Browse content similar to North West Starter. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The nation's finest chefs are striving to produce | 0:00:04 | 0:00:07 | |
a breathtaking performance on a plate... | 0:00:07 | 0:00:09 | |
-Stay calm, chief. -Wow. | 0:00:09 | 0:00:12 | |
..for a special banquet, | 0:00:12 | 0:00:13 | |
celebrating 25 years of Comic Relief, | 0:00:13 | 0:00:16 | |
at the magnificent Royal Albert Hall. | 0:00:16 | 0:00:18 | |
Ooh! | 0:00:18 | 0:00:19 | |
The challenge? To create dazzling food, | 0:00:19 | 0:00:22 | |
that's also witty and fun. | 0:00:22 | 0:00:24 | |
Argh! | 0:00:24 | 0:00:25 | |
-There's been laughter... -SHE GIGGLES | 0:00:25 | 0:00:29 | |
..and crushing disappointments. | 0:00:29 | 0:00:30 | |
It was by far your worst dish. | 0:00:30 | 0:00:34 | |
BLEEP! | 0:00:34 | 0:00:35 | |
Each chef hoping to raise money, | 0:00:35 | 0:00:37 | |
and a laugh, to support Comic Relief. | 0:00:37 | 0:00:41 | |
LAUGHTER | 0:00:41 | 0:00:43 | |
This week, fighting to represent the North West | 0:00:43 | 0:00:45 | |
is returning three-time loser, Aiden Byrne. | 0:00:45 | 0:00:48 | |
-You're not going to cry this time? -That's what I do. | 0:00:48 | 0:00:51 | |
THEY LAUGH | 0:00:51 | 0:00:52 | |
Technical wizard Chris Holland. | 0:00:52 | 0:00:54 | |
It's not often you want people to laugh at your food, is it? | 0:00:54 | 0:00:57 | |
And Heston Blumenthal-trained Mary Ellen McTague. | 0:00:57 | 0:01:00 | |
But it is, as always, about cooking isn't it? | 0:01:00 | 0:01:03 | |
-BLEEP! -Microwave's lethal! | 0:01:03 | 0:01:04 | |
Aiden can't afford to lose for the fourth time. | 0:01:04 | 0:01:07 | |
For me, it's so important to get a high score. | 0:01:07 | 0:01:09 | |
It gives you confidence to ride through the rest of the week. | 0:01:09 | 0:01:11 | |
BLEEP! | 0:01:11 | 0:01:12 | |
And is certain victory is his. | 0:01:12 | 0:01:15 | |
BLEEP! | 0:01:15 | 0:01:16 | |
15 minutes late, Mary Ellen, you know. Thought I'd let you know. | 0:01:16 | 0:01:19 | |
Thanks, Aiden(!) | 0:01:19 | 0:01:21 | |
Until he tastes what he's up against. | 0:01:21 | 0:01:23 | |
It's a love or hate dish. And I love it. | 0:01:23 | 0:01:26 | |
-I love it. -You know what? She's unnerved me. | 0:01:26 | 0:01:29 | |
This year's challenge is inspired by Comic Relief - | 0:01:40 | 0:01:43 | |
a charity that's transformed the lives of millions of people, | 0:01:43 | 0:01:47 | |
in Africa and the UK, for more than a quarter of a century | 0:01:47 | 0:01:50 | |
and raised over £800 million through the power of entertainment. | 0:01:50 | 0:01:55 | |
The chefs' task is to create witty, playful dishes, | 0:01:56 | 0:01:59 | |
a gastronomic feast that will put a smile on everyone's faces. | 0:01:59 | 0:02:04 | |
They've travelled all over the country | 0:02:04 | 0:02:06 | |
to meet the people who rely on the charity's support. | 0:02:06 | 0:02:09 | |
-I do feel like I've turned a corner. -That's brilliant. | 0:02:09 | 0:02:12 | |
And together with some of Britain's best-known entertainers... | 0:02:12 | 0:02:15 | |
-We've got some lovely pies here! -Lovely pies! | 0:02:15 | 0:02:17 | |
..have done the unimaginable... | 0:02:17 | 0:02:19 | |
How did I get roped into this? | 0:02:19 | 0:02:21 | |
..and the unthinkable, to raise some much-needed cash. | 0:02:21 | 0:02:23 | |
It's for a great cause. | 0:02:23 | 0:02:24 | |
I'm really proud, actually, to be doing this. | 0:02:24 | 0:02:29 | |
Judging the chefs this week is last year's Fish Course Champion | 0:02:29 | 0:02:32 | |
and two Michelin-starred legend, Phil Howard. | 0:02:32 | 0:02:37 | |
-Morning. -Pleased to meet you. | 0:02:37 | 0:02:40 | |
How are you? Good to see you. | 0:02:40 | 0:02:42 | |
-All ready to go? -Yes. | 0:02:42 | 0:02:45 | |
-Looking forward to it. Nice for me to be on the other side of the fence. -Absolutely. | 0:02:45 | 0:02:48 | |
-I'll see you in there. -See you in a bit. | 0:02:48 | 0:02:50 | |
I'm expecting some fireworks, some entertainment, humour, drama, | 0:02:52 | 0:02:56 | |
but, ultimately this is a cooking competition | 0:02:56 | 0:02:58 | |
and flavour, for me, has to shine through. | 0:02:58 | 0:03:02 | |
So there we are. Day one. How you feeling? | 0:03:02 | 0:03:04 | |
I feel a bit nervous, apprehensive, just want to get on | 0:03:04 | 0:03:07 | |
and get in the kitchen. | 0:03:07 | 0:03:08 | |
-How do you feel, coming back? -There's a lot of pressure. | 0:03:08 | 0:03:10 | |
I've gone into the judges' chamber three times, and been sent home three times | 0:03:10 | 0:03:15 | |
-so fingers crossed it doesn't happen this time. -Right. | 0:03:15 | 0:03:18 | |
We'll see if we can beat him! | 0:03:18 | 0:03:19 | |
HE LAUGHS | 0:03:21 | 0:03:22 | |
One scallop, one new potatoes, coming on thick and fast... | 0:03:22 | 0:03:26 | |
First up is returning contender Aiden Byrne, | 0:03:26 | 0:03:29 | |
