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Service, for the most part, in this country is pretty bad. | 0:00:04 | 0:00:08 | |
It is surly, it can be slapdash. | 0:00:08 | 0:00:11 | |
Great restaurants need great front of house. | 0:00:11 | 0:00:15 | |
-Michel Roux is renowned for his passion for great food. -Table 8 here. | 0:00:15 | 0:00:21 | |
But now he's on another mission. | 0:00:21 | 0:00:23 | |
I have a team of 25 front of house and only one British maitre d'. | 0:00:23 | 0:00:28 | |
-We need to find more British waiters. -Michel's challenge is to take a group of young people | 0:00:28 | 0:00:34 | |
who have never thought of a career in front of house and prove to them that it can change their lives. | 0:00:34 | 0:00:41 | |
It's not just about delivering food. | 0:00:41 | 0:00:44 | |
I want people to come into our industry and take pride in serving. | 0:00:44 | 0:00:48 | |
Now, halfway through, the trainees are on a fast track from the high street to fine dining. | 0:00:48 | 0:00:54 | |
You are good enough to do this. | 0:00:54 | 0:00:56 | |
Ultimately, Michel wants them to be good enough to take over service | 0:00:56 | 0:01:01 | |
at his own 2-Michelin-starred restaurant, where he will reward the candidates with most potential | 0:01:01 | 0:01:07 | |
with life-changing scholarships, launching their careers. | 0:01:07 | 0:01:11 | |
Give your all as a young waiter and what you get back is immense. | 0:01:11 | 0:01:15 | |
Last time, Michel's trainees took responsibility for serving at some very special occasions. | 0:01:17 | 0:01:24 | |
This is more me, what I'm meant to do. | 0:01:24 | 0:01:27 | |
-But now they're about to meet their most demanding customers, at a 5-star hotel. -It's unnatural. | 0:01:27 | 0:01:33 | |
I don't feel at ease here. | 0:01:33 | 0:01:35 | |
For the next four days, they'll be waiting hand and foot on the guests. | 0:01:35 | 0:01:40 | |
Good morning, sir. How are you? | 0:01:40 | 0:01:43 | |
-And with round-the-clock service, there's nowhere to hide. -LAUGHTER | 0:01:43 | 0:01:48 | |
-I can't deal with it. I can't deal with the people. They're too... -They're very nice. | 0:01:48 | 0:01:54 | |
They're not. They are not nice. | 0:01:54 | 0:01:56 | |
Welcome to one of Britain's most exclusive and beautiful country houses. | 0:02:08 | 0:02:15 | |
Bovey Castle, a luxury hotel and sporting estate set in the heart of Dartmoor National Park. | 0:02:17 | 0:02:24 | |
People come from all over the world to enjoy luxurious accommodation and personal service 24 hours a day. | 0:02:24 | 0:02:30 | |
With suites upwards of £500 per night, | 0:02:30 | 0:02:34 | |
their motto is the customer can have what they want when they want it. | 0:02:34 | 0:02:40 | |
-This place smells of money, but above all do you know what it is renowned for? -Footballers? -Service! | 0:02:40 | 0:02:46 | |
Service. Indeed. | 0:02:46 | 0:02:48 | |
Customers come here paying top dollar, big money, because they want service, they want the best. | 0:02:48 | 0:02:54 | |
They want service that's there, it happens. | 0:02:54 | 0:02:59 | |
Yeah? That's what they're famous for. | 0:02:59 | 0:03:03 | |
Everybody that works here is on call. | 0:03:03 | 0:03:06 | |
So far, you guys have changed a lot. | 0:03:06 | 0:03:09 | |
Now we've an even bigger challenge. You have to change even more. | 0:03:10 | 0:03:15 | |
Let's go. | 0:03:15 | 0:03:17 | |
Managing director Jeremy Rata has 34 years' experience in the hospitality business. | 0:03:18 | 0:03:25 | |
He'll be overseeing all aspects of the trainees' tuition as they join his 55-strong front of house team | 0:03:25 | 0:03:31 | |
for the busy May half-term holiday. | 0:03:31 | 0:03:33 | |
Right. Welcome, everybody. Welcome to you all. | 0:03:33 | 0:03:37 | |
You're going to be learning quite a lot. We've got some very high standards that we like to maintain | 0:03:37 | 0:03:43 | |
and we hope you'll help us achieve what we like to achieve and that we can help you. | 0:03:43 | 0:03:50 | |
OK? | 0:03:50 | 0:03:52 | |
In four days' time, Jeremy has agreed to let the trainees run evening dinner service at the hotel | 0:03:52 | 0:03:59 | |
-under Michel and Fred's supervision. -This is sweet! | 0:03:59 | 0:04:03 | |
The hospitality industry is vast. It's important for them to understand all aspects of service. | 0:04:03 | 0:04:09 | |
Some of them might take a liking to this style of hospitality. | 0:04:09 | 0:04:14 | |
The hotel has 65 bedrooms and 22 guest lodges in the grounds, | 0:04:14 | 0:04:19 | |
all of which are served 24 hours a day by the hotel staff. | 0:04:19 | 0:04:22 | |
Before the trainees are set to work, Jeremy wants them to see what his guests pay for. | 0:04:24 | 0:04:30 | |
-It's like a mini-flat, isn't it? -A big flat! | 0:04:30 | 0:04:35 | |
This is a massive, massive step up. Five star is, | 0:04:37 | 0:04:41 | |
you know, the highest level of service that you can get | 0:04:41 | 0:04:45 | |
but also working here, what is expected is just a whole different ballpark. | 0:04:45 | 0:04:51 | |
You have to be on it all the time. Everyone's going to have to keep everyone else in check. | 0:04:51 | 0:04:57 | |
James isn't the only one sizing up the challenge ahead. | 0:04:57 | 0:05:01 | |
I'm gonna try to be posh, do the best that I can. | 0:05:01 | 0:05:05 | |
Real posh people and me don't get along, I don't think. | 0:05:08 | 0:05:12 | |
I don't think they like me. Even if I put on a posh voice, | 0:05:12 | 0:05:16 | |
I still don't say my Ts... and I'm still...common. | 0:05:16 | 0:05:22 | |
If I can pull being a posh person for a couple of days, | 0:05:22 | 0:05:26 | |
then that's good enough, innit? | 0:05:26 | 0:05:29 | |
You look out here and see woods. | 0:05:29 | 0:05:32 | |
I'm used to looking out windows and seeing burnt-out cars. | 0:05:32 | 0:05:36 | |
I'm not used to this environment, but it's good. A lad like me | 0:05:36 | 0:05:41 | |
don't get an opportunity like I've got or come from my estate back in Leeds | 0:05:41 | 0:05:46 | |
to something like this. | 0:05:46 | 0:05:49 | |
The scholarship at the end of it, I've been thinking about it a lot. | 0:05:49 | 0:05:53 | |
I've been thinking a lot about that scholarship. | 0:05:53 | 0:05:57 | |
I know in maybe 10 or 15 years I could be a manager at somewhere like this or whatever. | 0:05:57 | 0:06:03 | |
Being in Michel's hands, I'm in the best hands, so I'm going to work my hardest. | 0:06:03 | 0:06:10 | |
For them to fully comprehend how service in a five-star hotel works, | 0:06:12 | 0:06:17 | |
the trainees will be given the same tasks that regular staff perform day in and day out. | 0:06:17 | 0:06:23 | |
For the next four days, they'll be with the paying guests morning, noon and night. | 0:06:23 | 0:06:29 | |
-You girls looks nice. -I look disgraceful. -You look nice. | 0:06:35 | 0:06:40 | |
18 of Jeremy's front of house staff are dedicated to meeting, greeting and checking in guests. | 0:06:42 | 0:06:48 | |
He's about to add Michel's novices to the team. | 0:06:48 | 0:06:52 | |
The welcome at Bovey Castle is the very first thing our guests get so it's most important. | 0:06:52 | 0:06:58 | |
-Are we still tying ties here? -Yeah. -Shall I wait for you, then? -No. | 0:06:58 | 0:07:03 | |
Good. So the welcome is what you're about to learn, OK? | 0:07:03 | 0:07:07 | |
We spend a lot of time getting this right. When people drive in here, | 0:07:07 | 0:07:11 | |
they're already inspired by this beautiful building. And where we can lose it is on the welcome. | 0:07:11 | 0:07:18 | |
But Jeremy's guests don't always arrive by car. | 0:07:18 | 0:07:22 | |
There's a helicopter arriving here with some important guests. | 0:07:26 | 0:07:31 | |
