweet, either. | 0:24:46 | 0:24:48 | |
I think it's brilliant. | 0:24:48 | 0:24:50 | |
For me, I don't think there's one element of that dish which is not perfect. | 0:24:50 | 0:24:55 | |
For a chef of Lisa Allen's undoubted brilliance, this pudding was a serious disappointment. | 0:24:57 | 0:25:03 | |
Rollover pavlova for me. | 0:25:03 | 0:25:05 | |
It's a six. | 0:25:05 | 0:25:07 | |
I don't know what's happened. This was a complete raspberry, | 0:25:07 | 0:25:10 | |
it felt like the kitchen sink. | 0:25:10 | 0:25:12 | |
Bit of sugarwork, bit of jelly, pavlova, sheep's milk ice cream, a complete and utter mess. Five. | 0:25:12 | 0:25:19 | |
She will be disappointed, she can do so much better, but I'm afraid it is just a six from me. | 0:25:19 | 0:25:24 | |
Lisa's a great cook, but I begin to think she's no good at puddings. | 0:25:24 | 0:25:29 | |
So it's a four. | 0:25:29 | 0:25:31 | |
Aktar's next to be scrutinised. | 0:25:33 | 0:25:35 | |
Despite giving himself a mountain to climb | 0:25:35 | 0:25:37 | |
with his elaborate array of Indian-inspired desserts, | 0:25:37 | 0:25:41 | |
including chai panna cotta, coconut sorbet, | 0:25:41 | 0:25:43 | |
mango shirkhand and strawberry samosas, | 0:25:43 | 0:25:46 | |
he's overflowing with confidence. | 0:25:46 | 0:25:48 | |
The flavours are very simple, nothing too heavy, hopefully top three. | 0:25:48 | 0:25:53 | |
That's the plan. You've got to keep your chin up. | 0:25:53 | 0:25:55 | |
Aktar struggled with this dish in the heats. | 0:25:55 | 0:25:58 | |
Today he must make sure all the flavours are perfectly balanced. | 0:25:58 | 0:26:02 | |
What are you grinding in this machine of yours? | 0:26:02 | 0:26:04 | |
I am making mint sherbet to go with my strawberry samosa, so... | 0:26:04 | 0:26:08 | |
I had a taste of Aktar's mint sherbet. It blew the head off me. | 0:26:08 | 0:26:13 | |
It's very, very strong. You need to watch what he's putting on his plate when he goes to dress. | 0:26:13 | 0:26:17 | |
The judges criticised Aktar for serving his dessert in individual boxes, | 0:26:17 | 0:26:22 | |
so this time he's gone for one big platter. | 0:26:22 | 0:26:25 | |
His new presentation has caught Tom's attention. | 0:26:25 | 0:26:28 | |
-OK, Aktar? -Yeah, I'm good. | 0:26:28 | 0:26:31 | |
This looks, er, very pretty. | 0:26:31 | 0:26:33 | |
I'm trying to do the whole Indian thing, | 0:26:33 | 0:26:36 | |
they like putting flowers on everything, put garlands on their guests, I'm sure you've seen it. | 0:26:36 | 0:26:41 | |
Is it not flowers because there's a female guest chef judge in there today? | 0:26:41 | 0:26:48 | |
-That might have something... I mean, the pink, you know! -Nice touch! | 0:26:48 | 0:26:52 | |
Just trying to keep the ladies happy, you know! | 0:26:52 | 0:26:55 | |
Then Andrew, sensing competition with his own dessert, joins in. | 0:26:55 | 0:27:00 | |
-What's the box for? -That's pink as well, chef. | 0:27:00 | 0:27:04 | |
That's for Pru. Pink's for Pru. | 0:27:04 | 0:27:07 | |
Ignoring the taunts, Aktar caramelises the sugar on the alphonso mango, | 0:27:07 | 0:27:12 | |
then places gold leaf on the chai panna cottas and lightly fries the strawberry samosas. | 0:27:12 | 0:27:17 | |
In a final bid for theatricality, he then adds dry ice before his platter is boxed and sent out to the judges. | 0:27:17 | 0:27:24 | |
And Tom is seriously worried. | 0:27:27 | 0:27:30 | |
You want to undo the ribbon of Aktar's and see what's underneath. | 0:27:30 | 0:27:33 | |
That, I think, is very clever, because it's a little bit understated, | 0:27:33 | 0:27:37 | |
it's not a firework show, but it makes you want to get in there. | 0:27:37 | 0:27:41 | |
What will the judges make of it? | 0:27:41 | 0:27:43 | |
Mmm. | 0:27:43 | 0:27:45 | |
-Looks fantastic. -It is an absolute feast for the eyes. | 0:27:45 | 0:27:48 | |
The question is, is it a feast for the mouth as well? | 0:27:48 | 0:27:51 | |
Look at that, like a little brulee. | 0:27:51 | 0:27:55 | |
-Perfect. -You look at it and you think it's a brulee, but actually it's yoghurt. | 0:27:55 | 0:27:59 | |
I think the mango, you could put the mango through it. | 0:27:59 | 0:28:02 | |
In a way, it is a breakfast thing. It tastes nice but it could be better. | 0:28:02 | 0:28:06 | |
The pastry on the samosa is absolutely exquisite, it's so delicate, it's so fine. | 0:28:06 | 0:28:12 | |
Very nice. | 0:28:12 | 0:28:13 | |
The panna cotta has got a great wobble on it. | 0:28:13 | 0:28:16 | |
I really don't like gold leaf. | 0:28:16 | 0:28:17 | |
Gold leaf should be for books and ceilings as far as I'm concerned. | 0:28:17 | 0:28:20 | |
Where's your sense of celebration? You've suddenly become like a puritan monk. | 0:28:20 | 0:28:25 | |
This is four very separate individual items that I don't think work in harmony at all. | 0:28:25 | 0:28:31 | |
If you just put your spoon in that and that together, | 0:28:31 | 0:28:34 | |
or that and that together, they go beautifully! | 0:28:34 | 0:28:36 | |
Texturally, if I can be all cheffy about it, I think the panna cotta's amazing, | 0:28:36 | 0:28:41 | |
but all I've got in my mouth now is cardamom. It's too powerful. | 0:28:41 | 0:28:45 | |
-I think this is far too sweet. -There are contrasts in here, they work off each other. | 0:28:45 | 0:28:50 | |
