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BLEEP! | 0:00:03 | 0:00:04 | |
It's been an intense week on Great British Menu... | 0:00:04 | 0:00:08 | |
BLEEP! That microwave is lethal. | 0:00:08 | 0:00:09 | |
..with two newcomers... | 0:00:09 | 0:00:11 | |
BLEEP! | 0:00:11 | 0:00:12 | |
..technical Chris Holland... | 0:00:12 | 0:00:13 | |
-Nerves of steel. -Woooo! | 0:00:13 | 0:00:15 | |
..and Heston Blumenthal trained Mary-Ellen McTague... | 0:00:15 | 0:00:18 | |
-Oh -BLEEP! -Barley grass, barley grass. | 0:00:18 | 0:00:21 | |
..trying to outwit returning three-time loser, Aiden Byrne. | 0:00:21 | 0:00:24 | |
BLEEP! | 0:00:24 | 0:00:26 | |
The prize - to cook a special banquet | 0:00:26 | 0:00:28 | |
celebrating 25 years of Red Nose Day. | 0:00:28 | 0:00:31 | |
Yesterday's dessert course saw Chris leave the competition... | 0:00:31 | 0:00:35 | |
It's been a pleasure. | 0:00:35 | 0:00:36 | |
..and Aiden receive his lowest score of the week. | 0:00:36 | 0:00:39 | |
-It just wasn't very nice. -I've scored you a four. | 0:00:39 | 0:00:42 | |
Today Aiden and Mary-Ellen will go head-to-head for the North West. | 0:00:45 | 0:00:49 | |
Fair to say Phil wasn't very complimentary about this dessert. | 0:00:49 | 0:00:52 | |
I think that's the least you could say. | 0:00:52 | 0:00:54 | |
Backstage the judges know they're in for a real battle today. | 0:00:54 | 0:00:57 | |
So, we've got an old hand and a new girl. | 0:00:57 | 0:01:00 | |
What do you think? | 0:01:00 | 0:01:01 | |
I'm thinking four-time Aiden Byrne, that's what I'm thinking! | 0:01:01 | 0:01:05 | |
Making sure the food has wit as well as flavour | 0:01:05 | 0:01:08 | |
is a fourth comedy judge. | 0:01:08 | 0:01:10 | |
Oh, not you again! | 0:01:11 | 0:01:12 | |
This week it's Comic Relief supporter, Rowland Rivron. | 0:01:12 | 0:01:16 | |
What, do you put the whole thing in the washing machine?! | 0:01:16 | 0:01:18 | |
THEY LAUGH | 0:01:18 | 0:01:21 | |
The food must deliver gastronomic excellence... | 0:01:21 | 0:01:25 | |
This is fantastic! | 0:01:25 | 0:01:26 | |
This is a banquet dish. | 0:01:26 | 0:01:28 | |
..and make the judges laugh! | 0:01:28 | 0:01:30 | |
THEY LAUGH | 0:01:30 | 0:01:32 | |
There's only room for one chef in the national final! | 0:01:32 | 0:01:35 | |
Been a couple of tens, but there's also been a five and a four. | 0:01:35 | 0:01:40 | |
Aprons on, Aiden wastes no time showing Mary-Ellen who's boss. | 0:01:52 | 0:01:57 | |
There's not a chance I'm going home today. | 0:01:57 | 0:01:58 | |
I've been in this position far too many times, I'm afraid. | 0:01:58 | 0:02:01 | |
I'm going to cook my socks off. Come on. | 0:02:01 | 0:02:05 | |
This is returning contender Aiden's FOURTH TIME in front | 0:02:06 | 0:02:09 | |
of the judges, so he's under enormous pressure | 0:02:09 | 0:02:12 | |
to go further today. | 0:02:12 | 0:02:13 | |
Going home today without going to that national final | 0:02:13 | 0:02:16 | |
is not an option. Got to knock Mary-Ellen out. | 0:02:16 | 0:02:18 | |
I've never been more determined about anything, this is it. | 0:02:18 | 0:02:21 | |
But cutting-edge rival Mary-Ellen won't be easy to beat. | 0:02:21 | 0:02:23 | |
She has had consistently good scores for her dishes all week. | 0:02:23 | 0:02:27 | |
I am really nervous about today, and it's a really important day. | 0:02:27 | 0:02:30 | |
And, you know, it would be so amazing to get through | 0:02:30 | 0:02:33 | |
to the nationals. | 0:02:33 | 0:02:34 | |
Both chefs have tried to design fun, gastronomic dishes, | 0:02:34 | 0:02:37 | |
inspired by Comic Relief. | 0:02:37 | 0:02:38 | |
Baked Bean Bathtub? That's something that should definitely be kept in the privacy of your own home. | 0:02:38 | 0:02:43 | |
Judges Prue Leith, Matthew Fort and Oliver Peyton aren't only | 0:02:43 | 0:02:47 | |
getting a preview of the chefs' menus, | 0:02:47 | 0:02:49 | |
but also how they went down with veteran Phil Howard during the week. | 0:02:49 | 0:02:53 | |
Aiden - ten and a four! | 0:02:53 | 0:02:56 | |
That's a bit of a gap! | 0:02:56 | 0:02:57 | |
29 and 29, level pegging, that's what I like to see. | 0:02:57 | 0:03:01 | |
It could be one hell of a battle. | 0:03:01 | 0:03:03 | |
This year the judges will be scoring every dish to determine | 0:03:03 | 0:03:07 | |
the winner and for the first time, much to the surprise of the chefs, | 0:03:07 | 0:03:10 | |
the judges are venturing into the kitchen to meet them. | 0:03:10 | 0:03:13 | |
-Surprise! -Hello. -You're not supposed to be in here! | 0:03:13 | 0:03:17 | |
-Hi! -Last time I saw you, I wasn't too happy with you. | 0:03:17 | 0:03:21 | |
