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This week on Great British Menu, | 0:00:04 | 0:00:06 | |
three of London and the South East's finest chefs, | 0:00:06 | 0:00:10 | |
seasoned pro, Adam Byatt... | 0:00:10 | 0:00:12 | |
That's worth winning then. We'd best crack on. | 0:00:12 | 0:00:14 | |
..his one time sous chef and | 0:00:14 | 0:00:16 | |
talented newcomer, Tom Sellers... | 0:00:16 | 0:00:18 | |
That works better for me if you're under more pressure. | 0:00:18 | 0:00:21 | |
..and returning contender, Adam Simmonds... | 0:00:21 | 0:00:25 | |
Thank you! | 0:00:25 | 0:00:26 | |
..are battling it out for the honour of cooking at a banquet at | 0:00:26 | 0:00:29 | |
the magnificent St Paul's Cathedral to commemorate | 0:00:29 | 0:00:33 | |
the 70th Anniversary of D-Day. | 0:00:33 | 0:00:35 | |
Yesterday, Tom Sellers scored a perfect ten for his main course... | 0:00:38 | 0:00:42 | |
-A ten. -..putting him back in the competition. | 0:00:42 | 0:00:46 | |
All three chefs are going into the dessert course on equal points. | 0:00:48 | 0:00:52 | |
I don't worry about what's going on around me. I focus on my thing. | 0:00:53 | 0:00:57 | |
Whoever scores the lowest will be out of the competition... | 0:00:57 | 0:01:00 | |
I am having a nightmare. | 0:01:00 | 0:01:04 | |
I might not have a full dessert to put on the plate. | 0:01:04 | 0:01:07 | |
..and each chef is doing everything to make sure it isn't them. | 0:01:07 | 0:01:11 | |
"Keep calm and carry on cooking", that's what they say, no? | 0:01:11 | 0:01:14 | |
This year, the chefs are remembering D-Day, and the soldiers who | 0:01:27 | 0:01:30 | |
fought for us on the beaches of Normandy 70 years ago. | 0:01:30 | 0:01:33 | |
Their challenge? | 0:01:35 | 0:01:36 | |
To produce patriotic dishes that tell the story of wartime Britain. | 0:01:36 | 0:01:40 | |
Let's hope blood, sweat and tears has gone into this one, Chief. | 0:01:42 | 0:01:45 | |
-Wow. -Inspired by first-hand memories of the Second World War. | 0:01:45 | 0:01:50 | |
And Jerry used to come over the trees, machine-gunning and bombing. | 0:01:50 | 0:01:53 | |
-You just ran for safety wherever you could get. -Very brave. | 0:01:53 | 0:01:58 | |
Judging them this week is Great British Menu's most successful chef. | 0:02:02 | 0:02:06 | |
Three time winner, Richard Corrigan. | 0:02:06 | 0:02:08 | |
It's really tough in that kitchen. | 0:02:08 | 0:02:11 | |
There are three chefs on the same score. | 0:02:11 | 0:02:15 | |
I'm looking for some great desserts. | 0:02:15 | 0:02:17 | |
It's their last chance to impress me, | 0:02:17 | 0:02:20 | |
and impress me they must. | 0:02:20 | 0:02:22 | |
So, Tom. How do you feel? | 0:02:22 | 0:02:24 | |
You got a perfect ten yesterday. | 0:02:24 | 0:02:26 | |
Given me a lot of confidence, | 0:02:26 | 0:02:27 | |
and maybe just that bit of energy | 0:02:27 | 0:02:29 | |
I need for today, you know, | 0:02:29 | 0:02:31 | |
to go into the dessert. | 0:02:31 | 0:02:32 | |
I kind of thought we might end up down to the pudding, | 0:02:32 | 0:02:35 | |
and of course, we are. | 0:02:35 | 0:02:36 | |
Whoever makes the mistake today, | 0:02:36 | 0:02:38 | |
that's going to be the telltale factor of who goes home. | 0:02:38 | 0:02:41 | |
-Confident in your pud? -Yes. | 0:02:41 | 0:02:44 | |
-Confident? -Yes. -Good. | 0:02:44 | 0:02:47 | |
-Confident? -In me? Yeah. | 0:02:47 | 0:02:50 | |
First up is determined newcomer, Tom Sellers. | 0:02:52 | 0:02:55 | |
After a disappointing start, he scored the first ten | 0:02:55 | 0:02:58 | |
yesterday with his classic but perfectly executed main course. | 0:02:58 | 0:03:02 | |
He has to hit the mark again or he's out. | 0:03:02 | 0:03:05 | |
Dessert is always difficult. | 0:03:05 | 0:03:07 | |
I'm hoping that if I execute it right here | 0:03:07 | 0:03:09 | |
which is a big ask in itself, | 0:03:09 | 0:03:11 | |
I'm hoping that if I do, that it will reap the reward. | 0:03:11 | 0:03:13 | |
-Morning, Richard. -Good morning. Title of your dish. | 0:03:16 | 0:03:21 | |
Winston Churchill's Treat Box. | 0:03:21 | 0:03:23 | |
Obviously the guys picked up on indulgences that he had, | 0:03:23 | 0:03:27 | |
so the main ingredients here are whisky, cigars, beer, chocolate. | 0:03:27 | 0:03:31 | |
All your ingredients here. What have we here? | 0:03:31 | 0:03:33 | |
So, you've got different textures of chocolate. | 0:03:33 | 0:03:35 | |
We're going to make a chocolate soil. | 0:03:35 | 0:03:37 | |
We're going to make an ice cream with the beer. | 0:03:37 | 0:03:39 | |