-You shouldn't have to tell people to have a bit... -I'm not! | 0:28:50 | 0:28:53 | |
-You are! -Excuse me, that was the way I ate it. | 0:28:53 | 0:28:59 | |
All it requires is a little bit of intelligence to eat this pudding. | 0:28:59 | 0:29:03 | |
The trouble is that neither you nor Oliver are prepared to show it! | 0:29:03 | 0:29:07 | |
While you two are bickering, I'm just quietly hoovering it all up. | 0:29:07 | 0:29:11 | |
A mixed reaction from the judges. Will this dish hit the mark with his rivals? | 0:29:11 | 0:29:16 | |
-Spoons. One for you. -What shall we try first? | 0:29:16 | 0:29:21 | |
Ice cream. | 0:29:21 | 0:29:23 | |
-What flavour was it? -Coconut and lime, I think he said. | 0:29:23 | 0:29:25 | |
Oh. Refreshing. | 0:29:27 | 0:29:31 | |
I like that. I've never had a strawberry samosa before. | 0:29:31 | 0:29:35 | |
The strawberry's not too sweet. | 0:29:35 | 0:29:36 | |
The pastry's really nice. | 0:29:36 | 0:29:38 | |
For me I'd say there's maybe a bit too much acidity in that sherbet for me. | 0:29:38 | 0:29:42 | |
And there's a lot on the plate. If it's too much, it just kills it. | 0:29:42 | 0:29:45 | |
-Brulee? -Go for it. | 0:29:45 | 0:29:47 | |
That mango brulee and cardamom is brilliant. | 0:29:47 | 0:29:53 | |
-Yeah, that's my favourite so far. -Yeah. | 0:29:53 | 0:29:55 | |
I thought it was a delicious pudding. | 0:29:59 | 0:30:02 | |
My only trouble with it was that you had to have all those four puddings to yourself, | 0:30:02 | 0:30:07 | |
because you needed to eat them together. | 0:30:07 | 0:30:09 | |
You couldn't pick and mix, you couldn't share, and so it's a seven. | 0:30:09 | 0:30:14 | |
Aktar's tuck box made me want to tuck in, | 0:30:14 | 0:30:17 | |
and I did with pleasure, and so I'm going to give it an eight. | 0:30:17 | 0:30:21 | |
For me, the wedding box did not live up to it. | 0:30:21 | 0:30:23 | |
It had all the expectation of being amazing but it really wasn't. For me, it's just a six. | 0:30:23 | 0:30:29 | |
I felt like Aktar was setting us a test of endurance here. | 0:30:29 | 0:30:33 | |
Oh, dear! Five. | 0:30:33 | 0:30:36 | |
Will this score be enough to get Aktar the top three ranking he desperately wants? | 0:30:37 | 0:30:42 | |
With five dishes served and three to go, | 0:30:43 | 0:30:45 | |
the chefs are speculating on what the judges might be looking for. | 0:30:45 | 0:30:49 | |
Who knows? I got it completely wrong yesterday. | 0:30:49 | 0:30:52 | |
-It's tough to call. -It is. | 0:30:52 | 0:30:54 | |
The competition all week has been extremely tough | 0:30:54 | 0:30:59 | |
and high standard. | 0:30:59 | 0:31:01 | |
We all want to get people from our community to the banquet. There's a lot riding on this. | 0:31:01 | 0:31:05 | |
-Oh, definitely. -The dishes, the people, the whole lot. | 0:31:05 | 0:31:09 | |
Everything. It's massive. | 0:31:09 | 0:31:11 | |
The next three chefs into the kitchen are main course champion Tom Kerridge, | 0:31:17 | 0:31:21 | |
Andrew Pern, still to win his first top three, and first-timer Michael Smith. | 0:31:21 | 0:31:26 | |
-Here we go. -All right? How we doing, chief? | 0:31:26 | 0:31:29 | |
-Meringues. -Baby ones are mine. -You've got a meringue day. | 0:31:29 | 0:31:33 | |
-It's meringue central today. -Meringues all over the place. | 0:31:33 | 0:31:36 | |
With around 100 perfect meringues to make, Michael's brought in some help. | 0:31:36 | 0:31:41 | |
-You need a big mixer for that. -I've got one over here. | 0:31:41 | 0:31:44 | |
-That is a big mixer. -Specially delivered from Scotland. -That's a mighty friend. | 0:31:44 | 0:31:49 | |
Are you cooking for the banquet already with a mixer that size? | 0:31:49 | 0:31:53 | |
-Four people. -No, it's for a banquet. | 0:31:53 | 0:31:55 | |
He-hey! | 0:31:55 | 0:31:56 | |
Scotland are back in the room! | 0:31:57 | 0:31:59 | |
Tom will be the first to the pass. | 0:31:59 | 0:32:02 | |
He's serving strawberries and cream pick your own | 0:32:02 | 0:32:04 | |
accompanied by liquorice-flavoured meringue, | 0:32:04 | 0:32:07 | |
strawberry sorbet and strawberry jelly. | 0:32:07 | 0:32:09 | |
It was completely style over content. | 0:32:09 | 0:32:12 | |
I thought he spent an awful lot of time looking at the theatrics of the dish, | 0:32:12 | 0:32:16 | |
but when it came down to the taste, the taste really failed on all levels. | 0:32:16 | 0:32:20 | |
That marks out the real key players. | 0:32:20 | 0:32:22 | |
Less is more, like we've said, but everything that is less has to be immaculate, spot on. | 0:32:22 | 0:32:28 | |
Pick your own, it's a fantastic idea, really. | 0:32:28 | 0:32:30 | |
All you have to do is dollop some first-class cream over it, | 0:32:30 | 0:32:33 | |
a sprinkling of sugar, and we're away. | 0:32:33 | 0:32:35 | |
Yesterday, this former champion's pork dish | 0:32:35 | 0:32:38 | |
outshone the others with incredible presentation, including hay bales. | 0:32:38 | 0:32:42 | |
Now the chefs are waiting to see what he's planning for his dessert. | 0:32:42 | 0:32:46 | |
Golden eagle going to fly into the judging chamber | 0:32:46 | 0:32:49 | |
and deliver your strawberries? THEY LAUGH | 0:32:49 | 0:32:52 | |
-What's going to happen today? -Strawberries and cream. | 0:32:52 | 0:32:56 | |
Very simple. | 0:32:56 | 0:32:58 | |