head chef at The Church Green in Cheshire, | 0:03:29 | 0:03:31 | |
where he cooks classical food with a modern twist. | 0:03:31 | 0:03:34 | |
Despite a Michelin-starred background... | 0:03:34 | 0:03:36 | |
Simon Rogan. | 0:03:36 | 0:03:38 | |
..he failed to make it to the final last year, | 0:03:38 | 0:03:40 | |
for the third time, and is back with a point to prove. | 0:03:40 | 0:03:43 | |
Losing out last year, I was absolutely devastated. | 0:03:43 | 0:03:46 | |
If I don't get to the final this time I'm not going to do it again. | 0:03:46 | 0:03:49 | |
But, within, me I feel more confident about doing this year | 0:03:49 | 0:03:52 | |
than I've ever done any year. | 0:03:52 | 0:03:54 | |
-How are you? -All right. -Take me through it. | 0:03:56 | 0:03:58 | |
We've got frog's legs, parsley, | 0:03:58 | 0:04:00 | |
there's lots of different types of garlic, black fermented garlic, | 0:04:00 | 0:04:03 | |
actual garlic itself which we're going to make a gel out of. | 0:04:03 | 0:04:06 | |
We're going to make a puree to stuff the frogs' legs. | 0:04:06 | 0:04:08 | |
Loads of garlic? | 0:04:08 | 0:04:10 | |
Make sure that that's at an appropriate level for a banquet. | 0:04:10 | 0:04:12 | |
We're going to make a parsley wafer. | 0:04:12 | 0:04:14 | |
The parsley's there to counterbalance that garlic. | 0:04:14 | 0:04:17 | |
And fitting the brief? | 0:04:17 | 0:04:18 | |
Basically, the title of the dish is Mad As A Box Of Frogs. | 0:04:18 | 0:04:22 | |
It comes in a little box. As you open up the box | 0:04:22 | 0:04:24 | |
there's frogs in the background, there's clowns' laughter | 0:04:24 | 0:04:28 | |
and then the judges have got to put a clown's hat on | 0:04:28 | 0:04:31 | |
at the same time, so that's the fun element of it all. | 0:04:31 | 0:04:35 | |
Determined Aiden is kick-starting his witty, gastronomic menu with | 0:04:35 | 0:04:38 | |
A Box Of Frogs, a twist on a classic with some laugh-out-loud props. | 0:04:38 | 0:04:43 | |
Frogs' leg kievs, they should work but garlic gel? Not quite sure. | 0:04:43 | 0:04:47 | |
I think the box gimmick is highly risky. | 0:04:47 | 0:04:49 | |
It could be so cheesy and naff, it could kill it off altogether. | 0:04:49 | 0:04:53 | |
So it very much depends on exactly how it's presented | 0:04:53 | 0:04:56 | |
and just how good the contents is. | 0:04:56 | 0:04:58 | |
OK, service please. | 0:04:58 | 0:05:00 | |
Next up is rising star Chris Holland, head chef at the Alderley | 0:05:00 | 0:05:03 | |
in Cheshire, where his technical cooking is making waves. | 0:05:03 | 0:05:07 | |
Five mackerel, three pate, yeah? | 0:05:07 | 0:05:09 | |
He may not have any Michelin stars to his name yet, but is determined | 0:05:09 | 0:05:13 | |
to go all the way in this year's competition. | 0:05:13 | 0:05:16 | |
People think I'm quite a relaxed person and a happy-go-lucky guy | 0:05:16 | 0:05:19 | |
but inside, there's a deep, burning desire to succeed. | 0:05:19 | 0:05:23 | |
-Hi Chris. -Hi. | 0:05:26 | 0:05:27 | |
OK, tell me what's in your box of tricks. | 0:05:27 | 0:05:30 | |
This title is an Oriental Broth With A Twist. | 0:05:30 | 0:05:33 | |
What's the twist? | 0:05:33 | 0:05:34 | |
The brief is to create a fun dish. | 0:05:34 | 0:05:36 | |
The twist is, when it arrives at the table, | 0:05:36 | 0:05:39 | |
it appears to be a chocolate bar, | 0:05:39 | 0:05:41 | |
and when the broth is poured on top, it will disperse | 0:05:41 | 0:05:43 | |
and the aromats will come through. | 0:05:43 | 0:05:46 | |
So I'm using all the usual oriental flavours. | 0:05:46 | 0:05:49 | |
I'm making a sesame powder using Absorbit | 0:05:49 | 0:05:52 | |
got the beef fillets in there. | 0:05:52 | 0:05:54 | |
Potential issue there with temperature. | 0:05:54 | 0:05:56 | |
Temperature's an issue. | 0:05:56 | 0:05:58 | |
The hot bowl's got to be really hot | 0:05:58 | 0:06:00 | |
so to achieve that, I couldn't use normal gelling agents. | 0:06:00 | 0:06:03 | |
The gelling agent here's a product called LT100. | 0:06:03 | 0:06:06 | |
It will disperse at 80 degrees, so I can serve it in a hot bowl | 0:06:06 | 0:06:10 | |
-without it melting. -OK. | 0:06:10 | 0:06:13 | |
Technical Chris is looking to make a big first impression | 0:06:13 | 0:06:16 | |
with an Oriental-style soup with beef, noodles | 0:06:16 | 0:06:19 | |
and a complex beef stock jelly, in the guise of a chocolate bar. | 0:06:19 | 0:06:23 | |
Chris has got a fun idea but I'm expecting to end up | 0:06:23 | 0:06:27 | |
with a warm bowl of slightly underwhelming liquid | 0:06:27 | 0:06:31 | |
and he's got to prove me wrong. | 0:06:31 | 0:06:34 | |
Two mackerel going across on one, please. | 0:06:34 | 0:06:37 | |
Last but not least is cutting-edge newcomer | 0:06:37 | 0:06:39 | |
Mary Ellen McTague, owner and head chef of the Aumbry, near Manchester. | 0:06:39 | 0:06:43 | |
Service, please! | 0:06:43 | 0:06:45 | |
