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Great British Menu is back! | 0:00:04 | 0:00:06 | |
What's going to make a miserable chef like me smile? | 0:00:06 | 0:00:09 | |
-HE LAUGHS -And it's the funniest yet! | 0:00:09 | 0:00:12 | |
-HE IMPERSONATES A DUCK -Returning champions. | 0:00:12 | 0:00:16 | |
He did it for the North East. | 0:00:16 | 0:00:18 | |
Guys, guys! | 0:00:18 | 0:00:20 | |
Previous losers. | 0:00:20 | 0:00:22 | |
-Boom! -Are you threatening to go further this year? | 0:00:22 | 0:00:24 | |
I'm definitely threatening. | 0:00:24 | 0:00:26 | |
A whole host of talented, new British chefs... | 0:00:26 | 0:00:28 | |
-It's tough trying to get this out. -Sorry! | 0:00:28 | 0:00:30 | |
-..are shedding blood, sweat and tears. -Agh! | 0:00:30 | 0:00:34 | |
To produce gastronomic masterpieces, that are also witty and fun. | 0:00:34 | 0:00:38 | |
Whoa-ho! | 0:00:38 | 0:00:40 | |
For a special banquet, celebrating 25 years of Red Nose Day, | 0:00:40 | 0:00:44 | |
at the magnificent Royal Albert Hall. | 0:00:44 | 0:00:46 | |
Each of them hoping to raise money. | 0:00:46 | 0:00:48 | |
-Thank you very much. -Raise a laugh. | 0:00:48 | 0:00:50 | |
And support Comic Relief. | 0:00:50 | 0:00:53 | |
My breath's been taken away for the first time on Great British Menu. | 0:00:53 | 0:00:56 | |
This week, fighting to represent London and the South East | 0:00:56 | 0:00:59 | |
is rising star, Matt Gillan. | 0:00:59 | 0:01:01 | |
-This is for your dance floor. -Your dance floor! | 0:01:01 | 0:01:03 | |
Experienced chef Adam Simmons. | 0:01:03 | 0:01:05 | |
-I haven't done any of that. -And returning contender, Tom Aikens. | 0:01:05 | 0:01:09 | |
Have I bitten off more than I can chew? Maybe I have! | 0:01:09 | 0:01:11 | |
Judging them all week is fearsome veteran Richard Corrigan. | 0:01:11 | 0:01:15 | |
-That's a school boy error! -And from the off, Tom's hell bent on success. | 0:01:15 | 0:01:19 | |
BLEEP! | 0:01:19 | 0:01:20 | |
But will the pressure make or break him? | 0:01:20 | 0:01:22 | |
-BLEEP -legs -BLEEP. | 0:01:22 | 0:01:24 | |
-These legs are -BLEEP -tiny. They're like sparrow's legs. | 0:01:24 | 0:01:27 | |
This year's challenge is inspired by Comic Relief's Red Nose Day appeal. | 0:01:38 | 0:01:42 | |
-Oh! -The charity uses comedy and laughter | 0:01:42 | 0:01:45 | |
to change the lives of millions - | 0:01:45 | 0:01:47 | |
both in Africa and the UK. | 0:01:47 | 0:01:49 | |
And has raised over £800 million | 0:01:50 | 0:01:52 | |
through the power of entertainment. | 0:01:52 | 0:01:55 | |
Chefs have been set the task of creating witty, playful dishes - | 0:01:55 | 0:01:59 | |
a dazzling feast that will put a smile on everyone's faces. | 0:01:59 | 0:02:03 | |
And have travelled all over the country | 0:02:03 | 0:02:05 | |
to meet the people who rely on Comic Relief's support. | 0:02:05 | 0:02:08 | |
I do feel like I've turned a corner. | 0:02:08 | 0:02:10 | |
That's brilliant. | 0:02:10 | 0:02:11 | |
And together with some of Britain's best known entertainers... | 0:02:11 | 0:02:14 | |
We've got some lovely pies here. | 0:02:14 | 0:02:16 | |
-Lovely pies. -..have done the unimaginable. | 0:02:16 | 0:02:18 | |
How did I get roped into this? | 0:02:18 | 0:02:20 | |
And the unthinkable, to raise some much-needed cash. | 0:02:20 | 0:02:23 | |
It's for a great cause. | 0:02:23 | 0:02:25 | |
I'm really proud, actually, to be doing this. | 0:02:25 | 0:02:27 | |
Judging the chefs this week | 0:02:29 | 0:02:31 | |
is three-time Great British Menu champion | 0:02:31 | 0:02:33 | |
and seasoned veteran, Richard Corrigan. | 0:02:33 | 0:02:36 | |
-Morning, chefs. -Good morning, Richard! | 0:02:37 | 0:02:39 | |
-Welcome to the Great British Menu. -Morning. -Thank you. | 0:02:39 | 0:02:42 | |
Good morning, Richard. | 0:02:42 | 0:02:43 | |
Mr Aikens. Seasoned professional, and two newbies. | 0:02:43 | 0:02:45 | |
-New boys, yeah. -Come prepared this year, Tom? | 0:02:45 | 0:02:49 | |
-Absolutely. -I'll see you in the kitchen. -See you later. | 0:02:49 | 0:02:54 | |
I'm expecting a really entertaining battle. | 0:02:55 | 0:02:58 | |
Sprinkled with a bit of humour | 0:02:58 | 0:02:59 | |
but underneath all that, I want to see some great food. | 0:02:59 | 0:03:03 | |
One scallop. One venison. | 0:03:03 | 0:03:06 | |
First up is ambitious newcomer Matt Gillan - | 0:03:06 | 0:03:09 | |
head chef at the Michelin-starred concept Restaurant, The Pass, | 0:03:09 | 0:03:12 | |
at South Lodge Hotel, in West Sussex. | 0:03:12 | 0:03:15 | |
