Northern Ireland Dessert Great British Menu


Northern Ireland Dessert

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Today On Great British Menu, it's sudden death

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for one of Northern Ireland's most accomplished chefs.

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So, er, put the helmets on and stay out of the way!

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Former champion Chris Fearon,

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ambitious new boy Ian Orr

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and experienced chef Raymond McCardle.

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Just like old times, eh, big boy?

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All week they've been striving to create funny, spectacular

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and ambitious dishes...

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Clint Eastwood.

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..for a special banquet celebrating 25 years of Red Nose Day.

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Yesterday, for the first time this week, Chris took centre stage...

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Cow pie, barbecue beans, two cowboys, beer, glasses, mug!

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..while Raymond's contentious prop...

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Titanic reminds me of death!

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..was a gamble that didn't pay off.

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Everyone's on 19, so at the end of the day, it's all about the dessert.

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Today, all three chefs are back at the starting line.

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It's do or die, isn't it?

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Chris will let nothing get in his way.

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Ray? Your soil's back up on top again.

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But I had a timer on the bottom.

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Ian faces setbacks.

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It's overturned. I haven't used this machine before,

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so it's overturned.

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And Raymond's complex dessert may just be too much to handle.

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What did you say? I'm in the bottom or the top?

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This year's challenge is to create a performance on a plate -

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gastronomic masterpieces that will also raise a smile.

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And the chefs have been hard at work fundraising for Comic Relief.

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It's the final curtain call for one of the Northern Ireland chefs.

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-Lads, good luck.

-Good luck.

-Good luck, yeah?

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-Let's go.

-Let's go for it!

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Veteran of the competition and Michelin-starred chef,

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Glynn Purnell, will be sending someone home today.

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It's all level pegging. The slate's clean.

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This could be one of the best dessert finals

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in the history of the Great British Menu.

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Former champion Chris

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has been trailing in the competition all week.

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Yesterday a well-deserved nine got him back in the race.

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Now he's ready to prove himself a champion once again.

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Pressure's on for all of us, I think, but I'm on a high from yesterday.

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Got a great dessert. I'm going to go in there with guns blazing.

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Hi, Chris.

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Oh, hello, Glynn.

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Happy to be in the race?

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Yeah, very rock'n'roll.

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This course is called Just Like That.

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OK.

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CHRIS LAUGHS

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So! It's a take on a classic, Black Forest Gateau.

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it's not a Black Forest Gateau, but it's the sort of flavours going on.

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-OK.

-Making a nice cherry sorbet.

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Again a little compote using these here boozy cherries

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and the chocolate as well.

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Doing a nice wee chocolate sponge. Going to soak it in cassis.

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Just to resemble the old, moist sponge that was in a classical

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Black Forest Gateau, then I'm going to dip that in the chocolate

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then dip that in the popping candy, just to give them a wee texturey pop in the mouth.

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Then to finish it all off, the wee surprise at the end,

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I don't want to spoil it for you.

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But at the end, it'll bring a smile to your face.

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Instantly, I think, it's great craic.

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Don't talk about that any more. I like the surprises.

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Thanks.

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Chris's farewell performance is a medley

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of chocolate and cherry flavours,

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with a frozen surprise in the centre of a sharing platter.

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Chris is doing a massive amount

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of chocolate and cherry treatments, which is sorbets,

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granolas, tubes, rocks, mousses.

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The question is, has he given himself too much to do?

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Experienced chef Raymond's dishes have been influenced by the landscape back home.

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Will his final dish have the comedy and gastronomy to take him into the lead?

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Everybody's got an equal opportunity now.

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My fate's in my own hands.

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Going home is not an option!

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So Raymond, what are you going to cook today?

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I'm going to do Chocolate Mountain Volcano.

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So it's a chocolate and orange dessert

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and the fun element is a volcano at the end.

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OK.

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I'm going to aerate some chocolate for the chocolate rocks

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with the coconut oil.

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And make some chocolate soil with the ground almonds.

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I'm serving it with sheep's milk ice cream.

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I got the sheep's milk from back home.

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And the lava is going to be the blood orange puree.

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The guest pours the puree in and it gently bubbles -

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it sauces the plate for them.

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Oh, OK. So it's going to be quite dramatic, then.

