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This year on Great British Menu: | 0:00:02 | 0:00:05 | |
the nation's finest chefs are striving to produce | 0:00:05 | 0:00:08 | |
a performance on a plate | 0:00:08 | 0:00:10 | |
for the chance to cook at a special banquet | 0:00:10 | 0:00:13 | |
celebrating 25 years of Red Nose Day | 0:00:13 | 0:00:16 | |
at the prestigious Royal Albert Hall. | 0:00:16 | 0:00:18 | |
The challenge is to create gastronomic masterpieces | 0:00:18 | 0:00:22 | |
which will raise a smile and raise money for Comic Relief. | 0:00:22 | 0:00:26 | |
Hope it's going to make me laugh! | 0:00:26 | 0:00:28 | |
Once again, they're being scrutinised and judged | 0:00:28 | 0:00:31 | |
by a veteran of the competition every step of the way. | 0:00:31 | 0:00:35 | |
-It's a serious competition. -It lacks that real oomph! | 0:00:35 | 0:00:38 | |
It's got to be a delicious plate of food. | 0:00:38 | 0:00:40 | |
This week, fighting to represent the North East, | 0:00:40 | 0:00:43 | |
last year's champion Colin McGurran. | 0:00:43 | 0:00:47 | |
I really want to get back to the banquet. I loved it. | 0:00:47 | 0:00:49 | |
-Once you've tasted it... -You want more. | 0:00:49 | 0:00:52 | |
Returning contender Charlie Lakin. | 0:00:52 | 0:00:54 | |
I'm after shock here, I'm after "Boom!" There you go. | 0:00:54 | 0:00:58 | |
And third time returning chef Stephanie Moon. | 0:00:58 | 0:01:02 | |
I see it. This is my big push this year. | 0:01:02 | 0:01:04 | |
Stephanie can't afford to lose this time. | 0:01:04 | 0:01:07 | |
I can see the fire in your eyes. Have you set yourself a lot to do? | 0:01:07 | 0:01:10 | |
But one chef is determined to defend his title. | 0:01:10 | 0:01:14 | |
-I don't want to crash and burn on the Great British Menu. -Don't look at me! -Sorry, I didn't mean to! | 0:01:14 | 0:01:19 | |
And another is risking it all. | 0:01:19 | 0:01:22 | |
This is the point of no return! | 0:01:22 | 0:01:24 | |
My breath's been taken away for the first time on Great British Menu. | 0:01:24 | 0:01:27 | |
This year's challenge is inspired by Comic Relief's Red Nose Day appeal. | 0:01:38 | 0:01:42 | |
Over the past three decades, | 0:01:42 | 0:01:45 | |
the charity has used comedy and laughter to change the lives of millions, | 0:01:45 | 0:01:49 | |
both in Africa and in the UK. | 0:01:49 | 0:01:51 | |
In this year's competition, the chefs have been challenged | 0:01:54 | 0:01:57 | |
to entertain and delight with playful witty dishes | 0:01:57 | 0:02:00 | |
that are culinary works of art. | 0:02:00 | 0:02:02 | |
-Extraordinary! -That works for me! | 0:02:02 | 0:02:04 | |
Yay! | 0:02:04 | 0:02:05 | |
They've travelled far and wide with some well-known faces. | 0:02:05 | 0:02:09 | |
Would anybody like to come and buy a pie? | 0:02:09 | 0:02:12 | |
And undergone all kinds of crazy and comical challenges | 0:02:12 | 0:02:17 | |
to raise some much-needed funds. | 0:02:17 | 0:02:19 | |
First, they must impress a demanding veteran of the competition. | 0:02:25 | 0:02:29 | |
Judging the North East, one of Great British Menu's most revered chefs. | 0:02:29 | 0:02:33 | |
Former champion Jason Atherton. | 0:02:35 | 0:02:37 | |
-Hello, Chef. -You guys have all competed against each other before. | 0:02:40 | 0:02:44 | |
Colin, anything less than the banquet this year is a failure for you. | 0:02:44 | 0:02:47 | |
Charlie, last year, Colin pipped you to the post. Ready to come back fighting? | 0:02:47 | 0:02:51 | |
-Definitely. -Good. You look like you're ready for a fight! | 0:02:51 | 0:02:54 | |
Stephanie, you struggled a bit last year. | 0:02:54 | 0:02:57 | |
I had a bit of a 'mare last year. | 0:02:57 | 0:02:59 | |
This is the North East. I expect bold flavours, innovation, | 0:02:59 | 0:03:02 | |
a lot of guts and courage. And I hope you put a smile on my face at the same time. | 0:03:02 | 0:03:06 | |
'Each chef in the kitchen has been here before. | 0:03:06 | 0:03:10 | |
'They know each other back to front. They've got to compete against each other | 0:03:10 | 0:03:13 | |
'and they've got to make sure their dishes stand out.' | 0:03:13 | 0:03:16 | |
This has got to be the best of the best. We're looking for ten out of ten. | 0:03:16 | 0:03:20 | |
-Two whitebait and two pumpkin. -Chef. | 0:03:20 | 0:03:22 | |
Kicking off is last year's banquet winner Colin McGurran, | 0:03:22 | 0:03:26 | |
head chef of his own restaurant, Winteringham Fields in Lincolnshire. | 0:03:26 | 0:03:29 | |
