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It's crunch time on Great British Menu for the south west Chefs. | 0:00:02 | 0:00:05 | |
This week's been a battle of the newcomers. | 0:00:06 | 0:00:09 | |
Classical chef, Chris Eden, | 0:00:09 | 0:00:10 | |
innovative young gun, Peter Sanchez Iglesias | 0:00:10 | 0:00:13 | |
and rising star Emily Watkins, striving for the chance to cook | 0:00:13 | 0:00:17 | |
at a special banquet, celebrating 25 years of Red Nose Day. | 0:00:17 | 0:00:21 | |
With just one point between Emily and Chris, | 0:00:23 | 0:00:26 | |
yesterday's dessert course was a fight for survival. | 0:00:26 | 0:00:30 | |
Got to keep on getting good points coming back, don't you? | 0:00:30 | 0:00:33 | |
While Peter held on to the top spot... | 0:00:33 | 0:00:35 | |
Highest score across the week... | 0:00:35 | 0:00:37 | |
..Emily leapfrogged from last place. | 0:00:37 | 0:00:40 | |
-You're through to the judges. -Thanks, Chef. | 0:00:40 | 0:00:42 | |
And it was Chris who left the competition. | 0:00:42 | 0:00:45 | |
Today Emily and Peter will cook all four of their courses again, | 0:00:46 | 0:00:50 | |
as they lock horns for the final showdown. | 0:00:50 | 0:00:53 | |
You actually feeling nervous, then, Peter? | 0:00:54 | 0:00:57 | |
Backstage, the judges are expecting a performance on a plate. | 0:00:57 | 0:01:00 | |
Come on, Prue, chop, chop, new blood. | 0:01:00 | 0:01:02 | |
But to make sure the food is full of fun of well as flavour, | 0:01:02 | 0:01:05 | |
there'll be a fourth comedy judge. | 0:01:05 | 0:01:07 | |
This week, it's Fast Show comedian | 0:01:08 | 0:01:10 | |
and Comic Relief supporter Simon Day. | 0:01:10 | 0:01:13 | |
I think you want, as a comedian, to hear, "Why don't you do this?" | 0:01:13 | 0:01:16 | |
ALL LAUGH | 0:01:16 | 0:01:17 | |
The chefs are under pressure | 0:01:17 | 0:01:19 | |
and must deliver gastronomic greatness, with a witty twist. | 0:01:19 | 0:01:25 | |
Thumb over the top. | 0:01:25 | 0:01:26 | |
Whizz, whizz, whizz... | 0:01:26 | 0:01:28 | |
-Wow! -It tastes like bliss. | 0:01:28 | 0:01:30 | |
It's going to go right down to the wire. | 0:01:30 | 0:01:32 | |
Only one chef can represent the south west at the national finals. | 0:01:32 | 0:01:37 | |
The winner is... | 0:01:37 | 0:01:38 | |
It's the first time in front of the judges for both Emily | 0:01:53 | 0:01:56 | |
and her Michelin-starred rival Peter, and the atmosphere is tense. | 0:01:56 | 0:02:01 | |
You've been a real dark horse coming up. | 0:02:01 | 0:02:04 | |
I was lucky, things came together for me. | 0:02:04 | 0:02:06 | |
Nerves calmed down a bit, but I tell you what, they're fully back | 0:02:06 | 0:02:10 | |
-in force, the nerves now. -Good luck to you. -Yeah, good luck. | 0:02:10 | 0:02:13 | |
Remaining in the bottom spot until the dessert round, Emily managed | 0:02:17 | 0:02:21 | |
to claw her way up the scoreboard to get through to the judges today. | 0:02:21 | 0:02:26 | |
It still feels totally unreal that I'm here. In shock, really, still. | 0:02:26 | 0:02:31 | |
Rival Peter knows that Emily is one to watch. | 0:02:31 | 0:02:35 | |
Have to make sure I'm on the ball today. | 0:02:35 | 0:02:37 | |
I think Emily's going to be on top form. | 0:02:37 | 0:02:39 | |
Well, they're definitely keeping us guessing with those titles. | 0:02:42 | 0:02:45 | |
"Shoot lunch", could be BANG on! | 0:02:45 | 0:02:48 | |
And this year, judges Prue Leith, Oliver Peyton | 0:02:48 | 0:02:51 | |
and Matthew Fort are getting a sneak preview of their menus. | 0:02:51 | 0:02:54 | |
Come on, Prue, chop, chop. Good new chefs, new blood. | 0:02:54 | 0:02:58 | |
Although new to the competition, | 0:02:58 | 0:03:00 | |
Emily's cooking is not unfamiliar to Prue. | 0:03:00 | 0:03:03 | |
Emily's restaurant is about four miles from my house. | 0:03:03 | 0:03:06 | |
She's a really good cook. There's a question mark about her puddings, | 0:03:06 | 0:03:10 | |
but maybe she's going to surprise me. | 0:03:10 | 0:03:12 | |
In the kitchen, Emily and Peter get straight on with their starters, | 0:03:15 | 0:03:19 | |
but they're about to be caught off guard. | 0:03:19 | 0:03:22 | |
Hello, chefs, how's it going? | 0:03:22 | 0:03:24 | |
PRUE: Both looking so serious. | 0:03:24 | 0:03:27 | |
Come on, guys, where's the fun? | 0:03:27 | 0:03:29 | |
You know, we love a bit of new blood. | 0:03:29 | 0:03:31 | |
PRUE: I was very pleased | 0:03:31 | 0:03:33 | |
to see your pudding had done so well, with top. | 0:03:33 | 0:03:36 | |
Oh, good, good. | 0:03:36 | 0:03:37 | |
Anyway, good luck, guys, and we'll see you on the other side. | 0:03:37 | 0:03:39 | |
-Thank you. -Thank you. -See you later. -Good luck. | 0:03:39 | 0:03:42 | |