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Well, it doesn't, like, hit the ceiling!

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THEY LAUGH

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Raymond's dish of rocky textures and chocolate and orange flavours,

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has at its heart an erupting volcano of orange puree

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and an accompaniment of sheep's milk ice cream.

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I'm expecting an explosion from a volcano.

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I'm hoping it's not going to drizzle out and just fall flat, really.

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New boy Ian had an amazing week until yesterday,

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when his lead was snatched away from him.

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It's so important I cook amazing food today.

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Like, it's my last chance and I need to be raising my bar

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so I need to make sure everything's perfect.

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Ian, you were leading yesterday.

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Today, everyone's the same. Is that making you nervous?

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Not really. Today I have a couple of surprises up my sleeve.

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So I'm calling it the Passion Egg. I'm making egg-white ice cream.

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So egg whites - normally you'd use egg yolk for that.

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Yeah, an egg-white ice cream. It's absolutely delicious, really good.

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Some beautiful passion fruits, some beautiful mango,

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so I'm making basically, passion fruit and mango yolk

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with a couple of chocolate fingers.

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So basically, it's quite simple,

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a little sort of see-through glass egg.

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You'll see the egg white, you'll see the yolk.

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You can break the chocolate fingers in there, like soldiers, when you were a kid. Just a bit of fun.

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You say, egg yolk. How are you going to form that egg yolk?

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Basically, Glynn, I'll make a mango puree

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and set it in a calcium bath.

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It's like a spherification, bursts in your mouth.

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So quite a technical thing to do.

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Quite technical, and there's elements like the ice cream,

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if you split it, I'll be going home before you judge me!

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-Well, good luck.

-Cheers, Glynn.

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Will Ian's play on boiled egg and soldiers,

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made from egg white ice cream, mango, passion fruit

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and chocolate biscuits, put him back in the lead?

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Is it too simple?

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You've got a bit of ice cream, some puree, chocolate fingers.

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Is that substantial for a good pudding?

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With nothing between them, the chefs are going for broke in the kitchen.

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Chris is working on his chocolate sponge.

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Ray is making his chocolate and almond soil.

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The fight is on, and the first battle is for the ovens.

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Ray, don't open that top oven, please.

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Use the bottom oven, all right?

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I have it in the top now at 160.

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Be very careful on that.

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Cheers, good man.

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Yeah, just close it up, Ray.

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-Going to the bottom oven, Ray, it's at 160.

-Yeah, OK.

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Good man.

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Can someone turn the bottom oven on please, at 160, yeah?

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Yeah, it's a wee bit tense, it's going to be.

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It's do or die, isn't it?

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Having made a comeback yesterday with his main course,

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Chris is anxious about perfecting the sponge for his Black Forest Gateau.

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Just be careful of that sponge, OK?

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OK, no problem, no problem, no problem.

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Just be careful if you're going to...

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Didn't know, man.

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How we going, Chris?

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All right, Glynn? How's it going?

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It's manic here, Like a madman I am, today!

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So is this the only sort of cream element to the dish?

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There's cream throughout most of it anyway.

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There's a mousse there, it's quite creamy.

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-It seems wild in here. Wild.

-Good though, eh?

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Yeah, yeah, it's good. I wish I was competing myself!

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CHRIS LAUGHS

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Chris, he's got meringues, chocolate, cherry.

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I'm a little concerned there's nothing to neutralise it,

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to bring it all together, so it's to be seen how he's going to do that.

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Ian is looking to outdo his rivals,

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with his passion-fruit egg and chocolate solders.

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The tuile biscuits for the soldiers need to be baked as soon as possible.

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What's happening, buddy? Are you in that top oven or are you finished?

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It's the soil in the top one. It's coming out in three minutes.

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-Can I use that oven then, can I?

-Yeah.

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The sponge, the sponge is coming out in, like, 15 minutes.

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-You're all right, aren't you?

-Yeah, yeah, yeah.

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-Put them in the fridge, sure.

-I will, I will.

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Don't know what's happening in there, but it's absolutely wild.

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There's whisks going in, there's ice cream machines going,

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they really are fighting for them two spaces. Absolute...

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One second, one second. What's happening there?

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Just, nightmare with these ovens. Chris is doing meringues.

