Browse content similar to 03/07/2011. Check below for episodes and series from the same categories and more!
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Good morning. It's 10 o'clock and Amanda is back here in the hot seat | :00:12. | :00:18. | |
standing in for Louise. It is quite hot, actually. We need the air con | :00:18. | :00:23. | |
on. Our first guest is author, producer, comedian, actor and the | :00:23. | :00:30. | |
King of lovely, Danny Wallace. Hello! We shoulda, woulda, coulda | :00:30. | :00:35. | |
and we actually dida, the Queen of British soul will join us, it's | :00:35. | :00:42. | |
Beverley Knight. And they are here to do some cocktails and cook for | :00:42. | :00:52. | |
:00:52. | :00:53. | ||
you Andrew this week's telly. This is Something for the Weekend. | :00:54. | :00:56. | |
Good morning. Welcome to Something for the Weekend. Great to have you | :00:56. | :01:05. | |
back. We've got microphone problems? My levels were off. Story | :01:05. | :01:12. | |
of my life. How have you been? Really good. I had an amazing June. | :01:12. | :01:20. | |
I've been on holidays, or you say, hollibobs. I've been to Paris and | :01:20. | :01:26. | |
Ibiza. I believe Louise is on her holidays this week. Before the show | :01:26. | :01:31. | |
you were eating salmon and cucumber, which made us laugh, because you | :01:31. | :01:37. | |
are super-ing a detox? Ibiza left me a broken woman. It was pretty | :01:37. | :01:42. | |
intense. I came home and thought, I'm going to clean myself. Have a | :01:42. | :01:48. | |
wash, yeah. And did you feel better for your detox? Don't I look better, | :01:48. | :01:53. | |
Simon! Tim and I were just saying that. I was at Glastonbury last | :01:53. | :01:58. | |
weekend. How was that? The best thing I saw was the sun, when it | :01:58. | :02:03. | |
came up on the Saturday. I was that deep in mud but it was brilliant. | :02:03. | :02:10. | |
Did you glamp or camp? Neither! didn't hotel it, did you? Such a | :02:10. | :02:16. | |
ziv va. No, I didn't hotel it. I stayed in a house. A house! It was | :02:16. | :02:21. | |
good fun in my house. Who were your favourite snacks Yesterday we went | :02:21. | :02:27. | |
to the tennis. Thanks for the invite, by the way. We scoured the | :02:27. | :02:31. | |
souvenir shop to get you most expensive thing we could find. | :02:31. | :02:36. | |
God, here we go. Oh, you went to Wimbledon and that's all you | :02:36. | :02:42. | |
brought me back? It was fantastic. It was really, really good. Shar | :02:42. | :02:50. | |
sharp, was she grunting? Sharapova, was she grunting? It is | :02:50. | :02:58. | |
not as bad in real life. Why does she do it? To make sure they don't | :02:58. | :03:04. | |
hold their breath when they hit. We are joined by the soulful Beverley | :03:04. | :03:09. | |
Knight, here to talk about her new album of classic covers, her MBE | :03:09. | :03:13. | |
and 17 years of success. I will never be able to look at you same | :03:13. | :03:18. | |
way again, Tim. We have commandian and celebrity clomnust Danny | :03:18. | :03:24. | |
Wallace, who will be able to tell - - clom nist Danny Wallace, who will | :03:24. | :03:30. | |
be able to tell us about his amazing new programme. E-mail or | :03:30. | :03:39. | |
tweet us and we'll ask your questions. What's happening in the | :03:39. | :03:45. | |
kitchen today? Have you been doing raw juice? Yeah, juices and raw | :03:45. | :03:52. | |
food. That's what I have most days. Nuts, ham and apple. And water. | :03:52. | :03:59. | |
water. Ham is cooked. I'll explain it later, Tim, don't worry.? Well, | :03:59. | :04:04. | |
in the real world what we were cooking today, we start with a | :04:04. | :04:10. | |
baked paella salad. Think rice and add acidity in it, bizarrely adding | :04:10. | :04:18. | |
Viking tore the rice gives it a -- adding vinegar to the rice gives it | :04:18. | :04:24. | |
a delicious flavour. The main course is a lamb meat loaf. Meat | :04:24. | :04:30. | |
loaf is much maligned. Over here we tend not to eat it much, but it is | :04:30. | :04:34. | |
gorgeous. Delicious, loads of meat and lots of flavour. Really good | :04:34. | :04:42. | |
for a detox. I would like to acknowledge Julia Bradbury for her | :04:42. | :04:52. | |
:04:52. | :04:56. | ||
recipe for loukoumades. It is doughnuts basically, with yoghurt | :04:56. | :05:03. | |
and honey. How but get that recipe? It is her nan's recipe and I've | :05:03. | :05:10. | |
stolen it. And finally a declucks fish finger sandwich, salmon, and | :05:10. | :05:15. | |
making our own tartare sauce. You can't do poncy bread. You need | :05:15. | :05:23. | |
thick, sliced white. How are you getting away with doing that? | :05:23. | :05:28. | |
magnificent. Everyone will send you pictures of that next week. | :05:28. | :05:34. | |
Sandwich spread? Why don't we make that? What is it, mayonnaise? | :05:34. | :05:42. | |
Mayonnaise, chopped gherkins. what's that other stuff we ate as | :05:42. | :05:49. | |
kids? Toast Toppers. That's way, way before my time. All our recipes | :05:49. | :05:52. | |
are on our website - bbc.co.uk/somethingfortheweekend. | :05:52. | :05:59. | |
Here's some other stuff happening on the show today. Damien Lewis | :05:59. | :06:03. | |
struggles against the child traffickers in Stolen. | :06:03. | :06:13. | |
It is bedsit bedlam in comedy Him And Her. And we get down with the | :06:13. | :06:17. | |
songwriters in LA's Troubador club. We had a great time. It was | :06:17. | :06:26. | |
terrific. Looking forward to all of that and | :06:26. | :06:31. | |
especially to Wayne Collins's cocktails. Your detox is over. | :06:31. | :06:36. | |
Tomorrow is American Independence Day, so we've got two but bon | :06:36. | :06:42. | |
drinks and a cherry-infused but bon to try. Sounds cool. Before we | :06:42. | :06:49. | |
to try. Sounds cool. Before we drink we've got to cook. We were | :06:49. | :06:57. | |
making a paella salad. Paprika, turmeric, garlic and son on. | :06:57. | :07:04. | |
Watercress, stock, cherry tomatoes, peas, parsley, artichokes, good | :07:04. | :07:11. | |
Spanish extra Virgin olive oil and sherry vinegar. Slice that down the | :07:11. | :07:20. | |
middle, cut side down on the board and slice. Don't confuse me. Cut- | :07:20. | :07:30. | |
:07:30. | :07:32. | ||
side down. We don't want half moons. This way, as fine as you can get it. | :07:32. | :07:42. | |
:07:42. | :07:45. | ||
Tim, you can finely slice the garlic. Do you want to swap? | :07:45. | :07:53. | |
always stinks of garlic. You said that and people believe it. | :07:53. | :08:00. | |
fish fingers later. An awful smelly finger you've got. One of the | :08:00. | :08:05. | |
things I noticed yesterday, there are so many different types of food, | :08:05. | :08:10. | |
it did make me think of our Olympic stand when we have our hutch at the | :08:10. | :08:15. | |
Olympics. Are you really going to do that? Yeah, we haven't got any | :08:15. | :08:21. | |
tickets, it's the only way we can get in. We thought about names for | :08:21. | :08:30. | |
the stalls. I was taking my inspiration for a stall, a salad | :08:30. | :08:40. | |
bar, The Only Way Is Lettuce. Or if we did a beef jerky stall, we could | :08:40. | :08:46. | |
do Jerky Shors. I see what you did there. Did you watch these | :08:46. | :08:54. | |
programmes? Never. I can't stand those. I do like the Kardashians. | :08:54. | :09:01. | |
They all look the same. The mum looks the same age as the | :09:01. | :09:11. | |
:09:11. | :09:11. | ||
granddaughter. Why don't you call your stand wolverine or Joy... | :09:11. | :09:20. | |
don't know, do you? No, I don't. I'm doing well here. Well done! In | :09:20. | :09:29. | |
goes the onions... Thanks, dad! Cook this for a few minutes. | :09:29. | :09:33. | |
Ideally cook this slowly for five or six minutes to get the sweetness | :09:33. | :09:39. | |
from the onion and the garlic. I deliberately sliced the garlic | :09:39. | :09:43. | |
rather than crushed it. I like it as an ingredient rather than a | :09:43. | :09:47. | |
flavouring. If you crush garlic it gets through everything. If you | :09:47. | :09:53. | |
slice it, straight away you can smell the garlic begins the cook | :09:53. | :10:01. | |
rather than permeate through the on yofpbltmuck in the paella rice and | :10:01. | :10:08. | |
-- through the onion. Chuck in the paella rice. Valencia is the centre | :10:08. | :10:15. | |
of paella rice production. You see them harvesting rice from the paddy | :10:15. | :10:23. | |
fields. It is surreal. You don't think you would see that in Europe. | :10:23. | :10:33. | |
:10:33. | :10:40. | ||
I like paella. Is that how you say it? Paeya-yaaah! Is that just a | :10:40. | :10:47. | |
sound? One long sill billion. joy for me of paella ovaries Otto | :10:47. | :10:51. | |
is once we've stirred it round a bit, we are using veggie stock, | :10:51. | :11:01. | |
:11:01. | :11:02. | ||
then turn it down to a simmer. Bake for 20 minutes. None of this adding | :11:02. | :11:09. | |
liquid all the time. No stirring around. It is dead easy. This is a | :11:09. | :11:15. | |