Beers are notorious for not making a very good ice cream. | 0:03:39 | 0:03:41 | |
It is, and I can't tell you how hard I've worked on this beer ice cream. | 0:03:41 | 0:03:46 | |
-Well, tell me. How? -Mark 27 is the one that we're going with today. -27! | 0:03:46 | 0:03:51 | |
And hopefully you'll see the hard work today. | 0:03:51 | 0:03:53 | |
Going to make a parfait with the whisky, you know, | 0:03:53 | 0:03:57 | |
this one takes me a little bit out of my comfort zone. | 0:03:57 | 0:03:59 | |
-Do you think you're in with a fighting chance? -I am nervous. | 0:03:59 | 0:04:03 | |
-To succeed, you have to be prepared to fail. -Or win. -Exactly. | 0:04:03 | 0:04:07 | |
-This could be your D-Day. -I really hope so, Richard. | 0:04:07 | 0:04:10 | |
Tom Seller's dish is a very complicated dessert. | 0:04:12 | 0:04:15 | |
Beer, for example, is notorious for not tasting of anything. Whisky. | 0:04:15 | 0:04:20 | |
Too much can destroy your dish. Too little. Why bother using it? | 0:04:20 | 0:04:25 | |
Next up is second-timer Adam Simmonds. | 0:04:27 | 0:04:29 | |
After winning the first two courses, he didn't quite hit the brief with | 0:04:29 | 0:04:33 | |
his main, scoring a disappointing seven, and throwing away his lead. | 0:04:33 | 0:04:37 | |
I can come back from this. | 0:04:37 | 0:04:39 | |
It's anyone's to take, | 0:04:39 | 0:04:40 | |
but it's going to be mine at the end of the day. | 0:04:40 | 0:04:42 | |
I'm going to go through to the judge's chamber on Friday | 0:04:42 | 0:04:44 | |
and then get to the final banquet. | 0:04:44 | 0:04:46 | |
Give me the title of your dish. | 0:04:48 | 0:04:50 | |
Logan's Legacy. | 0:04:50 | 0:04:51 | |
Logan's Legacy, what is that? | 0:04:51 | 0:04:53 | |
He was a Colonel in the American Army | 0:04:53 | 0:04:55 | |
and he was responsible for the chocolate bar that the troops had. | 0:04:55 | 0:04:58 | |
It was an energy bar. | 0:04:58 | 0:04:59 | |
Didn't taste very nice, but I've reinvented it so it does taste nice. | 0:04:59 | 0:05:03 | |
Talk to me. | 0:05:03 | 0:05:04 | |
I've got some chocolate moulds | 0:05:04 | 0:05:05 | |
so what we do is temper the chocolate, line the mould, | 0:05:05 | 0:05:08 | |
then into that, I put evaporated milk and condensed milk foam, | 0:05:08 | 0:05:12 | |
so that it's like a marshmallow. | 0:05:12 | 0:05:13 | |
Do you think the Veterans of D-Day will find something | 0:05:13 | 0:05:16 | |
familiar about your chocolate bar if you are lucky enough to get there? | 0:05:16 | 0:05:20 | |
I think if I am lucky enough to get there, and the Veterans see it, | 0:05:20 | 0:05:22 | |
then they will understand it. | 0:05:22 | 0:05:25 | |
Adam Simmonds's Logan's Legacy does sound a novel idea, | 0:05:26 | 0:05:31 | |
but is it going to deliver substance? | 0:05:31 | 0:05:33 | |
I really hope he knows what he's doing. I'm very concerned. | 0:05:33 | 0:05:38 | |
That it just might be just...another chocolate bar. | 0:05:38 | 0:05:42 | |
Last up is experienced chef Adam Byatt, | 0:05:44 | 0:05:47 | |
who bagged his highest score yet for his Winston Churchill | 0:05:47 | 0:05:50 | |
inspired main course and is determined to plate | 0:05:50 | 0:05:53 | |
the winning dessert, so he'll cook for the judges tomorrow. | 0:05:53 | 0:05:56 | |
I'm taking myself right out my comfort zone | 0:05:56 | 0:05:58 | |
because I think I have to win this now, it's all level... | 0:05:58 | 0:06:01 | |
If I don't raise my game here and take something else to the table, | 0:06:01 | 0:06:04 | |
who knows? I'm going to go home. | 0:06:04 | 0:06:05 | |
-Good morning, Adam. -How are you? | 0:06:08 | 0:06:09 | |
Very well, thank you. | 0:06:09 | 0:06:11 | |
What's the title of your dish? | 0:06:11 | 0:06:12 | |
The title of this dish, Richard, is Victory. | 0:06:12 | 0:06:14 | |
So now we're at a stage where the D-Day landings were successful | 0:06:14 | 0:06:19 | |
and we move back to Britain with | 0:06:19 | 0:06:21 | |
what I think is the most quintessential, | 0:06:21 | 0:06:24 | |
amazing pudding that this country's ever come up with, which is | 0:06:24 | 0:06:28 | |
-apple pie and custard. -And what have we here? | 0:06:28 | 0:06:30 | |
We've got beautiful British Cox's apples. | 0:06:30 | 0:06:34 | |
We've got some vanilla, a tiny bit of cinnamon, just to give a hint. | 0:06:34 | 0:06:37 | |
We've got all butter, beautiful puff pastry. | 0:06:37 | 0:06:40 | |
There are influences from France, Tarte Tatin, | 0:06:40 | 0:06:45 | |