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Raymond's doing soil, sponges,

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I'm just trying to get the tuiles rolled, just a nightmare.

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-So gloves are off?

-Definitely off, Glynn.

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BLEEP!

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Yep, it's in that bottom one.

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Ray, your soil's back up on top again. Right?

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-Your soil's back on top.

-But I had the timer on the bottom.

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-Here?

-I had the timer on it.

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What did you say? I'm in the bottom oven or in the top?

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I'm in the bottom now going in with the meringues.

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-So what am I, in the top?

-Yes, chef!

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Never mind Raymond's volcano erupting - he looks like

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he's going to pop at any second here.

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So put your helmets down and stay out of the way!

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Experienced chef Raymond is hoping

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his experimental chocolate and orange volcano

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will give him the edge over his rivals.

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I got to crack on here, badly.

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With lots going on,

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keeping everything perfectly on track isn't easy.

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Is that your milk there, Ray?

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That's it, cheers. Yeah, full steam ahead.

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Like a little volcano yourself. Ready to blow.

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So, chocolate and orange?

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Yeah, I used milk chocolate for the base and then the tube

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down the centre and then the orange, hopefully, will explode into it all.

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So the little tube, Ray, what's the tube made out of?

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It's isomalt and glucose, erm, it's like a sugar.

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So what would happen if the tube breaks?

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Yeah, if the tube breaks I'm going home.

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OK. Well, I'm going to leave you to it before you explode.

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Ian's finally getting his biscuits in the oven, but he's taken his

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attention away from his egg white ice cream, and there's a problem.

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BLEEP. It's overturned, just...

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So I need to do a fresh one.

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-Quickly, I need it done, yeah.

-What's happening, Ian?

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I haven't used this ice cream machine before, so,

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ice cream's just overturned, so I've got a small bit left.

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If it happens again, I'm going before you even mark me,

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so that's it.

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Egg-white ice cream, never seen it before

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and it's, you know, not looking good.

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As well as competing to cook at the banquet, the chefs have

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travelled the UK to meet people who rely on Comic Relief's support.

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D'you know, lads,

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I had to go and visit a project in West Belfast for kids.

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I made some chocolates with them

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and some petits fours and stuff and it was very humbling, you know.

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-Did you raise money?

-I did, yeah.

-Very good, Ray.

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I'm in West Belfast today.

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I'm visiting a project and it's funded by Comic Relief.

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Hi, how are ya? Would you like to come on inside?

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Yeah, that'd be great.

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Kids Together supports children with a wide range of disabilities

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and their siblings, giving their parents a well-deserved break.

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-This is our chef Raymond today.

-Hiya, James.

-He's come to see our club.

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Would you like to tell him a bit about it?

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-So what do you think of the youth club, James?

-It was fantastic.

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-Yeah, and what are you doing this evening?

-Making the aeroplane.

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Yeah, you need to, hold on, whoa, whoa.

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You need to put the support bit.

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I'm the expert of Lego.

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You're the expert, James. Very good, James.

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OK, youse ready?

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Today we're going to be doing chocolate art.

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CHEERING

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At the centre, they already involve the children

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in simple cooking activities,

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and they welcomed Raymond's suggestions to make sweet

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petits fours to raise money for charity.

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OK, guys, this is salted caramel popcorn,

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this is going to be a part of my dessert.

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You guys get to eat this if he does it right.

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-Yes!

-Yes!

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That looks great. Good man. Ah, James, that's perfect. That's you.

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Yay, very good, James. Top man.

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Well, I liked the chocolate paste in the bag and everything.

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I did it by myself.

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Whoa, whoa, whoa. Excellent...

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I love chocolate.

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OK, guys...

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It's great to know that Comic Relief does good projects like this

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in the local areas and the girls here, they do great work.

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-Well done, nice!

-It's nice.

-Good man.

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-D'you want more of it?

-No.

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LAUGHTER

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Yeah, we had a serious audience here today, a taste test.

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This is a tough audience to please.

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If I can please these guys, I think I'll go well in the competition.

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-What d'you think of the popcorn, James?

-Fantastic!

-Fantastic.

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The next evening, Raymond sells the petits fours

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in his restaurant to raise money.

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-Good evening.

-Good evening, Raymond.

