Browse content similar to Central Dessert. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This week on Great British Menu, | 0:00:02 | 0:00:04 | |
three of the Central Region's finest chefs... | 0:00:04 | 0:00:08 | |
former champion Aktar Islam... | 0:00:08 | 0:00:10 | |
This is our little war, Aktar. | 0:00:10 | 0:00:12 | |
Yes, it is and I hope to be just as victorious. | 0:00:12 | 0:00:15 | |
..Daniel Clifford's protege Mark Poynton... | 0:00:15 | 0:00:18 | |
For me, cooking's all about taking humble ingredients | 0:00:18 | 0:00:20 | |
and making them the best you can. | 0:00:20 | 0:00:22 | |
..and ambitious newcomer Jason Hodnett... | 0:00:22 | 0:00:24 | |
This dish is humble, super humble. | 0:00:24 | 0:00:26 | |
..are fighting it out to cook their dishes at a banquet commemorating | 0:00:26 | 0:00:30 | |
the 70th anniversary of D-Day at London's iconic St Paul's Cathedral. | 0:00:30 | 0:00:34 | |
Yesterday, after a shaky start, | 0:00:37 | 0:00:39 | |
Jason triumphed with the highest score of the week... | 0:00:39 | 0:00:41 | |
I'm going to give you a nine. | 0:00:41 | 0:00:43 | |
..putting him in second place, one point ahead of Aktar. | 0:00:43 | 0:00:46 | |
Today, it's the dessert course, | 0:00:46 | 0:00:48 | |
and the chefs are going all out for their final shot at glory. | 0:00:48 | 0:00:50 | |
-Serious pressure on your end. -I thrive on pressure, mate, | 0:00:50 | 0:00:53 | |
-thrive on pressure. -Thrive on pressure! -Bring it on. | 0:00:53 | 0:00:55 | |
But with only two places available in the judges' chamber... | 0:00:55 | 0:00:58 | |
Please, please, please, please, please... | 0:00:58 | 0:01:00 | |
..whose valiant efforts will be rewarded? | 0:01:00 | 0:01:02 | |
Well, you did push yourself, didn't you? | 0:01:02 | 0:01:04 | |
That really was the blood, sweat, toil and tears, wasn't it? | 0:01:04 | 0:01:08 | |
Yeah. | 0:01:08 | 0:01:09 | |
This year, the chefs are paying tribute to | 0:01:21 | 0:01:23 | |
the Second World War heroes who fought on D-Day 70 years ago. | 0:01:23 | 0:01:27 | |
They've been tasked with creating patriotic dishes that | 0:01:31 | 0:01:34 | |
-tell the story of wartime Britain... -Wow! | 0:01:34 | 0:01:36 | |
..and have sought inspiration from people in | 0:01:36 | 0:01:38 | |
their own communities who lived through rationing. | 0:01:38 | 0:01:41 | |
Just one egg? For a whole cake! | 0:01:41 | 0:01:43 | |
That's for a whole week, one egg for each person. | 0:01:43 | 0:01:45 | |
Judging the chefs this week is a former dessert course winner | 0:01:49 | 0:01:52 | |
and two Michelin star heavyweight Marcus Wareing. | 0:01:52 | 0:01:55 | |
Back in the days, it was all about steamed puddings and pies | 0:01:55 | 0:01:59 | |
and cakes, but, obviously, we're looking for a little bit more. | 0:01:59 | 0:02:02 | |
I want to see precision from start to finish. | 0:02:02 | 0:02:06 | |
Any one of the three chefs could be leaving today. | 0:02:06 | 0:02:08 | |
I really need a good result today. | 0:02:10 | 0:02:12 | |
I want to make it through to the judges. | 0:02:12 | 0:02:13 | |
I do not want to go home today. | 0:02:13 | 0:02:15 | |
I'm not going to finish the week on a low. I've got a great dish, | 0:02:15 | 0:02:17 | |
great story, I'm going to the judges' chamber. It's up to you | 0:02:17 | 0:02:20 | |
-who's joining me. -Hopefully that's me, high scorer of the week so far, | 0:02:20 | 0:02:23 | |
hitting nine off Marcus Wareing, so, I hope to carry that on. | 0:02:23 | 0:02:26 | |
-It's all about today. I'm going to nail it. -Let's prove it. | 0:02:26 | 0:02:29 | |
First up is Michelin starred Mark Poynton. | 0:02:32 | 0:02:34 | |
His menu, telling the story of the soldiers' journey to Normandy, | 0:02:34 | 0:02:37 | |
has given him the lead, but he's yet to hit the top scores | 0:02:37 | 0:02:40 | |
as Marcus feels he's been playing it safe. | 0:02:40 | 0:02:42 | |
I'm not happy that Jason's got the highest score | 0:02:42 | 0:02:44 | |
so far in the competition, but we've still got dessert to go. | 0:02:44 | 0:02:47 | |
My dessert says everything about the brief. | 0:02:47 | 0:02:50 | |
It's got lots of textures, lots of flavour. | 0:02:50 | 0:02:52 | |
For me, technically, it's a very, very hard dish, | 0:02:52 | 0:02:55 | |
so it's the biggest risk of the week for me. | 0:02:55 | 0:02:57 | |
What are we going to call this one? | 0:03:02 | 0:03:03 | |
It's a "Duke Pudding with Tastes of Normandy." | 0:03:03 | 0:03:05 | |
OK, so tell me about it, what are we going to do? | 0:03:05 | 0:03:08 | |
So, in continuation of my story, this is when they land in Normandy. | 0:03:08 | 0:03:10 | |
Duke pudding came round at the turn of the century. | 0:03:10 | 0:03:13 | |
It's basically a carrot cake, hence the carrots, bulked out with | 0:03:13 | 0:03:16 | |
stale bread which we rehydrate in water to keep the cake | 0:03:16 | 0:03:19 | |
nice and moist. With that, we're going to do a carrot cannelloni | 0:03:19 | 0:03:22 | |