basic paella. There is no fish or veg glis there, purely on -- | :11:15. | :11:24. | |
veggies in there, purely onion. Nice flavour, delicious. Amanda, | :11:24. | :11:29. | |
halve... What does it feel like eating food like that after your | :11:30. | :11:35. | |
diet, amazing? Are detox diets good for you? They are. You've got to | :11:35. | :11:40. | |
give your system a break. From what? From the old routine. How do | :11:40. | :11:46. | |
they cleanse new I'm not sure. body is very efficient as a piece | :11:46. | :11:50. | |
of machinery. Remember they say there is meat hanging round in you | :11:50. | :11:57. | |
for ten years? It is Frew! Our intestines a complex object. Well | :11:57. | :12:07. | |
:12:07. | :12:07. | ||
if there is stuff hanging around in you, go for a run, do star jumps, | :12:07. | :12:12. | |
that's what I do. There are so many toxins in the air today that we | :12:12. | :12:19. | |
didn't have many years ago. The cavemen didn't have. Have what? | :12:19. | :12:25. | |
these toxins. How do you know that? They told me... In my dreams. | :12:25. | :12:32. | |
they only lived until 12. Are you doing the caveman diet? No, what is | :12:32. | :12:39. | |
that? Is it just meat? Anything you would eat if you were a caveman. | :12:39. | :12:43. | |
Dinosaurs... And I've got a personal trainer. I'm going all out. | :12:43. | :12:47. | |
A personal trainer, have you really? How are you getting on with | :12:47. | :12:52. | |
your personal trainer? Great. Mine's really good. What do you do | :12:52. | :12:57. | |
with your personal trainer? He's brilliant, Nick. I don't think he | :12:57. | :13:01. | |
likes me very much. Y because you are lazy? He makes me do things I | :13:01. | :13:07. | |
don't want to do, and I'm sore the next day. Star jump stphrs Lots of | :13:07. | :13:17. | |
:13:17. | :13:18. | ||
running and -- star jumps, lots of running, all of that. We'll write a | :13:18. | :13:25. | |
book soon. Detox the star jump way. Right, we've got the rice. All | :13:25. | :13:30. | |
these ingredients we are adding separately and we bake it together. | :13:30. | :13:36. | |
Add a little sherry vinegar into there and a good glug of Spanish | :13:36. | :13:45. | |
extra Virgin olive oil. Sprinkle salt and pepper. Add the cherry | :13:45. | :13:51. | |
tomatoes, peas, artichokes. Tim, chuck in the parsley and Amanda | :13:51. | :13:57. | |
stir it round. Now the rice is cooked and it is open, the way it | :13:57. | :14:01. | |
is soft. That does smell really good. All of a sudden you get that | :14:01. | :14:05. | |
lovely smell and the acidity goes into the rice. You change the way | :14:05. | :14:11. | |
the rice behaves. Rather than it being stodgey and sweet and dry, | :14:11. | :14:15. | |
now you've got a lovely, delicious, and look at the colours in this. | :14:15. | :14:22. | |
You could add whatever you want. Chilled prawns in there would be | :14:22. | :14:26. | |
lovely. Chorizo would be delicious. I'm layering this with watercress. | :14:26. | :14:33. | |
I think this is nice to do as one big bowlful really. You are making | :14:33. | :14:39. | |
sure you are allowing juice to come out. A touch more of that. Finally | :14:39. | :14:46. | |
a bite of that. You've got the pepperyness in there. One of the | :14:46. | :14:50. | |
things about it is making sure you've got good ingredients | :14:50. | :14:54. | |
organisation so good sherry vinegar and olive oil. That's really | :14:54. | :14:58. | |
delicious. Very fresh. It is bizarre how a bit of vinegar on | :14:58. | :15:08. | |
:15:08. | :15:11. | ||
Main course? It won't be your cup of tea, it's a lamb meatloaf, | :15:11. | :15:19. | |
hearty American. I am back on the meat again. As Ulster, you can get | :15:19. | :15:23. | |
all -- as always, you can get all of today's recipes on our website. | :15:23. | :15:32. | |
Now a preview of a beautifully directed programme on the subject | :15:32. | :15:42. | |
:15:42. | :16:02. | ||
of child trafficking, this is Hello, this is Rosemary. Come in. | :16:02. | :16:06. | |
I will show you where you will be sleeping. You must be very tired. | :16:06. | :16:16. | |
:16:16. | :16:25. | ||
Do you want to follow me. Come on. Keisha. What. This is Rosemary. | :16:25. | :16:34. | |
She's going to be staying with us for a couple of days. Another one. | :16:34. | :16:44. | |
:16:44. | :16:59. | ||
When Rosemary is in the house I always want the doors locked. I | :16:59. | :17:03. | |
want all phones out of sight at all times. She's my only link to the | :17:03. | :17:06. | |
trafficker and I do not want to lose her. Then put a policeman on | :17:06. | :17:16. | |
:17:16. | :17:23. | ||
the door. As far as security goes You can catch Stolen starring | :17:23. | :17:28. | |
Damien Lewis tonight at 9.00pm on BBC1 and BBC1 HD. Our first guest | :17:28. | :17:33. | |
has released his best selling books, written blockbuster movies, | :17:33. | :17:36. | |
presented TV shows and even tried to represent the UK at the | :17:36. | :17:46. | |
:17:46. | :18:25. | ||
Eurovision Song Contest. Not busy A man of very many talents, clearly. | :18:25. | :18:29. | |
Welcome Danny Wallace. It's about time my music was broadcast to a | :18:29. | :18:34. | |
wider audience. I am pleased, at last. Did you get nil points? | :18:34. | :18:41. | |
went ungraded because I wasn't allowed to enter, sadly. I went to | :18:41. | :18:44. | |
Brussels and met the man in charge of the thing, I told him I wanted | :18:44. | :18:49. | |
to bring the music back to the people. What is he like, is he like | :18:49. | :18:53. | |
Sepp Blatter? That's a football reference and you know I don't know | :18:53. | :18:56. | |
what you are talking about. I will say yes if that helps in that he | :18:56. | :19:01. | |
has a foreign sounding name. I wanted to write a song about people | :19:01. | :19:06. | |
coming together. Stop the mugging, start the hugging was born. | :19:06. | :19:10. | |
didn't work. Good one to start on. We were discussing before the show, | :19:10. | :19:15. | |
you are doing so many things. What are you, Danny Wallace? If you were | :19:15. | :19:20. | |
to go to the dole office now what is your job description? I am a | :19:20. | :19:24. | |
writer. That's what I do and other stuff. My whole philosophy about it | :19:24. | :19:27. | |
is try and have fun and do things that are fun and try and do them | :19:28. | :19:31. | |
well so you get asked to have more fun later. The writing is my job. | :19:31. | :19:37. | |
If I am in a cab and they ask me I don't want to say so I say I work | :19:37. | :19:41. | |
at Argos and that kills it dead. they say how many of those free | :19:42. | :19:46. | |
pens do you get? They don't. That's what I would ask. It's all | :19:46. | :19:53. | |
automated - we are getting into specific Argoes-based... You write | :19:53. | :19:56. | |
a brilliant column in Shortlist about awkward situations you have | :19:56. | :20:01. | |
got into and people find themselves in, it's Danny Wallace is a Man. | :20:01. | :20:05. | |
write that. It didn't start that way. It developed into me writing | :20:05. | :20:08. | |
about things that would happen to me and my friends, strange | :20:08. | :20:13. | |
situations. Give us an example. Like I don't know how to walk | :20:13. | :20:19. | |
behind a woman I don't know at night. It's an awkward thing. You | :20:19. | :20:23. | |
immediately think, arrogantly somehow... You think about your | :20:23. | :20:27. | |
breathing. That they see you as a threat. You can't just go "I am not | :20:27. | :20:31. | |
a threat" because that seems weird and if you slow down that's odd and | :20:31. | :20:36. | |
speed up that's worse. I developed a technique, a jaunty whistle to | :20:36. | :20:43. | |
put them at their ease. That's worse. It made it into like a | :20:44. | :20:52. | |
horror movie. Whistle Killer! then got all of those stories made | :20:52. | :20:59. | |
into a book. Put them together as a book last year, Awkward Situations | :20:59. | :21:03. | |
For Men. Have you had awkward situations this morning? One when I | :21:03. | :21:07. | |
walked into the wrong room and saw Tim ironing his own shirt. I have | :21:07. | :21:11. | |
learned a lot about you today, you are you are terrible at Spanish, we | :21:11. | :21:15. | |
established that and you mainly eat ham and nuts. Actually, that's a | :21:15. | :21:20. | |
lie, I just eat apples now. just eat apples. Kind of, I do like | :21:20. | :21:24. | |
apples. Is that bad? I suppose if you are the host of a show that | :21:25. | :21:31. | |
involves a lot of cooking it's not ideal. It's awkward. Elliot says | :21:31. | :21:36. | |
are the stories in your books exaggerated for comedy effect or | :21:36. | :21:42. | |
genuine? They're the way I would tell them to you if if you are in | :21:43. | :21:48. | |
the the pub. It's the way I would tell an anecdote. I write like I | :21:48. | :21:54. | |
speak, but posher. That's my rule for writing. I met Dylan Jones the | :21:54. | :21:58. | |
other night, editor of GQ and he says you have been out to interview | :21:58. | :22:06. | |