Listen, you are like a prize fighter. | 0:03:21 | 0:03:23 | |
It is your fourth time, you keep getting up for more. | 0:03:23 | 0:03:25 | |
How often are you going to do it? | 0:03:25 | 0:03:26 | |
I'm going to convince you that I can win this. | 0:03:26 | 0:03:28 | |
You've only got one obstacle in your way. | 0:03:28 | 0:03:30 | |
OK, we've got a busy day ahead of us. | 0:03:30 | 0:03:32 | |
I think we better get back to the chamber. | 0:03:32 | 0:03:34 | |
-Wow! -See you later. Good luck. -Good luck. Nice to see you. | 0:03:34 | 0:03:38 | |
I don't know about you, but that was absolutely petrifying. | 0:03:44 | 0:03:48 | |
Yeah, I wasn't expecting to see them before the end of the day. | 0:03:48 | 0:03:50 | |
They've never done that before. | 0:03:50 | 0:03:53 | |
-Well, crikey, it's tense in there. -It certainly is. | 0:03:53 | 0:03:56 | |
But there is some great food going on. | 0:03:56 | 0:03:59 | |
Both chefs are well into cooking their starters. | 0:03:59 | 0:04:02 | |
First up is Aiden and his Mad As A Box Of Frogs dish - | 0:04:02 | 0:04:05 | |
a modern take on a French classic | 0:04:05 | 0:04:07 | |
with frogs' legs, parsley and garlic. | 0:04:07 | 0:04:09 | |
Veteran Phil Howard liked the props, | 0:04:09 | 0:04:11 | |
but criticised the size of the dish and its modern garlic gel | 0:04:11 | 0:04:15 | |
and awarded top marks to rival Mary-Ellen. | 0:04:15 | 0:04:17 | |
-Are you changing anything for your starter? -Yeah, I am. | 0:04:17 | 0:04:20 | |
I'm going to put an extra frog's leg on. | 0:04:20 | 0:04:23 | |
And I'm going to get rid of my garlic gel. | 0:04:23 | 0:04:25 | |
-I'm just going to do a garlic puree. -Right. | 0:04:25 | 0:04:26 | |
-And all on time? -I'm pretty sorted, yes. | 0:04:26 | 0:04:28 | |
It's just a case of assembling the plates now. | 0:04:28 | 0:04:30 | |
So, I'm actually going to start, to be honest with you. | 0:04:30 | 0:04:33 | |
But this year, there is a fourth plate for our fourth judge, | 0:04:33 | 0:04:36 | |
who is here to make sure the dishes are witty as well as gastronomic. | 0:04:36 | 0:04:40 | |
Today, it is comedy writer, presenter | 0:04:40 | 0:04:42 | |
and performer Rowland Rivron. | 0:04:42 | 0:04:44 | |
-Rowland, welcome to the judges' chamber. -Thank you. | 0:04:44 | 0:04:47 | |
We are here to celebrate the phenomenal success | 0:04:47 | 0:04:50 | |
of Comic Relief and to add to it. | 0:04:50 | 0:04:52 | |
-Will there be food included? -Food's extra. -I'm looking forward to it. | 0:04:52 | 0:04:55 | |
It is about gastronomy, quality, quality, quality. | 0:04:55 | 0:04:58 | |
-And humour! -Yes, what is red and white? Pink! | 0:04:58 | 0:05:02 | |
THEY LAUGH | 0:05:02 | 0:05:04 | |
Aiden begins his frogs' legs starter with parsley cubes, | 0:05:04 | 0:05:08 | |
then adds black fermented garlic, | 0:05:08 | 0:05:10 | |
garlic crisps, his deep-fried garlic-coated frogs' legs, | 0:05:10 | 0:05:16 | |
creamed garlic and a drizzle of garlic sauce, | 0:05:16 | 0:05:20 | |
before placing his plates in his special boxes, | 0:05:20 | 0:05:23 | |
with more comedy props on the side. | 0:05:23 | 0:05:25 | |
There you go. | 0:05:25 | 0:05:26 | |
Off you go. Nice and gently, please, guys. | 0:05:28 | 0:05:30 | |
-Oh! Right, that's it, it's out of my hands now. -It is indeed. | 0:05:32 | 0:05:36 | |
-"Open me first." -Ah. | 0:05:45 | 0:05:48 | |
I say, Prue, I think that's very becoming. | 0:05:48 | 0:05:51 | |
-One, two, three! -Synchronized opening. | 0:05:51 | 0:05:54 | |
Wow! | 0:05:54 | 0:05:55 | |
CROAKING | 0:05:55 | 0:05:57 | |
THEY LAUGH | 0:05:57 | 0:05:59 | |
Good Lord, it has been so long since I have been out for meal, | 0:05:59 | 0:06:02 | |
-is this what people do nowadays? -Yes. | 0:06:02 | 0:06:04 | |
I think it'll definitely put a smile on their faces. | 0:06:04 | 0:06:08 | |
It has to be equal comedy value and gastronomic value. | 0:06:08 | 0:06:13 | |
I really like this. | 0:06:13 | 0:06:15 | |
Frogs' legs are one of my favourite things in the entire world. | 0:06:15 | 0:06:18 | |
-Parsley wafers. -The flavoured garlic is delicious. | 0:06:18 | 0:06:22 | |
-So, that classic combination of... -Parsley, garlic and frogs' legs. | 0:06:22 | 0:06:26 | |
It is everywhere that garlic, isn't it? | 0:06:26 | 0:06:28 | |
Prue, don't even think about trying to kiss me now. | 0:06:28 | 0:06:31 | |
At the same time, it doesn't mask the sweetness of the frogs' leg. | 0:06:31 | 0:06:34 | |
-This is really beautifully balanced. -It's lovely. | 0:06:34 | 0:06:38 | |
-Has he nailed the brief? -I think so. -Yeah. | 0:06:38 | 0:06:41 | |
There is something inherently humorous about the idea | 0:06:41 | 0:06:44 | |