He cooks fun, quirky dishes and despite being ten years younger | 0:03:15 | 0:03:18 | |
than his opponents, is confident he has what it takes to outwit them. | 0:03:18 | 0:03:22 | |
It's a challenge that really suits me. | 0:03:22 | 0:03:25 | |
My food's all about fun. | 0:03:25 | 0:03:27 | |
Yes, I might be the underdog out of the three of us. | 0:03:27 | 0:03:30 | |
However, the smaller the dog, sometimes the bigger the bone. | 0:03:30 | 0:03:34 | |
Hello, chef! | 0:03:35 | 0:03:37 | |
Matt, tell me about your menu. | 0:03:37 | 0:03:39 | |
OK, we have pigeon, beetroot, orange and gingerbread. | 0:03:39 | 0:03:44 | |
Three different types of beetroot and chicken liver parfait. | 0:03:44 | 0:03:47 | |
I've gone with chicken livers rather than pigeon livers. | 0:03:47 | 0:03:50 | |
-Why? -Just because it's not such a harsh, strong taste. | 0:03:50 | 0:03:54 | |
Is this witty and playful? | 0:03:54 | 0:03:56 | |
Most definitely. Very lively, interactive dish. | 0:03:56 | 0:03:59 | |
A prop very similar to a dance floor, I guess. | 0:03:59 | 0:04:02 | |
Basically, we're going to create a bit of a disco feel. | 0:04:02 | 0:04:04 | |
-Silver leaf. -It's for the chicken liver parfait. | 0:04:04 | 0:04:07 | |
I'm going to make a silver ball - a disco ball. | 0:04:07 | 0:04:10 | |
-A disco ball! -It's the one element of my dish that I'm most nervous about. | 0:04:10 | 0:04:14 | |
It's risky but it's risky not taking risks. | 0:04:14 | 0:04:17 | |
If this doesn't bring a smile to you guys' faces, | 0:04:17 | 0:04:20 | |
then you need a sense of humour transplant. | 0:04:20 | 0:04:23 | |
Matt's kicking off his menu with a playful pigeon dish, | 0:04:23 | 0:04:26 | |
with chicken liver parfait and funky beetroot. | 0:04:26 | 0:04:29 | |
Dance floor, flashing lights. | 0:04:29 | 0:04:32 | |
Silvered livery balls! | 0:04:32 | 0:04:34 | |
Is it a bit gimmicky for most people? Possibly. | 0:04:34 | 0:04:38 | |
Four scallop. One chicken. Five beef. | 0:04:38 | 0:04:41 | |
Next up is experienced chef Adam Simmons | 0:04:42 | 0:04:45 | |
of Michelin-starred Danesfield House in Marlow. | 0:04:45 | 0:04:48 | |
Service, please. | 0:04:48 | 0:04:49 | |
He's been tipped as one of the top chefs to watch this decade | 0:04:49 | 0:04:52 | |
and is determined to make a big first impression, | 0:04:52 | 0:04:55 | |
with surprising flavour combinations and cutting-edge techniques. | 0:04:55 | 0:04:58 | |
There's a lot of creativity within the dishes that I've created. | 0:04:58 | 0:05:01 | |
I've got a lot to prove. | 0:05:01 | 0:05:03 | |
It's about winning and it's about me being top dog. | 0:05:03 | 0:05:07 | |
Adam, how do you feel about being on the Great British Menu? | 0:05:11 | 0:05:13 | |
-Very excited but obviously very nervous. -What are you cooking? | 0:05:13 | 0:05:16 | |
So, we've got lightly smoked squab pigeon, sweetcorn granola. | 0:05:16 | 0:05:19 | |
-What's the centrifuge for? -The centrifuge is for Douglas Fir oil. | 0:05:19 | 0:05:23 | |
Then you've got the livers from the pigeon and I've made a parfait. | 0:05:23 | 0:05:26 | |
-You've used the livers. -Yeah, the pigeon livers. | 0:05:26 | 0:05:29 | |
You don't like pigeon liver, do you? | 0:05:29 | 0:05:31 | |
It's too strong for my dish - too strong. | 0:05:31 | 0:05:33 | |
Where's your sense of humour? | 0:05:33 | 0:05:35 | |
It's about what the pigeon eats - corn, seeds, grain, nuts. | 0:05:35 | 0:05:39 | |
You've brought the forest that the pigeon lives in. | 0:05:39 | 0:05:41 | |
Yes, and that's the concept behind the dish. | 0:05:41 | 0:05:44 | |
Comedy and tragedy are good bedfellows. | 0:05:44 | 0:05:47 | |
It could go tragically wrong. Of course it could, but it won't. | 0:05:47 | 0:05:51 | |
Adam's cooking pigeon too and using some serious techniques | 0:05:51 | 0:05:54 | |
to create a savoury granola. | 0:05:54 | 0:05:56 | |
A slight concern about Adam's food. | 0:05:56 | 0:05:59 | |
I see a lot of craft, a lot of great ingredients. A lot of methods. | 0:05:59 | 0:06:03 | |
But where's the fun, Adam? | 0:06:03 | 0:06:06 | |
Starter. Two pollocks and bread for two. | 0:06:06 | 0:06:09 | |
-Wahay! -Last but not least, is returning competitor Tom Aikens, | 0:06:09 | 0:06:13 | |
head chef at his own Michelin-starred restaurant, | 0:06:13 | 0:06:16 | |
-Tom Aikens, in London. -Service! | 0:06:16 | 0:06:18 | |
Tom's known for his inventive cooking | 0:06:18 | 0:06:20 | |
and highly competitive nature. | 0:06:20 | 0:06:22 | |
So, losing to Tom Kerridge two years ago was a big hit to his pride. | 0:06:22 | 0:06:26 | |