Charlie Sheen. I did a little piece for GQ. Was he he sober? I brought | :22:06. | :22:11. | |
a $750 ticket to sheus show -- to his show which earns you ten | :22:11. | :22:15. | |
seconds with Charlie Sheen and I met him. Did you? I met him and it | :22:15. | :22:19. | |
was weird, he was doing his live tour across the States and I went | :22:19. | :22:24. | |
to Texas and it was a very strange show and I wasn't sure I wanted to | :22:24. | :22:27. | |
meet him after watching it. I knew I would have ten seconds so the | :22:27. | :22:32. | |
piece is about what I was going to ask him. In ten seconds? Yeah. | :22:32. | :22:35. | |
Brilliant and your impressions of the man and everything. And the | :22:35. | :22:44. | |
fans, yeah. Your book got made into - is it a sitcom? Yeah, for ABC in | :22:44. | :22:49. | |
America last year. It was a pilot, so you go out there and it's an | :22:49. | :22:53. | |
extraordinary experience in going out there with my little boy and | :22:53. | :23:00. | |
being on the set and the director and stuff and that brought its own | :23:00. | :23:03. | |
situations, to get the visa sorted I sought this thing I shouldn't | :23:03. | :23:09. | |
have seen, the company plying me -- flying me over said I was an actor | :23:09. | :23:15. | |
of international renoun and I am not. I have had a 15 second bit in | :23:15. | :23:22. | |
the IT Crowd and not sure that's enough. They let you in. Then they | :23:22. | :23:26. | |
decided they wanted it with an audience and maybe a baby. Get the | :23:26. | :23:32. | |
baby in there. We shot it, not the baby, I do apologise, we shot the | :23:32. | :23:38. | |
pilot at that stage and so it was very hard to CGI in a baby. Then | :23:38. | :23:46. | |
they decided that what they wanted really was female comedy, comedy | :23:46. | :23:51. | |
based around women and mine was called Awkward Situations For Men. | :23:51. | :23:59. | |
Rename it. How was your acting. looks like a proper sitcom. And | :23:59. | :24:05. | |
it's shot in that way and we are in yellow cabs and looks like Seinfeld | :24:06. | :24:10. | |
and there's me walking down the middle in my ordinary clothes. It's | :24:10. | :24:15. | |
a strange one, yeah. I had to act at being an actor who was good at | :24:15. | :24:19. | |
acting. Everything you write seems to almost turn to gold. You wrote | :24:19. | :24:24. | |
Yes Man which turned into a movie with Jim Carrey. You have written a | :24:24. | :24:29. | |
first fiction novel which is being picked up for a movie. Yeah, I | :24:29. | :24:34. | |
haven't really talked about this. I wrote a novel and just handed it in | :24:34. | :24:40. | |
and it comes out in a year and Working Title have picked it up. | :24:40. | :24:46. | |
It's a romantic comedy and they've made all my favourite comedies ever. | :24:46. | :24:49. | |
They have made Notting Hill. Four Weddings and that kind of | :24:49. | :24:55. | |
stuff. How jammy are you! Maybe talented and not jammy. I go for a | :24:55. | :25:02. | |
bit of both. The book's not even out, how do they get it? They take | :25:02. | :25:08. | |
it to the publishers? There's various processes involved and it | :25:08. | :25:11. | |
gets sent out to foreign publishers as well so they can pick it up if | :25:11. | :25:18. | |
they want to. What is the book about? It's about a man and a lady. | :25:18. | :25:24. | |
This is different. A thing that happens. Oh! Controversial. I will | :25:24. | :25:32. | |
wait until next year. Will you come back? This is very much a a teaser | :25:32. | :25:35. | |
campaign. Are you going to be playing yourself in it? I would | :25:35. | :25:40. | |
like to have a cameo. I did a cameo in Yes Man, maybe that's why they | :25:40. | :25:43. | |
thought I was an international actor, and I was standing at the | :25:43. | :25:45. | |
end of a bar looking very uncomfortable and out of place but | :25:45. | :25:50. | |
with a British pint glass. I would like to maybe try and re-create | :25:50. | :25:59. | |
that same cameo in any films I am able to get ever, so one day in an | :25:59. | :26:04. | |
infinite universe someone downloads those same films and always sees | :26:04. | :26:10. | |
the same man at the boar. -- at the bar. We can't go without talking | :26:10. | :26:18. | |
about your latest book, More Awkward Situations For Men. Is it | :26:18. | :26:24. | |
Is it different or same stories rehashed in posh writing. I changed | :26:24. | :26:28. | |
the font. It's much more stuff and I will a little boy now, so there | :26:28. | :26:35. | |
are elements of the situations that happens there. Being a dad. There's | :26:35. | :26:39. | |
the day my kid turned into a toddler, he went from a baby, into | :26:40. | :26:44. | |
a proper person person with kind of - either incredibly happy because I | :26:44. | :26:47. | |
made a ridiculous noise or incredibly sad, throwing his arms | :26:47. | :26:56. | |
in the air, despair because I won't let him him throw a pear out of a | :26:56. | :27:02. | |
window at a policeman. And how I became a star of a advertising | :27:02. | :27:05. | |
campaign throughout Egypt. There is a picture of me with a monkey, I | :27:05. | :27:10. | |
love the picture and someone in Egypt must have Googled funny | :27:10. | :27:16. | |
monkey, and found this, and blew it up over massive billboards over | :27:16. | :27:21. | |
Cairo and Luxor without telling me. What is it for? I am happy to | :27:21. | :27:28. | |
endorse them, the Africa Safari and Hotel Chain, no money has changed | :27:29. | :27:34. | |
hands for this. I am the monkey man of Egypt. You are going to hang | :27:34. | :27:37. | |
around and get involved with our gadgets this week. What are we | :27:37. | :27:41. | |
looking at, Nicki? As you can see from the stylish bicycle, Tour de | :27:41. | :27:46. | |
France started yesterday so we are going to be looking at the coolest | :27:46. | :27:53. | |
bikes on the market. Is it too late to pull out of the show? If you | :27:53. | :27:58. | |
want your lunch, you have to hang around. Danny will be cooking | :27:58. | :28:02. | |
pudding as well as that. If you have any questions for him or | :28:02. | :28:07. | |
Beverley you can tweet or e-mail them. We are going to be travelling | :28:07. | :28:16. | |
back in time now but you won't need the DeLorean, Marty McFly. I was | :28:16. | :28:24. | |
only interested in the hoverboard. 88 stks mph -- 88mph. Thanks for | :28:24. | :28:34. | |
:28:34. | :28:52. | ||
#. Winnie Mandela never looked like a woman sentenced to years in jail. | :28:52. | :28:57. | |
Out on bail straightaway pending her appeal against sentence and | :28:57. | :28:59. | |
conviction. The organisers of last night's | :28:59. | :29:03. | |
Pavarotti concert in Hyde Park say the event was a huge success, | :29:03. | :29:08. | |
despite the heavy rain which drenched the 100,000-strong crowd. | :29:08. | :29:18. | |
Tonight, the Royal Albert Hall staged one of its most unusual | :29:18. | :29:28. | |
:29:28. | :29:30. | ||
I don't have to stand here and justify my actions to you, next | :29:30. | :29:34. | |
time you can pick up your own mail. Another thing, if I find one more | :29:34. | :29:42. | |
of those stupid yellow notes I may not be responsible for my actions. | :29:42. | :29:52. | |
:29:52. | :29:57. | ||
That was Angus Deayton. Yes. What do KLF do now? They have just | :29:57. | :30:02. | |
reformed actually and played a couple of gigs They burnt a couple | :30:02. | :30:10. | |
of million pounds, remember that? Did they though? What year was | :30:10. | :30:18. | |
that? 87 or 88? I think it is 87 or '88. I say 87. I'm now to see what | :30:18. | :30:22. | |
'88. I say 87. I'm now to see what you've cooked from last week's show. | :30:22. | :30:29. | |
This is Amy Lyttelton and this is their tiny dog Travis, and this is | :30:29. | :30:39. | |
:30:39. | :30:40. | ||
only James Martin. Really? Look very green, those peas. They made | :30:40. | :30:46. | |
the crab risotto cakes, which are yummy. How big are those dog's | :30:46. | :30:53. | |
ears? Massive. What would you call that dog fit was yours? Come back | :30:53. | :31:00. | |
to me. Gary Lineker. Prince Charles. I don't know, cliche comedy. This | :31:00. | :31:05. | |
is Ben and Harrison. If there's a manufacturer looking for a cute kid | :31:05. | :31:11. | |
to endorse a product, look at his little face. Brilliant. Chocolate | :31:11. | :31:19. | |
swirl cake. It was Ben's 9th birthday. Kay and Sian are from | :31:19. | :31:26. | |
Kettering. The doggy is called Sky. Dressing up animals. What's that | :31:26. | :31:30. | |
Dressing up animals. What's that one there? It is a snake. No, it's | :31:30. | :31:37. | |
not a snake, it's got legs! It is not a snake, it's got legs! It is | :31:37. | :31:40. | |
some form of lizard-type beast. Is it a really large newt? We need to | :31:40. | :31:45. | |
know. If this is you... It's a dragon. What is it? I don't know. | :31:45. | :31:50. | |
We'll find out, if you were watching. There is lots of people | :31:50. | :31:56. | |
at home who know. Somebody is muttering in my ear. I love this, a | :31:56. | :32:00. | |
