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It's the day of reckoning on Great British Menu | 0:00:03 | 0:00:06 | |
for three of the South West's finest chefs. | 0:00:06 | 0:00:08 | |
Innovative young gun Peter Sanchez-Iglesias. | 0:00:08 | 0:00:12 | |
I've got to get it exactly, exactly right. | 0:00:12 | 0:00:14 | |
Rising star Emily Watkins. | 0:00:14 | 0:00:16 | |
The temperature is rising, we're getting there. | 0:00:16 | 0:00:18 | |
-And classical chef Chris Eden. -I can't do any more. | 0:00:18 | 0:00:21 | |
All week they have been battling for the chance to cook | 0:00:21 | 0:00:25 | |
at a special banquet celebrating 25 years of Red Nose Day. | 0:00:25 | 0:00:28 | |
Yesterday was the main course, | 0:00:28 | 0:00:31 | |
and despite Peter getting into the groove... | 0:00:31 | 0:00:34 | |
It lacked just that little bit of ambition. | 0:00:34 | 0:00:37 | |
-..and Chris getting his best score yet... -8/10. | 0:00:37 | 0:00:41 | |
-..Emily's venison narrowed the gap. -9/10. | 0:00:42 | 0:00:46 | |
Today it's the dessert course | 0:00:48 | 0:00:50 | |
and only two chefs will go through to the judges. | 0:00:50 | 0:00:53 | |
There's only one point between them two and it's going to be tough. | 0:00:53 | 0:00:56 | |
-Peter rolls out another classic... -Apple pie. | 0:00:56 | 0:00:59 | |
Emily is not keen to settle for last place. | 0:00:59 | 0:01:02 | |
-It's not a nice position to be in. -Chris promises great things. | 0:01:02 | 0:01:06 | |
I'm going to create the perfect peach. | 0:01:06 | 0:01:08 | |
But has he set his sights too high? | 0:01:08 | 0:01:10 | |
At the moment, I'm really worried about them. | 0:01:10 | 0:01:13 | |
This year's challenge is to create a performance on a plate. | 0:01:25 | 0:01:28 | |
Fun, gastronomic masterpieces that will make people smile. | 0:01:28 | 0:01:32 | |
The chefs have all done their bit to help raise money for Comic Relief. | 0:01:34 | 0:01:38 | |
Today is their last shot to impress two-Michelin starred chef | 0:01:38 | 0:01:42 | |
and veteran of the competition, Tom Kerridge. | 0:01:42 | 0:01:46 | |
Plenty of chefs can trip up over pastry. | 0:01:46 | 0:01:48 | |
One that keeps their calm, and holds their own, gets their head down | 0:01:48 | 0:01:52 | |
and gets the job done, | 0:01:52 | 0:01:53 | |
they're probably the one that's going to go through. | 0:01:53 | 0:01:57 | |
There's only a one-point gap between you two. | 0:01:57 | 0:02:00 | |
I really need to get points on this course. | 0:02:00 | 0:02:03 | |
You seem to be doing pretty well. You got nine in your last score | 0:02:03 | 0:02:06 | |
and you keep on getting good points coming back at me, don't you? | 0:02:06 | 0:02:09 | |
First into the kitchen is rising star Emily Watkins. | 0:02:13 | 0:02:17 | |
She may have done well yesterday, but she's still in last place. | 0:02:17 | 0:02:21 | |
I'm feeling huge pressure, I really don't want to let myself down. | 0:02:21 | 0:02:24 | |
I really hope I still have a little bit of energy left | 0:02:24 | 0:02:27 | |
to take it through to the next level. | 0:02:27 | 0:02:29 | |
-What have we got in here? -We're making a lolly and sweets today. -OK. | 0:02:31 | 0:02:35 | |
Focusing on two main ingredients. | 0:02:35 | 0:02:37 | |
This time it is the Guernsey milk and the fresh rhubarb. | 0:02:37 | 0:02:41 | |
What are you going to do with this? | 0:02:41 | 0:02:43 | |
That's the key point of this dessert. | 0:02:43 | 0:02:45 | |
It's going to be made into first of all clotted cream | 0:02:45 | 0:02:48 | |
because it's the clotted cream which is the key component | 0:02:48 | 0:02:50 | |
of several of my dishes. | 0:02:50 | 0:02:52 | |
-What have we got here? -Popping candy. -Right, OK. | 0:02:52 | 0:02:55 | |
We've got some more magic powder things, | 0:02:57 | 0:02:59 | |
have you got enough time? | 0:02:59 | 0:03:01 | |
That's the big question today. | 0:03:01 | 0:03:03 | |
I'm up first, so the time pressure is really going to be there. | 0:03:03 | 0:03:06 | |
And you're feeling more confident | 0:03:06 | 0:03:08 | |
now you've got a 9/10 for your main course? | 0:03:08 | 0:03:11 | |
I can't deny that that did make me happy. | 0:03:11 | 0:03:13 | |
Once again, Emily's using experimental techniques. | 0:03:13 | 0:03:16 | |
Her nostalgic spin on lolly and sweets features a rhubarb | 0:03:16 | 0:03:21 | |
and clotted cream lolly, | 0:03:21 | 0:03:22 | |
Jelly Tots, milk bottles and a fizzy rhubarb cordial. | 0:03:22 | 0:03:26 | |
She's got some wonderful ingredients. | 0:03:28 | 0:03:30 | |
She's making her own clotted cream which sounds absolutely stunning. | 0:03:30 | 0:03:33 | |
The one thing that does worry me about Emily's dish is | 0:03:33 | 0:03:36 | |