The important points - open the door, big smile, radiant smile. | 0:07:31 | 0:07:36 | |
-I've never opened the door of a helicopter. -Don't worry about it. That is a mere detail. | 0:07:36 | 0:07:42 | |
ALL: Hi! | 0:07:48 | 0:07:50 | |
-Welcome to Bovey Castle. -Thank you. -Did you have a nice journey? -Fantastic. | 0:07:50 | 0:07:55 | |
-- I'm Ashley. - Tom. How was the view? -It was really great. | 0:07:55 | 0:08:00 | |
-A beautiful day. -Absolutely. Perfect. The ultimate way to travel! | 0:08:00 | 0:08:05 | |
-Have you got any luggage at all? -Unlike restaurant diners who leave at the end of the evening, | 0:08:05 | 0:08:11 | |
-these guests will be under the trainees' care for the duration. -Hello. I'm Ashley. -I'm Lynn. | 0:08:11 | 0:08:17 | |
-Did you enjoy the flight? -Amazing. | 0:08:17 | 0:08:20 | |
One thing that is very important in service | 0:08:24 | 0:08:28 | |
is knowing when to step back and stop. The initial contact, doors were opened, big smile. | 0:08:28 | 0:08:34 | |
Welcome to Bovey Castle, weather great. And then quickly move on. | 0:08:34 | 0:08:40 | |
I was a bit worried at one stage that you were starting to talk just for a few seconds too long. | 0:08:40 | 0:08:46 | |
That applies in restaurants as well. Knowing when to stop. | 0:08:46 | 0:08:50 | |
What you don't want is the food's on the plate and he's thinking, "Why don't they leave me alone?" | 0:08:50 | 0:08:57 | |
It's the same thing. Knowing when to stop. | 0:08:57 | 0:09:00 | |
I'm really encouraged. Good start. | 0:09:00 | 0:09:03 | |
A successful greeting, but despite Jeremy's praise, not everyone is feeling upbeat. | 0:09:07 | 0:09:14 | |
-Why do you look so unhappy, Nikkita? -Cos I'm cold. -Cold? It's sunshine. -I'm cold. | 0:09:15 | 0:09:21 | |
Well, I don't know why. | 0:09:21 | 0:09:23 | |
Smile. It's beautiful here. | 0:09:25 | 0:09:27 | |
-There's nothing to appreciate. A load of grass. -Where do I start? | 0:09:27 | 0:09:32 | |
HORN TOOTS | 0:09:32 | 0:09:34 | |
Far from inspiring her, the opulent surroundings and wealthy guests make Nikkita feel ill at ease. | 0:09:34 | 0:09:41 | |
-It ain't happening. -Of course it is. -Nobody's ever seen potential in me. There ain't none there. | 0:09:41 | 0:09:47 | |
We're all seeing it now. I've had an ASBO, but look what I'm doing now. | 0:09:47 | 0:09:53 | |
I'm progressing every day and realising my success. You need to do that as well. | 0:09:53 | 0:09:59 | |
Just smile and realise the potential you've got and what you're doing. | 0:09:59 | 0:10:03 | |
I've come from nothing and I'm doing this. | 0:10:03 | 0:10:06 | |
-You don't want to break the mould? -No, I just don't see it. | 0:10:06 | 0:10:10 | |
-You're scared of change. -I don't want to be a different person. I like the way I am. | 0:10:10 | 0:10:16 | |
-I like the way that you're going. -I don't want to be a snobby person thinking I'm better. | 0:10:16 | 0:10:22 | |
I'm not going to change the way I am. I've come from a council estate. Nothing will ever change that | 0:10:22 | 0:10:28 | |
and who I am and who I was back then, but obviously you've got to try to move forward from it | 0:10:28 | 0:10:35 | |
and get over it, sort of thing. | 0:10:35 | 0:10:38 | |
I don't want to change as a person, but I want to change my ways. There's nowt wrong in that. | 0:10:38 | 0:10:43 | |
Just say, "Hang on. I can do a lot better with my life." And we all believe in you. | 0:10:43 | 0:10:50 | |
Nikkita's had a tough upbringing, she's got a two-year-old child. | 0:10:56 | 0:11:01 | |
It shouldn't be used as an excuse. She's got a lot of attributes that we need in our industry. | 0:11:01 | 0:11:07 | |
She's got a great smile, an extremely good memory, she's intelligent. | 0:11:07 | 0:11:13 | |
She's got it. If she wants it. | 0:11:14 | 0:11:18 | |
Nobody knows what I'll be like or anything I do. | 0:11:18 | 0:11:21 | |
I'll still be Nikkita who got pregnant at 16 and will just do the same thing. | 0:11:21 | 0:11:27 | |
A leopard never changes its spots. I'm a single mum and my baby's dad is a joker. | 0:11:27 | 0:11:32 | |
That's how it will always be. Always. And I'll always be... nothing. | 0:11:32 | 0:11:38 | |
Lunchtime. And the trainees have a full afternoon's work ahead of them. | 0:11:44 | 0:11:49 | |
As many of the guests are families, dining in the privacy of your own accommodation is a service on offer. | 0:11:49 | 0:11:56 | |
-Come on in, boys and girls. -Under General Manager Federico, James, Brooke and Danielle | 0:11:56 | 0:12:02 | |
will help serve a private lunch to a family on their 18th visit here. | 0:12:02 | 0:12:07 | |
So Martin will be helping you to do the set-up over here. | 0:12:07 | 0:12:12 | |
-Enjoy. See you later. -Thank you. -Ciao! | 0:12:12 | 0:12:15 | |
All right? | 0:12:15 | 0:12:17 | |
Private dining like this is a long way from a bustling restaurant. | 0:12:18 | 0:12:23 | |
They're paying for service, for a private chef, private waiters. | 0:12:23 | 0:12:28 | |
So it's like they want the atmosphere of eating in their own home, which is why they've got a chalet, | 0:12:28 | 0:12:34 | |
but this is not informal dining. It's laid out like a banquet. | 0:12:34 | 0:12:39 | |
We're here to provide that high level of personal service. | 0:12:39 | 0:12:43 | |
Initially at least, it's back to familiar territory for the trainees. | 0:12:43 | 0:12:48 | |
This sounds really pathetic, but I'm proud that I can do this. | 0:12:48 | 0:12:52 | |
People might say it's easy, but it isn't, to have it set out perfectly. | 0:12:52 | 0:12:57 | |
I'm proud that I can serve people and talk to people in the right way when I want to. | 0:12:57 | 0:13:02 | |
And people appreciate it. These eight people will appreciate it. | 0:13:02 | 0:13:06 | |
-The service in the lodge is excellent. -Second to none. | 0:13:06 | 0:13:10 | |
It's like staying still in a five-star hotel, but having the privacy and ability to relax | 0:13:10 | 0:13:17 | |
and enjoy it as a family. | 0:13:17 | 0:13:19 | |
They're coming into your accommodation, your private area, | 0:13:19 | 0:13:24 | |
and you shouldn't feel you need to get involved with anything. | 0:13:24 | 0:13:28 | |
You should relax and feel you're in good hands. | 0:13:28 | 0:13:32 | |
You're getting restaurant service in your home, which you expect. | 0:13:32 | 0:13:37 | |
-Thank you very much. Hello, everyone. -Hi. | 0:13:45 | 0:13:49 | |
Despite the intimate setting, the actual service should be the same as in any restaurant | 0:13:50 | 0:13:57 | |
and under Martin's instructions the trainees can put into practice the skills they've learnt so far. | 0:13:57 | 0:14:04 | |
We've got focaccia, French white baguette, white roll, brown roll. | 0:14:04 | 0:14:09 | |
Focaccia, please. | 0:14:09 | 0:14:11 | |
Thank you. | 0:14:11 | 0:14:13 | |
Em... | 0:14:15 | 0:14:16 | |
-Shiraz. -OK. | 0:14:18 | 0:14:20 | |
Being British, I think, you know, for myself, | 0:14:20 | 0:14:25 | |
it does feel a little bit unnatural. | 0:14:25 | 0:14:28 | |
I don't feel completely at ease here. | 0:14:28 | 0:14:31 | |
There's the potential here of looking down on us because we're serving them. | 0:14:32 | 0:14:37 | |
Thank you. | 0:14:37 | 0:14:39 | |
-James? -Yes? -How's it going? | 0:14:39 | 0:14:42 | |
Yeah, good. Good. It's a little bit intimate. | 0:14:42 | 0:14:46 | |
-A bit strange. -A bit strange? -I don't feel completely comfortable with it. | 0:14:46 | 0:14:51 | |
-You are in their face. -Yeah. | 0:14:51 | 0:14:53 | |
And it is very, very personal. | 0:14:53 | 0:14:56 | |
It's almost as if you are part of the family, but you have to stand back, | 0:14:56 | 0:15:01 | |
whereas in a restaurant you're employed and it is different. | 0:15:01 | 0:15:05 | |
I don't see it like that. | 0:15:05 | 0:15:08 | |