filled with this lovely Calvados and cream cheese mousse. | 0:03:22 | 0:03:25 | |
I've got some lovely apple juice. | 0:03:25 | 0:03:27 | |
We're going to bring that right down to a caramel. | 0:03:27 | 0:03:29 | |
-It adds a lovely, sweet acidity to the dish. -Right. | 0:03:29 | 0:03:31 | |
We're going to finish that off with Normandy brown butter ice cream. | 0:03:31 | 0:03:34 | |
This sounds like there is some challenges in there, | 0:03:34 | 0:03:37 | |
especially with the cannelloni and the ice cream. | 0:03:37 | 0:03:39 | |
The biggest risk for me is, I'm not a pastry chef. | 0:03:39 | 0:03:41 | |
I started off in pastry 18 years ago for three years. | 0:03:41 | 0:03:44 | |
I know the fundamentals, I know the basics. | 0:03:44 | 0:03:46 | |
Why don't you keep it simple then? | 0:03:46 | 0:03:48 | |
You don't like simple. | 0:03:48 | 0:03:50 | |
True. | 0:03:50 | 0:03:51 | |
Mark, he's made his life difficult. He's got a complicated dessert. | 0:03:53 | 0:03:56 | |
I just hope he's practised. | 0:03:56 | 0:03:58 | |
He did say he hasn't done pastry in years, which is not really great. | 0:03:58 | 0:04:01 | |
I hope Mark can bring the precision to his dish, | 0:04:01 | 0:04:04 | |
otherwise, it could just be a...just be a mess. | 0:04:04 | 0:04:07 | |
Next up, and just two points behind Mark in second place is | 0:04:09 | 0:04:12 | |
ambitious young gun, Jason Hodnett. | 0:04:12 | 0:04:15 | |
After a slow start, his risky main course paid off, | 0:04:15 | 0:04:17 | |
with Marcus giving him the highest score of the week. | 0:04:17 | 0:04:20 | |
When you get a nine off Marcus Wareing, that taste of victory is | 0:04:20 | 0:04:23 | |
unbelievable, but complacency, like in anything, could kill it instantly. | 0:04:23 | 0:04:28 | |
I know that I've got belief in this dessert. | 0:04:28 | 0:04:30 | |
I think it's a great dessert and, hopefully, that will shine through. | 0:04:30 | 0:04:33 | |
-Hey, Jason. -Morning, Chef. -You got a big score yesterday. You happy? | 0:04:36 | 0:04:39 | |
-Yeah, ecstatic. -Tell me, what's the name? | 0:04:39 | 0:04:41 | |
-It's called "Home Sweet Home." -OK. | 0:04:41 | 0:04:43 | |
It's the end of the war, we're starting to get things back | 0:04:43 | 0:04:46 | |
-that we're used to, the staples. -What is the centrepiece of it? | 0:04:46 | 0:04:50 | |
So, I'm making a medal of the 1939 to 1945 George Star that was | 0:04:50 | 0:04:54 | |
-awarded for bravery. -What's that made out of? | 0:04:54 | 0:04:56 | |
So, I'm going to make it chocolate, so I'm going to use | 0:04:56 | 0:04:59 | |
a nice, rich chocolate, then we're going to make a ganache, | 0:04:59 | 0:05:01 | |
-I'm going to use a different type of chocolate for the ganache. -OK. | 0:05:01 | 0:05:04 | |
And then we're going to make a sour cherry filling | 0:05:04 | 0:05:06 | |
that's going to go inside. | 0:05:06 | 0:05:08 | |
-What's the lavender? -We're going to use that in a honey parfait. | 0:05:08 | 0:05:12 | |
OK, where's the risk here? What's your fear with this dish? | 0:05:12 | 0:05:15 | |
This medal has been the bane of my life, | 0:05:15 | 0:05:18 | |
trying to get this medal to come out | 0:05:18 | 0:05:20 | |
-and, if it comes out, it's a dream and it looks fantastic. -OK. | 0:05:20 | 0:05:24 | |
If it doesn't, then it's game over. | 0:05:24 | 0:05:25 | |
That's a huge gamble you're taking then. | 0:05:25 | 0:05:27 | |
This is a big boys' game, you have to try and take some risks. | 0:05:27 | 0:05:30 | |
-OK, well, I wish you the best of luck with that, Jason. -Thanks, Chef. | 0:05:30 | 0:05:34 | |
Jason, yeah, "Home Sweet Home." | 0:05:34 | 0:05:36 | |
The most important thing about the medal is the chocolate, | 0:05:36 | 0:05:39 | |
that has to be absolutely perfect for it to work. | 0:05:39 | 0:05:41 | |
He said that it's been a problem for him | 0:05:41 | 0:05:43 | |
ever since he's been practising the dish. | 0:05:43 | 0:05:45 | |
I hope he's mastered the dish before he sends it to me. | 0:05:45 | 0:05:48 | |
Last up, and trailing Jason by just one point is returning champion | 0:05:49 | 0:05:53 | |
Aktar Islam. Having reached the banquet once before, | 0:05:53 | 0:05:56 | |
he's desperate for another taste of glory. | 0:05:56 | 0:05:58 | |
I'm determined to make it through to Friday, | 0:05:58 | 0:06:01 | |
because I don't want to go home. | 0:06:01 | 0:06:03 | |
It is about doing all I can today to make sure | 0:06:03 | 0:06:05 | |
I'm cooking for the judges tomorrow. | 0:06:05 | 0:06:07 | |
Tell me, what is the name of your dessert today? | 0:06:09 | 0:06:12 | |
-"Victory Is Sweet." -OK. | 0:06:12 | 0:06:14 | |
-We're using a classic British Queen of Puddings. -OK, yeah. | 0:06:14 | 0:06:18 | |
So, the pudding itself, it's going to be served warm, set, | 0:06:18 | 0:06:22 | |
and then we've got a Swiss meringue going on. | 0:06:22 | 0:06:25 | |
There is going to be some spice in it. Cardamom. | 0:06:25 | 0:06:29 | |
I think a lot of Indian desserts are sort of milk-based, | 0:06:29 | 0:06:32 | |