-She's been to my restaurant. -Yeah? | 0:03:45 | 0:03:48 | |
It makes it even doubly worrying. | 0:03:49 | 0:03:52 | |
You know what she likes, then? | 0:03:52 | 0:03:54 | |
I just know that she lives fairly close to me. | 0:03:54 | 0:03:56 | |
She doesn't come that often. | 0:03:56 | 0:03:57 | |
Well, I don't think I'm any the wiser after that little kitchen jaunt. | 0:04:01 | 0:04:05 | |
What about you? | 0:04:05 | 0:04:06 | |
Peter looks, I must say, pretty cocky in the picture, | 0:04:06 | 0:04:09 | |
but I thought he looked rather less so in the kitchen. | 0:04:09 | 0:04:14 | |
Are you actually feeling nervous, then, Peter? | 0:04:14 | 0:04:16 | |
I am a little bit, I'm not going to lie. | 0:04:16 | 0:04:19 | |
-It's tough, isn't it, trying to get this out. -Tough? | 0:04:19 | 0:04:22 | |
I think that's an understatement. | 0:04:22 | 0:04:24 | |
I've never put myself in such a position in my life. | 0:04:24 | 0:04:27 | |
Earlier on in the week, | 0:04:28 | 0:04:30 | |
nerves and time pressure got the better of Emily, | 0:04:30 | 0:04:32 | |
and for her culinary take on a childhood literary classic, | 0:04:32 | 0:04:36 | |
Dr Seuss's green eggs and ham. | 0:04:36 | 0:04:38 | |
She scored a disappointing five | 0:04:38 | 0:04:40 | |
after failing on key technical elements, | 0:04:40 | 0:04:43 | |
including her pork liver parfait, which didn't set in time. | 0:04:43 | 0:04:47 | |
How's your pork mousse going? Happy with that? | 0:04:47 | 0:04:50 | |
Yeah. | 0:04:50 | 0:04:51 | |
There's added pressure this year, | 0:04:54 | 0:04:56 | |
as the chefs have to impress a fourth judge. | 0:04:56 | 0:04:58 | |
Today, it's comedian Simon Day. | 0:04:58 | 0:05:00 | |
Hello, Simon, how are you? Welcome. Come and sit down. | 0:05:00 | 0:05:03 | |
Thank you very much. | 0:05:03 | 0:05:04 | |
So a bit of wit and humour in the menu is what we're looking for today. | 0:05:04 | 0:05:08 | |
Which I'm sure can go wrong as well. | 0:05:08 | 0:05:12 | |
Eight courses. Are you up for that? | 0:05:12 | 0:05:14 | |
I love eating, yes. I don't need to be told to eat. | 0:05:14 | 0:05:17 | |
In the kitchen, Emily is finishing off her starter. | 0:05:18 | 0:05:23 | |
I was dreading being first, | 0:05:23 | 0:05:24 | |
-but I'm quite glad to get it out of the way. -Fair play to you, my love. | 0:05:24 | 0:05:27 | |
She makes her mock egg by topping fried bread with minced pork fat | 0:05:27 | 0:05:31 | |
and adds the pea sphere wrapped in lardo. | 0:05:31 | 0:05:34 | |
Next, she squeezes apple jelly | 0:05:34 | 0:05:36 | |
into the centre of her pork liver parfait | 0:05:36 | 0:05:38 | |
and serves it with sourdough soldiers, fresh ham and peas. | 0:05:38 | 0:05:43 | |
Awesome. It's looking really, really good. Happy? | 0:05:43 | 0:05:45 | |
Happier. | 0:05:45 | 0:05:48 | |
Happier. | 0:05:48 | 0:05:50 | |
First one out of the way. | 0:05:53 | 0:05:55 | |
A fried egg with a green yolk? | 0:06:05 | 0:06:08 | |
Dr Seuss. | 0:06:08 | 0:06:09 | |
-Think they'll get it? -Were they fans of Green Eggs And Ham? | 0:06:09 | 0:06:12 | |
-I don't know. We'll have to see. -It's dead funny. | 0:06:12 | 0:06:14 | |
I think it looks great. I like the green egg. | 0:06:14 | 0:06:16 | |
It looks like a half-cooked egg, | 0:06:16 | 0:06:18 | |
which is presumably what it's meant to look like. | 0:06:18 | 0:06:21 | |
Let's give it a chance. | 0:06:21 | 0:06:22 | |
I don't quite know that I'm going to like it. | 0:06:22 | 0:06:24 | |
That parfait, did you get it spot-on? | 0:06:24 | 0:06:26 | |
It's holding as it should. It's not as intense as it was the other day. | 0:06:26 | 0:06:30 | |
I think the whipped liver mousse is very nice. | 0:06:30 | 0:06:33 | |
I think it could be a little bit thicker. | 0:06:33 | 0:06:34 | |
The pea puree that has been in the spherified ball, | 0:06:34 | 0:06:39 | |
the egg yolk, | 0:06:39 | 0:06:40 | |
is bitter. Do you know, I think this is a fair old disaster. | 0:06:40 | 0:06:46 | |
I think for once, Prue, you're absolutely incorrect. | 0:06:47 | 0:06:51 | |
I'm wrong, am I? | 0:06:51 | 0:06:53 | |
I think it's really funny. | 0:06:53 | 0:06:55 | |
That's a beautiful piece of fried bread underneath that. | 0:06:55 | 0:06:58 | |
Anything that has fried bread has got to be good. | 0:06:58 | 0:07:00 | |
The fried bread is actually quite fatty. | 0:07:00 | 0:07:02 | |
Which I know it's supposed to be, but... | 0:07:02 | 0:07:04 | |
Excuse me, what's wrong with that? | 0:07:04 | 0:07:06 | |
He's not a northerner, is he? | 0:07:06 | 0:07:07 | |
NORTHERN ACCENT: It's absolutely fantastic, this. | 0:07:07 | 0:07:11 | |
It's your deconstructed egg and bacon sarnie. | 0:07:11 | 0:07:15 | |
I'm still worried about the dish. Very worried. | 0:07:15 | 0:07:17 | |