of frogs and legs. And now we're the wrong side of this, | 0:06:44 | 0:06:46 | |
are we jumping for joy? | 0:06:46 | 0:06:48 | |
-Oh! -Well, I think we're... | 0:06:48 | 0:06:50 | |
-No, but I think we're hopping with hope. -Yes! | 0:06:50 | 0:06:53 | |
Cutting-edge new girl Mary-Ellen is up next, | 0:06:57 | 0:07:00 | |
with her charity fund raising inspired Baked Bean Bath Tub, | 0:07:00 | 0:07:03 | |
with potted crab, baked beans, edible sponge and rubber duck jelly, | 0:07:03 | 0:07:07 | |
a dish that Phil awarded an impressive eight | 0:07:07 | 0:07:10 | |
despite being extremely late to the pass. | 0:07:10 | 0:07:12 | |
Your starter was fantastic, you're not making any changes, are you? | 0:07:12 | 0:07:15 | |
No, just going to be a bit more organised on the plating up. | 0:07:15 | 0:07:20 | |
I think that was your downfall all week, really, wasn't it? | 0:07:20 | 0:07:22 | |
Yeah, it was. | 0:07:22 | 0:07:24 | |
Mary-Ellen soon discovers that this time won't be plain sailing either. | 0:07:24 | 0:07:29 | |
No, it's not. | 0:07:29 | 0:07:31 | |
The siphon for her sponge batter is blocked, and because it is full | 0:07:31 | 0:07:35 | |
of gas, it can't be opened without ruining its contents, | 0:07:35 | 0:07:38 | |
leaving Mary-Ellen with little choice. | 0:07:38 | 0:07:40 | |
I'll have to remake the batter, | 0:07:40 | 0:07:42 | |
which isn't exactly what I need at this point. | 0:07:42 | 0:07:44 | |
-Having problems? -Yeah. I am on the second batch of better here. | 0:07:50 | 0:07:53 | |
-That's the last thing you need today, isn't it? -Yeah. | 0:07:53 | 0:07:56 | |
Luckily, Mary-Ellen's second batter comes out OK. | 0:08:03 | 0:08:06 | |
But she is now in a rush to get the rest of her dish done. | 0:08:06 | 0:08:09 | |
Ten minutes to go, how are you feeling? | 0:08:09 | 0:08:11 | |
Sometimes you have just got to run, haven't you? | 0:08:11 | 0:08:14 | |
-BLEEP -goes wrong. | 0:08:14 | 0:08:16 | |
She adds a layer of beans to her potted crab filled baths | 0:08:16 | 0:08:20 | |
and gets her quirky bathtubs onto her plate, | 0:08:20 | 0:08:23 | |
with her bread sponges and crab bisque rubber duck jelly | 0:08:23 | 0:08:26 | |
in the nick of time. | 0:08:26 | 0:08:28 | |
Oh, it's shaking! | 0:08:28 | 0:08:30 | |
-Four little ducks in a row. -Yeah! | 0:08:33 | 0:08:35 | |
Happy? | 0:08:37 | 0:08:39 | |
Yeah, I think so. | 0:08:39 | 0:08:40 | |
Why don't you look happy? | 0:08:43 | 0:08:44 | |
-Because...because that was just a -BLEEP -fight. | 0:08:44 | 0:08:47 | |
-Welcome to the club. -Yeah. | 0:08:51 | 0:08:53 | |
Oh! | 0:08:53 | 0:08:55 | |
Look at the duck. | 0:08:58 | 0:09:00 | |
It is adorable, I love the duck. | 0:09:00 | 0:09:03 | |
-This is all too beautiful. -Isn't it lovely? | 0:09:03 | 0:09:05 | |
I feel like I've accidentally ordered from the kids menu. | 0:09:05 | 0:09:08 | |
I think you have. | 0:09:08 | 0:09:09 | |
I'm just wondering if I did get everything perfect. | 0:09:09 | 0:09:13 | |
So, yeah, it is a scary time. | 0:09:13 | 0:09:16 | |
The rubber duck is incredibly intensely flavoured. | 0:09:17 | 0:09:21 | |
-The sponge...is great. -It's lovely. | 0:09:21 | 0:09:24 | |
Hang on, there's more in this bathtub than meets the eye. | 0:09:24 | 0:09:28 | |
-It's freezing cold! -I know, it is freezing cold. | 0:09:28 | 0:09:31 | |
I think the flavours are a little bit too strong. | 0:09:31 | 0:09:35 | |
The flavour of the crab is lost on me. | 0:09:35 | 0:09:37 | |
It is such a pity, because it is so beautifully conceived. | 0:09:37 | 0:09:40 | |
-Yeah. -And then the crab is overpowered by, I think, mostly salt. | 0:09:40 | 0:09:44 | |
-But the bisque is delicious. -It's gorgeous. | 0:09:44 | 0:09:48 | |
Guys, but let's not forget the comic element. | 0:09:48 | 0:09:50 | |
-It's really witty what she has done. -Yes. | 0:09:50 | 0:09:52 | |
I think the presentation is brilliant. | 0:09:52 | 0:09:54 | |
I think it is really funny, I think it is really clever. | 0:09:54 | 0:09:56 | |
It is a duck masquerading as bisque. | 0:09:56 | 0:09:59 | |
Or it's a bisque masquerading as a duck. | 0:09:59 | 0:10:03 | |
I think it takes the bisque-it. | 0:10:03 | 0:10:04 | |
Next, it's the fish course, and Aiden | 0:10:06 | 0:10:09 | |
is using his competition experience to unnerve Mary-Ellen. | 0:10:09 | 0:10:13 | |
It is much harder on this fifth day. | 0:10:13 | 0:10:14 | |
Oh, my God, the pressure is unbelievable. | 0:10:14 | 0:10:16 | |
-It's horrible, isn't it? -Yeah, it's awful. | 0:10:16 | 0:10:18 | |
It doesn't get any easier, I'm afraid. | 0:10:18 | 0:10:20 | |
First up is Aiden's Culinary Joke - | 0:10:21 | 0:10:23 | |
