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It's been a closely fought week for three of London | 0:00:02 | 0:00:05 | |
and the south east's best chefs. | 0:00:05 | 0:00:07 | |
With two award winning newcomers, Tom Sellers... | 0:00:07 | 0:00:10 | |
Come on! | 0:00:10 | 0:00:12 | |
..and Adam Byatt... | 0:00:12 | 0:00:13 | |
Don't worry about what's going on around me. | 0:00:13 | 0:00:15 | |
..snapping at the heels of returning contender Adam Simmonds... | 0:00:15 | 0:00:19 | |
Thank you! | 0:00:19 | 0:00:20 | |
..for the chance to cook for our World War II veterans at a banquet, | 0:00:20 | 0:00:24 | |
commemorating 70 years since D-Day at St Paul's Cathedral, | 0:00:24 | 0:00:28 | |
an iconic bastion of British wartime resilience. | 0:00:28 | 0:00:31 | |
Yesterday's dessert course was a three-way battle, | 0:00:32 | 0:00:36 | |
with all the chefs on equal points. | 0:00:36 | 0:00:39 | |
We move to the final course with a level playing field. | 0:00:39 | 0:00:42 | |
Adam Simmonds plated the winning dish, with Tom | 0:00:44 | 0:00:46 | |
and Adam Byatt both scoring a six. | 0:00:46 | 0:00:50 | |
Guys, it was so close. | 0:00:50 | 0:00:53 | |
In the end, veteran Richard Corrigan sent Adam Byatt home. | 0:00:53 | 0:00:57 | |
Now, to stay in the competition, | 0:00:57 | 0:00:59 | |
Tom and Adam Simmonds must cook their four courses again. | 0:00:59 | 0:01:03 | |
Adam has been here before and is determined to go all the way. | 0:01:03 | 0:01:07 | |
I can assure you now, I'm knocking a Tom out this year. | 0:01:07 | 0:01:11 | |
The judges are expecting the chefs' finest hours on a plate. | 0:01:11 | 0:01:15 | |
It's the closest we've ever seen it. | 0:01:15 | 0:01:17 | |
Ensuring the dishes evoke the spirit of wartime Britain is | 0:01:17 | 0:01:20 | |
a fourth judge, Joy Hunter, | 0:01:20 | 0:01:22 | |
who worked in Churchill's War Rooms during the campaign. | 0:01:22 | 0:01:25 | |
That was quite exciting. Action packed. | 0:01:25 | 0:01:27 | |
The dishes must also taste delicious... | 0:01:27 | 0:01:30 | |
Stonkingly good pud. | 0:01:30 | 0:01:32 | |
..as only the finest chef will continue in the competition. | 0:01:32 | 0:01:36 | |
Going through to the finals is... | 0:01:36 | 0:01:38 | |
Newcomer Tom Sellers had a mixed week and just scraped through | 0:01:52 | 0:01:55 | |
after a tense dessert draw with ex-mentor, Adam Byatt. | 0:01:55 | 0:01:59 | |
I won't go home today. If I cook well, I won't go home. | 0:02:01 | 0:02:04 | |
-Good luck, Chef. -Good luck. | 0:02:04 | 0:02:05 | |
In homage to Mr Corrigan himself, look. | 0:02:07 | 0:02:09 | |
That's what's going to take me all the way, man. | 0:02:11 | 0:02:15 | |
But it's returning contender Adam Simmonds | 0:02:15 | 0:02:18 | |
who has the biggest point to prove. | 0:02:18 | 0:02:20 | |
After missing the brief last year, | 0:02:20 | 0:02:22 | |
he's determined to impress the judges this time. | 0:02:22 | 0:02:25 | |
-My old boss beat you - Mr Aikens. -Yes, he did. | 0:02:25 | 0:02:28 | |
I can assure you now, I'm knocking a Tom out this year. | 0:02:28 | 0:02:31 | |
I'm here to win now. I got a second bite of the cherry yesterday. | 0:02:32 | 0:02:36 | |
Tom Sellers is going home, for sure. | 0:02:36 | 0:02:38 | |
Judges Prue Leith, Oliver Peyton and Matthew Fort | 0:02:44 | 0:02:48 | |
are examining the chefs' menus. | 0:02:48 | 0:02:50 | |
So, Adam, a returning chef. Tom Sellers, really competitive. | 0:02:50 | 0:02:54 | |
The most competitive region. Today is going to be a humdinger. | 0:02:54 | 0:02:58 | |
It's the closest we've ever seen it. | 0:03:04 | 0:03:06 | |
-Well, it's going to be a tight old battle. -It is going to be tight. | 0:03:06 | 0:03:10 | |
Morning, gentlemen. | 0:03:15 | 0:03:17 | |
-BOTH: -Morning. -Hard at it, I see. -Exactly. | 0:03:17 | 0:03:19 | |
-This is your second crack at this, isn't it? -Yeah, it is. | 0:03:19 | 0:03:22 | |
If I remember rightly, | 0:03:22 | 0:03:24 | |
the problem last time was that you didn't quite think about the brief. | 0:03:24 | 0:03:28 | |
-You just cooked what you wanted to cook. -That's very true. | 0:03:28 | 0:03:30 | |
This year there's been a lot more work | 0:03:30 | 0:03:32 | |
involved into the presentation side of it. | 0:03:32 | 0:03:35 | |
-MATTHEW: Tom, I see you got a ten for your main course. -I did. | 0:03:35 | 0:03:38 | |
And do you think you're on course to have another ten today? | 0:03:38 | 0:03:42 | |