caramelised apples and all those incredible things from Normandy, | 0:06:45 | 0:06:49 | |
brought them into what I think is our apple pie, and made it into | 0:06:49 | 0:06:52 | |
a 21st century version with a few surprises. | 0:06:52 | 0:06:55 | |
We like your surprises. | 0:06:56 | 0:06:57 | |
Adam Byatt is doing some kind of apple pie and custard. | 0:06:59 | 0:07:02 | |
Maybe there's a trick up his sleeve. | 0:07:02 | 0:07:05 | |
Can he deliver that dessert that's going to bring him through to the judges? | 0:07:05 | 0:07:09 | |
Only time will tell. | 0:07:09 | 0:07:10 | |
Michelin starred Tom once again has an inspirational Churchill | 0:07:13 | 0:07:17 | |
quote for the kitchen. | 0:07:17 | 0:07:18 | |
"Perhaps it is better to be irresponsible and right, | 0:07:18 | 0:07:21 | |
"than to be responsible and wrong." | 0:07:21 | 0:07:24 | |
Do you think that's good for you today? | 0:07:24 | 0:07:26 | |
I like that, Tom. | 0:07:26 | 0:07:28 | |
Very fitting for today, isn't it? | 0:07:28 | 0:07:30 | |
So, the final banquet's at St Paul's. | 0:07:30 | 0:07:32 | |
I think that makes you more determined to get to the banquet, | 0:07:32 | 0:07:35 | |
because it's such a spectacular venue, no? | 0:07:35 | 0:07:37 | |
I think it reflects who we're cooking for. | 0:07:37 | 0:07:40 | |
That's worth winning then. We'd best crack on. | 0:07:40 | 0:07:42 | |
Seasoned pro Adam Byatt nailed the brief yesterday and is determined | 0:07:42 | 0:07:46 | |
to score highly again today with his aptly named Victory dessert. | 0:07:46 | 0:07:50 | |
He's given away little about the dish, | 0:07:50 | 0:07:52 | |
but is starting by making a frozen custard. | 0:07:52 | 0:07:55 | |
So, Adam. What's your dessert? | 0:07:58 | 0:07:59 | |
Apple pie and custard, Adam. | 0:07:59 | 0:08:01 | |
And have you practised it? | 0:08:01 | 0:08:03 | |
I assure you I have cooked more apple pie in the last two months | 0:08:03 | 0:08:07 | |
than I have ever cooked in my life and ever want to again. | 0:08:07 | 0:08:09 | |
But they have not all been the same version of it. | 0:08:09 | 0:08:13 | |
-So, you're feeling a little bit more pressure then, Adam? -Yes, Tom. | 0:08:15 | 0:08:18 | |
Well, that works better for me, | 0:08:18 | 0:08:19 | |
if you're under more pressure. | 0:08:19 | 0:08:21 | |
I focus very much on what's in front of me. | 0:08:21 | 0:08:24 | |
I don't worry about what other people are doing, | 0:08:24 | 0:08:27 | |
I don't worry about what's going on around me, | 0:08:27 | 0:08:29 | |
I focus on my thing. I'm drawing from all my years in classical | 0:08:29 | 0:08:34 | |
cookery and just understanding what an ingredient behaves like under | 0:08:34 | 0:08:38 | |
certain pressures, and I think my palette | 0:08:38 | 0:08:40 | |
will help me along the way here. I really do. | 0:08:40 | 0:08:43 | |
In contrast, returning chef Adam Simmonds has | 0:08:44 | 0:08:47 | |
relied on experimental cooking techniques all week to bag him | 0:08:47 | 0:08:51 | |
points, and for his chocolate orange dessert, | 0:08:51 | 0:08:53 | |
he's making a technical pates de fruits, an orange jelly sweet, | 0:08:53 | 0:08:57 | |
and he's using his favourite liquid nitrogen once again. | 0:08:57 | 0:09:01 | |
What are you making this time? | 0:09:01 | 0:09:03 | |
Orange and evaporated milk granita. | 0:09:03 | 0:09:06 | |
You could do it in the freezer, but it causes too many water particles. | 0:09:06 | 0:09:10 | |
Yes, every housewife should have this in her house. | 0:09:10 | 0:09:13 | |
He also needs to temper chocolate for his chocolate bar | 0:09:15 | 0:09:18 | |
but has run into problems. | 0:09:18 | 0:09:20 | |
I'm going to have to find somewhere else to do it | 0:09:20 | 0:09:22 | |
because it's too hot in here. | 0:09:22 | 0:09:23 | |
The chocolate must be melted and cooled to specific | 0:09:23 | 0:09:26 | |
temperatures to give a glossy finish and snap to the chocolate bar. | 0:09:26 | 0:09:30 | |
But the heat in the kitchen could result in a dull finish | 0:09:30 | 0:09:33 | |
and white patches. | 0:09:33 | 0:09:35 | |
So there's a great danger of it going grainy in that kitchen. | 0:09:35 | 0:09:37 | |
My worst nightmare. | 0:09:37 | 0:09:38 | |
And what about the moulds? | 0:09:38 | 0:09:40 | |
Obviously it says Logan Bar. | 0:09:40 | 0:09:41 | |
Hopefully this is going to be just more than a bar of chocolate, yeah? | 0:09:43 | 0:09:47 | |
Ambitious first-timer Tom Sellers is also making a chocolate bar for | 0:09:48 | 0:09:52 | |
his Winston Churchill inspired dish, | 0:09:52 | 0:09:55 | |