-We made petits fours yesterday.

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We made white chocolate and rosemary fudge

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and we made chocolate and passion fruit truffles.

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Would you be interested in buying some

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for Great British Menu, Comic Relief?

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-Of course.

-Of course.

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-I like it.

-It's for a good cause.

-It's for a great cause.

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-Did you take the whole one?

-Well, I'm a greedy boy, so...

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The petits fours are a great success,

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and Raymond's delighted to receive more good feedback.

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Very big thumbs up, absolutely delicious.

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-Cheers.

-Absolutely beautiful.

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Back in the kitchen,

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the mousse for Raymond's chocolate and orange volcano is ready.

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I've got to put the base on this.

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The base is made of shortbread, wafer crumb and popping candy,

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topped with mousse and sprayed with melted chocolate.

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But the crunchy base isn't quite as he'd hoped.

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I'm not really happy with the thickness of the base,

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-so I might do a wee bit more.

-The other ones are too thick?

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I think they are too thick, I mean...

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How is that going to affect it if they're too thick?

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It's just too much to eat.

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Like an '80s cheesecake, you know.

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I'm just being very cautious today.

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I just can't live with mistakes today. Could put me out, you know.

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Ambitious new boy Ian has to churn his ice cream again.

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I just need it quite soft.

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This is his last chance to get it perfect.

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This ice cream machine's a BLEEP nightmare.

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Going to use the same machine again, Ian?

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Well, there's no other machines here, Chris.

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Chris is trying out the surprise element

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of his take on Black Forest gateaux,

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and has made chocolate mousse, which he's freezing in liquid nitrogen.

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-Nitrogen, yeah?

-Yeah.

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Here.

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-What do you think of it?

-It's very good.

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Everybody's going to be sitting there,

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smoke coming out of their nose and ears, so, bit of craic, you know?

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Bit of fun. I'm happy with that.

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Ian's dessert is dependent on his unusual egg-white ice cream,

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so he's watching the machine closely as it churns.

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Definitely going to work now, I was just panicked a little bit.

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New machine, it's quite fast so I panicked a little bit,

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but I've relaxed.

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It'll be perfect.

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The thing is, has he got time to set it into the mould and then to

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be able to put the mango egg yolk on, so time is of the essence.

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Raymond is the first to plate up with his chocolate orange volcano.

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Could you weigh me out six grams of citric acid

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and two grams of bicarbonate of soda?

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And they've got to be so precise,

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because if they're not, the volcano doesn't work.

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He starts with his chocolate mousse and crunchy base,

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then slices his baked glucose mix...

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..and rolls it into a tube to form the heart of his volcano.

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He places his chocolate, coconut and cream rocks and scatters

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the chocolate caramel popcorn,

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then carefully adds the mixture of citric acid and bicarbonate of soda.

0:16:370:16:42

If he adds too little, the eruption won't work,

0:16:420:16:44

but too much could affect the taste.

0:16:440:16:47

Next, the sheep's milk ice cream.

0:16:480:16:50

And finally, he pours the orange puree

0:16:520:16:54

that should erupt from the volcano.

0:16:540:16:56

It's obviously a wee bit too thick.

0:17:050:17:08

Have you got a wee bit of orange puree in the container?

0:17:080:17:11

Making an adjustment to the puree mix,

0:17:110:17:13

Raymond hopes the second eruption is more explosive.

0:17:130:17:16

We'll eat that one.

0:17:160:17:18

-How was that for you?

-That was a tough one.

-Yeah?

-Yeah.

0:17:270:17:30

-Well, let's go and taste it for one last time.

-Yeah.

0:17:310:17:35

So Raymond, it has been a mountain for you to climb,

0:17:380:17:41

-and are we going to get an explosion of flavour?

-I think we are.

0:17:410:17:45

It's sort of bubbling away slightly here but...

0:17:450:17:47

-I was expecting more kind of...

-I was expecting, yeah, bit of POW!

0:17:470:17:50

This should be very soft.

0:17:500:17:52

I love that milk chocolate orange. It's very nice, very refreshing.

0:17:560:18:01

Is that a little bit too thick for you, or...?

0:18:020:18:04

No, you would eat it, it's like...

0:18:040:18:06

Delicious. Can I try this bit...oh!