I don't feel part of the family. I feel like their staff. | 0:15:08 | 0:15:12 | |
I've never felt like that in a restaurant we've been in at all. | 0:15:12 | 0:15:16 | |
It is a different challenge to restaurant service and that's why we're here. | 0:15:16 | 0:15:21 | |
That's why I brought you here to see a different aspect of service and it's very personalised. | 0:15:21 | 0:15:27 | |
VERY personalised. | 0:15:27 | 0:15:29 | |
The intimate setting may be making James uncomfortable, but Brooke has no such qualms. | 0:15:31 | 0:15:38 | |
I didn't see me, like, a year ago, here. But I am. | 0:15:38 | 0:15:42 | |
I love it. I really was a little bit of a bad person. | 0:15:42 | 0:15:46 | |
I wasn't going on the right way and now I am. | 0:15:47 | 0:15:52 | |
And it's all thanks to this. I'm in a place where I would never have been without this. | 0:15:52 | 0:15:57 | |
I'm doing things that I would never have done. I'm a better person for doing this. | 0:15:57 | 0:16:02 | |
This really is a step up. It's a big test for my trainees. | 0:16:02 | 0:16:06 | |
I've done hundreds of these special parties. | 0:16:06 | 0:16:09 | |
Outside catering, for me, I just love it. | 0:16:09 | 0:16:13 | |
What I love about it is that you are in contact with the customer directly. | 0:16:13 | 0:16:18 | |
You can feel, you can breathe, you can know exactly what your customer wants. | 0:16:18 | 0:16:23 | |
James was really put aback. The only thing getting him through this is the training he's had. | 0:16:23 | 0:16:29 | |
He's doing it automatically, just going through the motions. But he's not enjoying it. | 0:16:29 | 0:16:35 | |
The challenge of service at the hotel marks the halfway point in Michel's ambitious project | 0:16:36 | 0:16:42 | |
and he needs to find out how his trainees are thinking about the future. | 0:16:42 | 0:16:47 | |
-How's it going? -I've been a bit disenchanted today, I think. | 0:16:47 | 0:16:51 | |
-You didn't like that at all. -I felt really uncomfortable. | 0:16:51 | 0:16:55 | |
It wasn't just the intimacy thing. | 0:16:55 | 0:16:57 | |
-It was the fact they were young, they were my age. -Yeah. -The servile nature of it. | 0:16:57 | 0:17:03 | |
It was more a "snap your fingers" environment. I didn't like that. | 0:17:03 | 0:17:07 | |
It depends on the customers you're serving, but when you are in somebody's house, in effect, | 0:17:07 | 0:17:12 | |
it is a totally different feeling to a public place like a restaurant. Not everybody is suited to that. | 0:17:12 | 0:17:18 | |
How do you think you're doing overall? | 0:17:18 | 0:17:22 | |
I've reached a point in my life where I need to start having a passion for something. | 0:17:22 | 0:17:28 | |
I'd love my own brasserie or bar. | 0:17:28 | 0:17:33 | |
I don't know where or when, but in five years, doing something like this, | 0:17:33 | 0:17:38 | |
-the doors hopefully will open and with a lot of hard work, maybe that could be possible. -Hmm. | 0:17:38 | 0:17:44 | |
Early evening and as guests prepare for dinner, | 0:17:46 | 0:17:51 | |
the hotel staff prepare to serve their 160 customers. | 0:17:51 | 0:17:56 | |
In 48 hours, the trainees will be running a dinner service by themselves. | 0:17:56 | 0:18:01 | |
Tonight, they will be shadowing the main staff roles in the Edwardian Dining Room | 0:18:01 | 0:18:06 | |
to learn how service here operates. | 0:18:06 | 0:18:08 | |
My trainees are going to have to really observe well tonight | 0:18:08 | 0:18:12 | |
because in two days' time, they're taking over this place and it's got to be perfect. | 0:18:12 | 0:18:18 | |
On the floor tonight, six waiters, all experts in a different aspect of fine dining. | 0:18:22 | 0:18:28 | |
For most diners, the evening's performance usually begins | 0:18:30 | 0:18:34 | |
in the bar with cocktails and a perusal of the evening's menu. | 0:18:34 | 0:18:38 | |
-How would you like the rib-eye, sir? -Medium-rare. -I have my steaks medium-rare as well. -Do you? -I do. | 0:18:38 | 0:18:44 | |
After drinks, the customer is taken through to the main restaurant, | 0:18:44 | 0:18:48 | |
seated and introduced to their waiter. | 0:18:48 | 0:18:51 | |
This is Istvan. He will be looking after you. Enjoy your dinner. | 0:18:51 | 0:18:55 | |
Runners bring the food orders from the kitchen and the waiters serve it to the tables. | 0:18:55 | 0:19:00 | |
Never leaving the restaurant floor means the waiters never have to take their eyes off their guests. | 0:19:00 | 0:19:06 | |
Tonight, Niki will be shadowing at the cocktail bar. | 0:19:06 | 0:19:09 | |
That's enough cranberry there. | 0:19:09 | 0:19:11 | |
Ashley will be learning how to take orders and escort diners from the bar to the restaurant | 0:19:11 | 0:19:17 | |
and the other trainees will be on the floor. | 0:19:17 | 0:19:20 | |
The service is formal. | 0:19:20 | 0:19:22 | |
Staff are expected to follow conventions such as always serving from the right. | 0:19:22 | 0:19:28 | |
Service tonight is at a real leisurely pace, family-orientated, | 0:19:28 | 0:19:32 | |
but they all expect to be served from the right and cleared from the left | 0:19:32 | 0:19:37 | |
and to get the right food in front of them, so their expectations are very high. Very high. | 0:19:37 | 0:19:43 | |
Having observed the technique, it's now Nikkita's turn. | 0:19:43 | 0:19:47 | |
-Did I serve it the right way? -No. -But that's the right. | 0:19:53 | 0:19:57 | |
Don't confuse me like that. That is the right-hand side. | 0:19:58 | 0:20:02 | |
If you serve it like this, you will show your back to the guest like this | 0:20:02 | 0:20:08 | |
and you are from the guest's left side. | 0:20:08 | 0:20:11 | |
If you serve the food like this, you can tell her, "Enjoy it." | 0:20:11 | 0:20:15 | |
-You put it down from the right side. -I don't serve like that. I serve like that. | 0:20:15 | 0:20:20 | |
-But still your body is turning away from the guest. -It's not. | 0:20:20 | 0:20:24 | |
Yes, it is. You cover your own body with your hands. | 0:20:24 | 0:20:28 | |
With Nikkita confused, Michel steps in. | 0:20:28 | 0:20:32 | |
I served it like that and I did it wrong. | 0:20:32 | 0:20:35 | |
You've got to get it in your mind - not serving from your right hand, | 0:20:35 | 0:20:40 | |
but serving from the right of the customer. | 0:20:40 | 0:20:43 | |
Oh. | 0:20:43 | 0:20:44 | |
What's the difference? | 0:20:44 | 0:20:47 | |
You're less prone to lean over the customer, whereas here you can go round. | 0:20:47 | 0:20:52 | |
OK. | 0:20:52 | 0:20:54 | |
I'm just going to drop their food in their lap! | 0:20:54 | 0:20:57 | |
From the right. | 0:20:58 | 0:21:00 | |
Like that? Like I'm hugging them? | 0:21:00 | 0:21:03 | |
-Yes! If that means you're going to remember it, as if you're hugging them. -OK. | 0:21:03 | 0:21:08 | |
-Right? -OK, like I'm hugging them. | 0:21:08 | 0:21:10 | |
-Well done. -Thank you. | 0:21:22 | 0:21:25 | |
I have to say I think they've done really, really well. | 0:21:27 | 0:21:31 | |
I don't see any of them struggling with the need to communicate to our guests in a positive manner, | 0:21:31 | 0:21:37 | |
but honestly, very good, I think. | 0:21:37 | 0:21:39 | |
I had the crepes and they were to die for. | 0:21:39 | 0:21:43 | |
Brooke, I like. She's got a big smile on her face. | 0:21:43 | 0:21:46 | |
Everything seems to be done with charm and with style. | 0:21:46 | 0:21:50 | |
She certainly has the right "can do" mentality. | 0:21:50 | 0:21:54 | |
And you can see customers actually warm to her. | 0:21:54 | 0:21:58 | |
-Would you like any water at your table? -Yes, please. -Still or sparkling? -Sparkling. -OK. | 0:21:58 | 0:22:03 | |
Ashley's great. Yeah, he's really good. | 0:22:03 | 0:22:06 | |