with layers of whisky caramel and whisky parfait | 0:09:55 | 0:09:58 | |
on a malted-chocolate biscuit base. | 0:09:58 | 0:10:00 | |
He's also preparing textures of chocolate - | 0:10:01 | 0:10:04 | |
soil, custard and crispy. | 0:10:04 | 0:10:05 | |
After overly-complicating his starter, and fish courses, | 0:10:06 | 0:10:10 | |
he got the balance just right for his main, and he's aiming for | 0:10:10 | 0:10:13 | |
another perfect ten. | 0:10:13 | 0:10:15 | |
It's definitely do or die today, you know? | 0:10:15 | 0:10:17 | |
I don't think the other two guys are going to score badly, | 0:10:17 | 0:10:19 | |
so I have to score well. | 0:10:19 | 0:10:20 | |
Everything rides on this dish. | 0:10:20 | 0:10:22 | |
So, Tom. How's everything? | 0:10:22 | 0:10:23 | |
I think now it's just about staying focused. | 0:10:23 | 0:10:25 | |
I'm so conscious that | 0:10:25 | 0:10:27 | |
so many people have failed on dessert or fallen down. | 0:10:27 | 0:10:30 | |
I don't want to join that list of people. | 0:10:30 | 0:10:32 | |
It's the pressure that got to them, by the way. | 0:10:32 | 0:10:34 | |
-It wasn't their dessert idea, it was the pressure. -Yeah. | 0:10:34 | 0:10:36 | |
They made just fundamental errors in the very end. | 0:10:36 | 0:10:39 | |
Tom's about to reveal a secret weapon he hopes adds | 0:10:44 | 0:10:47 | |
authenticity to his boozy chocolate dish. | 0:10:47 | 0:10:51 | |
Beautiful beer. | 0:10:51 | 0:10:52 | |
-It's tasty, eh? -It's very nice. | 0:10:52 | 0:10:53 | |
So, this is the beer that Churchill got flown over to the | 0:10:53 | 0:10:56 | |
troops on the Spitfires. | 0:10:56 | 0:10:58 | |
Essentially, it was the beer | 0:10:58 | 0:10:59 | |
that fuelled the troops to win the battle. | 0:10:59 | 0:11:01 | |
Hopefully it's going to fuel me to win the dessert. | 0:11:01 | 0:11:03 | |
After the D-Day landings, Kentish ale was sent to British | 0:11:07 | 0:11:10 | |
troops in Normandy to help boost morale. | 0:11:10 | 0:11:13 | |
To make this unusual operation possible, | 0:11:13 | 0:11:15 | |
the ale was flown in specially adapted barrels via Spitfires. | 0:11:15 | 0:11:19 | |
The original brewery closed in 1965, but the yeast was preserved | 0:11:19 | 0:11:24 | |
and today, nearby Westerham Brewery and brewer Robert Wicks | 0:11:24 | 0:11:27 | |
have resurrected the recipe. | 0:11:27 | 0:11:29 | |
We recultured the yeast in order to recreate the flavours of the beer | 0:11:30 | 0:11:34 | |
because we believe that the liquor, the water | 0:11:34 | 0:11:37 | |
and the yeast is about 80% of the flavour profile of the beer | 0:11:37 | 0:11:40 | |
and we can recreate those flavours with the same liquor | 0:11:40 | 0:11:43 | |
-and the same yeast as the Black Eagle Brewery. -Fantastic. | 0:11:43 | 0:11:47 | |
Tom's used the original wartime beer in his ice cream recipe. | 0:11:47 | 0:11:51 | |
Well, it's certainly carried over those malt flavours | 0:11:52 | 0:11:55 | |
and you definitely know it's made with beer. | 0:11:55 | 0:11:57 | |
-You've done a fantastic job. -Thank you very much. | 0:11:57 | 0:11:59 | |
One of the beer carrying Spitfires is now a flying memorial at | 0:11:59 | 0:12:03 | |
Biggin Hill Heritage Hangar in Kent, a key RAF base during World War II. | 0:12:03 | 0:12:08 | |
-Wow. -Historian Robin Brooks showed Tom around. | 0:12:08 | 0:12:12 | |
Churchill actually often came to Biggin Hill to see his boys, | 0:12:12 | 0:12:15 | |
his "few" as he called them. | 0:12:15 | 0:12:17 | |
It's not known | 0:12:17 | 0:12:18 | |
whether Churchill himself ordered the sending of the ale, | 0:12:18 | 0:12:22 | |
or whether it was attributed to him as positive propaganda. | 0:12:22 | 0:12:25 | |
As regards the beer, it was carried over in underslung tanks | 0:12:25 | 0:12:30 | |
under the wings which were actually fixed under here. | 0:12:30 | 0:12:34 | |
Yeah, I think it's very inspirational. | 0:12:34 | 0:12:36 | |
Very, very inspirational indeed, yes. | 0:12:36 | 0:12:38 | |
For a better sense of the wartime atmosphere, | 0:12:40 | 0:12:42 | |
Tom also met with ex-RAF serviceman, Bernard Salter. | 0:12:42 | 0:12:47 | |
I was here during the Battle of Britain in 1940. I'm 92 Squadron. | 0:12:47 | 0:12:52 | |
-Amazing. -The Spitfires... My job was flight mechanic. -Always under threat. | 0:12:52 | 0:12:56 | |
Oh, yeah. | 0:12:56 | 0:12:57 | |
Jerry used to come over the trees, machine gunning and bombing. | 0:12:57 | 0:13:01 | |
You just ran for safety wherever you could get. | 0:13:01 | 0:13:05 | |