that she has got a lot to do. | 0:03:36 | 0:03:38 | |
Next up is innovative young gun Peter Sanchez-Iglesias. | 0:03:38 | 0:03:42 | |
He's held on to top spot all week with his witty, clever cooking | 0:03:42 | 0:03:45 | |
and he's determined to go all the way. | 0:03:45 | 0:03:48 | |
I really want to wow Tom with the dessert course. | 0:03:48 | 0:03:51 | |
It's the end, the grand finale | 0:03:51 | 0:03:52 | |
so I want to do something a little bit special. | 0:03:52 | 0:03:55 | |
I've just got to make sure I execute and get it right. | 0:03:55 | 0:03:58 | |
-What dish are we doing? -I'm busy doing apple pie. | 0:03:59 | 0:04:03 | |
We've had a picnic, fish and chips, | 0:04:03 | 0:04:04 | |
-a roast dinner and now having apple pie? -All the classics. | 0:04:04 | 0:04:07 | |
-All what everybody knows. -OK. Any reason we're using Granny Smiths? | 0:04:07 | 0:04:12 | |
Just because they're such a great apple, a real tartness to it, | 0:04:12 | 0:04:15 | |
-works really, really well. -High in acidity. And a lot of water. | 0:04:15 | 0:04:19 | |
What else have we got? Classic spices, we got nutmeg. | 0:04:20 | 0:04:23 | |
-Exactly, some cloves and some cinnamon. -Cloves and some cinnamon. | 0:04:23 | 0:04:26 | |
Yeah. This is what my nan used to use. | 0:04:26 | 0:04:28 | |
Are we having ice cream or anything with apple pie? | 0:04:28 | 0:04:31 | |
Yeah, we've got some custard in there and some ice cream as well. | 0:04:31 | 0:04:34 | |
-I was a greedy boy and I always wanted both. -Yeah. | 0:04:34 | 0:04:37 | |
TOM LAUGHS | 0:04:37 | 0:04:39 | |
Malic acid, what are you using that for? | 0:04:39 | 0:04:41 | |
I'm using some sugar with some malic acid | 0:04:41 | 0:04:43 | |
just to really give that acidity. | 0:04:43 | 0:04:44 | |
You're fairly comfortable and confident | 0:04:44 | 0:04:46 | |
you can stay ahead of the game today? | 0:04:46 | 0:04:48 | |
I think so, it's going to be tough, but I'm going to do my best. | 0:04:48 | 0:04:51 | |
Trailblazer Peter is staying true to form | 0:04:51 | 0:04:55 | |
and hoping to raise a smile with an inventive | 0:04:55 | 0:04:57 | |
and unique twist on his nan's apple pie served with hot custard | 0:04:57 | 0:05:01 | |
and quirky cubes of vanilla ice cream. | 0:05:01 | 0:05:04 | |
My only concern really is can he elevate it to something special | 0:05:04 | 0:05:07 | |
and also the use of Granny Smith apples? | 0:05:07 | 0:05:09 | |
They do contain a lot of moisture and a lot of acidity. | 0:05:09 | 0:05:13 | |
Last into the kitchen is classical chef Chris Eden. | 0:05:15 | 0:05:19 | |
His ambitious dishes have been a bit hit and miss this week, | 0:05:19 | 0:05:22 | |
but he's managed to hold onto second place. | 0:05:22 | 0:05:24 | |
Just one point above Emily, he knows today is a battle for survival. | 0:05:24 | 0:05:29 | |
The dessert course today is really important. | 0:05:29 | 0:05:31 | |
We are that tight, it's that close, if I don't get a good score, | 0:05:31 | 0:05:34 | |
I won't be going through to the judges' chamber. | 0:05:34 | 0:05:37 | |
-OK, Chris, what are we doing? -We are doing peach Melba. | 0:05:38 | 0:05:42 | |
OK, the classic, the old school famous retro dessert. | 0:05:42 | 0:05:47 | |
Doing it in my own little special way. | 0:05:47 | 0:05:50 | |
I'm going to try to create the perfect peach. | 0:05:50 | 0:05:53 | |
OK, how are we going to do the perfect peach? | 0:05:53 | 0:05:57 | |
Peel the skin off the outside of it, | 0:05:57 | 0:05:59 | |
-take the stone out of the middle, but leaving it as one. -Right, OK. | 0:05:59 | 0:06:03 | |
Filling it then with a vanilla panna cotta, | 0:06:03 | 0:06:06 | |
and then turning it over and using prosecco and grenadine, | 0:06:06 | 0:06:11 | |
making a jelly and going over the top of it, | 0:06:11 | 0:06:13 | |
turning it into a perfect peach. | 0:06:13 | 0:06:17 | |
-With a red topping on it? -Yes. -Like a red nose? -Hopefully. | 0:06:17 | 0:06:21 | |
You're going to pick the peaches from a tree, | 0:06:22 | 0:06:25 | |
you're going to have lollipops of raspberries, | 0:06:25 | 0:06:28 | |
some juice of raspberries in a watering can, | 0:06:28 | 0:06:31 | |
-so I want the whole thing to be inspired by Eden. -OK. | 0:06:31 | 0:06:36 | |
-So, a Chris Eden-inspired peach Melba? -Yes. | 0:06:36 | 0:06:41 | |
Fantastic, sounds like fun. | 0:06:41 | 0:06:43 | |
Chris's Last Laugh is a technical | 0:06:44 | 0:06:47 | |
and extravagant play on classic peach Melba. | 0:06:47 | 0:06:49 | |
Edible soil crumb, raspberry sorbet lollipops and the perfect peach. | 0:06:49 | 0:06:54 | |
He's gone down a fun route. | 0:06:54 | 0:06:56 | |
He's gone down the classic flavour of peach Melba which everybody loves, | 0:06:56 | 0:07:00 | |