She trained for four years under legendary | 0:06:45 | 0:06:47 | |
three Michelin-starred Heston Blumenthal, | 0:06:47 | 0:06:50 | |
world-renowned for his innovative cooking. | 0:06:50 | 0:06:52 | |
I think my background's definitely a huge advantage. | 0:06:52 | 0:06:56 | |
And might just give me the edge. | 0:06:56 | 0:06:58 | |
-Hello, Mary, how are you? -Good, thank you. | 0:07:01 | 0:07:03 | |
So tell me, what have you got in your box? | 0:07:03 | 0:07:05 | |
So, my dish is a Baked Bean Bathtub. | 0:07:05 | 0:07:08 | |
The main element is actually this. | 0:07:08 | 0:07:10 | |
-So it's a potted crab. -Lovely. | 0:07:10 | 0:07:13 | |
And the main visual element is these - haricot beans - | 0:07:13 | 0:07:16 | |
which I'm going to make my baked beans with | 0:07:16 | 0:07:19 | |
and that's going to be served with a bath sponge | 0:07:19 | 0:07:22 | |
-and a chilled crab bisque rubber duck. -OK. | 0:07:22 | 0:07:24 | |
With a bit of a wobble. That's the rubber duck. | 0:07:25 | 0:07:28 | |
If ever there's a brief where some genuine humour can come in | 0:07:28 | 0:07:30 | |
in the form of props and presentation, this is it. | 0:07:30 | 0:07:33 | |
-It's got to be a delicious plate of food as well. -Yeah. | 0:07:33 | 0:07:36 | |
Lots to risk there, but it's going to be a ten out of ten | 0:07:36 | 0:07:38 | |
-or a, "Uh-oh!" Good luck. -Thank you. | 0:07:38 | 0:07:43 | |
Mary Ellen's been inspired by that charity sponsorship favourite, | 0:07:43 | 0:07:47 | |
sitting in a bathtub full of cold beans | 0:07:47 | 0:07:50 | |
and is recreating this iconic fundraising feat, | 0:07:50 | 0:07:53 | |
with a bath of crab bisque, beans and a rubber duck jelly. | 0:07:53 | 0:07:57 | |
Mary's dish is probably the most high-risk of them all. | 0:07:57 | 0:07:59 | |
I'm not sure whether you can have something served to you in a bathtub | 0:07:59 | 0:08:04 | |
and really not be affected by that, in its eating. | 0:08:04 | 0:08:07 | |
It might just be a step too far. | 0:08:07 | 0:08:09 | |
Guys, I've found it really tough, the brief, this year, | 0:08:16 | 0:08:19 | |
because to come up with a dish that's gastronomically sound | 0:08:19 | 0:08:22 | |
and have a laugh doing it at the same time, | 0:08:22 | 0:08:24 | |
it's almost like a contradiction. | 0:08:24 | 0:08:26 | |
Yeah, it's not often that you want people to laugh at your food. | 0:08:26 | 0:08:29 | |
that's the difficult thing about it. | 0:08:29 | 0:08:31 | |
There needs to be a fun element, but it is about cooking, | 0:08:31 | 0:08:34 | |
-first and foremost? -Absolutely, yeah. | 0:08:34 | 0:08:36 | |
-The final banquet's at the Royal Albert Hall. How do you feel about that? -No way! | 0:08:36 | 0:08:40 | |
I watched a show there and I was crying my eyes out | 0:08:40 | 0:08:43 | |
while I watched the show. I got very emotional. | 0:08:43 | 0:08:45 | |
So yeah, it'll be nice to go back there in a different guise, really. | 0:08:45 | 0:08:48 | |
You're not going to cry this time, are you? | 0:08:48 | 0:08:50 | |
I dunno! That's what I do! | 0:08:50 | 0:08:52 | |
LAUGHTER | 0:08:52 | 0:08:53 | |
I'll be disappointed if you don't! | 0:08:53 | 0:08:55 | |
I'm hoping to make you guys cry. | 0:08:55 | 0:08:56 | |
MARY ELLEN LAUGHS | 0:08:56 | 0:08:58 | |
Mr Byrne? | 0:09:00 | 0:09:02 | |
I'm looking forward to a fun take on frogs' legs, parsley and garlic. | 0:09:02 | 0:09:06 | |
Those are three ingredients that have a real natural affinity. | 0:09:06 | 0:09:09 | |
-So you've heard about the banquet. -Yes. -Albert Hall. | 0:09:09 | 0:09:12 | |
You don't get a grander, better, more iconic venue | 0:09:12 | 0:09:15 | |
to knock out your frogs' legs. | 0:09:15 | 0:09:17 | |
Just imagine every one of them opening up | 0:09:17 | 0:09:19 | |
them frogs' legs boxes at the same time, | 0:09:19 | 0:09:21 | |
you know, that laughter. I get goosebumps just thinking about that. | 0:09:21 | 0:09:24 | |
-That's going to be make or break, the box element. -Absolutely. | 0:09:24 | 0:09:27 | |
I don't know what I feel about it till I open that lid. | 0:09:27 | 0:09:30 | |
At the end of the day, I'm cooking frogs' legs, | 0:09:30 | 0:09:32 | |
a gastronomically sound classical dish, | 0:09:32 | 0:09:35 | |
but it's the sense of humour where all the hard work has gone into | 0:09:35 | 0:09:38 | |
and the props and the sense of humour, | 0:09:38 | 0:09:40 | |
and I hope Phil gets that, as much as the cooking. | 0:09:40 | 0:09:43 | |
After losing for the third time last year, | 0:09:43 | 0:09:46 | |
Aiden has completely changed his strategy this time. | 0:09:46 | 0:09:49 | |
My style of cooking is quite serious. | 0:09:49 | 0:09:52 | |
This year, I've had to come out with a totally different approach. | 0:09:52 | 0:09:56 | |
I've never used props. I've never used anything at all | 0:09:56 | 0:09:59 | |