To up his chances of making it on to the final menu, Tom needs to do well today. | 0:32:58 | 0:33:02 | |
And after yesterday's theatrics, the other chefs are keeping close tabs on him. | 0:33:02 | 0:33:07 | |
I think Tom's going to pull something out of his back pocket. | 0:33:07 | 0:33:10 | |
He's walking round saying, "I'm doing strawberries and cream," | 0:33:10 | 0:33:13 | |
with a little grin on his face, so I'm assuming that we're going to see something pretty special, I think. | 0:33:13 | 0:33:18 | |
Last time, although his dessert scored highly in the heats, | 0:33:18 | 0:33:22 | |
it failed to win the judges over, so he's made some tweaks. | 0:33:22 | 0:33:25 | |
Gardeners' World just going past. | 0:33:25 | 0:33:27 | |
Another unassuming garnish from Mr Kerridge. | 0:33:27 | 0:33:31 | |
Not only is he making the judges pick their own fruit, he's serving the other elements | 0:33:31 | 0:33:35 | |
in strawberry punnets for sharing, rather than plating them individually. | 0:33:35 | 0:33:39 | |
Tom's dessert has got Andrew seriously worried about his own hopes of making the top three now. | 0:33:39 | 0:33:45 | |
He seems to hit the nail on the head every time, with getting everything right - | 0:33:45 | 0:33:50 | |
the vivid ideas, and that sort of entertainment which he brings. | 0:33:50 | 0:33:54 | |
As Tom brings his dessert to the pass, the other chefs feel the fear. | 0:33:54 | 0:33:59 | |
There we go, chaps. Go careful with her. | 0:33:59 | 0:34:03 | |
I'm telling you what, that is frightening. | 0:34:03 | 0:34:05 | |
-You have really pulled it out of the bag this time, big boy. -BLEEP. | 0:34:05 | 0:34:08 | |
That looks amazing. | 0:34:08 | 0:34:10 | |
Tom also has very high hopes for his chances in this round. | 0:34:11 | 0:34:16 | |
I think my dessert should be in the top three. | 0:34:16 | 0:34:21 | |
I think it should. It looks great, I'm really happy with it. | 0:34:21 | 0:34:25 | |
-Wow! -The garden's arrived! | 0:34:25 | 0:34:28 | |
I wish I could grow strawberries like that. | 0:34:30 | 0:34:32 | |
-Mine never look like that. -There we go, some for you. | 0:34:32 | 0:34:36 | |
So, superabundance of strawberries. | 0:34:36 | 0:34:39 | |
I did want to have some PYO ones. | 0:34:39 | 0:34:41 | |
In this respect, it's an absolutely fantastic dessert. | 0:34:41 | 0:34:44 | |
It's very interactive, we've all had to share, | 0:34:44 | 0:34:46 | |
we've all had to do something for one another. | 0:34:46 | 0:34:49 | |
It's like being back in the playground, really, isn't it? | 0:34:49 | 0:34:52 | |
This is a pudding to play with. | 0:34:52 | 0:34:54 | |
I think it's great. The problem I have, | 0:34:54 | 0:34:56 | |
is I don't particularly like the flavour of most of it. | 0:34:56 | 0:35:01 | |
I think Tom has gone completely to town on the idea | 0:35:01 | 0:35:04 | |
and then the gastronomy is left behind. | 0:35:04 | 0:35:08 | |
I think with the jelly, it could be slightly looser. | 0:35:08 | 0:35:12 | |
I think there's an acidity that it doesn't need. | 0:35:12 | 0:35:14 | |
The other thing to me which has badly let the side down, | 0:35:14 | 0:35:18 | |
as far as I'm concerned, aerated cream has no place near even the most mediocre of strawberries. | 0:35:18 | 0:35:24 | |
The jelly I think is actually too strong. | 0:35:24 | 0:35:27 | |
I think he's got vinegar in there, there's some acidity that's coming through. | 0:35:27 | 0:35:32 | |
We've got a great concept here, but we haven't got, | 0:35:32 | 0:35:35 | |
I'm afraid, I think, a great pudding. | 0:35:35 | 0:35:38 | |
So the judges are still not bowled over by Tom's dessert. | 0:35:38 | 0:35:43 | |
Will his fellow chefs agree that it's a triumph of presentation over taste? | 0:35:43 | 0:35:47 | |
For visual aspect, he's won hands down. | 0:35:47 | 0:35:50 | |
-Got a bit of theatre there. -Without a doubt. -A little bit of sorbet. | 0:35:50 | 0:35:55 | |
It's really fresh, and a lot of flavour to it. | 0:35:55 | 0:35:58 | |
That's really good. | 0:35:58 | 0:36:00 | |
-Those meringues are great. -You can't get fresher than that, can you? | 0:36:00 | 0:36:04 | |
That's interaction to you. | 0:36:04 | 0:36:06 | |
You're pulling them off, digging in here, get some more of that in you. | 0:36:06 | 0:36:10 | |
It's great. | 0:36:10 | 0:36:11 | |
I love the pick your own element but I hated the fluffy cream bit. | 0:36:13 | 0:36:18 | |
Strawberries deserve better - seven. | 0:36:18 | 0:36:20 | |
I thought the whole pick your own thing was amazing and great, | 0:36:20 | 0:36:24 | |
but nothing tasted very good. | 0:36:24 | 0:36:26 | |
I just was disappointed in it. I gave it a six. | 0:36:26 | 0:36:29 | |
I feel a bit funny about this because Tom's responded to what we asked him to do. | 0:36:29 | 0:36:33 | |
He's made the whole pudding far more interactive | 0:36:33 | 0:36:35 | |
but forgot about the content of the pudding. | 0:36:35 | 0:36:38 | |
These strawberry fields are not forever, six. | 0:36:38 | 0:36:41 | |
Visually and conceptually, I thought it was absolutely spot-on. | 0:36:41 | 0:36:45 | |
He understood what he needed to do. | 0:36:45 | 0:36:46 | |
When he executed it, it was very poorly done. | 0:36:46 | 0:36:49 | |
For that, I'm giving it a six. | 0:36:49 | 0:36:51 | |