I'd like to think so. | 0:03:42 | 0:03:43 | |
The scoring has been amazing all week. | 0:03:43 | 0:03:46 | |
I really expect to see some of these dishes that | 0:03:46 | 0:03:48 | |
you're producing today at the final banquet, so good luck. | 0:03:48 | 0:03:51 | |
-Thank you very much. -Thank you. | 0:03:51 | 0:03:53 | |
They need to see that I've understood the brief. | 0:03:56 | 0:03:59 | |
If I haven't understood it, | 0:03:59 | 0:04:01 | |
then they're going to crucify me, aren't they? | 0:04:01 | 0:04:03 | |
Yeah. | 0:04:03 | 0:04:04 | |
Tom is first to serve. | 0:04:10 | 0:04:11 | |
He scored a respectable eight in the week for his Dig For Victory | 0:04:13 | 0:04:17 | |
vegetable starter. A complex dish with goat's yoghurt, | 0:04:17 | 0:04:20 | |
malt soil, baby vegetables and chicken rillette. | 0:04:20 | 0:04:24 | |
Tom, obviously you're first, which I'm delighted about. | 0:04:24 | 0:04:27 | |
-For me, it's like lambs to the slaughter. -Yeah? | 0:04:27 | 0:04:30 | |
And I'm going to stand and enjoy that. | 0:04:30 | 0:04:33 | |
Well, it's funny because I'm a big believer in leading from the front. | 0:04:33 | 0:04:37 | |
The chefs will also be marked by a fourth judge who played | 0:04:40 | 0:04:42 | |
an important role in the war effort. | 0:04:42 | 0:04:44 | |
Today, it's 88-year-old Joy Hunter, | 0:04:44 | 0:04:46 | |
who worked in Churchill's War Rooms in 1944. | 0:04:46 | 0:04:50 | |
What an honour to have you in the judging. | 0:04:50 | 0:04:52 | |
Thank you, Prue, it's lovely to be here. | 0:04:52 | 0:04:54 | |
-And this is Oliver. -Oliver. | 0:04:54 | 0:04:56 | |
-Very nice to meet you. -Good to meet you too. -And Matthew. -Hello. | 0:04:56 | 0:04:59 | |
Good to meet you. | 0:04:59 | 0:05:00 | |
Can you tell us what you were doing in and around D-Day? | 0:05:00 | 0:05:03 | |
I actually helped to type the battle orders for D-Day. | 0:05:03 | 0:05:06 | |
You must have been on your tenterhooks. | 0:05:06 | 0:05:08 | |
Yes, we were. It was very exciting. | 0:05:08 | 0:05:09 | |
I suppose, perhaps in a way at 18, you're absorbed with what | 0:05:09 | 0:05:13 | |
you're doing. We were very busy. | 0:05:13 | 0:05:14 | |
It almost seems more exciting now on reflection. | 0:05:14 | 0:05:18 | |
-Did you see Churchill at all? -Oh, yes, quite often. | 0:05:18 | 0:05:21 | |
The corridors were quite small. | 0:05:21 | 0:05:22 | |
We always knew when he was coming because of his cigar smoke, | 0:05:22 | 0:05:25 | |
and he was, of course, enormously normal. | 0:05:25 | 0:05:28 | |
You'd just say, "Good morning, Mr Churchill." | 0:05:28 | 0:05:30 | |
Hopefully you're in for a treat today because we have | 0:05:30 | 0:05:32 | |
some amazing chefs and they're going to cook their socks off. | 0:05:32 | 0:05:35 | |
That's absolutely fantastic. I can't wait. | 0:05:35 | 0:05:37 | |
Tom's allotment begins with goat's yoghurt and herb emulsion... | 0:05:42 | 0:05:46 | |
chicken rillette path and oak and malt soil. | 0:05:46 | 0:05:49 | |
Next, he carefully plants pickled, blanched and baked vegetables, | 0:05:50 | 0:05:55 | |
including beetroot, radish and turnip. | 0:05:55 | 0:05:57 | |
Well done. | 0:06:03 | 0:06:04 | |
Isn't that pretty? It's an allotment for one. | 0:06:10 | 0:06:14 | |
Well, it's a lot whichever way you look at it. | 0:06:14 | 0:06:16 | |
There was too much on it when I did it first time round. | 0:06:16 | 0:06:19 | |
Richard picked up on that. I've changed that. | 0:06:19 | 0:06:21 | |
OLIVER: I think the chicken contrasts really well. | 0:06:21 | 0:06:24 | |
I really love this dish. | 0:06:24 | 0:06:26 | |
Well, it would be luxury at wartime. | 0:06:26 | 0:06:28 | |
There's no doubt about that, even though it's vegetables. | 0:06:28 | 0:06:30 | |
To have a mixture like that and to have that amount. | 0:06:30 | 0:06:33 | |
-You've used a lot of veg, haven't you? -Yeah. | 0:06:33 | 0:06:35 | |
A vegetable cooked beautifully is one of the best things in cooking. | 0:06:35 | 0:06:39 | |
You've got these sort of sludge favours, I would describe them. | 0:06:39 | 0:06:42 | |
PRUE LAUGHS | 0:06:42 | 0:06:43 | |
-Well, the earth and the yoghurt and herbs. -A bit boring. | 0:06:43 | 0:06:47 | |
The chicken's too wet. And it's too ground up. | 0:06:47 | 0:06:50 | |
Don't be put off by these two over here with me. | 0:06:50 | 0:06:54 | |
I know a thing or two about food and they're just learners. | 0:06:54 | 0:06:58 | |
I think it's a clever mix of vegetables. | 0:06:58 | 0:07:00 | |