-Very brave. -At the time, it was a job and we did our job. | 0:13:05 | 0:13:08 | |
I feel very lucky to be sitting in this. | 0:13:12 | 0:13:14 | |
It makes cooking sound easy, to be honest. | 0:13:14 | 0:13:17 | |
Coming here today has really made me connect a lot more with the brief. | 0:13:17 | 0:13:21 | |
Makes me feel very proud and you know, really puts a lot of meaning | 0:13:21 | 0:13:25 | |
behind what we're doing. It's a privilege to be involved. | 0:13:25 | 0:13:28 | |
Tom's beer ice cream is chilling in the freezer. | 0:13:32 | 0:13:35 | |
But he's having problems with the other alcoholic | 0:13:35 | 0:13:37 | |
element of his dish, his whisky parfait. | 0:13:37 | 0:13:40 | |
The cream just split from the parfait so I'm just remaking | 0:13:40 | 0:13:43 | |
and I'm under pressure for time because of it, but I'll be there. | 0:13:43 | 0:13:46 | |
I won't fail. | 0:13:46 | 0:13:48 | |
But, in the heat of the kitchen, the mixture splits again. | 0:13:48 | 0:13:52 | |
Yeah, I'm under massive pressure. My whisky parfait's gone wrong twice. | 0:13:52 | 0:13:55 | |
"Keep calm and carry on cooking", that's what they say, no? | 0:13:55 | 0:13:58 | |
On the other side of the kitchen, experienced Adam Byatt's | 0:13:58 | 0:14:01 | |
making pastry cones for his Victory dessert. | 0:14:01 | 0:14:04 | |
He's stuffed apples with apple and raisin mix, apple brandy | 0:14:04 | 0:14:08 | |
and frozen custard, before encasing in puff pastry. | 0:14:08 | 0:14:12 | |
Adam has so far been guarded about the elements of his dish, | 0:14:12 | 0:14:15 | |
but Richard's keen to get to the bottom of the mystery presentation. | 0:14:15 | 0:14:19 | |
-So, when you put the layer of custard on, what like a... -It's inside. | 0:14:20 | 0:14:24 | |
You've turned it into a jelly or something was it? | 0:14:24 | 0:14:26 | |
No, just frozen it. Frozen it solid. | 0:14:26 | 0:14:28 | |
-Frozen? Inside the apple? -Yeah. | 0:14:28 | 0:14:31 | |
Do you think the dish has enough in it to say, | 0:14:31 | 0:14:34 | |
"Yeah, this is a fantastic dish to get to the banquet."? | 0:14:34 | 0:14:36 | |
It's got a really nice 21st century twist to it but it's also | 0:14:36 | 0:14:41 | |
going to deliver memories of home and comfort food and... | 0:14:41 | 0:14:45 | |
-What is that? -It's a surprise. | 0:14:45 | 0:14:47 | |
Adam is trying to keep the surprise but you know, cones are only | 0:14:49 | 0:14:52 | |
used for one thing, and that's for putting ice cream in. | 0:14:52 | 0:14:55 | |
Rival Adam Simmonds is in for a nasty surprise. | 0:14:55 | 0:14:58 | |
He's made his chocolate bars by filling chocolate moulds with | 0:15:00 | 0:15:02 | |
evaporated and condensed milk mousse | 0:15:02 | 0:15:05 | |
and evaporated milk jelly before sealing with chocolate. | 0:15:05 | 0:15:09 | |
But they won't come out. | 0:15:09 | 0:15:12 | |
I am having a nightmare. | 0:15:12 | 0:15:14 | |
For some reason, the chocolate's stuck to the mould, | 0:15:14 | 0:15:18 | |
so now I've got to put it in a blast chiller to see | 0:15:18 | 0:15:20 | |
if I can release it like that, and we'll see what happens. | 0:15:20 | 0:15:23 | |
I might not have a full dessert to put on a plate. | 0:15:23 | 0:15:26 | |
Adam can only wait. | 0:15:26 | 0:15:28 | |
Any mistake could result in a low score and see him | 0:15:28 | 0:15:31 | |
out of the competition. | 0:15:31 | 0:15:32 | |
First to plate up and banking on his Victory dessert proving | 0:15:35 | 0:15:38 | |
just that, is seasoned pro Adam Byatt. | 0:15:38 | 0:15:41 | |
He tops his baked apple pie with a decorative leaf | 0:15:41 | 0:15:44 | |
and dusts with icing sugar. Adam serves custard on the side. | 0:15:44 | 0:15:49 | |
Finally, the surprise element he hopes will give him | 0:15:49 | 0:15:52 | |
the winning edge. He pipes vanilla ice cream into cones, served with a | 0:15:52 | 0:15:56 | |
flake in a spice box. | 0:15:56 | 0:15:57 | |
-There we go. -So, Adam. | 0:16:02 | 0:16:04 | |
Is this a Great British Dish for the Great British Menu? | 0:16:04 | 0:16:07 | |
-I think it is, Richard. Yeah. -And the ice cream? | 0:16:07 | 0:16:09 | |
Yes, we've got 99s on the side in a little spice box with all | 0:16:09 | 0:16:13 | |
the spices that we then brought back after the war. | 0:16:13 | 0:16:15 | |
Well, let's taste it. Enjoy. | 0:16:15 | 0:16:17 | |
Do you think that would work at a banquet? Before it all melts? | 0:16:24 | 0:16:27 | |
It would need to be made frozen like that and then added in at the end. | 0:16:27 | 0:16:32 | |