to accentuate my food and this year, I'm really going to town on that. | 0:09:59 | 0:10:03 | |
To get inspiration | 0:10:03 | 0:10:05 | |
he went to meet Tracey Lester at a specialist prop shop in Manchester. | 0:10:05 | 0:10:08 | |
So I've been thinking about your idea | 0:10:08 | 0:10:10 | |
and the concept you want to come up with. | 0:10:10 | 0:10:12 | |
And what do you think about this? | 0:10:12 | 0:10:14 | |
Because you want the element of surprise. | 0:10:14 | 0:10:16 | |
-Is it an old fashioned jack-in-the-box? -It is. -Oh, right! | 0:10:16 | 0:10:19 | |
MUSIC-BOX STYLE TUNE PLAYS | 0:10:19 | 0:10:21 | |
THEY LAUGH | 0:10:22 | 0:10:24 | |
What do you think? | 0:10:24 | 0:10:26 | |
-With things like this, the creativity is endless, really. -It's that whole theatre. | 0:10:26 | 0:10:31 | |
Absolutely, yes. And that's exactly what it is. | 0:10:31 | 0:10:33 | |
I've never done this before and I'm quite nervous about it | 0:10:33 | 0:10:36 | |
but excited at the same time. | 0:10:36 | 0:10:38 | |
As usual, there are even bigger things weighing on Aiden's mind. | 0:10:38 | 0:10:41 | |
There was a little bit of added pressure on last year. | 0:10:41 | 0:10:44 | |
Sarah said she'd marry me if I won and got to the final. | 0:10:44 | 0:10:47 | |
I'm still not married. Maybe fourth time lucky. | 0:10:47 | 0:10:49 | |
Who knows what'll happen this year? | 0:10:49 | 0:10:51 | |
We haven't had that conversation, so, we'll see what happens. | 0:10:51 | 0:10:54 | |
Hopefully it'll be a nice surprise. | 0:10:54 | 0:10:56 | |
Aiden is a fantastic man, a great chef, | 0:10:56 | 0:10:59 | |
and I know he's going to do well this year. | 0:10:59 | 0:11:01 | |
-BLEEP -off! | 0:11:07 | 0:11:08 | |
But already Aiden's marriage hopes might be jeopardized, | 0:11:08 | 0:11:12 | |
by the microwave he's using to cook his garlic crisps. | 0:11:12 | 0:11:15 | |
-BLEEP -microwave's lethal. | 0:11:15 | 0:11:16 | |
I can smell some angry garlic. | 0:11:20 | 0:11:23 | |
Yeah, it's a much more powerful microwave than I anticipated. | 0:11:23 | 0:11:25 | |
You're doing more? | 0:11:25 | 0:11:26 | |
I'm going to do a little bit more, yeah. | 0:11:26 | 0:11:29 | |
When you burn something, you've got to do it again. | 0:11:29 | 0:11:31 | |
It heightens the tension. He's put himself under a bit of pressure. | 0:11:31 | 0:11:35 | |
Technical Chris has finished the bottom layer | 0:11:35 | 0:11:37 | |
of his beef stock jelly bar, | 0:11:37 | 0:11:39 | |
the centrepiece of his Oriental-style beef soup with a twist. | 0:11:39 | 0:11:43 | |
Hi Chris, tell me where we're at there. | 0:11:43 | 0:11:45 | |
This is basically the very bottom layer of the bar. | 0:11:45 | 0:11:49 | |
So you've got carrot, noodles, mooli, shiitake mushrooms, | 0:11:49 | 0:11:52 | |
raw beef fillet. | 0:11:52 | 0:11:53 | |
And that's been bound with the LT100? | 0:11:53 | 0:11:56 | |
Yep, it's got a higher temperature for setting | 0:11:56 | 0:11:58 | |
so I can serve it in a hot bowl. | 0:11:58 | 0:12:00 | |
It's a real tricky balance of temperature and time, this one. | 0:12:00 | 0:12:03 | |
Your stock is being served in the kitchen or at the table? | 0:12:03 | 0:12:05 | |
-At the table. -I'm still intrigued to see whether that hot liquid | 0:12:05 | 0:12:08 | |
is going to stay hot long enough to penetrate through | 0:12:08 | 0:12:11 | |
what is actually quite a significant thing. | 0:12:11 | 0:12:13 | |
I think Chris's idea is actually really clever | 0:12:13 | 0:12:15 | |
and really fun, and it's also underpinned with some proper cooking | 0:12:15 | 0:12:18 | |
but I still think you could end up with a really underwhelming, | 0:12:18 | 0:12:21 | |
slightly lukewarm bowl of broth. | 0:12:21 | 0:12:23 | |
It's got to work and still end up being hot and delicious. | 0:12:23 | 0:12:28 | |
To make sure his chocolate bar didn't melt in a hot bowl, | 0:12:28 | 0:12:32 | |
Chris sought the help of molecular expert Vicky Smith. | 0:12:32 | 0:12:35 | |
-Hey, Chris. -How are you? -Hello. Good, thank you. | 0:12:35 | 0:12:38 | |
I think the brief, bringing some humour into the food | 0:12:38 | 0:12:41 | |
gives you the opportunity to play with food a bit | 0:12:41 | 0:12:43 | |
which is what I've done. | 0:12:43 | 0:12:45 | |
I've tried to inject an element of excitement within each dish | 0:12:45 | 0:12:48 | |
so hopefully I'll have achieved that. | 0:12:48 | 0:12:50 | |
After lots of experimenting, Vicky discovered | 0:12:50 | 0:12:53 | |
the prefect gelling agent for Chris's jelly, | 0:12:53 | 0:12:55 | |
strong enough to ensure it holds in a hot bowl | 0:12:55 | 0:12:58 | |
and reactive enough to melt when hot broth is poured over it. | 0:12:58 | 0:13:01 | |
It's a very fast setting gel. | 0:13:01 | 0:13:03 | |
You get an instant set at 80 degrees which means that, | 0:13:03 | 0:13:06 | |
when you pour that boiling liquor over there, | 0:13:06 | 0:13:08 | |