but the idea of taking the stone out of the peach | 0:07:00 | 0:07:02 | |
and then setting the panna cotta inside of it, it's a lot of processes | 0:07:02 | 0:07:06 | |
to get something to then look so amazing. | 0:07:06 | 0:07:09 | |
He told me it's the perfect peach, well, I'll be the judge of that. | 0:07:09 | 0:07:13 | |
And a lollipop, I hear you're making? | 0:07:13 | 0:07:17 | |
Emily's making lollipops as well. Flavour of the month, lollipops. | 0:07:17 | 0:07:20 | |
-We'll have a lollipop off. -A lollipop off? -Yeah. -I love that. | 0:07:20 | 0:07:24 | |
In the kitchen, the battle of the lollies commences. | 0:07:32 | 0:07:36 | |
Chris starts his by mixing raspberry puree with stock syrup | 0:07:36 | 0:07:41 | |
and a special stabilising agent. | 0:07:41 | 0:07:43 | |
Across the kitchen, Chris's main rival Emily | 0:07:43 | 0:07:46 | |
is making clotted cream ice cream for her lollies. | 0:07:46 | 0:07:49 | |
It's really hard that Chris is doing lollies as well, | 0:07:51 | 0:07:54 | |
particularly as it's the main part of my dish. | 0:07:54 | 0:07:56 | |
Great chefs can fall at the dessert course. | 0:07:59 | 0:08:01 | |
There is only one point between them two and it's going to be tough. | 0:08:01 | 0:08:04 | |
Anything can happen. | 0:08:04 | 0:08:05 | |
To give his apple pie the winning edge, | 0:08:09 | 0:08:12 | |
unflappable front man Peter is rolling feuilles de brick, | 0:08:12 | 0:08:15 | |
a special crisp pastry over his sweet pastry. | 0:08:15 | 0:08:17 | |
A clever technique that's got veteran Tom interested. | 0:08:17 | 0:08:21 | |
-What have we got here? -So this is my pastry for my apple pie. | 0:08:21 | 0:08:25 | |
I literally laid... That is underneath, and that's on top. | 0:08:25 | 0:08:29 | |
-Try to keep that shape. -Yes, exactly. | 0:08:31 | 0:08:34 | |
Try and create a little shell. | 0:08:34 | 0:08:37 | |
'Peter's pastry is looking really interesting.' | 0:08:37 | 0:08:39 | |
I mean, this is a guy that knows how to cook. | 0:08:39 | 0:08:42 | |
As well as competing to cook at the banquet, | 0:08:43 | 0:08:46 | |
the chefs have all helped raise some much-needed funds for Comic Relief. | 0:08:46 | 0:08:50 | |
Innovative chef Peter put himself in the firing line. | 0:08:50 | 0:08:54 | |
I heard you had some things thrown at you. | 0:08:54 | 0:08:56 | |
Aw, you wouldn't believe it. | 0:08:56 | 0:08:58 | |
You wouldn't believe it. Oh, man, it was crazy. Absolutely crazy. | 0:08:58 | 0:09:02 | |
Basically, I was sat up on a little seat | 0:09:02 | 0:09:05 | |
and basically people just threw apples at me. At a target. | 0:09:05 | 0:09:08 | |
As soon as it hit the target, | 0:09:08 | 0:09:09 | |
I went straight down into the dunking pool, and it was freezing. | 0:09:09 | 0:09:12 | |
Paying to throw an apple at you, were they? Raise money? | 0:09:12 | 0:09:15 | |
Oh, yeah. People loved it. | 0:09:15 | 0:09:16 | |
To help raise money for Comic Relief and get feedback on his apple pie, | 0:09:18 | 0:09:22 | |
Peter left his restaurant in north Bristol | 0:09:22 | 0:09:25 | |
and headed for the city centre. | 0:09:25 | 0:09:27 | |
Apples are the star of his nostalgic dessert, | 0:09:27 | 0:09:30 | |
and they play a crucial part in his challenge. | 0:09:30 | 0:09:33 | |
I'm going to be cooking up some apple pies | 0:09:33 | 0:09:36 | |
that I'm doing for my dessert, so a little tasting for everyone, | 0:09:36 | 0:09:39 | |
and then I'm going to be going into a dunking pool, | 0:09:39 | 0:09:42 | |
so people are going to be throwing apples at a little target | 0:09:42 | 0:09:45 | |
and then I'm going to be dunked into freezing cold water, | 0:09:45 | 0:09:48 | |
so I'm a little bit nervous, cos there's going to be a big crowd. | 0:09:48 | 0:09:51 | |
Helping Peter to raise some cash and a few smiles | 0:09:51 | 0:09:54 | |
is actress Melanie Walters | 0:09:54 | 0:09:56 | |
from award-winning comedy series Gavin and Stacey. | 0:09:56 | 0:09:59 | |
She's keen to sample his apple pie. | 0:09:59 | 0:10:02 | |
-Oh, my gosh, it's gorgeous. -Thank you. -It really is gorgeous. | 0:10:02 | 0:10:05 | |
-Good, good, good. -Sorry, can I have some more? | 0:10:05 | 0:10:07 | |
Before he becomes the target of apple-wielding Bristolians, | 0:10:09 | 0:10:13 | |
Melanie shows Peter how to cope with his nerves | 0:10:13 | 0:10:15 | |
for his challenge and the competition back in the kitchen. | 0:10:15 | 0:10:18 | |
OK, so the best thing to do for nerves, I find, | 0:10:18 | 0:10:20 | |
is deep breathing. If you breathe in through the nose fully... | 0:10:20 | 0:10:25 | |
That's it. Keep those shoulders down. | 0:10:26 | 0:10:28 | |
And out through the mouth. | 0:10:28 | 0:10:29 | |
And feel grounded and heavy and sure of yourself. | 0:10:31 | 0:10:34 | |