If we'd been able to have a dish like this in the war, | 0:07:00 | 0:07:02 | |
we would have regarded this as Ritz food. | 0:07:02 | 0:07:05 | |
Adam is up next with a complex starter | 0:07:07 | 0:07:10 | |
inspired by the dehydrated food in ration packs during the war, | 0:07:10 | 0:07:14 | |
brought into the 21st century, using modern techniques. | 0:07:14 | 0:07:17 | |
His chicken dish includes dehydrated celeriac and chicken liver parfait, | 0:07:17 | 0:07:21 | |
rehydrated by a hot consomme. | 0:07:21 | 0:07:24 | |
Veteran Richard awarded it a nine for flavour | 0:07:24 | 0:07:26 | |
and inventive presentation, reflecting the brief. | 0:07:26 | 0:07:29 | |
Everything under control? | 0:07:29 | 0:07:31 | |
On the outside, yes, on the inside like a flapping swan right now. | 0:07:31 | 0:07:35 | |
What was it, Dad's Army, where he says... | 0:07:35 | 0:07:37 | |
-AS CORPORAL JONES: -Don't panic, Mr Mainwaring, don't panic. | 0:07:37 | 0:07:40 | |
Into the ration packs goes cod roe puree, egg yolk, chicken wing | 0:07:40 | 0:07:44 | |
and chicken spam, then celeriac chucrute. | 0:07:44 | 0:07:47 | |
The dry elements are served on the side. | 0:07:48 | 0:07:51 | |
Crispy chicken skin in bags and dehydrated celeriac | 0:07:51 | 0:07:54 | |
and chicken liver parfait in tins. | 0:07:54 | 0:07:57 | |
His chicken consomme is served in replica wartime flasks. | 0:07:57 | 0:08:01 | |
HE EXHALES | 0:08:03 | 0:08:05 | |
-I think the props department has been working overtime. -Yes. | 0:08:08 | 0:08:11 | |
I'm terribly excited about this. | 0:08:13 | 0:08:14 | |
There's something quite mysterious about this. | 0:08:14 | 0:08:17 | |
Wow. Goodness. | 0:08:19 | 0:08:21 | |
-PRUE: Read before you feed. MATTHEW: -I like this DIY business. | 0:08:21 | 0:08:24 | |
For me it encompasses everything in that brief. | 0:08:24 | 0:08:27 | |
I think this is great. | 0:08:27 | 0:08:28 | |
Very tasty. And good fun. | 0:08:28 | 0:08:32 | |
It reminds me of camping. | 0:08:32 | 0:08:33 | |
There's loads of rich textures going on. | 0:08:33 | 0:08:35 | |
They're very comforting flavours. | 0:08:35 | 0:08:37 | |
I particularly like the egg yolk | 0:08:37 | 0:08:40 | |
which thickens and makes the soup a little bit richer. | 0:08:40 | 0:08:44 | |
This would definitely have helped win the war. | 0:08:44 | 0:08:46 | |
Do you think they're going to like the freeze-dried? | 0:08:46 | 0:08:48 | |
It's there for a purpose. It's about a modern-day ration pack. | 0:08:48 | 0:08:51 | |
This is a very sophisticated, | 0:08:51 | 0:08:55 | |
very modern piece of cooking that uses all sorts of modern techniques. | 0:08:55 | 0:08:59 | |
His idea of dehydration was a perfect wartime technique as well. | 0:08:59 | 0:09:04 | |
MATTHEW: And all these little design details, | 0:09:04 | 0:09:06 | |
this is what would resonate with the veterans at the dinner. | 0:09:06 | 0:09:12 | |
It would certainly make them smile. | 0:09:12 | 0:09:14 | |
Did you see that? | 0:09:16 | 0:09:17 | |
Tom's aiming to impress the judges with his turbot fish course... | 0:09:17 | 0:09:21 | |
which evokes the essence of Normandy by using ingredients | 0:09:21 | 0:09:24 | |
typical of the area. Blitzed oysters, | 0:09:24 | 0:09:27 | |
apples in a burnt apple puree, | 0:09:27 | 0:09:29 | |
cider cream sauce and samphire. | 0:09:29 | 0:09:32 | |
It scored a disappointing seven for being overcomplicated | 0:09:33 | 0:09:36 | |
and the overcooking of the then pan-fried fish. | 0:09:36 | 0:09:39 | |
I'm steaming the fish. | 0:09:39 | 0:09:41 | |
That was the biggest change I was going to make. | 0:09:41 | 0:09:43 | |
I think it's going to make it a better dish. | 0:09:43 | 0:09:46 | |
Nice. | 0:09:46 | 0:09:47 | |
The dishes are dressed with burnt apple puree, | 0:09:50 | 0:09:53 | |
samphire and black celeriac. | 0:09:53 | 0:09:55 | |
And topped with the turbot fillet. | 0:09:56 | 0:09:58 | |
Finally, Tom pipes an oyster emulsion | 0:09:58 | 0:10:02 | |
and spoons over cider cream sauce. | 0:10:02 | 0:10:04 | |
Thank you. | 0:10:20 | 0:10:21 | |
-Oh, doesn't it smell so beautiful? -It looks really good. | 0:10:23 | 0:10:27 | |
That fish is going to eat better, for sure. | 0:10:27 | 0:10:29 | |
It is extraordinarily hard to cook fish this well, | 0:10:29 | 0:10:33 | |
and even with these strong flavours he's really pulled that off. | 0:10:33 | 0:10:37 | |
PRUE: He has. It's really extraordinarily good. | 0:10:37 | 0:10:40 | |