A disappointing score for Tom, then. | 0:36:51 | 0:36:55 | |
Scotland's Michael Smith is next to serve. | 0:36:55 | 0:36:59 | |
After a disastrous start to the week, | 0:36:59 | 0:37:01 | |
he now rivals Lisa with two top three spots. | 0:37:01 | 0:37:03 | |
He's hoping to make it a hat-trick with his | 0:37:03 | 0:37:05 | |
oatmeal and hazelnut meringues with raspberries and cream. | 0:37:05 | 0:37:08 | |
I mean business with the pudding. | 0:37:08 | 0:37:10 | |
There's a few hidden surprises in there. | 0:37:10 | 0:37:13 | |
I really want Scotland to finish with a big bang. | 0:37:13 | 0:37:16 | |
Michael's spent all afternoon making the many meringues needed to construct his tower. | 0:37:16 | 0:37:21 | |
Michael's been cooking some great dishes | 0:37:21 | 0:37:24 | |
and his simplicity is really, really fantastic. | 0:37:24 | 0:37:29 | |
As he carefully assembles his dessert, his rivals watch anxiously. | 0:37:29 | 0:37:33 | |
Is he about to pull another winner out of the bag? | 0:37:33 | 0:37:36 | |
Is he going to bribe the judges with the whisky? | 0:37:36 | 0:37:39 | |
Why not? A good idea if it works. | 0:37:39 | 0:37:43 | |
It's definitely going to be a spectacle on the table | 0:37:43 | 0:37:46 | |
because there's so much height on it and the way it's presented. | 0:37:46 | 0:37:49 | |
Could be the one to get three in the top three? | 0:37:49 | 0:37:51 | |
He's on a roll, isn't he? He had one bad day and that's it. | 0:37:51 | 0:37:57 | |
-He's kind of... -Pulled it back big-time. -Pulled it back big-time. | 0:37:57 | 0:38:01 | |
Michael finishes the tower with freeze-dried raspberries, | 0:38:01 | 0:38:05 | |
shards of honeycomb and raspberry paper. | 0:38:05 | 0:38:07 | |
But Tom is distinctly unimpressed. | 0:38:07 | 0:38:10 | |
Just to me, it lacked that magic spark. | 0:38:10 | 0:38:15 | |
It looked spectacular, but as I was looking at it, | 0:38:15 | 0:38:18 | |
it didn't make me want to dive in and start eating it. | 0:38:18 | 0:38:21 | |
Michael brings his meringue tower to the pass, | 0:38:21 | 0:38:23 | |
hoping it'll prove to be another show-stopper. | 0:38:23 | 0:38:26 | |
OK, just tell them to go crazy. | 0:38:26 | 0:38:30 | |
I think my dish should bring fun, it should bring a visual spectacle, | 0:38:31 | 0:38:35 | |
hopefully it's got all of those things. | 0:38:35 | 0:38:38 | |
After that, I'd really love people to dig in and stuff their faces. | 0:38:38 | 0:38:41 | |
-It's a Philip Treacy hat. -An Ascot hat. -Carmen Miranda hat. | 0:38:41 | 0:38:48 | |
-It's fabulous. Absolutely fabulous. -I think it looks better. | 0:38:48 | 0:38:53 | |
I think part of the genius of this dish | 0:38:53 | 0:38:55 | |
is that you have to help yourself with your fingers. | 0:38:55 | 0:38:58 | |
Everybody's got to reach out. | 0:38:58 | 0:39:00 | |
It's not, "Can I serve you?" It's grab for yourself. | 0:39:00 | 0:39:04 | |
Thank you. If you'd be so kind as to remove the bottle from the middle. | 0:39:04 | 0:39:08 | |
Oh, you can pull it out, can't you? | 0:39:08 | 0:39:10 | |
Out she comes. | 0:39:10 | 0:39:12 | |
It is as I remember it, a monument of meringue. | 0:39:12 | 0:39:17 | |
It's far better than before. I can actually taste the oatmeal now. | 0:39:17 | 0:39:20 | |
There's far more flavour, far more flavour in the cream. | 0:39:20 | 0:39:23 | |
It's a much better pudding. | 0:39:23 | 0:39:25 | |
The oatmeal's right, it really enhances it. | 0:39:25 | 0:39:27 | |
It cuts that sweetness, it gives that nuttiness, it's very good. | 0:39:27 | 0:39:32 | |
What I really love about it, it has vulgarity. | 0:39:32 | 0:39:36 | |
It's not Eiffel Tower, this is the Blackpool Tower. | 0:39:36 | 0:39:38 | |
That's what it is, Blackpool Tower in meringue. | 0:39:38 | 0:39:41 | |
I just don't think you can fault it. | 0:39:41 | 0:39:43 | |
It is faultless. | 0:39:43 | 0:39:45 | |
Michael has really gone to town on the spirit of the competition. | 0:39:45 | 0:39:49 | |
I think there are more gastronomic dishes, | 0:39:49 | 0:39:52 | |
but I don't think it's un-gastronomic. | 0:39:52 | 0:39:54 | |
Anybody who finishes on this particular dessert | 0:39:54 | 0:39:57 | |
will go wobbling off into the night, having been seriously well fed. | 0:39:57 | 0:40:01 | |
Cheers. | 0:40:01 | 0:40:04 | |
A positive reaction from the judges. | 0:40:04 | 0:40:06 | |
Will his rivals go mad for his meringues too? | 0:40:06 | 0:40:11 | |
It's a great sharing aspect. | 0:40:11 | 0:40:13 | |
I think the flavours and the visual aspect's lovely. | 0:40:13 | 0:40:15 | |
The raspberry is very nice. It cuts the sweetness, doesn't it? | 0:40:15 | 0:40:21 | |
I don't know if the meringue is crunchy enough for me. | 0:40:21 | 0:40:24 | |
It's very chewy. It goes into a ball in your mouth. | 0:40:24 | 0:40:28 | |
Like chewing gum. | 0:40:28 | 0:40:29 | |
It's got no definite texture to it. | 0:40:29 | 0:40:32 | |
It's quite brittle, isn't it? I see what you're saying. | 0:40:32 | 0:40:36 | |
I'm not crazy about it. I'd rather have traditional meringue. | 0:40:36 | 0:40:41 | |
I've had half of one and I'm done. | 0:40:41 | 0:40:44 | |
The meringues were amazing, | 0:40:46 | 0:40:48 | |
it was genius with the whisky at the end. | 0:40:48 | 0:40:50 | |
For that, I'm giving it a nine. | 0:40:50 | 0:40:52 | |