I'm not embarrassed about it, like I was the other day. | 0:07:17 | 0:07:19 | |
And the toast is boring. | 0:07:19 | 0:07:21 | |
Oh, come on, it's very funny! It's nice. | 0:07:21 | 0:07:24 | |
There's a few missing loops here, | 0:07:24 | 0:07:25 | |
but this is good. It's fun. | 0:07:25 | 0:07:28 | |
Are you laughing? | 0:07:28 | 0:07:29 | |
No. It takes me a lot more than a green egg to make me laugh, though. | 0:07:29 | 0:07:32 | |
Innovative young chef Peter is up next | 0:07:35 | 0:07:38 | |
with his nostalgic picnic starter | 0:07:38 | 0:07:40 | |
with coronation chicken terrine, quiche Lorraine mousse | 0:07:40 | 0:07:43 | |
and a warm, runny scotch egg, | 0:07:43 | 0:07:45 | |
A dish that scored an impressive nine earlier in the week. | 0:07:45 | 0:07:49 | |
But he did incur a penalty point for being late to the pass. | 0:07:49 | 0:07:52 | |
How are you doing on that today? | 0:07:52 | 0:07:54 | |
Just about there. | 0:07:54 | 0:07:55 | |
-Yeah? -I'm going to find it tough again, | 0:07:55 | 0:07:57 | |
because it's a big dish to do. | 0:07:57 | 0:07:59 | |
He finishes his potato | 0:07:59 | 0:08:00 | |
and truffle salad, served in quirky bar-coded boxes. | 0:08:00 | 0:08:04 | |
He adds his hot scotch eggs, quiche Lorraine mousse | 0:08:04 | 0:08:06 | |
and coronation chicken terrines, | 0:08:06 | 0:08:09 | |
the weakest element of his dish, according to Tom Kerridge. | 0:08:09 | 0:08:13 | |
One and a half minutes, Peter, over the time. | 0:08:13 | 0:08:15 | |
-Are you there? -Two minutes and I'll be coming to the pass. | 0:08:15 | 0:08:19 | |
Everything goes into a picnic basket. | 0:08:20 | 0:08:22 | |
It's better this time. It's way, way, way better. | 0:08:22 | 0:08:26 | |
And the effect is completed with fake turf | 0:08:26 | 0:08:29 | |
and atmospheric picnic noises. | 0:08:29 | 0:08:30 | |
One, two, three. | 0:08:30 | 0:08:33 | |
BIRDSONG | 0:08:33 | 0:08:36 | |
This'll blow these judges away. | 0:08:36 | 0:08:38 | |
Oh, look! | 0:08:40 | 0:08:42 | |
ALL EXCLAIM | 0:08:42 | 0:08:44 | |
PRUE: A bit of Astroturf. | 0:08:44 | 0:08:45 | |
BIRDSONG | 0:08:47 | 0:08:49 | |
DUCKS QUACK | 0:08:49 | 0:08:51 | |
You don't think there are live creatures inside this, do you? | 0:08:51 | 0:08:55 | |
GEESE HONK | 0:08:55 | 0:08:56 | |
There's some Canada geese flying south in mine. | 0:08:56 | 0:08:59 | |
Ahhh! | 0:08:59 | 0:09:01 | |
MATTHEW: I feel an overwhelming sense of disappointment. | 0:09:02 | 0:09:05 | |
That was exactly what I wanted. The right temperatures. Everything was perfect. | 0:09:07 | 0:09:11 | |
Wow, that's really an incredible flavour, that. | 0:09:11 | 0:09:13 | |
This bears absolutely no resemblance | 0:09:13 | 0:09:15 | |
to any picnic I've ever eaten in my life. | 0:09:15 | 0:09:17 | |
What about the coronation chicken? | 0:09:17 | 0:09:19 | |
Did you listen to Tom or have you decided to run with it? | 0:09:19 | 0:09:22 | |
You know what? | 0:09:22 | 0:09:24 | |
I was actually really, really happy with that element of the dish. | 0:09:24 | 0:09:27 | |
All the individual parts of this are really great. | 0:09:27 | 0:09:30 | |
I completely disagree. | 0:09:30 | 0:09:31 | |
There is absolutely no connection between these things. | 0:09:31 | 0:09:34 | |
The world's smallest potatoes, | 0:09:34 | 0:09:36 | |
contributing nothing in terms of taste or texture. | 0:09:36 | 0:09:39 | |
The scotch egg is just a boring bog-standard scotch egg | 0:09:39 | 0:09:42 | |
you'd find in any decent pub up and down the country. | 0:09:42 | 0:09:44 | |
If you got scotch eggs like that in every pub, there'd be more people in the pubs. | 0:09:44 | 0:09:48 | |
-They wouldn't be closing down. -You don't know the pubs Matthew goes to. | 0:09:48 | 0:09:52 | |
-Matthew doesn't frequent the working men's clubs. -No fruit machines? | 0:09:52 | 0:09:56 | |
Matthew has to send his staff ahead of him first of all | 0:09:56 | 0:09:58 | |
to find out the quality of the scotch eggs. | 0:09:58 | 0:10:01 | |
What matters mostly is, that dish is executed the way I wanted it to be | 0:10:01 | 0:10:05 | |
-and it works and I'm dead happy. -Excellent. | 0:10:05 | 0:10:08 | |
It's a performance on the plate, it's gastronomy... | 0:10:08 | 0:10:11 | |
I mean, it's got everything. | 0:10:11 | 0:10:12 | |
He's even put the barcode on it. It's brilliant. | 0:10:12 | 0:10:16 | |
I enjoyed the whole thing of it. A childlike wonder. | 0:10:16 | 0:10:21 | |
Next, it's the fish course. | 0:10:21 | 0:10:24 | |
Emily's hoping her use of innovative techniques | 0:10:24 | 0:10:27 | |
with simple flavours will impress the judges. | 0:10:27 | 0:10:29 | |
Her nostalgic take on high tea features cured brown trout, | 0:10:29 | 0:10:33 | |