Do you think Churchill would have liked this dish? | 0:10:40 | 0:10:43 | |
I think he probably would. It's elegant. | 0:10:43 | 0:10:48 | |
MATTHEW: I've two misgivings. | 0:10:48 | 0:10:49 | |
The dominant flavour on the plate is not the fish, it's the apple. | 0:10:49 | 0:10:53 | |
The other thing is that it's about as far removed from D-Day itself | 0:10:53 | 0:10:57 | |
as I think can possibly be imagined. | 0:10:57 | 0:10:59 | |
It's about Normandy. | 0:10:59 | 0:11:00 | |
The four in there are smart people. They know their stuff. | 0:11:01 | 0:11:04 | |
They're going to know that everything on my plate of food | 0:11:04 | 0:11:07 | |
comes from Normandy. | 0:11:07 | 0:11:08 | |
Fish, apples, samphire. | 0:11:08 | 0:11:11 | |
They could just as well have been Somerset. | 0:11:11 | 0:11:13 | |
I was a bit worried about the brown things. I thought they were snails. | 0:11:13 | 0:11:17 | |
However, when I tasted it, I liked the burnt apple. | 0:11:17 | 0:11:20 | |
There's a lot to like about this. I like the use | 0:11:20 | 0:11:22 | |
of the sea vegetables, the samphire and the sea parsley. | 0:11:22 | 0:11:27 | |
It's on the verge of being a fantastic dish. | 0:11:27 | 0:11:30 | |
I think this could go all the way to the banquet | 0:11:30 | 0:11:32 | |
with no tweaking whatever. | 0:11:32 | 0:11:34 | |
For his fish course, Adam is preparing herrings, called | 0:11:36 | 0:11:40 | |
Silver Darlings in the war, with charcoal mayo and horse radish snow. | 0:11:40 | 0:11:45 | |
It scored him his second nine in the week for again delivering | 0:11:45 | 0:11:48 | |
on flavour and presentation, but the portion was too small. | 0:11:48 | 0:11:52 | |
You've listened to Richard then, Adam | 0:11:54 | 0:11:56 | |
and you've done a bigger portion of fish? | 0:11:56 | 0:11:58 | |
Yeah. Because I can't have them saying it's a canape, can I? | 0:11:58 | 0:12:01 | |
First on the dishes, depicting London in the war, are herring pate | 0:12:01 | 0:12:05 | |
in cucumber jelly, charcoal mayo, pickled cucumber and baby potatoes. | 0:12:05 | 0:12:11 | |
Then pieces of herring tartare and pickled herring. | 0:12:12 | 0:12:15 | |
To finish, the unusual horseradish snow, | 0:12:16 | 0:12:19 | |
herring powder and a selection of herbs. | 0:12:19 | 0:12:23 | |
Oh! | 0:12:33 | 0:12:35 | |
Patriotic. | 0:12:35 | 0:12:36 | |
Wow, that's absolutely magnificent... | 0:12:36 | 0:12:39 | |
even got barrage balloons, and little people. | 0:12:39 | 0:12:41 | |
Do you think the judges are going to like herring? | 0:12:41 | 0:12:43 | |
It has a fantastic flavour. | 0:12:43 | 0:12:45 | |
-I think it's really yummy. -Me too. -Delicious. | 0:12:45 | 0:12:49 | |
I love the cucumber with it. It really sets off the fish. | 0:12:49 | 0:12:51 | |
What I am won over by... | 0:12:51 | 0:12:52 | |
the little dash of horseradish, which I think it needs, | 0:12:52 | 0:12:55 | |
it gives that little kick. | 0:12:55 | 0:12:58 | |
-So, Adam, charcoal mayonnaise? -Yeah. -I like it. | 0:12:58 | 0:13:01 | |
-Do you think it's risky, though? -Sometimes you have to take risks. | 0:13:01 | 0:13:04 | |
Of course. | 0:13:04 | 0:13:05 | |
The only question mark I've got is the charcoal mayonnaise. | 0:13:05 | 0:13:09 | |
I don't think there's any point in it and I don't like the texture. | 0:13:09 | 0:13:12 | |
This is so on message and so correct and beautiful, | 0:13:12 | 0:13:15 | |
and it tastes absolutely perfect. I just love this dish. | 0:13:15 | 0:13:20 | |
What I particularly liked, not only the taste of the fish, | 0:13:20 | 0:13:23 | |
there were no bones. Also the size is just the right portion, I think. | 0:13:23 | 0:13:27 | |
Is that you sitting alone on that bench there, Matthew? | 0:13:27 | 0:13:29 | |
No, it's me up in the aeroplane, the Spitfire. | 0:13:29 | 0:13:31 | |
Nee-ow-w-w. | 0:13:31 | 0:13:33 | |
Unfortunately, I think it's a Hurricane, not a Spitfire. | 0:13:33 | 0:13:36 | |
Oh, I stand corrected(!) | 0:13:36 | 0:13:39 | |
Joy, it's very nice to have somebody put him down like that. Well done. | 0:13:39 | 0:13:43 | |
At the halfway point, the chefs are busy | 0:13:46 | 0:13:48 | |
with their main courses, as the judges consider their scores. | 0:13:48 | 0:13:52 | |
I've had a ten. A couple of nines. The quality is outstanding. | 0:13:52 | 0:13:55 | |
-I think it's the best day we've had in the competition so far. -Prue? | 0:13:55 | 0:13:58 | |