That's two pumpkin. Can I have two eel? | 0:03:31 | 0:03:33 | |
Colin's known for his ambitious and creative cooking style. | 0:03:33 | 0:03:37 | |
After winning a place with his starter in last year's banquet, | 0:03:37 | 0:03:40 | |
he's determined to be the curtain raiser once again. | 0:03:40 | 0:03:43 | |
This year, I'm very confident about the dishes I'm doing. | 0:03:43 | 0:03:46 | |
I trust them and believe in them. | 0:03:46 | 0:03:47 | |
It is a re-match, and with every re-match, you want to make sure you keep beating them. | 0:03:47 | 0:03:51 | |
I love winning! | 0:03:51 | 0:03:53 | |
-Are you ready? -I am, yes. | 0:03:54 | 0:03:56 | |
-It's basically a tomato gazpacho. -Yeah. | 0:03:56 | 0:03:58 | |
I'm using flavours that are very strong and natural, | 0:03:58 | 0:04:01 | |
and I want to join this together with some cod brandade. | 0:04:01 | 0:04:04 | |
-What's the essence of the dish? -The gazpacho will be in the form of a mousse, | 0:04:04 | 0:04:08 | |
in the form of a tomato. | 0:04:08 | 0:04:10 | |
So that will be the Red Nose Day, if you like. | 0:04:10 | 0:04:13 | |
-And also the salad garnish. We've got heirloom tomatoes. -Yep. | 0:04:13 | 0:04:17 | |
The presentation is everything in this dish. | 0:04:17 | 0:04:20 | |
Which is what we're going to try and nail today. | 0:04:20 | 0:04:22 | |
The pressure's on for reigning champion Colin. | 0:04:24 | 0:04:27 | |
He'll be using highly complex techniques and precision handling | 0:04:27 | 0:04:31 | |
to create a show-stopping tomato gazpacho. | 0:04:31 | 0:04:34 | |
The thing with Colin's dish, once you take the presentation away, | 0:04:34 | 0:04:37 | |
you're left with tomato gazpacho. | 0:04:37 | 0:04:39 | |
It's going to have to be absolutely perfect to give him a big score. | 0:04:39 | 0:04:44 | |
Two Kentish, please, guys! | 0:04:44 | 0:04:47 | |
Next up is ambitious returning competitor Charlie Lakin, | 0:04:47 | 0:04:50 | |
head chef at the Marquis at Alkham in the Kent Downs. | 0:04:50 | 0:04:54 | |
Two beetroot salads, please. | 0:04:54 | 0:04:56 | |
He cooks unique dishes inspired by nature and bold in flavour. | 0:04:56 | 0:05:01 | |
But after losing out to Colin in last year's judging chamber, | 0:05:01 | 0:05:04 | |
he's back and more determined than ever. | 0:05:04 | 0:05:07 | |
I've got to go at it. The pressure is on me to push on | 0:05:07 | 0:05:10 | |
and get all the way to the final. | 0:05:10 | 0:05:11 | |
If I have to trample on a few people to get there, I've got size 15 feet! | 0:05:11 | 0:05:16 | |
-Charlie, are you ready? -As ready as you can be for this. | 0:05:17 | 0:05:21 | |
The dish is called Mind Your Step. | 0:05:21 | 0:05:23 | |
-I know that. -The presentation, I'm pretty certain you'll see the funny side of it. | 0:05:23 | 0:05:27 | |
But for now, I'd like to keep that under wraps. | 0:05:27 | 0:05:30 | |
I've got a nice bit of duck. I'm going to do a rizola with the breast. | 0:05:30 | 0:05:34 | |
I'll confit the legs and make a rillette flavoured with port | 0:05:34 | 0:05:38 | |
and a variety of different foraged things. I've got some mugwort here. | 0:05:38 | 0:05:42 | |
Then we've got a good local blue cheese from where I'm from up north. | 0:05:42 | 0:05:45 | |
-Yep. -And I've got a fantastic chocolate. -Unusual to have cheese, chocolate, duck. | 0:05:45 | 0:05:52 | |
Yeah. | 0:05:52 | 0:05:53 | |
Why is this starter going to give you the head start this year? | 0:05:53 | 0:05:56 | |
Visually, it's a real sort of "yeah!" | 0:05:56 | 0:05:59 | |
Well, we'll see. | 0:05:59 | 0:06:00 | |
Keeping everything under wraps, Charlie's not only taking a huge risk | 0:06:02 | 0:06:07 | |
with the presentation of his dish, but also with his daring choice of flavour combinations. | 0:06:07 | 0:06:12 | |
Chocolate, duck and blue cheese. | 0:06:12 | 0:06:15 | |
Sounds disgusting! | 0:06:15 | 0:06:17 | |
If he gets it wrong, it could be the first ever nought out of ten on Great British Menu! | 0:06:17 | 0:06:23 | |
Main of the day. The snapper. Let's go, guys. | 0:06:24 | 0:06:26 | |
Last up, and her third shot at the competition | 0:06:26 | 0:06:29 | |
is Stephanie Moon, | 0:06:29 | 0:06:31 | |
chef consultant at the prestigious Rudding Park Hotel, North Yorkshire. | 0:06:31 | 0:06:35 | |
Table 27. | 0:06:35 | 0:06:37 | |
Last year, Stephanie not only misinterpreted the brief, | 0:06:37 | 0:06:40 | |
but faced near disaster when nerves got the better of her. | 0:06:40 | 0:06:44 | |
