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Today On Great British Menu, it's sudden death | 0:00:02 | 0:00:05 | |
for one of Northern Ireland's most accomplished chefs. | 0:00:05 | 0:00:08 | |
So, er, put the helmets on and stay out of the way! | 0:00:08 | 0:00:12 | |
Former champion Chris Fearon, | 0:00:12 | 0:00:14 | |
ambitious new boy Ian Orr | 0:00:14 | 0:00:16 | |
and experienced chef Raymond McCardle. | 0:00:16 | 0:00:19 | |
Just like old times, eh, big boy? | 0:00:19 | 0:00:21 | |
All week they've been striving to create funny, spectacular | 0:00:21 | 0:00:25 | |
and ambitious dishes... | 0:00:25 | 0:00:27 | |
Clint Eastwood. | 0:00:27 | 0:00:28 | |
..for a special banquet celebrating 25 years of Red Nose Day. | 0:00:28 | 0:00:33 | |
Yesterday, for the first time this week, Chris took centre stage... | 0:00:34 | 0:00:38 | |
Cow pie, barbecue beans, two cowboys, beer, glasses, mug! | 0:00:38 | 0:00:42 | |
..while Raymond's contentious prop... | 0:00:42 | 0:00:45 | |
Titanic reminds me of death! | 0:00:45 | 0:00:46 | |
..was a gamble that didn't pay off. | 0:00:46 | 0:00:49 | |
Everyone's on 19, so at the end of the day, it's all about the dessert. | 0:00:49 | 0:00:53 | |
Today, all three chefs are back at the starting line. | 0:00:53 | 0:00:57 | |
It's do or die, isn't it? | 0:00:57 | 0:01:00 | |
Chris will let nothing get in his way. | 0:01:00 | 0:01:02 | |
Ray? Your soil's back up on top again. | 0:01:02 | 0:01:04 | |
But I had a timer on the bottom. | 0:01:04 | 0:01:06 | |
Ian faces setbacks. | 0:01:06 | 0:01:08 | |
It's overturned. I haven't used this machine before, | 0:01:08 | 0:01:10 | |
so it's overturned. | 0:01:10 | 0:01:11 | |
And Raymond's complex dessert may just be too much to handle. | 0:01:11 | 0:01:15 | |
What did you say? I'm in the bottom or the top? | 0:01:15 | 0:01:18 | |
This year's challenge is to create a performance on a plate - | 0:01:30 | 0:01:34 | |
gastronomic masterpieces that will also raise a smile. | 0:01:34 | 0:01:37 | |
And the chefs have been hard at work fundraising for Comic Relief. | 0:01:38 | 0:01:42 | |
It's the final curtain call for one of the Northern Ireland chefs. | 0:01:44 | 0:01:49 | |
-Lads, good luck. -Good luck. -Good luck, yeah? | 0:01:49 | 0:01:53 | |
-Let's go. -Let's go for it! | 0:01:53 | 0:01:54 | |
Veteran of the competition and Michelin-starred chef, | 0:01:57 | 0:02:00 | |
Glynn Purnell, will be sending someone home today. | 0:02:00 | 0:02:04 | |
It's all level pegging. The slate's clean. | 0:02:04 | 0:02:06 | |
This could be one of the best dessert finals | 0:02:06 | 0:02:08 | |
in the history of the Great British Menu. | 0:02:08 | 0:02:11 | |
Former champion Chris | 0:02:14 | 0:02:16 | |
has been trailing in the competition all week. | 0:02:16 | 0:02:19 | |
Yesterday a well-deserved nine got him back in the race. | 0:02:19 | 0:02:23 | |
Now he's ready to prove himself a champion once again. | 0:02:23 | 0:02:26 | |
Pressure's on for all of us, I think, but I'm on a high from yesterday. | 0:02:26 | 0:02:29 | |
Got a great dessert. I'm going to go in there with guns blazing. | 0:02:29 | 0:02:32 | |
Hi, Chris. | 0:02:33 | 0:02:34 | |
Oh, hello, Glynn. | 0:02:34 | 0:02:35 | |
Happy to be in the race? | 0:02:35 | 0:02:37 | |
Yeah, very rock'n'roll. | 0:02:37 | 0:02:38 | |
This course is called Just Like That. | 0:02:38 | 0:02:41 | |
OK. | 0:02:41 | 0:02:42 | |
CHRIS LAUGHS | 0:02:42 | 0:02:43 | |
So! It's a take on a classic, Black Forest Gateau. | 0:02:43 | 0:02:46 | |
it's not a Black Forest Gateau, but it's the sort of flavours going on. | 0:02:46 | 0:02:50 | |
-OK. -Making a nice cherry sorbet. | 0:02:50 | 0:02:52 | |
Again a little compote using these here boozy cherries | 0:02:53 | 0:02:57 | |
and the chocolate as well. | 0:02:57 | 0:02:58 | |
Doing a nice wee chocolate sponge. Going to soak it in cassis. | 0:02:58 | 0:03:01 | |
Just to resemble the old, moist sponge that was in a classical | 0:03:01 | 0:03:04 | |
Black Forest Gateau, then I'm going to dip that in the chocolate | 0:03:04 | 0:03:07 | |
then dip that in the popping candy, just to give them a wee texturey pop in the mouth. | 0:03:07 | 0:03:10 | |
Then to finish it all off, the wee surprise at the end, | 0:03:10 | 0:03:13 | |
I don't want to spoil it for you. | 0:03:13 | 0:03:15 | |
But at the end, it'll bring a smile to your face. | 0:03:15 | 0:03:17 | |
Instantly, I think, it's great craic. | 0:03:17 | 0:03:19 | |
Don't talk about that any more. I like the surprises. | 0:03:19 | 0:03:22 | |
Thanks. | 0:03:22 | 0:03:24 | |
Chris's farewell performance is a medley | 0:03:24 | 0:03:26 | |
of chocolate and cherry flavours, | 0:03:26 | 0:03:28 | |