A ten. On the other hand, I did a six. | 0:13:58 | 0:14:01 | |
-MATTHEW: Ooo! -Come on, there's no six there today. | 0:14:01 | 0:14:04 | |
That's just wrong. | 0:14:04 | 0:14:05 | |
Well, I was going to give a rather low mark on one of them. | 0:14:05 | 0:14:08 | |
Perhaps I hadn't thought it through carefully enough. | 0:14:08 | 0:14:10 | |
Don't be bullied by these guys. | 0:14:10 | 0:14:12 | |
Not these guys. Besides, I'm quite tough really. | 0:14:12 | 0:14:15 | |
Adam's main course was one of his lowest scoring | 0:14:19 | 0:14:22 | |
dishes in the week, but Tom bagged a perfect ten. | 0:14:22 | 0:14:26 | |
Do you think you're behind at the moment? | 0:14:26 | 0:14:28 | |
I'm busy getting another ten for my main course. | 0:14:30 | 0:14:32 | |
Adam's up first, serving venison loin, smoked venison sausages, | 0:14:34 | 0:14:38 | |
salt-baked beetroot and potato puree. | 0:14:38 | 0:14:41 | |
The Bulldog is a homage to Winston Churchill | 0:14:42 | 0:14:44 | |
and was inspired by Adam's visit to Churchill's War Rooms, | 0:14:44 | 0:14:48 | |
something fourth judge, Joy... | 0:14:48 | 0:14:50 | |
Hello, Joy. | 0:14:50 | 0:14:51 | |
..has first-hand experience of. | 0:14:51 | 0:14:53 | |
-I saw Churchill quite often, obviously. -Was he very demanding? | 0:14:54 | 0:14:58 | |
I'm sure he was with the chiefs of staff, not of civilians. | 0:14:58 | 0:15:01 | |
We always found him very pleasant, quite amusing, really. | 0:15:01 | 0:15:05 | |
So was it a fast pace? | 0:15:06 | 0:15:07 | |
Action packed, because it was immediate down there. | 0:15:07 | 0:15:10 | |
All the planning for D-Day and we had reports from all over the world | 0:15:10 | 0:15:13 | |
from all three services every hour, | 0:15:13 | 0:15:15 | |
and when there were bombs, we had knowledge of where all | 0:15:15 | 0:15:18 | |
the bombs had fallen and how many casualties there were. | 0:15:18 | 0:15:20 | |
It was very strict. We were locked in. | 0:15:20 | 0:15:22 | |
And the door was guarded by Marines. | 0:15:22 | 0:15:25 | |
-Timekeeping was very strict. -Kind of like Great British Menu. | 0:15:25 | 0:15:28 | |
So how's the food been going in the judging chamber? | 0:15:30 | 0:15:32 | |
Well, that's another thing altogether. | 0:15:32 | 0:15:35 | |
But I won't say there haven't been any tens | 0:15:35 | 0:15:37 | |
but I'm not going to say what they were for, or why. | 0:15:37 | 0:15:41 | |
Top secret. | 0:15:41 | 0:15:42 | |
The best of luck with the rest of it. Thank you. | 0:15:42 | 0:15:44 | |
-BOTH: -Thank you very much. | 0:15:44 | 0:15:45 | |
You could listen to a lady like that all day. | 0:15:48 | 0:15:50 | |
-I feel like you almost need to do her proud. -Yeah. | 0:15:50 | 0:15:53 | |
Adam's serving his Winston Churchill inspired | 0:15:53 | 0:15:56 | |
dish on plates decorated with quotes from the man himself. | 0:15:56 | 0:15:59 | |
He starts with walnut puree... | 0:15:59 | 0:16:02 | |
walnut pieces and beetroot. | 0:16:02 | 0:16:04 | |
Next is venison sausage, mushrooms and venison loin. | 0:16:06 | 0:16:11 | |
Then aerated pomme puree, an element Richard wasn't keen on. | 0:16:11 | 0:16:15 | |
The plate is finished with truffle, frozen blackberry | 0:16:17 | 0:16:20 | |
and blackberry vinegar, with venison sauce on the side. | 0:16:20 | 0:16:24 | |
RADIO STATIC | 0:16:31 | 0:16:33 | |
RADIO: 'This is the BBC Home Service. | 0:16:33 | 0:16:35 | |
-CHURCHILL: -'We shall fight on the beaches. | 0:16:35 | 0:16:37 | |
'We shall fight in the fields. | 0:16:37 | 0:16:38 | |
'We shall never surrender.' | 0:16:38 | 0:16:40 | |
I must say it's extraordinary listening to that voice. | 0:16:40 | 0:16:44 | |
It always has the same effect actually. | 0:16:44 | 0:16:46 | |
I think it's very stirring. | 0:16:46 | 0:16:47 | |
Do you think Joy is going to like it? | 0:16:47 | 0:16:49 | |
I think she'll like it, yeah. | 0:16:49 | 0:16:51 | |
-It's a delicious mixture and the venison is beautiful. -Beautiful. | 0:16:51 | 0:16:55 | |
There is some little missing element here. | 0:16:55 | 0:16:57 | |
When you're using a low-fat meat, like venison, | 0:16:57 | 0:16:59 | |
you're just looking for some counter action to it. | 0:16:59 | 0:17:03 | |
That's exactly what you've got with the walnut puree | 0:17:03 | 0:17:06 | |
and the beetroot. That's exactly what it's for. | 0:17:06 | 0:17:09 | |
-I think it's representative of who he was. -Yeah. | 0:17:09 | 0:17:12 | |
And what he liked to eat. | 0:17:12 | 0:17:14 | |