BLEEP | 0:06:44 | 0:06:46 | |
Last year was not my year and I felt I did myself an injustice. | 0:06:46 | 0:06:51 | |
I'm kind of upset with myself, really. | 0:06:51 | 0:06:53 | |
This year is my last bite at the cherry. | 0:06:53 | 0:06:56 | |
I think I'll be underestimated. | 0:06:56 | 0:06:59 | |
I think that's going to give me a sharp edge. | 0:06:59 | 0:07:03 | |
It's your third and final chance, as you put it. | 0:07:06 | 0:07:10 | |
I have to prove something to myself. | 0:07:10 | 0:07:12 | |
-I'm gunning for it. -Do you want to talk me through your ingredients, what you've got here? | 0:07:12 | 0:07:16 | |
This is called Why Did The Chicken? | 0:07:16 | 0:07:19 | |
I'm using a herb fed local chicken to where I live. | 0:07:19 | 0:07:23 | |
The way I'm serving it is the classic old joke, | 0:07:23 | 0:07:26 | |
-"Why did the chicken cross the road?" -OK. | 0:07:26 | 0:07:28 | |
-I'm serving it in many different ways. -Yes. -A consomme with chicken dumplings. | 0:07:28 | 0:07:33 | |
-A chicken veloute with a chicken lollipop. -Yep. | 0:07:33 | 0:07:37 | |
Barbecued chicken winglet with home-made corn bread and a little remoulade. | 0:07:37 | 0:07:42 | |
Why is this dish going to make people smile? | 0:07:42 | 0:07:44 | |
I've put it in front of people, they look at it, | 0:07:44 | 0:07:47 | |
and then they get it within a second. | 0:07:47 | 0:07:49 | |
Well, guys, we're in the kitchen all together. The pressure's on. | 0:07:49 | 0:07:53 | |
It's the first course. Game on. | 0:07:53 | 0:07:55 | |
After last year's fall, Stephanie's picking up her game | 0:07:58 | 0:08:01 | |
with a gastronomic showstopper. | 0:08:01 | 0:08:03 | |
But she's given herself a mammoth task. | 0:08:03 | 0:08:06 | |
Her playful performance on a plate is served in three separate acts. | 0:08:06 | 0:08:11 | |
Stephanie's hungry. I love that. | 0:08:11 | 0:08:12 | |
You can see the fire in her eyes. She's using the whole chicken, | 0:08:12 | 0:08:15 | |
dismantling everything, with corn bread, barbecue sauce. | 0:08:15 | 0:08:18 | |
She's left herself a lot to do. I just hope she pulls it off. | 0:08:18 | 0:08:21 | |
So, guys, back in the kitchen again. | 0:08:29 | 0:08:31 | |
-I see it as my big push this year. -Big opportunity. -Yes. | 0:08:31 | 0:08:35 | |
Hopefully not a swan song! | 0:08:35 | 0:08:37 | |
I really want to get back to the banquet because I loved it. | 0:08:37 | 0:08:43 | |
-Once you've tasted it... -You want more. -Yeah. | 0:08:43 | 0:08:46 | |
Don't you think, Charlie, he should let somebody else have a taste of that success? | 0:08:46 | 0:08:51 | |
We were all quite close last year. | 0:08:51 | 0:08:53 | |
So this year, it's all to play for. | 0:08:53 | 0:08:55 | |
It's really important to nail it on this course. | 0:08:56 | 0:08:58 | |
I don't want to get to Friday and be knocked out by Colin. | 0:08:58 | 0:09:01 | |
I want to be the guy supping the champagne thinking, "I'm back in the kitchen in a couple of weeks." | 0:09:01 | 0:09:05 | |
Charlie, you're wrapping your duck. How are you getting on? | 0:09:09 | 0:09:11 | |
-You've got your foraged herbs... -I wanted a fruitier flavour. It's an inspiration from what's around me. | 0:09:11 | 0:09:19 | |
If I hear another British chef tell me about foraged herbs, | 0:09:19 | 0:09:22 | |
I'd chuck myself off the side of a building. | 0:09:22 | 0:09:25 | |
No, I don't sing and dance about them too much. | 0:09:25 | 0:09:27 | |
Charlie's gone down the foraged route. | 0:09:27 | 0:09:30 | |
But it's still chocolate and cheese! | 0:09:30 | 0:09:32 | |
He's got to make sure the flavours balance. | 0:09:32 | 0:09:34 | |
That's the key here. Flavour, flavour, flavour. | 0:09:34 | 0:09:37 | |
Table 20, 22, please. | 0:09:37 | 0:09:40 | |
Working with wild ingredients | 0:09:41 | 0:09:43 | |
is something Charlie Lakin does on a daily basis. | 0:09:43 | 0:09:46 | |
Although his restaurant is in Kent, | 0:09:46 | 0:09:48 | |
his cooking style remains firmly in the North East. | 0:09:48 | 0:09:52 | |
I'm Yorkshire through and through. | 0:09:52 | 0:09:54 | |
My style of cooking is deep-rooted in rural cookery. | 0:09:54 | 0:09:58 | |
It's all about big hitting, | 0:09:58 | 0:10:00 | |
big flavours, probably not too much for the faint-hearted! | 0:10:00 | 0:10:04 | |
To find the unique ingredients for his dish, | 0:10:05 | 0:10:08 | |
Charlie doesn't need to venture far. | 0:10:08 | 0:10:09 | |
