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It's been a fierce battle for three | 0:00:04 | 0:00:06 | |
of the Central Region's top chefs as ambitious newcomer Jason Hodnett... | 0:00:06 | 0:00:10 | |
I'm classically trained, so I know I can cook it properly. | 0:00:10 | 0:00:12 | |
..and Daniel Clifford's protege, Mark Poynton... | 0:00:13 | 0:00:16 | |
-BLEEP. -What you doing here? -I've just come down to say hello. | 0:00:16 | 0:00:19 | |
..went up against former champion Aktar Islam... | 0:00:19 | 0:00:22 | |
Chef, I'm here for a reason. And I'm here to win. | 0:00:22 | 0:00:24 | |
..for the chance to cook at an honorary banquet | 0:00:24 | 0:00:26 | |
marking 70 years since D-Day at London's majestic St Paul's, | 0:00:26 | 0:00:30 | |
a landmark of hope during World War II. | 0:00:30 | 0:00:32 | |
Yesterday was a fight to the finish for Jason and Aktar | 0:00:34 | 0:00:37 | |
who struggled with his timings all week. | 0:00:37 | 0:00:39 | |
-1:30 left. You going to be all right? -1:30? | 0:00:39 | 0:00:42 | |
BLEEP. | 0:00:42 | 0:00:43 | |
But it was Jason who, despite a valiant effort, | 0:00:44 | 0:00:46 | |
fell at the final hurdle. | 0:00:46 | 0:00:47 | |
That dessert broke my heart, I must say. | 0:00:47 | 0:00:49 | |
Not half as much as it broke mine. | 0:00:49 | 0:00:51 | |
Today, Mark and Aktar will go head-to-head. | 0:00:51 | 0:00:54 | |
-This is our little war, Aktar. -Yes, it is, sir, | 0:00:54 | 0:00:56 | |
and I hope to be just as victorious. | 0:00:56 | 0:00:59 | |
Cooking their four courses again... | 0:00:59 | 0:01:01 | |
This is it, I've got to make this one work. | 0:01:01 | 0:01:03 | |
..for the judges who are expecting dishes worthy of war heroes. | 0:01:03 | 0:01:06 | |
Somehow, this food has got to represent wartime triumph | 0:01:06 | 0:01:10 | |
and be suitable for St Paul. | 0:01:10 | 0:01:13 | |
To ensure the chefs capture the wartime spirit, | 0:01:13 | 0:01:16 | |
there's a fourth judge, military historian Max Hastings, | 0:01:16 | 0:01:19 | |
whose father reported from the front line in Normandy. | 0:01:19 | 0:01:22 | |
But most of the time, the soldiers in Normandy, | 0:01:22 | 0:01:25 | |
they battled the civilians at home. | 0:01:25 | 0:01:27 | |
They gave the best food they could come up with for the soldiers. | 0:01:27 | 0:01:30 | |
The food must be delicious... | 0:01:31 | 0:01:32 | |
-I love this pudding. -Fantastic. -It just... -Absolutely wonderful. | 0:01:32 | 0:01:36 | |
It does not look delicious, it does not look pretty... | 0:01:36 | 0:01:39 | |
..as only one chef can go through to the finals. | 0:01:39 | 0:01:41 | |
The winner is... | 0:01:41 | 0:01:43 | |
Having made it to the banquet before | 0:01:57 | 0:01:59 | |
Aktar is determined not to let Mark win a place in the final. | 0:01:59 | 0:02:03 | |
As a returning champion, I have to make it to the judging day. | 0:02:03 | 0:02:05 | |
You've seen the scores, haven't you? | 0:02:05 | 0:02:07 | |
I have, mate, but scores mean nothing today. | 0:02:07 | 0:02:09 | |
There's going to be one winner. And I'm hoping that's me. | 0:02:09 | 0:02:12 | |
No chance. | 0:02:13 | 0:02:14 | |
His third time in the competition, | 0:02:16 | 0:02:18 | |
Aktar failed to get past the judges on his last attempt. | 0:02:18 | 0:02:21 | |
I want to make it through to the banquet so I can say | 0:02:22 | 0:02:24 | |
thank you to the veterans | 0:02:24 | 0:02:25 | |
and I certainly don't want to go home because it is devastating. | 0:02:25 | 0:02:28 | |
But Daniel Clifford's former right-hand man, Mark, | 0:02:30 | 0:02:32 | |
wants to make it through on his first try, | 0:02:32 | 0:02:35 | |
a feat not managed by his former boss. | 0:02:35 | 0:02:37 | |
Daniel's Mr Consistency so I just want to emulate Daniel, | 0:02:37 | 0:02:41 | |
go one better, and get to the banquet first time round. | 0:02:41 | 0:02:44 | |
Judges Prue Leith, Matthew Fort and Oliver Peyton | 0:02:46 | 0:02:49 | |
have high expectations for both chefs. | 0:02:49 | 0:02:52 | |
It's quite difficult looking at these titles to have any | 0:02:52 | 0:02:54 | |
idea of what we're going to get. | 0:02:54 | 0:02:56 | |
Obviously, I remember Aktar from the time he got through | 0:02:56 | 0:02:59 | |
to the final banquet. | 0:02:59 | 0:03:00 | |
And the last time, he completely crashed and burned. | 0:03:00 | 0:03:02 | |
It'll be interesting to see what he does today. | 0:03:02 | 0:03:04 | |
Mark certainly knows his stuff and I rather like the look of his menu | 0:03:04 | 0:03:07 | |
cos there's a sort of narrative running from first course to last. | 0:03:07 | 0:03:10 | |
Let's just hope they rise to the occasion. | 0:03:10 | 0:03:13 | |
What've we got in store today? | 0:03:16 | 0:03:17 | |
The judges, they're very, very critical. | 0:03:17 | 0:03:20 | |
They can't be worse than Marcus Wareing. | 0:03:20 | 0:03:22 | |
Remember, there's four of them. | 0:03:22 | 0:03:23 | |
So, like, four Marcus Wareings? | 0:03:23 | 0:03:24 | |
Yeah. It's a tough day. | 0:03:24 | 0:03:26 | |
30, 25, 27. | 0:03:27 | 0:03:29 | |
It was a pretty competitive week. | 0:03:29 | 0:03:31 | |
Well, I think Mark's amazing there, cos he's got three eights | 0:03:31 | 0:03:33 | |