The way that I left last time, I was obviously upset. | 0:06:26 | 0:06:29 | |
Coming back, I'm gunning for that number one spot. | 0:06:29 | 0:06:32 | |
Tom Aikens, what happened the last time? | 0:06:35 | 0:06:38 | |
I messed up. | 0:06:38 | 0:06:39 | |
Are you threatening to go further this year? | 0:06:39 | 0:06:41 | |
I'm definitely threatening, always. | 0:06:41 | 0:06:44 | |
What are you cooking, Tom? | 0:06:44 | 0:06:45 | |
The dish is called Chicken-Egg, Egg-Chicken. | 0:06:45 | 0:06:48 | |
You've got chicken, langoustines, eggs, truffle. | 0:06:48 | 0:06:51 | |
Two components, which is mainly the egg and the chicken. | 0:06:51 | 0:06:54 | |
Which one do you have first? | 0:06:54 | 0:06:55 | |
The egg or the chicken or the chicken or the egg? | 0:06:55 | 0:06:58 | |
That's where the fun will come. | 0:06:58 | 0:06:59 | |
I have to say, a lot going on here. | 0:06:59 | 0:07:02 | |
There is a lot going on but all the components, | 0:07:02 | 0:07:04 | |
they work for the final dish. | 0:07:04 | 0:07:06 | |
And the final dish for me is a perfect dish. | 0:07:06 | 0:07:09 | |
Do you think this will put a smile on my face? | 0:07:09 | 0:07:11 | |
Absolutely will! I've got a master plan at the end. | 0:07:11 | 0:07:13 | |
-Big weapon which you will love. -OK. | 0:07:13 | 0:07:16 | |
Chefs, are you quaking in your boots over there? | 0:07:16 | 0:07:18 | |
-A little bit nervous. -Or is this the young boy's corner saying... | 0:07:18 | 0:07:22 | |
It's the young boy's corner. | 0:07:22 | 0:07:25 | |
We're all here to win. | 0:07:25 | 0:07:27 | |
We're all here to win, otherwise wouldn't be here. | 0:07:27 | 0:07:30 | |
Tom's hoping to upstage his rivals with comedy props | 0:07:30 | 0:07:33 | |
and an extremely complex chicken dish. | 0:07:33 | 0:07:36 | |
Chicken, langoustines, truffle. | 0:07:36 | 0:07:39 | |
Great classic flavours. | 0:07:39 | 0:07:41 | |
Loads going on. | 0:07:41 | 0:07:43 | |
Will he get it on the plate on time? | 0:07:43 | 0:07:46 | |
How do you both feel about this year's theme? Comic Relief! | 0:07:52 | 0:07:56 | |
Yeah, it's definitely a challenge. | 0:07:56 | 0:07:58 | |
It's very different to the previous briefs that I've seen. | 0:07:58 | 0:08:01 | |
The whole emphasis on it being fun and witty, | 0:08:01 | 0:08:04 | |
they obviously think there'll be chefs that are too serious | 0:08:04 | 0:08:07 | |
all the time. So, I think it's good. | 0:08:07 | 0:08:09 | |
-Sense of humour. -Exactly! -Is this harder than you did before, Tom? | 0:08:09 | 0:08:13 | |
I wouldn't say it's any easier, that's for sure. | 0:08:13 | 0:08:15 | |
What makes your dish witty and playful? | 0:08:15 | 0:08:18 | |
-Me! -Yeah. I'm laughing. | 0:08:18 | 0:08:21 | |
Actually, when the dish goes out, I was going to make a chicken noise. | 0:08:23 | 0:08:27 | |
-Is that your secret weapon? -That's the secret weapon. | 0:08:27 | 0:08:29 | |
Hopefully, Richard will have a sense of humour. | 0:08:29 | 0:08:32 | |
Not a sense-of-humour failure. | 0:08:32 | 0:08:35 | |
I've got a little bit of audio on mine as well. | 0:08:36 | 0:08:38 | |
Have you? Ah! | 0:08:38 | 0:08:40 | |
-What music is it? -I'm going to leave that. | 0:08:40 | 0:08:43 | |
I'm going to leave it as a little surprise for you. | 0:08:43 | 0:08:45 | |
-I haven't done any of that. -Oh, you'll be fine. | 0:08:45 | 0:08:47 | |
You're using all the gizmos. | 0:08:47 | 0:08:49 | |
Intimidation from all corners of the kitchen. | 0:08:51 | 0:08:54 | |
Tom, we've seen his props. His box of ingredients was just massive. | 0:08:54 | 0:08:59 | |
Adam has got pigeon on as well, so we're head-to-head on pigeon, | 0:08:59 | 0:09:03 | |
but very, very different. I think mine's a lot more fun. | 0:09:03 | 0:09:06 | |
-Hello, Matt! -Hi, Richard. -Slicing off the beetroot. -Yeah. | 0:09:08 | 0:09:11 | |
It's what I like to call my disco BEETS! | 0:09:11 | 0:09:14 | |
-Disco BEETS! -Different varieties of beetroot | 0:09:14 | 0:09:17 | |
and then different marinades for each one. | 0:09:17 | 0:09:21 | |
-And this is for your... -My dance floor. -Your dance floor! | 0:09:21 | 0:09:25 | |
-You weren't even born in the '70s. -I am an '80s baby, yeah. | 0:09:25 | 0:09:29 | |
But my mum was. I grew up kind of listening | 0:09:29 | 0:09:31 | |
to those types of things, so it's a nod to my younger life, I guess. | 0:09:31 | 0:09:35 | |
-Yeah. -Yeah. So... | 0:09:35 | 0:09:37 | |
Matt's using different colour beetroots. | 0:09:38 | 0:09:41 | |
Obviously, the concept of his dish is witty and playful. | 0:09:41 | 0:09:44 | |