cardamom works really well with it, | 0:06:32 | 0:06:34 | |
and we're going to do a little fun tribute to Winston Churchill. | 0:06:34 | 0:06:37 | |
-A little chocolate cigar. -What type of chocolate are we using? | 0:06:37 | 0:06:40 | |
-This is Manjari. -OK. | 0:06:40 | 0:06:41 | |
We're going to make a whipping ganache | 0:06:41 | 0:06:43 | |
and then we're going to put some popping candy in there as well. | 0:06:43 | 0:06:46 | |
-Right. -So, it's all just a bit of fun, that's all it is. | 0:06:46 | 0:06:48 | |
What are these? | 0:06:48 | 0:06:50 | |
It's a Queen of Puddings, so, I'm doing a sugar crown. | 0:06:50 | 0:06:53 | |
-Are you? -Yeah. -You're not a pastry chef, and | 0:06:53 | 0:06:55 | |
-you're spinning sugar? -I'm going to do it. | 0:06:55 | 0:06:57 | |
You do realise how close this is, don't you? | 0:06:57 | 0:06:59 | |
I do, I do, but I'm taking a big risk here. | 0:06:59 | 0:07:01 | |
I get the feeling we're about to enter the danger zone! | 0:07:01 | 0:07:04 | |
But, remember this - any one of you could be going home today. | 0:07:06 | 0:07:10 | |
-Good luck. -Thank you, Marcus. -Thank you. | 0:07:10 | 0:07:12 | |
"Victory Is Sweet." Well, we'll soon find out. | 0:07:13 | 0:07:16 | |
Aktar is attempting to do spun sugar. | 0:07:16 | 0:07:19 | |
For someone who knows that pastry is the hardest thing | 0:07:19 | 0:07:22 | |
out of all of the menu, | 0:07:22 | 0:07:24 | |
to come to Great British Menu and to start spinning sugar... | 0:07:24 | 0:07:28 | |
..is insane. | 0:07:29 | 0:07:30 | |
With only three points separating them, the chefs all need to | 0:07:33 | 0:07:36 | |
score highly today to secure a place in front of the judges tomorrow. | 0:07:36 | 0:07:40 | |
Aktar's pinning his hopes on a dessert | 0:07:40 | 0:07:42 | |
inspired by an icon of the war. | 0:07:42 | 0:07:45 | |
Winston was a big part of the war effort, you know, he led | 0:07:45 | 0:07:48 | |
the nation into World War II, so I had to actually pay tribute to him. | 0:07:48 | 0:07:52 | |
-It's iconic, Winston and his cigar. -Exactly. | 0:07:52 | 0:07:54 | |
You're not going to teach kids bad things, are you, | 0:07:54 | 0:07:56 | |
with this cigar malarkey? | 0:07:56 | 0:07:58 | |
No, no, no! It's bad for you. Don't do it! | 0:07:58 | 0:08:01 | |
To accompany his Churchill tribute, | 0:08:03 | 0:08:05 | |
Aktar is making a complex sponge sugar crown | 0:08:05 | 0:08:08 | |
and a modern take on Queen of Puddings using spice to bring | 0:08:08 | 0:08:11 | |
this classic dessert into the 21st century. | 0:08:11 | 0:08:15 | |
-What have we got? -It's the custard base for the Queen of Puddings. | 0:08:15 | 0:08:18 | |
-So, what's in there? -Brioche, which has been crumbed down, | 0:08:18 | 0:08:21 | |
-and in the custard we've put, with the spices to it. -And the cardamom? | 0:08:21 | 0:08:24 | |
In Indian puddings, we always use cardamom, yeah. | 0:08:24 | 0:08:27 | |
A little bit of spice in there. | 0:08:27 | 0:08:28 | |
Cardamom's going to give it the Aktar touch. | 0:08:29 | 0:08:32 | |
It's that flavour, it's that spice, but it all boils down to | 0:08:32 | 0:08:35 | |
the balance and that has to be absolutely perfect for it to work. | 0:08:35 | 0:08:39 | |
Despite having limited experience as a pastry chef, Mark has | 0:08:41 | 0:08:44 | |
a lot of different elements to get right on his Normandy Duke pudding. | 0:08:44 | 0:08:48 | |
Mark's got to make sure that it's perfect, | 0:08:48 | 0:08:50 | |
because, if it's not perfect, Marcus will pick up on it | 0:08:50 | 0:08:53 | |
and it's certainly going to be bad news for Mark. | 0:08:53 | 0:08:56 | |
He's creating a carrot cannelloni filled with cream cheese | 0:08:56 | 0:08:59 | |
and Calvados foam, and a brown butter ice cream to complement | 0:08:59 | 0:09:03 | |
his Duke Pudding, a wartime dessert similar to a modern day carrot cake. | 0:09:03 | 0:09:06 | |
Hiya. | 0:09:09 | 0:09:10 | |
-Duke pudding. -That's the one. -It's a carrot cake made with stale bread. | 0:09:10 | 0:09:14 | |
-I've soaked that in water. -In water?! OK. | 0:09:14 | 0:09:16 | |
-It keeps the cake nice and moist. -Cooking at what temperature? -180. | 0:09:16 | 0:09:19 | |
-That's good. OK, good. -Thank you, Marcus. | 0:09:19 | 0:09:21 | |
Mark's doing the Duke's pudding. It just sounds like a cake to me. | 0:09:22 | 0:09:25 | |
To get to the final banquet, | 0:09:25 | 0:09:27 | |
you need to be pushing the boundaries and I'm not 100% sure | 0:09:27 | 0:09:30 | |
whether he's actually going to be doing that today. | 0:09:30 | 0:09:32 | |
Ambitious newcomer Jason comes from a family of army chefs and, | 0:09:34 | 0:09:37 | |
all week, he's used his background to inspire his dishes. | 0:09:37 | 0:09:41 | |
Today, he's honouring the veterans with his "Home Sweet Home" | 0:09:41 | 0:09:44 | |
dessert, creating a chocolate World War II medal. | 0:09:44 | 0:09:47 | |
The 1939 to 1945 star was awarded to personnel who'd completed | 0:09:47 | 0:09:52 | |