a modern spin on the prawn cocktail with passion fruit, | 0:10:23 | 0:10:27 | |
horseradish, beetroot and a comedy red nose. | 0:10:27 | 0:10:29 | |
Veteran Phil Howard | 0:10:29 | 0:10:31 | |
wasn't convinced by its flavours, | 0:10:31 | 0:10:33 | |
but scored him an impressive eight for technique and presentation. | 0:10:33 | 0:10:36 | |
That, when I saw those, they really worried me, I have to say. | 0:10:36 | 0:10:40 | |
Hit the nail on the head there. | 0:10:40 | 0:10:41 | |
Hopefully, that's my trump card, then. | 0:10:41 | 0:10:43 | |
HE LAUGHS | 0:10:43 | 0:10:45 | |
He starts his plate with langoustine powder, | 0:10:47 | 0:10:50 | |
then adds some golden beetroot, | 0:10:50 | 0:10:52 | |
passion fruit dressing and baby leaves. | 0:10:52 | 0:10:56 | |
Do you think the judges will like the flavours? | 0:10:56 | 0:10:58 | |
It is a bit of a wild card with regards to flavour, but, you know, | 0:10:58 | 0:11:02 | |
I think it works, so we'll see what happens. | 0:11:02 | 0:11:05 | |
He continues with passion fruit and horseradish gel, | 0:11:05 | 0:11:08 | |
red beetroot, his marinated Sicilian prawns | 0:11:08 | 0:11:11 | |
and his Culinary Joke's crowning glory - | 0:11:11 | 0:11:14 | |
a frozen red sphere of passion fruit juice. | 0:11:14 | 0:11:17 | |
All right, gents, off you go. | 0:11:19 | 0:11:21 | |
Thank you. | 0:11:33 | 0:11:34 | |
One, two, three! | 0:11:34 | 0:11:36 | |
ALL: Whoa! | 0:11:36 | 0:11:39 | |
-Wow! -Well, that is a few points already. | 0:11:39 | 0:11:41 | |
This is a bit of a prawn cocktail, I do declare. | 0:11:41 | 0:11:46 | |
-And beetroot in the middle. -And beetroot. | 0:11:46 | 0:11:48 | |
What is beetroot doing there? | 0:11:48 | 0:11:50 | |
I have to tell you, it is truly horrible. | 0:11:50 | 0:11:52 | |
Why's that? | 0:11:52 | 0:11:53 | |
-Sweet and slimy, too many flavours. -Are we tasting the same dish, Prue? | 0:11:53 | 0:11:58 | |
Come on, listen, try mine because mine is absolutely delicious. | 0:11:58 | 0:12:01 | |
You know, Phil said that he struggled a bit with that | 0:12:04 | 0:12:07 | |
combination of flavours. | 0:12:07 | 0:12:08 | |
I have stuck to that because I believe in it. | 0:12:08 | 0:12:10 | |
-You are just too conventional here. This is amazing! -I am conventional. | 0:12:10 | 0:12:14 | |
I speak for the conventional old lady. | 0:12:14 | 0:12:16 | |
Oh, Prue, don't tell me it's a denture problem. | 0:12:16 | 0:12:19 | |
I like it. It is slimy, | 0:12:19 | 0:12:21 | |
there is a lot of goo, but it is nice goo. | 0:12:21 | 0:12:26 | |
-And this was a good joke. -It's interesting, it's comical. | 0:12:26 | 0:12:30 | |
-I think this is a runner. -I think it is revolting. | 0:12:30 | 0:12:33 | |
This is one of the more unusual fish dishes | 0:12:33 | 0:12:35 | |
we have ever had in this competition. | 0:12:35 | 0:12:37 | |
Cheer up! | 0:12:37 | 0:12:38 | |
Mary-Ellen's fish course is up next and her nerves | 0:12:40 | 0:12:43 | |
are still getting the better of her. | 0:12:43 | 0:12:44 | |
BLEEP! | 0:12:44 | 0:12:46 | |
BLEEP! | 0:12:47 | 0:12:49 | |
-That's about 50 quid's worth of essential oil there. -Oof! | 0:12:49 | 0:12:52 | |
She is cooking peppermint-cured Dover sole with oyster puddings, | 0:12:52 | 0:12:56 | |
a restaurant dish that was marked down by veteran Phil | 0:12:56 | 0:12:58 | |
for its lack of humour in the week. | 0:12:58 | 0:13:01 | |
How are you feeling about this one? | 0:13:01 | 0:13:03 | |
Don't look too confident. | 0:13:04 | 0:13:05 | |
My approach to this dish was totally different from your approach, | 0:13:05 | 0:13:08 | |
-totally different. -Yeah. -Uh... -Yeah. | 0:13:08 | 0:13:10 | |
Mary-Ellen's biggest mistake on her first attempt was her oyster | 0:13:10 | 0:13:14 | |
suet puddings that need careful cooking. | 0:13:14 | 0:13:17 | |
-So you are doing your puddings again, yeah? -Yeah. | 0:13:17 | 0:13:20 | |
I nearly died in the tasting room when the pastry was raw. | 0:13:20 | 0:13:23 | |
This was the biggest mess up for me this week. | 0:13:23 | 0:13:25 | |
You certainly don't want to be giving the judges any raw pastry, | 0:13:25 | 0:13:28 | |
do you? | 0:13:28 | 0:13:29 | |
She starts her plate with sea beet, then adds her oyster suet puddings. | 0:13:33 | 0:13:37 | |
-No raw puddings today. -No raw puddings. | 0:13:37 | 0:13:40 | |
Please, God, no raw puddings. | 0:13:40 | 0:13:41 | |
She continues with her peppermint-cured Dover sole, | 0:13:41 | 0:13:45 | |
sour verjuice jelly, more sea vegetables | 0:13:45 | 0:13:50 | |
and verjuice butter sauce. | 0:13:50 | 0:13:52 | |
OK, so, like that. | 0:13:56 | 0:13:57 | |
-Are you happy with that? -Yeah. | 0:14:01 | 0:14:03 | |