It's possibly a bit too much for me personally. | 0:09:44 | 0:09:46 | |
Is that going to detract from the food that's on the plate? | 0:09:46 | 0:09:50 | |
I believe in my dish. I'm really happy with it, | 0:09:50 | 0:09:52 | |
so the proof is in the tasting, I guess. | 0:09:52 | 0:09:55 | |
Matt Gillan cooks conceptual dishes | 0:09:58 | 0:10:00 | |
at his award-winning restaurant on a daily basis. | 0:10:00 | 0:10:03 | |
If you get that anywhere else, in any other restaurant, | 0:10:03 | 0:10:06 | |
I'd be surprised. Service! | 0:10:06 | 0:10:09 | |
We take influences from all over the world, | 0:10:09 | 0:10:11 | |
and then we pool it all together | 0:10:11 | 0:10:13 | |
and focus on textures, flavours, different temperatures. | 0:10:13 | 0:10:16 | |
Crazy kind of ingredient combinations | 0:10:16 | 0:10:19 | |
and just make it our own really. | 0:10:19 | 0:10:22 | |
To find inspiration for his starter | 0:10:22 | 0:10:24 | |
and meet the competition's Comic Relief brief, | 0:10:24 | 0:10:26 | |
Matt's looked closer to home, | 0:10:26 | 0:10:28 | |
where he lives with his girlfriend, Kerra, and her kids, Louis and Lucy. | 0:10:28 | 0:10:32 | |
Every week, we have bonding time, which is disco nights. | 0:10:36 | 0:10:41 | |
During disco night one week, it just hit me. | 0:10:41 | 0:10:46 | |
So, right, I have to do this little dish. | 0:10:46 | 0:10:48 | |
A funky pigeon with disco beets! | 0:10:48 | 0:10:51 | |
And who better to try his funky starter on | 0:10:51 | 0:10:53 | |
than his fellow disco maniacs! | 0:10:53 | 0:10:56 | |
Yay! | 0:10:56 | 0:10:58 | |
If YOU like it, Louis, the judge is going to love it. | 0:10:58 | 0:11:01 | |
I think Matt's dishes are perfect for Comic Relief this year. | 0:11:01 | 0:11:04 | |
Because they require quirky dishes, just like Matt. He's so quirky. | 0:11:04 | 0:11:08 | |
To get a dish at the banquet first time would be epic. | 0:11:08 | 0:11:13 | |
Comic Relief is an amazing charity. | 0:11:13 | 0:11:16 | |
I think anyone that raises money for Comic Relief | 0:11:16 | 0:11:19 | |
can be seen as a bit of a superhero. | 0:11:19 | 0:11:22 | |
Matt's preparing his pigeon breast - an ingredient he shares with Adam - | 0:11:30 | 0:11:34 | |
who's cold-smoking his in a specially adapted indoor barbecue, | 0:11:34 | 0:11:38 | |
and serving it with freeze-dried sweetcorn and Douglas Fir Granola. | 0:11:38 | 0:11:41 | |
But it's Adam's other gadget - the centrifuge - | 0:11:41 | 0:11:44 | |
-that's got everyone's attention. -So, what's going on here? | 0:11:44 | 0:11:47 | |
Here, you've got the Douglas Fir oil. | 0:11:47 | 0:11:49 | |
What it does by putting it in there is it separates. | 0:11:49 | 0:11:52 | |
Then what you get is a clear oil | 0:11:52 | 0:11:53 | |
-and the sediment from the pine is in the bottom. -OK. | 0:11:53 | 0:11:57 | |
-Interesting! -It's all about the flavour. | 0:11:57 | 0:11:59 | |
-What do you do with the juice? -The juice... | 0:11:59 | 0:12:00 | |
-I'll give it to you to drink. -Put hairs on my chest! | 0:12:00 | 0:12:03 | |
However, Adam soon runs into a problem. | 0:12:05 | 0:12:08 | |
What's happening with your centrifuge? | 0:12:08 | 0:12:11 | |
Er, it's not on a stable surface, so, I've got to move it. | 0:12:11 | 0:12:14 | |
-So, an unstable centrifuge. -Yeah. | 0:12:14 | 0:12:17 | |
-With an unstable chef. -An unstable chef! | 0:12:17 | 0:12:20 | |
-Do you need a bit of help? -Yeah, if you wouldn't mind. | 0:12:20 | 0:12:23 | |
Modern bits of kit, eh? | 0:12:23 | 0:12:26 | |
-OK. -Thank you. | 0:12:26 | 0:12:28 | |
But Adam has more than one trick up his sleeve. | 0:12:28 | 0:12:31 | |
-What's all this? -This is the freeze-dried sweetcorn. | 0:12:31 | 0:12:34 | |
So, we freeze dry it and then powder it. | 0:12:34 | 0:12:36 | |
It goes very well with this. This is the granola. | 0:12:38 | 0:12:41 | |
So, you've got your nuts, seeds... | 0:12:41 | 0:12:44 | |
And then the Douglas Fir oil in | 0:12:44 | 0:12:47 | |
and then maltosec, gives it a different texture. | 0:12:47 | 0:12:51 | |
So, with Adam's dish, he's using a centrifugal system, | 0:12:51 | 0:12:54 | |
he's using a dehydrator and he's freeze drying. | 0:12:54 | 0:12:58 | |
So, they're all new techniques. | 0:12:58 | 0:13:00 | |
Richard is quite a classical chef, in terms of his own cooking. | 0:13:00 | 0:13:02 | |
So, it will be interesting to see what he thinks of the dishes. | 0:13:02 | 0:13:06 | |
You clever chef! | 0:13:06 | 0:13:08 | |
-I do try. -You do! | 0:13:08 | 0:13:10 | |