potato toasts and an unusual deconstructed hollandaise. | 0:10:33 | 0:10:37 | |
Emily, how are you doing for time? | 0:10:37 | 0:10:39 | |
Tight, Peter. | 0:10:39 | 0:10:40 | |
Emily's hoping to improve on the low six she scored for it | 0:10:40 | 0:10:43 | |
earlier in the week, but with plate up fast approaching, | 0:10:43 | 0:10:46 | |
the pressure is starting to show. | 0:10:46 | 0:10:49 | |
Need to get these last elements on the pass. | 0:10:49 | 0:10:51 | |
I don't want to overcook my leeks, | 0:10:51 | 0:10:54 | |
because I was picked up on it before. | 0:10:54 | 0:10:57 | |
She adds the components of her deconstructed hollandaise, | 0:10:57 | 0:11:00 | |
her egg puree and lemon beurre noisette to the tray. | 0:11:00 | 0:11:03 | |
Emily, how's your powder? | 0:11:06 | 0:11:07 | |
I hope it's all right. I've chilled it down a bit, | 0:11:07 | 0:11:11 | |
because I think what happened before, it was made quite quickly | 0:11:11 | 0:11:15 | |
in this warm kitchen, and as a result, it was a little bit claggy. | 0:11:15 | 0:11:19 | |
She adds her braised baby leeks | 0:11:19 | 0:11:21 | |
and quirky fish tins filled with delicately cured brown trout, | 0:11:21 | 0:11:24 | |
along with her potato trout toasts. | 0:11:24 | 0:11:26 | |
It's late! | 0:11:29 | 0:11:30 | |
PRUE: High tea. | 0:11:37 | 0:11:38 | |
MATTHEW: Yeah, in front of the telly. Watching the Great British Menu. | 0:11:38 | 0:11:42 | |
-Are you happy with it, though? -Yeah, I was happy when it went up, | 0:11:42 | 0:11:44 | |
it was just a bit stressful getting it there. | 0:11:44 | 0:11:46 | |
-It looked brilliant. -Let's hope they enjoy it. | 0:11:46 | 0:11:49 | |
I think this is a brown trout. | 0:11:49 | 0:11:52 | |
-PRUE: And it is delicious. -What is this? | 0:11:52 | 0:11:54 | |
Is this salt of some kind? | 0:11:55 | 0:11:57 | |
The problem is, it doesn't come out very well. | 0:11:57 | 0:12:00 | |
Um, the trout, I've just finished it off this time with a little bit more | 0:12:00 | 0:12:03 | |
cooking oil over the top, | 0:12:03 | 0:12:05 | |
just to really kind of knock you back to that sardines in a tin | 0:12:05 | 0:12:09 | |
kind of idea, which it all stemmed from. | 0:12:09 | 0:12:11 | |
-I'm beginning to like this powdery stuff! -Prue! | 0:12:11 | 0:12:15 | |
Mmm! And the potatoes, I mean, all of those three are very good flavours. | 0:12:15 | 0:12:19 | |
I think they are. It's nice, plain, good, plain cooking. | 0:12:20 | 0:12:24 | |
It's a really simple dish, but there's four people in there | 0:12:24 | 0:12:27 | |
and they're going to have different opinions. | 0:12:27 | 0:12:29 | |
It doesn't taste of very much. I think it's all right. It's not very gastronomic. | 0:12:29 | 0:12:33 | |
-Underwhelming. -Matthew, when you said it was good, plain food, | 0:12:33 | 0:12:37 | |
did you mean aero-plane food? | 0:12:37 | 0:12:38 | |
ALL LAUGH | 0:12:38 | 0:12:40 | |
Peter's up next with his fish course, | 0:12:42 | 0:12:44 | |
a twist on classic fish and chips featuring oil-poached pollock, | 0:12:44 | 0:12:48 | |
pea puree, tartare sauce and quirky batter scrumps. | 0:12:48 | 0:12:52 | |
He assembles his condiments, tartare sauce, atomisers filled with | 0:12:52 | 0:12:56 | |
malt vinegar, and newspaper cones filled with batter scrumps. | 0:12:56 | 0:12:59 | |
Then he spreads his pea puree onto the plate. | 0:13:00 | 0:13:03 | |
That pea puree does look a lot smoother, doesn't it? | 0:13:03 | 0:13:06 | |
Yeah, this is exactly the way it should have been. | 0:13:06 | 0:13:08 | |
And finally tops with pollock and a garnish of fresh pea shoots. | 0:13:08 | 0:13:12 | |
There we go. Let's go. | 0:13:12 | 0:13:14 | |
Ohhh... | 0:13:14 | 0:13:16 | |
-Well done. -Thank God for that. | 0:13:16 | 0:13:18 | |
Fish and chips and mushy peas. | 0:13:27 | 0:13:29 | |
But where are the chips? | 0:13:29 | 0:13:30 | |
Oh! I've lost all me balls! | 0:13:30 | 0:13:33 | |
What sort of fish is this? | 0:13:33 | 0:13:35 | |
-Pollock, I think. -Is it? | 0:13:35 | 0:13:36 | |
-It's quite tasty. -It's really tasty. | 0:13:36 | 0:13:38 | |
Beautifully cooked fish. | 0:13:38 | 0:13:40 | |
Yeah, the food is delicious. I like the little vinegar spray. | 0:13:40 | 0:13:43 | |
That would help if you were attacked on the way home too. | 0:13:43 | 0:13:46 | |
You could use that on the tube. | 0:13:46 | 0:13:47 | |
I cannot see why you would not want to use such a great fish. | 0:13:47 | 0:13:50 | |
Do you know...I think we've been misled here. | 0:13:50 | 0:13:53 | |
That's not a mushy pea. | 0:13:53 | 0:13:55 | |
Yeah. Simon, what do you reckon? | 0:13:55 | 0:13:57 | |
I think it tastes like broccoli. | 0:13:57 | 0:13:59 | |
Can you get me some more of that pea puree, please? | 0:13:59 | 0:14:02 | |