with a frozen surprise in the centre of a sharing platter. | 0:03:28 | 0:03:32 | |
Chris is doing a massive amount | 0:03:32 | 0:03:34 | |
of chocolate and cherry treatments, which is sorbets, | 0:03:34 | 0:03:38 | |
granolas, tubes, rocks, mousses. | 0:03:38 | 0:03:40 | |
The question is, has he given himself too much to do? | 0:03:40 | 0:03:43 | |
Experienced chef Raymond's dishes have been influenced by the landscape back home. | 0:03:45 | 0:03:51 | |
Will his final dish have the comedy and gastronomy to take him into the lead? | 0:03:51 | 0:03:56 | |
Everybody's got an equal opportunity now. | 0:03:56 | 0:03:59 | |
My fate's in my own hands. | 0:03:59 | 0:04:01 | |
Going home is not an option! | 0:04:01 | 0:04:03 | |
So Raymond, what are you going to cook today? | 0:04:04 | 0:04:07 | |
I'm going to do Chocolate Mountain Volcano. | 0:04:07 | 0:04:09 | |
So it's a chocolate and orange dessert | 0:04:11 | 0:04:14 | |
and the fun element is a volcano at the end. | 0:04:14 | 0:04:18 | |
OK. | 0:04:18 | 0:04:19 | |
I'm going to aerate some chocolate for the chocolate rocks | 0:04:19 | 0:04:23 | |
with the coconut oil. | 0:04:23 | 0:04:25 | |
And make some chocolate soil with the ground almonds. | 0:04:25 | 0:04:30 | |
I'm serving it with sheep's milk ice cream. | 0:04:30 | 0:04:32 | |
I got the sheep's milk from back home. | 0:04:32 | 0:04:34 | |
And the lava is going to be the blood orange puree. | 0:04:34 | 0:04:38 | |
The guest pours the puree in and it gently bubbles - | 0:04:38 | 0:04:41 | |
it sauces the plate for them. | 0:04:41 | 0:04:43 | |
Oh, OK. So it's going to be quite dramatic, then. | 0:04:43 | 0:04:45 | |
Well, it doesn't, like, hit the ceiling! | 0:04:45 | 0:04:48 | |
THEY LAUGH | 0:04:48 | 0:04:49 | |
Raymond's dish of rocky textures and chocolate and orange flavours, | 0:04:51 | 0:04:54 | |
has at its heart an erupting volcano of orange puree | 0:04:54 | 0:04:59 | |
and an accompaniment of sheep's milk ice cream. | 0:04:59 | 0:05:02 | |
I'm expecting an explosion from a volcano. | 0:05:03 | 0:05:06 | |
I'm hoping it's not going to drizzle out and just fall flat, really. | 0:05:06 | 0:05:10 | |
New boy Ian had an amazing week until yesterday, | 0:05:10 | 0:05:14 | |
when his lead was snatched away from him. | 0:05:14 | 0:05:17 | |
It's so important I cook amazing food today. | 0:05:17 | 0:05:19 | |
Like, it's my last chance and I need to be raising my bar | 0:05:19 | 0:05:22 | |
so I need to make sure everything's perfect. | 0:05:22 | 0:05:25 | |
Ian, you were leading yesterday. | 0:05:25 | 0:05:27 | |
Today, everyone's the same. Is that making you nervous? | 0:05:27 | 0:05:30 | |
Not really. Today I have a couple of surprises up my sleeve. | 0:05:30 | 0:05:33 | |
So I'm calling it the Passion Egg. I'm making egg-white ice cream. | 0:05:33 | 0:05:37 | |
So egg whites - normally you'd use egg yolk for that. | 0:05:37 | 0:05:40 | |
Yeah, an egg-white ice cream. It's absolutely delicious, really good. | 0:05:40 | 0:05:43 | |
Some beautiful passion fruits, some beautiful mango, | 0:05:43 | 0:05:46 | |
so I'm making basically, passion fruit and mango yolk | 0:05:46 | 0:05:49 | |
with a couple of chocolate fingers. | 0:05:49 | 0:05:52 | |
So basically, it's quite simple, | 0:05:52 | 0:05:53 | |
a little sort of see-through glass egg. | 0:05:53 | 0:05:55 | |
You'll see the egg white, you'll see the yolk. | 0:05:55 | 0:05:57 | |
You can break the chocolate fingers in there, like soldiers, when you were a kid. Just a bit of fun. | 0:05:57 | 0:06:02 | |
You say, egg yolk. How are you going to form that egg yolk? | 0:06:02 | 0:06:04 | |
Basically, Glynn, I'll make a mango puree | 0:06:04 | 0:06:07 | |
and set it in a calcium bath. | 0:06:07 | 0:06:08 | |
It's like a spherification, bursts in your mouth. | 0:06:08 | 0:06:11 | |
So quite a technical thing to do. | 0:06:11 | 0:06:12 | |
Quite technical, and there's elements like the ice cream, | 0:06:12 | 0:06:15 | |
if you split it, I'll be going home before you judge me! | 0:06:15 | 0:06:19 | |
-Well, good luck. -Cheers, Glynn. | 0:06:19 | 0:06:21 | |
Will Ian's play on boiled egg and soldiers, | 0:06:21 | 0:06:24 | |
made from egg white ice cream, mango, passion fruit | 0:06:24 | 0:06:27 | |
and chocolate biscuits, put him back in the lead? | 0:06:27 | 0:06:30 | |
Is it too simple? | 0:06:30 | 0:06:31 | |
You've got a bit of ice cream, some puree, chocolate fingers. | 0:06:31 | 0:06:35 | |
Is that substantial for a good pudding? | 0:06:35 | 0:06:37 | |
With nothing between them, the chefs are going for broke in the kitchen. | 0:06:41 | 0:06:46 | |
Chris is working on his chocolate sponge. | 0:06:46 | 0:06:48 | |