six months service in the Second World War. | 0:09:52 | 0:09:55 | |
Your dessert sounds like a bit of a risk, Jason. | 0:09:55 | 0:09:57 | |
-This medal's all about bravery. -OK. | 0:09:57 | 0:09:59 | |
I think this would be a fantastic thing to get to the banquet | 0:09:59 | 0:10:02 | |
and give everybody. | 0:10:02 | 0:10:03 | |
That's very noble. | 0:10:03 | 0:10:05 | |
Jason is using classic flavour combinations including | 0:10:08 | 0:10:11 | |
a lavender and honey parfait | 0:10:11 | 0:10:13 | |
and a sour cherry filling for his risky chocolate ganache medal. | 0:10:13 | 0:10:16 | |
At what point are we at, Jason? Are these cherries | 0:10:16 | 0:10:18 | |
-going into that now, are they? -No, I'm going to cool them | 0:10:18 | 0:10:21 | |
down first, get them nice and cold. | 0:10:21 | 0:10:23 | |
I'm going to add a little touch of honey as well, | 0:10:23 | 0:10:25 | |
-just to sweeten them up again. -Is the honey in there now? -No, not yet. | 0:10:25 | 0:10:28 | |
I came across the fact that, you know, sugar was rationed, | 0:10:29 | 0:10:32 | |
so honey was the sweetener, so, you know, there's no sugar in this dish. | 0:10:32 | 0:10:35 | |
Everything is sweetened with honey. | 0:10:35 | 0:10:37 | |
To find out more about the importance of honey | 0:10:40 | 0:10:42 | |
during rationing, Jason paid a visit to Brian Goodwin, | 0:10:42 | 0:10:45 | |
president of the Shropshire Beekeepers' Association, | 0:10:45 | 0:10:48 | |
whose father was a beekeeper during the war. | 0:10:48 | 0:10:51 | |
Now, sugar was very difficult to import into this country | 0:10:51 | 0:10:54 | |
because of the blockades by our enemies, and so the government | 0:10:54 | 0:10:58 | |
encouraged people to create allotments | 0:10:58 | 0:11:00 | |
and even public parks were ploughed up and planted with potatoes | 0:11:00 | 0:11:04 | |
and all sorts of other crops so that the country could be fed, | 0:11:04 | 0:11:07 | |
and the bee played an important part in that. | 0:11:07 | 0:11:10 | |
Bees fertilised crops as well as producing much-needed honey. | 0:11:10 | 0:11:13 | |
To increase production, the government offered | 0:11:13 | 0:11:16 | |
a £10 sugar incentive per colony to anyone who kept them. | 0:11:16 | 0:11:20 | |
So, is that now just ready to eat? | 0:11:20 | 0:11:21 | |
It's ready to be harvested, yes. | 0:11:21 | 0:11:23 | |
With Brian in possession of a wartime cookbook, it was a chance | 0:11:24 | 0:11:27 | |
for Jason to see for himself some of the recipes born out of rationing. | 0:11:27 | 0:11:31 | |
Companies started to produce special cookery books, | 0:11:31 | 0:11:35 | |
which had got recipes which were designed to use just | 0:11:35 | 0:11:39 | |
the allocation of food which was given to you during the war. | 0:11:39 | 0:11:42 | |
-One of them for a honey cake... -Ah-ha! -..which was quite good fun. | 0:11:42 | 0:11:46 | |
So, in this recipe, it says, "One large egg." Just one egg... | 0:11:46 | 0:11:49 | |
-It's fantastic, isn't it? -..for a whole cake. | 0:11:49 | 0:11:51 | |
That's for a whole week, one egg for each person. | 0:11:51 | 0:11:53 | |
A lot of our recipes these days have got 20, 30, 40 ingredients... | 0:11:53 | 0:11:58 | |
-That's right. -..and this has got, so far, six. -Yes. | 0:11:58 | 0:12:01 | |
But, of course, there is an alternative to sugar, | 0:12:01 | 0:12:03 | |
-and that's honey. -Three spoons of honey. | 0:12:03 | 0:12:05 | |
So, this has now got to go in the oven. Is that right? | 0:12:08 | 0:12:10 | |
That's got to go in the oven and it says, "For one hour." | 0:12:10 | 0:12:13 | |
I'm sure with another ten tablespoons of honey, it would be really nice, | 0:12:13 | 0:12:16 | |
but that's all they had. What they had was one egg and it was | 0:12:16 | 0:12:18 | |
the little bit of flour and it was the little bits of things. | 0:12:18 | 0:12:21 | |
-Ready. -Now, let's taste it. -After you, sir. | 0:12:22 | 0:12:25 | |
I'm going to try a delicate little slice to start off with. | 0:12:25 | 0:12:28 | |
That's...pretty disappointing, Brian. | 0:12:30 | 0:12:32 | |
I don't think I'll put it on the menu any time soon. | 0:12:32 | 0:12:35 | |
BRIAN LAUGHS | 0:12:35 | 0:12:36 | |
I wanted to learn something about the product that I'm going to use. | 0:12:37 | 0:12:40 | |
I always wanted the honey to be the sweetener | 0:12:40 | 0:12:42 | |
and to do the talking with flavour. | 0:12:42 | 0:12:43 | |
Trying that cake concerned me slightly, but, I know, | 0:12:43 | 0:12:46 | |
using the right quality that I can really nail that | 0:12:46 | 0:12:48 | |
and let the honey do the talking. | 0:12:48 | 0:12:50 | |
With only a one point lead over Aktar, Jason's adopting | 0:12:54 | 0:12:57 | |
a dangerous strategy. | 0:12:57 | 0:12:59 | |
The chocolate for his "Home Sweet Home" medal needs tempering, | 0:12:59 | 0:13:02 | |
a technique that should ensure a strong glossy finish | 0:13:02 | 0:13:05 | |