Today he's going foraging with three-year-old daughter, Mirabel. | 0:10:09 | 0:10:14 | |
-Are you going to put your jacket on? -No. | 0:10:15 | 0:10:17 | |
Charlie's dad, George, also a keen forager, is joining them. | 0:10:17 | 0:10:22 | |
This is great ingredients. Good local produce. | 0:10:22 | 0:10:25 | |
Every chef and every Yorkshireman likes it when it's free. | 0:10:25 | 0:10:27 | |
You can taste it, can't you? | 0:10:27 | 0:10:29 | |
It's got that herby, minty sage, even rosemary coming through. | 0:10:29 | 0:10:33 | |
I'm going to use this in my duck confit before I make the rillette. | 0:10:33 | 0:10:37 | |
It's different, Charlie. Definitely different. | 0:10:37 | 0:10:40 | |
Are you all right up there, tuppence? | 0:10:40 | 0:10:41 | |
Dad, I spend all the hours God sends in kitchen. It's great to get a chance to get out. | 0:10:43 | 0:10:48 | |
Doing the same with Mirabel as we did with you. It's a great thing. | 0:10:48 | 0:10:51 | |
You've come a long way, kid. You've come a long way. | 0:10:51 | 0:10:54 | |
-Cheers, Dad. -I'm proud of you. | 0:10:54 | 0:10:56 | |
It means a lot. | 0:10:56 | 0:10:58 | |
Means a lot. | 0:10:58 | 0:10:59 | |
Yeah. | 0:10:59 | 0:11:01 | |
I couldn't be prouder. | 0:11:01 | 0:11:03 | |
So, Colin, this time last year, you were running around, flapping a little bit. | 0:11:14 | 0:11:19 | |
You got to the banquet. You're looking pretty calm and relaxed. | 0:11:19 | 0:11:23 | |
Bit of experience, now. You've got your reputation on the line. | 0:11:23 | 0:11:26 | |
You have to make sure you do yourself proud and get yourself organised. | 0:11:26 | 0:11:29 | |
Cheers for that one! | 0:11:29 | 0:11:31 | |
I think with Colin, he is only just doing tomato salad | 0:11:31 | 0:11:34 | |
but it isn't going to be tomato salad with Colin. | 0:11:34 | 0:11:36 | |
He's going to bring something special to the plate. | 0:11:36 | 0:11:39 | |
Colin's serving his gazpacho as a mousse, | 0:11:39 | 0:11:42 | |
which involves a delicate process of boiling, cooling and chilling. | 0:11:42 | 0:11:46 | |
But after last year's win, he's feeling confident | 0:11:46 | 0:11:50 | |
his highly technical dish will deliver. | 0:11:50 | 0:11:52 | |
Jason understands that I got my first starter, last year, | 0:11:52 | 0:11:55 | |
to the banquet. And I suppose the pressure is on. | 0:11:55 | 0:11:58 | |
-How are you getting on? -I've made my own gazpacho mousse. -Right. | 0:11:58 | 0:12:01 | |
Given it this shape and also the creases of the tomato... | 0:12:01 | 0:12:03 | |
-It looks like... -Yeah. So what I'm going to do now | 0:12:03 | 0:12:07 | |
is dip this into the liquid nitrogen, | 0:12:07 | 0:12:09 | |
make it nice and cold, so when it hits the gel... | 0:12:09 | 0:12:12 | |
I want the gel to be quite thin. | 0:12:12 | 0:12:14 | |
That agar and that type of stuff. Chewing on gel. | 0:12:14 | 0:12:17 | |
I don't want you to be chewing on gel. | 0:12:17 | 0:12:19 | |
I want you to enjoy the flavour. So it's full of flavour, and just enough to hold the mousse together. | 0:12:19 | 0:12:24 | |
Great. | 0:12:24 | 0:12:25 | |
Colin McGurran is one of the North East's most creative chefs. | 0:12:26 | 0:12:30 | |
-OK. Two beef. Four minutes, please. -Oui, Chef. | 0:12:30 | 0:12:33 | |
My style of cooking is very precise. Very controlled. | 0:12:33 | 0:12:35 | |
The thing that really inspires me is using humble ingredients. | 0:12:35 | 0:12:39 | |
But the challenge is to take something simple and make it fantastic. | 0:12:39 | 0:12:43 | |
90% of Colin's produce comes from farmland surrounding his restaurant. | 0:12:43 | 0:12:49 | |
The simple life is something both Colin and his family relish. | 0:12:49 | 0:12:53 | |
I've done another veg medley. | 0:12:53 | 0:12:55 | |
'When you're doing challenges like this, and your confidence waivers now and then, | 0:12:55 | 0:12:59 | |
'it's good to have good support, good family, and it keeps you going.' | 0:12:59 | 0:13:02 | |
You got really nervous watching him in the final. | 0:13:02 | 0:13:04 | |
-I wanted him to win, and he did! -Really nervous, weren't you? -They were crazy. | 0:13:04 | 0:13:08 | |
This dish is all substance. I've thought very hard about nailing the technique | 0:13:08 | 0:13:13 | |
and making sure the flavours deliver over and above everything else. | 0:13:13 | 0:13:17 | |
To ensure the best produce for his dish this year, | 0:13:17 | 0:13:20 | |
nothing less than perfect tomatoes will do. | 0:13:20 | 0:13:23 | |