Ray is making his chocolate and almond soil. | 0:06:48 | 0:06:52 | |
The fight is on, and the first battle is for the ovens. | 0:06:52 | 0:06:56 | |
Ray, don't open that top oven, please. | 0:06:56 | 0:06:58 | |
Use the bottom oven, all right? | 0:06:58 | 0:07:00 | |
I have it in the top now at 160. | 0:07:00 | 0:07:01 | |
Be very careful on that. | 0:07:01 | 0:07:05 | |
Cheers, good man. | 0:07:05 | 0:07:06 | |
Yeah, just close it up, Ray. | 0:07:06 | 0:07:07 | |
-Going to the bottom oven, Ray, it's at 160. -Yeah, OK. | 0:07:07 | 0:07:10 | |
Good man. | 0:07:10 | 0:07:12 | |
Can someone turn the bottom oven on please, at 160, yeah? | 0:07:12 | 0:07:16 | |
Yeah, it's a wee bit tense, it's going to be. | 0:07:16 | 0:07:19 | |
It's do or die, isn't it? | 0:07:19 | 0:07:21 | |
Having made a comeback yesterday with his main course, | 0:07:21 | 0:07:24 | |
Chris is anxious about perfecting the sponge for his Black Forest Gateau. | 0:07:24 | 0:07:28 | |
Just be careful of that sponge, OK? | 0:07:28 | 0:07:30 | |
OK, no problem, no problem, no problem. | 0:07:30 | 0:07:32 | |
Just be careful if you're going to... | 0:07:32 | 0:07:33 | |
Didn't know, man. | 0:07:33 | 0:07:35 | |
How we going, Chris? | 0:07:37 | 0:07:38 | |
All right, Glynn? How's it going? | 0:07:38 | 0:07:40 | |
It's manic here, Like a madman I am, today! | 0:07:40 | 0:07:42 | |
So is this the only sort of cream element to the dish? | 0:07:42 | 0:07:45 | |
There's cream throughout most of it anyway. | 0:07:45 | 0:07:47 | |
There's a mousse there, it's quite creamy. | 0:07:47 | 0:07:49 | |
-It seems wild in here. Wild. -Good though, eh? | 0:07:49 | 0:07:52 | |
Yeah, yeah, it's good. I wish I was competing myself! | 0:07:52 | 0:07:55 | |
CHRIS LAUGHS | 0:07:55 | 0:07:56 | |
Chris, he's got meringues, chocolate, cherry. | 0:07:58 | 0:08:00 | |
I'm a little concerned there's nothing to neutralise it, | 0:08:00 | 0:08:02 | |
to bring it all together, so it's to be seen how he's going to do that. | 0:08:02 | 0:08:07 | |
Ian is looking to outdo his rivals, | 0:08:08 | 0:08:11 | |
with his passion-fruit egg and chocolate solders. | 0:08:11 | 0:08:14 | |
The tuile biscuits for the soldiers need to be baked as soon as possible. | 0:08:14 | 0:08:17 | |
What's happening, buddy? Are you in that top oven or are you finished? | 0:08:17 | 0:08:21 | |
It's the soil in the top one. It's coming out in three minutes. | 0:08:21 | 0:08:24 | |
-Can I use that oven then, can I? -Yeah. | 0:08:24 | 0:08:26 | |
The sponge, the sponge is coming out in, like, 15 minutes. | 0:08:26 | 0:08:29 | |
-You're all right, aren't you? -Yeah, yeah, yeah. | 0:08:29 | 0:08:31 | |
-Put them in the fridge, sure. -I will, I will. | 0:08:31 | 0:08:34 | |
Don't know what's happening in there, but it's absolutely wild. | 0:08:34 | 0:08:37 | |
There's whisks going in, there's ice cream machines going, | 0:08:37 | 0:08:40 | |
they really are fighting for them two spaces. Absolute... | 0:08:40 | 0:08:45 | |
One second, one second. What's happening there? | 0:08:45 | 0:08:47 | |
Just, nightmare with these ovens. Chris is doing meringues. | 0:08:47 | 0:08:50 | |
Raymond's doing soil, sponges, | 0:08:50 | 0:08:51 | |
I'm just trying to get the tuiles rolled, just a nightmare. | 0:08:51 | 0:08:54 | |
-So gloves are off? -Definitely off, Glynn. | 0:08:54 | 0:08:56 | |
BLEEP! | 0:09:00 | 0:09:02 | |
Yep, it's in that bottom one. | 0:09:02 | 0:09:04 | |
Ray, your soil's back up on top again. Right? | 0:09:04 | 0:09:07 | |
-Your soil's back on top. -But I had the timer on the bottom. | 0:09:07 | 0:09:11 | |
-Here? -I had the timer on it. | 0:09:11 | 0:09:14 | |
What did you say? I'm in the bottom oven or in the top? | 0:09:14 | 0:09:16 | |
I'm in the bottom now going in with the meringues. | 0:09:16 | 0:09:19 | |
-So what am I, in the top? -Yes, chef! | 0:09:19 | 0:09:21 | |
Never mind Raymond's volcano erupting - he looks like | 0:09:22 | 0:09:25 | |
he's going to pop at any second here. | 0:09:25 | 0:09:27 | |
So put your helmets down and stay out of the way! | 0:09:27 | 0:09:29 | |
Experienced chef Raymond is hoping | 0:09:31 | 0:09:33 | |
his experimental chocolate and orange volcano | 0:09:33 | 0:09:36 | |
will give him the edge over his rivals. | 0:09:36 | 0:09:39 | |
I got to crack on here, badly. | 0:09:39 | 0:09:40 | |
With lots going on, | 0:09:40 | 0:09:42 | |
keeping everything perfectly on track isn't easy. | 0:09:42 | 0:09:45 | |
Is that your milk there, Ray? | 0:09:45 | 0:09:47 | |
That's it, cheers. Yeah, full steam ahead. | 0:09:47 | 0:09:51 | |
Like a little volcano yourself. Ready to blow. | 0:09:51 | 0:09:55 | |
So, chocolate and orange? | 0:09:55 | 0:09:57 | |