He, out of all of them, has probably got into the anticipative service more than any of them. | 0:22:06 | 0:22:12 | |
I've seen him do more things without being asked than the others. | 0:22:12 | 0:22:16 | |
I think he views this as his chance to really make some progress and I think that's pretty good. | 0:22:16 | 0:22:22 | |
In two days' time, the trainees will be taking the place of Jeremy's regular staff | 0:22:22 | 0:22:28 | |
and being in charge of dinner service will be their responsibility. | 0:22:28 | 0:22:32 | |
7am and breakfast service is up and running. | 0:22:39 | 0:22:42 | |
Most five-star city hotels have dedicated room service personnel. | 0:22:42 | 0:22:48 | |
Here, no such roles exist and all front-of-house staff are required to perform this most intimate service. | 0:22:48 | 0:22:54 | |
For Danielle, James and Brooke, | 0:22:54 | 0:22:57 | |
their first job of the day is to help general manager Federico with the breakfast orders. | 0:22:57 | 0:23:02 | |
In a country house hotel like this, | 0:23:02 | 0:23:05 | |
guests who order room service expect the same level of service in their room as anywhere else in this hotel. | 0:23:05 | 0:23:11 | |
It has to be perfect. | 0:23:11 | 0:23:14 | |
If there's one thing missing like the marmalade or anything, | 0:23:14 | 0:23:18 | |
-they'll see it and they'll be upset for the rest of the day. -Oh, my God! | 0:23:18 | 0:23:22 | |
GIGGLING | 0:23:23 | 0:23:25 | |
Michel and Federico will be monitoring the trainees' interaction with the guests | 0:23:27 | 0:23:32 | |
to see how attentive they are. | 0:23:32 | 0:23:35 | |
TAPS GENTLY | 0:23:37 | 0:23:39 | |
STIFLED LAUGHTER | 0:23:39 | 0:23:41 | |
Room service, please. | 0:23:43 | 0:23:46 | |
That's better. | 0:23:46 | 0:23:48 | |
-Good morning, Mr Kirby. -Good morning. -We've got your breakfast. Would you like it just in here? -Yeah, please. | 0:23:49 | 0:23:56 | |
They shouldn't put the tray on the floor. | 0:23:59 | 0:24:02 | |
One of them should be holding it and the other one... Look at that! | 0:24:02 | 0:24:06 | |
They could trip over that. | 0:24:06 | 0:24:08 | |
PLATES CLATTER | 0:24:08 | 0:24:11 | |
The tray's back on the floor now. Oh! Just don't do that. | 0:24:14 | 0:24:19 | |
-Thank you very much. -Thank you very much. | 0:24:19 | 0:24:22 | |
-I think they've been in there already too long. -Yes, I agree. A little bit too long. | 0:24:22 | 0:24:27 | |
-< Have a good day. -Thank you very much. -Good morning. | 0:24:27 | 0:24:31 | |
Don't slam the door. | 0:24:33 | 0:24:35 | |
How did that go? | 0:24:37 | 0:24:39 | |
Horrific. | 0:24:39 | 0:24:41 | |
Service early doors is bang, in, polite, "Have a nice day, your breakfast is here, goodbye." | 0:24:41 | 0:24:48 | |
With one service under their belts, | 0:24:48 | 0:24:51 | |
the trainees check their second breakfast order from the couple who arrived in the helicopter. | 0:24:51 | 0:24:57 | |
Grapefruit segments, fruit salad. | 0:24:57 | 0:25:00 | |
Brown toast, breakfast tea. | 0:25:00 | 0:25:02 | |
We're going to go up again? | 0:25:02 | 0:25:04 | |
Say, "Room service." James can go in. | 0:25:04 | 0:25:07 | |
I'll go in before James and lay the tablecloth down. | 0:25:07 | 0:25:10 | |
Room service. | 0:25:10 | 0:25:13 | |
-Good morning. -Good morning, sir. How are you this morning? Is it all right if I come in? -Yeah, sure. | 0:25:15 | 0:25:21 | |
-Good morning. -Good morning. -Good morning. | 0:25:21 | 0:25:24 | |
That was good. That was assertive. | 0:25:24 | 0:25:27 | |
Knocked on the door, "room service, good morning". Bright and cheerful. | 0:25:27 | 0:25:32 | |
-Your morning paper, sir. -Thanks very much. -You're welcome. | 0:25:32 | 0:25:36 | |
Would you like your tea served in bed, sir, madam? | 0:25:37 | 0:25:41 | |
-Over there, please. -OK. | 0:25:41 | 0:25:43 | |
-Yeah, that's good. -Is it possible to change those into segments? -Yes, of course. -Thank you. | 0:25:43 | 0:25:50 | |
They've reacted very well. | 0:25:51 | 0:25:54 | |
They've immediately dispatched Danielle down to the kitchen. | 0:25:54 | 0:25:58 | |
It wasn't a "no". It was, "Yes, I'll see the chef immediately." | 0:25:58 | 0:26:02 | |
That's good. | 0:26:02 | 0:26:04 | |
Six minutes later, Danielle returns with the correct grapefruit and the warm smoked haddock. | 0:26:04 | 0:26:10 | |
-Did you think I was ages getting a segmented orange? -They asked for eggs as well? -And poached haddock. | 0:26:10 | 0:26:16 | |
Good morning. How are you again? | 0:26:17 | 0:26:19 | |
-Was the poached haddock for you? -Yes, please. | 0:26:19 | 0:26:22 | |
Good. | 0:26:22 | 0:26:24 | |
Could we have some hot toast? | 0:26:28 | 0:26:31 | |
-Yes, no problem. -Thank you. | 0:26:31 | 0:26:33 | |
-More toast? -They want hot toast now. -Good. | 0:26:34 | 0:26:38 | |
It's not good going back to the room three times, especially first thing in the morning. | 0:26:42 | 0:26:47 | |
Room service... Again. | 0:26:49 | 0:26:52 | |
-There you are, madam. -I'm now missing a side knife. | 0:26:54 | 0:26:58 | |
-Are you really? -I am. I haven't got a side knife. -That's fine. I'll go and get you one. | 0:26:58 | 0:27:04 | |
Three times you had to go in. | 0:27:14 | 0:27:16 | |
-Hang on, no, four times. -Yeah. | 0:27:16 | 0:27:19 | |
-Four times in 15 minutes. -Is that how long it took? | 0:27:19 | 0:27:22 | |
And I still think she's not 100% satisfied | 0:27:22 | 0:27:25 | |
because she would have liked warm toast with her fish and her egg. | 0:27:25 | 0:27:29 | |
We should have seen those two mistakes. | 0:27:29 | 0:27:32 | |
Yeah. Did it say "segments" anywhere? No. | 0:27:32 | 0:27:36 | |
It should say on the check. Does it not? | 0:27:36 | 0:27:39 | |
Yeah, it says it. | 0:27:40 | 0:27:42 | |
"Grapefruit segments." Oh. | 0:27:42 | 0:27:44 | |
That's why normally there are two steps of checking. | 0:27:44 | 0:27:48 | |
The chef checks and then you guys check each tray normally to avoid that problem. | 0:27:48 | 0:27:54 | |
So, yeah, a few errors. | 0:27:55 | 0:27:59 | |
Customer reasonably satisfied, but not... | 0:27:59 | 0:28:03 | |
-I think they were sick of the sight of me. -I think they were. | 0:28:03 | 0:28:06 | |
Definitely horses for courses. | 0:28:11 | 0:28:14 | |
I love serving in restaurants. I get a massive buzz off it. | 0:28:14 | 0:28:18 | |
This morning and yesterday, no buzz at all. | 0:28:18 | 0:28:21 | |
I felt uncomfortable and felt a little bit like I shouldn't have been there. | 0:28:21 | 0:28:27 | |
She had a lot of requests, but people are paying a lot of money to stay in this hotel, | 0:28:27 | 0:28:33 | |
so she was right in doing so. | 0:28:33 | 0:28:35 | |
I don't mind at all. She could have asked me to go down two more times and I wouldn't have minded. | 0:28:35 | 0:28:41 | |
With Brooke embracing the world of five-star service, | 0:28:41 | 0:28:45 | |
Michel is keen to know how she's been finding the whole experience. | 0:28:45 | 0:28:49 | |
How do you think you're doing in general? | 0:28:49 | 0:28:52 | |
-Have you noticed yourself change? -Yeah, I've impressed myself. | 0:28:52 | 0:28:56 | |
I have changed in my personality and how I think about things. | 0:28:56 | 0:29:00 | |
A month ago, I'd be like, "I'm not going there, full of snobs," | 0:29:00 | 0:29:03 | |
but they're as down to earth as me and you and everyone. | 0:29:03 | 0:29:07 | |
If you do embrace this industry and the hospitality part of our industry, | 0:29:07 | 0:29:14 | |
what bit do you think you could play in it? | 0:29:14 | 0:29:17 | |
I don't know because I want to do it all. | 0:29:17 | 0:29:20 | |
Obviously, I want my restaurant. That's what I'm doing this for cos I want my restaurant at the end of it. | 0:29:20 | 0:29:26 | |
And to me, every aspect that we've done so far and every aspect there is will help. | 0:29:26 | 0:29:32 | |