Adam's use of innovative techniques is central to the dishes | 0:13:14 | 0:13:17 | |
he serves at his restaurant. | 0:13:17 | 0:13:20 | |
We always try to find different ways to do stuff - | 0:13:20 | 0:13:23 | |
to make flavours better. It's all about what goes on to the plate. | 0:13:23 | 0:13:26 | |
Flavour, texture. That's why people come to eat here. | 0:13:26 | 0:13:30 | |
Outside of work, Adam knows how to have fun. | 0:13:34 | 0:13:37 | |
I'm a bit of a lad and I get the boys round | 0:13:37 | 0:13:39 | |
to do taste testing on new dishes. | 0:13:39 | 0:13:41 | |
They're probably my harshest critics. | 0:13:41 | 0:13:43 | |
So, who better to taste test his starter | 0:13:43 | 0:13:46 | |
than his straight-talking drinking mates? | 0:13:46 | 0:13:48 | |
-It's very nice. -Yeah. Liquorice. Sweetcorn. Smokiness. | 0:13:51 | 0:13:55 | |
I think Adam's got a fantastic chance of going all the way. | 0:13:55 | 0:13:58 | |
Everything's fantastic. | 0:13:58 | 0:13:59 | |
His food will definitely bring a smile to people's faces. | 0:13:59 | 0:14:02 | |
I think Comic Relief is wonderful. | 0:14:02 | 0:14:05 | |
So, yes, to get a dish through to the final banquet | 0:14:05 | 0:14:08 | |
would just be a fantastic honour. | 0:14:08 | 0:14:10 | |
Adam's still having problems with his centrifuge, | 0:14:14 | 0:14:17 | |
despite placing it on the floor. | 0:14:17 | 0:14:20 | |
So unstable, it's unbelievable. | 0:14:21 | 0:14:24 | |
Even though it's on the floor, which I thought would be a stable ground, | 0:14:25 | 0:14:28 | |
obviously there's loads of people walking round. | 0:14:28 | 0:14:31 | |
So, at the moment, it's just unbalanced. I can still use the oil, | 0:14:31 | 0:14:34 | |
it just won't be as clear as I want it to be. | 0:14:34 | 0:14:37 | |
Adam's centrifuge is on the floor. It could cause some issues. Who knows? | 0:14:37 | 0:14:41 | |
Let's hope so, eh? | 0:14:41 | 0:14:44 | |
The main thing is if it doesn't go to plan, you don't get the jitters or more nerves. | 0:14:44 | 0:14:49 | |
But returning contender Tom's got problems of his own. | 0:14:49 | 0:14:53 | |
He's giving it everything he's got this year, | 0:14:53 | 0:14:55 | |
determined to put the ghosts of the past behind him. | 0:14:55 | 0:14:58 | |
His chicken and egg starter has three times the ingredients | 0:14:58 | 0:15:01 | |
of his competitors. | 0:15:01 | 0:15:03 | |
-Hi. Tom. -Hello, sir. -What have you? | 0:15:03 | 0:15:04 | |
Some langoustine custard and these are egg yolks | 0:15:04 | 0:15:07 | |
-that have been cooked in a water bath. -The chicken is in the water bath. | 0:15:07 | 0:15:11 | |
I've put some sliced truffles under the breasts. | 0:15:11 | 0:15:13 | |
You still have a lot to do. Have you given yourself too much? | 0:15:13 | 0:15:16 | |
Have I bitten off more than I can chew? Maybe I have. | 0:15:16 | 0:15:18 | |
But I love pushing it. I always push it to the limit, | 0:15:18 | 0:15:21 | |
and I think if I get this one right, I'll be hopefully ahead. | 0:15:21 | 0:15:24 | |
You're feeling good about this, Tom? | 0:15:24 | 0:15:25 | |
I am. If I get it all up together, then happy days, really. | 0:15:25 | 0:15:30 | |
If I don't, then egg on my face. | 0:15:30 | 0:15:32 | |
Tom Aikens is one of London's most inventive and imaginative chefs. | 0:15:34 | 0:15:38 | |
My style of food has sometimes been referred to as art. | 0:15:39 | 0:15:43 | |
I think I'm very creative and imaginative. | 0:15:43 | 0:15:45 | |
My weaknesses, I would say, are very small. | 0:15:45 | 0:15:49 | |
I can't think of any. | 0:15:49 | 0:15:51 | |
Tom's reputation goes beyond just his food. | 0:15:51 | 0:15:55 | |
Everyone goes through cycles in their lives | 0:15:55 | 0:15:57 | |
where they may step over or under the line, | 0:15:57 | 0:16:00 | |
and I've definitely done several of those. | 0:16:00 | 0:16:02 | |
I've been called all sorts of names | 0:16:02 | 0:16:05 | |
and bad chef is definitely one of them up there. | 0:16:05 | 0:16:08 | |
But since becoming a dad, there's a softer side to him. | 0:16:08 | 0:16:12 | |
Having a little one really makes life complete. | 0:16:12 | 0:16:15 | |
If you have a bad day at work, and you come home to them, | 0:16:15 | 0:16:19 | |
and they're sort of laughing and smiling, | 0:16:19 | 0:16:22 | |
it makes all those things go away very quickly. | 0:16:22 | 0:16:25 | |
Which one came first? Egg or the chicken? | 0:16:27 | 0:16:30 | |
You like the egg. With this brief, | 0:16:33 | 0:16:35 | |
particularly it's all about surprises and fun. | 0:16:35 | 0:16:38 | |