Yeah, I used milk chocolate for the base and then the tube | 0:09:57 | 0:10:00 | |
down the centre and then the orange, hopefully, will explode into it all. | 0:10:00 | 0:10:04 | |
So the little tube, Ray, what's the tube made out of? | 0:10:04 | 0:10:07 | |
It's isomalt and glucose, erm, it's like a sugar. | 0:10:07 | 0:10:10 | |
So what would happen if the tube breaks? | 0:10:10 | 0:10:12 | |
Yeah, if the tube breaks I'm going home. | 0:10:12 | 0:10:15 | |
OK. Well, I'm going to leave you to it before you explode. | 0:10:15 | 0:10:18 | |
Ian's finally getting his biscuits in the oven, but he's taken his | 0:10:23 | 0:10:27 | |
attention away from his egg white ice cream, and there's a problem. | 0:10:27 | 0:10:32 | |
BLEEP. It's overturned, just... | 0:10:32 | 0:10:35 | |
So I need to do a fresh one. | 0:10:35 | 0:10:37 | |
-Quickly, I need it done, yeah. -What's happening, Ian? | 0:10:37 | 0:10:39 | |
I haven't used this ice cream machine before, so, | 0:10:39 | 0:10:42 | |
ice cream's just overturned, so I've got a small bit left. | 0:10:42 | 0:10:46 | |
If it happens again, I'm going before you even mark me, | 0:10:46 | 0:10:50 | |
so that's it. | 0:10:50 | 0:10:51 | |
Egg-white ice cream, never seen it before | 0:10:51 | 0:10:53 | |
and it's, you know, not looking good. | 0:10:53 | 0:10:56 | |
As well as competing to cook at the banquet, the chefs have | 0:10:59 | 0:11:02 | |
travelled the UK to meet people who rely on Comic Relief's support. | 0:11:02 | 0:11:07 | |
D'you know, lads, | 0:11:07 | 0:11:09 | |
I had to go and visit a project in West Belfast for kids. | 0:11:09 | 0:11:13 | |
I made some chocolates with them | 0:11:13 | 0:11:15 | |
and some petits fours and stuff and it was very humbling, you know. | 0:11:15 | 0:11:18 | |
-Did you raise money? -I did, yeah. -Very good, Ray. | 0:11:18 | 0:11:21 | |
I'm in West Belfast today. | 0:11:25 | 0:11:26 | |
I'm visiting a project and it's funded by Comic Relief. | 0:11:26 | 0:11:30 | |
Hi, how are ya? Would you like to come on inside? | 0:11:30 | 0:11:32 | |
Yeah, that'd be great. | 0:11:32 | 0:11:33 | |
Kids Together supports children with a wide range of disabilities | 0:11:33 | 0:11:37 | |
and their siblings, giving their parents a well-deserved break. | 0:11:37 | 0:11:41 | |
-This is our chef Raymond today. -Hiya, James. -He's come to see our club. | 0:11:42 | 0:11:46 | |
Would you like to tell him a bit about it? | 0:11:46 | 0:11:48 | |
-So what do you think of the youth club, James? -It was fantastic. | 0:11:48 | 0:11:52 | |
-Yeah, and what are you doing this evening? -Making the aeroplane. | 0:11:54 | 0:11:57 | |
Yeah, you need to, hold on, whoa, whoa. | 0:11:57 | 0:12:00 | |
You need to put the support bit. | 0:12:00 | 0:12:01 | |
I'm the expert of Lego. | 0:12:01 | 0:12:03 | |
You're the expert, James. Very good, James. | 0:12:03 | 0:12:06 | |
OK, youse ready? | 0:12:06 | 0:12:08 | |
Today we're going to be doing chocolate art. | 0:12:08 | 0:12:11 | |
CHEERING | 0:12:11 | 0:12:14 | |
At the centre, they already involve the children | 0:12:14 | 0:12:17 | |
in simple cooking activities, | 0:12:17 | 0:12:18 | |
and they welcomed Raymond's suggestions to make sweet | 0:12:18 | 0:12:21 | |
petits fours to raise money for charity. | 0:12:21 | 0:12:24 | |
OK, guys, this is salted caramel popcorn, | 0:12:24 | 0:12:27 | |
this is going to be a part of my dessert. | 0:12:27 | 0:12:29 | |
You guys get to eat this if he does it right. | 0:12:29 | 0:12:32 | |
-Yes! -Yes! | 0:12:32 | 0:12:34 | |
That looks great. Good man. Ah, James, that's perfect. That's you. | 0:12:36 | 0:12:40 | |
Yay, very good, James. Top man. | 0:12:42 | 0:12:46 | |
Well, I liked the chocolate paste in the bag and everything. | 0:12:46 | 0:12:50 | |
I did it by myself. | 0:12:50 | 0:12:51 | |
Whoa, whoa, whoa. Excellent... | 0:12:51 | 0:12:54 | |
I love chocolate. | 0:12:54 | 0:12:57 | |
OK, guys... | 0:12:57 | 0:12:59 | |
It's great to know that Comic Relief does good projects like this | 0:12:59 | 0:13:03 | |
in the local areas and the girls here, they do great work. | 0:13:03 | 0:13:06 | |
-Well done, nice! -It's nice. -Good man. | 0:13:09 | 0:13:15 | |
-D'you want more of it? -No. | 0:13:15 | 0:13:17 | |
LAUGHTER | 0:13:17 | 0:13:19 | |
Yeah, we had a serious audience here today, a taste test. | 0:13:19 | 0:13:22 | |
This is a tough audience to please. | 0:13:22 | 0:13:24 | |
If I can please these guys, I think I'll go well in the competition. | 0:13:24 | 0:13:27 | |
-What d'you think of the popcorn, James? -Fantastic! -Fantastic. | 0:13:27 | 0:13:31 | |
The next evening, Raymond sells the petits fours | 0:13:31 | 0:13:35 | |