If it's not peas, then what on earth is he doing? | 0:14:03 | 0:14:07 | |
Few would summon up broccoli | 0:14:10 | 0:14:11 | |
as a remembrance of all things past at the beach. | 0:14:11 | 0:14:14 | |
You're not going to believe it. | 0:14:14 | 0:14:17 | |
That puree what I just used was the one for my main course. | 0:14:17 | 0:14:20 | |
-Broccoli puree? -That's the problem | 0:14:20 | 0:14:22 | |
-if you go with two purees exactly the same -BLEEP -colour. | 0:14:22 | 0:14:25 | |
A guy from London goes to a chip shop up north, | 0:14:25 | 0:14:27 | |
points at the mushy peas and says, "I'll have the guacamole." | 0:14:27 | 0:14:30 | |
ALL LAUGH | 0:14:30 | 0:14:32 | |
Back in the kitchen, Peter's reflecting on his puree disaster. | 0:14:35 | 0:14:39 | |
You all right? | 0:14:39 | 0:14:41 | |
-Oh... -BLEEP! | 0:14:41 | 0:14:43 | |
I think it's really knocked him for six and it's really put him under | 0:14:45 | 0:14:49 | |
a bit of pressure and he's really thinking hard about it. | 0:14:49 | 0:14:54 | |
Got the next course to get up, | 0:14:54 | 0:14:55 | |
so smash it out and get absolute perfection. | 0:14:55 | 0:14:58 | |
-We need to smash -BLEEP. | 0:14:58 | 0:15:00 | |
The pressure is on. | 0:15:00 | 0:15:01 | |
-Let's go. -Let's go. | 0:15:01 | 0:15:03 | |
With two courses down, the judges take stock of the food so far | 0:15:09 | 0:15:12 | |
and discuss their scores. | 0:15:12 | 0:15:14 | |
I've been all over the place. | 0:15:14 | 0:15:16 | |
I mean, I've had a nine and I've had a four. | 0:15:16 | 0:15:18 | |
We're in sevens and eights territory at the moment. | 0:15:18 | 0:15:21 | |
I'm disappointed I'm not allowed to use halves. | 0:15:21 | 0:15:23 | |
Yeah! | 0:15:23 | 0:15:25 | |
I think, actually, Simon, you need to get into the kitchen and go and give | 0:15:25 | 0:15:29 | |
them a bit of coaching on how to focus their performance. | 0:15:29 | 0:15:32 | |
It'd be like the tumbleweed... If I went in as a comedian, saying, | 0:15:32 | 0:15:35 | |
"Why don't you do this?" they'd just go... | 0:15:35 | 0:15:37 | |
LAUGHTER | 0:15:37 | 0:15:39 | |
Hello! | 0:15:45 | 0:15:46 | |
-How's it going? -Not too bad. | 0:15:46 | 0:15:50 | |
We've had some nice things so far. | 0:15:50 | 0:15:52 | |
We had one thing which everyone hated | 0:15:52 | 0:15:56 | |
and one person really loved. | 0:15:56 | 0:15:58 | |
-Oh, God. -Hey... | 0:15:58 | 0:16:00 | |
BLEEP! | 0:16:00 | 0:16:01 | |
Sorry! | 0:16:03 | 0:16:04 | |
My hands are sweaty. | 0:16:04 | 0:16:06 | |
What are you making here? | 0:16:06 | 0:16:08 | |
-Just finishing off the lamb. -Are you all right? -Yeah. | 0:16:08 | 0:16:12 | |
-I do mean that. -Yeah, this is pretty much a brown butter. | 0:16:12 | 0:16:15 | |
-I was going to say, it looks really healthy(!) -Yeah. | 0:16:15 | 0:16:17 | |
-Caramelising it. -That is incredible. | 0:16:17 | 0:16:19 | |
Well, thanks very much, guys, I'm off. Nice to see you. | 0:16:19 | 0:16:23 | |
-Nice to see you. -Thanks. -I won't mention the broccoli. | 0:16:23 | 0:16:26 | |
So that was a bit of a fright. Highs and lows already. | 0:16:28 | 0:16:31 | |
I've got a real feeling that's my port liver parfait. | 0:16:31 | 0:16:33 | |
Well, I put broccoli puree instead of peas, so... | 0:16:33 | 0:16:36 | |
Worries aside, it's time for the main courses. | 0:16:39 | 0:16:42 | |
Peter's up first with his witty take on his nan's Sunday lunch. | 0:16:42 | 0:16:46 | |
Roast lamb complete with quadruple cooked potatoes, | 0:16:46 | 0:16:49 | |
Yorkshire puddings and a glass of sparkling perry champagne. | 0:16:49 | 0:16:53 | |
Tom Kerridge awarded Peter an eight for this course, | 0:16:53 | 0:16:55 | |
but he was topped by Emily, who scored a nine. | 0:16:55 | 0:16:58 | |
Emily's... She seems to be picking up the pace. | 0:16:59 | 0:17:02 | |
She knew she had the high scores on these courses, | 0:17:02 | 0:17:04 | |
so I'll have to watch out | 0:17:04 | 0:17:06 | |
and make sure I push mine that little bit extra. | 0:17:06 | 0:17:08 | |
He serves up his potatoes and heritage carrots | 0:17:10 | 0:17:14 | |
and tops his broccoli puree | 0:17:14 | 0:17:15 | |
with stuffed Yorkshire puddings and slices of lamb. | 0:17:15 | 0:17:18 | |
Just wait until we hear that music. | 0:17:22 | 0:17:24 | |
RAG-TIME MUSIC PLAYS | 0:17:26 | 0:17:29 | |
-We're at Matthew's house. -Yeah. | 0:17:34 | 0:17:37 | |
Your grandmother, she must be a total legend. | 0:17:41 | 0:17:43 | |
You've dedicated two dishes to her. | 0:17:43 | 0:17:45 | |
She has totally inspired you, has she? | 0:17:45 | 0:17:48 | |
Well, she's the one that created the memories, I suppose, | 0:17:48 | 0:17:50 | |
when I was younger. So yeah, she's a massive influence in my life. | 0:17:50 | 0:17:53 | |