-you should get what you're looking for. -Perfect. | 0:13:08 | 0:13:11 | |
What would it mean to get a course to the banquet? | 0:13:11 | 0:13:14 | |
It means everything. | 0:13:14 | 0:13:16 | |
There's nothing more satisfying than achieving a goal | 0:13:16 | 0:13:19 | |
so yeah, it means everything. | 0:13:19 | 0:13:21 | |
I'm sure it'll be an emotional occasion if I do. | 0:13:21 | 0:13:23 | |
Daddy's food is scrumptious! | 0:13:23 | 0:13:27 | |
(ALL): Cheers! | 0:13:27 | 0:13:28 | |
Chris is a lovely dad. He's so good with the children. | 0:13:28 | 0:13:31 | |
But he's also very dedicated and very professional. | 0:13:31 | 0:13:34 | |
Don't underestimate him - he's here to win. | 0:13:34 | 0:13:36 | |
Chris has finished the second layer | 0:13:40 | 0:13:43 | |
of his risky beef stock jelly bar, | 0:13:43 | 0:13:45 | |
the main focus for his Oriental-style soup with a twist. | 0:13:45 | 0:13:48 | |
But he's not the only one experimenting with moulded jellies. | 0:13:48 | 0:13:51 | |
Come on then, talk me through it. What have we got going on here? | 0:13:51 | 0:13:54 | |
-These are my rubber duck moulds. -Oh, OK, OK. | 0:13:54 | 0:13:56 | |
-Those are rubber ducks? -Yeah. -OK, and tell me, where's this come from? | 0:13:59 | 0:14:02 | |
Obviously, you've got the brief. | 0:14:02 | 0:14:04 | |
And one of the things that leapt into my mind | 0:14:04 | 0:14:06 | |
was the people sitting in a bath of cold beans. | 0:14:06 | 0:14:09 | |
And then, just because it's tomato, I immediately thought of crab. | 0:14:09 | 0:14:12 | |
I'm using just fresh tomato juice, and thicken it slightly | 0:14:12 | 0:14:15 | |
so it looks like baked beans in a thick sauce | 0:14:15 | 0:14:17 | |
but you taste it and it's just tomato juice. | 0:14:17 | 0:14:20 | |
The other things there? | 0:14:20 | 0:14:21 | |
It should be obvious about what to do. Bit of rubber duck, | 0:14:21 | 0:14:24 | |
bit of bread, bit of potted crab and sort of tuck in. | 0:14:24 | 0:14:27 | |
I don't really understand Mary Ellen's dish. | 0:14:27 | 0:14:29 | |
Raw tomato and crab, of course it works, | 0:14:29 | 0:14:31 | |
but she's got a bean coming in there, which is significant, | 0:14:31 | 0:14:34 | |
and it's going to be hard bits in possibly sour gloop | 0:14:34 | 0:14:38 | |
you know, and it's... It's risky. | 0:14:38 | 0:14:41 | |
Phil seems really interested in the starter. | 0:14:41 | 0:14:44 | |
He's just waiting to see what the execution's like. | 0:14:44 | 0:14:47 | |
If it's done well, it could be great. | 0:14:47 | 0:14:50 | |
he said it'll either be a ten or a zero! | 0:14:50 | 0:14:53 | |
So, erm, hopefully ten, not zero. | 0:14:54 | 0:14:57 | |
Mary Ellen may have given up working in a three Michelin-starred kitchen, | 0:14:58 | 0:15:02 | |
for the chance to run a place of her own, | 0:15:02 | 0:15:04 | |
but she's never lost her passion for experimental cookery. | 0:15:04 | 0:15:08 | |
Hello! | 0:15:08 | 0:15:09 | |
Reflected in her sons, aged four and two. | 0:15:09 | 0:15:12 | |
Both the children like to play "restaurants". | 0:15:12 | 0:15:15 | |
So we're a very food orientated family, definitely. | 0:15:15 | 0:15:18 | |
Because I worked at the Fat Duck, the other chefs are expecting me | 0:15:20 | 0:15:23 | |
to be very modern in my approach | 0:15:23 | 0:15:26 | |
but I'm actually more interested in the historical side of cookery. | 0:15:26 | 0:15:30 | |
When working in Heston Blumenthal's development kitchen, | 0:15:30 | 0:15:33 | |
Mary Ellen met food historian Ivan Day. | 0:15:33 | 0:15:36 | |
Specialising in moulded foods, he was the perfect person to ask | 0:15:37 | 0:15:41 | |
whether she was on the right track with her rubber duck jelly. | 0:15:41 | 0:15:45 | |
The interesting thing is, when you talk about | 0:15:45 | 0:15:48 | |
the "comedic" possibilities, | 0:15:48 | 0:15:51 | |
jelly, for many centuries was the hub of all fun. | 0:15:51 | 0:15:56 | |
And to prove just how funny moulded jellies can be, Ivan has prepared | 0:15:56 | 0:16:00 | |
one of his favourites, that dates back to the 1800s. | 0:16:00 | 0:16:03 | |
That's so cool! | 0:16:03 | 0:16:04 | |
You've got this extraordinary, quite suggestive wobble. | 0:16:04 | 0:16:09 | |
This kind of thing is absolutely perfect. | 0:16:09 | 0:16:11 | |
it's funny, it's silly and it's going to make people laugh. | 0:16:11 | 0:16:14 | |
Always makes me laugh. I don't know why, | 0:16:14 | 0:16:16 | |
but I'm often in tears after looking at a jelly! | 0:16:16 | 0:16:19 | |
With plating up approaching | 0:16:25 | 0:16:27 | |
it's time for Mary Ellen to see if her rubber duck jellies will hold. | 0:16:27 | 0:16:31 | |
Yes. They've worked! It's set in time. I'm so pleased. | 0:16:32 | 0:16:36 | |
It's the thing I've been worried about most. | 0:16:36 | 0:16:38 | |
I'll probably burn something now! | 0:16:38 | 0:16:40 | |
And as it turns out, she's right! | 0:16:40 | 0:16:43 | |