in his restaurant to raise money. | 0:13:35 | 0:13:36 | |
-Good evening. -Good evening, Raymond. -We made petits fours yesterday. | 0:13:36 | 0:13:41 | |
We made white chocolate and rosemary fudge | 0:13:41 | 0:13:43 | |
and we made chocolate and passion fruit truffles. | 0:13:43 | 0:13:46 | |
Would you be interested in buying some | 0:13:46 | 0:13:48 | |
for Great British Menu, Comic Relief? | 0:13:48 | 0:13:50 | |
-Of course. -Of course. | 0:13:50 | 0:13:52 | |
-I like it. -It's for a good cause. -It's for a great cause. | 0:13:53 | 0:13:56 | |
-Did you take the whole one? -Well, I'm a greedy boy, so... | 0:13:56 | 0:13:59 | |
The petits fours are a great success, | 0:13:59 | 0:14:01 | |
and Raymond's delighted to receive more good feedback. | 0:14:01 | 0:14:04 | |
Very big thumbs up, absolutely delicious. | 0:14:04 | 0:14:06 | |
-Cheers. -Absolutely beautiful. | 0:14:06 | 0:14:08 | |
Back in the kitchen, | 0:14:14 | 0:14:15 | |
the mousse for Raymond's chocolate and orange volcano is ready. | 0:14:15 | 0:14:18 | |
I've got to put the base on this. | 0:14:18 | 0:14:20 | |
The base is made of shortbread, wafer crumb and popping candy, | 0:14:20 | 0:14:26 | |
topped with mousse and sprayed with melted chocolate. | 0:14:26 | 0:14:29 | |
But the crunchy base isn't quite as he'd hoped. | 0:14:32 | 0:14:35 | |
I'm not really happy with the thickness of the base, | 0:14:35 | 0:14:38 | |
-so I might do a wee bit more. -The other ones are too thick? | 0:14:38 | 0:14:41 | |
I think they are too thick, I mean... | 0:14:41 | 0:14:43 | |
How is that going to affect it if they're too thick? | 0:14:43 | 0:14:45 | |
It's just too much to eat. | 0:14:45 | 0:14:47 | |
Like an '80s cheesecake, you know. | 0:14:47 | 0:14:49 | |
I'm just being very cautious today. | 0:14:51 | 0:14:53 | |
I just can't live with mistakes today. Could put me out, you know. | 0:14:53 | 0:14:56 | |
Ambitious new boy Ian has to churn his ice cream again. | 0:14:59 | 0:15:02 | |
I just need it quite soft. | 0:15:02 | 0:15:04 | |
This is his last chance to get it perfect. | 0:15:04 | 0:15:06 | |
This ice cream machine's a BLEEP nightmare. | 0:15:06 | 0:15:08 | |
Going to use the same machine again, Ian? | 0:15:08 | 0:15:10 | |
Well, there's no other machines here, Chris. | 0:15:10 | 0:15:13 | |
Chris is trying out the surprise element | 0:15:13 | 0:15:15 | |
of his take on Black Forest gateaux, | 0:15:15 | 0:15:18 | |
and has made chocolate mousse, which he's freezing in liquid nitrogen. | 0:15:18 | 0:15:22 | |
-Nitrogen, yeah? -Yeah. | 0:15:22 | 0:15:24 | |
Here. | 0:15:24 | 0:15:25 | |
-What do you think of it? -It's very good. | 0:15:27 | 0:15:29 | |
Everybody's going to be sitting there, | 0:15:29 | 0:15:31 | |
smoke coming out of their nose and ears, so, bit of craic, you know? | 0:15:31 | 0:15:34 | |
Bit of fun. I'm happy with that. | 0:15:34 | 0:15:36 | |
Ian's dessert is dependent on his unusual egg-white ice cream, | 0:15:37 | 0:15:41 | |
so he's watching the machine closely as it churns. | 0:15:41 | 0:15:43 | |
Definitely going to work now, I was just panicked a little bit. | 0:15:43 | 0:15:46 | |
New machine, it's quite fast so I panicked a little bit, | 0:15:46 | 0:15:49 | |
but I've relaxed. | 0:15:49 | 0:15:51 | |
It'll be perfect. | 0:15:51 | 0:15:52 | |
The thing is, has he got time to set it into the mould and then to | 0:15:54 | 0:15:57 | |
be able to put the mango egg yolk on, so time is of the essence. | 0:15:57 | 0:16:01 | |
Raymond is the first to plate up with his chocolate orange volcano. | 0:16:04 | 0:16:08 | |
Could you weigh me out six grams of citric acid | 0:16:08 | 0:16:10 | |
and two grams of bicarbonate of soda? | 0:16:10 | 0:16:12 | |
And they've got to be so precise, | 0:16:12 | 0:16:15 | |
because if they're not, the volcano doesn't work. | 0:16:15 | 0:16:18 | |
He starts with his chocolate mousse and crunchy base, | 0:16:18 | 0:16:21 | |
then slices his baked glucose mix... | 0:16:21 | 0:16:24 | |
..and rolls it into a tube to form the heart of his volcano. | 0:16:25 | 0:16:29 | |
He places his chocolate, coconut and cream rocks and scatters | 0:16:31 | 0:16:35 | |
the chocolate caramel popcorn, | 0:16:35 | 0:16:37 | |
then carefully adds the mixture of citric acid and bicarbonate of soda. | 0:16:37 | 0:16:42 | |
If he adds too little, the eruption won't work, | 0:16:42 | 0:16:44 | |
but too much could affect the taste. | 0:16:44 | 0:16:47 | |
Next, the sheep's milk ice cream. | 0:16:48 | 0:16:50 | |
And finally, he pours the orange puree | 0:16:52 | 0:16:54 | |
that should erupt from the volcano. | 0:16:54 | 0:16:56 | |
It's obviously a wee bit too thick. | 0:17:05 | 0:17:08 | |