Aren't the plates beautiful, though? | 0:17:53 | 0:17:55 | |
I love this whole thing, I think it's brilliant. | 0:17:55 | 0:17:57 | |
Mmm, yeah, looks great. Takes Oliver back to his childhood in Ireland. | 0:17:57 | 0:18:00 | |
I still like roast potatoes. | 0:18:00 | 0:18:02 | |
It doesn't take me back to my childhood! | 0:18:02 | 0:18:04 | |
Takes me back to last Sunday. | 0:18:04 | 0:18:05 | |
That is genuine 1950s vegetables - severely overcooked. | 0:18:05 | 0:18:10 | |
The broccoli for me is unnecessary. | 0:18:10 | 0:18:12 | |
That is definitely, definitely, definitely broccoli puree. | 0:18:12 | 0:18:17 | |
How did you feel about Tom's comments, | 0:18:17 | 0:18:18 | |
saying it was just a roast dinner if you take away all the presentation? | 0:18:18 | 0:18:22 | |
Truth is that if this came in front of us and there wasn't all the decor, | 0:18:22 | 0:18:26 | |
you'd say, right, it's Sunday lunch - so what? | 0:18:26 | 0:18:29 | |
I just wanted to serve a dish | 0:18:29 | 0:18:31 | |
where I knew everyone would want to eat it. | 0:18:31 | 0:18:33 | |
A good meal for the Jubilee, perhaps, | 0:18:33 | 0:18:35 | |
but for a banquet in 2013... | 0:18:35 | 0:18:37 | |
It is more Jubilee than Comic Relief, isn't it? | 0:18:37 | 0:18:40 | |
I'd rather see the futuristic version of this. | 0:18:40 | 0:18:43 | |
Emily's next to plate up with her high scoring main course. | 0:18:46 | 0:18:49 | |
It should be my strongest part of the menu. | 0:18:49 | 0:18:51 | |
I certainly feel more confident about this dish. | 0:18:51 | 0:18:54 | |
Her novelty version of a shoot lunch features beetroot risotto, | 0:18:54 | 0:18:58 | |
red kale and venison encased in a clever sloe gin and beetroot jelly. | 0:18:58 | 0:19:03 | |
She places her gel-coated venison on a bed of kale. | 0:19:03 | 0:19:06 | |
Adds dollops of her sloe gin liquid gel and horseradish foam, | 0:19:06 | 0:19:11 | |
then shotgun cartridges filled with popped beetroot barley. | 0:19:11 | 0:19:14 | |
-Kind of slightly chucking them to get the pellets coming out. -Love it. | 0:19:14 | 0:19:18 | |
-You have got technique there. -Well... | 0:19:18 | 0:19:20 | |
Next, a hip flask filled with venison gravy | 0:19:22 | 0:19:25 | |
and then she spoons on her beetroot and barley risotto. | 0:19:25 | 0:19:27 | |
OK. | 0:19:27 | 0:19:30 | |
Steady, guys. | 0:19:31 | 0:19:32 | |
Three down, one more to go. | 0:19:32 | 0:19:35 | |
Bang-bang! | 0:19:40 | 0:19:41 | |
-Ah! -Ha-ha! | 0:19:41 | 0:19:43 | |
I think it looks great. | 0:19:43 | 0:19:45 | |
Mmm! | 0:19:45 | 0:19:47 | |
It's interesting, it's like a cover of a Dick Francis book, isn't it? | 0:19:47 | 0:19:51 | |
Venison isn't too strong a game meat that some people might not enjoy it. | 0:19:51 | 0:19:55 | |
The dish is very clever, I love the presentation. | 0:19:55 | 0:19:57 | |
It is a good marriage of flavours. | 0:19:57 | 0:20:00 | |
The flavours are very strong. Rampant. | 0:20:00 | 0:20:02 | |
Rampant! I like the idea of this being a rampant dish. | 0:20:02 | 0:20:05 | |
I'm getting something else on the back of my palate | 0:20:05 | 0:20:08 | |
which is really not helping me at all. | 0:20:08 | 0:20:10 | |
Perhaps the gel that she's put round the edge of it. | 0:20:10 | 0:20:12 | |
The armour plating. | 0:20:12 | 0:20:13 | |
It is BEAUTIFUL. | 0:20:13 | 0:20:15 | |
I've taken Tom's advice totally - I think he was absolutely right | 0:20:15 | 0:20:18 | |
in what he said about the risotto. I have toned that down. It is less sweet now. | 0:20:18 | 0:20:21 | |
There's the potential for having a lot of sweetness in this, and there isn't. | 0:20:21 | 0:20:25 | |
And she's done the colour palate, | 0:20:25 | 0:20:26 | |
the flavour palate and the texture palate. | 0:20:26 | 0:20:28 | |
I mean, she has balanced everything absolutely beautifully. | 0:20:28 | 0:20:31 | |
I just hope that some of the judges, being country folk at heart, | 0:20:31 | 0:20:36 | |
will enjoy the scene. | 0:20:36 | 0:20:37 | |
-Textures change. -Mmm. -Get the crunch and the slight toughness of the kale. | 0:20:37 | 0:20:42 | |
I think it's beautifully done and really, really clever. | 0:20:42 | 0:20:46 | |
-It's certainly the most autumnal dish I've ever had. -Yeah. | 0:20:46 | 0:20:49 | |
This is like a little wander through the countryside, really. | 0:20:49 | 0:20:53 | |
Wonderful. | 0:20:53 | 0:20:54 | |
Pleasure, joy, smiles, happiness in every mouthful. | 0:20:54 | 0:20:57 | |
And this gravy - it may not have any alcohol in it, but ooh! | 0:20:57 | 0:21:01 | |
That is really, really beautiful. | 0:21:01 | 0:21:04 | |
My, that is good, isn't it? | 0:21:04 | 0:21:05 | |
Time for the dessert course. | 0:21:08 | 0:21:10 | |