beautifully framed shot. Kirsty from Lincoln. That girl there with | :32:00. | :32:04. | |
her Cham eel onwhich you can't see, because it's blended into the | :32:04. | :32:14. | |
:32:14. | :32:25. | ||
course? Lamb meat loaf. Meat and bread, right? Pretty much. It is | :32:25. | :32:31. | |
all leftovers. With the exception of fresh parsley I'm using dried | :32:31. | :32:41. | |
:32:41. | :32:48. | ||
herbs. We've got bacon. Minced lamb, minced pork, cook off some of the | :32:48. | :32:53. | |
bacon. Lamb and pork, why? Because of the | :32:53. | :32:58. | |
fat content will hold it together. The lamb, while it is fatty, lots | :32:58. | :33:03. | |
of fat will come out of the lamb and it can shrink. I thought meat | :33:03. | :33:13. | |
loafs were made out of beef. They are, generally speaking. I think | :33:13. | :33:19. | |
lamb and pork is an interesting combination. We've got parsley, our | :33:19. | :33:25. | |
only fresh ingredients. Bacon, onion, celery, Worcestershire sauce, | :33:25. | :33:35. | |
:33:35. | :33:48. | ||
do rehearsalst at 7.30am and on air I can't remember how to do this. | :33:48. | :33:52. | |
Surely there is an order to everything, Simon? There is, but | :33:52. | :33:56. | |
when you are staging it for the purposes of television it is | :33:56. | :33:59. | |
different. From a reality point of view you soak the bread with the | :33:59. | :34:05. | |
egg and the milk. Then we mash it. I will do that while you finely | :34:05. | :34:12. | |
chop that. I will chop the celery. Soak this for 20 minutes or so. The | :34:12. | :34:17. | |
milk and the egg start to break down. You need to work this quite | :34:17. | :34:25. | |
well so it becomes (Inaudible). How many recipes don't have an onion in | :34:25. | :34:31. | |
it? Only three, and they are all desserts! Mix all of that together | :34:31. | :34:41. | |
:34:41. | :34:42. | ||
and really break it down. On yon is a -- onion is a good basis for most | :34:42. | :34:50. | |
things. If somebody in a restaurant is allergic to onions you really | :34:50. | :35:00. | |
:35:00. | :35:05. | ||
struggle. Try another restaurant. It is a difficult one. | :35:05. | :35:11. | |
Mash all this together. Thenly chuck in our spices into there and | :35:11. | :35:16. | |
chuck in the mustard and the Worcestershire sauce. Amazing time | :35:16. | :35:21. | |
for sport at the moment isn't it? Brilliant. The fight last night. | :35:21. | :35:27. | |
Disappointed, are you? A bit disappointed. I really wanted David | :35:27. | :35:33. | |
Haye to win that. I loved the hype and the build-up. The tennis, who | :35:33. | :35:39. | |
do you want to win today? As a person I like Rafael Nadal. One of | :35:39. | :35:43. | |
the I like mostly about this Championships a picture of him in | :35:43. | :35:49. | |
his local supermarket shopping is, because he likes to cook. I like | :35:49. | :35:54. | |
Nadal. I want to go for him. Tour de France started. Did you see the | :35:54. | :36:04. | |
:36:04. | :36:07. | ||
crash? No, I red about it but didn't see it. I'm not really a | :36:07. | :36:11. | |
summer sports person. That's a disgrace. Next year you've got the | :36:12. | :36:20. | |
Olympics as well. Olympics and euro 2012. A huge summer of sport. What | :36:20. | :36:27. | |
am I doing? Mix it all together. The simplicity of a meat loaf is it | :36:27. | :36:32. | |
all gets cooked together. Get your hands In goes the pork and the lamb. | :36:32. | :36:39. | |
Plenty of seasoning. The key to a meat loaf is loads of salt, and | :36:39. | :36:47. | |
particularly pepper. You are aiming to mix that so it all becomes one, | :36:47. | :36:52. | |
so rather than having pockets of bread and meat, you want to turn in | :36:52. | :37:01. | |
into a complete ingredient. The parsley gives it that fresh | :37:01. | :37:05. | |
grassiness. It is a much-maligned thing, meat loaf. If you go to the | :37:05. | :37:09. | |
United States it is everywhere, but we never have it here. We always | :37:10. | :37:14. | |
think it is going to be rubbish. With our leftovers we make bubble | :37:14. | :37:21. | |
and squeak, or Scouse in your case. That will become the national dish | :37:21. | :37:26. | |
come the revolution. Get right in there, Tim. I am, I can't get any | :37:26. | :37:32. | |
more in there, Simon! Everything's in there! A big bowl is essential, | :37:32. | :37:38. | |
so you can really work it. We are on the brink of that bowl being too | :37:38. | :37:43. | |
small. The big ter bowl the more you can get -- bigger the bowl, the | :37:43. | :37:48. | |
more you can get stuck in there. With the tennis I liked all of the | :37:49. | :37:54. | |
kit that the ballboys and line judges had. They looked really cool. | :37:54. | :37:59. | |
They looked really smart with the diagonal cross. I thought it was a | :37:59. | :38:09. | |
:38:09. | :38:14. | ||
fantastic day. It was great. Louis Vuitton was great. How is your -- | :38:14. | :38:20. | |
Kvitka was great. How is your tennis coming on? I was a one- | :38:20. | :38:25. | |
hander and I saw Nadal the other day and thought, I should should be | :38:25. | :38:31. | |
doing two hands. Roger and Pistol Pete are single-handed. I was | :38:31. | :38:37. | |
modelling my game on them. My coach thinks my weapon's my forehand. I | :38:37. | :38:45. | |
think it's my smile. LAUGHTER will be a long season. Now it's | :38:45. | :38:49. | |
mixed together, all of it goes in there. The key is to make sure | :38:49. | :38:57. | |
these corners are filled. hearing that animal is called a | :38:57. | :39:01. | |
blue-tonged skink. I've never heard of one of those before. The key is | :39:01. | :39:06. | |
getting it into the corners. What will happen is the meat will shrink | :39:06. | :39:11. | |
as it cooks. If you don't really pack it down, what will happen is | :39:11. | :39:17. | |
that as the meat shrinks, when you turn this out you will end up with | :39:17. | :39:22. | |
a meat Oval, and we want this to be really deliciously packed into the | :39:22. | :39:28. | |
corners. Once it's gone in, to keep more fat in it, the same way that | :39:28. | :39:34. | |
you could... What animal is a skink? I didn't know what it was | :39:34. | :39:42. | |
from the pictures, there is no point asking me now. I think it's a | :39:42. | :39:52. | |
2011er -- dweller of the Amazonian rainforest. What does it eat? | :39:52. | :39:58. | |
Bacon on top keeps it moist. We bake that for an hour. I think | :39:58. | :40:03. | |
somebody just made that up and tweeted it in. And we were so | :40:03. | :40:07. | |
paranoid that there is something we Knight not know that we've taken it | :40:07. | :40:14. | |
as fact. -- we might not know that we've taken it as fact. That smell | :40:14. | :40:21. | |
is really great. I think it is the bacon. The bacon and the herbs. | :40:21. | :40:27. | |
I can smell pork. And the lamb in the middle, you get that fattiness | :40:27. | :40:34. | |
of the lamb. That is a fantastic smell. If you want to do something | :40:34. | :40:41. | |
different for Sunday dinner. Let it sit for five minutes before you | :40:41. | :40:49. | |
carve it. That is glorious. We have a lovely big slab of our meat loaf. | :40:49. | :40:55. | |
With it we serve. Danny, do you want to try this? Mashed potato. | :40:55. | :41:02. | |
And we serve some greenery, in our case green beans. We serve it | :41:02. | :41:09. | |
with... Dany, as you are the face of wildlife in Egypt, what's a | :41:09. | :41:18. | |
skink? Have you heard of a blue- tonged skink? No, that's why I like | :41:18. | :41:24. | |
this show. Educational. So you get the juicy moistness that the bread | :41:24. | :41:28. | |
gives it. You've got bacon, pork and lamb and the spices. And it is | :41:28. | :41:36. | |
great cold as well. That's yummy. Meat loaf can be for every day of | :41:36. | :41:42. | |
the week. We are making loukoumades, Danny, as you well know. Is that | :41:42. | :41:48. | |
the Greek thing? It is what the blue-tongued lizards eat. They do | :41:48. | :41:53. | |
like loukoumades. If you want to make any of that or today's recipes, | :41:53. | :41:56. | |
go to our website - bbc.co.uk/somethingfortheweekend. | :41:56. | :42:01. | |
In your mouth, Tim. That's the same In your mouth, Tim. That's the same | :42:01. | :42:05. | |
address if you wants to e-mail questions for Danny Wallace or | :42:05. | :42:12. | |
Beverley Knight. @SFTW. Quite a racy comedy, set in their bedsit it | :42:12. | :42:22. | |
:42:22. | :42:23. | ||
stars Russell Tovey and his girlfriend in Him And Her. Steve? | :42:23. | :42:33. | |
:42:33. | :42:33. | ||
Why have you put your mug face down on the floor? Chuck it out if | :42:33. | :42:38. | |
window. You can get AIDS from a spider. I read it on a website. | :42:38. | :42:45. | |
a man for once in your life and get rid of the spied err. Alright, give | :42:45. | :42:55. | |
:42:55. | :43:01. | ||
me that. Stand back! Stay behind me. Oh, God. | :43:01. | :43:08. | |
I'll deal with him in a minute when I've worked out a plan. Up side | :43:08. | :43:18. | |
:43:18. | :43:23. | ||
down. You put a mug up side down, not face down. DOORBELL RINGS | :43:23. | :43:33. | |