It is a Mad Hatter pudding, great for Leadenhall, | 0:40:52 | 0:40:56 | |
slight question over the gastronomy but beautiful piece of work, eight. | 0:40:56 | 0:41:00 | |
My worry about it was, does it show the skill | 0:41:00 | 0:41:05 | |
and delicacy that we're after? | 0:41:05 | 0:41:07 | |
I think not. So I'm giving it an eight. | 0:41:07 | 0:41:11 | |
Michael's mountain of meringue, what a marvellous monument of a pudding. | 0:41:11 | 0:41:15 | |
This is a very competitive area, | 0:41:15 | 0:41:17 | |
there's been some very technical cooking. | 0:41:17 | 0:41:19 | |
This wasn't quite up there, so it's eight for me. | 0:41:19 | 0:41:22 | |
A very respectable result, piling more pressure on Andrew, | 0:41:22 | 0:41:27 | |
who has to get a top three ranking today | 0:41:27 | 0:41:29 | |
or has no chance of going to the banquet. | 0:41:29 | 0:41:31 | |
He's hoping his celebration of Yorkshire rhubarb, | 0:41:31 | 0:41:35 | |
including rhubarb jelly and custard, rhubarb schnapps | 0:41:35 | 0:41:38 | |
and rhubarb and pistachio filled Yorkshire puddings | 0:41:38 | 0:41:40 | |
will be the dish that gets him in the running. | 0:41:40 | 0:41:43 | |
Andrew's pudding was literally a case of | 0:41:43 | 0:41:46 | |
rhubarb, rhubarb, rhubarb, rhubarb, rhubarb. | 0:41:46 | 0:41:48 | |
I hope he leaves it exactly as it was, | 0:41:48 | 0:41:52 | |
because if he comes in with anything different, I shall cry, | 0:41:52 | 0:41:55 | |
because that was the most delicious dish. | 0:41:55 | 0:41:57 | |
I agree with you. | 0:41:57 | 0:41:58 | |
If he touches this, I'm going to be really upset because it was perfect. | 0:41:58 | 0:42:02 | |
A thing of great beauty. | 0:42:02 | 0:42:03 | |
The fact that he hasn't made it into the top three, | 0:42:03 | 0:42:06 | |
I think will be really rankling with him. | 0:42:06 | 0:42:09 | |
I expect he'll be making a huge effort today. | 0:42:09 | 0:42:12 | |
Andrew's had a difficult week. | 0:42:12 | 0:42:14 | |
His first two courses bombed, and yesterday, | 0:42:14 | 0:42:17 | |
the narrowly missed out on a top-three spot for his suckling pig, | 0:42:17 | 0:42:21 | |
the dish he had high hopes for. | 0:42:21 | 0:42:24 | |
It's his last chance to prove himself, as Chris is quick to remind him. | 0:42:24 | 0:42:28 | |
-Are you nervous? -No, not really. -Have you seen Lisa's? | 0:42:28 | 0:42:33 | |
What do you think so far? | 0:42:33 | 0:42:36 | |
Good again, it's high standard. | 0:42:36 | 0:42:38 | |
Every course has been, like, one, two, three, four. | 0:42:38 | 0:42:41 | |
You can but try. | 0:42:41 | 0:42:43 | |
With so much to do, | 0:42:43 | 0:42:44 | |
Andrew quickly gets on with making his pistachio cream. | 0:42:44 | 0:42:49 | |
If you don't make a course then it changes the whole thing. | 0:42:49 | 0:42:52 | |
It's up to us to still push on. | 0:42:52 | 0:42:54 | |
The competition's not over till it is over. | 0:42:54 | 0:42:57 | |
In the heat, Andrew had trouble with his elderflower rice pudding, | 0:42:57 | 0:43:00 | |
and with so much at stake, | 0:43:00 | 0:43:02 | |
he can't afford for anything to go wrong today. | 0:43:02 | 0:43:04 | |
Have you made it any special way or just normal? | 0:43:04 | 0:43:07 | |
Elderflower cordial. It's got quite a lot of citric acid in it. | 0:43:07 | 0:43:13 | |
It kept splitting in the heat. | 0:43:13 | 0:43:15 | |
I've been adding it gradually so I don't have any dramas. | 0:43:15 | 0:43:20 | |
He then puts pistachio cream and rhubarb compote into his Yorkshire puddings, | 0:43:20 | 0:43:24 | |
hoping his dessert is good enough to get the high marks he badly needs. | 0:43:24 | 0:43:28 | |
You think this will get in the top three? | 0:43:28 | 0:43:30 | |
Yes, the comments that I got back from the judges last time were brilliant. | 0:43:30 | 0:43:35 | |
Hopefully, same again. | 0:43:35 | 0:43:37 | |
Andrew pours out his rhubarb schnapps | 0:43:37 | 0:43:39 | |
and puts it on his silver stand, | 0:43:39 | 0:43:41 | |
bringing everything to the pass under the gaze of the chefs. | 0:43:41 | 0:43:44 | |
There we are, sir. | 0:43:44 | 0:43:45 | |
That's what's known as a celebration of Yorkshire rhubarb. | 0:43:45 | 0:43:48 | |
He's been very quiet all day. He knew this was his last chance. | 0:43:48 | 0:43:52 | |
It looked like a lovely, sweet, tea room kind of dessert, | 0:43:52 | 0:43:57 | |
and if he's nailed that, that could be a top three contender. | 0:43:57 | 0:44:00 | |
Will this dish turn it around for Andrew, | 0:44:02 | 0:44:05 | |
or will the sheer standard of the competition push him down the rankings again? | 0:44:05 | 0:44:10 | |
I hope that's going to be my top three dish this week. | 0:44:10 | 0:44:13 | |
So, fingers crossed. | 0:44:13 | 0:44:15 | |
What do you think, Angela? | 0:44:15 | 0:44:17 | |
I feel that I've gone back into a Jane Austen novel. | 0:44:17 | 0:44:22 | |
I really do feel I could be having high tea somewhere. | 0:44:22 | 0:44:25 | |
It looks fabulous. | 0:44:25 | 0:44:26 | |
It's a very smart idea. | 0:44:26 | 0:44:28 | |
Not too sweet, distinct flavour of rhubarb | 0:44:31 | 0:44:34 | |
and perfume from star anise which goes particularly well with rhubarb. | 0:44:34 | 0:44:38 | |
I've just taken a bite of this little Yorkshire pudding | 0:44:38 | 0:44:42 | |