-I think for a banquet, this isn't feasible, do you? -No. | 0:16:32 | 0:16:35 | |
-And the custard? -Yeah, it's in there if you poke around a bit, I think | 0:16:38 | 0:16:42 | |
you'll probably get it. There's more here if you'd like more here. | 0:16:42 | 0:16:46 | |
There was supposed to be a layer of custard. | 0:16:46 | 0:16:49 | |
I mean I can see a little bit of it. | 0:16:49 | 0:16:51 | |
Remind me again the type of apple you used here. | 0:16:51 | 0:16:54 | |
-It's a Cox, Richard. -Yeah. | 0:16:54 | 0:16:55 | |
-Do you think the apple is cooked through? -I do, Richard. | 0:16:55 | 0:16:58 | |
You've got that soft-centred apple compote in the middle, | 0:16:58 | 0:17:01 | |
then you've got the fondant in apple that's sat on the pastry. | 0:17:01 | 0:17:04 | |
And yeah, for me, they're both absolutely cooked. | 0:17:04 | 0:17:07 | |
It looks to me as if the apple's... | 0:17:07 | 0:17:09 | |
Some of the apple's collapsed. | 0:17:09 | 0:17:12 | |
I think Adam will be disappointed with this. | 0:17:12 | 0:17:14 | |
Is it enough? | 0:17:14 | 0:17:15 | |
I think I've done enough, Richard. | 0:17:15 | 0:17:17 | |
-Out of ten, what would you score it? -I think it's a nine. | 0:17:17 | 0:17:21 | |
When I watched him dress that apple, it made me nervous slightly. | 0:17:21 | 0:17:24 | |
-The same for me. -But then seeing it and eating it and him trying to push | 0:17:24 | 0:17:29 | |
-it further might actually be his downfall. -Only if ours work. | 0:17:29 | 0:17:36 | |
Richard gave nothing away. | 0:17:36 | 0:17:37 | |
He ate an awful lot of it and I ate it | 0:17:37 | 0:17:40 | |
and I think it was delicious so I'm happy. | 0:17:40 | 0:17:43 | |
Simmonds. Leave that closed, man. | 0:17:43 | 0:17:46 | |
Returning contender Adam Simmonds has been | 0:17:46 | 0:17:48 | |
chilling his chocolate bars to harden them. Time to plate up. | 0:17:48 | 0:17:52 | |
He has to remove them from the moulds | 0:17:52 | 0:17:54 | |
or he won't have a dish to serve. | 0:17:54 | 0:17:56 | |
Thank you! | 0:18:04 | 0:18:06 | |
-Happy? -I honestly thought, seriously, | 0:18:06 | 0:18:09 | |
-I didn't think I'd have a dessert to put on the -BEEP -plate. | 0:18:09 | 0:18:12 | |
Logan's Legacy is Adam's last chance to score big. | 0:18:12 | 0:18:16 | |
Everything rides on this dish. | 0:18:16 | 0:18:19 | |
He starts with the problematic chocolate orange bar, then | 0:18:19 | 0:18:22 | |
scatters orange jelly sweets, orange segments, and aerated chocolate. | 0:18:22 | 0:18:28 | |
He tops with edible silver leaf wrapping, | 0:18:28 | 0:18:31 | |
finishing with evaporated milk sorbet and milk and orange granita. | 0:18:31 | 0:18:36 | |
-So, Adam. You got there in the end. -Just. | 0:18:38 | 0:18:41 | |
Is this a slice of edible history? | 0:18:41 | 0:18:44 | |
I think so, because it's to do with the allies, | 0:18:44 | 0:18:46 | |
-and the Americans in particular. -Come on, let's taste it. | 0:18:46 | 0:18:50 | |
What have we here then? | 0:18:55 | 0:18:56 | |
We've got a chocolate aerated bar, | 0:18:56 | 0:18:59 | |
evaporated milk ice cream, and then fresh orange. | 0:18:59 | 0:19:04 | |
What do you think, Tom? What's your initial thoughts on it? | 0:19:04 | 0:19:07 | |
-It looks a bit small and dainty. -The filling in the chocolate bar. | 0:19:07 | 0:19:12 | |
-Are you happy with the consistency of it all? -It needs work on it. | 0:19:12 | 0:19:16 | |
The filling's a bit gummy for me. | 0:19:16 | 0:19:18 | |
I know it's supposed by be marshmallowy, | 0:19:18 | 0:19:20 | |
but it's quite...I don't know if that texture works. | 0:19:20 | 0:19:24 | |
Do you think it's a bit too simple to be a great legacy D-Day dish? | 0:19:24 | 0:19:29 | |
I think technically it's very good. | 0:19:29 | 0:19:31 | |
Looking at it, the simplicity of it, for sure. | 0:19:31 | 0:19:34 | |
This was a great idea to get basically a story of the Logan bar | 0:19:34 | 0:19:38 | |
told on a bit of paper | 0:19:38 | 0:19:39 | |
so that every guest can know exactly what the story is. | 0:19:39 | 0:19:42 | |
He's even put his face ...that's very funny. | 0:19:42 | 0:19:44 | |
Out of ten, give me a score. | 0:19:44 | 0:19:46 | |
Six. | 0:19:46 | 0:19:48 | |
-Have you done enough? -With a six, probably not, no. | 0:19:48 | 0:19:52 | |
-I don't see this dessert as a threat to me. -OK. | 0:19:52 | 0:19:55 | |
But, we both know he's a good cook | 0:19:55 | 0:19:57 | |
and there's some great flavours there. | 0:19:57 | 0:19:58 | |
For me, it's slightly style over substance. | 0:19:58 | 0:20:03 | |