but he obviously messed up the starter and got a six. | 0:03:33 | 0:03:36 | |
Not as much as Aktar messed up the starter. | 0:03:36 | 0:03:39 | |
I mean, four. | 0:03:39 | 0:03:40 | |
He must have dropped it. | 0:03:40 | 0:03:41 | |
MATTHEW LAUGHS | 0:03:41 | 0:03:42 | |
-Morning. -How are you all? | 0:03:46 | 0:03:48 | |
Good. | 0:03:48 | 0:03:49 | |
Mark, three eights | 0:03:49 | 0:03:50 | |
What happened to the starter? | 0:03:50 | 0:03:52 | |
Nerves. All about nerves. | 0:03:52 | 0:03:53 | |
I brought it back though, I was consistent. | 0:03:53 | 0:03:55 | |
Aktar, what's your excuse for your first course? | 0:03:55 | 0:03:58 | |
It's not as bad as it looks. | 0:03:58 | 0:04:00 | |
I was deducted a point for being late to the pass. | 0:04:00 | 0:04:03 | |
You absolutely can't let us down. | 0:04:03 | 0:04:06 | |
You are cooking to get to St Paul's. | 0:04:06 | 0:04:09 | |
Does that make you nervous? | 0:04:09 | 0:04:10 | |
More nervous about getting past you first. | 0:04:10 | 0:04:12 | |
THEY LAUGH | 0:04:12 | 0:04:13 | |
-Good luck, guys. -Good luck. -Thank you. | 0:04:13 | 0:04:15 | |
With four courses each to deliver to the judges, timing is critical. | 0:04:17 | 0:04:21 | |
Mark, you're first to the pass today, how are you feeling? | 0:04:22 | 0:04:25 | |
-I've not been late yet. -Yet. | 0:04:25 | 0:04:27 | |
I'm organised, and consistent. | 0:04:27 | 0:04:29 | |
I'm feeling good. | 0:04:29 | 0:04:31 | |
Mark's starter course - | 0:04:31 | 0:04:32 | |
a soldier's Packed Lunch | 0:04:32 | 0:04:33 | |
of sausage roll, malt loaf, | 0:04:33 | 0:04:35 | |
chicken butter and beef tea, | 0:04:35 | 0:04:37 | |
scored two points more than Aktar's in the week, | 0:04:37 | 0:04:40 | |
who was penalised for being late to the pass. | 0:04:40 | 0:04:42 | |
Shouldn't you start plating up your starter now, Aktar, | 0:04:42 | 0:04:44 | |
seeing as you're about 35 minutes late? | 0:04:44 | 0:04:46 | |
That's a bit of a over exaggeration, isn't it? | 0:04:46 | 0:04:48 | |
Oh, sorry, just felt like that. | 0:04:48 | 0:04:50 | |
-It was 14. -Oh, 14. | 0:04:50 | 0:04:51 | |
Award-winning military historian Max Hastings | 0:04:53 | 0:04:55 | |
is joining the judges | 0:04:55 | 0:04:57 | |
to decide which of the chefs will go through. | 0:04:57 | 0:05:00 | |
-Max, how wonderful to have you. -Hi, how lovely to see you. | 0:05:00 | 0:05:02 | |
Welcome to the judges' chamber. | 0:05:02 | 0:05:04 | |
-Oliver, Matthew. -Very good to see you. | 0:05:04 | 0:05:06 | |
-You sit here. -This is very exciting. | 0:05:06 | 0:05:08 | |
So, Max. Your father was actually there. | 0:05:08 | 0:05:10 | |
My father had been war correspondent of a | 0:05:11 | 0:05:13 | |
legendary magazine of those days called Picture Post. | 0:05:13 | 0:05:16 | |
On D Plus One, the day after D-Day, he went to Normandy. | 0:05:16 | 0:05:19 | |
That's Daddy looking at a German shell that had hit a tank. | 0:05:19 | 0:05:23 | |
That's amazing. | 0:05:23 | 0:05:25 | |
Well, I'm remembering Father telling me about how one day | 0:05:25 | 0:05:27 | |
when the rations didn't get through, they cooked and ate a dog | 0:05:27 | 0:05:30 | |
which he said wasn't actually a great success. | 0:05:30 | 0:05:32 | |
We are faced by a slightly different problem today. | 0:05:32 | 0:05:35 | |
Eight courses cooked by two of the finest chefs in the country. | 0:05:35 | 0:05:37 | |
Mark's specially made lunchboxes | 0:05:39 | 0:05:41 | |
reveal a map of the English Channel and Normandy coastline. | 0:05:41 | 0:05:44 | |
Chef, you having a problem with your geography? | 0:05:44 | 0:05:47 | |
Yeah, I'm an Englishman, not a Frenchman. | 0:05:47 | 0:05:49 | |
We need to know where our coast is. | 0:05:49 | 0:05:50 | |
You just concentrate on being on time, big boy. | 0:05:52 | 0:05:54 | |
Mark begins his plating up, | 0:05:54 | 0:05:57 | |
starting with pickled onion jam, spicy brown sauce and malt loaf. | 0:05:57 | 0:06:02 | |
He fills flasks with beef tea, | 0:06:02 | 0:06:06 | |
adds his sausage roll, | 0:06:06 | 0:06:08 | |
and completes the dish with chicken butter and crispy chicken skin. | 0:06:08 | 0:06:11 | |
-Happy with that? -Very happy. | 0:06:15 | 0:06:16 | |
All right, we have the whole Channel | 0:06:27 | 0:06:29 | |
and the Normandy beaches. How wonderful. | 0:06:29 | 0:06:31 | |
-Goodness me. -I must say. | 0:06:32 | 0:06:34 | |
Classy little picnic. | 0:06:34 | 0:06:36 | |
Very humble ingredients in the starter - sausage roll... | 0:06:36 | 0:06:39 | |
..bit of malt loaf. | 0:06:40 | 0:06:42 | |
-Do you think the judges will feel that's enough for a banquet? -D-Day. | 0:06:42 | 0:06:45 | |
It was all humble at the time, wasn't it? You know. | 0:06:45 | 0:06:47 | |
I was quite excited about the sausage roll | 0:06:48 | 0:06:50 | |
and it let me down on all levels. | 0:06:50 | 0:06:52 | |
The malt sausage roll's fine. | 0:06:52 | 0:06:53 | |
I think the pastry's good. The roll part of it... | 0:06:53 | 0:06:56 | |
The meat part of it is a bit dense. | 0:06:56 | 0:06:58 | |
I would have been terribly excited if I'd been given this in 1944. | 0:06:58 | 0:07:02 | |
I'm not quite sure I'm so excited in 2014. | 0:07:02 | 0:07:05 | |