-Yeah, that feels better already. -Yeah. -Oh, wicked, my love. | 0:10:34 | 0:10:37 | |
Thanks. Thanks very much. I really do need that. | 0:10:37 | 0:10:39 | |
Well, no, you'll be fine, absolutely fine. | 0:10:39 | 0:10:41 | |
For a good cause we're raising money, | 0:10:41 | 0:10:43 | |
and I have to get some people now. | 0:10:43 | 0:10:45 | |
With Peter firmly in place, Melanie draws in the crowds. | 0:10:45 | 0:10:49 | |
Come and have some apple pie! Come and dunk a chef in some water! | 0:10:49 | 0:10:52 | |
All for Comic Relief. Come on, come and join us! | 0:10:52 | 0:10:55 | |
We're having great fun here. | 0:10:55 | 0:10:57 | |
It's all for money. He doesn't mind! | 0:10:57 | 0:10:59 | |
Then it's crunch time. | 0:10:59 | 0:11:01 | |
Oooh! Close. | 0:11:01 | 0:11:03 | |
-Ooh! -Oh! | 0:11:03 | 0:11:04 | |
-Oh, that was so close! -I might go in! | 0:11:08 | 0:11:10 | |
-Look at that! And he's in! -CHEERING | 0:11:11 | 0:11:14 | |
So while Peter is well and truly dunked, | 0:11:15 | 0:11:18 | |
the crowd tuck into his apple pie. | 0:11:18 | 0:11:20 | |
Really lovely apple pie. | 0:11:20 | 0:11:22 | |
I like the combination of the crispy top | 0:11:22 | 0:11:24 | |
and the crumble underneath. | 0:11:24 | 0:11:25 | |
Really nice. Really lovely. | 0:11:25 | 0:11:26 | |
-It's great. -You liked it? -Yeah, really good. | 0:11:26 | 0:11:28 | |
It's really good. | 0:11:30 | 0:11:31 | |
When they threw the apple and he fell in the water, | 0:11:31 | 0:11:33 | |
everybody laughed, which is just typical. | 0:11:33 | 0:11:35 | |
I think he had a good day, and good on him for being such a sport. | 0:11:35 | 0:11:39 | |
I'm absolutely freezing cold, | 0:11:39 | 0:11:40 | |
but I think it's given me that massive push to go in there | 0:11:40 | 0:11:43 | |
and really, really go hard at my dish. | 0:11:43 | 0:11:45 | |
After helping to raise some cash, Melanie has the last laugh. | 0:11:45 | 0:11:48 | |
Right. | 0:11:48 | 0:11:49 | |
-Oh! -Aargh! | 0:11:51 | 0:11:52 | |
Awww! | 0:11:53 | 0:11:55 | |
All the chefs competing in the series | 0:11:55 | 0:11:57 | |
are doing their bit for Comic Relief, | 0:11:57 | 0:11:59 | |
by taking part in Menu Relief, | 0:11:59 | 0:12:01 | |
along with hundreds of other restaurants all over the country. | 0:12:01 | 0:12:03 | |
Go to bbc.co.uk/rednoseday | 0:12:03 | 0:12:06 | |
to find out more and learn about Red Nose Day 2013. | 0:12:06 | 0:12:10 | |
With the pressure on back in the kitchen, | 0:12:12 | 0:12:15 | |
Peter shows off his techniques for keeping calm. | 0:12:15 | 0:12:17 | |
Put both hands on your stomach like that across, | 0:12:17 | 0:12:20 | |
and then literally breathe through your nose, | 0:12:20 | 0:12:22 | |
but make sure your stomach comes out whilst you breathe in. | 0:12:22 | 0:12:26 | |
And then out through your mouth. | 0:12:27 | 0:12:29 | |
So has that been your secret to success this week, then? | 0:12:29 | 0:12:31 | |
Er...yeah, probably. | 0:12:31 | 0:12:33 | |
HE LAUGHS | 0:12:33 | 0:12:34 | |
I'm very worried about what Peter's going to do for his dessert. | 0:12:35 | 0:12:38 | |
It's called apple pie, but there's no way it'll be simple. | 0:12:38 | 0:12:41 | |
It's surely going to be the absolute show-stopper, isn't it? | 0:12:41 | 0:12:44 | |
Determined to stay ahead of Emily and get past Peter, | 0:12:47 | 0:12:50 | |
Chris has promised to produce the perfect peach | 0:12:50 | 0:12:52 | |
for his extravagant spin on peach Melba. | 0:12:52 | 0:12:55 | |
But there's a problem. | 0:12:56 | 0:12:58 | |
What's going on? Talk to me, tell me. | 0:13:00 | 0:13:02 | |
Erm... | 0:13:02 | 0:13:04 | |
they're really quite large peaches, | 0:13:04 | 0:13:06 | |
-and the stone is really attached to the actual peach itself. -Yeah. | 0:13:06 | 0:13:12 | |
So I've had real problems with poaching them, | 0:13:12 | 0:13:15 | |
trying to take the stone out. | 0:13:15 | 0:13:17 | |
It's just completely thrown me. | 0:13:17 | 0:13:20 | |
I need to do something with it. I have to serve a peach, | 0:13:20 | 0:13:23 | |
cos otherwise it isn't going to be a peach Melba. | 0:13:23 | 0:13:25 | |
The perfect peach might not be so perfect. | 0:13:27 | 0:13:30 | |
Chris is having a real nightmare in there. | 0:13:31 | 0:13:33 | |
He's poached his peaches in a water bath, | 0:13:33 | 0:13:35 | |
and then every time he goes to remove the stone, | 0:13:35 | 0:13:38 | |
the actual peach collapses. | 0:13:38 | 0:13:40 | |
He was looking at having a whole peach, | 0:13:42 | 0:13:44 | |
stuffing it with a panna cotta and covering it with a gel, | 0:13:44 | 0:13:46 | |
so the peach needs to hold itself. | 0:13:46 | 0:13:48 | |
At the minute, it's not holding onto itself. | 0:13:48 | 0:13:51 | |