-Hi, Adam, you all right? How did you get on? -It wasn't right at all. | 0:20:03 | 0:20:07 | |
You weren't happy with it? | 0:20:07 | 0:20:08 | |
It didn't deliver what I know it can deliver, and that's the problem. | 0:20:08 | 0:20:13 | |
Last to fight for his place in the judging chamber is talented | 0:20:13 | 0:20:16 | |
newcomer Tom Sellers. | 0:20:16 | 0:20:18 | |
With his dish of Winston Churchill's Favourite Things. | 0:20:18 | 0:20:22 | |
Into a whisky presentation box, he pours a layer of chocolate | 0:20:22 | 0:20:24 | |
custard and tops with chocolate soil and chocolate crispy. | 0:20:24 | 0:20:30 | |
His chocolate bar made with whisky caramel, chocolate biscuit | 0:20:30 | 0:20:33 | |
and the problematic whisky parfait is covered in edible gold leaf | 0:20:33 | 0:20:37 | |
and placed on his textures of chocolate. | 0:20:37 | 0:20:39 | |
The beer ice cream is spooned on the side | 0:20:39 | 0:20:42 | |
and topped with smoky salt. | 0:20:42 | 0:20:44 | |
The final touch is smoke from the beer hops, | 0:20:44 | 0:20:47 | |
pumped into the box for a hit of aroma when opened. | 0:20:47 | 0:20:51 | |
Would it make king, country and prime minister proud? | 0:20:55 | 0:20:58 | |
Yes, I think so. | 0:20:58 | 0:21:00 | |
-Let's taste it. -Let's. | 0:21:03 | 0:21:05 | |
Would this be a treat for Churchill and a treat for the veterans? | 0:21:09 | 0:21:12 | |
I think he'd be really happy to eat that. | 0:21:12 | 0:21:14 | |
It's all his favourite things put into a box. | 0:21:14 | 0:21:17 | |
He's pulled out some nice presentation there. | 0:21:17 | 0:21:19 | |
-Yeah, it's good. Lovely. -I like it. | 0:21:19 | 0:21:22 | |
Are you happy with the consistency of that parfait? | 0:21:27 | 0:21:29 | |
Would you change anything? | 0:21:29 | 0:21:30 | |
It gave you a bit of trouble inside, didn't it? | 0:21:30 | 0:21:33 | |
Yeah, it split on me twice. | 0:21:33 | 0:21:34 | |
But I think the flavour's there, the foundation's there. | 0:21:34 | 0:21:37 | |
The parfait. Is it a parfait or a mousse? | 0:21:37 | 0:21:40 | |
For me, it's more of a mousse. | 0:21:40 | 0:21:42 | |
-That's a gelatine-set mousse. -Yeah. | 0:21:42 | 0:21:43 | |
The beer ice cream, Tom. Are you happy with it? | 0:21:43 | 0:21:46 | |
Yeah, I really am. | 0:21:46 | 0:21:47 | |
You get that really raw, hoppy flavour. | 0:21:47 | 0:21:51 | |
As a beer, it was lovely. | 0:21:52 | 0:21:53 | |
In the concept of this dish with the whisky, | 0:21:53 | 0:21:56 | |
-it's just like a kidney punch. -The portion size. | 0:21:56 | 0:21:59 | |
-Would you change anything? -Yeah. I'd make the bar smaller. | 0:21:59 | 0:22:02 | |
Because it is a rich dessert. | 0:22:02 | 0:22:04 | |
I don't think we could finish that. | 0:22:04 | 0:22:06 | |
Would you agree or not? | 0:22:06 | 0:22:07 | |
I mean, it's just so rich, it's so big, maybe for Churchill. | 0:22:07 | 0:22:10 | |
-Maybe, yeah. -Big guy. | 0:22:10 | 0:22:12 | |
Do the flavours compliment each other? | 0:22:13 | 0:22:16 | |
Yeah, I think so. | 0:22:16 | 0:22:17 | |
The only way this was going to work was to go big flavour with | 0:22:17 | 0:22:21 | |
big flavour. | 0:22:21 | 0:22:22 | |
It's just too punchy and in-your-face. | 0:22:22 | 0:22:25 | |
There's some bold flavours in there. | 0:22:25 | 0:22:27 | |
Do you think you've done enough to get through to Friday? | 0:22:27 | 0:22:30 | |
I really hope so. I couldn't have done any more. | 0:22:30 | 0:22:33 | |
-When it came up to the pass, I thought game set and match. -Yeah. | 0:22:33 | 0:22:36 | |
-For him. -Yeah. -Then when you eat it... | 0:22:36 | 0:22:37 | |
Now you're feeling a bit more confident. | 0:22:37 | 0:22:39 | |
I'm not going to lie, it's pleasing. I could still be in the running. | 0:22:39 | 0:22:42 | |
Yeah. It's pleasing for me. | 0:22:42 | 0:22:45 | |
-How did it go? -I'm not...I'm not sure. | 0:22:45 | 0:22:51 | |
We'd said that at the beginning of this course, that the | 0:22:51 | 0:22:53 | |
person that makes the mistakes is going home. I made mistakes. | 0:22:53 | 0:22:58 | |
I made mistakes too. Cheers then, boys. Well done for a good week. | 0:22:58 | 0:23:01 | |
-Cheers. -Thanks for a good week, thank you. I really enjoyed it. | 0:23:01 | 0:23:05 | |
May the best man win. | 0:23:05 | 0:23:06 | |
Good evening, chefs. | 0:23:16 | 0:23:18 | |
It's been a great week with some very high scores. | 0:23:18 | 0:23:23 | |
However, only two of you can go through to the judges' chamber. | 0:23:23 | 0:23:30 | |
I'm going to start with you, Adam Byatt, | 0:23:30 | 0:23:33 | |