It is a bit confusing, and frankly, who wants beef tea for a starter? | 0:07:05 | 0:07:09 | |
Actually, I've just realised there's a significance to the date, | 0:07:09 | 0:07:12 | |
Sunday 4th June, which is, as you say, | 0:07:12 | 0:07:13 | |
-two days before D-Day itself. -Oh, yes. | 0:07:13 | 0:07:16 | |
And this is what, you know, you'd have had before you left. | 0:07:16 | 0:07:19 | |
I was old enough to remember beef tea. | 0:07:19 | 0:07:21 | |
We got pretty fed up with it, even when I was a child after the war. | 0:07:21 | 0:07:24 | |
So it's brought back unhappy memories for you. | 0:07:24 | 0:07:27 | |
I just don't think this can possibly be a starter for a banquet. | 0:07:27 | 0:07:31 | |
Presentation was wonderful. Unfortunately it sunk after that. | 0:07:31 | 0:07:34 | |
THEY LAUGH | 0:07:34 | 0:07:35 | |
Next up is Aktar with his | 0:07:39 | 0:07:41 | |
Run Rabbit Run. | 0:07:41 | 0:07:42 | |
This complex dish with rabbit cutlet, | 0:07:42 | 0:07:45 | |
brawn, pie and parfait | 0:07:45 | 0:07:46 | |
inspired by a wartime campaign | 0:07:46 | 0:07:48 | |
to promote this off-ration meat, | 0:07:48 | 0:07:50 | |
was late to the pass during the week. | 0:07:50 | 0:07:52 | |
-How long you got left on the parfait, mate? -50 seconds, chef. | 0:07:56 | 0:07:58 | |
-Going straight into the chiller, yeah? -That's it, chef. | 0:07:58 | 0:08:01 | |
-I hope it sets. -If it hasn't, then alarm bells. | 0:08:01 | 0:08:04 | |
With plate-up fast approaching, Aktar places his rabbit parfait | 0:08:04 | 0:08:08 | |
in the blast chiller to try and set it quickly. | 0:08:08 | 0:08:11 | |
It's never been so close but I'm determined to make sure it happens. | 0:08:11 | 0:08:15 | |
Aktar, you've got good form for being late. | 0:08:15 | 0:08:18 | |
I'm going to disappoint you. I'm going to be on the pass on time. | 0:08:18 | 0:08:20 | |
Aktar starts his plate with pickled veg | 0:08:24 | 0:08:26 | |
and dots of beetroot yoghurt. | 0:08:26 | 0:08:28 | |
Can you just grab that pie out of the oven, please? | 0:08:29 | 0:08:32 | |
Next, he places his rabbit brawn, blowtorches his cutlets... | 0:08:32 | 0:08:36 | |
Two minutes left, big boy. | 0:08:36 | 0:08:37 | |
..and adds rabbit pie. | 0:08:37 | 0:08:39 | |
Finally, he gets his rabbit parfait out of the blast chiller, | 0:08:41 | 0:08:44 | |
but it hasn't set. | 0:08:44 | 0:08:45 | |
Think it might be better piping it, mate. | 0:08:45 | 0:08:47 | |
You know what, I'll leave it out. I'm going to go. | 0:08:47 | 0:08:49 | |
-Best choice, mate. -All right, cheers. | 0:08:49 | 0:08:51 | |
With the parfait not ready, and to avoid being late, | 0:08:51 | 0:08:54 | |
Aktar is forced to serve his dish without it, | 0:08:54 | 0:08:56 | |
finishing with a rabbit scene cloche. | 0:08:56 | 0:08:59 | |
-BLEEP -was never going to happen, was it? | 0:09:03 | 0:09:05 | |
It's a cloche! | 0:09:07 | 0:09:09 | |
-Oh, my goodness. -This is the best cloche I've ever seen. | 0:09:09 | 0:09:12 | |
It's amazing. | 0:09:12 | 0:09:13 | |
'One rabbit has at least 12 young in a year. | 0:09:13 | 0:09:16 | |
'45lbs of meat. | 0:09:16 | 0:09:18 | |
'And it's all off the ration.' | 0:09:18 | 0:09:19 | |
When I see that lovely title, | 0:09:19 | 0:09:21 | |
Run Rabbit Run, I can never forget a story about Churchill. | 0:09:21 | 0:09:24 | |
His private secretary wrote in his daily how | 0:09:24 | 0:09:26 | |
when things were going really, really badly | 0:09:26 | 0:09:28 | |
and one night everybody was utterly depressed and there at Chequers | 0:09:28 | 0:09:31 | |
is Churchill just sitting, puffing his cigar and singing, | 0:09:31 | 0:09:35 | |
# Run, rabbit, run, rabbit, run, run. # | 0:09:35 | 0:09:37 | |
-THEY LAUGH -And Colville was so touched | 0:09:37 | 0:09:39 | |
the Prime Minister still being able to laugh. | 0:09:39 | 0:09:42 | |
SHE LAUGHS | 0:09:44 | 0:09:45 | |
Think the judges will get the spicing on yours? | 0:09:47 | 0:09:51 | |
Um, yeah. I've left the spicing very light. | 0:09:51 | 0:09:52 | |
The curried pie is delicious. | 0:09:52 | 0:09:54 | |
This isn't the way I remember rabbit in 1940-something. | 0:09:54 | 0:09:56 | |
And it's absolutely wonderful. | 0:09:56 | 0:09:59 | |
I'm not wholly convinced by the saddle, | 0:09:59 | 0:10:01 | |
which I find has sort of a rather mushy texture. | 0:10:01 | 0:10:03 | |
I can't believe that Marcus Wareing gave this a four. | 0:10:03 | 0:10:06 | |
This is a very good dish. I like this a lot. | 0:10:06 | 0:10:08 | |
-There's one of them which is actually missing. -No liver parfait. | 0:10:08 | 0:10:12 | |
Can't help but be disappointed. | 0:10:12 | 0:10:14 | |
But that parfait is one that's consistently perfect. | 0:10:14 | 0:10:16 | |
It's got a lovely flavour. | 0:10:16 | 0:10:17 | |
Maybe Aktar had to choose between being on time | 0:10:17 | 0:10:20 | |
and making the liver parfait. | 0:10:20 | 0:10:23 | |
Mark's fish course, At The Harbour, is next, | 0:10:29 | 0:10:31 | |
with plaice, langoustine and fennel. | 0:10:31 | 0:10:34 | |
It scored eight from Marcus who felt it was a little safe | 0:10:34 | 0:10:37 | |
and wanted more seaweed butter sauce. | 0:10:37 | 0:10:39 | |
-Aktar. -Yeah. -Marcus was right. | 0:10:40 | 0:10:43 | |