if it's allowed to cool to a precise 28 degrees. | 0:13:05 | 0:13:09 | |
-Have you tempered this chocolate? -It stands for 27, | 0:13:09 | 0:13:11 | |
so, you know, it's as close as I'm going to get it in the time. | 0:13:11 | 0:13:15 | |
I don't really think he's thought his dish through. | 0:13:15 | 0:13:17 | |
Tempering chocolate in this heat, it's a no-no. | 0:13:17 | 0:13:19 | |
If that chocolate doesn't turn out, he's going home today. | 0:13:19 | 0:13:22 | |
Jason's not the only one taking risks. | 0:13:24 | 0:13:27 | |
With his "Victory Is Sweet" Queen of Puddings, Aktar's attempting | 0:13:27 | 0:13:30 | |
to transform an English classic into a modern masterpiece | 0:13:30 | 0:13:33 | |
and he's not taking the easy route. | 0:13:33 | 0:13:35 | |
So, spinning sugar, that's quite a difficult technique. | 0:13:35 | 0:13:38 | |
It is, it is. | 0:13:38 | 0:13:39 | |
His crown is spun from sugar syrup drawn into fine filaments | 0:13:39 | 0:13:43 | |
that require delicate handling and precision to shape. | 0:13:43 | 0:13:46 | |
My partner's been a pastry chef for 19 years | 0:13:46 | 0:13:48 | |
and she still doesn't do that, because it's so high risk. | 0:13:48 | 0:13:51 | |
-Maybe I'll get a medal from... -From Jason? Maybe. | 0:13:51 | 0:13:54 | |
I wouldn't count on that, boys. I wouldn't count on that. | 0:13:54 | 0:13:56 | |
Despite a two point lead, Daniel Clifford's former protege | 0:14:01 | 0:14:04 | |
Mark has a lot to live up to and can't afford to rest on his laurels. | 0:14:04 | 0:14:08 | |
A lot of pressure for you, your missus is a pastry chef, Daniel made | 0:14:08 | 0:14:11 | |
it to the banquet with his dessert, serious pressure on your end. | 0:14:11 | 0:14:14 | |
-I thrive on pressure, mate, thrive on pressure. -Thrive on pressure! -Bring it on. | 0:14:14 | 0:14:17 | |
Ooh! | 0:14:17 | 0:14:18 | |
He's putting his pastry skills to the test, rolling delicate strips | 0:14:20 | 0:14:23 | |
of carrot cannelloni to hold his cream cheese Calvados foam. | 0:14:23 | 0:14:27 | |
Did you get some tips off the missus? Did she give you any tips or not? | 0:14:27 | 0:14:30 | |
-Yeah, don't listen to you. -Anything else? | 0:14:30 | 0:14:32 | |
-Come home a winner. -Let's see how many you can do properly. | 0:14:32 | 0:14:35 | |
First to plate up, and in last place, | 0:14:39 | 0:14:41 | |
is former champion Aktar with his cardamom spiced Queen of Puddings. | 0:14:41 | 0:14:44 | |
Do you think you've done it? | 0:14:44 | 0:14:46 | |
I should be OK, but if you hear a scream, that means I've run over... | 0:14:46 | 0:14:51 | |
He's still working on his technical spun sugar. | 0:14:51 | 0:14:53 | |
A minute, 30 left. You going to be all right? | 0:14:53 | 0:14:55 | |
A minute, 30? BLEEP! | 0:14:55 | 0:14:57 | |
With no time to lose, Aktar quite finishes his crowns and turns his | 0:14:59 | 0:15:03 | |
attention to his Winston Churchill cigars filled with whipped | 0:15:03 | 0:15:06 | |
chocolate ganache. | 0:15:06 | 0:15:07 | |
Next, his pipes meringue onto his cardamom spiced Queen of Puddings... | 0:15:08 | 0:15:12 | |
..adds strawberry, raspberry and blackberry jam... | 0:15:14 | 0:15:17 | |
..and blowtorches the top... | 0:15:19 | 0:15:20 | |
..before adding a quenelle of raspberry sorbet. | 0:15:22 | 0:15:26 | |
Finally, his crowning glory, spun sugar crowns. | 0:15:26 | 0:15:29 | |
Well, Aktar, is this your finest culinary hour? | 0:15:37 | 0:15:40 | |
I'd like to hope so, yes. A bit of bling. | 0:15:40 | 0:15:42 | |
I grew up in the ghetto, Chef! | 0:15:42 | 0:15:44 | |
We cover everything in gold. | 0:15:44 | 0:15:46 | |
OK, let's go and do some tasting. | 0:15:47 | 0:15:49 | |
That's your nod to Sir Winston. | 0:15:53 | 0:15:55 | |
I never knew Aktar had it in him | 0:15:55 | 0:15:57 | |
-with puddings like that. -No, not at all. | 0:15:57 | 0:15:59 | |
Let's talk about the base itself. | 0:15:59 | 0:16:01 | |
Breadcrumbs mixed with a custard base, a little bit of cardamom... | 0:16:01 | 0:16:04 | |
The cardamom's really nice. It gives it a nice, fresh... | 0:16:04 | 0:16:08 | |
palate cleansing finish. | 0:16:08 | 0:16:10 | |
Tell me about the consistency of the custard. | 0:16:10 | 0:16:12 | |
I'm happy with it. I wouldn't want to set it any further than it is. | 0:16:12 | 0:16:15 | |
To me, it's got the texture of being split. | 0:16:15 | 0:16:17 | |
I would say that it's been overcooked. | 0:16:17 | 0:16:19 | |
Let's talk about that texture. | 0:16:21 | 0:16:22 | |
I'd probably whip it a little bit further. | 0:16:22 | 0:16:25 | |
I like the cigar. | 0:16:26 | 0:16:27 | |
It fits the fun element, it fits the brief. | 0:16:27 | 0:16:29 | |
Pretend you're Winston Churchill chugging on your cigar. | 0:16:29 | 0:16:32 | |
Do you think the crown's necessary? | 0:16:36 | 0:16:38 | |
What I wanted to do was have a bit of fun. | 0:16:38 | 0:16:41 | |
I'll give him credit on the skill. | 0:16:42 | 0:16:44 | |
To do spun sugar that well is very accomplished. | 0:16:44 | 0:16:46 | |