-So, are they OK? Are they going to be all right? -I don't know, mate. | 0:13:52 | 0:13:55 | |
I really don't know. | 0:13:55 | 0:13:57 | |
They don't seem to be feeling very well. | 0:13:57 | 0:13:59 | |
Oh. Well, good luck, man. | 0:13:59 | 0:14:00 | |
In a bid to get past her Michelin-starred rivals, | 0:14:05 | 0:14:08 | |
Emily's going all out with her nostalgic dessert. | 0:14:08 | 0:14:11 | |
She's adding popping candy to her clotted cream ice lollies, | 0:14:11 | 0:14:14 | |
and for laughs is serving them with a traditional lolly stick joke. | 0:14:14 | 0:14:19 | |
-Pleased with them? -So far, so good. -What are you going to do? | 0:14:19 | 0:14:21 | |
-Get them in the blast chiller and then let them reset? -Exactly. | 0:14:21 | 0:14:24 | |
I just want to firm up those edges so they're really, really firm, | 0:14:24 | 0:14:27 | |
and I'm waiting for the temperature of the rhubarb | 0:14:27 | 0:14:30 | |
to drop a little bit so that it's not so hot | 0:14:30 | 0:14:32 | |
that it just slides straight off them. | 0:14:32 | 0:14:33 | |
-So it doesn't melt it. -Exactly, yeah. | 0:14:33 | 0:14:35 | |
Emily's right in control of her game, | 0:14:37 | 0:14:39 | |
which is actually the complete opposite to Chris, | 0:14:39 | 0:14:41 | |
who's having a bit of a peach palaver. | 0:14:41 | 0:14:43 | |
To try to remove the stone and keep the peaches intact, | 0:14:46 | 0:14:49 | |
Chris tries another approach. | 0:14:49 | 0:14:51 | |
Give me loads of ice, mate. Loads of ice. | 0:14:51 | 0:14:54 | |
They're laid on ice and put in the blast chiller. | 0:14:54 | 0:14:57 | |
Now I'm walking into unknown territory. | 0:14:57 | 0:14:59 | |
I don't know how long they're going to need. | 0:14:59 | 0:15:01 | |
If the stone's going to come out of them, because they're so firm. | 0:15:01 | 0:15:04 | |
These peaches have to be perfect otherwise I don't have a dish. | 0:15:04 | 0:15:08 | |
And at the moment I'm really worried about them. | 0:15:08 | 0:15:11 | |
You know your main competitor's having a real nightmare over there, | 0:15:11 | 0:15:14 | |
don't you? He's having a real, real problem with his peaches. | 0:15:14 | 0:15:17 | |
I feel for him. It's not a nice position to be in, at all. | 0:15:17 | 0:15:21 | |
In a last ditch attempt to remove the stone, | 0:15:22 | 0:15:25 | |
Chris has resorted to poaching his peaches in liquid nitrogen. | 0:15:25 | 0:15:29 | |
Have you ever used liquid nitrogen before, Chris? | 0:15:29 | 0:15:31 | |
Never used it before, no. | 0:15:31 | 0:15:33 | |
Rising star Emily buys Chris more time, | 0:15:35 | 0:15:38 | |
as she's under fire first today with her lolly and sweets. | 0:15:38 | 0:15:42 | |
She dips her rhubarb and clotted cream jelly tots into a special gel. | 0:15:42 | 0:15:45 | |
Can I try one? | 0:15:45 | 0:15:46 | |
Yes, certainly. | 0:15:46 | 0:15:47 | |
-And is this the clotted cream that you've made yourself? -This is, yeah. | 0:15:47 | 0:15:51 | |
She rolls her chilled clotted cream milk bottles in fine icing sugar, | 0:15:52 | 0:15:57 | |
tops her rhubarb jelly with bite- sized pieces of vanilla shortbread, | 0:15:57 | 0:16:01 | |
along with her sweets and rhubarb tuiles, | 0:16:01 | 0:16:05 | |
pops straws filled with fizzy powder into little bottles of rhubarb cordial. | 0:16:05 | 0:16:09 | |
And serves her rhubarb gel-coated lollies in comedy red noses. | 0:16:10 | 0:16:14 | |
That does put a smile on your face. | 0:16:19 | 0:16:21 | |
Come on. Let's go and eat it before the ice cream melts. | 0:16:21 | 0:16:23 | |
Carry the wibbly wobbly ice cream. | 0:16:23 | 0:16:25 | |
What do you call a deer with no eyes? | 0:16:30 | 0:16:32 | |
No idea. | 0:16:32 | 0:16:33 | |
No eye deer! Brilliant! Love that. | 0:16:33 | 0:16:36 | |
What's the fastest cake in the world? | 0:16:36 | 0:16:38 | |
I don't know, you tell me. | 0:16:38 | 0:16:39 | |
Scone. | 0:16:39 | 0:16:42 | |
Are you pleased with that? | 0:16:42 | 0:16:43 | |
I'm pleased with the flavours of the rhubarb, the clotted cream, | 0:16:43 | 0:16:47 | |
it's a little bit of a pop coming through now at the end. | 0:16:47 | 0:16:49 | |
Unfortunately, that's not having the impact which I'd like it to have. | 0:16:49 | 0:16:53 | |
That's really, really creamy. | 0:16:54 | 0:16:57 | |
It's like really delicious and rich and then that rhubarb jelly | 0:16:57 | 0:17:00 | |
on the outside of it just kind of gives a little bit tartness. | 0:17:00 | 0:17:03 | |
And then, all of a sudden, your mouth starts popping. | 0:17:03 | 0:17:05 | |
-All of a sudden, I've got popping in my mouth. -Yeah. | 0:17:05 | 0:17:08 | |
This is the clotted cream bottle. | 0:17:08 | 0:17:09 | |
-Yeah, you know, like the childhood sweet. -Yes. | 0:17:09 | 0:17:12 | |