This sauce is beautiful, mate. | 0:10:43 | 0:10:45 | |
It is a lovely sauce. I agree with him. | 0:10:45 | 0:10:46 | |
He said that it was so good, he wanted more of it. | 0:10:46 | 0:10:49 | |
To serve, Mark fries off his langoustine. | 0:10:52 | 0:10:55 | |
Then starts his plate with pickled cucumber, | 0:10:55 | 0:10:59 | |
followed by plaice, | 0:10:59 | 0:11:01 | |
adds langoustine, | 0:11:01 | 0:11:03 | |
fennel, | 0:11:03 | 0:11:04 | |
and finally, a liberal helping of the seaweed butter sauce. | 0:11:04 | 0:11:07 | |
Anything I can grab for you, chef? | 0:11:09 | 0:11:10 | |
Just need to get the fennel cress on, mate, and I'm ready to go. | 0:11:10 | 0:11:13 | |
-It was hard work, that one. -Back into it. -All right, bruv. | 0:11:19 | 0:11:21 | |
-Hm. -Mm-mm-mm. | 0:11:25 | 0:11:28 | |
I like the look of this. | 0:11:28 | 0:11:30 | |
Oh, that's good, that. | 0:11:31 | 0:11:33 | |
Sweetness of the langoustine, crunchiness of the fennel on top, | 0:11:33 | 0:11:38 | |
and the seaweed butter... | 0:11:38 | 0:11:40 | |
Do you think the judges are going to appreciate the flavour combination | 0:11:40 | 0:11:43 | |
there? The fish, fennel... | 0:11:43 | 0:11:45 | |
I mean, it's quintessentially British food, you know. | 0:11:45 | 0:11:48 | |
Then you've got the lovely seaweed butter sauce, you know? | 0:11:48 | 0:11:51 | |
This is why, frankly, I'm really pleased that we pulled it off. | 0:11:51 | 0:11:55 | |
You mean this is what we were fighting for? | 0:11:55 | 0:11:56 | |
Yes, exactly. | 0:11:56 | 0:11:57 | |
THEY LAUGH | 0:11:57 | 0:11:58 | |
I'm trying to see the relevance of it for the occasion. | 0:11:58 | 0:12:02 | |
There is a narrative, you know. | 0:12:02 | 0:12:03 | |
You've had the food that you have on your way to going to D-Day, | 0:12:03 | 0:12:06 | |
and now you have the food from the seafront. | 0:12:06 | 0:12:08 | |
I mean, it's a generous interpretation, | 0:12:08 | 0:12:10 | |
but I think it's justifiable | 0:12:10 | 0:12:11 | |
when the food is as good as this. | 0:12:11 | 0:12:13 | |
For me, it's a winner. | 0:12:13 | 0:12:14 | |
I think that's my strongest dish, Aktar. | 0:12:14 | 0:12:16 | |
I really enjoyed eating it and I think it is a strong dish | 0:12:16 | 0:12:19 | |
and it is one that when I saw it, I was quite worried. | 0:12:19 | 0:12:21 | |
I mean, I just can't fault it. | 0:12:21 | 0:12:23 | |
I think it is a perfect restaurant dish. | 0:12:23 | 0:12:25 | |
I would bet my socks that all those D-Day veterans | 0:12:25 | 0:12:28 | |
I've met over the years, | 0:12:28 | 0:12:29 | |
I think they would be absolutely thrilled to get this for dinner. | 0:12:29 | 0:12:32 | |
So are you feeling more confident you're not going to | 0:12:37 | 0:12:39 | |
miss any ingredients and be on time? | 0:12:39 | 0:12:42 | |
It's all hopefully coming together. | 0:12:42 | 0:12:44 | |
Aktar's fish course, Allied Forces, with British mackerel and oysters, | 0:12:45 | 0:12:49 | |
American gumbo sauce, and Indian favourite okra | 0:12:49 | 0:12:52 | |
is a nod to the international war effort as well as | 0:12:52 | 0:12:55 | |
his own heritage. | 0:12:55 | 0:12:56 | |
Do you think they'll like the flavour combinations, | 0:12:58 | 0:13:01 | |
and the components? | 0:13:01 | 0:13:02 | |
Yeah, because I was trying to be honest to the dish | 0:13:02 | 0:13:04 | |
that I took inspiration from. It's a gumbo. | 0:13:04 | 0:13:07 | |
And then flavours from the British Empire at the time, | 0:13:07 | 0:13:10 | |
I think they'll get it. | 0:13:10 | 0:13:12 | |
Despite being on time earlier in the week, Aktar's already running late. | 0:13:12 | 0:13:16 | |
He starts his plate with okra and potato | 0:13:16 | 0:13:18 | |
but he's not yet made the batter for his oyster, | 0:13:18 | 0:13:21 | |
so Mark steps in to lend a hand. | 0:13:21 | 0:13:22 | |
Happy with that, Aktar? | 0:13:22 | 0:13:23 | |
-Do you want it a bit thicker or...? -Little thinner, I think. | 0:13:23 | 0:13:26 | |
Due at the pass, and with Mark taking care of his oysters, | 0:13:26 | 0:13:29 | |
Aktar places his mackerel fillet, | 0:13:29 | 0:13:31 | |
followed by his rice balls and crayfish. | 0:13:31 | 0:13:33 | |
Yeah, cool. | 0:13:33 | 0:13:35 | |
Is Aktar keeping us waiting? | 0:13:35 | 0:13:36 | |
Well, D-Day was delayed by 24 hours. | 0:13:36 | 0:13:39 | |
THEY LAUGH | 0:13:39 | 0:13:40 | |
As Aktar's plates finally reach the pass, he adds his oysters... | 0:13:40 | 0:13:44 | |
Seven, seven minutes late, Aktar. | 0:13:44 | 0:13:45 | |
..and the gumbo sauce. | 0:13:45 | 0:13:47 | |
-It's done. -It's done, mate. Better late than never. | 0:13:49 | 0:13:51 | |
We've got a communication on his Majesty's service. | 0:13:58 | 0:14:02 | |
Ministry Of Banquets. | 0:14:02 | 0:14:03 | |
'Allied Forces, the British Empire and the USA formed an | 0:14:03 | 0:14:06 | |
'effective alliance which altered the course of the future. | 0:14:06 | 0:14:09 | |
'This dish is a melting pot | 0:14:09 | 0:14:10 | |
'of ingredients.' | 0:14:10 | 0:14:11 | |
Gumbo. | 0:14:11 | 0:14:12 | |
-Hard work, eh? -Yeah, yeah, yeah. | 0:14:12 | 0:14:14 | |
One day I'll learn to make life easier for myself. | 0:14:14 | 0:14:16 | |