-So you've got a little bit of ambition? -Hell, yeah. A little bit. I am all ambition, me, Michel. | 0:29:32 | 0:29:38 | |
Back inside, Michel has decided | 0:29:40 | 0:29:43 | |
that either Tom or Ashley will be in charge of the 60 cheeses on the trolley tomorrow evening. | 0:29:43 | 0:29:49 | |
They always lay out the cheeseboard in a fashion, so you've got your hard cheeses here. | 0:29:50 | 0:29:56 | |
You've got your washed rinds... They're normally a bit slimy on top. | 0:29:56 | 0:30:00 | |
They're usually the ones that really stink a bit. They're quite strong. You can tell. | 0:30:00 | 0:30:05 | |
You've got goat's cheese together and over here, blue cheeses. | 0:30:05 | 0:30:09 | |
Let me show you how to cut the cheese first of all. Never use your fingers on the cheeseboard. | 0:30:09 | 0:30:15 | |
Always use your knife and your fork to point to the cheese and use the fork to hold. | 0:30:15 | 0:30:20 | |
Be firm and go through it like that. | 0:30:20 | 0:30:24 | |
You've got yourself a nice piece there. Don't be too generous. | 0:30:25 | 0:30:30 | |
And try and arrange it on the plate so that it looks nice. | 0:30:30 | 0:30:34 | |
If somebody wants, for example, this cheese here, whatever it is, | 0:30:34 | 0:30:39 | |
if they ask for it to be grated over the plate, what would I say to them? | 0:30:39 | 0:30:43 | |
No, there's no way they'll ask for grated cheese. | 0:30:43 | 0:30:47 | |
When you have cheese at the end of the meal, you just have pieces of it. | 0:30:47 | 0:30:51 | |
I find it much easier to eat grated cheese than a big slice of it. | 0:30:51 | 0:30:55 | |
-That's just me and there will be other people like me, won't there? -I don't think so. | 0:30:55 | 0:31:00 | |
-You're one of a kind. -You are unique. | 0:31:00 | 0:31:03 | |
-I am. -Thankfully. | 0:31:03 | 0:31:05 | |
Right, blue cheese... | 0:31:05 | 0:31:08 | |
First, it's Ashley's turn. | 0:31:09 | 0:31:11 | |
-How would you like your cheese? -Let's have this. Yeah, Bath Soft. | 0:31:11 | 0:31:16 | |
-How much would you like? -You don't ask the customer that. -So I just give them it, yeah? -Yeah. | 0:31:16 | 0:31:21 | |
-Look what you've given me. -The rind? -Yeah. -I thought you could eat it all. | 0:31:25 | 0:31:30 | |
But that's not nice. The nice bit is the gooey bit in the middle. | 0:31:30 | 0:31:34 | |
From my point of view, the rind looks better than the inside of it. | 0:31:34 | 0:31:38 | |
At least I'm being honest. | 0:31:38 | 0:31:41 | |
-The Spanish one... -Next up, it's Tom. | 0:31:41 | 0:31:44 | |
There you go... Oh! A little bit thicker. | 0:31:44 | 0:31:47 | |
-Sorry about that. < That's too thin? -A bit too thin. | 0:31:47 | 0:31:50 | |
As with all service, Michel insists that his trainees know what they're serving, | 0:31:50 | 0:31:56 | |
even if it's not to their personal taste. | 0:31:56 | 0:31:59 | |
When people say, "What's the Little Stinky like," | 0:31:59 | 0:32:03 | |
you could say, "It's not called Little Stinky for nothing. It is a strong cheese." | 0:32:03 | 0:32:08 | |
But don't go, "Eugh, it's horrible!" | 0:32:08 | 0:32:11 | |
It would be nice on toast, that. No! | 0:32:11 | 0:32:15 | |
Do you not like it? No. | 0:32:15 | 0:32:17 | |
-That's lovely. -I love it. -It's really nice. | 0:32:17 | 0:32:21 | |
Right, Ash, how do you think you're doing so far? | 0:32:22 | 0:32:25 | |
I'm not too sure. I've come out of my shell a bit more. | 0:32:25 | 0:32:28 | |
I didn't expect to wake up, drive here, then the next day, welcome someone from a helicopter. | 0:32:28 | 0:32:34 | |
That doesn't happen to someone like me from where I'm from. | 0:32:34 | 0:32:38 | |
You don't get that opportunity of what's in front of me. You don't see it. | 0:32:38 | 0:32:43 | |
I'm embracing it in a way, all the things that are coming. | 0:32:43 | 0:32:47 | |
We all have our ups and downs, all seven of us, | 0:32:47 | 0:32:50 | |
but me, myself, I'm trying to have more ups than downs at the minute. | 0:32:50 | 0:32:55 | |
There's a lot of hard work and a lot of serious work, obviously. | 0:32:55 | 0:32:58 | |
It does take dedication and hard work to get to the top, but you can get so much satisfaction out of it. | 0:32:58 | 0:33:04 | |
Carry on being yourself | 0:33:04 | 0:33:07 | |
because the Ashley that I see now could be going places. | 0:33:07 | 0:33:11 | |
Thanks. | 0:33:11 | 0:33:13 | |
May Bank Holiday weekend, one of the busiest times in the hotel's calendar. | 0:33:17 | 0:33:23 | |
With the all-important dinner service being handed over to them this evening, | 0:33:23 | 0:33:28 | |
the trainees' mentor Fred Sirieix arrives to help polish their skills. | 0:33:28 | 0:33:33 | |
-Good morning. How are you? -Fantastic. -Thank you. | 0:33:33 | 0:33:36 | |
Fred's first job is to observe Nikkita and Ashley as they greet guests at the front door. | 0:33:39 | 0:33:45 | |
I think you look quite nice. Do you really, Ashley? | 0:33:45 | 0:33:49 | |
Are you blind, Ashley? No, you look nice. You do. | 0:33:49 | 0:33:53 | |
Under Fred's watchful eye, they'll be expected to greet the Bank Holiday guests | 0:33:53 | 0:33:58 | |
with the warm welcome that the hotel prides itself on. | 0:33:58 | 0:34:01 | |
-Nikkita, be aware. People are coming. -Hi. | 0:34:01 | 0:34:04 | |
Nikkita, you could have wished them a good game of tennis. | 0:34:05 | 0:34:09 | |
-I didn't know they were playing tennis. -They have rackets. | 0:34:09 | 0:34:12 | |
-I don't look at tennis rackets. -You have to look at the people and tailor the welcome to them. | 0:34:12 | 0:34:18 | |
Hi... | 0:34:20 | 0:34:22 | |
Don't smile then(!) | 0:34:23 | 0:34:25 | |
The people here are all stuck-up and snobby and think that they're better than you... | 0:34:25 | 0:34:31 | |
Everything. | 0:34:32 | 0:34:34 | |
And if I was doing the door, I would just move around. | 0:34:34 | 0:34:39 | |
-We've been told that one person has got to stay on this door. -Sure, but not literally on one spot. | 0:34:39 | 0:34:45 | |
You can be like this. You can go looking there, look, you know, look there. | 0:34:45 | 0:34:50 | |
-It's better... -There's nothing to look at. -There's beautiful greenery. -I've seen it all. It's green. | 0:34:50 | 0:34:56 | |
-Nikkita, what is your problem? -Nothing. I'm just saying... -Please, can you stop this attitude, OK? | 0:34:56 | 0:35:02 | |
I've had enough. Stop. | 0:35:02 | 0:35:04 | |
-Hi. -Nice to see you. -Hello, sir. | 0:35:20 | 0:35:23 | |
Hiya. | 0:35:23 | 0:35:25 | |
-Yeah? -Sorry? | 0:35:35 | 0:35:37 | |
-I did smile. -Do you think "hiya" is appropriate? "Hiya"? | 0:35:37 | 0:35:42 | |
NIKKITA SIGHS | 0:35:43 | 0:35:46 | |
Would you like me to change my whole vocabulary? | 0:35:46 | 0:35:49 | |
I'd like you to change this, yes. Not "hi". "Good afternoon." | 0:35:49 | 0:35:53 | |
-Good afternoon, sir. How are you? -I do say "good afternoon", but I say "hiya" as well. -"Good afternoon." | 0:35:53 | 0:35:59 | |
OK? | 0:35:59 | 0:36:01 | |
Nikkita is impossible. She is not interested to learn. | 0:36:04 | 0:36:08 | |
Either she changes or we have to take her off the door. This can't carry on like this. | 0:36:08 | 0:36:14 | |
"Yeah but, no but, yeah but, no but..." Come on, Nikkita. This is not Little Britain. | 0:36:14 | 0:36:19 | |
Have you got a problem with saying "good afternoon", "good morning"? | 0:36:22 | 0:36:26 | |
No, I do say "good afternoon", but I don't say "good afternoon" over and over again. | 0:36:26 | 0:36:31 | |
-You do if it's different people. -You've got to. | 0:36:31 | 0:36:35 | |
-I can't do it. I'm not posh. -Posh is not bad. | 0:36:35 | 0:36:38 | |
-Posh is bad. I'm not posh. -It's about being polite and respectful. It's not about anything else. | 0:36:38 | 0:36:44 | |