and I'd forgotten it's stuffed full of pistachio custard. | 0:44:42 | 0:44:46 | |
It's divine. So far, so good. | 0:44:46 | 0:44:51 | |
I have to say, I've eaten my Yorkshire pudding. | 0:44:51 | 0:44:53 | |
That's the best thing I've eaten so far today. | 0:44:53 | 0:44:55 | |
By and large, I'm against these mini desserts on a thing, | 0:44:55 | 0:44:58 | |
but I think he's really pulled it off here. | 0:44:58 | 0:45:00 | |
I'm quite excited to try everything because it sort of looks like it's going to be good. | 0:45:00 | 0:45:05 | |
I mean, I think rice pudding, rhubarb, I think great combination. | 0:45:05 | 0:45:09 | |
My only thing, it's hard. It's sticking in my teeth. | 0:45:09 | 0:45:12 | |
It's not quite cooked. | 0:45:12 | 0:45:13 | |
The balance between the sharp fruit and the creaminess, | 0:45:13 | 0:45:17 | |
which is an essential part of any English pudding, | 0:45:17 | 0:45:20 | |
that wonderful sense of indulgence is just right. | 0:45:20 | 0:45:24 | |
Oliver is silenced. | 0:45:24 | 0:45:25 | |
You cannot really get much better than that as testament | 0:45:25 | 0:45:28 | |
that it's good food. | 0:45:28 | 0:45:30 | |
I'm really happy with this dessert. | 0:45:30 | 0:45:33 | |
It's one of those things that, you know, makes the competition worthwhile for me. | 0:45:33 | 0:45:37 | |
So, are the other chefs convinced this is the dish | 0:45:38 | 0:45:41 | |
that will put Andrew back in the game? | 0:45:41 | 0:45:44 | |
-The pistachio's lovely, isn't it? -Yeah. | 0:45:44 | 0:45:47 | |
-Hywel, you've done a trifle, what do you think? -I think it's lovely. | 0:45:47 | 0:45:50 | |
It's a nice balance, isn't it? The chunks of blood orange are lovely. | 0:45:50 | 0:45:53 | |
The blood orange is beautiful, works really well with the rhubarb. | 0:45:53 | 0:45:56 | |
The Yorkshire pudding's really nice, really beautiful. | 0:45:56 | 0:45:59 | |
Not sold on the rice pudding? | 0:45:59 | 0:46:01 | |
Has it got a slight bite to it? | 0:46:01 | 0:46:03 | |
I got a little bit of a bite, but it's a bit of a... | 0:46:03 | 0:46:07 | |
It's a preference thing. | 0:46:07 | 0:46:09 | |
That rice is just on the edge, I think. | 0:46:09 | 0:46:12 | |
This was an artist's palette of rhubarb, nine. | 0:46:14 | 0:46:19 | |
Do you know, the first time we got this dish, it was perfection. | 0:46:19 | 0:46:23 | |
And I just prayed that Andrew would do the same thing again, exactly. | 0:46:23 | 0:46:28 | |
And he very nearly did, but he missed it on the rice pudding. | 0:46:28 | 0:46:33 | |
That rice wasn't cooked. | 0:46:33 | 0:46:36 | |
So it's a nine. | 0:46:36 | 0:46:38 | |
Andrew has demonstrated an enormous amount of skill here. | 0:46:38 | 0:46:41 | |
He's taken one primary ingredient, rhubarb, | 0:46:41 | 0:46:44 | |
and treated it so beautifully. | 0:46:44 | 0:46:45 | |
Teeny-weeny hitch on the rice. Otherwise, a nine. | 0:46:45 | 0:46:49 | |
If only he'd cooked that rice pudding, I would have given it a ten. | 0:46:49 | 0:46:53 | |
Instead I'm going to give it a nine. | 0:46:53 | 0:46:55 | |
An excellent result at last for Andrew. | 0:46:55 | 0:46:58 | |
After eight weeks of furious competition, | 0:47:02 | 0:47:05 | |
the last dish has been cooked. | 0:47:05 | 0:47:07 | |
Very soon, the judges will be picking their perfect banquet menu, | 0:47:07 | 0:47:11 | |
but which three desserts will go into the mix? | 0:47:11 | 0:47:14 | |
If I was a gambling man, I would say Lisa, | 0:47:14 | 0:47:19 | |
then me, and I think Tom. | 0:47:19 | 0:47:22 | |
Tom has to get it. | 0:47:22 | 0:47:24 | |
Good evening, chefs. | 0:47:30 | 0:47:31 | |
And now I have to announce the rankings in reverse order as usual. | 0:47:33 | 0:47:37 | |
So, in eighth place, | 0:47:39 | 0:47:42 | |
it's... | 0:47:42 | 0:47:44 | |
Lisa. | 0:47:48 | 0:47:50 | |
I'm sure that will come as something of a shock to you, Lisa. | 0:47:50 | 0:47:54 | |
Yeah. It is a shock, but... | 0:47:54 | 0:47:57 | |
We felt there were one or two technical issues with your pavlova. | 0:47:58 | 0:48:02 | |
And you were marked accordingly, I'm afraid. | 0:48:02 | 0:48:05 | |
In seventh place, it's... | 0:48:06 | 0:48:10 | |
Tom. | 0:48:13 | 0:48:14 | |
-Is that a shock, Tom? -It is a bit of a shock, yeah. | 0:48:16 | 0:48:22 | |
We were absolutely thrilled when your stuff walked in. It was terrific. | 0:48:22 | 0:48:26 | |
Unfortunately, on the palate it wasn't so good. I'm sorry. | 0:48:26 | 0:48:31 | |
No problem. | 0:48:31 | 0:48:33 | |
Not far ahead of Tom in sixth place is... | 0:48:33 | 0:48:36 | |
Aktar. | 0:48:41 | 0:48:42 | |
It was a great looker, Aktar. | 0:48:44 | 0:48:46 | |
And you must have thought you were on to a winner there. | 0:48:46 | 0:48:49 | |
I was trying very hard. | 0:48:49 | 0:48:51 | |
I have to tell you there was disagreement in this matter, | 0:48:51 | 0:48:54 | |
and I loved it. | 0:48:54 | 0:48:56 | |
But, you know, we sometimes disagree with each other. | 0:48:56 | 0:48:59 | |
Now, in fifth place is... | 0:48:59 | 0:49:02 | |
Chris. | 0:49:07 | 0:49:08 | |
Is that relief or is that surprise? | 0:49:09 | 0:49:12 | |
I thought it was a really good celebratory dish and had interaction. | 0:49:12 | 0:49:16 | |
I don't think you should be so hard on yourself, it is just very tough today. | 0:49:16 | 0:49:19 | |