So Colin's visiting tomato farming expert Chris Cole. | 0:13:23 | 0:13:27 | |
Chris, what I'm looking for is a variety of tomato | 0:13:27 | 0:13:30 | |
that's got the element of you think it's going to be hard, but it's ripe, like a green one. | 0:13:30 | 0:13:34 | |
This is Green Zebra. | 0:13:34 | 0:13:36 | |
It's got that nice balance of sweetness with acidity. | 0:13:36 | 0:13:39 | |
Amazing. | 0:13:39 | 0:13:40 | |
This is a tomato from Korea. It's called a Black Korean. | 0:13:40 | 0:13:44 | |
-This is exactly what we're looking for. -Eye-catching. | 0:13:44 | 0:13:47 | |
Everything has to be a surprise, and has to be an absolute pleasure. | 0:13:47 | 0:13:50 | |
I've shown you mine. Are you going to show me yours, Colin? | 0:13:50 | 0:13:53 | |
On your plate, you'll think it's a tomato salad. | 0:13:53 | 0:13:57 | |
-That is the surprise. -The gazpacho is in there. | 0:13:57 | 0:13:59 | |
Wow! | 0:14:01 | 0:14:02 | |
That's extraordinary! | 0:14:02 | 0:14:04 | |
'The expert's told me he likes it.' | 0:14:04 | 0:14:06 | |
If he likes it, it should be good enough for the judges! | 0:14:06 | 0:14:09 | |
Back in the kitchen, Stephanie's given herself a huge task | 0:14:12 | 0:14:16 | |
with her three-ways chicken dish | 0:14:16 | 0:14:18 | |
which has eight different elements. | 0:14:18 | 0:14:21 | |
She's still got to make her corn bread from scratch. | 0:14:21 | 0:14:24 | |
The juggling act is taking its toll. | 0:14:24 | 0:14:27 | |
How are you doing, Steph? | 0:14:28 | 0:14:30 | |
Suddenly I'm feeling the pressure, Chef. | 0:14:30 | 0:14:32 | |
You're pushing yourself this year, making sure you nail every component. | 0:14:32 | 0:14:36 | |
I'd like to think so. | 0:14:36 | 0:14:38 | |
It's hard for Steph having been knocked out first last year. | 0:14:38 | 0:14:41 | |
For her to come back hard and making sure you perfect things properly, | 0:14:41 | 0:14:45 | |
she's got an awful lot to do. It could be an Achilles' heel for her if she doesn't perfect it. | 0:14:45 | 0:14:49 | |
Traditional chef Stephanie is used to serving no-frills fare | 0:14:52 | 0:14:56 | |
at her restaurant in Yorkshire. | 0:14:56 | 0:14:58 | |
Two chicken Caesars, a prawn avocado and a real chips. | 0:14:58 | 0:15:02 | |
I'd like to think that my food is fun, it's food people want to eat. | 0:15:02 | 0:15:07 | |
Local food cooked well. | 0:15:07 | 0:15:09 | |
Just how we like it. | 0:15:09 | 0:15:10 | |
A lot of chefs are very serious. And I enjoy a good laugh. I really do. | 0:15:10 | 0:15:16 | |
Last year, Stephanie pushed the fun too far with gimmicks and it backfired. | 0:15:16 | 0:15:21 | |
I'm not sure that quite works. | 0:15:21 | 0:15:24 | |
Determined to get the balance between gastronomy and the spectacle spot on, | 0:15:24 | 0:15:28 | |
Stephanie's taking a trip to Harrogate Theatre | 0:15:28 | 0:15:30 | |
to get some tips from someone who knows the secret to show-stopping success. | 0:15:30 | 0:15:35 | |
-Wow! Hello, Chris! -How are you doing? All right? | 0:15:35 | 0:15:38 | |
Nice to meet you. Nice to meet you. | 0:15:38 | 0:15:40 | |
Pantomime dame Chris Clarkson. | 0:15:40 | 0:15:43 | |
Oh, my life! | 0:15:45 | 0:15:46 | |
When performing, you need to make sure that you are comfortable with the role you're playing | 0:15:48 | 0:15:53 | |
as yourself. | 0:15:53 | 0:15:54 | |
It's all very good putting on a silly dress and hat | 0:15:54 | 0:15:57 | |
but if you can't do the role without all this, | 0:15:57 | 0:16:00 | |
then you're not doing it correctly. | 0:16:00 | 0:16:03 | |
The food has to deliver on flavour | 0:16:03 | 0:16:05 | |
which I suppose the analogy is your gags, your humour, has to deliver. | 0:16:05 | 0:16:10 | |
But last year, I got too carried away with "the hat and the dress" | 0:16:10 | 0:16:15 | |
and didn't really bang home the flavour. | 0:16:15 | 0:16:18 | |
I think this year I've learned from that. | 0:16:18 | 0:16:21 | |
-Right. It's got to taste good or better than it looks. -Yeah. | 0:16:21 | 0:16:24 | |
With a headline act to hand, | 0:16:24 | 0:16:26 | |
Stephanie's keen to see if she's hit it with her chicken oyster lollipops. | 0:16:26 | 0:16:30 | |
That was spot on! | 0:16:30 | 0:16:33 | |
Excellent. | 0:16:33 | 0:16:34 | |
"Eggs-cellent", even! | 0:16:34 | 0:16:35 | |
Easily that could have a starring role in the banquet. Easily. | 0:16:36 | 0:16:40 | |
'The performance, here, is what it's all about. | 0:16:40 | 0:16:43 | |
'That's what I take from today.' | 0:16:43 | 0:16:46 | |