:43:33. | :43:39. | ||
Ignore him. I can't. You can meet Him And Her if you are up late on a | :43:39. | :43:46. | |
Wednesday at 11.15pm on BBC One. Our next guest burst on the music | :43:46. | :43:51. | |
scene in 1995. She's worked with the likes of Stevey wonder and | :43:51. | :43:57. | |
Prince. And picked up an MBE while churning out hits like these. | :43:57. | :44:01. | |
# Hold on to the beautiful night # There is no need to worry | :44:01. | :44:10. | |
# Because I won't turn on the light # Oh, I wish I had done a little | :44:10. | :44:14. | |
bit more # I shoulda, woulda, coulda means | :44:14. | :44:21. | |
I'm out of time # And I wonder, wonder what I'm | :44:21. | :44:26. | |
gonna do # Shoulda, woulda, could da are the | :44:27. | :44:36. | |
:44:37. | :44:41. | ||
# Come as you are # Don't be shy | :44:41. | :44:51. | |
:44:51. | :44:52. | ||
# Don't deny Welcome back, Beverley Night, you | :44:52. | :44:57. | |
played with Prince, what was he like? Absolutely mind-blowing, | :44:57. | :45:00. | |
there are no words. It was incredible. The whole thing was | :45:00. | :45:04. | |
like did this really happen? It was like a dream. Didn't he fly you to | :45:04. | :45:09. | |
LA? He did. I didn't know why I was going. I was told it's a meeting, | :45:09. | :45:13. | |
but when I got there I realised it was Oscars weekend, I thought | :45:13. | :45:18. | |
what's going on? Yeah, it turned out he wanted me there to sing at | :45:18. | :45:23. | |
his Oscars party. Have you been to the purple Palace? I haven't yet, | :45:23. | :45:30. | |
because the home in LA was rented house, but I am waiting. Have you | :45:30. | :45:33. | |
spent time with him socially, did you get to hang out with him? | :45:33. | :45:38. | |
I got there he called me at the hotel, I was like this because it | :45:38. | :45:44. | |
was the jet-lag had kicked in. We chatted on the phone for a good 20 | :45:44. | :45:50. | |
minutes and I was like, yeah, yeah, wake up! But then the next day when | :45:50. | :45:55. | |
it was Oscars party day and the Oscars we kind of spent time | :45:55. | :46:01. | |
together talking music, he was playing me demos. Is he a laugh? | :46:01. | :46:07. | |
is, honestly. Does he wear that stuff in his normal outfits or | :46:07. | :46:11. | |
tracksuits or stuff. He does not dress down. The way - it's like he | :46:11. | :46:15. | |
kind of full fills everything you want him to, to be honest. He is | :46:15. | :46:20. | |
not like going up the shop in my trackies. He is totally - that's | :46:20. | :46:26. | |
him all the time. 17 years you have been around, we were talking about | :46:26. | :46:36. | |
:46:36. | :46:38. | ||
it. You have had an incredibly long year. I --. A long career. I do | :46:38. | :46:41. | |
feel grateful and humbled. It's the fans who have done it and they're | :46:41. | :46:46. | |
amazing. It's been quite an incredible career I have had. | :46:46. | :46:50. | |
that time how has the music industry changed for you? You have | :46:50. | :46:54. | |
a few things to say about the way things have gone of late. I always | :46:54. | :47:01. | |
have something to say! Me and my opinions. Yeah, I have seen so many | :47:01. | :47:07. | |
revolutions really in how music, not only is bought, but how it's | :47:07. | :47:11. | |
actually received. Back in the day when I started Top of the Pops was | :47:11. | :47:15. | |
a massive event. We haven't even got that any more. In fact, we | :47:15. | :47:21. | |
hardly have any music shows, apart from Jools Holland which is a | :47:21. | :47:26. | |
delight for any musician, you get to play live. In the past decade | :47:26. | :47:31. | |
more or less, we have seen shows like X Factor come up and I worry | :47:31. | :47:36. | |
about shows like that because... You have been outspoken about it | :47:36. | :47:41. | |
recently. Didn't you call it a monstrosity or something? It's the | :47:41. | :47:47. | |
machine that I find so, oh my God, you know, it's overwhelming. These | :47:47. | :47:51. | |
kids go in, they're like yes I want to do it and I am like do you | :47:51. | :47:54. | |
really understand the industry? Do you know what you are getting into? | :47:54. | :47:59. | |
Do you know that folk at home in auditions spend time laughing and | :47:59. | :48:06. | |
stuff like that? I think it's so... When you got into the industry you | :48:06. | :48:09. | |
didn't know, so they've come in. They've sailed in at a level where | :48:09. | :48:15. | |
it's like everybody's going to watch you make your mistakes, your | :48:15. | :48:19. | |
triumphs, everything. The ones who make it, there's very few. On one | :48:19. | :48:26. | |
hand. Leona Lewis. It was a great way for her to get through. | :48:26. | :48:29. | |
Arguably, she was going to get through anyway, because a voice | :48:29. | :48:36. | |
like that, that comes through and I would put Alex Burke in the same | :48:36. | :48:41. | |
category. Fantastic. Love her. When people like that come along they | :48:41. | :48:50. | |
rarely get ignored. It's like OK, Alex and Leona and there's tens of | :48:50. | :48:54. | |
thousands of others who end up on the telly, everybody knows them and | :48:54. | :48:59. | |
they fade away. They're set up for a fall basically. A lot of the time. | :48:59. | :49:03. | |
It's tough for the music companies now, the labels, they can't invest | :49:03. | :49:09. | |
in someone like Leona because they don't make money out of record | :49:09. | :49:14. | |
sales. By getting them on X Factor people will buy it, it's a quick- | :49:14. | :49:18. | |
fix for them as well. It is a quick-fix scenario for them and if | :49:18. | :49:24. | |
I am wearing my record label hat I can understand that. But my concern | :49:24. | :49:28. | |
is first and foremost for the people who go on it because of the | :49:28. | :49:33. | |
way the show is. It's a great TV show, it's good to watch, but | :49:33. | :49:38. | |
because of the more serious element of it being part and parcel of the | :49:38. | :49:41. | |
music industry, that's when I can see the cracks. That's when I see | :49:41. | :49:46. | |
the problems. If you don't understand an industry you are | :49:46. | :49:51. | |
getting into in any way, shape or form and you go in at top drawer, | :49:51. | :49:54. | |
your first tour is Wembley arena, for example, it's overwhelming and | :49:54. | :50:00. | |
if you make any tiny error, everybody gets to see it. That's | :50:00. | :50:05. | |
concerning. I made all my mistakes along the way. Maybe they should do | :50:05. | :50:08. | |
a show where they go and look at everybody after they've been on | :50:09. | :50:15. | |
these shows and see what they're doing and how their lives are good | :50:15. | :50:22. | |
or bad. The after effect. Let's do it! Let's talk about your music. | :50:22. | :50:29. | |
You are doing an album of cover versions. It has more depth, it has | :50:29. | :50:36. | |
a concept. Yes, it's me covering some of the great British songs | :50:36. | :50:40. | |
that we have either forgotten about or forgotten about careers of the | :50:40. | :50:44. | |
people who have done it. I am trying to celebrate them. It's like | :50:44. | :50:48. | |
my love letter to these guys who enabled me to have the career that | :50:48. | :50:52. | |
I have got. They paved the way. They're your inspirations. | :50:52. | :50:57. | |
Absolutely. Run through some of the acts. At the big end of the scale | :50:57. | :51:02. | |
we have got the amazing George Michael, who I absolutely love and | :51:02. | :51:10. | |
I have done his track One More Try. You have Jamiroquai and with both | :51:10. | :51:14. | |
those guys sometimes we forget their back catalogue and how | :51:14. | :51:17. | |
amazing they are. Sometimes the personal life gets talked about a | :51:17. | :51:26. | |
lot. Then you go along and I have people like Omar, a British soul | :51:26. | :51:33. | |
stalwart. You have Jacqui Graham from Wolverhampton and songs that | :51:33. | :51:38. | |
came out when I was little and I remember, Soul II Soul, of course. | :51:39. | :51:48. | |
:51:49. | :52:02. | ||
It's a mix. Junior is the single. # At the time he couldn't | :52:02. | :52:06. | |
understand # Mama used to say | :52:06. | :52:10. | |
# Take your time young man # Don't you rush | :52:10. | :52:20. | |
:52:20. | :52:25. | ||
# Mama used to say This remind me of Soul Train which | :52:25. | :52:34. | |
we used to tune into. I used to fancy Geoffrey Daniels. What's the | :52:34. | :52:43. | |
name of the album? It's Soul UK. Does what it says on the tin. | :52:43. | :52:46. | |
totally does. Thank you so much. Beverley is going to stay around | :52:46. | :52:54. | |
for the rest of the show. You want to see her shoes. Huge. You can | :52:55. | :53:02. | |
tweet or e-mail us with any questions. | :53:02. | :53:09. | |
There's loads to come on the show, including all of this. | :53:09. | :53:15. | |
Joni Mitchell hung out there, it was the Troubadour Club. I thought | :53:15. | :53:23. | |
she was Shakespeare reinkarpbated. Simon is cooking a deluxe fish | :53:23. | :53:28. | |