HE LAUGHS | 0:14:16 | 0:14:17 | |
I'm a little disappointed with it. | 0:14:17 | 0:14:19 | |
-I think it sounds intriguing and it looks good, but... -Yeah. | 0:14:19 | 0:14:23 | |
..it doesn't smell very nice. | 0:14:23 | 0:14:25 | |
I think it's a bit of a shame, | 0:14:25 | 0:14:27 | |
cos there's too much happening | 0:14:27 | 0:14:28 | |
but none of it has got a centrepiece to it. | 0:14:28 | 0:14:30 | |
I don't mind waiting for a dish if the result's justified, | 0:14:30 | 0:14:34 | |
but I do mind waiting for a dish | 0:14:34 | 0:14:36 | |
when, actually, I think I could be doing something better. | 0:14:36 | 0:14:38 | |
The mackerel will work better | 0:14:38 | 0:14:40 | |
if they'd just been there on their own without any allies. | 0:14:40 | 0:14:43 | |
THEY LAUGH | 0:14:43 | 0:14:44 | |
Think you got the edge, then? | 0:14:50 | 0:14:52 | |
Chef, I'm here for a reason. And I'm here to win. | 0:14:52 | 0:14:55 | |
-No disrespect, I'm going to do my best. -Fair enough. | 0:14:55 | 0:14:58 | |
Got to be on time first, don't you? | 0:14:58 | 0:15:00 | |
At the halfway point, while the chefs are busy | 0:15:00 | 0:15:02 | |
with their main courses, | 0:15:02 | 0:15:03 | |
the judges are considering their scores. | 0:15:03 | 0:15:06 | |
So, Prue, how have you scored today? | 0:15:07 | 0:15:09 | |
I got so excited that I gave someone a ten... | 0:15:09 | 0:15:11 | |
HE GASPS ..and so disappointed | 0:15:11 | 0:15:13 | |
that I gave someone a four. | 0:15:13 | 0:15:14 | |
I thought for one glorious moment that Aktar | 0:15:14 | 0:15:18 | |
really learned his lesson. | 0:15:18 | 0:15:20 | |
And somehow, his next course, it was late. | 0:15:20 | 0:15:23 | |
Talk about this roller coaster ride. | 0:15:23 | 0:15:24 | |
You know, one's had some terrific thrills, | 0:15:24 | 0:15:27 | |
but also, yeah, the disappointment. | 0:15:27 | 0:15:28 | |
Mark's cooking is exquisite. | 0:15:28 | 0:15:30 | |
That fish dish was absolutely outstanding, no doubt about that. | 0:15:30 | 0:15:32 | |
I always find that Aktar has always had one knockout dish | 0:15:32 | 0:15:35 | |
and I hope that's yet to come. | 0:15:35 | 0:15:37 | |
But so could Mark. | 0:15:37 | 0:15:38 | |
I mean, that guy cooks so classically, | 0:15:38 | 0:15:41 | |
I have huge hopes for the main course. | 0:15:41 | 0:15:43 | |
Aktar's up first with his Dream Ration Box, | 0:15:47 | 0:15:50 | |
of beef sirloin, spiced cottage pie | 0:15:50 | 0:15:52 | |
and naan Yorkshire pudding - | 0:15:52 | 0:15:54 | |
his take on a soldier's dream Sunday roast. | 0:15:54 | 0:15:57 | |
Marcus gave it an eight, | 0:15:57 | 0:15:58 | |
but warned Aktar about trying to do too much. | 0:15:58 | 0:16:00 | |
Main course still, Aktar. You made any changes? | 0:16:03 | 0:16:06 | |
I've taken into account what Marcus told me | 0:16:06 | 0:16:09 | |
and what I've removed is the... | 0:16:09 | 0:16:11 | |
the sweet bread. | 0:16:11 | 0:16:12 | |
So I'm hoping that will pay off for me. | 0:16:12 | 0:16:14 | |
With a more focused dish, Aktar hopes to win over the judges, | 0:16:15 | 0:16:19 | |
including Max Hastings. | 0:16:19 | 0:16:20 | |
-Good afternoon, guys. -Hello, Max. | 0:16:20 | 0:16:22 | |
I must say, you really gave us a masterclass this morning | 0:16:22 | 0:16:24 | |
it's been so exciting. | 0:16:24 | 0:16:26 | |
Your father was at the beach on D-Day, was he? | 0:16:26 | 0:16:28 | |
He wasn't really there on D-Day, he arrived on D Plus One | 0:16:28 | 0:16:30 | |
but he went through the Normandy campaign. | 0:16:30 | 0:16:32 | |
In fact, I've got a picture of him here in Normandy | 0:16:32 | 0:16:34 | |
with a bottle of wine in his hand, the way he liked it best. | 0:16:34 | 0:16:37 | |
But most of the time, the soldiers in Normandy, | 0:16:37 | 0:16:40 | |
they battled the civilians at home. | 0:16:40 | 0:16:42 | |
They gave the best food they could come up with | 0:16:42 | 0:16:44 | |
for the soldiers. | 0:16:44 | 0:16:45 | |
Hopefully we're going to create something really special | 0:16:45 | 0:16:48 | |
for the veterans at the D-Day banquet. | 0:16:48 | 0:16:50 | |
You've had us on the edge of our seats today. | 0:16:50 | 0:16:52 | |
There's been at least one score of ten. | 0:16:52 | 0:16:54 | |
So, well, congratulations on this morning, and | 0:16:54 | 0:16:56 | |
the very best of luck this afternoon. | 0:16:56 | 0:16:59 | |
-Thank you. -Cheerio. -Goodbye. | 0:16:59 | 0:17:00 | |
So, Aktar, one of us has got a ten. | 0:17:03 | 0:17:05 | |
-Which course do you think that is? -If I nailed it, | 0:17:05 | 0:17:08 | |
my fish. | 0:17:08 | 0:17:09 | |
It was a good dish. | 0:17:09 | 0:17:11 | |
Aktar removes his sirloin | 0:17:12 | 0:17:13 | |
from the smoker to allow it to rest, | 0:17:13 | 0:17:15 | |
hoping not to be late again, | 0:17:15 | 0:17:17 | |
he starts by assembling | 0:17:17 | 0:17:18 | |
his cottage pie, | 0:17:18 | 0:17:19 | |
piping mashed potato onto spiced ox cheek. | 0:17:19 | 0:17:23 | |
Next, he layers vegetables for the Dig For Victory garden, | 0:17:23 | 0:17:26 | |
topping with puy lentils | 0:17:26 | 0:17:28 | |
and pea shoots. | 0:17:28 | 0:17:29 | |
-Is that how you wanted it, Aktar? -It's coming together, yeah. | 0:17:29 | 0:17:32 | |