-Keep smiling, Nikkita. Come on. -Huh? -Keep smiling. | 0:36:44 | 0:36:47 | |
I'm trying, but there's no-one to smile at. | 0:36:47 | 0:36:50 | |
Stop saying and keep trying. | 0:36:50 | 0:36:53 | |
-I am. -Don't say you keep trying. Do it. | 0:36:53 | 0:36:56 | |
-Trust me. -I am doing it. I'm trying to carry on doing it. -Close your eyes and trust me. Trust Michel. | 0:36:56 | 0:37:03 | |
By 3pm, the courtyard is bustling with new arrivals. | 0:37:04 | 0:37:08 | |
Nikkita and Ashley will be the first faces they see. | 0:37:08 | 0:37:13 | |
Hello. Hi. | 0:37:14 | 0:37:17 | |
Ashley will take you through to Guest Relations. | 0:37:17 | 0:37:20 | |
-Good afternoon. -Hello. | 0:37:22 | 0:37:25 | |
-It may have been a trying afternoon... -Did you go quad biking? | 0:37:25 | 0:37:29 | |
-Yeah, we did it yesterday and Tuesday. -Tuesday as well? -Yeah. | 0:37:29 | 0:37:34 | |
-It was really fun. -You two are lucky. You know that? | 0:37:34 | 0:37:37 | |
But by the end of their shift, Ashley and Nikkita have cracked the formula to meeting and greeting. | 0:37:37 | 0:37:43 | |
-Good afternoon. -Hello there. | 0:37:43 | 0:37:45 | |
-Did you have a nice drive? -Yes, thank you. -I'll take it in for you. | 0:37:45 | 0:37:50 | |
-Good afternoon. -Good afternoon. -Welcome to Bovey Castle. I'm John. | 0:37:50 | 0:37:54 | |
-How was that? -100%. 100%. -Good. Well done. | 0:37:54 | 0:37:59 | |
Nikkita, spot-on, girl. Well done. Nice smile. Made them feel welcome. Nice to see it. | 0:37:59 | 0:38:05 | |
Late afternoon and the hotel must ready itself for dinner. | 0:38:08 | 0:38:12 | |
The trainees regroup to be allocated their roles for tonight's service. | 0:38:12 | 0:38:18 | |
-First off, Niki, you're behind the bar tonight. -Thank you. | 0:38:18 | 0:38:23 | |
Nikkita, you will be helping behind the bar because there will be a big rush between 6 and 7, | 0:38:23 | 0:38:30 | |
-then it will be on the floor. -OK. | 0:38:30 | 0:38:32 | |
-James... -Yes, Chef. -I've got a really intimate dinner for two for you to look after. | 0:38:32 | 0:38:39 | |
-OK, Chef. -You're on your own. How more intimate can you get? | 0:38:39 | 0:38:44 | |
-Three's a crowd, isn't it, Chef? -Yes. | 0:38:44 | 0:38:47 | |
-Danielle... -Yes. -You are working on the floor. | 0:38:47 | 0:38:51 | |
Ashley, you're going to be working the cheese trolley tonight. Tom... | 0:38:52 | 0:38:56 | |
-You are on the floor. -Right. -Yeah? -Yeah. | 0:38:58 | 0:39:01 | |
That leaves us Brooke. | 0:39:01 | 0:39:04 | |
-Hello. -Brooke, you are our maitre d' for tonight. | 0:39:04 | 0:39:08 | |
-< Well done. -It's up to you to make sure that everybody is pulling in the same direction. | 0:39:08 | 0:39:14 | |
One more thing. | 0:39:14 | 0:39:15 | |
It's a great day. Beautiful weather. | 0:39:15 | 0:39:19 | |
-So all your tables will be outside here on the terrace. -Come on! | 0:39:19 | 0:39:24 | |
Snappy, prompt service, on time, with a big smile. | 0:39:24 | 0:39:28 | |
OK, let's go. | 0:39:28 | 0:39:31 | |
Michel and Fred are hoping that with only a few covers each, | 0:39:31 | 0:39:36 | |
the trainees can cater to their guests' every whim. | 0:39:36 | 0:39:39 | |
Niki, you will be predominantly behind the bar making the cocktail, | 0:39:39 | 0:39:44 | |
and Nikkita will be on the floor greeting, meeting the guest. | 0:39:44 | 0:39:48 | |
You've just got to be constantly aware of what's happening. | 0:39:48 | 0:39:52 | |
Six o'clock, cocktail hour, and the guests start to arrive in the bar. | 0:39:55 | 0:40:00 | |
Would you like to take a seat? This is a table for two over here. | 0:40:00 | 0:40:04 | |
-Here we have our cocktail list. -Right. | 0:40:04 | 0:40:08 | |
The bar needs to make everyone's cocktails at the same time. | 0:40:08 | 0:40:13 | |
-Another order's coming. -And the girls are struggling to keep up. | 0:40:13 | 0:40:17 | |
It's just so slow. They need to be much, much quicker. | 0:40:17 | 0:40:21 | |
-Excuse me. Could we have our drinks? -Yeah, I just need to put some ice in there. That's all. | 0:40:21 | 0:40:27 | |
Nikkita's in a bit of a strop now. There she is, shaking her head. Why can't she just get on with it? | 0:40:27 | 0:40:33 | |
All too aware that a bad start can ruin the entire evening, | 0:40:34 | 0:40:38 | |
Fred drafts in Ashley to make sure that the customers aren't sitting without drinks. | 0:40:38 | 0:40:44 | |
There's no drinks yet. Just wait. | 0:40:44 | 0:40:47 | |
The couple with the two kids, they've ordered more than 15 minutes ago. | 0:40:47 | 0:40:51 | |
They need more energy and urgency in the way that they do their work and they will be fine. | 0:40:51 | 0:40:57 | |
But at the moment, it's very slow. Slowly, slowly, slowly. | 0:40:57 | 0:41:00 | |
The mint mojito and the Cosmopolitan is for you, yeah? | 0:41:00 | 0:41:04 | |
-The mint mojito is lovely. I had one yesterday. -Did you? -I really enjoyed it. | 0:41:04 | 0:41:09 | |
-That's my boy! -Would you like another drink? -Yes. -Yeah, OK. | 0:41:10 | 0:41:14 | |
-That's good. -He was walking past, he saw the lady was... -That gives me goose bumps. -"Another glass, madam?" | 0:41:14 | 0:41:21 | |
Yeah. Right, OK, that's fine. | 0:41:21 | 0:41:24 | |
Ashley has done some great stuff. It's great when he asked this lady if she wanted another drink. | 0:41:24 | 0:41:30 | |
This is the kind of stuff that they keep missing and he got it. This is amazing. | 0:41:30 | 0:41:35 | |
Do you need a hand? | 0:41:38 | 0:41:40 | |
In the grounds, James is preparing the gazebo | 0:41:44 | 0:41:47 | |
for a couple celebrating their 40th wedding anniversary, catered for by a dedicated chef. | 0:41:47 | 0:41:54 | |
I've got to be able to read the people I'm looking after | 0:41:54 | 0:41:58 | |
and the old caveat that three is a crowd is very appropriate here. | 0:41:58 | 0:42:02 | |
So it's about subtlety for me today. This is a test of my ability to handle intimacy with the customer. | 0:42:02 | 0:42:09 | |
Back in the main hotel, Nikkita is still trying to catch up with the drinks orders | 0:42:14 | 0:42:19 | |
when she receives an unexpected request. | 0:42:19 | 0:42:23 | |
Is this your food order for outside? | 0:42:23 | 0:42:25 | |
-Can you take our food order? -If you want. | 0:42:25 | 0:42:28 | |
-Take the order now and when she wants to be seated, I'll take her out. -OK. -Is that OK? | 0:42:30 | 0:42:36 | |
Struggling loads. I always struggle. Every day. | 0:42:37 | 0:42:40 | |
Mm-hm. | 0:42:42 | 0:42:43 | |
-Yeah, that's perfectly fine. -Thank you. | 0:42:48 | 0:42:51 | |
Nikkita's a big worry for me. She's...unfathomable. | 0:42:51 | 0:42:55 | |
What's the attitude? Just take the order. Take it and move on. | 0:42:55 | 0:43:01 | |
I don't know what to do with her. | 0:43:01 | 0:43:04 | |
How do you do this? Do it. Just do it. I want to go home. Move. | 0:43:04 | 0:43:09 | |
What are you doing? | 0:43:09 | 0:43:11 | |
Nikkita, Nikkita, this way. | 0:43:14 | 0:43:16 | |
Come on. | 0:43:16 | 0:43:18 | |
Get your spirit back. | 0:43:18 | 0:43:21 | |
-I didn't do anything right. None of it was right. -Don't worry. We're learning. | 0:43:21 | 0:43:27 | |
You did some good things and you did some wrong things. | 0:43:27 | 0:43:31 | |
I can't be in there. I can't do it. | 0:43:31 | 0:43:33 | |
-You can. You're doing it. -I can't deal with the people. | 0:43:33 | 0:43:37 | |
-The people are too... -They're very nice. -They're not. -It is all in your mind. They are very nice people. | 0:43:37 | 0:43:43 | |
I'm telling you for a fact they're not. | 0:43:43 | 0:43:46 | |
Seven o'clock, the start of dinner service. | 0:43:47 | 0:43:50 | |
On the floor tonight, Danielle, Nikkita, Ashley and Tom with Brooke overseeing as maitre d'. | 0:43:50 | 0:43:57 | |