It's quite a straightforward, good eat. He would appreciate that. | 0:17:14 | 0:17:18 | |
I think the sausage itself is far more tasty than the venison. | 0:17:18 | 0:17:23 | |
I like the dish. I was just expecting more bells and whistles. | 0:17:23 | 0:17:26 | |
These are the bells and whistles, all the stuff around, the quotes. | 0:17:26 | 0:17:30 | |
I love it. | 0:17:30 | 0:17:31 | |
"How little we should worry about anything, except doing our best." | 0:17:31 | 0:17:34 | |
The only thing I would say against this dish | 0:17:34 | 0:17:36 | |
is that it would be very nice to see something green on there. | 0:17:36 | 0:17:39 | |
This is a good dish, it's not a great dish. | 0:17:39 | 0:17:40 | |
I'd be delighted if I was presented with it at a banquet. | 0:17:40 | 0:17:44 | |
Tom's main course was the highest scoring dish of the week. | 0:17:45 | 0:17:49 | |
He is preparing a pigeon dish using breast and confit leg, | 0:17:49 | 0:17:52 | |
served with mashed potato and a pigeon and potato consomme. | 0:17:52 | 0:17:56 | |
Tom's putting a lot of pressure on himself to repeat his top score. | 0:17:58 | 0:18:01 | |
Do you think you'll get a perfect ten this time? | 0:18:01 | 0:18:04 | |
-I'm -BLEEP -doing my best to. | 0:18:04 | 0:18:07 | |
BLEEP | 0:18:14 | 0:18:17 | |
First in the dishes is mashed potato... | 0:18:21 | 0:18:24 | |
Did you get a big enough pot? | 0:18:24 | 0:18:25 | |
..followed by cabbage, baby leeks, turnips and carrots. | 0:18:28 | 0:18:32 | |
And topped with fried ceps. | 0:18:32 | 0:18:35 | |
Next, the pigeon breasts and pigeon hearts, | 0:18:35 | 0:18:38 | |
finished with pigeon consomme and the confit leg | 0:18:38 | 0:18:41 | |
with a coded message... | 0:18:41 | 0:18:43 | |
representing the vital information homing pigeons communicated | 0:18:43 | 0:18:47 | |
during the war. | 0:18:47 | 0:18:49 | |
-Do you think it's a perfect ten? -I really hope so. | 0:18:53 | 0:18:56 | |
I need it to beat you. | 0:18:56 | 0:18:57 | |
-OLIVER: -Wow! -Those saucepans. | 0:19:02 | 0:19:04 | |
-Thank you. -Crikey. | 0:19:08 | 0:19:10 | |
-Wings for victory. -I've got a code on mine. | 0:19:10 | 0:19:13 | |
The next one's on the legs. | 0:19:13 | 0:19:14 | |
PRUE: It's a homing pigeon. | 0:19:14 | 0:19:15 | |
It must have some dramatic, important message. | 0:19:15 | 0:19:18 | |
-Can you work it out? -Absolutely no idea. -Nor me neither. | 0:19:19 | 0:19:24 | |
-PRUE: And I'm getting terribly hungry. -Let's eat. -Look at that. | 0:19:24 | 0:19:27 | |
You know, pigeon for me is a really underestimated piece of meat. | 0:19:29 | 0:19:33 | |
ALL: Mmmm. | 0:19:34 | 0:19:36 | |
-MATTHEW: -Delicious. | 0:19:36 | 0:19:37 | |
Oh! | 0:19:40 | 0:19:41 | |
-Is that good? -Absolutely delicious. Perfectly cooked. | 0:19:41 | 0:19:45 | |
The potato was crispy, the broth was tasty. | 0:19:45 | 0:19:49 | |
For me, it was good classic cooking. | 0:19:49 | 0:19:51 | |
Joy, you've never had pigeon before. What do you think? | 0:19:51 | 0:19:54 | |
Well, it's very tasty. | 0:19:54 | 0:19:55 | |
Do you think one of your messages might ever have gone | 0:19:55 | 0:19:58 | |
through pigeon post? | 0:19:58 | 0:20:00 | |
I doubt whether they went from the underground War Rooms | 0:20:00 | 0:20:02 | |
but they certainly were used. | 0:20:02 | 0:20:04 | |
And usually by resistance workers or special ops people. | 0:20:04 | 0:20:08 | |
I think this one, brief-wise, with the little coded message... | 0:20:08 | 0:20:11 | |
I think for a veteran...something they could really connect with. | 0:20:11 | 0:20:14 | |
MATTHEW: The numbers represent the letters of the alphabet. | 0:20:14 | 0:20:17 | |
PRUE: Nine is 'I' | 0:20:17 | 0:20:18 | |
- Berlin! - There you go. | 0:20:18 | 0:20:21 | |
-Berlin has fallen! -Something about victory? | 0:20:21 | 0:20:23 | |
-OLIVER: -Victory in Europe! | 0:20:23 | 0:20:25 | |
So this is a happy story. There is a happy ending. | 0:20:25 | 0:20:28 | |
Well, it's not much of a happy ending for the pigeon. | 0:20:28 | 0:20:31 | |
Adam is due first with his dessert. | 0:20:33 | 0:20:36 | |
In the week, it proved problematic with many components to juggle | 0:20:36 | 0:20:40 | |
and the kitchen too hot to prepare his chocolate. | 0:20:40 | 0:20:43 | |
Today, the kitchen's still too warm | 0:20:44 | 0:20:47 | |
and the blast chiller's not cold enough. | 0:20:47 | 0:20:50 | |
Right now I'm worried about the ice cream. | 0:20:52 | 0:20:55 | |