It's your final course, so give me a score for this one. | 0:16:47 | 0:16:52 | |
He's probably looking at a seven, maybe an eight. | 0:16:52 | 0:16:54 | |
I think seven. | 0:16:54 | 0:16:55 | |
Seven or eight. | 0:16:56 | 0:16:57 | |
-Well done, mate. -Thank you. -Happy with that? | 0:16:59 | 0:17:02 | |
Yeah, I'm happy. | 0:17:02 | 0:17:04 | |
Do you think the texture on the Queen of Puddings was right? | 0:17:04 | 0:17:07 | |
That's how I've always had it and, based on that, | 0:17:07 | 0:17:09 | |
I've presented it to you in that way. | 0:17:09 | 0:17:11 | |
Michelin starred Mark is next to plate up his Normandy themed | 0:17:16 | 0:17:20 | |
Duke Pudding, hoping to secure a spot in tomorrow's regional final. | 0:17:20 | 0:17:23 | |
He's gone the extra mile for his presentation, | 0:17:25 | 0:17:27 | |
with a box filled with sand from Normandy. | 0:17:27 | 0:17:30 | |
He starts with a smear of apple caramel, then carefully | 0:17:31 | 0:17:34 | |
slices his Duke pudding made with carrots and stale bread... | 0:17:34 | 0:17:38 | |
..adds beurre noisette powder... | 0:17:40 | 0:17:42 | |
..pickled apple cubes... | 0:17:44 | 0:17:45 | |
..and dots of carrot puree. | 0:17:46 | 0:17:48 | |
Do you think this is your ticket to the judging chamber? | 0:17:49 | 0:17:52 | |
I've built up quite a nice lead over the last three courses, boys. | 0:17:52 | 0:17:56 | |
I don't particularly want to lose it at this point. | 0:17:56 | 0:17:58 | |
Finally, it's on with brown butter ice cream and his fiddly | 0:17:58 | 0:18:02 | |
carrot cannelloni filled with cream cheese and Calvados foam. | 0:18:02 | 0:18:05 | |
This for me... | 0:18:07 | 0:18:09 | |
is the perfect ending. | 0:18:09 | 0:18:10 | |
Interesting presentation. | 0:18:11 | 0:18:13 | |
For me, this sings of D-Day, | 0:18:13 | 0:18:16 | |
you've got Normandy sand in the bottom, | 0:18:16 | 0:18:18 | |
and you've got a nice traditional English Duke's pudding. | 0:18:18 | 0:18:21 | |
-Now, without any delay, let's go and try it. -Yes. | 0:18:21 | 0:18:24 | |
Tell me about the consistency of the cake. | 0:18:30 | 0:18:32 | |
Any carrot cake always a bit stodgy, | 0:18:32 | 0:18:34 | |
but adding the stale bread which we soak in cold water keeps it moist. | 0:18:34 | 0:18:38 | |
The pudding's got quite a light texture. | 0:18:39 | 0:18:42 | |
It doesn't really hit me with any main flavour. | 0:18:42 | 0:18:44 | |
The smoothness of the ice cream... | 0:18:45 | 0:18:47 | |
Any ice cream's lovely. You get the brown butter, you get the nuttiness. | 0:18:47 | 0:18:50 | |
It is a little salty for me. | 0:18:50 | 0:18:52 | |
I perhaps would have used unsalted butter, | 0:18:52 | 0:18:54 | |
I don't know whether he did, maybe I'm wrong. | 0:18:54 | 0:18:56 | |
Let's talk about the consistency inside the cannelloni. | 0:18:56 | 0:18:59 | |
I'm happy with the foam. | 0:18:59 | 0:19:00 | |
The foam inside, I don't think... | 0:19:00 | 0:19:03 | |
it worked with everything else. | 0:19:03 | 0:19:05 | |
Tell me about the caramel. | 0:19:05 | 0:19:07 | |
It is just pure apple juice. | 0:19:07 | 0:19:08 | |
It's just reduced down to that caramel consistency. | 0:19:08 | 0:19:11 | |
That's actually quite pleasant. That's quite sharp. | 0:19:12 | 0:19:14 | |
Right, we can now, we've almost cleared away the dessert | 0:19:14 | 0:19:17 | |
and the date underneath... | 0:19:17 | 0:19:19 | |
The date 6th of the 6th, 1944 was D-Day. | 0:19:19 | 0:19:23 | |
And the sand you said it was from Normandy, the beach? | 0:19:23 | 0:19:25 | |
From Normandy beach, yeah. | 0:19:25 | 0:19:26 | |
I think the presentation is beautiful, I think | 0:19:26 | 0:19:28 | |
it's poignant and it's meaningful. | 0:19:28 | 0:19:30 | |
Right, my last question. Give me a score. | 0:19:32 | 0:19:35 | |
I'd like to stay consistent with an eight. | 0:19:35 | 0:19:37 | |
OK. | 0:19:37 | 0:19:38 | |
-Welcome back. -Yeah. -How'd it go? -It was all right. | 0:19:40 | 0:19:42 | |
-What did you guys think? -I enjoyed, you know, various elements. | 0:19:42 | 0:19:45 | |
A couple of elements, I thought, | 0:19:45 | 0:19:47 | |
could have been done a little bit better. | 0:19:47 | 0:19:48 | |
I thought the whole thing came together very well. | 0:19:48 | 0:19:51 | |
-The thought process was very clever. -Thank you. Good. | 0:19:51 | 0:19:53 | |
It's the moment of truth for Jason and failing to temper his chocolate | 0:19:54 | 0:19:58 | |
properly has brought him to his knees. | 0:19:58 | 0:20:00 | |
He's having trouble turning out his World War II inspired medals. | 0:20:02 | 0:20:06 | |
It's extremely tense in the kitchen at the moment. | 0:20:06 | 0:20:08 | |
Jason's having some real struggles | 0:20:08 | 0:20:09 | |
getting his medals out of the moulds. | 0:20:09 | 0:20:11 | |
Please, please, please, please, please, please, please... | 0:20:11 | 0:20:14 | |
It's not a position I'd like to be in, especially | 0:20:14 | 0:20:16 | |
when I'm due at The Pass. | 0:20:16 | 0:20:17 | |