Just in time, he plates his Yorkshire puddings, | 0:17:33 | 0:17:36 | |
and finally, his smoke sirloin fillet, | 0:17:36 | 0:17:38 | |
all encased in a green wartime ration box. | 0:17:38 | 0:17:40 | |
It was hard work, wasn't it? | 0:17:47 | 0:17:49 | |
Yeah, it's a tough one but I think they're done, | 0:17:49 | 0:17:52 | |
it's got some good flavours in it. | 0:17:52 | 0:17:54 | |
'GBM dream rations. One meal, four great British heroes.' | 0:17:59 | 0:18:05 | |
Well, it's looks like... | 0:18:05 | 0:18:06 | |
The British Army used to have this thing called hayboxes, | 0:18:06 | 0:18:08 | |
insulated boxes, in which... | 0:18:08 | 0:18:10 | |
For about 100 years one saw | 0:18:10 | 0:18:12 | |
the British Army brought its food | 0:18:12 | 0:18:14 | |
in boxes like this. | 0:18:14 | 0:18:15 | |
-Good Lord! -Oh, wow. | 0:18:15 | 0:18:16 | |
-Isn't it pretty? -Another presentation sensation. | 0:18:16 | 0:18:18 | |
Do you think the judges will get it? | 0:18:18 | 0:18:20 | |
Amazing presentation. | 0:18:20 | 0:18:22 | |
I hope so. But, you know, you can't eat the box. | 0:18:22 | 0:18:24 | |
It's about the food. | 0:18:24 | 0:18:26 | |
-Right. -Yeah, this looks good. -I can't wait. | 0:18:26 | 0:18:27 | |
-Here we are. -Pass it out. | 0:18:27 | 0:18:29 | |
-He knows how to wow. -The cottage pie's terrific. | 0:18:29 | 0:18:32 | |
It's really good cottage pie. | 0:18:32 | 0:18:34 | |
I think this is such a good dish. | 0:18:34 | 0:18:36 | |
I mean, my only complaint really is the smoking of the meat | 0:18:36 | 0:18:39 | |
because I think it's a pity to do it. | 0:18:39 | 0:18:41 | |
So, I was able to put a little bit more smoked flavour into the... | 0:18:41 | 0:18:45 | |
-the beef. -Yeah, I could smell that. | 0:18:45 | 0:18:46 | |
Yeah, so I hope it's not too much, though. | 0:18:46 | 0:18:48 | |
Is this a series of sensations, or is it a dish? | 0:18:48 | 0:18:51 | |
-And I... I'm not sure that it's a dish. -No, I totally agree. | 0:18:51 | 0:18:55 | |
-I give it a seven. -Oh, come on. | 0:18:55 | 0:18:56 | |
Yeah, a seven. And that's, I think, being generous, to be honest. | 0:18:56 | 0:19:00 | |
Mark's main course, Operation Overlord, | 0:19:05 | 0:19:08 | |
combines an unusual | 0:19:08 | 0:19:09 | |
Glasgow fillet cut of beef | 0:19:09 | 0:19:10 | |
with beef ragout, carrot and stout sauce. | 0:19:10 | 0:19:14 | |
In the week, | 0:19:14 | 0:19:15 | |
Marcus gave him an eight | 0:19:15 | 0:19:16 | |
but was concerned diners | 0:19:16 | 0:19:17 | |
wouldn't understand his unconventional choice of meat - | 0:19:17 | 0:19:20 | |
a forgotten cut, popular during the war. | 0:19:20 | 0:19:23 | |
So, what changes have you made, if any? | 0:19:23 | 0:19:26 | |
-Put the story on the side of the plate. -Yeah, I noticed that. | 0:19:26 | 0:19:28 | |
What does it say? | 0:19:28 | 0:19:29 | |
It says, "Dear Aktar, none of your business." | 0:19:29 | 0:19:32 | |
He-he. | 0:19:32 | 0:19:33 | |
He starts his plate with potato and bacon terrine, | 0:19:34 | 0:19:37 | |
followed by carrot | 0:19:37 | 0:19:39 | |
on a bed of tarragon powder, | 0:19:39 | 0:19:41 | |
then a quenelle of beef ragout | 0:19:41 | 0:19:43 | |
and potato cannelloni | 0:19:43 | 0:19:44 | |
filled with prune puree. | 0:19:44 | 0:19:46 | |
Last but not least, he slices and places his Glasgow fillet. | 0:19:46 | 0:19:50 | |
Fantastic dish, chef. | 0:19:55 | 0:19:57 | |
I think that looks really boring. | 0:20:04 | 0:20:07 | |
Do you? | 0:20:09 | 0:20:10 | |
No, I'm glad to see a dish in one plate. | 0:20:10 | 0:20:13 | |
SHE LAUGHS | 0:20:13 | 0:20:14 | |
What's the green stuff? | 0:20:14 | 0:20:16 | |
Tarragon mud. | 0:20:16 | 0:20:18 | |
What about the tarragon? | 0:20:18 | 0:20:19 | |
The powder, yeah, you need a bit of acidity. So, that's why we did it. | 0:20:19 | 0:20:22 | |
I think tarragon is best left as a leaf, not as a powder, | 0:20:22 | 0:20:25 | |
I must say. | 0:20:25 | 0:20:26 | |
I hope the judges appreciate the research | 0:20:26 | 0:20:28 | |
I've done into that forgotten cut of meat, you know? | 0:20:28 | 0:20:30 | |
Perhaps we should, in fairness, | 0:20:30 | 0:20:33 | |
read the little message that came with it. | 0:20:33 | 0:20:36 | |
It says, "Operation Overlord." | 0:20:36 | 0:20:37 | |
Well, we all know what that is - Normandy landings. | 0:20:37 | 0:20:40 | |
"This beef and prune hotpot celebrates the forgotten | 0:20:40 | 0:20:43 | |
"Glasgow fillet, which should not be confused with fillet | 0:20:43 | 0:20:46 | |
"as we know it today." | 0:20:46 | 0:20:47 | |
I mean, to be fair to the chef, I do understand. | 0:20:47 | 0:20:49 | |
He's trying to use an unusual cut. | 0:20:49 | 0:20:51 | |
This idea of Glasgow fillet, I admire him for that. | 0:20:51 | 0:20:53 | |
I just don't think it's a celebratory dish. | 0:20:53 | 0:20:55 | |
I don't even think it looks very nice. | 0:20:55 | 0:20:57 | |
But are you three, | 0:20:57 | 0:20:58 | |
you are telling poor Mark that Operation Overlord has failed? | 0:20:58 | 0:21:02 | |
THEY LAUGH | 0:21:02 | 0:21:03 | |
Keen to impress and desperate not to be late, | 0:21:06 | 0:21:09 | |
Aktar's going all out for his dessert. | 0:21:09 | 0:21:12 | |