Thank you very much. | 0:49:19 | 0:49:21 | |
We've now reached fourth position, and the chefs remaining are Andrew, | 0:49:22 | 0:49:27 | |
Michael, Paul and Hywel. | 0:49:27 | 0:49:31 | |
But one of you, I'm afraid, is going to miss out on our top three slot. | 0:49:31 | 0:49:35 | |
And I can announce that in fourth place is... | 0:49:35 | 0:49:41 | |
Hywel. Which means in no particular order, | 0:49:48 | 0:49:51 | |
the top three are Andrew, Paul and Michael. | 0:49:51 | 0:49:54 | |
You can tell it's been a long week! | 0:49:54 | 0:49:57 | |
Please would you go back to the kitchen | 0:50:00 | 0:50:02 | |
while we carry out our deliberations? Thank you very much indeed. | 0:50:02 | 0:50:05 | |
Guys, well done. | 0:50:05 | 0:50:06 | |
It's a fantastic result for Paul, Michael and especially Andrew, | 0:50:06 | 0:50:10 | |
who's finally in with a chance to go to the banquet. | 0:50:10 | 0:50:14 | |
Absolutely brilliant. | 0:50:14 | 0:50:15 | |
This dessert, I think, could be the perfect end to the banquet. I'm a lot happier now. | 0:50:15 | 0:50:19 | |
I've been on a rollercoaster this week, | 0:50:19 | 0:50:21 | |
starting at the bottom, fish course, top three. | 0:50:21 | 0:50:24 | |
Then main course, top three, pudding, top three. | 0:50:24 | 0:50:26 | |
I'm chuffed to bits with that. | 0:50:26 | 0:50:29 | |
When I heard my name, my eyes just welled up and I just looked at the ground and thought | 0:50:29 | 0:50:33 | |
"I can't cry on Great British Menu." | 0:50:33 | 0:50:34 | |
The three judges now face the toughest decision of all, | 0:50:35 | 0:50:39 | |
choosing the final menu for the banquet from the top dishes from each course. | 0:50:39 | 0:50:43 | |
Well, it's part two of D-Day. | 0:50:43 | 0:50:45 | |
We've done the deserts and now it is decision time. It is menu making. | 0:50:45 | 0:50:49 | |
I'm going to vote for that one. I want that one. | 0:50:49 | 0:50:52 | |
Michael has three chances to win his place. | 0:50:52 | 0:50:55 | |
Each day I seem to be getting closer and closer to that final banquet. | 0:50:55 | 0:50:58 | |
I'm almost envisaging the party in my head, | 0:50:58 | 0:51:00 | |
and Scotland's going to be there in some shape or form. | 0:51:00 | 0:51:03 | |
Paul and Lisa have two chances, and the others just one. | 0:51:03 | 0:51:06 | |
Yeah, I'm really, really nervous waiting for the scores. I'm churning up inside. | 0:51:06 | 0:51:10 | |
The chosen dishes will have to get the party started | 0:51:10 | 0:51:14 | |
and keep people talking. | 0:51:14 | 0:51:16 | |
There has to be an element of drama in Leadenhall Market. | 0:51:16 | 0:51:18 | |
There has to be this, you know, you have to take that out, for example. You've got to take it out. | 0:51:18 | 0:51:24 | |
If I didn't get into the banquet, I'd be really, really gutted. | 0:51:24 | 0:51:28 | |
But if I was to get into it, it would blow me away. | 0:51:28 | 0:51:30 | |
It would flip my whole life upside down. | 0:51:30 | 0:51:33 | |
Selecting the dishes for the perfect menu won't be easy. | 0:51:33 | 0:51:36 | |
Each course must complement the next. | 0:51:36 | 0:51:38 | |
To remind you, these were two outstanding dishes by any standards. | 0:51:38 | 0:51:44 | |
And the banquet must be the meal of a lifetime for all the unsung heroes | 0:51:44 | 0:51:48 | |
around the country who work tirelessly to bring people together | 0:51:48 | 0:51:52 | |
and have inspired the chefs in this competition. | 0:51:52 | 0:51:55 | |
You see that. You can see that being carried in, can't you? It being sorted out, | 0:51:55 | 0:52:00 | |
handed round, people helping themselves. | 0:52:00 | 0:52:02 | |
I would love to get to that banquet and take the guys in the community. | 0:52:02 | 0:52:05 | |
It would be an honour to cook for them. | 0:52:05 | 0:52:07 | |
I'm really nervous at the moment. | 0:52:09 | 0:52:11 | |
-I want this. -We haven't got a main course. | 0:52:11 | 0:52:13 | |
I don't care. The pudding is most important. | 0:52:13 | 0:52:16 | |
That's the fish course, that's the fish course. | 0:52:16 | 0:52:19 | |
I absolutely 100% hope it's Wales. | 0:52:19 | 0:52:23 | |
-You love this. -I did. | 0:52:23 | 0:52:24 | |
-No, get off. You can't have it. -I think we've got a menu now. | 0:52:26 | 0:52:30 | |
The majority rules, go away. | 0:52:30 | 0:52:32 | |
-Good luck, everyone. -Yeah. | 0:52:32 | 0:52:34 | |
Finally, after much heated debate, a decision is made. | 0:52:34 | 0:52:38 | |
This is going to make everybody, | 0:52:38 | 0:52:40 | |
everybody in Leadenhall Market at the banquet happy as Larry. | 0:52:40 | 0:52:45 | |
It has made me happy. | 0:52:45 | 0:52:46 | |
It's going to look great and it will look good when it comes in. | 0:52:46 | 0:52:49 | |
I just would like eight courses. | 0:52:49 | 0:52:52 | |
For the chefs, the moment of reckoning has arrived. | 0:52:54 | 0:52:58 | |
It's been a long, hard week, but we have made our decision. | 0:53:03 | 0:53:09 | |
It gives us great pleasure to announce the dishes that will | 0:53:09 | 0:53:12 | |
make up the People's Banquet. | 0:53:12 | 0:53:14 | |
So, first, the all-important starter. | 0:53:16 | 0:53:20 | |
Now, in contention we have | 0:53:20 | 0:53:22 | |
Lisa's pork, | 0:53:22 | 0:53:24 | |
Hywel's soup | 0:53:24 | 0:53:27 | |
and Chris's chicken. | 0:53:27 | 0:53:29 | |