I think with a dish like Chicken Chicken Egg, | 0:16:38 | 0:16:40 | |
it's a real tongue twister, and a mind twister. | 0:16:40 | 0:16:44 | |
And, hopefully, that will give the extra edge that I'll need. | 0:16:44 | 0:16:49 | |
Yes! | 0:16:51 | 0:16:53 | |
It's getting close to plating up time and Tom still has a lot to do. | 0:16:57 | 0:17:02 | |
BLEEP! | 0:17:02 | 0:17:04 | |
-Agh! These legs are -BLEEP -tiny. Like sparrow's legs. | 0:17:05 | 0:17:09 | |
First to plate up is Matt, and he's left the most intricate part | 0:17:10 | 0:17:14 | |
of his pigeon and disco beets starter until last. | 0:17:14 | 0:17:17 | |
Matt! | 0:17:17 | 0:17:18 | |
Richard... You've caught me at a critical time. | 0:17:18 | 0:17:23 | |
Chicken liver parfait - we're about to turn it to disco balls. | 0:17:23 | 0:17:26 | |
-How tricky is this? -Really tricky. | 0:17:26 | 0:17:30 | |
Any type of wind, anything other than this paper it touches, | 0:17:30 | 0:17:33 | |
-it sticks to. -Wow! | 0:17:33 | 0:17:35 | |
Do you know you are running out of time? You know that? | 0:17:35 | 0:17:38 | |
-Yeah. -Listen. Best of luck. Thank you. | 0:17:38 | 0:17:40 | |
With his disco balls finished, Matt starts his plate | 0:17:40 | 0:17:43 | |
with his marinated slices of beetroot. | 0:17:43 | 0:17:46 | |
Then adds dots of orange gel. | 0:17:46 | 0:17:49 | |
Next, he scatters the plate with gingerbread croutons. | 0:17:49 | 0:17:53 | |
And adds his disco ball chicken liver parfait. | 0:17:53 | 0:17:56 | |
He puts his pigeon breast next to his spiced pigeon legs | 0:17:56 | 0:18:00 | |
and, to bring the dish back to the '70s, places it on top of a box | 0:18:00 | 0:18:03 | |
with disco lights, complete with built in music. | 0:18:03 | 0:18:07 | |
You thought about this long and hard? | 0:18:14 | 0:18:17 | |
Long and hard. What's not to smile about that? | 0:18:17 | 0:18:20 | |
Let's go! | 0:18:20 | 0:18:22 | |
Oh, I love the '70s sound! | 0:18:29 | 0:18:31 | |
-Very good. -It is. -It's definitely making us laugh. -Absolutely! | 0:18:34 | 0:18:38 | |
It's fun, interactive. I can just see it | 0:18:38 | 0:18:41 | |
kick starting Comic Relief banquet. | 0:18:41 | 0:18:45 | |
I think it looks amazing. Is it too gimmicky for you? | 0:18:45 | 0:18:48 | |
I personally think so, yes. | 0:18:48 | 0:18:49 | |
-This is the pigeon breast. -Pigeon breast. | 0:18:49 | 0:18:51 | |
-So, two breasts put together. -Two breasts. | 0:18:51 | 0:18:54 | |
-Quite a lot of meat and it's nicely cooked. -Yeah, it's lovely. | 0:18:54 | 0:18:58 | |
Are you happy with the consistency of the parfait? | 0:18:59 | 0:19:02 | |
It's a little bit soft, but taste-wise, flavour-wise, | 0:19:02 | 0:19:06 | |
I think it works really well. The leg. | 0:19:06 | 0:19:09 | |
-Good parfait, is it? -For me, it's lacking slightly. | 0:19:09 | 0:19:12 | |
-In what way? -In, um, depth of flavour. | 0:19:12 | 0:19:16 | |
Do you think the beetroot needs a bit of seasoning? | 0:19:16 | 0:19:19 | |
Maybe a tiny bit more. | 0:19:19 | 0:19:21 | |
Has that pickling worked? | 0:19:21 | 0:19:23 | |
-Yeah. -Could it have stayed in that marinade a little bit more? | 0:19:23 | 0:19:28 | |
Had there been a bit more time, then yeah, probably. | 0:19:28 | 0:19:31 | |
I think the beetroot's slightly pickled, isn't it? | 0:19:31 | 0:19:34 | |
-Do you think it's slightly hard? A bit too raw? -A little bit. | 0:19:34 | 0:19:36 | |
-A little bit. -Do you think you've done enough here? | 0:19:36 | 0:19:39 | |
I'm happy. Very, very happy with it. | 0:19:39 | 0:19:42 | |
-Are you intimidated at all with this dish? -No, I don't think so, no. | 0:19:44 | 0:19:48 | |
-Cock sure, obviously? -No, not cock sure. Just confident. | 0:19:48 | 0:19:51 | |
Um. Well, the intensity just builds. | 0:19:55 | 0:19:57 | |
I thought once I'd served that, it would be fine. | 0:19:57 | 0:20:00 | |
Um, I'm happy with the dish. | 0:20:00 | 0:20:03 | |
Richard, I don't know, you just can't read him. | 0:20:03 | 0:20:06 | |
Next up is Adam, with his intricate pigeon dish. | 0:20:06 | 0:20:09 | |
He starts plating up with sweetcorn puree. | 0:20:09 | 0:20:12 | |
And dots of liquorice gel. | 0:20:12 | 0:20:14 | |
Then scatters the plate with hot smoked corn, | 0:20:14 | 0:20:18 | |
before adding his Douglas Fir oil and sweetcorn granola. | 0:20:18 | 0:20:22 | |
He continues by adding his smoked pigeon breasts | 0:20:22 | 0:20:25 | |
and cubes of freeze-dried pigeon liver parfait, | 0:20:25 | 0:20:28 | |
before topping the plate off with pigeon sauce. | 0:20:28 | 0:20:31 | |