OK. | 0:16:43 | 0:16:44 | |
I've just burnt my baked beans. I'm going to have to do it again. | 0:16:48 | 0:16:51 | |
I'm really worried now. I don't have a lot of time left. | 0:16:51 | 0:16:54 | |
I need to get cracking. | 0:16:54 | 0:16:56 | |
BLEEP! | 0:16:58 | 0:17:01 | |
But time's already up for returning contender Aiden, | 0:17:01 | 0:17:04 | |
who's taking everything in his stride, having been here before. | 0:17:04 | 0:17:07 | |
He's first to plate up his starter. | 0:17:07 | 0:17:09 | |
He puts his frog legs on to fry and starts his plate with garlic jelly. | 0:17:09 | 0:17:14 | |
Then he adds cloves of fermented black garlic. | 0:17:14 | 0:17:18 | |
Next, his deep fried frogs' legs. | 0:17:18 | 0:17:20 | |
Today is the day, really. It's so important to get that high score | 0:17:20 | 0:17:23 | |
because it gives you that confidence to ride through the rest of the week. | 0:17:23 | 0:17:26 | |
-Getting a really low mark today would just be crushing. -Yeah. Absolutely. | 0:17:26 | 0:17:30 | |
He continues with parsley wafers, | 0:17:31 | 0:17:33 | |
creamed garlic | 0:17:33 | 0:17:35 | |
and finishes the plate off with garlic crisps | 0:17:35 | 0:17:39 | |
before drizzling over some garlic sauce. | 0:17:39 | 0:17:42 | |
Last but not least, he places his starter in his special box. | 0:17:42 | 0:17:46 | |
One for you. | 0:17:53 | 0:17:54 | |
Kind of expected a plate and knife and fork | 0:17:54 | 0:17:56 | |
and I've got a box and a bigger box! | 0:17:56 | 0:17:58 | |
-Are you happy with it? -Yeah, I am, yeah. | 0:17:58 | 0:18:01 | |
Good, OK, come on, let's do it. Let's go. | 0:18:01 | 0:18:04 | |
-How do I look? -You look very dashing. | 0:18:09 | 0:18:12 | |
-Pretty you look, too. -Thank you. | 0:18:12 | 0:18:14 | |
PHIL LAUGHS AT CANNED LAUGHTER FROM BOX | 0:18:15 | 0:18:20 | |
Well, it fits the brief. | 0:18:20 | 0:18:22 | |
-It's made us both laugh. -Yep. | 0:18:22 | 0:18:24 | |
Are you happy with the overall dish you've produced? | 0:18:28 | 0:18:31 | |
There's a little niggling bit. I'm asking now, | 0:18:31 | 0:18:34 | |
is it big enough for a starter? | 0:18:34 | 0:18:36 | |
-Mmm! -Nice and tender? | 0:18:36 | 0:18:38 | |
Mmm, very tender. | 0:18:38 | 0:18:40 | |
-Seasoned enough for you? -No. | 0:18:40 | 0:18:41 | |
Are you happy with the overall balance of flavours? | 0:18:41 | 0:18:44 | |
If I do get through to the judges' chamber, if anything, | 0:18:44 | 0:18:47 | |
I might put a little bit more parsley on there. | 0:18:47 | 0:18:50 | |
The garlic's too much and the parsley's too little. | 0:18:50 | 0:18:53 | |
There isn't enough of that cleansing parsley flavour | 0:18:53 | 0:18:55 | |
-that you really need with garlic. -Yeah. | 0:18:55 | 0:18:58 | |
What about the texture of the wafer? Crisp enough? | 0:18:58 | 0:19:01 | |
It is, yeah, it's a wafer, it's been dried on for nearly 24 hours. | 0:19:01 | 0:19:05 | |
-The little crisps could be a little bit crisper. -Yeah. | 0:19:05 | 0:19:08 | |
Haven't had a crisp. | 0:19:08 | 0:19:09 | |
It's quite a modern interpretation. Classical combination of flavours. | 0:19:09 | 0:19:13 | |
The garlic coming in as a gel rather than a puree - | 0:19:13 | 0:19:15 | |
you think that's the right way to deliver it? | 0:19:15 | 0:19:17 | |
It is, yeah, that's just taking it that little step further. | 0:19:17 | 0:19:21 | |
-It's a nice interpretation on a classic dish. -Yeah. | 0:19:21 | 0:19:24 | |
It's probably a seven. | 0:19:24 | 0:19:26 | |
I think it can be improved, so, yeah. I think seven's fair. | 0:19:26 | 0:19:29 | |
The fun element in it definitely came through. | 0:19:31 | 0:19:33 | |
There's quite a few laughs in there. | 0:19:33 | 0:19:35 | |
So, yeah. All in all, very happy with that. | 0:19:35 | 0:19:39 | |
Next up is technical new boy Chris. | 0:19:39 | 0:19:43 | |
He pours his oriental beef broth into thermoses | 0:19:43 | 0:19:45 | |
and starts his plate off with powdered sesame oil. | 0:19:45 | 0:19:48 | |
You know, Phil seemed happy, | 0:19:48 | 0:19:51 | |
but it's difficult, that deadpan face... That's it, yeah. | 0:19:51 | 0:19:56 | |
-Not giving anything away. -He wasn't, no. | 0:19:56 | 0:19:58 | |
Chris then adds edible flowers. | 0:19:58 | 0:20:00 | |
Coriander. | 0:20:01 | 0:20:03 | |
And finally, his risky beef stock jelly bar. | 0:20:03 | 0:20:05 | |
-CHRIS EXHALES -Happy? | 0:20:15 | 0:20:17 | |
Happy as I'm going to be. You just need to eat it while it's hot. | 0:20:17 | 0:20:21 | |
Let's try it. | 0:20:21 | 0:20:22 | |
-With a shaky hand... -Good - I'd expect nothing less. | 0:20:26 | 0:20:30 | |
Does this deliver that all-important opening course for the banquet? | 0:20:30 | 0:20:33 | |
I think it's got wow factor, I think it's fun. | 0:20:33 | 0:20:36 | |
-You laughing? -Not really. | 0:20:36 | 0:20:38 | |
Making a hot stock out of melted gel's not funny to me. | 0:20:38 | 0:20:41 | |