Seriously intense. | 0:20:19 | 0:20:20 | |
I think Jason is just about to crumble. | 0:20:22 | 0:20:25 | |
It doesn't look good for him. | 0:20:25 | 0:20:27 | |
This first attempt is a disaster... | 0:20:31 | 0:20:33 | |
Anything we can do, Jason? | 0:20:33 | 0:20:35 | |
..and his only option is to sacrifice the moulds and cut out | 0:20:35 | 0:20:38 | |
the rest of the medals, enlisting the help of competitor Mark. | 0:20:38 | 0:20:42 | |
BLEEP! Get out in one. | 0:20:42 | 0:20:44 | |
Come on, come on, come on. | 0:20:44 | 0:20:46 | |
-Jason... -I'll be on The Pass in one minute, Chef, | 0:20:46 | 0:20:49 | |
hell or high water. | 0:20:49 | 0:20:50 | |
Come on, come on, come on. | 0:20:50 | 0:20:53 | |
He finally releases a second medal, | 0:20:53 | 0:20:55 | |
but, with the chocolate not tempered, the surface has cracked. | 0:20:55 | 0:20:58 | |
Unfortunately for Jason, | 0:21:00 | 0:21:01 | |
his spares are broken too. | 0:21:01 | 0:21:03 | |
HE SIGHS | 0:21:03 | 0:21:04 | |
With none of them perfect, he's forced to serve the damaged medals. | 0:21:04 | 0:21:08 | |
He places them on a bed of lavender and honey parfait. | 0:21:09 | 0:21:12 | |
and finishes with a ribbon on the presentation box. | 0:21:13 | 0:21:16 | |
-Well done, buddy. -Well done. | 0:21:18 | 0:21:20 | |
Well, you did push yourself, didn't you? | 0:21:24 | 0:21:25 | |
That really was the blood, sweat, toil and tears, wasn't it? | 0:21:25 | 0:21:28 | |
Yeah. | 0:21:28 | 0:21:30 | |
At least I know one thing. There's passion in there. | 0:21:30 | 0:21:32 | |
That's for sure. | 0:21:32 | 0:21:34 | |
-Shall we have a look? -Yeah. | 0:21:34 | 0:21:35 | |
OK, Jason, I think about now we're going to have to go | 0:21:41 | 0:21:44 | |
and taste it, OK? Come on, let's go. | 0:21:44 | 0:21:46 | |
-Well done, Jason. -Well done. | 0:21:47 | 0:21:49 | |
Stand up. You're still in it, OK? | 0:21:54 | 0:21:56 | |
The poor kid. He's been so brave and courageous. | 0:21:57 | 0:22:00 | |
He's put everything into that. | 0:22:00 | 0:22:01 | |
Take the presentation out of the equation. | 0:22:07 | 0:22:09 | |
Tell me about the cracking of it when you go through. | 0:22:09 | 0:22:11 | |
I think it cracks OK. | 0:22:11 | 0:22:13 | |
It hasn't got that crisp crunch, has it? | 0:22:13 | 0:22:15 | |
No, he hasn't got the temperatures right. | 0:22:15 | 0:22:17 | |
It's going to stick and it's going to go soft. | 0:22:17 | 0:22:20 | |
Let's talk about the flavour of the cherry in the centre. | 0:22:20 | 0:22:23 | |
You get enough sour through. | 0:22:23 | 0:22:25 | |
-The sour cherry's lovely. -It's popping away. | 0:22:25 | 0:22:28 | |
There's some popping candy in there. | 0:22:28 | 0:22:30 | |
So, this is the lavender and honey. | 0:22:30 | 0:22:31 | |
I think there's enough honey in there. | 0:22:31 | 0:22:33 | |
I get a subtle lavender, which is all I wanted. | 0:22:33 | 0:22:37 | |
It's just a light whipped mousse. | 0:22:37 | 0:22:39 | |
I'm not getting the honey, I'm not getting the lavender. | 0:22:39 | 0:22:42 | |
So, now we've got to the end of it, | 0:22:42 | 0:22:44 | |
-it's all really about presentation for you, isn't it? -Done right... | 0:22:44 | 0:22:47 | |
..I know that can be what it should be. | 0:22:49 | 0:22:51 | |
That's cooking. | 0:22:53 | 0:22:55 | |
I know. | 0:22:55 | 0:22:56 | |
If he's have pulled it off, I think that might | 0:22:56 | 0:22:58 | |
have been Marcus's ten for the week. | 0:22:58 | 0:23:00 | |
It's a dream for every veteran to be presented with your medal. | 0:23:00 | 0:23:04 | |
It totally nails the brief. | 0:23:04 | 0:23:05 | |
OK. I'd like you to mark it, Jason. | 0:23:06 | 0:23:08 | |
With my eyes open? | 0:23:10 | 0:23:12 | |
-Hmm. -Four. With my eyes closed, a seven. | 0:23:12 | 0:23:14 | |
It's always a tough one, pudding. | 0:23:25 | 0:23:27 | |
I gave that absolutely everything, | 0:23:27 | 0:23:31 | |
150%. | 0:23:31 | 0:23:32 | |
All I can hope, I suppose, is that Marcus sees that | 0:23:34 | 0:23:38 | |
that dish was... It's got so much potential, in my eyes, you know. | 0:23:38 | 0:23:41 | |
It could be... | 0:23:41 | 0:23:42 | |
..a banquet-worthy dish. | 0:23:43 | 0:23:44 | |
Good luck, guys. | 0:23:47 | 0:23:49 | |
And you. | 0:23:49 | 0:23:50 | |
-Evening, guys. -Marcus. -Marcus. | 0:23:56 | 0:23:58 | |
Only two of you can go through to the judges. | 0:23:58 | 0:24:00 | |
Aktar, for your "Victory Is Sweet" Queen of Pudding | 0:24:03 | 0:24:06 | |
with chocolate and praline tuile, | 0:24:06 | 0:24:09 | |
I think you hit the brief. | 0:24:09 | 0:24:11 | |
I thought the balance of flavour with the Queen of Pudding was good. | 0:24:11 | 0:24:14 | |
The crown was not my taste... | 0:24:14 | 0:24:16 | |
but I thought the skill and the making of it was excellent. | 0:24:16 | 0:24:19 | |
I thought that the chocolate cigar was a fantastic idea | 0:24:21 | 0:24:24 | |
and a great nod to Sir Winston Churchill. | 0:24:24 | 0:24:26 | |
Thank you, Chef. | 0:24:26 | 0:24:28 | |