Is that clotted cream flavour coming to your mouth enough? | 0:17:13 | 0:17:16 | |
To be completely honest, I felt they should be a little more chilled. | 0:17:16 | 0:17:20 | |
Oh, I used to love these. | 0:17:20 | 0:17:21 | |
Actually, that just tastes of rhubarb. Tastes delicious. | 0:17:23 | 0:17:26 | |
Do you think the shortbread's cooked correctly? | 0:17:26 | 0:17:29 | |
I like it like that. | 0:17:29 | 0:17:30 | |
Really great. Real fresh rhubarb flavour. It's good fun. | 0:17:36 | 0:17:40 | |
It's your final dish. Is this the thing that's going to get you | 0:17:40 | 0:17:43 | |
into the spotlight for the judges? | 0:17:43 | 0:17:45 | |
-Another dish where Emily's coming back, coming back. -Big time. | 0:17:46 | 0:17:51 | |
She's coming back and now she's coming back again even stronger. | 0:17:51 | 0:17:54 | |
I don't know whether to, erm, pack up my things | 0:17:56 | 0:17:58 | |
or start prepping for tomorrow. | 0:17:58 | 0:18:00 | |
With time ticking, Chris's persistence with his peaches | 0:18:02 | 0:18:05 | |
and poaching them in liquid nitrogen may have paid off. | 0:18:05 | 0:18:08 | |
Does it appear to be working? | 0:18:08 | 0:18:11 | |
-This way is a lot better than any other way I've tried so far. -OK. | 0:18:11 | 0:18:15 | |
-Please keep an eye on the time, Chris, yeah? -Yeah. No problem. | 0:18:15 | 0:18:17 | |
-You all right? -Yes, Chef. | 0:18:17 | 0:18:19 | |
My first year at Great British Menu, | 0:18:19 | 0:18:21 | |
my dessert went horribly wrong at this point. | 0:18:21 | 0:18:25 | |
OK? But I still went through to the banquet. All's not lost, chief, yeah? | 0:18:25 | 0:18:29 | |
Yes, Chef. | 0:18:29 | 0:18:31 | |
Next to be scrutinised is innovative Peter. | 0:18:37 | 0:18:39 | |
He tops his apple puree with cooked apple chunks. | 0:18:41 | 0:18:44 | |
Have we got music or soundtracks with this one? | 0:18:45 | 0:18:47 | |
-Can't give it away, have to keep it a secret. -OK. | 0:18:47 | 0:18:50 | |
I've got a surprise for you. | 0:18:50 | 0:18:51 | |
He pours his hot vanilla custard into jugs. | 0:18:51 | 0:18:55 | |
Adds his first surprise, | 0:18:55 | 0:18:56 | |
chewy cubes of vanilla ice cream frozen with nitrogen. | 0:18:56 | 0:19:00 | |
Tops with his crisp pastry lids, | 0:19:01 | 0:19:03 | |
sprinkled with malic acid for extra tartness. | 0:19:03 | 0:19:06 | |
Pours his roasted cinnamon and nutmeg mixed with hot water | 0:19:06 | 0:19:10 | |
into pots and pours liquid nitrogen into a flask. | 0:19:10 | 0:19:14 | |
-There we go. -Apple pie. | 0:19:17 | 0:19:19 | |
And then we'll just pour over this. Then we get the smell. | 0:19:19 | 0:19:24 | |
So that is the memory I had of my nan... I used to be in the kitchen | 0:19:25 | 0:19:28 | |
and I'd see my nan making apple pie, we'd get this amazing smell | 0:19:28 | 0:19:32 | |
with all these spices and I just, I just absolutely love it. | 0:19:32 | 0:19:34 | |
Right, shall we take this through? | 0:19:34 | 0:19:37 | |
Go for it, Chef. | 0:19:41 | 0:19:42 | |
-Wow. -If I close my eyes I would say to you apple pie, apple crumble. | 0:19:43 | 0:19:48 | |
-Because that's what I smell. -Yeah. | 0:19:48 | 0:19:50 | |
-Happy with the pastry and the way it turned out? -Yeah, yeah, massively. | 0:19:50 | 0:19:53 | |
I wanted that lovely little crisp. | 0:19:53 | 0:19:55 | |
And the filling, are you happy with the filling? | 0:19:55 | 0:19:57 | |
-Yeah, definitely. -Not too sweet? | 0:19:57 | 0:19:59 | |
I wanted to have the sweet and sharp. | 0:19:59 | 0:20:02 | |
-So it's quite surprising. -Not too sharp? | 0:20:02 | 0:20:04 | |
-Oh, just got something really sharp. -Pastry's delicious. | 0:20:05 | 0:20:09 | |
Those apples are really tart. | 0:20:09 | 0:20:11 | |
So the malic acid that you added to it, do you think that worked? | 0:20:11 | 0:20:14 | |
Did it help in anyway? | 0:20:14 | 0:20:16 | |
Just added again a little bit of fun to it. | 0:20:16 | 0:20:19 | |
I think it's an absolutely delicious dessert. | 0:20:19 | 0:20:22 | |
I don't think that malic acid is necessary to that strength at all. | 0:20:22 | 0:20:25 | |
It's making my eyes water. | 0:20:25 | 0:20:27 | |
So did you use the right apples in this? | 0:20:28 | 0:20:32 | |
Yeah, I think so, Chef. | 0:20:32 | 0:20:33 | |
-Very clever with ice cream in the middle. -Very clever with these lovely aromas. -Yeah. | 0:20:35 | 0:20:38 | |
Larger pieces the ice cream, smaller pieces the ice cream? | 0:20:38 | 0:20:42 | |
Yeah, maybe a little bit larger as well. Just to get it right. | 0:20:42 | 0:20:45 | |
Apple tart, vanilla ice cream, cinnamon, cloves and nutmeg. | 0:20:45 | 0:20:49 | |
Is this your final showcase finale? | 0:20:49 | 0:20:52 | |