Happy with the temperature? | 0:20:44 | 0:20:45 | |
The temperature, could be a tiny bit hotter for me. | 0:20:45 | 0:20:48 | |
-Cold soup. -Not hot. -Not at all. | 0:20:50 | 0:20:53 | |
The sesame oil powder - has that contributed what you were hoping? | 0:20:53 | 0:20:56 | |
I think the sesame powder comes through nicely. | 0:20:56 | 0:20:59 | |
That's pretty nice, actually, the sesame. | 0:20:59 | 0:21:01 | |
-Lime's coming through? -Yeah, I think the lime's there, | 0:21:01 | 0:21:05 | |
gives it a cleaner, more refreshing taste. | 0:21:05 | 0:21:08 | |
He said he put lime in it. I'm not tasting that freshness. | 0:21:08 | 0:21:10 | |
I'm not getting that. When you've got them strong flavours | 0:21:10 | 0:21:13 | |
you really need that acidity to balance it all off. | 0:21:13 | 0:21:15 | |
Chris, in my shoes, what score would you give the dish? | 0:21:15 | 0:21:18 | |
Hmmm. Seven? | 0:21:18 | 0:21:21 | |
I genuinely believe he's going to be hitting a six with this. | 0:21:21 | 0:21:25 | |
I was going to say the same. Really classic Asian ingredients. | 0:21:25 | 0:21:29 | |
I don't think it's a knock-your-socks-off. | 0:21:29 | 0:21:32 | |
I think that went OK. | 0:21:34 | 0:21:36 | |
Difficult. I think Phil's not giving much away | 0:21:36 | 0:21:39 | |
and I hope he liked the dish. | 0:21:39 | 0:21:40 | |
Whoa!! | 0:21:42 | 0:21:44 | |
Last up is cutting-edge new girl, Mary Ellen. | 0:21:44 | 0:21:48 | |
-BLEEP -was that?! | 0:21:48 | 0:21:49 | |
Who's struggling with more problems. | 0:21:49 | 0:21:52 | |
So you managed to salvage baked beans? | 0:21:52 | 0:21:54 | |
Well, I've done another batch. | 0:21:54 | 0:21:56 | |
Everything else is going to plan? | 0:21:56 | 0:21:57 | |
Er, no. I've got problems with the bath sponges. | 0:21:57 | 0:22:00 | |
-Can't beat the excitement. -I saw those were staring at you... -Yeah, thanks for that, guys! | 0:22:00 | 0:22:04 | |
AIDEN LAUGHS | 0:22:04 | 0:22:05 | |
To add to the pressure, she's cooking her sponge | 0:22:05 | 0:22:08 | |
in the same microwave Aiden burnt his garlic crisps in. | 0:22:08 | 0:22:11 | |
-Happy? -Nearly! | 0:22:11 | 0:22:14 | |
-Second one will be better than the first. -Always. | 0:22:14 | 0:22:17 | |
Mary Ellen's having a nightmare. She doesn't look in control. | 0:22:17 | 0:22:20 | |
Looks to me like the dish has just gone wrong. | 0:22:20 | 0:22:22 | |
Do one more for luck. | 0:22:22 | 0:22:25 | |
(And she's late.) | 0:22:25 | 0:22:27 | |
Sponges done, they're first to go on to Mary Ellen's bath tile plate. | 0:22:27 | 0:22:31 | |
She then turns her attention to her potted crab-filled baths, | 0:22:31 | 0:22:35 | |
by adding a layer of her own take on baked beans. | 0:22:35 | 0:22:38 | |
15 minutes late, Mary Ellen, you know. | 0:22:38 | 0:22:40 | |
-I know. I feel terrible about it. -Just thought I'd let you know. | 0:22:40 | 0:22:43 | |
Thanks, Aiden(!) | 0:22:43 | 0:22:44 | |
AIDEN LAUGHS | 0:22:44 | 0:22:46 | |
With time slipping away even further, | 0:22:47 | 0:22:49 | |
she decorates her rubber ducks | 0:22:49 | 0:22:52 | |
before placing them next to her sponge. | 0:22:52 | 0:22:54 | |
Last but not least, and now EXTREMELY late, | 0:22:54 | 0:22:57 | |
she plates up her baked bean bathtub. | 0:22:57 | 0:23:00 | |
OK. Sorry I'm late. | 0:23:03 | 0:23:05 | |
That was hairy. Very late, but you got there. | 0:23:05 | 0:23:07 | |
Most importantly, are you happy with what's on there? | 0:23:07 | 0:23:11 | |
About 80% happy. | 0:23:11 | 0:23:13 | |
-OK, well, come on, let's go and taste it. -OK, cool. | 0:23:13 | 0:23:15 | |
The sponge, a bath of cold beans, bread and a rubber duck. | 0:23:20 | 0:23:23 | |
It's certainly interesting! | 0:23:23 | 0:23:25 | |
When you read the dish and you hear it, the baked beans | 0:23:28 | 0:23:31 | |
is one of the things that slaps you round. | 0:23:31 | 0:23:33 | |
Are they how you want them to be? | 0:23:33 | 0:23:34 | |
They're slightly off what I want them to be. | 0:23:34 | 0:23:37 | |
I'm just struggling to understand why I like it so much. | 0:23:38 | 0:23:41 | |
It's really tasty. | 0:23:41 | 0:23:43 | |
I'm just trying to get my head around why I'm accepting | 0:23:43 | 0:23:45 | |
eating cold baked beans! | 0:23:45 | 0:23:47 | |
THEY LAUGH | 0:23:47 | 0:23:48 | |
The coming-together of the dish looked like it was a real struggle. | 0:23:48 | 0:23:51 | |
-It's got to be fit for a banquet. -Yeah, absolutely. | 0:23:51 | 0:23:54 | |
-She had quite a few problems, didn't she? -Yeah. | 0:23:54 | 0:23:57 | |
-And a hundred of them out. -That's a big ask. -Yeah. | 0:23:57 | 0:24:00 | |
Do you think this is the dish | 0:24:00 | 0:24:01 | |
that should be at the opening of the banquet in the Albert Hall? | 0:24:01 | 0:24:06 | |
Yeah, I do. I totally do. | 0:24:06 | 0:24:08 | |
It's a love or hate dish. And I love it. | 0:24:08 | 0:24:11 | |