What's on the plate has got to be strong, it's got to be good. | 0:16:46 | 0:16:49 | |
It's got to have a sense of humour and it's got to deliver. | 0:16:49 | 0:16:52 | |
Back in the kitchen, the mood is tense | 0:17:01 | 0:17:03 | |
as it's close to plating up time. | 0:17:03 | 0:17:06 | |
Stephanie's preparing corn bread for her three-ways chicken dish. | 0:17:06 | 0:17:10 | |
Can I get a baking tray for these, darling? | 0:17:10 | 0:17:13 | |
Charlie's filling his moulds of duck rillette with port consomme | 0:17:13 | 0:17:17 | |
so they'll be ready for his blue cheese and chocolate. | 0:17:17 | 0:17:20 | |
And Colin's finishing off his cod brandade | 0:17:20 | 0:17:22 | |
for his tomato salad. | 0:17:22 | 0:17:24 | |
This year, Charlie is all over the place. | 0:17:24 | 0:17:28 | |
Colin looks like Mr Cool. | 0:17:28 | 0:17:30 | |
So it will be very interesting to see how the food differs. | 0:17:30 | 0:17:34 | |
There's only one way to find out, isn't there? | 0:17:34 | 0:17:36 | |
Colin's first to plate up. | 0:17:40 | 0:17:41 | |
He starts with a smear of cod brandade. | 0:17:41 | 0:17:44 | |
His gazpacho fake tomato takes centre stage | 0:17:44 | 0:17:48 | |
in a salad of vibrant, colourful heirloom tomatoes. | 0:17:48 | 0:17:51 | |
He finishes off by pouring over tomato consomme. | 0:17:51 | 0:17:55 | |
There you have it. A tomato gazpacho with a cod brandade. | 0:18:00 | 0:18:03 | |
You think this is the dish that's going to put a smile on... | 0:18:03 | 0:18:06 | |
-I think it ticks all the boxes. -Let's go taste it. -Thank you. | 0:18:06 | 0:18:10 | |
That brings a smile to my face. | 0:18:14 | 0:18:16 | |
It looks as pretty as a picture, Colin, | 0:18:16 | 0:18:18 | |
but it's got to taste great. | 0:18:18 | 0:18:20 | |
I like the contrast between the room temperature tomato | 0:18:23 | 0:18:26 | |
and the very cold gazpacho. | 0:18:26 | 0:18:28 | |
I do as well. And the cream in the brandade works really well with that. | 0:18:28 | 0:18:32 | |
Quite a lot going on there. Do you feel you've got the temperature and textures bang on? | 0:18:32 | 0:18:38 | |
The gazpacho is a chilled soup normally, so that's going to be cold. | 0:18:38 | 0:18:42 | |
The tomatoes taste better at room temperature. | 0:18:42 | 0:18:45 | |
I think the texture, the balance, the flavour. Wow! | 0:18:45 | 0:18:48 | |
Yeah, the flavours are absolutely fantastic. | 0:18:48 | 0:18:50 | |
Cod is quite an interesting ingredient to put with the tomato salad. | 0:18:50 | 0:18:55 | |
I wanted a different flavour, rather than just vegetables or tomatoes. | 0:18:55 | 0:18:58 | |
But cod and tomato, I think, is a great combination anyway. | 0:18:58 | 0:19:01 | |
That's a worry, that dish! | 0:19:03 | 0:19:05 | |
Yeah, yeah. But hey, you know. | 0:19:05 | 0:19:07 | |
You feel this is the dish that's going to put a smile on their faces at the banquet? | 0:19:09 | 0:19:14 | |
It's quite serious, but with a bit of humour that brings a smile to your face when you cut into it. | 0:19:14 | 0:19:18 | |
So that's my thinking behind it. | 0:19:18 | 0:19:20 | |
-It's a joyous smile rather than a belly laugh, isn't it? -Yeah. | 0:19:22 | 0:19:26 | |
Well, that's an interesting one. I think it went well. | 0:19:29 | 0:19:33 | |
I think Jason liked it, so I'm hoping for an eight, I think. | 0:19:33 | 0:19:37 | |
Next up is Charlie. As he pipes his duck confit with blue cheese, | 0:19:39 | 0:19:43 | |
his fellow chefs are getting curious. | 0:19:43 | 0:19:46 | |
This is the point of no return, now. There's no going back. | 0:19:46 | 0:19:49 | |
Fighting. There's on safety barrier any more! | 0:19:49 | 0:19:52 | |
To achieve the desired finish, he sprays on melted chocolate, | 0:19:53 | 0:19:56 | |
and the secret behind his presentation is out. | 0:19:56 | 0:19:59 | |
So you're basically serving dog muck on a plate? | 0:20:01 | 0:20:03 | |
I'm after shocking. I'm after, "Boom!" There you go. | 0:20:03 | 0:20:07 | |
Wow! | 0:20:07 | 0:20:09 | |
Charlie is spraying his muck, shall we say. | 0:20:09 | 0:20:11 | |
I hope this works out for him. | 0:20:11 | 0:20:13 | |
I know we have to take risks in this competition, but that's a risk too far. | 0:20:13 | 0:20:16 | |
He starts his plate by drizzling a pickled liquor reduction | 0:20:21 | 0:20:24 | |
and carefully places on pickled damsons. | 0:20:24 | 0:20:26 | |
On goes Charlie's centre-piece, | 0:20:28 | 0:20:30 | |
a massive risk in terms of its flavour combinations | 0:20:30 | 0:20:33 | |