Oh, look! It's an oyster pie, isn't it? | 0:14:15 | 0:14:18 | |
-You don't eat the rocky bit. -No? -No-no. -Too late, sorry. | 0:14:19 | 0:14:23 | |
The middle is delicious, but the pastry is soggy. | 0:14:25 | 0:14:27 | |
It is such a pity cos it's a great idea. | 0:14:27 | 0:14:30 | |
But I think the fish is absolutely perfect. | 0:14:30 | 0:14:32 | |
It has a lovely density to it, it is nice and meaty. | 0:14:32 | 0:14:35 | |
Obviously, a great deal of skill has gone into the dish. | 0:14:35 | 0:14:38 | |
But I think it is actually quite a conventional dish. | 0:14:38 | 0:14:42 | |
With every single course, | 0:14:42 | 0:14:43 | |
the inspiration was things I associate with raising money. | 0:14:43 | 0:14:46 | |
I'm not there to explain it, though, that's the thing. | 0:14:46 | 0:14:48 | |
I hope they're not sat there going, | 0:14:48 | 0:14:50 | |
"What has this got to do with anything?" | 0:14:50 | 0:14:52 | |
-"Where is the comic element in this dish?" -Yeah. | 0:14:52 | 0:14:56 | |
Is it suitable for this type of occasion? What would you say, Rowl? | 0:14:56 | 0:15:00 | |
Has this dish made me laugh? No, it hasn't. | 0:15:00 | 0:15:02 | |
As a dish, the conceptual failure about this, if I might be so bold, | 0:15:02 | 0:15:07 | |
is it isn't funny. | 0:15:07 | 0:15:08 | |
This sole has got no rhythm. | 0:15:08 | 0:15:10 | |
It ain't soul food. | 0:15:10 | 0:15:12 | |
Halfway through the courses | 0:15:15 | 0:15:16 | |
and the judges are taking a breather to discuss their scores. | 0:15:16 | 0:15:20 | |
It has been a bit of an up-and-down sort of morning, hasn't it? | 0:15:20 | 0:15:22 | |
Laughter and tears. | 0:15:22 | 0:15:24 | |
What do you mean up and down? I've got a nine! | 0:15:24 | 0:15:25 | |
And I've got a four in there, so some tears. | 0:15:25 | 0:15:28 | |
But I have got them running neck and neck. | 0:15:28 | 0:15:30 | |
I've really not liked a couple of dishes | 0:15:30 | 0:15:32 | |
and I've really loved another couple of dishes. | 0:15:32 | 0:15:35 | |
Time for the main course. Mary-Ellen is up first with her dish - | 0:15:36 | 0:15:41 | |
Our Kid. | 0:15:41 | 0:15:42 | |
She is serving different cuts of goat with | 0:15:42 | 0:15:44 | |
textures of cauliflower and a quirky goat and barley lasagne. | 0:15:44 | 0:15:47 | |
It has got comedy in the name, | 0:15:47 | 0:15:50 | |
but otherwise it is another serious take on the brief. | 0:15:50 | 0:15:53 | |
This fourth judge today, who is there specifically to look | 0:15:53 | 0:15:57 | |
for the comedy element, | 0:15:57 | 0:15:58 | |
which is a bit lacking in two out of my four dishes. | 0:15:58 | 0:16:00 | |
So, that worries me a lot. | 0:16:00 | 0:16:02 | |
Ah! This is where it all happens. Hello. How is it going? | 0:16:02 | 0:16:06 | |
-Pretty good. -The scoring is going very well. | 0:16:06 | 0:16:08 | |
You can barely get a fag paper between the pair of you. | 0:16:08 | 0:16:11 | |
Just thought I'd let you know. It's very tense in there. | 0:16:11 | 0:16:14 | |
Have we any more humorous stunts? | 0:16:14 | 0:16:15 | |
-Plenty of props for you to see. -Great stuff. | 0:16:15 | 0:16:18 | |
-I'm off! -Bye. | 0:16:18 | 0:16:20 | |
-That was a bit of a giveaway there, wasn't it? -Yeah, it was. | 0:16:21 | 0:16:24 | |
I'm glad he didn't say you could get an elephant between the scores. | 0:16:24 | 0:16:27 | |
That would be worse. Let's hope he likes the main courses. | 0:16:27 | 0:16:30 | |
-Yeah, exactly. -Or rather let's hope they like my main course. | 0:16:30 | 0:16:32 | |
HE LAUGHS | 0:16:32 | 0:16:35 | |
Mary-Ellen starts her plate off with cauliflower-encrusted goat loin, | 0:16:35 | 0:16:39 | |
then begins to assemble her lasagne with pearl barley at the bottom, | 0:16:39 | 0:16:43 | |
goat milk lasagne sheets, goat shoulder and barley grass. | 0:16:43 | 0:16:49 | |
She then scatters the plate with roasted cauliflower, | 0:16:49 | 0:16:52 | |
dots of cauliflower yogurt and tops it all off with some goat gravy. | 0:16:52 | 0:16:56 | |
OK. Thank you. | 0:17:01 | 0:17:03 | |
It is very intriguing. | 0:17:14 | 0:17:16 | |
I mean, what is that that sort of egg whitey stuff on the top? | 0:17:16 | 0:17:19 | |
It has got a slightly cheesy smell, | 0:17:19 | 0:17:20 | |
so I think that is sort of goat's milk lasagne. | 0:17:20 | 0:17:23 | |
You are not just getting the kid, goat, | 0:17:23 | 0:17:25 | |
you're getting the mother's milk, as well. | 0:17:25 | 0:17:28 | |
-And barley. -This is delicious. | 0:17:28 | 0:17:30 | |
-Mm. -This is fabulous food. | 0:17:30 | 0:17:32 | |
The flavour is fantastic. | 0:17:32 | 0:17:34 | |
This is so much more pressure than I thought it would be today. | 0:17:34 | 0:17:37 | |