Have you got a wee bit of orange puree in the container? | 0:17:08 | 0:17:11 | |
Making an adjustment to the puree mix, | 0:17:11 | 0:17:13 | |
Raymond hopes the second eruption is more explosive. | 0:17:13 | 0:17:16 | |
We'll eat that one. | 0:17:16 | 0:17:18 | |
-How was that for you? -That was a tough one. -Yeah? -Yeah. | 0:17:27 | 0:17:30 | |
-Well, let's go and taste it for one last time. -Yeah. | 0:17:31 | 0:17:35 | |
So Raymond, it has been a mountain for you to climb, | 0:17:38 | 0:17:41 | |
-and are we going to get an explosion of flavour? -I think we are. | 0:17:41 | 0:17:45 | |
It's sort of bubbling away slightly here but... | 0:17:45 | 0:17:47 | |
-I was expecting more kind of... -I was expecting, yeah, bit of POW! | 0:17:47 | 0:17:50 | |
This should be very soft. | 0:17:50 | 0:17:52 | |
I love that milk chocolate orange. It's very nice, very refreshing. | 0:17:56 | 0:18:01 | |
Is that a little bit too thick for you, or...? | 0:18:02 | 0:18:04 | |
No, you would eat it, it's like... | 0:18:04 | 0:18:06 | |
Delicious. Can I try this bit...oh! | 0:18:06 | 0:18:09 | |
-What is this in the bomb? -It's citric acid. -Just citric acid. | 0:18:09 | 0:18:11 | |
Yeah, and there's a wee bit of bicarb in it. | 0:18:11 | 0:18:13 | |
Wow, my God! | 0:18:16 | 0:18:17 | |
-It's bad, like. -It's the citric acid that was supposed to dissolve | 0:18:19 | 0:18:22 | |
when the orange went in. | 0:18:22 | 0:18:23 | |
OK... | 0:18:23 | 0:18:24 | |
That was the comedy value of the dish. | 0:18:25 | 0:18:28 | |
It wasn't fun, cos I just got a mouthful of citric acid. | 0:18:28 | 0:18:32 | |
How confident are you that this is going to score you enough points | 0:18:32 | 0:18:35 | |
to cook for the judges? | 0:18:35 | 0:18:36 | |
I don't know. | 0:18:36 | 0:18:38 | |
I really don't know. I wouldn't like to call it today. | 0:18:38 | 0:18:42 | |
That's just completely wrecked the dish for me. | 0:18:42 | 0:18:44 | |
I don't feel like eating any more of it now because of it. | 0:18:44 | 0:18:46 | |
I said at the start, he who makes the least mistakes gets through. | 0:18:48 | 0:18:52 | |
I've made one mistake, so... | 0:18:52 | 0:18:54 | |
Next up is Ian with his last shot at getting to the judges. | 0:18:56 | 0:19:00 | |
His novelty boiled egg and soldiers, accompanied by a giant red nose | 0:19:00 | 0:19:05 | |
blowing passion fruit flavoured bubbles. | 0:19:05 | 0:19:07 | |
He pipes the ice cream into his glass eggs. | 0:19:09 | 0:19:11 | |
And needs to make holes in the centre to pour in his puree. | 0:19:13 | 0:19:17 | |
But something's gone wrong. | 0:19:17 | 0:19:19 | |
The second batch is not working, because it's still too soft. | 0:19:19 | 0:19:23 | |
Ian, buddy - you're running late. You're going to hold me up? | 0:19:23 | 0:19:26 | |
I'm not going to hold you up, buddy! | 0:19:26 | 0:19:28 | |
Ian pushes on, opting for plan B, piping the passion fruit puree | 0:19:28 | 0:19:32 | |
on top of his ice cream rather than through the centre. | 0:19:32 | 0:19:36 | |
Then he places his passion fruit and mango yolk on top. | 0:19:36 | 0:19:40 | |
And finally the chocolate fingers. | 0:19:41 | 0:19:44 | |
This is my big red nose. | 0:19:52 | 0:19:54 | |
This here goes down the room, and it's just a bubble effect. | 0:19:54 | 0:19:59 | |
This is passion fruit bubbles. | 0:19:59 | 0:20:01 | |
You can smell the passion fruit, can't you? | 0:20:03 | 0:20:06 | |
-You can, yeah. -Let's go and have a taste. Come on. | 0:20:06 | 0:20:09 | |
-Well done, Ian. -You carry that through. | 0:20:09 | 0:20:11 | |
Happy with that, Ian? | 0:20:14 | 0:20:15 | |
Happy enough. Not perfect. It definitely didn't go to plan. | 0:20:15 | 0:20:20 | |
-It's fun, isn't it? The bubbles? -Presentation's really cute. | 0:20:20 | 0:20:23 | |
-Yeah. -I like it. | 0:20:23 | 0:20:24 | |
You should get that effect of it running. | 0:20:26 | 0:20:28 | |
That's nice. | 0:20:32 | 0:20:33 | |
-Are you pleased with the way the ice cream's come out? -Yeah. The ice cream's happy. | 0:20:33 | 0:20:37 | |
-I've never tasted egg-white ice cream before. -No. | 0:20:37 | 0:20:39 | |
It's like a chilled mousse, rather than ice cream. It's that light. | 0:20:39 | 0:20:43 | |
The negative is that there should be like a hole in the middle. | 0:20:43 | 0:20:45 | |
so the passion fruit's in there. | 0:20:45 | 0:20:47 | |
But it just didn't work, | 0:20:47 | 0:20:49 | |
so if I get through for tomorrow I'll have it perfect. | 0:20:49 | 0:20:52 | |
The mango and the passion fruit works really well with | 0:20:52 | 0:20:55 | |
the vanilla and a wee bit of chocolate. | 0:20:55 | 0:20:58 | |
Yeah, well, it's classical flavours. | 0:20:58 | 0:21:00 | |