The blast chiller's not coming down to temperature quick enough, | 0:20:55 | 0:20:58 | |
so the ice cream is not setting. | 0:20:58 | 0:21:00 | |
Tom throws Adam a lifeline. | 0:21:04 | 0:21:07 | |
Listen, I can go on my dessert and give you some more time. Shall I go? | 0:21:07 | 0:21:10 | |
-If you can. Yes, please. -I'll go now then. All right? | 0:21:10 | 0:21:13 | |
Tom will serve his dessert first. | 0:21:15 | 0:21:17 | |
He's prepared a treat box of what he imagined would have been | 0:21:17 | 0:21:21 | |
Winston Churchill's favourite things. Textures of chocolate, | 0:21:21 | 0:21:24 | |
whisky parfait chocolate bar and beer ice cream. | 0:21:24 | 0:21:27 | |
A dish which scored a disappointing six, | 0:21:28 | 0:21:30 | |
with Richard deeming it too big and too boozy. | 0:21:30 | 0:21:34 | |
-I've made a lot of changes today. -What changes have you made? | 0:21:34 | 0:21:37 | |
I've changed everything about the box, so the way it's dressed, | 0:21:37 | 0:21:40 | |
the way it looks. | 0:21:40 | 0:21:41 | |
Into whisky presentation boxes, he lines chocolate custard, | 0:21:41 | 0:21:45 | |
chocolate soil and chocolate crispy. | 0:21:45 | 0:21:48 | |
I'm removing the smoke. I think it's too much. | 0:21:48 | 0:21:50 | |
The chocolate bar of malted chocolate biscuit, whisky caramel | 0:21:50 | 0:21:54 | |
and whisky parfait is covered in edible gold leaf and placed inside. | 0:21:54 | 0:21:58 | |
Finally, it's beer ice cream, made using ale that was flown via | 0:21:59 | 0:22:03 | |
Spitfires to the British troops in Normandy after D-Day. | 0:22:03 | 0:22:06 | |
Boom! That's better than yesterday. | 0:22:08 | 0:22:10 | |
PRUE: Oh, great. | 0:22:21 | 0:22:22 | |
A wonderful idea, sky raining barrels of beer. | 0:22:22 | 0:22:26 | |
I think it's a marvellous thought and typically British. | 0:22:26 | 0:22:29 | |
Who else would do a thing like that? | 0:22:29 | 0:22:30 | |
-Are you pleased with the changes? -Yes. Ten times better. | 0:22:30 | 0:22:34 | |
Do you know what, if we eat all of this we'll be drunk. | 0:22:34 | 0:22:37 | |
-There's lots of booze in it. -This is my kind of pudding. | 0:22:37 | 0:22:40 | |
It's great quality chocolate with different elements to it. | 0:22:40 | 0:22:43 | |
It just hit every button for me. | 0:22:43 | 0:22:44 | |
I've made a lot of changes. | 0:22:44 | 0:22:46 | |
Less is more. | 0:22:48 | 0:22:49 | |
Remember that Richard gave his pudding a six, | 0:22:49 | 0:22:52 | |
and so clearly he's done a lot of work on it. I take my hat off to him. | 0:22:52 | 0:22:56 | |
Stonkingly good pud. | 0:22:56 | 0:22:58 | |
-Big problems with mine. -That's why I went first for you. | 0:22:58 | 0:23:01 | |
And I'm very grateful, thank you very much. | 0:23:01 | 0:23:03 | |
I'm not really a pudding person but this is right up my street. | 0:23:04 | 0:23:07 | |
And as for that... Keep me going. | 0:23:07 | 0:23:09 | |
Oh! Yes! | 0:23:11 | 0:23:13 | |
Adam's dessert is a homage to our American allies, inspired by | 0:23:14 | 0:23:18 | |
a chocolate bar developed by Colonel Logan for soldiers' ration packs. | 0:23:18 | 0:23:23 | |
Adam's dish is a chocolate orange bar with orange jelly sweets, | 0:23:23 | 0:23:26 | |
aerated chocolate, sorbet and granita. | 0:23:26 | 0:23:29 | |
-I cannot -BLEEP -believe it. -What's up? | 0:23:31 | 0:23:35 | |
This dessert is going to be the death of me. | 0:23:35 | 0:23:37 | |
I left it out there because it was cooler out there. The sun comes out. | 0:23:37 | 0:23:42 | |
And it starts to melt. | 0:23:42 | 0:23:43 | |
BLEEP | 0:23:45 | 0:23:46 | |
With the judges waiting, | 0:23:49 | 0:23:51 | |
Adam dresses the plates with the chocolate orange bars, | 0:23:51 | 0:23:54 | |
then scatters the orange jelly sweets, | 0:23:54 | 0:23:56 | |
orange segments and aerated chocolate. | 0:23:56 | 0:23:59 | |
He finishes with evaporated milk sorbet and milk and orange granita. | 0:24:01 | 0:24:06 | |
BLEEP | 0:24:07 | 0:24:08 | |
Mmmm. | 0:24:16 | 0:24:17 | |
-It could have been a lot worse. -It could've been. | 0:24:18 | 0:24:20 | |
But it could've been a lot better. | 0:24:20 | 0:24:23 | |
"This Logan Bar was instigated by Colonel Paul Logan, | 0:24:23 | 0:24:26 | |
"specifying that chocolate taste only a bit better than boiled potato. | 0:24:26 | 0:24:31 | |
"This was imposed to keep soldiers from snacking | 0:24:31 | 0:24:34 | |
"on their emergency rations in a non-emergency situation." | 0:24:34 | 0:24:38 | |