0:18:060:18:09

-What is this in the bomb?

-It's citric acid.

-Just citric acid.

0:18:090:18:11

Yeah, and there's a wee bit of bicarb in it.

0:18:110:18:13

Wow, my God!

0:18:160:18:17

-It's bad, like.

-It's the citric acid that was supposed to dissolve

0:18:190:18:22

when the orange went in.

0:18:220:18:23

OK...

0:18:230:18:24

That was the comedy value of the dish.

0:18:250:18:28

It wasn't fun, cos I just got a mouthful of citric acid.

0:18:280:18:32

How confident are you that this is going to score you enough points

0:18:320:18:35

to cook for the judges?

0:18:350:18:36

I don't know.

0:18:360:18:38

I really don't know. I wouldn't like to call it today.

0:18:380:18:42

That's just completely wrecked the dish for me.

0:18:420:18:44

I don't feel like eating any more of it now because of it.

0:18:440:18:46

I said at the start, he who makes the least mistakes gets through.

0:18:480:18:52

I've made one mistake, so...

0:18:520:18:54

Next up is Ian with his last shot at getting to the judges.

0:18:560:19:00

His novelty boiled egg and soldiers, accompanied by a giant red nose

0:19:000:19:05

blowing passion fruit flavoured bubbles.

0:19:050:19:07

He pipes the ice cream into his glass eggs.

0:19:090:19:11

And needs to make holes in the centre to pour in his puree.

0:19:130:19:17

But something's gone wrong.

0:19:170:19:19

The second batch is not working, because it's still too soft.

0:19:190:19:23

Ian, buddy - you're running late. You're going to hold me up?

0:19:230:19:26

I'm not going to hold you up, buddy!

0:19:260:19:28

Ian pushes on, opting for plan B, piping the passion fruit puree

0:19:280:19:32

on top of his ice cream rather than through the centre.

0:19:320:19:36

Then he places his passion fruit and mango yolk on top.

0:19:360:19:40

And finally the chocolate fingers.

0:19:410:19:44

This is my big red nose.

0:19:520:19:54

This here goes down the room, and it's just a bubble effect.

0:19:540:19:59

This is passion fruit bubbles.

0:19:590:20:01

You can smell the passion fruit, can't you?

0:20:030:20:06

-You can, yeah.

-Let's go and have a taste. Come on.

0:20:060:20:09

-Well done, Ian.

-You carry that through.

0:20:090:20:11

Happy with that, Ian?

0:20:140:20:15

Happy enough. Not perfect. It definitely didn't go to plan.

0:20:150:20:20

-It's fun, isn't it? The bubbles?

-Presentation's really cute.

0:20:200:20:23

-Yeah.

-I like it.

0:20:230:20:24

You should get that effect of it running.

0:20:260:20:28

That's nice.

0:20:320:20:33

-Are you pleased with the way the ice cream's come out?

-Yeah. The ice cream's happy.

0:20:330:20:37

-I've never tasted egg-white ice cream before.

-No.

0:20:370:20:39

It's like a chilled mousse, rather than ice cream. It's that light.

0:20:390:20:43

The negative is that there should be like a hole in the middle.

0:20:430:20:45

so the passion fruit's in there.

0:20:450:20:47

But it just didn't work,

0:20:470:20:49

so if I get through for tomorrow I'll have it perfect.

0:20:490:20:52

The mango and the passion fruit works really well with

0:20:520:20:55

the vanilla and a wee bit of chocolate.

0:20:550:20:58

Yeah, well, it's classical flavours.

0:20:580:21:00

-There's nothing can go wrong there.

-It is what it is.

0:21:000:21:03

Has he got that wow factor? Has he got enough going on?

0:21:030:21:06

I think it does.

0:21:060:21:07

I think it's very simple, but it's a beautiful ice cream, isn't it?

0:21:070:21:11

It's very hard to take marks away from that.

0:21:110:21:13

It's not blown me away or anything, but it's very nice.

0:21:130:21:15

It's a very safe dish, and he was right to do a safe dessert, you know.

0:21:150:21:19

It'll get him across the line today.

0:21:200:21:24

So... I'm so glad it's over. I've had a...

0:21:240:21:27

that was definitely my hardest day.