I love it! | 0:24:11 | 0:24:12 | |
-And you know what? She's unnerved me. -Yeah, absolutely. | 0:24:12 | 0:24:15 | |
Erm, that was really hard. That was horrible. | 0:24:16 | 0:24:20 | |
I mean, he's nice, you know, didn't give anything away | 0:24:20 | 0:24:23 | |
so I've no idea what's going to happen, scoring-wise. | 0:24:23 | 0:24:26 | |
I don't feel confident at all now. | 0:24:33 | 0:24:35 | |
I don't think I've ever been this nervous in my life, really. | 0:24:35 | 0:24:38 | |
I genuinely believe that Phil's going to give me a decent score. I'd be happy with an eight. | 0:24:41 | 0:24:45 | |
I'd be upset if it was anything below that. | 0:24:45 | 0:24:47 | |
I'm really nervous waiting for my score. | 0:24:49 | 0:24:52 | |
I was 15 minutes late. | 0:24:52 | 0:24:54 | |
Ooh, I really hope he doesn't penalise me for that. | 0:24:54 | 0:24:57 | |
Aiden, for your Mad As A Box Of Frogs, | 0:25:06 | 0:25:08 | |
it's proper fun, and frogs' legs, parsley and garlic, I love that. | 0:25:08 | 0:25:15 | |
On the downside, | 0:25:15 | 0:25:16 | |
I did think - you raised the point - that the portion was too small | 0:25:16 | 0:25:20 | |
and I felt that the modern elements to it didn't bring anything more | 0:25:20 | 0:25:24 | |
than the classical version might have done. | 0:25:24 | 0:25:27 | |
I wasn't quite convinced that the gel was a better vehicle | 0:25:27 | 0:25:30 | |
for the garlic flavour than perhaps a puree would have been. | 0:25:30 | 0:25:33 | |
Chris, for your Oriental-style beef broth with a twist. | 0:25:36 | 0:25:40 | |
I liked the idea. It worked, conceptually. | 0:25:42 | 0:25:46 | |
But, what you had was a broth with bits in it | 0:25:46 | 0:25:49 | |
and whilst it was good, it didn't quite deliver in the flavour stakes | 0:25:49 | 0:25:54 | |
that I was hoping. | 0:25:54 | 0:25:55 | |
And the heat is an issue. | 0:25:55 | 0:25:57 | |
It was cold, it needs to be served piping hot. | 0:25:57 | 0:26:00 | |
So temperature's something you need to look at. | 0:26:00 | 0:26:03 | |
Mary Ellen, for your Baked Bean Bathtub. | 0:26:03 | 0:26:07 | |
I genuinely thought this might be something | 0:26:09 | 0:26:12 | |
that was going to be problematic | 0:26:12 | 0:26:13 | |
just because it was such a comical format | 0:26:13 | 0:26:15 | |
but the truth was, its deliciousness | 0:26:15 | 0:26:19 | |
just overrode that whole issue. | 0:26:19 | 0:26:22 | |
The potted crab was delicious. | 0:26:22 | 0:26:24 | |
The little duck, sublime texture and intense flavour. | 0:26:24 | 0:26:28 | |
But you have to look at the practicalities of the dish. | 0:26:28 | 0:26:30 | |
You have to look at your ability to deliver, | 0:26:30 | 0:26:32 | |
it's going to get served at a banquet and that's an important part. | 0:26:32 | 0:26:35 | |
Let's just make the point clear | 0:26:35 | 0:26:38 | |
you haven't got an opportunity to be late | 0:26:38 | 0:26:41 | |
without incurring a proper penalty. | 0:26:41 | 0:26:43 | |
So Chris, for your Oriental-style beef broth with a twist... | 0:26:45 | 0:26:49 | |
I'm going to give you | 0:26:52 | 0:26:55 | |
six points. | 0:26:55 | 0:26:56 | |
Aiden? for your Mad As A Box Of Frogs, | 0:26:59 | 0:27:02 | |
I'm going to award you... | 0:27:05 | 0:27:07 | |
seven. | 0:27:08 | 0:27:10 | |
Mary Ellen, for your Baked Bean Bath, | 0:27:12 | 0:27:16 | |
I'm going to award you | 0:27:16 | 0:27:19 | |
-eight points. -Thank you. | 0:27:19 | 0:27:23 | |
-I look forward to the next course. -Thank you. -Thank you very much. | 0:27:23 | 0:27:26 | |
CHRIS EXHALES | 0:27:29 | 0:27:30 | |
That was hard, wasn't it? | 0:27:30 | 0:27:31 | |
I really thought I was going to be docked for being late! I really did. | 0:27:31 | 0:27:35 | |
It's just a great start. I'm very relieved. Oh, my God. | 0:27:35 | 0:27:39 | |
It's definitely not all over. | 0:27:41 | 0:27:43 | |
Yeah, I feel a bit disappointed, really. | 0:27:43 | 0:27:47 | |
Admittedly, I'm disappointed I'm not in the lead. | 0:27:47 | 0:27:49 | |
The person I need to look out for is Mary Ellen. | 0:27:49 | 0:27:52 | |
If your taste buds have been tickled | 0:27:52 | 0:27:54 | |
and you'd like to get involved with Red Nose Day | 0:27:54 | 0:27:56 | |
then why not take part in Menu Relief? | 0:27:56 | 0:27:59 | |
To do your bit whilst enjoying an evening out at a local restaurant, | 0:27:59 | 0:28:02 | |
just go to: | 0:28:02 | 0:28:04 | |
And find out how to join in the fun. | 0:28:06 | 0:28:09 | |
Tomorrow, the competition continues with the fish course | 0:28:10 | 0:28:14 | |
and Mary Ellen risks throwing away her advantage. | 0:28:14 | 0:28:16 | |
-BLEEP, BLEEP! -I just don't know what's happened. | 0:28:16 | 0:28:19 | |
I actually genuinely don't understand. | 0:28:19 | 0:28:21 | |
That's an unfortunate error. | 0:28:21 | 0:28:23 | |
BLEEP! | 0:28:24 | 0:28:25 | |
Subtitles by Red Bee Media Ltd | 0:28:46 | 0:28:47 |