You've got these dishes you've spent months working on | 0:17:37 | 0:17:39 | |
and in a few hours' time, that could be it. | 0:17:39 | 0:17:42 | |
This is the best bit of cooking we have seen today. It is perfect. | 0:17:43 | 0:17:46 | |
This is fabulous food. | 0:17:46 | 0:17:48 | |
The flavours are fabulous, the way they marry together, | 0:17:48 | 0:17:50 | |
the way they feed off one another. But the brief, humour? | 0:17:50 | 0:17:53 | |
That wasn't very funny. | 0:17:53 | 0:17:55 | |
Well, if this is put down in front of me in a restaurant, | 0:17:55 | 0:17:57 | |
-I'd say, are you kidding me? -See what you have done there? | 0:17:57 | 0:17:59 | |
You've managed to shoehorn some humour in it. | 0:17:59 | 0:18:02 | |
THEY LAUGH | 0:18:02 | 0:18:04 | |
Next up is Aiden's | 0:18:05 | 0:18:07 | |
prehistoric beef dish, | 0:18:07 | 0:18:09 | |
with comedy noodle pot that received a perfect ten | 0:18:09 | 0:18:12 | |
from two Michelin-starred Phil Howard | 0:18:12 | 0:18:14 | |
earlier in the week. | 0:18:14 | 0:18:15 | |
Are you making any changes to your main course, Aiden? | 0:18:15 | 0:18:17 | |
I don't think I should make any changes, to be honest. | 0:18:17 | 0:18:20 | |
-He gave me a ten out of ten for a reason, you know? -He did. | 0:18:20 | 0:18:24 | |
Rowland, I have to tell you, Mr Phil Howard, to give a ten | 0:18:24 | 0:18:26 | |
to any dish, it must mean that it has some special quality to it | 0:18:26 | 0:18:31 | |
that no human being has ever encountered before, | 0:18:31 | 0:18:34 | |
-cos he is a tough guy. -Really? -You need to free your mind. | 0:18:34 | 0:18:36 | |
-Free your mind. -I didn't come here to free my mind. | 0:18:36 | 0:18:41 | |
Aiden is hoping to put his losing streak in the competition | 0:18:43 | 0:18:45 | |
behind him, with his long horn beef dish with clay-baked potatoes, | 0:18:45 | 0:18:49 | |
onion-encrusted ox tail and slow-cooked beef cheek. | 0:18:49 | 0:18:53 | |
For me, this dish screams the brief. | 0:18:53 | 0:18:55 | |
It is fun, gastronomic, | 0:18:55 | 0:18:57 | |
got such a wow factor it belongs on that banquet. | 0:18:57 | 0:19:00 | |
Next, the onion consomme for his noodle pot, | 0:19:00 | 0:19:04 | |
horns full of gravy, fossilized salsify, | 0:19:04 | 0:19:08 | |
and last but not least, barbecued beef fillet. | 0:19:08 | 0:19:11 | |
Off you go. | 0:19:14 | 0:19:15 | |
HE SIGHS | 0:19:17 | 0:19:19 | |
-Wow! I feel happy. I feel very happy. -You should. | 0:19:19 | 0:19:24 | |
-Whoa! -Oh, my goodness! | 0:19:30 | 0:19:32 | |
THEY LAUGH | 0:19:32 | 0:19:35 | |
It looks like a brontosaurus' graveyard. | 0:19:35 | 0:19:37 | |
HE TOOTS | 0:19:37 | 0:19:42 | |
Fingers crossed they get it, they understand it, they embrace it. | 0:19:42 | 0:19:46 | |
God, I am so relieved that is over. | 0:19:46 | 0:19:49 | |
Look, it is a noodle pot. | 0:19:49 | 0:19:51 | |
These are funny, aren't they? | 0:19:51 | 0:19:52 | |
Oh, look, because, you know, the last time | 0:19:52 | 0:19:54 | |
I had to be able to eat my spaghetti. | 0:19:54 | 0:19:56 | |
Go on then. | 0:19:56 | 0:19:57 | |
This is the best looking dish I think we have ever had | 0:20:00 | 0:20:03 | |
on the Great British Menu. | 0:20:03 | 0:20:04 | |
The salsify there that looks like a stick, | 0:20:04 | 0:20:08 | |
the little potato which looks like a stone... | 0:20:08 | 0:20:10 | |
And they're really good potatoes. | 0:20:10 | 0:20:12 | |
We have got a fillet of beef, we've got beef cheek. | 0:20:12 | 0:20:15 | |
It is a sort of hunter's delight, | 0:20:15 | 0:20:17 | |
-isn't it? -I think this is beyond delight. | 0:20:17 | 0:20:20 | |
As I was plating up that main course, | 0:20:20 | 0:20:23 | |
the pressure was just off the scale. | 0:20:23 | 0:20:25 | |
But it went out exactly how I wanted it to go out. | 0:20:25 | 0:20:27 | |
This is just outstanding. | 0:20:27 | 0:20:29 | |
I mean, the meat itself is absolutely gorgeous. | 0:20:29 | 0:20:34 | |
The amount of endeavour the chef has put into every single element... | 0:20:34 | 0:20:37 | |
I love it. | 0:20:37 | 0:20:39 | |
And it feels like an event. | 0:20:39 | 0:20:40 | |
I feel like I am an extra on a Flintstones film. | 0:20:40 | 0:20:44 | |
Phil gave this dish ten out of ten, and I think, actually, | 0:20:44 | 0:20:48 | |
he was absolutely right. | 0:20:48 | 0:20:50 | |
But dessert is yet to come, the course that saw Mary-Ellen | 0:20:52 | 0:20:56 | |
catch up with Aiden in the heats. | 0:20:56 | 0:20:58 | |
I am hoping my dessert is going to beat yours, you know. | 0:20:58 | 0:21:01 | |
Do you know what? | 0:21:01 | 0:21:02 | |
As happy as I feel about the main course, | 0:21:02 | 0:21:04 | |