Adam... | 0:20:33 | 0:20:35 | |
-Yes. -Happy? -Yes. -Pigeon with its own lunch and dinner? -Yeah. | 0:20:35 | 0:20:39 | |
-Packed full of flavour. -I think so. | 0:20:41 | 0:20:43 | |
-Why don't you bring it to the tasting room? -OK. | 0:20:43 | 0:20:46 | |
-I think it's very different to mine. -Absolutely! | 0:20:48 | 0:20:52 | |
A forest, a tree | 0:20:52 | 0:20:54 | |
and food a pigeon would eat. Is that your sense of humour? | 0:20:54 | 0:20:58 | |
That's my sense of humour. | 0:20:58 | 0:21:01 | |
Is it fun? If you know the story behind it, yes, it's cheeky. | 0:21:01 | 0:21:05 | |
A bit witty. But it needs to be explained, I guess. | 0:21:05 | 0:21:08 | |
-Not too much meat there. -No, I think it needs to be a portion. | 0:21:09 | 0:21:13 | |
The pigeon's obviously nicely cooked. | 0:21:13 | 0:21:16 | |
That wasn't supposed to be in there. | 0:21:23 | 0:21:26 | |
Oops! That could cause damage. | 0:21:26 | 0:21:29 | |
-That centrifuge, was it worth all the effort? -I had big problems with it. | 0:21:30 | 0:21:34 | |
But I think you still get the Douglas Fir flavour | 0:21:34 | 0:21:36 | |
into the granola. | 0:21:36 | 0:21:39 | |
I was having issues with the centrifuge. | 0:21:39 | 0:21:41 | |
You know, I had to move it because it was unstable on the bench. | 0:21:41 | 0:21:44 | |
-And, for me, it hasn't come through. -No, I can't taste it at all. | 0:21:44 | 0:21:47 | |
What score would you give this dish? | 0:21:47 | 0:21:49 | |
I'd mark it down than up because there's room for improvement. | 0:21:49 | 0:21:53 | |
-A great restaurant dish. -A great restaurant dish. | 0:21:53 | 0:21:56 | |
But maybe not a Comic Relief dish. | 0:21:56 | 0:21:59 | |
I personally can't see this opening the banquet. | 0:21:59 | 0:22:02 | |
Agh! Fundamental mistake. A piece of bone in the pigeon - | 0:22:03 | 0:22:08 | |
could cost me dearly, that. | 0:22:08 | 0:22:10 | |
Erm, a schoolboy error. | 0:22:10 | 0:22:13 | |
Last to plate up is Tom and he's got plenty left to do. | 0:22:14 | 0:22:19 | |
See, I'm nervous now, yeah. | 0:22:19 | 0:22:21 | |
-BLEEP. -How would you cope doing this for like 100 people at a banquet? | 0:22:21 | 0:22:25 | |
You two are going to help me for one. | 0:22:25 | 0:22:29 | |
He starts off by putting an egg shell | 0:22:29 | 0:22:31 | |
filled with mousse and truffle into his basket. | 0:22:31 | 0:22:34 | |
Followed by an eggshell with langoustine sabayon, | 0:22:35 | 0:22:38 | |
savoury egg custard and French toast. | 0:22:38 | 0:22:42 | |
He then turns his attention to his bowl, | 0:22:42 | 0:22:44 | |
starting with chicken breast, pressed chicken leg | 0:22:44 | 0:22:47 | |
and blanched langoustine tails. | 0:22:47 | 0:22:50 | |
Next he adds a slow-cooked egg yolk | 0:22:50 | 0:22:52 | |
and tops the dish off with langoustine oil. | 0:22:52 | 0:22:55 | |
Before pouring his consomme into a jug on the side. | 0:22:55 | 0:22:58 | |
Last, but not least, his secret weapon. | 0:22:58 | 0:23:01 | |
Oh, Tom! The philosopher of the kitchen. | 0:23:09 | 0:23:13 | |
-Has it translated into flavour, Tom? -I think so. Absolutely! | 0:23:13 | 0:23:17 | |
-I love the dish, I love the chicken. -Let's go and taste all this. | 0:23:17 | 0:23:21 | |
It clucks at you. | 0:23:25 | 0:23:28 | |
-Put a smile on all our faces. -Very clever. | 0:23:28 | 0:23:31 | |
-So much going on! Could you get this out? -Absolutely! | 0:23:33 | 0:23:37 | |
There's about 12 individual parts. | 0:23:38 | 0:23:41 | |
Then, within parts, there's more parts. | 0:23:41 | 0:23:43 | |
That's a lot of work - a lot of work. | 0:23:43 | 0:23:45 | |
Tom, do you think there's too much going on? | 0:23:47 | 0:23:50 | |
Of course I'm going to say no, but, in this consomme, | 0:23:50 | 0:23:53 | |
you've only got breasts, leg and egg yolk. | 0:23:53 | 0:23:57 | |
It is really a simple dish. | 0:23:57 | 0:23:59 | |
For me, there's possibly one or two elements too many. | 0:23:59 | 0:24:02 | |
I don't think it would hurt to strip one or two back. | 0:24:02 | 0:24:05 | |
-No, I agree. -The consomme. | 0:24:05 | 0:24:08 | |
Do you think you could have packed a little bit more flavour in there? | 0:24:08 | 0:24:11 | |
-No. -I think the consomme's very light. | 0:24:11 | 0:24:14 | |
It's very nice but it's very light. | 0:24:14 | 0:24:17 | |
Anything you're worried about, Tom? | 0:24:17 | 0:24:20 | |
For me, I don't see anything that is negative. | 0:24:20 | 0:24:23 | |
For me, it's hit all the marks. | 0:24:23 | 0:24:25 | |
-Very, very tasty food. -It ticks all the boxes. | 0:24:27 | 0:24:30 | |