-There's nothing can go wrong there. -It is what it is. | 0:21:00 | 0:21:03 | |
Has he got that wow factor? Has he got enough going on? | 0:21:03 | 0:21:06 | |
I think it does. | 0:21:06 | 0:21:07 | |
I think it's very simple, but it's a beautiful ice cream, isn't it? | 0:21:07 | 0:21:11 | |
It's very hard to take marks away from that. | 0:21:11 | 0:21:13 | |
It's not blown me away or anything, but it's very nice. | 0:21:13 | 0:21:15 | |
It's a very safe dish, and he was right to do a safe dessert, you know. | 0:21:15 | 0:21:19 | |
It'll get him across the line today. | 0:21:20 | 0:21:24 | |
So... I'm so glad it's over. I've had a... | 0:21:24 | 0:21:27 | |
that was definitely my hardest day. | 0:21:27 | 0:21:30 | |
Former champion Chris has everything riding on his culinary take | 0:21:30 | 0:21:34 | |
on the famous Tommy Cooper catchphrase "just like that". | 0:21:34 | 0:21:38 | |
He fills his doughnuts with cherry gel and adds more to the plate, | 0:21:38 | 0:21:42 | |
along with a scattering of cherry granola and swipes of chocolate mousse. | 0:21:42 | 0:21:46 | |
He completes the picture with discs of chocolate sponge, | 0:21:46 | 0:21:50 | |
cherry sorbet and meringue. | 0:21:50 | 0:21:52 | |
He then sprays his mousse into the liquid nitrogen for the surprise finale. | 0:21:54 | 0:21:58 | |
OK. | 0:21:58 | 0:21:59 | |
Just like that! | 0:22:07 | 0:22:08 | |
-Just like that? -Just like that! | 0:22:08 | 0:22:10 | |
There you go. Happy with that? | 0:22:10 | 0:22:12 | |
Yes. | 0:22:12 | 0:22:14 | |
OK, let's go. Chris - pick it up. Let's go. | 0:22:14 | 0:22:17 | |
Enjoy, lads! | 0:22:17 | 0:22:18 | |
OK, let's dive straight in so we get the full effect. | 0:22:20 | 0:22:22 | |
You don't want it to melt. | 0:22:22 | 0:22:23 | |
So just like that! | 0:22:23 | 0:22:24 | |
Just like that! | 0:22:24 | 0:22:25 | |
-It tastes different, doesn't it? -Aye. | 0:22:30 | 0:22:32 | |
It's quite strong, isn't it? | 0:22:32 | 0:22:35 | |
-You're happy with the sweetness of the cherries cutting through the chocolate? -Yeah. | 0:22:35 | 0:22:39 | |
You need that with that chocolate, because that chocolate is a killer, after a while. | 0:22:39 | 0:22:42 | |
So what do you think of the presentation of it? | 0:22:42 | 0:22:44 | |
It's good, it's good. I like the effect of them smashing. That was fun. | 0:22:44 | 0:22:48 | |
It does look a wee bit messy, you know. | 0:22:48 | 0:22:50 | |
It's quite a bit busy. A bit messy, or...? | 0:22:50 | 0:22:53 | |
I like the playfulness of the presentation. | 0:22:53 | 0:22:55 | |
I think it needs to be busy. It needs to be - what's going on here? | 0:22:55 | 0:22:58 | |
Are you a bit worried there's no cream on there, or some sort of vanilla, | 0:22:58 | 0:23:01 | |
or some sort of like... | 0:23:01 | 0:23:02 | |
That wee stick of meringue's not enough to cut through all that cherry. | 0:23:02 | 0:23:06 | |
There's a lot of cherry, there's a lot of chocolate. | 0:23:06 | 0:23:09 | |
I know, but I think this offers the sweetness, the different textures, | 0:23:09 | 0:23:12 | |
and the acidity of different elements of that. | 0:23:12 | 0:23:15 | |
You've five cherry elements. | 0:23:15 | 0:23:18 | |
Maybe a bit OD on the cherry. | 0:23:18 | 0:23:20 | |
-I'm very happy with what it is, and whatever happens happens. -OK. | 0:23:20 | 0:23:24 | |
I was very happy with that result. | 0:23:26 | 0:23:28 | |
I don't know what Glynn thinks of it, but from what I plated up, I'm over the moon. | 0:23:29 | 0:23:33 | |
It couldn't have been better. | 0:23:33 | 0:23:35 | |
Tough day. | 0:23:42 | 0:23:44 | |
Never easy, the last day, is it, though? | 0:23:44 | 0:23:46 | |
It was brutal. | 0:23:46 | 0:23:47 | |
You know, we all make mistakes on the final day. | 0:23:50 | 0:23:53 | |
You know yourself - the ice cream. I don't know if you picked up on it, | 0:23:53 | 0:23:56 | |
-there was a bit of citric acid in your dessert. -Yeah, yeah. | 0:23:56 | 0:23:59 | |
But I mean, you know, anything can happen now. | 0:23:59 | 0:24:01 | |
How are we, chefs? | 0:24:08 | 0:24:09 | |
Very nervous. Sick. | 0:24:09 | 0:24:11 | |
Raymond, let's start with the Chocolate Mountain. | 0:24:12 | 0:24:15 | |
-Hash tag volcano. -Yeah. | 0:24:15 | 0:24:17 | |
Um... the presentation, for me, was a little bit unusual. | 0:24:17 | 0:24:22 | |
Wasn't quite expecting that. | 0:24:22 | 0:24:24 | |
The mousse was quite light and the crumble looked a bit clumsy, | 0:24:24 | 0:24:27 | |
but it actually did crumble quite a lot. | 0:24:27 | 0:24:30 | |
Quite nice with the popping candy which I thought was a nice touch. | 0:24:30 | 0:24:32 | |
When the orange did eventually spill out, it did actually cut through the mousse and bring it all together. | 0:24:32 | 0:24:38 | |