-Anything else? -With only five tables, the trainees will be in charge of just one each. | 0:43:57 | 0:44:03 | |
-Can I get you any bread? -Yes, please. | 0:44:03 | 0:44:05 | |
What would you like? Brown roll, white roll and focaccia? | 0:44:05 | 0:44:09 | |
With such a small number of guests, Michel expects perfection. | 0:44:09 | 0:44:13 | |
Nikkita before just kind of lost it completely. We'll see what happens. | 0:44:13 | 0:44:18 | |
It's scary tonight. Very scary. | 0:44:18 | 0:44:20 | |
One-on-one service is a big test for James. | 0:44:29 | 0:44:32 | |
-Hello. -Hello. -Good evening. Welcome to the Summer House. I'm James. | 0:44:32 | 0:44:36 | |
The way he copes with this challenge could help him decide whether this aspect of the industry is for him. | 0:44:36 | 0:44:42 | |
If you'd just like to take a seat in the snug... I'll be serving you champagne in a moment. | 0:44:42 | 0:44:48 | |
My job here is just to see to any of their needs and not get in their way. | 0:44:53 | 0:44:58 | |
They'll not have a good evening if I'm standing in the corner like a plum. | 0:44:58 | 0:45:03 | |
That's not going to help them feel any more relaxed. | 0:45:03 | 0:45:06 | |
Back on the terrace, a lack of communication between the bar and restaurant | 0:45:07 | 0:45:12 | |
is causing customers to go thirsty. | 0:45:12 | 0:45:15 | |
-Are you all right for drinks? -They're just waiting on their drinks now. -OK, cool. | 0:45:15 | 0:45:20 | |
-They haven't got their drinks yet? -They've been in there waiting to be ordered for 10, 15 minutes. -Check. | 0:45:21 | 0:45:28 | |
-There's a lot of tension. A lot of tension. -They're very stressed. | 0:45:30 | 0:45:34 | |
-Brooke, can you get someone to...? I've got all these orders waiting. -Sorry. | 0:45:34 | 0:45:39 | |
-Brooke? -Yeah. I'm going to get someone to come and do that. | 0:45:39 | 0:45:44 | |
Brooke has to calm down now and really realise what she has to do and take charge, full charge. | 0:45:44 | 0:45:50 | |
Being a maitre d', a real maitre d' is about leading the team. She's not leading the team. | 0:45:50 | 0:45:56 | |
Three Budweisers and sparkling water. Don't take the sparkling water. Brooke needs to get them a big one. | 0:45:56 | 0:46:03 | |
And it's going to Table 3. Table 3. | 0:46:03 | 0:46:06 | |
-Did you order three beers? -No. -I didn't think you did. | 0:46:06 | 0:46:10 | |
-Ashley, speak to Brooke. -Brooke... | 0:46:14 | 0:46:17 | |
-Why are there three Budweisers? -Who's it for? -Oh, my God! Come here. It's not three Budweisers. | 0:46:17 | 0:46:23 | |
It's one Budweiser and it's Table 3. | 0:46:23 | 0:46:26 | |
Meanwhile, at the gazebo, James's anniversary couple are halfway through their starters. | 0:46:28 | 0:46:34 | |
What I find awkward is that because I'm there to provide a service, | 0:46:34 | 0:46:39 | |
I have to be watching them all the time. It's a bit voyeuristic. | 0:46:39 | 0:46:42 | |
I'm trying to stand out of their sight line, so I can still see their plates | 0:46:42 | 0:46:47 | |
and see when I need to clear and top up and all the rest. | 0:46:47 | 0:46:51 | |
I was trying to look at the table, but kept on catching his eye, | 0:46:51 | 0:46:55 | |
then when I caught his eye, I didn't know what to... | 0:46:55 | 0:46:59 | |
What do you do? You smile and wave or ask a question? | 0:46:59 | 0:47:02 | |
It's not the most comfortable situation. | 0:47:04 | 0:47:08 | |
James's guests have finished their starters. | 0:47:08 | 0:47:11 | |
On the terrace, the trainees have caught up with the drinks orders. | 0:47:14 | 0:47:19 | |
Cabbage and new potatoes? | 0:47:19 | 0:47:21 | |
And the main courses are starting to come out. | 0:47:21 | 0:47:26 | |
Oh, look at that. Thomas has no cutlery on the table for the main course. | 0:47:26 | 0:47:31 | |
Oh, no, the customer is pointing it out. | 0:47:31 | 0:47:34 | |
-He has to go all the way back over there with the food, get the cutlery and come back. -It will be cold. | 0:47:34 | 0:47:40 | |
It's a disaster. For this table, it's a disastrous experience. | 0:47:40 | 0:47:45 | |
They're struggling tonight. | 0:47:46 | 0:47:49 | |
-They're struggling. -You can tell it's a bit tense. -Very tense. | 0:47:49 | 0:47:52 | |
This is the least amount of customers they've had to serve, but we want it to be perfect. | 0:47:52 | 0:47:58 | |
It's been far from perfect. It's been such a nervy start. | 0:47:58 | 0:48:02 | |
But they should know by now what they're doing. | 0:48:02 | 0:48:06 | |
-Would you like me to clear the bread plates as well? -Yeah. | 0:48:07 | 0:48:11 | |
Fabulous, yeah. | 0:48:11 | 0:48:13 | |
Have you been here before...? Have you? | 0:48:13 | 0:48:17 | |
You're not meant to clear them yet. | 0:48:17 | 0:48:20 | |
They've just asked me to. OK. | 0:48:20 | 0:48:23 | |
Thank you. | 0:48:26 | 0:48:28 | |
Brooke, come here. Is my name Brooke? No. | 0:48:28 | 0:48:31 | |
I mean Nikkita. Come here. | 0:48:31 | 0:48:34 | |
< When a customer asks me to clear the plates, I'll clear the plates, | 0:48:35 | 0:48:39 | |
so don't tell me to do something in front of them. | 0:48:39 | 0:48:43 | |
She doesn't want to be here. | 0:48:43 | 0:48:46 | |
It's terrible. | 0:48:46 | 0:48:48 | |
-It's rude. -Yeah. | 0:48:48 | 0:48:50 | |
Standards continue to slip. | 0:48:52 | 0:48:54 | |
Tom and Nikkita have been serving from the wrong side again. | 0:48:54 | 0:49:00 | |
After all that rigmarole with Nikkita of left, right, left, right, | 0:49:00 | 0:49:05 | |
serve from the right, clear from the left. | 0:49:05 | 0:49:08 | |
-Would you like new potatoes? -Yes, please. -There you are. | 0:49:08 | 0:49:12 | |
Oblivious to Michel's criticisms, the team soldier on towards the dessert course. | 0:49:12 | 0:49:17 | |
-That's better. -Yeah? -Spirits are high, yeah. | 0:49:17 | 0:49:20 | |
But Tom is not keeping up with the orders arriving for his table. | 0:49:20 | 0:49:24 | |
This is not what I like to see. | 0:49:33 | 0:49:35 | |
If this was a normal service, I would be shutting them down, throwing them off | 0:49:35 | 0:49:41 | |
and putting a new team on it in double-quick time. | 0:49:41 | 0:49:44 | |
I'm not comfortable. This is not what I want my guests to experience in any way, shape or form. | 0:49:44 | 0:49:49 | |
How long have they been sitting there? | 0:49:49 | 0:49:52 | |
For ages. Who are they for? They're for my table. | 0:49:52 | 0:49:56 | |
Come on then. You can't serve it like that. | 0:49:56 | 0:49:59 | |
They've been there for ages. Why did no-one tell me? | 0:49:59 | 0:50:02 | |
Someone just said, "Who are they for?" I said, "I don't know." | 0:50:02 | 0:50:06 | |
My desserts were sat there. No-one told me about them. | 0:50:06 | 0:50:09 | |
I've had to tell Table 5 who I've not given the best service to tonight. | 0:50:09 | 0:50:14 | |
But what can you do? A smile will take me a long way! | 0:50:14 | 0:50:17 | |
As a chaotic evening reaches its final course, it's time to wheel out the castle's trademark. | 0:50:18 | 0:50:24 | |
Ashley should go now to the table and say to people, "Would you like some cheese before your dessert?" | 0:50:24 | 0:50:31 | |
It is an opportunity to make the customer happy and make the business happy. | 0:50:31 | 0:50:36 | |
That's what he needs to you. Let's see how successful he can get. | 0:50:36 | 0:50:40 | |
Would you like any cheese? | 0:50:40 | 0:50:42 | |
-No, Ashley! -She was looking at the cheese. | 0:50:42 | 0:50:46 | |
You don't scream in front of everybody. You're not in a motorway caff. | 0:50:46 | 0:50:50 | |
DEEP VOICE: "Any cheese?" "Ham and cheese!" | 0:50:50 | 0:50:54 | |
Ssh! Hey! | 0:50:54 | 0:50:56 | |
Go over there. | 0:50:56 | 0:50:58 | |
I hope they don't... I hope they don't want some cheese. | 0:50:58 | 0:51:01 | |
Please do not drop... Where's it going? Just here. | 0:51:05 | 0:51:09 | |