0:21:270:21:30

Former champion Chris has everything riding on his culinary take

0:21:300:21:34

on the famous Tommy Cooper catchphrase "just like that".

0:21:340:21:38

He fills his doughnuts with cherry gel and adds more to the plate,

0:21:380:21:42

along with a scattering of cherry granola and swipes of chocolate mousse.

0:21:420:21:46

He completes the picture with discs of chocolate sponge,

0:21:460:21:50

cherry sorbet and meringue.

0:21:500:21:52

He then sprays his mousse into the liquid nitrogen for the surprise finale.

0:21:540:21:58

OK.

0:21:580:21:59

Just like that!

0:22:070:22:08

-Just like that?

-Just like that!

0:22:080:22:10

There you go. Happy with that?

0:22:100:22:12

Yes.

0:22:120:22:14

OK, let's go. Chris - pick it up. Let's go.

0:22:140:22:17

Enjoy, lads!

0:22:170:22:18

OK, let's dive straight in so we get the full effect.

0:22:200:22:22

You don't want it to melt.

0:22:220:22:23

So just like that!

0:22:230:22:24

Just like that!

0:22:240:22:25

-It tastes different, doesn't it?

-Aye.

0:22:300:22:32

It's quite strong, isn't it?

0:22:320:22:35

-You're happy with the sweetness of the cherries cutting through the chocolate?

-Yeah.

0:22:350:22:39

You need that with that chocolate, because that chocolate is a killer, after a while.

0:22:390:22:42

So what do you think of the presentation of it?

0:22:420:22:44

It's good, it's good. I like the effect of them smashing. That was fun.

0:22:440:22:48

It does look a wee bit messy, you know.

0:22:480:22:50

It's quite a bit busy. A bit messy, or...?

0:22:500:22:53

I like the playfulness of the presentation.

0:22:530:22:55

I think it needs to be busy. It needs to be - what's going on here?

0:22:550:22:58

Are you a bit worried there's no cream on there, or some sort of vanilla,

0:22:580:23:01

or some sort of like...

0:23:010:23:02

That wee stick of meringue's not enough to cut through all that cherry.

0:23:020:23:06

There's a lot of cherry, there's a lot of chocolate.

0:23:060:23:09

I know, but I think this offers the sweetness, the different textures,

0:23:090:23:12

and the acidity of different elements of that.

0:23:120:23:15

You've five cherry elements.

0:23:150:23:18

Maybe a bit OD on the cherry.

0:23:180:23:20

-I'm very happy with what it is, and whatever happens happens.

-OK.

0:23:200:23:24

I was very happy with that result.

0:23:260:23:28

I don't know what Glynn thinks of it, but from what I plated up, I'm over the moon.

0:23:290:23:33

It couldn't have been better.

0:23:330:23:35

Tough day.

0:23:420:23:44

Never easy, the last day, is it, though?

0:23:440:23:46

It was brutal.

0:23:460:23:47

You know, we all make mistakes on the final day.

0:23:500:23:53

You know yourself - the ice cream. I don't know if you picked up on it,

0:23:530:23:56

-there was a bit of citric acid in your dessert.

-Yeah, yeah.

0:23:560:23:59

But I mean, you know, anything can happen now.

0:23:590:24:01

How are we, chefs?

0:24:080:24:09

Very nervous. Sick.

0:24:090:24:11

Raymond, let's start with the Chocolate Mountain.

0:24:120:24:15

-Hash tag volcano.

-Yeah.

0:24:150:24:17

Um... the presentation, for me, was a little bit unusual.

0:24:170:24:22

Wasn't quite expecting that.

0:24:220:24:24

The mousse was quite light and the crumble looked a bit clumsy,

0:24:240:24:27

but it actually did crumble quite a lot.

0:24:270:24:30

Quite nice with the popping candy which I thought was a nice touch.

0:24:300:24:32

When the orange did eventually spill out, it did actually cut through the mousse and bring it all together.

0:24:320:24:38

But it was more of a trickle than an explosion.

0:24:380:24:42

The sauce was too thick, which obviously left us

0:24:420:24:44

with a pile of powder,

0:24:440:24:47

citric acid, on the plate, which wasn't great.

0:24:470:24:49

No.

0:24:500:24:52

Ian, your passion egg...