But it was more of a trickle than an explosion. | 0:24:38 | 0:24:42 | |
The sauce was too thick, which obviously left us | 0:24:42 | 0:24:44 | |
with a pile of powder, | 0:24:44 | 0:24:47 | |
citric acid, on the plate, which wasn't great. | 0:24:47 | 0:24:49 | |
No. | 0:24:50 | 0:24:52 | |
Ian, your passion egg... | 0:24:52 | 0:24:56 | |
I like the idea. I like the taste of the ice cream. | 0:24:56 | 0:25:00 | |
The idea of using egg whites and the rest of it was very clever. | 0:25:00 | 0:25:04 | |
I thought the bubbles were great fun, | 0:25:04 | 0:25:06 | |
but part of it I thought was a bit simple. | 0:25:06 | 0:25:10 | |
I mean, if we spilled out the egg, we'd be ice cream coulis and a biscuit. | 0:25:10 | 0:25:14 | |
Is that what it would be? | 0:25:14 | 0:25:16 | |
Chris. Black Forest Gateau. | 0:25:17 | 0:25:21 | |
I mean, it's a proven, well-worked idea. It's a bit old hat. | 0:25:22 | 0:25:28 | |
But it's still pleasant and people still like that. | 0:25:28 | 0:25:31 | |
So, I mean the ingredients were spot-on. The sorbet was nice, the liquid nitrogen was a nice touch, | 0:25:31 | 0:25:35 | |
but I thought you missed a bit of a trick with putting a bit more cream on the plate, | 0:25:35 | 0:25:39 | |
maybe given us a bit more of that soft mousse. | 0:25:39 | 0:25:41 | |
You know, but Black Forest Gateau - it worked. | 0:25:41 | 0:25:44 | |
Thank you. | 0:25:44 | 0:25:45 | |
So I'm sure you want to hear the scores. | 0:25:45 | 0:25:47 | |
I'm scoring one of the desserts seven points, | 0:25:50 | 0:25:52 | |
giving the chef the most points across the week, | 0:25:52 | 0:25:55 | |
and a place in the judges' chamber. | 0:25:55 | 0:25:57 | |
And that chef is... | 0:25:59 | 0:26:01 | |
Chris. | 0:26:05 | 0:26:06 | |
APPLAUSE | 0:26:06 | 0:26:07 | |
So well done, Chris, and obviously there's lots of things you need to correct, so good luck. | 0:26:08 | 0:26:15 | |
Two chefs left, | 0:26:15 | 0:26:17 | |
but only one place left in front of the judges. | 0:26:17 | 0:26:21 | |
So Raymond, your score is ... | 0:26:21 | 0:26:27 | |
..six points. | 0:26:27 | 0:26:28 | |
Ian. | 0:26:30 | 0:26:32 | |
I'm scoring you... | 0:26:32 | 0:26:33 | |
..six points. | 0:26:35 | 0:26:36 | |
So, chefs - a tie-breaker. | 0:26:42 | 0:26:45 | |
The first time in the Great British Menu. | 0:26:45 | 0:26:48 | |
To choose a winner, I've had to decide | 0:26:48 | 0:26:52 | |
who's delivered the best menu across the week. | 0:26:52 | 0:26:56 | |
So one menu demonstrated potential to go further, | 0:26:56 | 0:27:00 | |
into the competition, | 0:27:00 | 0:27:01 | |
even though it wasn't always executed perfectly. | 0:27:01 | 0:27:05 | |
The menu, although not humorous all the way through, | 0:27:05 | 0:27:10 | |
nudged above the other in making us laugh. | 0:27:10 | 0:27:13 | |
So the chef joining Chris in the judges' chamber... | 0:27:13 | 0:27:17 | |
..is... | 0:27:19 | 0:27:20 | |
..Raymond. | 0:27:24 | 0:27:26 | |
Well done. | 0:27:26 | 0:27:27 | |
Cheers. | 0:27:27 | 0:27:29 | |
So commiserations, Ian. | 0:27:29 | 0:27:32 | |
I thought you cooked solidly all the way through, and credit to you. | 0:27:32 | 0:27:36 | |
Two guys. Good luck tomorrow, and may the best chef win. | 0:27:36 | 0:27:39 | |
All the best, lads. | 0:27:39 | 0:27:40 | |
Thank you. | 0:27:40 | 0:27:42 | |
That was just... I was feeling sick to the teeth. | 0:27:42 | 0:27:45 | |
Well done, buddy. | 0:27:45 | 0:27:47 | |
What an experience and I fought right to the end. | 0:27:47 | 0:27:50 | |
I couldn't be happier. | 0:27:50 | 0:27:52 | |
It's been a nail-biting finish for the chefs of Northern Ireland. | 0:27:52 | 0:27:56 | |
Ian, in spite of his lead in the first half of the competition, | 0:27:56 | 0:27:59 | |
is going home and Chris and Raymond are through to the judges. | 0:27:59 | 0:28:04 | |
I am not giving up without a fight. | 0:28:04 | 0:28:06 | |
I'm on a roll now, so bring it on! | 0:28:06 | 0:28:08 | |
Calling it a scrap is an understatement. | 0:28:08 | 0:28:11 | |
This is going to be the dog-fight of Northern Ireland! | 0:28:11 | 0:28:14 | |
no doubt about that! | 0:28:14 | 0:28:15 | |
Tomorrow, Chris and Raymond face the exacting judges. | 0:28:16 | 0:28:20 | |
Crikey almighty! | 0:28:20 | 0:28:21 | |
It's awful. It really is quite... it's inedible! | 0:28:22 | 0:28:26 | |
And rivalry reaches new heights... | 0:28:26 | 0:28:28 | |
-Oh, come on, Ray. -BLEEP Comic Relief! | 0:28:28 | 0:28:31 | |
I know the name of the game, big boy! | 0:28:31 | 0:28:33 | |
Well, big trees - easy fall! | 0:28:33 | 0:28:34 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:28:57 |