Is this the thing that's going to put you in the spotlight? | 0:20:52 | 0:20:55 | |
I...just to say... | 0:20:56 | 0:20:59 | |
I don't think that's as good as some of his other dishes that he's done. | 0:20:59 | 0:21:03 | |
He's three points ahead, | 0:21:03 | 0:21:04 | |
I still think it's anybody's race at the moment. | 0:21:04 | 0:21:07 | |
Last to the pass is Chris, | 0:21:07 | 0:21:09 | |
with his extravagant Eden-inspired play on peach Melba. | 0:21:09 | 0:21:13 | |
He covers his vanilla panna cotta peaches | 0:21:13 | 0:21:15 | |
-with prosecco and grenadine gel. -They look amazing. | 0:21:15 | 0:21:18 | |
He adds his playful edible soil crumb to his tray. | 0:21:18 | 0:21:22 | |
Inserts his specially made tree and attaches his red peaches. | 0:21:22 | 0:21:26 | |
And finally, he adds his raspberry sorbet lollies, | 0:21:27 | 0:21:30 | |
raspberry jus and peach puree. | 0:21:30 | 0:21:32 | |
Amazing. You all right? | 0:21:34 | 0:21:35 | |
HE LAUGHS NERVOUSLY | 0:21:35 | 0:21:37 | |
The end of a right stressful day! | 0:21:37 | 0:21:39 | |
Let's go and eat it, before it melts away. | 0:21:41 | 0:21:43 | |
Guys, I'll let you enjoy your peach tree. | 0:21:44 | 0:21:47 | |
Let's go. | 0:21:47 | 0:21:49 | |
Finally got there. | 0:21:54 | 0:21:55 | |
That was probably the hardest, most tense time | 0:21:55 | 0:21:58 | |
I've ever had in any kitchen. | 0:21:58 | 0:22:00 | |
-Don't know how he's managed to do it in the end, to be honest. -No. | 0:22:00 | 0:22:03 | |
-At one point, I thought he just wasn't going to have the peaches on the dish. -No. | 0:22:03 | 0:22:07 | |
Are you happy with that sorbet? | 0:22:07 | 0:22:09 | |
It tastes of raspberry and I'm happy with that. | 0:22:09 | 0:22:12 | |
-The raspberry is lovely and strong, that flavour. -Yeah. -Really nice. | 0:22:13 | 0:22:17 | |
Are you happy with the way the peach is cooked? | 0:22:20 | 0:22:23 | |
The peach is soft. And it's poached. | 0:22:23 | 0:22:26 | |
I didn't want it to be a peach where it was still rock hard and | 0:22:26 | 0:22:30 | |
it's almost like a raw fruit salad. I want it to be a poached peach. | 0:22:30 | 0:22:34 | |
Some of these peaches are not the best ripe, are they? | 0:22:34 | 0:22:37 | |
No, it's not that flavour, is it? | 0:22:37 | 0:22:40 | |
Yeah, I find it quite messy to eat as well. | 0:22:40 | 0:22:42 | |
And the gel, are you happy with the way the gel is on there? | 0:22:43 | 0:22:46 | |
You know, peaches and prosecco, like a classic kind of combination. | 0:22:46 | 0:22:50 | |
The crumbs made of freeze-dried raspberries, gingerbread, | 0:22:50 | 0:22:53 | |
pistachios, and white chocolate. | 0:22:53 | 0:22:55 | |
It's really nice to have some texture on the peach. | 0:22:55 | 0:22:57 | |
I didn't think it needed quite so many components to make it up. | 0:22:57 | 0:23:01 | |
And where you've taken the stone out, | 0:23:01 | 0:23:03 | |
is there enough vanilla mousse in there? | 0:23:03 | 0:23:04 | |
The peaches have been a real issue today | 0:23:04 | 0:23:06 | |
and I would like to have seen | 0:23:06 | 0:23:07 | |
a little bit more vanilla mousse in there. | 0:23:07 | 0:23:09 | |
Panna cotta's set up really nicely. | 0:23:09 | 0:23:12 | |
It'd be nice to have a bit more panna cotta, actually, | 0:23:12 | 0:23:14 | |
cos I think that was about it. | 0:23:14 | 0:23:17 | |
At the beginning of the dessert course, | 0:23:17 | 0:23:19 | |
you promised me the perfect peach. Is this the perfect peach? | 0:23:19 | 0:23:22 | |
Erm, I've been through hell and back to get you a poached peach. | 0:23:22 | 0:23:26 | |
Given a chance to go through to the judges' chamber, | 0:23:26 | 0:23:29 | |
I will give you a perfect peach. | 0:23:29 | 0:23:31 | |
Aww...! | 0:23:37 | 0:23:38 | |
-Hello, mate. Fair play, man. -Thank heavens it's over. -You all right? | 0:23:38 | 0:23:41 | |
That was tough stuff. | 0:23:41 | 0:23:44 | |
That was full on. That was proper full on. | 0:23:44 | 0:23:46 | |
It wasn't perfect, and it wasn't the perfect peach, | 0:23:46 | 0:23:48 | |
but I gave him something and I'm proud of that. | 0:23:48 | 0:23:51 | |
Hello, chefs. Tough day? | 0:24:02 | 0:24:06 | |
I'll start with you, Emily, and your lolly and sweets. | 0:24:08 | 0:24:11 | |
The ice cream. | 0:24:12 | 0:24:14 | |
It was amazing. | 0:24:15 | 0:24:17 | |
It was singularly one of the best ice creams I've ever had. | 0:24:17 | 0:24:20 | |
It was absolutely stunning. | 0:24:20 | 0:24:22 | |
I think the popping candy in the ice cream, | 0:24:23 | 0:24:25 | |
you were worried that there wasn't quite enough there, but for me, | 0:24:25 | 0:24:29 | |
I thought it was absolutely perfect. | 0:24:29 | 0:24:32 | |
The fizzy rhubarb drink. | 0:24:32 | 0:24:35 | |