So who's it going to be? | 0:53:29 | 0:53:31 | |
Well, I can reveal that the chef going forward to the final banquet | 0:53:32 | 0:53:36 | |
for the starter will be... | 0:53:36 | 0:53:39 | |
Chris. | 0:53:45 | 0:53:46 | |
Well done, chief. | 0:53:50 | 0:53:53 | |
-How's that, Chris? -I'm completely overwhelmed. | 0:53:53 | 0:53:58 | |
Now, the fish course. We have had some amazing fish courses. | 0:53:58 | 0:54:03 | |
Aktar's sea bass, | 0:54:03 | 0:54:05 | |
Michael's langoustines | 0:54:05 | 0:54:07 | |
and Lisa's sea trout. | 0:54:07 | 0:54:09 | |
Now, this for me really was the pivotal dish, | 0:54:09 | 0:54:12 | |
because it was the hardest thing to slot into the whole menu. | 0:54:12 | 0:54:16 | |
So, the winner of the fish course going forward to cook | 0:54:16 | 0:54:19 | |
at the final banquet is... | 0:54:19 | 0:54:23 | |
Aktar. Well done. | 0:54:30 | 0:54:33 | |
Congratulations, Aktar. | 0:54:33 | 0:54:34 | |
-So, come on. Tell us. -I don't think it's cool for a man to cry. | 0:54:38 | 0:54:41 | |
There's nothing wrong with a good cry. | 0:54:41 | 0:54:44 | |
I tell you why, because the transformation of that dish was amazing. Beautiful. | 0:54:44 | 0:54:47 | |
And a wonderful contrast, we thought, for the main course. | 0:54:49 | 0:54:53 | |
There were three contenders for that. | 0:54:53 | 0:54:57 | |
There was Paul's pork, | 0:54:57 | 0:54:59 | |
Tom's pork | 0:54:59 | 0:55:01 | |
and Michael's lamb. | 0:55:01 | 0:55:03 | |
I can reveal that the meat course | 0:55:03 | 0:55:08 | |
will be cooked by... | 0:55:08 | 0:55:11 | |
Tom. | 0:55:17 | 0:55:19 | |
-Well done. -You must be pleased. -Yeah, I'm very pleased. | 0:55:21 | 0:55:25 | |
It was my one chance to get to the banquet with that main course | 0:55:25 | 0:55:28 | |
and I'm just glad you liked it. Thank you. | 0:55:28 | 0:55:31 | |
Finally, the pudding, which I think of as the party food. | 0:55:33 | 0:55:37 | |
And in the running we have Michael's mountain of meringues, | 0:55:37 | 0:55:44 | |
Andrew's homage to rhubarb | 0:55:44 | 0:55:47 | |
and Paul's taste of the fairground. | 0:55:47 | 0:55:49 | |
I can tell you that the winner of the pudding course is... | 0:55:49 | 0:55:56 | |
Paul. | 0:56:05 | 0:56:06 | |
Well done, Paul. Congratulations. | 0:56:11 | 0:56:14 | |
We would like to say to each and every one of you | 0:56:14 | 0:56:18 | |
that we have eaten the most spectacular food | 0:56:18 | 0:56:21 | |
of any competition and that each one of you are amazing chefs. | 0:56:21 | 0:56:25 | |
Thank you very much. | 0:56:25 | 0:56:26 | |
So that final banquet menu will kick off with Chris Fearon's | 0:56:28 | 0:56:33 | |
highly original season shake coronation chicken. | 0:56:33 | 0:56:36 | |
Followed by Aktar Islam's exotic wild sea bass | 0:56:36 | 0:56:39 | |
with coconut gravy, | 0:56:39 | 0:56:41 | |
soft shell crab and raw mango chutney. | 0:56:41 | 0:56:43 | |
For the main event, Tom Kerridge's quintessentially British | 0:56:43 | 0:56:47 | |
roast hog with salt-baked potatoes, and finally a nostalgic sweet treat, | 0:56:47 | 0:56:52 | |
Paul Ainsworth's playful taste of the fairground. | 0:56:52 | 0:56:56 | |
Four outstanding dishes that celebrate | 0:56:56 | 0:56:59 | |
the joy of food for sharing. | 0:56:59 | 0:57:01 | |
Congratulations. Fantastic achievement. | 0:57:01 | 0:57:04 | |
I'm walking on sunshine and I can't feel my feet. | 0:57:04 | 0:57:09 | |
I am knackered. | 0:57:09 | 0:57:10 | |
I feel so happy and so amazed, | 0:57:12 | 0:57:17 | |
and I can't describe how happy I am | 0:57:17 | 0:57:21 | |
that I've made it onto the People's Banquet. | 0:57:21 | 0:57:24 | |
This is going to be a momentous event. | 0:57:24 | 0:57:26 | |
I've done two years in a row. | 0:57:26 | 0:57:28 | |
Two years in the row I've won the main course, | 0:57:28 | 0:57:32 | |
and it looks like and a bit of a dab hand with a piece of meat. That's quite cool. | 0:57:32 | 0:57:36 | |
You know, this has got to be the feeling of winning | 0:57:36 | 0:57:39 | |
a Michelin star or something. It's unbelievable. | 0:57:39 | 0:57:42 | |
And in the true spirit of the event, the defeated chefs have been invited to attend the banquet, | 0:57:42 | 0:57:47 | |
with, of course, a number of their inspirational guests. | 0:57:47 | 0:57:51 | |
-Please come along to People's Banquet. -We need you. | 0:57:51 | 0:57:54 | |
We will be there. | 0:57:56 | 0:57:58 | |
The contest is over, | 0:57:58 | 0:58:00 | |
but for the winners, the real work is just beginning. | 0:58:00 | 0:58:03 | |
Cooking for the judges was tough but times that by 100-fold. | 0:58:03 | 0:58:07 | |
Getting a little bit nervy, a little bit jumpy. | 0:58:07 | 0:58:10 | |
Tomorrow, the success of the spectacular People's Banquet | 0:58:10 | 0:58:14 | |
is on their shoulders. Can they step up to the challenge? | 0:58:14 | 0:58:18 | |
-How many tables are missing? -BLEEP. -It's only counting. | 0:58:18 | 0:58:22 | |
If I'm here till 4 o'clock in the morning getting it right, then I shall be. | 0:58:22 | 0:58:25 | |
What are you sealing them for? | 0:58:25 | 0:58:27 | |
The possibility of disaster is quite considerable. | 0:58:27 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:41 | 0:58:45 | |
E-mail [email protected] | 0:58:45 | 0:58:49 |