Tell me, are we in an emergency situation | 0:24:38 | 0:24:40 | |
-or are we in a non-emergency situation? -Yes, we're in an emergency | 0:24:40 | 0:24:43 | |
because this cream is floating off the side. | 0:24:43 | 0:24:45 | |
-Mine's going off the sides too. -Better get stuck in. | 0:24:45 | 0:24:47 | |
It was melting, so it's not right, is it? | 0:24:47 | 0:24:50 | |
I know that I'm capable of 100% better than that. | 0:24:50 | 0:24:53 | |
The quality of the chocolate is quite terrific, isn't it? | 0:24:53 | 0:24:57 | |
Yes, and I must say it goes beautifully with the orange. | 0:24:57 | 0:25:01 | |
Those little orange jellies. | 0:25:01 | 0:25:03 | |
The flavours work, I know the flavours work. | 0:25:03 | 0:25:05 | |
Richard said the flavours work. | 0:25:05 | 0:25:06 | |
I think what we're seeing here with this spillage is | 0:25:06 | 0:25:10 | |
a result of whatever problem he's had in the kitchen today. | 0:25:10 | 0:25:14 | |
Is that insurmountable? I can't answer that. | 0:25:14 | 0:25:16 | |
The person that makes the mistake is the one that goes home. | 0:25:16 | 0:25:20 | |
-Isn't it? -Yes. | 0:25:20 | 0:25:22 | |
I think that the evap sauce is horrible. | 0:25:22 | 0:25:26 | |
Oh. | 0:25:26 | 0:25:28 | |
I'd have to fundamentally disagree. I love evaporated milk. | 0:25:28 | 0:25:33 | |
I'm an evap man. | 0:25:33 | 0:25:34 | |
I don't think this comes up to the standard of the other one. | 0:25:34 | 0:25:37 | |
We've been caught in a pincer movement between these two. | 0:25:37 | 0:25:40 | |
Listen, this has been a great day. We have eaten some great food. | 0:25:46 | 0:25:49 | |
-I would agree with you and I think... -What?! You agree with me? | 0:25:49 | 0:25:52 | |
-All you have done is moan all day long. -Listen. | 0:25:52 | 0:25:55 | |
Tens! Nines! | 0:25:57 | 0:25:58 | |
I think we were neck and neck until the dessert. | 0:25:58 | 0:26:01 | |
There's Adam, absolutely hit the brief and he could not | 0:26:03 | 0:26:06 | |
have turned round more. And there's young Tom, going at it like a train. | 0:26:06 | 0:26:12 | |
It's a good idea that, Chef. | 0:26:13 | 0:26:15 | |
I gave two tens. | 0:26:15 | 0:26:17 | |
I gave no tens. But, crikey, we had some good food. | 0:26:17 | 0:26:21 | |
-Cheers. -Cheers. | 0:26:21 | 0:26:22 | |
It just feels really close. | 0:26:24 | 0:26:27 | |
-Listen, it's been a pleasure to cook with you. -You too. Well done. | 0:26:27 | 0:26:31 | |
OK, guys, this is it. We've got to add it up and get them in. | 0:26:31 | 0:26:34 | |
-Tough day at the office? -Very tough. | 0:26:48 | 0:26:51 | |
Well, we have had amazingly high scores. | 0:26:51 | 0:26:55 | |
We had four tens... | 0:26:55 | 0:26:57 | |
-and we had ten nines. -Blimey. | 0:26:58 | 0:27:01 | |
We've added up the scores. | 0:27:03 | 0:27:04 | |
You both scored exactly the same numbers. It's a draw. | 0:27:09 | 0:27:13 | |
Really? | 0:27:15 | 0:27:17 | |
We've never been in this situation before, so we've discussed long | 0:27:17 | 0:27:21 | |
and hard, and we've decided that going through to the finals is... | 0:27:21 | 0:27:27 | |
Both of you. Congratulations. | 0:27:32 | 0:27:34 | |
You both deserve it. | 0:27:36 | 0:27:37 | |
-I can't believe that. -How does it feel? -Brilliant. | 0:27:42 | 0:27:45 | |
It almost feels a justification | 0:27:45 | 0:27:48 | |
and a privilege to be going through with him. | 0:27:48 | 0:27:50 | |
Adam, I loved your herring dish. I gave it a ten. | 0:27:50 | 0:27:53 | |
Big Ben, barrage balloons - | 0:27:53 | 0:27:55 | |
spot on and the fish was delicious. And there were no bones. | 0:27:55 | 0:27:59 | |
I gave you ten, too. | 0:27:59 | 0:28:00 | |
And, Tom, for me the best dish was the turbot. | 0:28:01 | 0:28:04 | |
It was perfect in every way. It looked beautiful, it was delicious. | 0:28:04 | 0:28:09 | |
-I wish I could have given it a 12. -Thank you very much. | 0:28:09 | 0:28:11 | |
Listen, guys, I look forward to seeing both of you cooking for us | 0:28:11 | 0:28:14 | |
in the finals. | 0:28:14 | 0:28:15 | |
Thank you. | 0:28:15 | 0:28:16 | |
I can't believe it. Can you? | 0:28:20 | 0:28:22 | |
I just can't believe I've got to see you all over again. | 0:28:22 | 0:28:25 | |
-I'm so happy for both of them. -It's lovely to see. | 0:28:25 | 0:28:28 | |
I thought I'd got rid of him. Now I've got to put up with him again! | 0:28:28 | 0:28:30 | |
-I'll be coming back stronger. -Yeah, me too. | 0:28:30 | 0:28:33 |