finger sandwich. It's the last chance to see the | :53:28. | :53:36. | |
tortured Luther. Danny Wallace has joined Simon and | :53:36. | :53:41. | |
me in the kitchen. Writing comedy, acting. There's no end to your | :53:41. | :53:47. | |
talents. Cooking. I can't remember what you were like last time. | :53:47. | :53:55. | |
terrific. What have you cooked since? I cooked loukoumades. Funny | :53:55. | :53:59. | |
enough we are doing them again just because you are back. Do you know | :53:59. | :54:04. | |
loukoumades? I never met him. A little joke there there! I have | :54:04. | :54:08. | |
seen Simon do a similar thing before. So, I am aware of it, but I | :54:09. | :54:15. | |
would like to know how to make it. Thank you. That's a nice intro. The | :54:15. | :54:22. | |
sauce, we have lemon, honey, water and sugar. The loukoumades are | :54:22. | :54:27. | |
fundamentally a donut, a fried batter thing. We have flour sifted | :54:27. | :54:33. | |
well, honey, warm water, salt and yeast. So, Mr Wallace, if you would | :54:33. | :54:43. | |
:54:43. | :54:49. | ||
like to dip in the salt and yeast, spoon. As you stir, gradually add | :54:49. | :54:53. | |
the water. You are trying to avoid it being too lumpy really. Got you. | :54:53. | :54:58. | |
We are just three guys hanging out making pudding. It's what we do. | :54:58. | :55:08. | |
:55:08. | :55:09. | ||
Awkward situation. I went a little bit bit gloopy there. You are | :55:09. | :55:15. | |
trying to mix this together without it being too lumpy, but equally | :55:15. | :55:20. | |
without beating the life out of the flour because they'll become too | :55:20. | :55:24. | |
stiff. Honey in there for flavour. As you talk about men's issues, | :55:24. | :55:33. | |
where are you with man hugs? I am all for man hugs. I enjoy man hugs, | :55:33. | :55:39. | |
I encourage them. You struggle, don't you? What do we do now. | :55:39. | :55:43. | |
Remain like this for a while. finding it uncomfortable. It's the | :55:43. | :55:51. | |
back pressure is a tricky thing. It's having a conversation doing it | :55:51. | :55:58. | |
which is even weirder. We have to cook at some point. To actually do | :55:58. | :56:03. | |
it now, it's like what do you do, a little press like that. A little | :56:03. | :56:09. | |
press is nice. That was unnerving, Tim. It made me feel strange. | :56:09. | :56:14. | |
Tim will enjoy, is just hold hands while cooking and do this for a | :56:14. | :56:18. | |
little while. As a man I feel really uncomfortable. I hope some | :56:18. | :56:25. | |
people have just turned on right now. I will let you go. That was | :56:25. | :56:32. | |
uncomfortable. I enjoy your discomfort. Because it's weird. | :56:32. | :56:40. | |
It's only because we don't do it. We are getting into a dangerous | :56:40. | :56:46. | |
area now. Do you greet someone like you, good friends, it's easy to do | :56:46. | :56:56. | |
:56:56. | :56:56. | ||
that. You have to do that or this or hug. Or that. The tennis, | :56:56. | :57:06. | |
doubles yesterday. They do that one. We are still cooking, aren't we? | :57:06. | :57:09. | |
Speaking of which, what happens, we cover that and let that sit. I will | :57:09. | :57:14. | |
have to go back to this, when is the time to do it and not hug, when | :57:14. | :57:19. | |
do you make that decision? You have to judge the other person. It's | :57:19. | :57:23. | |
also like - do you do the thing it's been the end of the night you | :57:23. | :57:27. | |
have had terrific fun at a bar or restaurant and you go outside you | :57:27. | :57:32. | |
go it's been great, see you soon. See you later and you both walk off | :57:32. | :57:36. | |
in the same direction and you have to do the same thing and you are | :57:36. | :57:43. | |
judging the other person, you go if he goes left I will have to double | :57:43. | :57:46. | |
back. With this, we covered this and the yeast has done its magic | :57:46. | :57:51. | |
and it's fizzy and it's puffed up beautifully. Normally with any | :57:51. | :57:58. | |
batter what you do is you do what you call knocking back, get some of | :57:58. | :58:07. | |
this air out. You don't do that with loukoumades. What we want to | :58:07. | :58:17. | |
:58:17. | :58:20. | ||
do, if you have a deep fat frier, fry these at about 160-180. Where | :58:20. | :58:25. | |
am I? Now, the sauce. Zest a bit of lemon. The rest of the sauce goes | :58:25. | :58:29. | |
in like that. You do find it uncomfortable, always. I don't know | :58:29. | :58:34. | |
when to do it and not. In that case just do it all the time. If what's | :58:34. | :58:38. | |
worrying you is when it's correct, just do it to everyone. OK. I will | :58:38. | :58:42. | |
try that. Even policemen and everything. Especially policemen, | :58:42. | :58:47. | |
yeah. What about kisses on text messages, are they acceptable to | :58:47. | :58:54. | |
send to other men? Not like your accountant or anything. I had to | :58:54. | :58:58. | |
write an angry e-mail to the council once and I was using words | :58:58. | :59:03. | |
I wouldn't normally use and I was angry, I was impressed with myself | :59:03. | :59:08. | |
and when I sent it I thought something's not right and I looked | :59:08. | :59:12. | |
and I had popped a little kiss at the end and I thought that probably | :59:12. | :59:16. | |
undermined the point I was trying to make. I think it's changed, | :59:16. | :59:24. | |
though. It has for you. I quite like it. Happens all the time, in | :59:24. | :59:30. | |
the phorpb -- mornings when we are here everyone hugs and kisses, | :59:30. | :59:34. | |
apart from you. I don't mind. All this lemon zest into the sauce. The | :59:35. | :59:40. | |
sauce, we put honey, water, we put soft light brown sugar. We have | :59:40. | :59:47. | |
loads of sweetness in all of this. Now we are turning it into... | :59:47. | :59:55. | |
Turning it into what? Fruitiness. We squeeze the lemon in. You are | :59:56. | :00:00. | |
laughing at how uncomfortable I was. I am going to cradle you to sleep | :00:00. | :00:05. | |
tonight. I reckon there's a lot of people at home thinking I am in the | :00:05. | :00:15. | |
:00:15. | :00:20. | ||
same boat as Tim. Really? I think mate Lee Boardman was on, I gave | :00:20. | :00:30. | |
Lee a hug, like you do, and Tim went,, "Whoa!" And yet you are in | :00:30. | :00:37. | |
there ironing your shirt. I have to embrace your Metro sexuality. | :00:37. | :00:43. | |
like to think I am a metrosexual, but I'm not enamoured with the | :00:43. | :00:49. | |
hugging. Now, fish those out and pop them on the kitchen roll to | :00:49. | :00:55. | |
take away the excess fat. You want them slightly more golden than that | :00:55. | :01:00. | |
but these will be delicious nonetheless. Here we've got a | :01:00. | :01:06. | |
combination of icing sugar and cinnamon. This will smell like any | :01:06. | :01:10. | |
American interior design store. do they make them smell of | :01:10. | :01:14. | |
cinnamon? I've never thought about that. We layer up our beautiful | :01:14. | :01:20. | |
loukoumades, which are piping hot, nice and sweet. Then we pour over | :01:20. | :01:29. | |
this incredible pistachio honey and lemon sauce. Another dusting of | :01:29. | :01:35. | |
this and a touch of Greek yoghurt on the top. Dig They are going to | :01:35. | :01:42. | |
be warm, chaps. How many people on average die immediately after | :01:42. | :01:50. | |
eating one of these? A fairly high percentage. Coming up, Wayne | :01:50. | :01:54. | |
Collins's whisky cocktails and Beverley will be cooking a final | :01:54. | :02:00. | |
dish with us. A fish finger butty. I'm desperate to try some of this. | :02:00. | :02:08. | |
Oh, wow! Oh, God! A deep-fried sweet. What's not to like? That's | :02:08. | :02:18. | |
great. Now I'm uncomfortable. great. Now I'm uncomfortable. | :02:18. | :02:23. | |
Another man hug. And now me and you. Guess the year that all these | :02:23. | :02:30. | |
things happen in Deja View. LAUGHTER | :02:30. | :02:40. | |
:02:40. | :02:43. | ||
# It's 3am, 3am, eternal # KLF is gonna rock ya | :02:43. | :02:50. | |
# Ancients of Mumu # Winnie Mandela never looked like a | :02:50. | :02:57. | |
woman just sentenced to six years in jail, out on bail. | :02:57. | :03:01. | |
organisers of last night's Pavarotti concert in Hyde Park say | :03:01. | :03:05. | |
the event was a huge success despite the heavy rain which | :03:05. | :03:12. | |
drenched the 100,000 strong crowd. Tonight the Royal Albert Hall | :03:12. | :03:22. | |
:03:22. | :03:25. | ||
stages the grand Sumo tournament. # KLF (uh-huh, uh-ha uh-ha) | :03:25. | :03:35. | |
# Ancients of MuMu # TELEPHONE RINGS | :03:35. | :03:45. | |
:03:45. | :03:47. | ||
Yes! What? No, I don't want to subscribe to Which?. I don't | :03:47. | :03:57. | |
:03:57. | :03:58. | ||
believe it! That was Deja View with the KLF. | :03:58. | :04:02. | |
it. (Uh-huh, uh-ha uh-ha) Can you name the year they were at number | :04:02. | :04:08. | |
one? Winnie Mandela was imprisoned and Pavarotti was in the Park. | :04:08. | :04:15. | |
was around the time I left school, in 2001. I think it was early '90s. | :04:15. | :04:22. | |