How much fun was that? | 0:24:35 | 0:24:36 | |
The dish itself, for me, it nailed the brief, it made me smile. | 0:24:38 | 0:24:42 | |
But... | 0:24:44 | 0:24:45 | |
as much as I loved it, I'm really not sure how it sits as a dessert. | 0:24:45 | 0:24:51 | |
I think you could have done more with the tin of sweets. | 0:24:51 | 0:24:54 | |
Also, I think maybe you need to look at HOW it was actually presented. | 0:24:54 | 0:24:59 | |
Peter... | 0:24:59 | 0:25:01 | |
your apple pie. | 0:25:01 | 0:25:03 | |
I want to give your nan a job. | 0:25:05 | 0:25:07 | |
Now, I don't cook with liquid nitrogen, | 0:25:08 | 0:25:10 | |
but the way that you used it, it was very clever. | 0:25:10 | 0:25:13 | |
The theatre that we had up here on the pass and the smells, | 0:25:13 | 0:25:16 | |
the aromas it gave off, I thought it was fantastic, | 0:25:16 | 0:25:18 | |
really filled the room, made me feel that I was in your nan's kitchen. | 0:25:18 | 0:25:23 | |
The pastry I thought was very clever, was absolutely delicious, | 0:25:23 | 0:25:27 | |
fantastic crunch to it, really, really good. | 0:25:27 | 0:25:30 | |
But... | 0:25:32 | 0:25:33 | |
..as good as the pastry was, | 0:25:34 | 0:25:37 | |
it got spoiled with the malic acid. | 0:25:37 | 0:25:39 | |
It left a real sour taste in my mouth. | 0:25:42 | 0:25:44 | |
In fact, almost to the point there were parts of it | 0:25:44 | 0:25:47 | |
that I found quite offensive. | 0:25:47 | 0:25:48 | |
OK, Chris, for your peach Melba... | 0:25:51 | 0:25:55 | |
Lots and lots of thought went into the presentation, | 0:25:57 | 0:26:00 | |
but I'm not sure you really achieved what you were looking for. | 0:26:00 | 0:26:04 | |
I know you had an absolute nightmare with those peaches. | 0:26:04 | 0:26:08 | |
I bet you never want to see a peach again. | 0:26:08 | 0:26:10 | |
But I've got to be honest with you, | 0:26:11 | 0:26:13 | |
all the flavours of a classic peach Melba were there. | 0:26:13 | 0:26:17 | |
The soil added some great texture to the dish. | 0:26:17 | 0:26:20 | |
But... | 0:26:22 | 0:26:23 | |
..you promised me the perfect peach, | 0:26:24 | 0:26:26 | |
and it didn't quite reach those heights. | 0:26:26 | 0:26:29 | |
Although it was cooked very well, the peach itself actually lacked flavour. | 0:26:30 | 0:26:35 | |
The panna cotta was perhaps set a little firm for me, | 0:26:36 | 0:26:40 | |
and there wasn't really quite enough of it. | 0:26:40 | 0:26:44 | |
OK, chefs, | 0:26:44 | 0:26:45 | |
it's time for the scores. | 0:26:45 | 0:26:47 | |
So... | 0:26:47 | 0:26:49 | |
With a score of seven out of ten for their dessert, | 0:26:50 | 0:26:53 | |
and giving them the highest score across the week... | 0:26:53 | 0:26:57 | |
-is Peter. Well done. -Thanks, Chef. | 0:26:57 | 0:26:59 | |
So, chefs, that leaves two of you. | 0:27:02 | 0:27:05 | |
With just one point between you. | 0:27:05 | 0:27:08 | |
Emily... | 0:27:10 | 0:27:12 | |
for your lolly and sweets, | 0:27:12 | 0:27:14 | |
I'm giving you... | 0:27:14 | 0:27:17 | |
eight out of ten. | 0:27:17 | 0:27:18 | |
Chris... | 0:27:20 | 0:27:23 | |
for your peach Melba... | 0:27:23 | 0:27:24 | |
I am giving you... | 0:27:27 | 0:27:28 | |
..six out of ten. | 0:27:30 | 0:27:32 | |
Well done, Emily. You're through to the judges. | 0:27:33 | 0:27:36 | |
Thank you, Chef. | 0:27:36 | 0:27:37 | |
Bad luck, Chris. | 0:27:37 | 0:27:39 | |
You're a great chef. I'm truly sorry. | 0:27:39 | 0:27:41 | |
All credit for not giving up. | 0:27:41 | 0:27:44 | |
That was true determination. | 0:27:44 | 0:27:46 | |
But today I think you were beaten by the pudding. | 0:27:46 | 0:27:50 | |
Guys, well done. | 0:27:50 | 0:27:52 | |
Good luck tomorrow. | 0:27:52 | 0:27:53 | |
Well done, guys. | 0:27:54 | 0:27:56 | |
Of course, at one point I didn't actually think | 0:27:57 | 0:27:59 | |
I was actually going to produce a dessert, but you know, I think | 0:27:59 | 0:28:02 | |
I did pretty well for getting the peach course to the pass. | 0:28:02 | 0:28:06 | |
I knew that my dessert was a risk. I'm so pleased. | 0:28:06 | 0:28:09 | |
Now to be cooking for the judges is going to be an absolute honour, | 0:28:09 | 0:28:13 | |
so I'm really, really happy. | 0:28:13 | 0:28:15 | |
Tomorrow, Peter and Emily face the fastidious judges. | 0:28:15 | 0:28:19 | |
I think this is a fair old disaster. | 0:28:19 | 0:28:21 | |
Stress levels are running high... | 0:28:21 | 0:28:23 | |
I don't like that. Agh, can't get this to work. | 0:28:23 | 0:28:25 | |
..and mistakes start to creep in. | 0:28:25 | 0:28:27 | |
You ain't going to believe it. | 0:28:27 | 0:28:29 | |
That puree, what I just used, was the one for my main course. | 0:28:29 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:28:38 | 0:28:40 |