and its presentation! | 0:20:33 | 0:20:35 | |
Completing the dish, twig-like breadsticks, | 0:20:35 | 0:20:37 | |
a scattering of foraged herbs | 0:20:37 | 0:20:39 | |
and slivers of duck rizola. | 0:20:39 | 0:20:41 | |
Why is this going to bring a smile to my face? | 0:20:51 | 0:20:53 | |
Well, it's that sort of potty humour! | 0:20:53 | 0:20:56 | |
Yeah, well, my breath's been taken away for the first time ever on Great British Menu! | 0:20:56 | 0:21:01 | |
The most important thing is, does it taste good? | 0:21:02 | 0:21:05 | |
So, Charlie, do you think that's going to be controversial? | 0:21:10 | 0:21:13 | |
It's risky. | 0:21:13 | 0:21:15 | |
When you see something that's normally something you wouldn't eat, | 0:21:17 | 0:21:21 | |
you have to get over that visual effect! | 0:21:21 | 0:21:23 | |
Very delicately put, Chef! | 0:21:23 | 0:21:25 | |
Talk me through what we've got in here. | 0:21:27 | 0:21:29 | |
Duck rillette in a consomme jelly. | 0:21:29 | 0:21:32 | |
Then a cheese mousse. | 0:21:32 | 0:21:34 | |
Are you happy that the cheese doesn't overpower the rillette? | 0:21:35 | 0:21:38 | |
It tastes good to me. | 0:21:39 | 0:21:41 | |
There's some underlying flavour that is quite strong. | 0:21:44 | 0:21:47 | |
And it's not the duck, is it? | 0:21:47 | 0:21:50 | |
That's the thing. You can't taste duck. | 0:21:50 | 0:21:52 | |
You've got a lot of interesting flavours going on there. | 0:21:52 | 0:21:54 | |
There is a lot going on. | 0:21:54 | 0:21:56 | |
But I mean it kind of comes together. It's quite a nice... | 0:21:56 | 0:22:00 | |
Bit of forest herbs. What are they bringing to the dish? | 0:22:00 | 0:22:03 | |
It's the textural thing. Them lovely little watery bursts. | 0:22:03 | 0:22:06 | |
Yeah. | 0:22:06 | 0:22:08 | |
I was expecting more from Charlie with this. | 0:22:08 | 0:22:10 | |
If I'm honest, it's not my favourite kind of flavours. | 0:22:10 | 0:22:13 | |
I've got to ask, do you feel that that is fine dining enough? | 0:22:14 | 0:22:17 | |
As an opening course to a meal, especially a Comic Relief meal, | 0:22:17 | 0:22:21 | |
it's hopefully going to get the laughter rolling. | 0:22:21 | 0:22:23 | |
Well, what can I say? I got the one response I didn't want. | 0:22:25 | 0:22:28 | |
I could have coped with laughter, | 0:22:28 | 0:22:30 | |
I could have coped with, "Oh, my God!" | 0:22:30 | 0:22:32 | |
I didn't want a flat response. | 0:22:32 | 0:22:34 | |
I think it's bombed. | 0:22:34 | 0:22:36 | |
Last to plate up is Stephanie. But with eight elements to her dish... | 0:22:40 | 0:22:44 | |
BLEEP | 0:22:44 | 0:22:45 | |
..she's put herself under immense pressure to get it out on time. | 0:22:45 | 0:22:49 | |
Steph? You're panicking a bit. What's going on? | 0:22:49 | 0:22:52 | |
I've got a lot to do at the last minute. | 0:22:52 | 0:22:54 | |
Chicken veloute's on. My lollipops are fried. | 0:22:54 | 0:22:57 | |
The consomme is on. Just got to brush off the crispy skin. | 0:22:57 | 0:23:01 | |
Finish off my little barbecued winglet. | 0:23:01 | 0:23:05 | |
-There's a lot to do. -Anything else?! | 0:23:05 | 0:23:07 | |
A few more things, but I can't remember at this stage. | 0:23:07 | 0:23:10 | |
Even though it looks like organised chaos, it's all do-able, I think. | 0:23:10 | 0:23:15 | |
Crack on. See you on the pass. | 0:23:15 | 0:23:17 | |
Stephanie must remain calm if she's going to deliver a gastronomic masterpiece. | 0:23:18 | 0:23:22 | |
So, Steph, do you think your dish will make people laugh? | 0:23:22 | 0:23:26 | |
Oh, dear! Nice one! | 0:23:28 | 0:23:30 | |
It's time for Steph to get her "Why did the chicken?" dish on the road. | 0:23:30 | 0:23:36 | |
She starts with an eggshell which she fills with a chicken veloute dip | 0:23:39 | 0:23:43 | |
and places inside the chicken oyster lollipops. | 0:23:43 | 0:23:45 | |
She pours consomme into a glass egg | 0:23:46 | 0:23:48 | |
before adding the herb chicken dumplings | 0:23:48 | 0:23:51 | |
which is topped with a crispy chicken skin. | 0:23:51 | 0:23:54 | |
Finally, she layers her corn bread with a remoulade salad | 0:23:57 | 0:24:01 | |
and finishes with a barbecue chicken winglet. | 0:24:01 | 0:24:03 | |
-Happy? -Yep. | 0:24:10 | 0:24:11 | |
Putting the jokes aside, is this a dish you think worthy of going to the banquet? | 0:24:11 | 0:24:15 | |
-I'd like to think so. -OK. Let's go taste it. | 0:24:15 | 0:24:17 | |
So, Steph, it's really important that you get off to a good start. | 0:24:21 | 0:24:25 | |