Peter's last laugh is a witty homage to his nan's apple pie, | 0:21:10 | 0:21:14 | |
complete with custard and cubes of vanilla ice cream, | 0:21:14 | 0:21:17 | |
frozen with liquid nitrogen. | 0:21:17 | 0:21:19 | |
Peter's addition of malic acid to give extra tartness | 0:21:19 | 0:21:22 | |
to his pastry didn't go too well with veteran Tom. | 0:21:22 | 0:21:25 | |
It left a real sour taste in my mouth I found quite offensive. | 0:21:25 | 0:21:28 | |
I'm cutting down on the malic acid, | 0:21:28 | 0:21:30 | |
because these apples are really, really acidic. | 0:21:30 | 0:21:33 | |
Thought about it - now I'm going to do it the way it should be. | 0:21:33 | 0:21:36 | |
He tops his apple pie puree with cooked apple chunks, | 0:21:36 | 0:21:40 | |
adds his chewy cubes of vanilla ice cream, | 0:21:40 | 0:21:42 | |
tops with his crisp pastry lids | 0:21:42 | 0:21:45 | |
sprinkled with malic acid and sugar, | 0:21:45 | 0:21:47 | |
pours his roasted cinnamon and nutmeg mixed with hot water into pots. | 0:21:47 | 0:21:52 | |
And that's all for the aroma, is it? | 0:21:52 | 0:21:54 | |
That's all for the aroma, yep. | 0:21:54 | 0:21:56 | |
So this is the show-stopping treatment we're getting. | 0:21:56 | 0:21:59 | |
Yes, hopefully. Hopefully, hopefully. | 0:21:59 | 0:22:01 | |
Just got to keep ploughing. | 0:22:01 | 0:22:03 | |
For his special aromatic effect, | 0:22:03 | 0:22:05 | |
he pours liquid nitrogen into a flask. | 0:22:05 | 0:22:08 | |
And thankfully, Emily's paying attention. | 0:22:08 | 0:22:12 | |
-Liquid nitrogen. -Ah. | 0:22:16 | 0:22:17 | |
Peter's apple pie is served with a clever whiff of nostalgia. | 0:22:23 | 0:22:27 | |
My, oh, my, it's Merlin! | 0:22:27 | 0:22:29 | |
LAUGHTER | 0:22:29 | 0:22:30 | |
Smells incredible. | 0:22:30 | 0:22:32 | |
I can really smell the cinnamon and the cloves, formaldehyde... | 0:22:32 | 0:22:37 | |
So you're done. | 0:22:39 | 0:22:40 | |
All finished. BLEEP. I'm quite jealous. | 0:22:40 | 0:22:43 | |
Well, I'm always in favour of a bit of custard and sorcery. | 0:22:43 | 0:22:47 | |
So is your grandmother in the kitchen | 0:22:47 | 0:22:49 | |
with a big thing of liquid nitrogen, then? | 0:22:49 | 0:22:52 | |
-Ha-ha! -She must be very proud of her boy. | 0:22:52 | 0:22:55 | |
Well... | 0:22:55 | 0:22:56 | |
-Wow! -This looks fabulous. | 0:22:56 | 0:22:59 | |
Oh, my goodness, there's ice cream inside! | 0:22:59 | 0:23:03 | |
The ice cream, I made sure was colder, so by the time they get it, | 0:23:03 | 0:23:06 | |
hopefully it should still be that ice cream texture inside. | 0:23:06 | 0:23:09 | |
It's not often you hear us so quiet all the time. | 0:23:09 | 0:23:12 | |
I mean, this is a very, very, very fine bit of cooking. | 0:23:12 | 0:23:15 | |
Happy apple. | 0:23:15 | 0:23:17 | |
-I can concur. -Tastes like bliss. | 0:23:17 | 0:23:20 | |
Matthew's quite a traditionalist, isn't he? | 0:23:22 | 0:23:24 | |
You just made him very happy. He's had a picnic, Sunday roast. | 0:23:24 | 0:23:27 | |
Now he's having his apple pie for afters. | 0:23:27 | 0:23:30 | |
Emily's got it all to do. | 0:23:30 | 0:23:31 | |
I think it's going to go right down to the wire, I really do. | 0:23:31 | 0:23:34 | |
She'll have to pull it completely out of the bag, | 0:23:34 | 0:23:37 | |
because that is one of the best puddings we've ever had. | 0:23:37 | 0:23:40 | |
Next up is Emily. | 0:23:42 | 0:23:43 | |
Once again, she scored one point more than Peter for this dish. | 0:23:43 | 0:23:47 | |
A nostalgic spin on lolly and sweets, | 0:23:48 | 0:23:50 | |
featuring a rhubarb and clotted cream lolly, jelly tots, | 0:23:50 | 0:23:54 | |
milk bottles and a fizzy rhubarb cordial. | 0:23:54 | 0:23:57 | |
Yesterday, Emily's sweets were served in vintage-style tins, | 0:23:57 | 0:24:00 | |
but she's decided to change the presentation. | 0:24:00 | 0:24:04 | |
I don't like that. Right, sorry. | 0:24:04 | 0:24:07 | |
Take that. | 0:24:07 | 0:24:09 | |
-Last minute thing, then, yeah? -It is a last minute thing. Ah! | 0:24:09 | 0:24:13 | |
Can't get this to work. | 0:24:13 | 0:24:15 | |
Changing your presentation last minute is a real tough thing to do. | 0:24:15 | 0:24:20 | |
Prue Leith's sat there, and that really worries me. | 0:24:20 | 0:24:24 | |
I'm pretty sure she's not convinced by my dessert. I get this feeling. | 0:24:24 | 0:24:28 | |
She pops straws filled with fizzy powder into little | 0:24:28 | 0:24:31 | |
bottles of rhubarb cordial | 0:24:31 | 0:24:32 | |
and serves her rhubarb gel-coated lollies in comedy red noses, amongst | 0:24:32 | 0:24:37 | |
her scattered sweets, rhubarb tuilles and vanilla shortbread. | 0:24:37 | 0:24:40 | |
-That's it, they're going. -Game over. | 0:24:44 | 0:24:46 | |
-Wow. -Ooh! -Smells good. | 0:24:49 | 0:24:51 | |