Oh, this stinks! | 0:51:09 | 0:51:11 | |
What ones have you tried that you like? | 0:51:13 | 0:51:15 | |
I've tried this one. It's really strong at first, | 0:51:15 | 0:51:19 | |
but I had a bit of port to neck it back with, so it brought down the flavour a bit. I did like this one. | 0:51:19 | 0:51:25 | |
So should I neck some port when I have it? | 0:51:25 | 0:51:28 | |
LAUGHTER I'd say yeah. | 0:51:28 | 0:51:31 | |
It's not all Little Stinky. | 0:51:31 | 0:51:33 | |
-Would you like some port to go with that? -Yes, I'd love some. | 0:51:34 | 0:51:38 | |
The cheese course is a chance for Ashley to demonstrate some of the product knowledge he's picked up. | 0:51:38 | 0:51:45 | |
There's quince jelly and chutney. Do you know what that is? | 0:51:45 | 0:51:48 | |
-It's pressed fig with walnuts. -Oh, lovely. | 0:51:48 | 0:51:52 | |
The banana bread and butter pudding? If you like bread and butter pudding and bananas, you'll like it. | 0:51:53 | 0:51:59 | |
I don't like bread and butter pudding and I'm not keen on bananas. | 0:51:59 | 0:52:03 | |
Would you like some of the Little Stinky? | 0:52:03 | 0:52:07 | |
I'll try a little bit. | 0:52:07 | 0:52:09 | |
-Tidy that up. -Yeah. | 0:52:09 | 0:52:12 | |
And at last, Tom's couple get their crepes suzettes. | 0:52:16 | 0:52:20 | |
There we are. | 0:52:20 | 0:52:22 | |
However, incorrectly served. | 0:52:22 | 0:52:25 | |
I'll just bring that out for you as well. | 0:52:26 | 0:52:30 | |
What side are you supposed to serve from? | 0:52:30 | 0:52:33 | |
Right-hand side. I've been serving from the left-hand side. | 0:52:33 | 0:52:37 | |
Every single plate you have put down tonight, you have served from the left. | 0:52:37 | 0:52:42 | |
-You have gone all the way round the table to serve on the left. -I know. | 0:52:42 | 0:52:46 | |
My common sense and basics have been nowhere tonight. | 0:52:46 | 0:52:50 | |
-Enjoy your cheeses and your desserts. -Thank you. -And your port. | 0:52:50 | 0:52:54 | |
-Thank you very much. -Sorry about the time it took. -Don't worry. | 0:52:54 | 0:52:58 | |
-We got there in the end, didn't we? -Yeah. | 0:52:58 | 0:53:00 | |
As the cheese course draws the meal to a close, | 0:53:00 | 0:53:03 | |
at the gazebo, Michel drops in to see how James has coped with the challenge of one-to-one service. | 0:53:03 | 0:53:10 | |
-Everything going well? -Very well. -It is a beautiful setting. | 0:53:10 | 0:53:14 | |
It is a beautiful setting and we've had a very good meal | 0:53:14 | 0:53:18 | |
with very nice...attentive, but unobtrusive service. | 0:53:18 | 0:53:22 | |
-And it's been a joy. -Excellent. | 0:53:22 | 0:53:25 | |
-I won't disturb you any more. -Thank you. -Enjoy it all. Thank you. | 0:53:25 | 0:53:29 | |
The guests are very happy, very happy. They said service couldn't have been better. | 0:53:29 | 0:53:35 | |
It's been there when they've wanted it | 0:53:35 | 0:53:37 | |
and when they didn't want any service and wanted to be left alone, they were left alone, | 0:53:37 | 0:53:43 | |
so I think he's understood exactly what is required. | 0:53:43 | 0:53:46 | |
I pushed him purposefully today into intimate dining, | 0:53:46 | 0:53:51 | |
but he's done it and he's done it well. | 0:53:51 | 0:53:55 | |
The thing I've realised about intimacy and the dining experience tonight | 0:53:56 | 0:54:01 | |
is that in any situation, you've got to be a bit human and people will be human back. | 0:54:01 | 0:54:06 | |
I'm not sure this is for me, | 0:54:06 | 0:54:09 | |
but I liked the challenge and I think I've risen to it. | 0:54:09 | 0:54:14 | |
Back on the terrace, Ashley continues to share his newly acquired culinary knowledge. | 0:54:15 | 0:54:21 | |
He chose my wine and he chose my pudding wine, | 0:54:21 | 0:54:25 | |
so now I'm going with his cheese. | 0:54:25 | 0:54:27 | |
-Wow! -Use a napkin. | 0:54:29 | 0:54:31 | |
That's ridiculous what's just come off. | 0:54:36 | 0:54:40 | |
Do you want to taste this one? | 0:54:40 | 0:54:42 | |
You don't have to eat it all, obviously. | 0:54:42 | 0:54:45 | |
-Would you like to cut me a little piece? -That's what I'm going to do because it's... | 0:54:45 | 0:54:50 | |
-Are we having any biscuits? -I've got some biscuits there. -Can I taste that Stinky one? | 0:54:50 | 0:54:55 | |
Smell that. Smell this. | 0:54:55 | 0:54:57 | |
LAUGHTER | 0:55:00 | 0:55:02 | |
Ashley really is hilarious. | 0:55:03 | 0:55:06 | |
-He is so natural. -Yeah. -So, so natural. | 0:55:06 | 0:55:09 | |
People believe in him and he gets away with murder. | 0:55:09 | 0:55:13 | |
Oh, God! LAUGHTER | 0:55:13 | 0:55:16 | |
-We just need to polish him up. -He'll be fine. -He'll be fantastic. -Yeah. | 0:55:16 | 0:55:20 | |
Uh-oh! Now what? | 0:55:20 | 0:55:22 | |
LAUGHTER | 0:55:22 | 0:55:25 | |
-I'm glad it's almost finished because it was very difficult to take. -Very. | 0:55:31 | 0:55:35 | |
They've got to give 100% and tonight they gave us 10%. | 0:55:35 | 0:55:39 | |
The customers don't deserve it and we don't deserve it. Certainly not. | 0:55:39 | 0:55:45 | |
As the sun goes down on the terrace, the trainees wait to hear Michel's verdict. | 0:55:45 | 0:55:50 | |
They didn't do very well at all tonight. | 0:55:50 | 0:55:53 | |
I am disappointed. | 0:55:53 | 0:55:56 | |
I wanted them to up their game, to refine their skills, but do it properly. | 0:55:56 | 0:56:02 | |
If Nikkita had been working for me tonight as an employee, I would have told her to leave. | 0:56:02 | 0:56:09 | |
There is no way you can be so cold and rude to your customers. | 0:56:10 | 0:56:15 | |
But I believe in her. I believe there's something special there and I want her to succeed. | 0:56:15 | 0:56:22 | |
I cannot lay into them at the de-brief. | 0:56:23 | 0:56:26 | |
They know deep down that they didn't perform well tonight | 0:56:26 | 0:56:30 | |
and I just cannot... I've got to give them some hope. | 0:56:30 | 0:56:34 | |
I don't know where this is going to take me and how long it's going to take me, | 0:56:42 | 0:56:47 | |
but Nikkita, you said that I looked mardy, | 0:56:47 | 0:56:51 | |
-down, glum... -Yeah. -Not happy. -Yeah. | 0:56:51 | 0:56:55 | |
I can't hide my emotions. I'm like you. | 0:56:55 | 0:56:58 | |
And I wasn't very happy. Not very happy at all. | 0:56:58 | 0:57:02 | |
Maybe it's me. Maybe I'm expecting too much out of you. | 0:57:03 | 0:57:07 | |
Maybe it was a dream of mine that after four weeks I could turn you around | 0:57:07 | 0:57:13 | |
and expect perfection. | 0:57:13 | 0:57:15 | |
I'm a perfectionist. I don't even need to tell you it wasn't perfection tonight. | 0:57:15 | 0:57:21 | |
So I'm not going to dwell on it. Pointless. Pointless dwelling on it. | 0:57:21 | 0:57:26 | |
Because there's a lot more exciting things to come. | 0:57:27 | 0:57:31 | |
And I want you to do really well | 0:57:31 | 0:57:33 | |
and I want each and every one of you to come on this journey | 0:57:33 | 0:57:39 | |
and cross that finish line together. | 0:57:39 | 0:57:43 | |
All of you. | 0:57:43 | 0:57:45 | |
And I'd be very, very disappointed in myself if I didn't get the best out of all of you. | 0:57:45 | 0:57:51 | |
Next time, the trainees will have to learn a whole new set of skills. | 0:57:54 | 0:58:00 | |
If you listen to me, you won't burn yourself or cut yourself. | 0:58:00 | 0:58:04 | |
As they take centre stage, performing in front of their guests. | 0:58:04 | 0:58:08 | |
You'd have a job finding a lamb that size. | 0:58:08 | 0:58:11 | |
At some of London's finest restaurants. | 0:58:11 | 0:58:15 | |
-A very expensive bottle - £20,000. -Do not drop it! | 0:58:15 | 0:58:18 | |
Subtitles by Subtext for Red Bee Media Ltd 2011 | 0:58:33 | 0:58:37 | |
Email [email protected] | 0:58:37 | 0:58:40 |