But... | 0:24:28 | 0:24:29 | |
..I was really looking forward to the cardamom flavour | 0:24:30 | 0:24:33 | |
because I really like it. I just didn't think it was enough. | 0:24:33 | 0:24:35 | |
I thought it would have come through a bit more. | 0:24:35 | 0:24:37 | |
I'm not so sure about the texture | 0:24:39 | 0:24:41 | |
of the pudding. | 0:24:41 | 0:24:42 | |
I suppose the question I was going to ask you, | 0:24:42 | 0:24:44 | |
do you think you could do this on a large scale, though? | 0:24:44 | 0:24:46 | |
Mark, your "Taste Of Normandy" Duke pudding | 0:24:52 | 0:24:55 | |
with brown butter ice cream... | 0:24:55 | 0:24:57 | |
a great idea and a real nod to Normandy. | 0:24:57 | 0:24:59 | |
I thought you got the cake flavour beautiful | 0:25:00 | 0:25:02 | |
and I really liked the butter ice cream as well. | 0:25:02 | 0:25:04 | |
You know, very smooth. | 0:25:04 | 0:25:05 | |
A few things... | 0:25:07 | 0:25:08 | |
I thought that the Calvados and cream cheese in the cannelloni | 0:25:09 | 0:25:14 | |
for me lacked flavour. | 0:25:14 | 0:25:15 | |
I know I've been saying all the way through | 0:25:15 | 0:25:18 | |
that you've been playing it safe. | 0:25:18 | 0:25:20 | |
I suppose the question is, how safe was it? | 0:25:20 | 0:25:23 | |
Jason. | 0:25:25 | 0:25:27 | |
For your "Home Sweet Home" of chocolate medal with honey | 0:25:27 | 0:25:30 | |
and lavender parfait, | 0:25:30 | 0:25:33 | |
I thought the idea of the medal was very, very, very clever. | 0:25:33 | 0:25:36 | |
You couldn't think of anything better at the end of a banquet. | 0:25:36 | 0:25:40 | |
I love lavender and honey as a combination, | 0:25:43 | 0:25:46 | |
I really think those two flavours do work. | 0:25:46 | 0:25:48 | |
But... | 0:25:50 | 0:25:51 | |
..I thought that the ganache itself was too heavy. | 0:25:52 | 0:25:55 | |
Because of the thickness of the chocolate, | 0:25:56 | 0:25:59 | |
the whole thing became too rich to eat, something that you'd feel | 0:25:59 | 0:26:02 | |
very sickly as you started to get towards the end. | 0:26:02 | 0:26:04 | |
And, of course, I don't need to tell you this, | 0:26:05 | 0:26:08 | |
the cracking of the chocolate. | 0:26:08 | 0:26:10 | |
OK. | 0:26:15 | 0:26:17 | |
The scores. | 0:26:18 | 0:26:20 | |
With a score of eight, | 0:26:21 | 0:26:23 | |
giving that chef the highest mark of the week... | 0:26:23 | 0:26:27 | |
..that's you, Mark. Well done. Congratulations. | 0:26:30 | 0:26:32 | |
Thank you. | 0:26:32 | 0:26:34 | |
-You deserve that, totally. -Thank you. -Well done. | 0:26:34 | 0:26:37 | |
OK, the final two. | 0:26:37 | 0:26:39 | |
Jason, the mark I'm going to give you... | 0:26:43 | 0:26:46 | |
..is a five. | 0:26:49 | 0:26:50 | |
Aktar... | 0:26:54 | 0:26:55 | |
..the mark that I'm going to give you... | 0:26:57 | 0:26:59 | |
..is an eight. | 0:27:02 | 0:27:03 | |
-Well done. -Thank you very much. -Congratulations. -Thank you. | 0:27:04 | 0:27:08 | |
-Well done. -Aktar, you're going through. Well done. | 0:27:08 | 0:27:12 | |
Thank you very much for showing that confidence in me. | 0:27:12 | 0:27:14 | |
Commiserations, Jason. That dessert broke my heart, I must say, | 0:27:14 | 0:27:17 | |
and I know it certainly broke yours. Two of you are going through. | 0:27:17 | 0:27:21 | |
I wish you both the best of luck and I would really love to see | 0:27:21 | 0:27:24 | |
one of your dishes on the Great British Menu final. | 0:27:24 | 0:27:27 | |
-Thanks, Chef. -Thanks. -Thank you. | 0:27:27 | 0:27:29 | |
Mark and Aktar will cook for the judges tomorrow | 0:27:31 | 0:27:33 | |
but Jason must leave the competition. | 0:27:33 | 0:27:36 | |
From a high of nine to going out now with a five for the dessert, | 0:27:36 | 0:27:39 | |
that's devastating. | 0:27:39 | 0:27:40 | |
Like I said to you at the start of the week, it is going to be | 0:27:40 | 0:27:43 | |
the toughest thing you've ever done in your life. | 0:27:43 | 0:27:46 | |
I'm going to make sure that British bulldog spirit comes through | 0:27:46 | 0:27:50 | |
and I'm going to go all the way to the banquet. | 0:27:50 | 0:27:52 | |
After the research and homework I've done, | 0:27:52 | 0:27:54 | |
I believe I deserve to win and get through to the banquet | 0:27:54 | 0:27:57 | |
because I think I've nailed the brief, so, yeah, I'm very happy. | 0:27:57 | 0:28:00 | |
-Well done, boys. -Well done, man. | 0:28:00 | 0:28:01 | |
Tomorrow, Aktar and Mark go head-to-head... | 0:28:04 | 0:28:06 | |
This is our little war, Aktar. | 0:28:06 | 0:28:08 | |
Yes, it is, and I hope to be just as victorious. | 0:28:08 | 0:28:11 | |
..cooking their four courses again for the judges. | 0:28:11 | 0:28:14 | |
I love this pudding. | 0:28:14 | 0:28:15 | |
Fantastic! Absolutely wonderful. | 0:28:15 | 0:28:17 | |
It does not look delicious, it does not look pretty. | 0:28:17 | 0:28:20 | |
But only one can go through to the national finals. | 0:28:20 | 0:28:23 | |
The winner is... | 0:28:23 | 0:28:24 |