-Jolly lolly! -It's a jolly lolly. | 0:24:51 | 0:24:54 | |
Rhubarb, rhubarb, rhubarb. | 0:24:54 | 0:24:57 | |
I hope that the judges get | 0:24:57 | 0:24:58 | |
that they're going to put the fizzy into...the sherbet into the drink. | 0:24:58 | 0:25:02 | |
Thumb over top, whizz, whizz, whizz, whizz. Shake it all about. | 0:25:04 | 0:25:09 | |
Wow. Mmm! | 0:25:09 | 0:25:11 | |
Oh, I like it. | 0:25:11 | 0:25:13 | |
I want one of those ice creams. | 0:25:13 | 0:25:15 | |
I just really hope that the judges like it as much as Tom does. | 0:25:15 | 0:25:18 | |
-Mmm! -Magnifico. | 0:25:18 | 0:25:21 | |
Mmm. | 0:25:21 | 0:25:23 | |
As good a lolly as I've ever had. It's a good pud. | 0:25:23 | 0:25:25 | |
I think it's actually full of very clever ideas - | 0:25:25 | 0:25:28 | |
these little milk bottles and... | 0:25:28 | 0:25:30 | |
PRUE: The shortbread is absolutely delicious. | 0:25:30 | 0:25:33 | |
It looked really lovely - you should be proud. | 0:25:33 | 0:25:35 | |
-Did it look better than yesterday? -I reckon. | 0:25:35 | 0:25:37 | |
What is small, red and whispers? | 0:25:37 | 0:25:39 | |
I don't know, what is small, red and whispers? | 0:25:39 | 0:25:41 | |
A "hoarse" radish. | 0:25:41 | 0:25:42 | |
They are so unfunny, they become comic. | 0:25:42 | 0:25:45 | |
And I'm actually really grateful for that. | 0:25:45 | 0:25:49 | |
Wait and see. | 0:25:49 | 0:25:51 | |
Cooking complete, all the chefs can do is wait | 0:25:51 | 0:25:53 | |
while the judges consider their final scores. | 0:25:53 | 0:25:56 | |
I got a feeling there are two really talented young chefs | 0:25:59 | 0:26:03 | |
going hammer and tongs. | 0:26:03 | 0:26:05 | |
Some of the cooking was fantastic. I gave each of them a ten at one point. | 0:26:05 | 0:26:09 | |
Emily's tried to impress the judges with her creative | 0:26:11 | 0:26:13 | |
use of classic flavours and experimental techniques, | 0:26:13 | 0:26:16 | |
and she's worked hard to raise a smile in honour of Comic Relief. | 0:26:16 | 0:26:20 | |
A few disasters, too, though. | 0:26:21 | 0:26:22 | |
Yes. | 0:26:22 | 0:26:25 | |
I mean, two very, very fine puddings. | 0:26:25 | 0:26:28 | |
Peter's put a lot of thought into raising a laugh | 0:26:28 | 0:26:31 | |
at the Red Nose Day Banquet, with a nostalgic menu | 0:26:31 | 0:26:34 | |
and fun presentation, designed to play on the senses. | 0:26:34 | 0:26:38 | |
See, I think it's neck and neck. | 0:26:38 | 0:26:40 | |
How is your tummy? | 0:26:41 | 0:26:43 | |
LAUGHTER | 0:26:43 | 0:26:44 | |
Welcome, chefs, to the judges' chamber. | 0:26:52 | 0:26:54 | |
How's it been out there? | 0:26:54 | 0:26:57 | |
It's been really hard. One of the hardest weeks ever. | 0:26:57 | 0:26:59 | |
I'm relieved it's over, to be honest. | 0:26:59 | 0:27:01 | |
I can tell you that we've enjoyed some really amazing cooking today. | 0:27:01 | 0:27:05 | |
In actual fact, we awarded two tens and five nines. | 0:27:05 | 0:27:09 | |
And it was genuinely very, very, very close. | 0:27:09 | 0:27:13 | |
Well, the winner is... | 0:27:16 | 0:27:18 | |
Peter. Well done. | 0:27:22 | 0:27:24 | |
THEY APPLAUD | 0:27:24 | 0:27:27 | |
You look like a relieved man. | 0:27:27 | 0:27:30 | |
Yeah. Nerves. Nerves of... Just doesn't describe. | 0:27:30 | 0:27:34 | |
It's amazing. | 0:27:34 | 0:27:36 | |
Peter, I have to tell you that I really, really enjoyed your pudding. | 0:27:36 | 0:27:39 | |
I thought it was absolutely fantastic. Great bit of work. | 0:27:39 | 0:27:42 | |
I gave it a ten, actually. It was faultless. | 0:27:42 | 0:27:45 | |
I liked the picnic as well. I thought it was great. | 0:27:45 | 0:27:48 | |
Emily, your main course. That venison. | 0:27:48 | 0:27:51 | |
That was an absolute cracker. | 0:27:51 | 0:27:53 | |
Peter, we look forward to seeing you in the national finals. | 0:27:53 | 0:27:58 | |
Emily, listen, I really hope we see you again in another competition. | 0:27:58 | 0:28:01 | |
Thank both of you. | 0:28:01 | 0:28:03 | |
-Thank you. -See ya! | 0:28:03 | 0:28:05 | |
Peter cooked beautifully. | 0:28:07 | 0:28:09 | |
I'm glad that he'll represent us in the south west if I can't do it. | 0:28:09 | 0:28:12 | |
You know, I felt their tension. They're two young chefs. | 0:28:12 | 0:28:16 | |
Simon, thank you very much for coming along and bearing some of the burden. | 0:28:16 | 0:28:19 | |
Thank YOU very much. | 0:28:19 | 0:28:21 | |
Personally, I didn't find it tough at all. | 0:28:21 | 0:28:23 | |
Just telling my brother that I did it. | 0:28:23 | 0:28:27 | |
Just got to do the final now. | 0:28:27 | 0:28:29 | |
Cheers, my darling. Thanks very much. Pleasure cooking with you. | 0:28:31 | 0:28:34 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:56 |