I have got the weakest one to come. | 0:21:04 | 0:21:06 | |
So, it's not over. | 0:21:06 | 0:21:08 | |
Mary-Ellen's Last Laugh is a quirky chamomile, | 0:21:08 | 0:21:11 | |
almond and apricot trifle disguised as a compost heap, | 0:21:11 | 0:21:14 | |
with edible soil and a mandarin and thyme wheelie bin syllabub. | 0:21:14 | 0:21:18 | |
-Sophisticated bin juice? -Yeah. | 0:21:18 | 0:21:20 | |
It is not your average bin juice, though, it is pretty nice. | 0:21:20 | 0:21:23 | |
Mary-Ellen starts off the trifle with a layer of almond sponge, | 0:21:23 | 0:21:27 | |
soaks it in chamomile liquor and adds some delicate apricot spheres. | 0:21:27 | 0:21:32 | |
-Can I taste that juice again? -Yeah, go for it. | 0:21:32 | 0:21:34 | |
It is the muscatel | 0:21:34 | 0:21:36 | |
and then I've just let it down with a bit of chamomile tea. | 0:21:36 | 0:21:38 | |
She then places her trifles in chamomile lawn plates | 0:21:38 | 0:21:42 | |
and fills her wheelie bins with mandarin and thyme syllabub, | 0:21:42 | 0:21:46 | |
before finishing off her compost heap trifle with chamomile custard, | 0:21:46 | 0:21:50 | |
toasted flaked almonds and, finally, her edible soil, | 0:21:50 | 0:21:53 | |
made with cocoa powder and powdered almonds. | 0:21:53 | 0:21:56 | |
OK. | 0:22:00 | 0:22:01 | |
Can I have a hug, please? | 0:22:04 | 0:22:06 | |
THEY LAUGH | 0:22:15 | 0:22:18 | |
Well, she has gone one better than the bath, I think. | 0:22:21 | 0:22:24 | |
HE SLURPS | 0:22:24 | 0:22:27 | |
I love the spherifications. I love the sponge. I love the cream. | 0:22:27 | 0:22:29 | |
It is all delicious. This is a beauty. | 0:22:29 | 0:22:32 | |
-I'm glad I finished on that. -Yeah, of course. | 0:22:32 | 0:22:34 | |
Because that is something that I know I can be proud of. | 0:22:34 | 0:22:37 | |
Absolutely. | 0:22:37 | 0:22:40 | |
This is a very, very, very unusual pudding. | 0:22:40 | 0:22:42 | |
I have never had anything like it. Really well balanced. | 0:22:42 | 0:22:45 | |
A lot of thought and a lot of technical skills gone into this. | 0:22:45 | 0:22:47 | |
I think she has just held back a bit. | 0:22:47 | 0:22:49 | |
It is a bit too polite. | 0:22:49 | 0:22:51 | |
I agree it is polite, in a way, | 0:22:51 | 0:22:52 | |
but I think it is absolutely lovely because it's like an English trifle. | 0:22:52 | 0:22:56 | |
The whole point is that you keep discovering more and more delights | 0:22:56 | 0:22:59 | |
as you go down. | 0:22:59 | 0:23:00 | |
-I think that is lovely. -I finished mine and do you know what? | 0:23:00 | 0:23:03 | |
I could eat that again. Because I am a pig. | 0:23:03 | 0:23:05 | |
Do you put the whole thing in the washing machine? I mean... | 0:23:05 | 0:23:09 | |
THEY LAUGH | 0:23:09 | 0:23:13 | |
Last up is Aiden and his sweet burger, | 0:23:13 | 0:23:16 | |
a high risk dish that received four points yesterday | 0:23:16 | 0:23:19 | |
and could see him fall at the final hurdle. | 0:23:19 | 0:23:21 | |
It's fair to say Phil wasn't very complimentary | 0:23:21 | 0:23:23 | |
-about this dessert. -That's the least you could say. | 0:23:23 | 0:23:26 | |
He swapped out the warm panna cotta burger that didn't set properly | 0:23:26 | 0:23:29 | |
for a piece of caramelized pineapple instead. | 0:23:29 | 0:23:31 | |
He needs his dessert to do well today in order to put | 0:23:31 | 0:23:34 | |
the ghosts of his past behind him. | 0:23:34 | 0:23:36 | |
For me, this is the hardest part | 0:23:36 | 0:23:38 | |
because I have never gone past this point. | 0:23:38 | 0:23:40 | |
So I'm actually quite nervous about it. Very nervous about it, in fact. | 0:23:40 | 0:23:44 | |
Do you think it's better than my dessert? | 0:23:44 | 0:23:46 | |
The answer to that is no. | 0:23:46 | 0:23:47 | |
His new pineapple burger goes on to his tray with a cream cheese | 0:23:47 | 0:23:51 | |
slice, lime tuile and sesame savarine bun. | 0:23:51 | 0:23:55 | |
And last but not least, his pineapple ice cream chips. | 0:23:55 | 0:23:58 | |
Yeah, that's fine. Just so they're both the same. | 0:23:59 | 0:24:02 | |
OK. | 0:24:02 | 0:24:03 | |
Cool. | 0:24:03 | 0:24:04 | |
Done now. All done. | 0:24:05 | 0:24:08 | |
Just have to wait and see what they say. | 0:24:08 | 0:24:10 | |
We haven't got a pudding here, we've got another first course. | 0:24:19 | 0:24:22 | |
-Has it put a smile on your face? -Absolutely. | 0:24:22 | 0:24:25 | |
What are the chips made of? | 0:24:25 | 0:24:27 | |
-They are made of coconut. -Oh! -Delicious. | 0:24:27 | 0:24:30 | |
It is a delight. | 0:24:30 | 0:24:31 | |
Probably a six now, not a four. It's much better than yesterday. | 0:24:31 | 0:24:34 | |