It's all about confidence, I feel, for you. | 0:24:25 | 0:24:27 | |
-What do you think of the look? -It looks good, but is it just three canapes? | 0:24:28 | 0:24:32 | |
That's a crispy chicken skin with barbecue and smokey bacon on top. | 0:24:32 | 0:24:38 | |
That doesn't really shout chicken skin to me. | 0:24:40 | 0:24:43 | |
So are you happy with the clarity here? A good consomme you can see all the way through. | 0:24:43 | 0:24:47 | |
Once I put those dumplings in, I don't know. | 0:24:47 | 0:24:49 | |
I think it was the dumplings and the nerves got... I don't know. | 0:24:49 | 0:24:53 | |
I take it this is a consomme. If it is, I'd like mine to be clearer than that. | 0:24:55 | 0:25:00 | |
Are you happy with the way the chicken oyster is cooked? Not too dry? | 0:25:00 | 0:25:03 | |
Um, maybe a touch. | 0:25:03 | 0:25:05 | |
An awful lot of work on this one. That will be a killer. | 0:25:09 | 0:25:12 | |
You're confident that this is the dish, if it gets to the judging chamber, they'll put it through? | 0:25:12 | 0:25:17 | |
It's simple humour, but I like that. | 0:25:17 | 0:25:19 | |
-Hello, guys. -All good? | 0:25:22 | 0:25:24 | |
Some good, some bad, I think. | 0:25:24 | 0:25:27 | |
But it felt OK. | 0:25:27 | 0:25:28 | |
Are you happy with yours? | 0:25:28 | 0:25:30 | |
The dish tasted as it meant to. Just didn't get the sense of humour, though. | 0:25:30 | 0:25:34 | |
I know exactly how it feels. Last year, I got a four for something I thought was great. | 0:25:34 | 0:25:38 | |
-So I know... I'm not holding my breath. -No. No. | 0:25:38 | 0:25:42 | |
Well, guys. | 0:25:57 | 0:25:59 | |
Colin, your gazpacho was pretty as a picture. | 0:26:00 | 0:26:03 | |
It had the wow factor. No two ways about that. | 0:26:03 | 0:26:07 | |
It tasted great. I liked all the vegetables. | 0:26:07 | 0:26:09 | |
But was it innovative? | 0:26:10 | 0:26:12 | |
No. No, I don't think so. | 0:26:13 | 0:26:16 | |
I felt that maybe you could have done something a bit more of you. | 0:26:16 | 0:26:20 | |
But all in all, I thought it was a great dish. | 0:26:20 | 0:26:22 | |
Charlie. "Mind your step". When you brought the slate to the pass, | 0:26:24 | 0:26:28 | |
I was speechless, to be honest. | 0:26:28 | 0:26:30 | |
I'm a big fan of blue cheese, and when I tasted the dish with the components together, | 0:26:32 | 0:26:36 | |
I thought it worked. But all in all, will people think it's a step too far? | 0:26:36 | 0:26:41 | |
So, Stephanie, for your "Why did the chicken cross the road?" | 0:26:43 | 0:26:46 | |
I really liked your presentation. Nearly every element I thought was executed great. | 0:26:46 | 0:26:52 | |
I felt the chicken consomme could have been a bit clearer. | 0:26:53 | 0:26:56 | |
The chicken oyster I felt was overcooked. | 0:26:57 | 0:27:01 | |
So to the scores, guys. | 0:27:04 | 0:27:05 | |
Colin, for your gazpacho... | 0:27:05 | 0:27:07 | |
..I'm giving you... | 0:27:10 | 0:27:12 | |
..a seven. I liked that dish. Well done. | 0:27:15 | 0:27:18 | |
Charlie... | 0:27:19 | 0:27:20 | |
For your duck I'm giving you a... | 0:27:21 | 0:27:25 | |
..five. | 0:27:27 | 0:27:29 | |
Steph. "Why did the chicken cross the road?" | 0:27:30 | 0:27:33 | |
It's going to be a... | 0:27:35 | 0:27:37 | |
..a seven. So joint lead. | 0:27:40 | 0:27:42 | |
This has been the best thing. If I can keep this rolling, | 0:27:43 | 0:27:47 | |
I'm on the right road. | 0:27:47 | 0:27:49 | |
I suppose he thought it was unoriginal. | 0:27:49 | 0:27:51 | |
I think my dish was the best of all three. | 0:27:51 | 0:27:53 | |
Obviously the presentation didn't do me any favours. | 0:27:53 | 0:27:56 | |
But it's out the way. All to play for. | 0:27:56 | 0:27:59 | |
All the chefs competing in the series are doing their bit for Comic Relief | 0:27:59 | 0:28:03 | |
by taking part in Menu Relief, along with hundreds of other restaurants all over the country. | 0:28:03 | 0:28:08 | |
Go to... | 0:28:08 | 0:28:10 | |
..to find out more and learn about Red Nose Day 2013. | 0:28:12 | 0:28:16 | |
Tomorrow the competition continues with the fish course | 0:28:17 | 0:28:21 | |
as Charlie tries to redeem himself. | 0:28:21 | 0:28:24 | |
Just how I like it. Last bloomin' minute. Bring it on! | 0:28:24 | 0:28:27 | |
Everyone's out to impress. | 0:28:28 | 0:28:30 | |
It's going to be a talking point in the dining room. | 0:28:30 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:28:56 |