Wayne, any idea? Late '80s. We'll find out for sure in approximately | :04:22. | :04:27. | |
18 minutes' time. First, Wayne is here to titillate us with some | :04:27. | :04:32. | |
here to titillate us with some cocktails. What's on the menu? | :04:32. | :04:37. | |
American Independence Day tomorrow so we've got American whisky, a | :04:38. | :04:47. | |
good old but bon. And cherry- infused. Isn't whisky Irish? The | :04:47. | :04:54. | |
water of life. I'm alive! Historically the Americans probably | :04:54. | :05:00. | |
wouldn't have started with American whisky but for the war of | :05:00. | :05:10. | |
:05:10. | :05:10. | ||
independence. There was a tax on rum and on mead, but the Irish | :05:10. | :05:15. | |
immigrants started the whisky production in America. So they can | :05:15. | :05:20. | |
thank us. This is a cherry smash, a classic American drink using whisky, | :05:20. | :05:26. | |
mint and sugar, with new flavours in it as well. Fresh cherry. A | :05:26. | :05:35. | |
double slug of the black cherry- infused but bon. That's that? | :05:35. | :05:39. | |
hammer, a few gimmicks now and then. You don't have one of them, Tim, at | :05:39. | :05:46. | |
your party house. At my cocktail house. He'll make one. A wedge of | :05:46. | :05:54. | |
orange and mint leaves, and fresh lemon juice, a drizzle of sugar to | :05:54. | :06:00. | |
sweeten. This is all raw ingredients, so it's perfect for a | :06:00. | :06:05. | |
detox diet. What exercises do you do with your personal trainer? | :06:05. | :06:12. | |
of weights, squats, and I've been walking funny, funny strange, not | :06:12. | :06:18. | |
funny ha-ha. Lots of resistance training with bands and stuff. | :06:18. | :06:25. | |
Outside? In the park, yes. Did you wants to come and join in? I like | :06:25. | :06:30. | |
running. Just running. apparently short bouves running is | :06:30. | :06:35. | |
much better than one hour of running. I like running Forrest | :06:35. | :06:41. | |
Gump running. Yeah, just getting in and running. It clears the head, | :06:41. | :06:46. | |
just like this will clear our head. The mint and the cherries, | :06:46. | :06:52. | |
wonderful. A cherry garnish with a sprig of mint for perfume. That's a | :06:52. | :06:57. | |
real classic smash whisky, with fresh cherry in there. And cherry | :06:57. | :07:07. | |
:07:07. | :07:13. | ||
but bon as well. What do you think? What do you know? Did you know | :07:13. | :07:17. | |
what? It's absolutely gorgeous but I would drink that in 12 seconds | :07:17. | :07:22. | |
flat, because it is so sweet it tastes like a fizzy drink. It is | :07:22. | :07:31. | |
amazing. Oh, wow! That's a real girl's drirk. You really like it, | :07:31. | :07:38. | |
Tim. It is like a sherb efforts. That's the lemon mixed with the | :07:38. | :07:48. | |
:07:48. | :07:49. | ||
fresh cherries -- like a Cher Bert. That's the lemon mixed with the | :07:49. | :07:58. | |
fresh cherries. Lemon and sugar, runny00y. They used to make a form | :07:58. | :08:08. | |
:08:08. | :08:09. | ||
of mea dfrpblgts It sounds dangerous. -- a form of mead. It | :08:09. | :08:14. | |
sounds dangerous. Green apple likor is like a Granny Smith and a shot- | :08:14. | :08:21. | |
and-a-half of wheated but bon for a different texture to it. This is | :08:21. | :08:31. | |
:08:31. | :08:36. | ||
based on a sour but adding the apple liqueur and the honey. | :08:36. | :08:44. | |
But bon, I'm often asked what it is. It is how it's made, not where it | :08:44. | :08:54. | |
comes from. It is leaking all over the place. Thank for, that Wayne. | :08:54. | :09:02. | |
Don't waste it. How is it made then? They use different cereals, | :09:02. | :09:09. | |
corn predominantly plus a bit of rye and bar limit but bon can be | :09:09. | :09:14. | |
made anywhere in America but Kentucky has the rights to the name | :09:14. | :09:24. | |
:09:24. | :09:42. | ||
but bon. What are you calling this you used to suck as a kid. That's | :09:42. | :09:47. | |
really good. Thank you so much. If you wants to make either of these | :09:47. | :09:52. | |
fris Kiwis I can cocktails the recipes are -- either of these fris | :09:52. | :10:02. | |
:10:02. | :10:23. | ||
This is the Troubadors: The Rise of # They won't give us a chance | :10:23. | :10:28. | |
# It was just a dream # I wouldn't want to stay here | :10:28. | :10:33. | |
# It's too old and cold and settled in its ways here | :10:33. | :10:39. | |
# But California, California had me coming home. # | :10:39. | :10:46. | |
Joni Mitchell. I thought she was Shakespeare reincarnated. So many | :10:46. | :10:51. | |
of the people that would consider California music didn't come from | :10:51. | :10:54. | |
here. People like Joni Mitchell, who was Canadian, took an outside | :10:54. | :10:59. | |
look at what was going on in America and took her own particular | :10:59. | :11:04. | |
values and situations and put them into personal songs. I think it | :11:04. | :11:08. | |
really expanded the way people thought about writing. That was one | :11:08. | :11:15. | |
of the biggest contributions to the music at the time. | :11:15. | :11:21. | |
# California, oh, California # Had me coming home | :11:21. | :11:26. | |
# Make me feel good, rock 'n' roll band | :11:26. | :11:30. | |
# I'm your biggest fan # . We were living at Laurel Canyon | :11:30. | :11:36. | |
at her house. It was a wonderful time. Just great. We travelled a | :11:36. | :11:40. | |
lot. She sang beautifully and several songs of mine I played on | :11:40. | :11:45. | |
that album of hers. We had a great time. It was terrific. Too good to | :11:45. | :11:55. | |
:11:55. | :12:01. | ||
Looks great, that. You can get down with the Troubadors on Friday at | :12:01. | :12:10. | |
9.00pm on BBC Four. Now it is time for our gadgets. What have we got | :12:10. | :12:16. | |
today? We've got some bikes, because of the Tour de France. | :12:16. | :12:21. | |
love the Tour de France. How did this happen! If you want to hold | :12:21. | :12:26. | |
hands through the sides, I know you hands through the sides, I know you | :12:26. | :12:31. | |
two are bosom buddies now. I'm going to be walking round as you | :12:32. | :12:37. | |
two pedal. Danny, do you like cycling? I've bought a bike but | :12:37. | :12:41. | |
it's being sent round soon. It was late-night Prime Minister. I have | :12:41. | :12:48. | |
had a glass of win. You bought one on-line? Isn't that how you buy | :12:48. | :12:58. | |
:12:58. | :13:01. | ||
bikes? You've got the glittery bike and the ladies' helmet. I feel like | :13:01. | :13:07. | |
I'm in a spin class. This is by a Japanese designer. Lots of | :13:07. | :13:14. | |
attention to to deDale. There's a leopard print one which is sold out. | :13:14. | :13:23. | |
This is what the fashionistas are wearing. This one is �68. The one | :13:23. | :13:33. | |
:13:33. | :13:45. | ||
you have that there is the emotion Are you secretly pretending to be | :13:45. | :13:51. | |
cool but there's a lot of competition going on here? | :13:51. | :13:58. | |
can't pretend to be cool wearing this ladies' hat. They've injected | :13:58. | :14:05. | |
a bit of macho there to counter balance the hat. Their �19.99 and | :14:05. | :14:10. | |
made of goatskin leather. Safety first, we've got reflective sashes | :14:10. | :14:17. | |
for you as well. Are you more of a sprinter or a hill rider? Have | :14:17. | :14:27. | |
:14:27. | :14:28. | ||
you stopped? No, I'm a sprinter. I'm like Cavendish. These are | :14:28. | :14:31. | |
probably both a bit feminine because of the pink. I've never | :14:31. | :14:41. | |
:14:41. | :14:43. | ||
really put a sash on before. This is a play on the Miss Board. This | :14:43. | :14:52. | |
one is the striped Zune but it comes in stars and candy cane. Tim | :14:52. | :15:02. | |
:15:02. | :15:03. | ||
looks like he's about to go off raving. It is by a company called | :15:03. | :15:07. | |
Cycladeic. And we've got cuffs for tow wear. Am I being punked right | :15:07. | :15:17. | |
:15:17. | :15:22. | ||
now. What's going on? It does feel Can I wear all this home? These are | :15:22. | :15:29. | |
reflective cuffs. This one is �14. The one Tim has is �19. I am not | :15:29. | :15:34. | |
having these. You look terrific. It's not very practical. I am not | :15:34. | :15:44. | |
having it. We have had hugging and hand holding and now... Pink | :15:44. | :15:54. | |
:15:54. | :15:55. | ||
accessories. The gadgets now. Danny, I will let you model this one. This | :15:55. | :16:02. | |
is a HD helmet-cam. Pop it over your head. This is going to get | :16:02. | :16:07. | |
messy. It is. Which bit? This way is easier. Whilst you are putting | :16:07. | :16:12. | |
that on, we have footage that we filmed earlier. This is people | :16:13. | :16:18. | |
going through some traffic. This is what we actually filmed. There's | :16:18. | :16:23. | |
filming in the city there. You can see the picture you get. It's a | :16:23. | :16:32. | |
great lens on it. It comes with a durable shockproof and outerproof | :16:32. | :16:40. | |
casing. I am a respected author. Yeah, but you know, you have a fun | :16:40. | :16:50. | |