0:24:520:24:56

I like the idea. I like the taste of the ice cream.

0:24:560:25:00

The idea of using egg whites and the rest of it was very clever.

0:25:000:25:04

I thought the bubbles were great fun,

0:25:040:25:06

but part of it I thought was a bit simple.

0:25:060:25:10

I mean, if we spilled out the egg, we'd be ice cream coulis and a biscuit.

0:25:100:25:14

Is that what it would be?

0:25:140:25:16

Chris. Black Forest Gateau.

0:25:170:25:21

I mean, it's a proven, well-worked idea. It's a bit old hat.

0:25:220:25:28

But it's still pleasant and people still like that.

0:25:280:25:31

So, I mean the ingredients were spot-on. The sorbet was nice, the liquid nitrogen was a nice touch,

0:25:310:25:35

but I thought you missed a bit of a trick with putting a bit more cream on the plate,

0:25:350:25:39

maybe given us a bit more of that soft mousse.

0:25:390:25:41

You know, but Black Forest Gateau - it worked.

0:25:410:25:44

Thank you.

0:25:440:25:45

So I'm sure you want to hear the scores.

0:25:450:25:47

I'm scoring one of the desserts seven points,

0:25:500:25:52

giving the chef the most points across the week,

0:25:520:25:55

and a place in the judges' chamber.

0:25:550:25:57

And that chef is...

0:25:590:26:01

Chris.

0:26:050:26:06

APPLAUSE

0:26:060:26:07

So well done, Chris, and obviously there's lots of things you need to correct, so good luck.

0:26:080:26:15

Two chefs left,

0:26:150:26:17

but only one place left in front of the judges.

0:26:170:26:21

So Raymond, your score is ...

0:26:210:26:27

..six points.

0:26:270:26:28

Ian.

0:26:300:26:32

I'm scoring you...

0:26:320:26:33

..six points.

0:26:350:26:36

So, chefs - a tie-breaker.

0:26:420:26:45

The first time in the Great British Menu.

0:26:450:26:48

To choose a winner, I've had to decide

0:26:480:26:52

who's delivered the best menu across the week.

0:26:520:26:56

So one menu demonstrated potential to go further,

0:26:560:27:00

into the competition,

0:27:000:27:01

even though it wasn't always executed perfectly.

0:27:010:27:05

The menu, although not humorous all the way through,

0:27:050:27:10

nudged above the other in making us laugh.

0:27:100:27:13

So the chef joining Chris in the judges' chamber...

0:27:130:27:17

..is...

0:27:190:27:20

..Raymond.

0:27:240:27:26

Well done.

0:27:260:27:27

Cheers.

0:27:270:27:29

So commiserations, Ian.

0:27:290:27:32

I thought you cooked solidly all the way through, and credit to you.

0:27:320:27:36

Two guys. Good luck tomorrow, and may the best chef win.

0:27:360:27:39

All the best, lads.

0:27:390:27:40

Thank you.

0:27:400:27:42

That was just... I was feeling sick to the teeth.

0:27:420:27:45

Well done, buddy.

0:27:450:27:47

What an experience and I fought right to the end.

0:27:470:27:50

I couldn't be happier.

0:27:500:27:52

It's been a nail-biting finish for the chefs of Northern Ireland.

0:27:520:27:56

Ian, in spite of his lead in the first half of the competition,

0:27:560:27:59

is going home and Chris and Raymond are through to the judges.

0:27:590:28:04

I am not giving up without a fight.

0:28:040:28:06

I'm on a roll now, so bring it on!

0:28:060:28:08

Calling it a scrap is an understatement.

0:28:080:28:11

This is going to be the dog-fight of Northern Ireland!

0:28:110:28:14

no doubt about that!

0:28:140:28:15

Tomorrow, Chris and Raymond face the exacting judges.

0:28:160:28:20

Crikey almighty!

0:28:200:28:21

It's awful. It really is quite... it's inedible!

0:28:220:28:26

And rivalry reaches new heights...

0:28:260:28:28

-Oh, come on, Ray.

-BLEEP Comic Relief!

0:28:280:28:31

I know the name of the game, big boy!

0:28:310:28:33

Well, big trees - easy fall!

0:28:330:28:34

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0:28:540:28:57

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