and your Victory dish of apple pie and custard. | 0:23:33 | 0:23:37 | |
The vanilla ice cream and custard were good. | 0:23:37 | 0:23:42 | |
The pastry around the apple was beautifully caramelised | 0:23:42 | 0:23:46 | |
and well cooked. | 0:23:46 | 0:23:47 | |
But, I think you could look at another | 0:23:47 | 0:23:51 | |
-variety of apple for that dish. -OK. -Something with a bit of tart. | 0:23:51 | 0:23:59 | |
-And was that apple thoroughly cooked? I didn't think so. -OK. | 0:23:59 | 0:24:05 | |
I didn't really get the custard inside the apple. | 0:24:05 | 0:24:08 | |
-This needs a little bit of work. -I understand. | 0:24:08 | 0:24:12 | |
Adam Simmonds, your Logan's Legacy of dark chocolate, | 0:24:12 | 0:24:17 | |
orange and milk, a lovely idea. A homage to our American allies. | 0:24:17 | 0:24:23 | |
It would be a real treat for the veterans at the banquet. | 0:24:23 | 0:24:28 | |
The evaporated milk sorbet was good. | 0:24:28 | 0:24:33 | |
The chocolate casing, it was very fine. But your portion was tiny. | 0:24:33 | 0:24:42 | |
Again! The filling in the chocolate bar was a little spongy. | 0:24:42 | 0:24:47 | |
-Too much gelatine. -OK. -But it was a spot on brief. | 0:24:47 | 0:24:54 | |
-It certainly needs some tweaks. -For sure. | 0:24:54 | 0:24:58 | |
Tom, your Winston Churchill treat box with whisky parfait and beer sorbet. | 0:24:58 | 0:25:06 | |
I thought it was a fantastic concept. You've done your historical research. | 0:25:06 | 0:25:13 | |
I liked the beer ice cream. | 0:25:13 | 0:25:17 | |
-But, God, was it rich! -Yeah. | 0:25:17 | 0:25:21 | |
-That bar was a little bit too big. -Agreed. | 0:25:21 | 0:25:26 | |
The filling wasn't perfect and that whisky parfait. | 0:25:26 | 0:25:31 | |
A bit too strong of whisky, maybe? | 0:25:31 | 0:25:34 | |
You need to watch your technique if you ever cook this dish again. | 0:25:34 | 0:25:37 | |
So now for the scores. | 0:25:41 | 0:25:44 | |
With a score of seven, putting them through to the judges, is... | 0:25:44 | 0:25:51 | |
Adam Simmonds. | 0:25:54 | 0:25:57 | |
-So, how do you feel? -Well done, mate. | 0:25:57 | 0:25:59 | |
A bit speechless to be fair. | 0:25:59 | 0:26:01 | |
I'm delighted obviously, to go against these two | 0:26:01 | 0:26:05 | |
-and to get through is a massive achievement. -So, two chefs are left. | 0:26:05 | 0:26:09 | |
Both on level pegging. Only one can go through to cook for the judges. | 0:26:09 | 0:26:15 | |
Adam Byatt, I'm giving you... | 0:26:17 | 0:26:21 | |
-..a six. -OK. | 0:26:24 | 0:26:26 | |
Tom? I'm giving you... | 0:26:28 | 0:26:31 | |
a six. | 0:26:34 | 0:26:36 | |
So it's a tie. | 0:26:38 | 0:26:40 | |
In the event of a tie, I need to review both menus. | 0:26:42 | 0:26:47 | |
Who really nailed the brief? | 0:26:48 | 0:26:51 | |
Going through to cook for the judges is... | 0:26:54 | 0:26:58 | |
..you, Tom. | 0:27:09 | 0:27:11 | |
-OK. -Congratulations. | 0:27:13 | 0:27:16 | |
-Guys, it was so close. -Well done. | 0:27:16 | 0:27:21 | |
-Adam, commiserations. Take care. -Thank you. | 0:27:21 | 0:27:26 | |
Tom and Adam Simmonds will | 0:27:27 | 0:27:29 | |
cook for the judges tomorrow, | 0:27:29 | 0:27:31 | |
meaning Adam Byatt must leave the competition. | 0:27:31 | 0:27:35 | |
It is what it is, Tom. | 0:27:35 | 0:27:37 | |
I messed it up. | 0:27:37 | 0:27:38 | |
I'm really disappointed but I'm really happy for Tom, | 0:27:38 | 0:27:40 | |
and I wish him all the best. | 0:27:40 | 0:27:42 | |
It's a bittersweet feeling for me. | 0:27:42 | 0:27:44 | |
Adam Byatt is a former employer, a friend, | 0:27:44 | 0:27:48 | |
but of course I was here to win so I'm proud of myself. | 0:27:48 | 0:27:52 | |
Now, it's about turning up tomorrow and absolutely smashing it. | 0:27:52 | 0:27:56 | |
I am so happy that I'm cooking for the judges again. | 0:27:56 | 0:28:00 | |
This time, I'm going to go further. | 0:28:00 | 0:28:02 | |
I've got a second bite of the cherry tomorrow | 0:28:02 | 0:28:04 | |
and I need to take it with both hands. | 0:28:04 | 0:28:06 | |
Tomorrow, Tom and Adam will cook their entire menus again. | 0:28:06 | 0:28:10 | |
-For me, it's like lamb to the slaughter. -Yeah? | 0:28:10 | 0:28:13 | |
And I'm going to stand and enjoy that. | 0:28:13 | 0:28:16 | |
But, with the judges expecting their finest hour... | 0:28:16 | 0:28:20 | |
It is the closest we've ever seen it. | 0:28:20 | 0:28:24 | |
-Stonkingly good pud. -..which of the chefs will be left shocked? | 0:28:24 | 0:28:29 | |
Really? | 0:28:29 | 0:28:30 |