Aktar, Aktar, Aktar, Aktar. | 0:21:13 | 0:21:14 | |
Aktar's serving his take on the | 0:21:17 | 0:21:19 | |
classic Queen Of Puddings | 0:21:19 | 0:21:20 | |
with a spun sugar crown | 0:21:20 | 0:21:22 | |
and a Winston Churchill-inspired | 0:21:22 | 0:21:23 | |
chocolate cigar. | 0:21:23 | 0:21:25 | |
But things are already going wrong | 0:21:25 | 0:21:27 | |
with the custard for his pudding. | 0:21:27 | 0:21:30 | |
What's wrong, Aktar? | 0:21:30 | 0:21:31 | |
Ah, it's split. | 0:21:31 | 0:21:33 | |
Not enough time. | 0:21:33 | 0:21:34 | |
I need to be getting my Queen Of Puddings in now, | 0:21:34 | 0:21:36 | |
to be honest. | 0:21:36 | 0:21:37 | |
Aktar's second batch of custard goes in the oven, | 0:21:37 | 0:21:40 | |
but the set back means he's left the sugar for his crowns to harden. | 0:21:40 | 0:21:44 | |
-BLEEP. -You all right, Aktar? | 0:21:45 | 0:21:47 | |
Sugar set? | 0:21:47 | 0:21:48 | |
Yeah, it's playing up. | 0:21:48 | 0:21:50 | |
With time running out, Aktar finishes his cigars with | 0:21:52 | 0:21:55 | |
chocolate ganache, popping candy and a topping of dried raspberry. | 0:21:55 | 0:22:00 | |
His Queen Of Puddings finally out of the oven, he adds crumble, | 0:22:00 | 0:22:03 | |
meringue, spoonfuls of jam, and a quenelle of raspberry sorbet. | 0:22:03 | 0:22:08 | |
-It's nine minutes over, Aktar, we're ready, aren't we? -Yep. | 0:22:08 | 0:22:11 | |
His spun sugar crowns complete his dish. | 0:22:11 | 0:22:14 | |
Well done, mate. | 0:22:20 | 0:22:21 | |
It's over, man. It's over. | 0:22:21 | 0:22:23 | |
MUSIC: Land Of Hope And Glory | 0:22:23 | 0:22:25 | |
'If the British Empire and its Commonwealth last for 1,000 years... | 0:22:25 | 0:22:30 | |
'..men will still say, this was their finest hour.' | 0:22:31 | 0:22:36 | |
I'm tempted to ask, | 0:22:43 | 0:22:45 | |
is this their finest pudding? | 0:22:45 | 0:22:46 | |
12 minutes is better late than never. | 0:22:46 | 0:22:48 | |
I agree. | 0:22:48 | 0:22:49 | |
And I strongly recommend you don't eat the coronet, | 0:22:49 | 0:22:52 | |
which is what I've just done. | 0:22:52 | 0:22:53 | |
So, we've got the crown for the monarchy | 0:22:53 | 0:22:56 | |
and then the chocolate tuile | 0:22:56 | 0:22:58 | |
for Churchill. | 0:22:58 | 0:22:59 | |
I hope they agree victory is definitely sweet. | 0:22:59 | 0:23:01 | |
And what I really love | 0:23:01 | 0:23:03 | |
are these melting meringues | 0:23:03 | 0:23:05 | |
-which are so indulgent. -Yes. | 0:23:05 | 0:23:07 | |
And there's popping candy in the cigar as well. | 0:23:07 | 0:23:09 | |
-Oh, is there? I haven't... -Yeah, I love this pudding. | 0:23:09 | 0:23:12 | |
This is fantastic. Absolutely wonderful. | 0:23:12 | 0:23:15 | |
Absolutely, pushes all of my buttons. | 0:23:15 | 0:23:19 | |
You think, why's he bothered doing that? | 0:23:19 | 0:23:20 | |
And then you just taste it and then you go, "Yeah, great. Bring it on." | 0:23:20 | 0:23:23 | |
But you know Churchill's alleged line, | 0:23:23 | 0:23:25 | |
I'm not sure he ever said it, "This pudding has no theme." | 0:23:25 | 0:23:28 | |
Well, I don't think we could say this. | 0:23:28 | 0:23:29 | |
This pudding does have a theme. | 0:23:29 | 0:23:31 | |
I think I love absolutely everything about this dish. | 0:23:31 | 0:23:34 | |
Cakey crumbs and the custard are perfect. | 0:23:34 | 0:23:37 | |
The texture's just delicious. | 0:23:37 | 0:23:38 | |
And it's not too much. | 0:23:38 | 0:23:39 | |
It's the perfect pudding. | 0:23:39 | 0:23:41 | |
It could be down to the last spoonful. | 0:23:41 | 0:23:43 | |
Mark's final assault is his wartime carrot cake recipe, Duke Pudding, | 0:23:47 | 0:23:51 | |
with brown butter ice cream | 0:23:51 | 0:23:53 | |
and carrot cannelloni with Calvados foam, | 0:23:53 | 0:23:55 | |
Served on a box containing the D-Day date, | 0:23:55 | 0:23:58 | |
etched out in Normandy sand. | 0:23:58 | 0:24:00 | |
I'm quiet... I'm quietly confident, you know. I've... | 0:24:00 | 0:24:03 | |
I'm organised, I'm on time. | 0:24:03 | 0:24:05 | |
Marcus gave the dish an eight during the week, | 0:24:07 | 0:24:09 | |
but criticised Mark's caramel for being too sticky. | 0:24:09 | 0:24:12 | |
I've noticed you've actually changed the caramel. | 0:24:14 | 0:24:17 | |
Yeah, I didn't reduce it as much. | 0:24:17 | 0:24:18 | |
You know, the biggest thing about this, the presentation is the date. | 0:24:18 | 0:24:22 | |
-Yeah. -And that's the significance of that. And it finishes your story. | 0:24:22 | 0:24:25 | |
Exactly. | 0:24:25 | 0:24:27 | |
With his Duke Pudding in place, | 0:24:27 | 0:24:28 | |
Mark adds carrot cannelloni | 0:24:28 | 0:24:30 | |
and brown butter ice-cream, | 0:24:30 | 0:24:31 | |
then delivers his final course. | 0:24:31 | 0:24:33 | |
It's vitally important you don't get it upside down | 0:24:34 | 0:24:37 | |
cos the date won't make any sense. | 0:24:37 | 0:24:38 | |
Thank you. | 0:24:39 | 0:24:40 | |
Fantastic. | 0:24:47 | 0:24:49 | |
-We got the beaches on the table. -I was going to say, | 0:24:49 | 0:24:51 | |
it's the Normandy beaches under there, isn't it? | 0:24:51 | 0:24:53 | |
I'm going to confess, after the joy | 0:24:53 | 0:24:56 | |
of the Queen Of Puddings, | 0:24:56 | 0:24:58 | |