The burger... He has done it, he's got the cheese, he's got the meat. | 0:24:34 | 0:24:38 | |
You have to give him a ten out of ten for trying. | 0:24:38 | 0:24:40 | |
Really, I think it is a bit too sweet though. | 0:24:40 | 0:24:42 | |
I'm feeling positively light-headed now with all the sugar. | 0:24:42 | 0:24:45 | |
I got a sugar rush. | 0:24:45 | 0:24:47 | |
It looked great, but once you start eating it, it was very, very sweet. | 0:24:47 | 0:24:51 | |
You have to go and have a lie down, wouldn't you, after eating it? | 0:24:51 | 0:24:54 | |
Today has been very, very, very intense. | 0:24:54 | 0:24:57 | |
If I am standing in front of the judges and they call out my name, | 0:24:57 | 0:25:01 | |
I will be a very, very happy man. | 0:25:01 | 0:25:04 | |
-What do you think, Matthew? -Well... | 0:25:04 | 0:25:07 | |
Actually, the flavours tend to sort of confuse one another. | 0:25:07 | 0:25:10 | |
There's too much going on. | 0:25:10 | 0:25:12 | |
Cooking complete, all the chefs can do is wait | 0:25:15 | 0:25:18 | |
while the judges consider their final scores. | 0:25:18 | 0:25:20 | |
Are you feeling the pressure here? | 0:25:20 | 0:25:22 | |
Ever so slightly one feels one's is playing with someone's life. | 0:25:22 | 0:25:25 | |
I have always been sent home as a loser. | 0:25:25 | 0:25:28 | |
Nobody comes back four times and is not desperate to win. | 0:25:28 | 0:25:33 | |
Aiden has incorporated witty props this year to meet the Comic Relief | 0:25:33 | 0:25:36 | |
brief and used big, bold flavours to surprise and delight. | 0:25:36 | 0:25:40 | |
-The beef? -I loved the beef. | 0:25:40 | 0:25:43 | |
-You didn't like it that much. -I did! | 0:25:43 | 0:25:45 | |
Well, I loved the kid, too. | 0:25:45 | 0:25:47 | |
It is a pretty nerve-racking time, just feeling pretty apprehensive. | 0:25:49 | 0:25:53 | |
Mary-Ellen has relied on quirky presentation | 0:25:53 | 0:25:55 | |
and unusual flavour combinations to raise a smile | 0:25:55 | 0:25:58 | |
and focused on the serious part of the brief | 0:25:58 | 0:26:01 | |
as well as the funny side. | 0:26:01 | 0:26:02 | |
-Well, we have done the arithmetic. -We better get them in. | 0:26:02 | 0:26:06 | |
Aiden, it is like welcoming back an old friend here. | 0:26:21 | 0:26:24 | |
Fourth time. | 0:26:24 | 0:26:26 | |
Do you feel sort of reasonably confident this year? | 0:26:26 | 0:26:28 | |
I feel confident every year, Matthew, | 0:26:28 | 0:26:30 | |
but it doesn't seem to happen, unfortunately. | 0:26:30 | 0:26:33 | |
-And Mary-Ellen? -It has been really tough, actually. | 0:26:33 | 0:26:35 | |
Much higher pressure than I imagined it would be. | 0:26:35 | 0:26:37 | |
I think you both nailed it to a greater or lesser extent. | 0:26:37 | 0:26:41 | |
There have been a couple of tens, which as Aiden knows, | 0:26:41 | 0:26:43 | |
is an unusual score for us to give, | 0:26:43 | 0:26:46 | |
but there also has been a five and a four. | 0:26:46 | 0:26:49 | |
Anyway, it is a competition | 0:26:50 | 0:26:54 | |
and there can only be one winner. | 0:26:54 | 0:26:59 | |
And the winner is... | 0:26:59 | 0:27:01 | |
..Aiden. | 0:27:04 | 0:27:05 | |
Ah! | 0:27:05 | 0:27:07 | |
LAUGHTER AND APPLAUSE | 0:27:07 | 0:27:11 | |
I never thought I'd be giving you a hug. | 0:27:13 | 0:27:15 | |
Can I have one, please? | 0:27:19 | 0:27:21 | |
Well done. | 0:27:21 | 0:27:23 | |
Well, Aiden... | 0:27:23 | 0:27:25 | |
For me it was the long horn beef dish that really nailed it. | 0:27:25 | 0:27:28 | |
I mean, that was a tremendous theatrical appearance. | 0:27:28 | 0:27:31 | |
-Thank you very much. -How are you feeling, Aiden? | 0:27:31 | 0:27:34 | |
Elated, relieved and very proud. | 0:27:34 | 0:27:38 | |
But actually, Mary-Ellen, you have an enormous amount to celebrate as well. | 0:27:38 | 0:27:42 | |
I mean, that kid, the milk and the meat and the barley | 0:27:42 | 0:27:46 | |
and the barley grass, | 0:27:46 | 0:27:47 | |
it just was a magic thing to eat. | 0:27:47 | 0:27:50 | |
Thank you. | 0:27:50 | 0:27:51 | |
Aiden, I look forward to seeing you in the final, where you know | 0:27:51 | 0:27:54 | |
things will get even tougher than they have been over the last week. | 0:27:54 | 0:27:57 | |
Really, congratulations to you both. | 0:27:57 | 0:27:59 | |
BOTH: Thank you. | 0:27:59 | 0:28:01 | |
I'm...delighted for Aiden. | 0:28:08 | 0:28:11 | |
-Really happy for him. -I've done it. | 0:28:11 | 0:28:13 | |
SCREAMING | 0:28:13 | 0:28:17 | |
I think it has gone the right way. | 0:28:19 | 0:28:21 | |
I just...I don't...I don't... | 0:28:21 | 0:28:25 | |
I still don't believe it, yeah. | 0:28:25 | 0:28:29 | |
Subtitles by Red Bee Media Ltd | 0:28:32 | 0:28:36 |