Tom is technically an amazing chef. | 0:24:30 | 0:24:33 | |
You know, he's showing it here. | 0:24:33 | 0:24:36 | |
I think it went very well. I'm very, very happy with the dish. | 0:24:37 | 0:24:41 | |
It definitely made Richard smile and laugh. | 0:24:41 | 0:24:44 | |
It's pretty nerve-racking at the moment. | 0:24:51 | 0:24:54 | |
I just want to get a good start. Just settle me for the week. | 0:24:54 | 0:24:57 | |
I probably won't do as well as I would have hoped, | 0:24:57 | 0:25:00 | |
just because of that error that I made. | 0:25:00 | 0:25:03 | |
I've been in the Great British Menu kitchen before. | 0:25:04 | 0:25:07 | |
I know how important it is to get those points first. | 0:25:07 | 0:25:09 | |
Hopefully I have done. | 0:25:09 | 0:25:12 | |
Mark, I'm going to start with you. | 0:25:17 | 0:25:20 | |
Your pigeon, beetroot and parfait with orange and ginger. | 0:25:20 | 0:25:23 | |
I loved the concept. There was a sense of humour there. | 0:25:23 | 0:25:27 | |
It was fun. Skilful cooking as well. | 0:25:27 | 0:25:30 | |
But... I think there was far too much pigeon on that plate. | 0:25:32 | 0:25:36 | |
The beetroot - it could have done | 0:25:36 | 0:25:39 | |
with a little bit more time in that marinade. | 0:25:39 | 0:25:42 | |
Overall, the dish certainly needed a bit more seasoning. | 0:25:42 | 0:25:45 | |
It lacked just that real oomph. | 0:25:45 | 0:25:49 | |
Adam... Your squab pigeon, | 0:25:50 | 0:25:53 | |
sweetcorn, Douglas Fir and granola. | 0:25:53 | 0:25:57 | |
You delivered a great plate of food. | 0:25:57 | 0:26:00 | |
I have to say it's my kind of food. | 0:26:00 | 0:26:02 | |
Pigeon and the food it would eat showed a sense of humour. | 0:26:02 | 0:26:07 | |
Overall, it was great. But... | 0:26:07 | 0:26:10 | |
That bone in the pigeon breast! | 0:26:12 | 0:26:14 | |
You wouldn't want to choke the judge, would you? | 0:26:14 | 0:26:17 | |
-No. -It certainly could have done with a bit more seasoning as well. | 0:26:17 | 0:26:21 | |
And, the amount of pigeon on that plate was just far too much. | 0:26:21 | 0:26:26 | |
It really was a main course. | 0:26:26 | 0:26:29 | |
Tom Aikens... Chicken-Egg, Egg-Chicken? | 0:26:29 | 0:26:33 | |
The presentation, I think we all agree, was stunning and witty. | 0:26:33 | 0:26:37 | |
I loved the secret weapon. | 0:26:37 | 0:26:40 | |
The langoustine was beautifully cooked. | 0:26:40 | 0:26:43 | |
-But... -Always a but. | 0:26:43 | 0:26:46 | |
The consomme could have done with a tad more seasoning. | 0:26:46 | 0:26:50 | |
And I worry there was just too much altogether going on. | 0:26:50 | 0:26:54 | |
Matt... | 0:26:56 | 0:26:59 | |
I'm giving you... | 0:26:59 | 0:27:01 | |
Seven out of ten. | 0:27:03 | 0:27:06 | |
-Congratulations! -Thank you very much. | 0:27:06 | 0:27:08 | |
Adam... | 0:27:08 | 0:27:10 | |
I'm giving you eight out of ten for your dish. | 0:27:10 | 0:27:16 | |
-Thank you. -Tom Aikens... | 0:27:16 | 0:27:20 | |
I'm giving you... | 0:27:20 | 0:27:23 | |
Nine out of ten for your dish. | 0:27:25 | 0:27:28 | |
-Thank you. -A real masterclass, I have to say. -Thank you. | 0:27:28 | 0:27:32 | |
Well done! I'm really looking forward to tasting your fish courses. | 0:27:32 | 0:27:36 | |
-Best of luck. -Thank you. | 0:27:36 | 0:27:38 | |
To get eight with the problems I had is fantastic. | 0:27:39 | 0:27:43 | |
Third place! It's a bit of a struggle. | 0:27:45 | 0:27:47 | |
But there's only two points between myself and Tom. | 0:27:47 | 0:27:51 | |
Fantastic! It's a good start and that's what I wanted. | 0:27:51 | 0:27:55 | |
You know, to sort of get ahead of the other two. | 0:27:55 | 0:27:57 | |
All the chefs competing in the series | 0:27:57 | 0:27:59 | |
are doing their bit for Comic Relief by taking part in Menu Relief, | 0:27:59 | 0:28:03 | |
along with hundreds of other restaurants all over the country. | 0:28:03 | 0:28:06 | |
Go to bbc.co.uk/rednoseday to find out more | 0:28:06 | 0:28:11 | |
and learn about Red Nose Day 2013. | 0:28:11 | 0:28:14 | |
Tomorrow, the competition continues, with the fish course. | 0:28:14 | 0:28:18 | |
And it's the battle of the scallops between Tom and Matt. | 0:28:18 | 0:28:21 | |
-Matt, what are you doing with your scallops? -I'm cooking mine, Tom. | 0:28:21 | 0:28:25 | |
-I understand you're not cooking yours? -No. | 0:28:25 | 0:28:27 | |
But has our youngest contender, Matt, | 0:28:27 | 0:28:29 | |
-bitten off more than he can chew? -Doesn't smell so good, does it? | 0:28:29 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:28:33 | 0:28:35 |