the Duke is undoubtedly inferior | 0:24:58 | 0:25:01 | |
in terms of visual appeal. | 0:25:01 | 0:25:03 | |
I don't know. I'd have thought it's | 0:25:03 | 0:25:05 | |
a rather exciting bit of theatre. | 0:25:05 | 0:25:07 | |
How much more original can you have than saying, | 0:25:07 | 0:25:09 | |
"Well, here's your pudding on the sands?" | 0:25:09 | 0:25:12 | |
I hope they can appreciate the effort and the story | 0:25:12 | 0:25:15 | |
and the way it all works together. | 0:25:15 | 0:25:17 | |
I think it's all a bit brown and it's a bit mean looking. | 0:25:17 | 0:25:20 | |
Particularly in a pudding, you want to eat with your eyes. | 0:25:20 | 0:25:22 | |
It feels like something you have with a cup of tea. | 0:25:22 | 0:25:24 | |
If you ask any Normandy veteran, | 0:25:24 | 0:25:26 | |
"What do you remember from the Normandy campaign?" | 0:25:26 | 0:25:28 | |
Apart from being terrified, | 0:25:28 | 0:25:30 | |
one of the things that they'll all talk about is the Calvados, | 0:25:30 | 0:25:32 | |
because they all got absolutely boss-eyed on the Calvados | 0:25:32 | 0:25:35 | |
whenever they could get it. | 0:25:35 | 0:25:36 | |
I think that Mark has actually provided us with | 0:25:36 | 0:25:38 | |
a very, very thoughtful piece of cooking today. | 0:25:38 | 0:25:42 | |
He's taken us from, you know, | 0:25:42 | 0:25:43 | |
the home front, to the beaches, | 0:25:43 | 0:25:46 | |
to D-Day, and then into Normandy. | 0:25:46 | 0:25:48 | |
And that's, in fact, one of the most original approaches | 0:25:48 | 0:25:51 | |
to the brief that we've actually had. | 0:25:51 | 0:25:53 | |
You see when I said to you at the start of the week | 0:25:56 | 0:25:58 | |
this is going to be a gruesome week? | 0:25:58 | 0:26:00 | |
Doesn't even come close to it, Aktar. | 0:26:01 | 0:26:02 | |
Doesn't even come close to it. | 0:26:02 | 0:26:04 | |
Well, I think we've had some amazing dishes today, we've had some... | 0:26:04 | 0:26:07 | |
-poor dishes. -Yeah, one or two things have been a bit disappointing, | 0:26:07 | 0:26:10 | |
but then the heights have been very high. | 0:26:10 | 0:26:12 | |
You're right. | 0:26:12 | 0:26:13 | |
And the thing that will stay with me is | 0:26:13 | 0:26:15 | |
Mark's plaice and langoustine dish. | 0:26:15 | 0:26:18 | |
If I don't make it, it would devastate me. | 0:26:18 | 0:26:20 | |
It would really hurt. | 0:26:20 | 0:26:21 | |
I've cooked some of the hardest dishes ever in my life. | 0:26:21 | 0:26:24 | |
I'm just hoping that the judges see fit that my story was good enough. | 0:26:24 | 0:26:27 | |
Given the pleasures that we've had today, I think it will be | 0:26:27 | 0:26:30 | |
really tough to send one of those chefs home. | 0:26:30 | 0:26:32 | |
-Good luck, chef. -Thanks. | 0:26:32 | 0:26:34 | |
Well, welcome, chefs. | 0:26:48 | 0:26:50 | |
-Aktar, you're here again. -I am. | 0:26:50 | 0:26:52 | |
And you made it through to the final. Can you do that again? | 0:26:52 | 0:26:55 | |
I'm hoping there's a light at the end of the tunnel. | 0:26:55 | 0:26:58 | |
And Mark, you have worked for Daniel Clifford. | 0:26:58 | 0:27:01 | |
Do you think you'll reach his heights? | 0:27:01 | 0:27:03 | |
Daniel never made it to the judges' chamber first time so, | 0:27:03 | 0:27:06 | |
hopefully I can continue to carry on beating him. | 0:27:06 | 0:27:08 | |
So, here goes. | 0:27:11 | 0:27:13 | |
The winner is... | 0:27:13 | 0:27:15 | |
..Aktar. | 0:27:24 | 0:27:25 | |
Well done. | 0:27:30 | 0:27:31 | |
It was really close the whole way through | 0:27:31 | 0:27:33 | |
and what actually clinched it was your pudding. | 0:27:33 | 0:27:36 | |
And in fact, I gave it a ten. | 0:27:36 | 0:27:38 | |
I gave it a ten as well. | 0:27:38 | 0:27:40 | |
-I gave it a ten. -I gave it a ten. | 0:27:40 | 0:27:42 | |
And Mark, commiserations. | 0:27:44 | 0:27:46 | |
And you must be disappointed. | 0:27:46 | 0:27:47 | |
I am, I am. | 0:27:47 | 0:27:48 | |
But I'm happy to be here. | 0:27:48 | 0:27:49 | |
As we've all been saying, it was the pudding that done it. | 0:27:49 | 0:27:52 | |
But it was that memory of that | 0:27:52 | 0:27:53 | |
wonderful plaice and langoustine | 0:27:53 | 0:27:55 | |
that's going to go down the motorway with me tonight. | 0:27:55 | 0:27:57 | |
Thank you very much. | 0:27:57 | 0:27:58 | |
Thank you very much, chefs. | 0:27:58 | 0:28:00 | |
And congratulations, Aktar. | 0:28:00 | 0:28:02 | |
Just be on time with your dishes in the final. | 0:28:02 | 0:28:06 | |
I'm gutted. Devastated. | 0:28:09 | 0:28:10 | |
But, you know, I lost to a great man, a former champion. | 0:28:10 | 0:28:13 | |
I hope he goes all the way. | 0:28:13 | 0:28:14 | |
Ah, what a day! | 0:28:14 | 0:28:16 | |
But if it's tough for us, imagine for them. | 0:28:16 | 0:28:19 | |
I mean, they looked absolutely shattered. | 0:28:19 | 0:28:21 | |
To make it through, it's just absolutely... | 0:28:21 | 0:28:24 | |
I mean, it's mind-blowing really. It's... | 0:28:24 | 0:28:26 | |
I just can't sum it up. | 0:28:26 | 0:28:27 | |
I'm one step closer to saying that thank you | 0:28:27 | 0:28:29 | |
that I wanted to say to the veterans. | 0:28:29 | 0:28:31 | |
-Chef. -Well done, mate. -Thank you. Thank you very much. | 0:28:31 | 0:28:33 |