:16:50. | :16:55. | ||
side. How much is that one? �299. Come on, I was told to keep going. | :16:55. | :17:02. | |
Have we got much time? We haven't. I am being rushed. Bike signals | :17:02. | :17:08. | |
here. It does what it says on the tin, well it should do. Hopefully | :17:08. | :17:14. | |
it will work. If you press that, there we go. A right signal. Talk | :17:14. | :17:24. | |
:17:24. | :17:29. | ||
us through this one. This is kind of my favourite. This is the Veleau | :17:29. | :17:34. | |
hydration system. As you can see, the straw goes through there, | :17:34. | :17:38. | |
attached to the saddle, into your mouth. When you are finished if you | :17:38. | :17:45. | |
let go it has retractable cord which pulls it back into place. | :17:45. | :17:51. | |
you cycle backwards it provides a colonic. That's a handy feature! | :17:51. | :17:57. | |
Who won? Probably a draw. What! Thanks. If you want more | :17:57. | :18:01. | |
information on any of that bike stuff you can e-mail us and we will | :18:01. | :18:06. | |
get back with all the details. This is the big one, this is the last | :18:07. | :18:12. | |
time this series he will be stalking around and solving crimes | :18:12. | :18:22. | |
:18:22. | :18:29. | ||
with instinct and intuition, this Good news is we found this laptop. | :18:29. | :18:38. | |
What's the bad news? We need to find a password, wait until you see | :18:38. | :18:48. | |
:18:48. | :18:56. | ||
It will take weeks. It's not right, is it? How? Well, I mean, in order | :18:56. | :19:05. | |
for it to work you need the exact book. You get another edition. | :19:05. | :19:10. | |
this is all secondhand junk shop copies. How are you going to get an | :19:10. | :19:20. | |
:19:20. | :19:51. | ||
Gideons bible, there's one of these in every hotel room in the country. | :19:51. | :20:01. | |
:20:01. | :20:02. | ||
The key to breaking that code is in You can watch the final episode of | :20:02. | :20:07. | |
Luther on Tuesday at 9.00pm. Now Beverley is in the kitchen. Do you | :20:07. | :20:13. | |
cook, Beverley? I do. I kind of watched my mum and my dad, my late | :20:13. | :20:16. | |
dad, cooking in the kitchen and kind of copied them. Me and my | :20:17. | :20:21. | |
sister and my brother all did the same. Mostly west Indian. You are a | :20:21. | :20:27. | |
dab hand with the knife then. Will she need to get the chopping skills | :20:27. | :20:32. | |
out? I have always been surrounded by people who cooked, my dad and | :20:32. | :20:35. | |
mum, grandmothers and blah-blah- blah, if you are surrounded by it | :20:35. | :20:38. | |
it's not a big issue. It's weird when you hear people say I never | :20:38. | :20:43. | |
cook and you find out their parents didn't and you can see why. My mum | :20:43. | :20:47. | |
cooked, but I am still useless. don't believe you. You say that. | :20:47. | :20:53. | |
am getting better. What are we cooking today? Something that's | :20:53. | :20:57. | |
indulgeent, a fish finger buttie. Sounds posh. Sundays you get away | :20:57. | :21:02. | |
with something cheeky. Spring onions, smoked salmon and salmon. | :21:02. | :21:07. | |
You could use any finish you want, to be honest. Haddock would be a | :21:07. | :21:14. | |
nice combination. English mustard, mayo and capers. We will roll the | :21:14. | :21:24. | |
:21:24. | :21:33. | ||
fish fingers in breadcrumbs and salmon. It's a fatty fish, salmon. | :21:33. | :21:38. | |
You want it as fine as you can get it. You could actually do this in a | :21:38. | :21:43. | |
food processer. You could put it in and whizz it up so it becomes like | :21:44. | :21:49. | |
a pate. But it's nice to hand chop it. It really is fishy fingers then. | :21:49. | :21:56. | |
It's definitely fishy fingers right now. It's just lovely, that thing | :21:56. | :22:03. | |
of chopping it all up. It's fish and breadcrumbs. You don't have | :22:03. | :22:09. | |
anywhere to go after this, tkefrly -- Beverley? Actually I am going to | :22:09. | :22:14. | |
a festival later to see Prince, so I better wash my hands. You are | :22:14. | :22:20. | |
going to see Prince, on a personal level? I am going to be hearing him | :22:20. | :22:25. | |
play with 50,000 others, so I am excited about that. On your new | :22:25. | :22:31. | |
album, what's your favourite track? What was the one that had to be on? | :22:31. | :22:36. | |
One of the first ones I recorded Fair Play and after that Southern | :22:36. | :22:40. | |
Freeze, I thought OK they've got to be on. These are songs I remember | :22:40. | :22:48. | |
and love from childhood. Certainly The Soul II Soul track, I remember | :22:48. | :22:52. | |
wishing I was old enough to go to the clubs and do my thing, but I | :22:52. | :22:56. | |
wasn't. We were talking about that earlier, 17 years you have been in | :22:57. | :23:00. | |
the industry, which is a lifetime in the music industry really. This | :23:00. | :23:05. | |
is your 7th album. That's right. you have a favourite so far, a baby | :23:05. | :23:13. | |
album? I don't. Every time that anybody asks me that it changes. | :23:13. | :23:17. | |
Who I am, I am really grateful for, I am proud of the songs and the | :23:17. | :23:25. | |
writing on that and that was the one that broke me out into the | :23:25. | :23:28. | |
wider mainstream. I don't know if any one of them is my baby, as such. | :23:28. | :23:33. | |
You love them all equally. I do, they're my children. Do you have a | :23:33. | :23:37. | |
favourite moment? You have had the moments with Prince, Stevie Wonder | :23:37. | :23:42. | |
moments, and what was this about Nelson Mandela, did you sing for | :23:42. | :23:48. | |
him? It was the most amazing thing that I was asked to sing for Nelson | :23:48. | :23:57. | |
Mandela. It was a tiny private dinner for his children's aids | :23:57. | :24:04. | |
foundation and I was asked along to sing. I stood up at the table and | :24:04. | :24:09. | |
just sang. Is that one of those moments you think back and think | :24:09. | :24:15. | |
this can't really be happening? really do. I think to myself just | :24:15. | :24:19. | |
this girl from Wolverhampton who had a big dream about having a | :24:19. | :24:23. | |
career in music and it came true. It came true in the most amazing | :24:23. | :24:29. | |
way. Grateful for every day. That's your favourite moment apart from | :24:29. | :24:33. | |
chopping salmon on Something For The Weekend. And trying desperately | :24:33. | :24:37. | |
to concentrate to get it right! have lots of salt and pepper in | :24:37. | :24:42. | |
there. It gets worse now in terms of fishy fingers. All of the salmon | :24:42. | :24:49. | |
goes in. Then, similar to the meatloaf before, we mix this | :24:49. | :24:53. | |
together. This is really only one way and that is physically do that. | :24:53. | :24:57. | |
You are almost using your hands then as a processer to mash it | :24:57. | :25:01. | |
together. I will do it for you, I am feeling generous. You don't want | :25:01. | :25:06. | |
to meet Prince later and him going she was nice when I met her, but | :25:06. | :25:13. | |
she's smellly, to be honest. Then you get a little bit of the fish | :25:13. | :25:18. | |
and you simply smash it into fish fingers. It's sticking together | :25:18. | :25:22. | |
because there's so much fat in the salmon. A bit of that. It doesn't | :25:22. | :25:26. | |
matter they're rough and lumpy, that's fine. You are not going to | :25:26. | :25:31. | |
do one now, I can sense it. I am going to do it. You don't have to, | :25:31. | :25:38. | |
I won't be 15ed. We really -- won't be offended. Into flour and egg. | :25:38. | :25:44. | |
They're delicate at this stage. We combine the breadcrumbs and polenta. | :25:44. | :25:48. | |
Once you coat them put them in the fridge so they set. At the moment | :25:48. | :25:54. | |
they're very soft. So in the frying pan they would fall apart. You have | :25:54. | :25:59. | |
avoided that, Beverley Knight. have to ask you this, you have got | :25:59. | :26:07. | |
a couple of pair of shoes at home, and we asked people to guess, they | :26:07. | :26:13. | |
guessed 200, 300. There is some of them, the camera didn't have a wide | :26:13. | :26:21. | |
enough Lens! How many shoes do you own? Drums, please. North of 450 | :26:21. | :26:27. | |
pairs. That was some of the the boxes piling up paoeupbd the | :26:27. | :26:31. | |
clothes -- behind the clothes. much money would that cost over the | :26:31. | :26:41. | |
:26:41. | :26:42. | ||
years? I don't even know, probably a deposit on the house. Quickly, | :26:42. | :26:48. | |
the sauce, because we are running out of time. These go into the | :26:48. | :26:55. | |
frying pan for 4-5 minutes. Sauce, we have capers and gherkins in | :26:55. | :26:59. | |
first of all, then add mayo, English mustard, then we add our | :26:59. | :27:03. | |
capers in there. We mix that around. We have salt, we have pepper. The | :27:03. | :27:10. | |
nice thing about having a little bit of mustard there you get this | :27:10. | :27:14. | |
nice colour. Amanda, could you do me a lovely flavour, bring out our | :27:14. | :27:22. | |
fishy fingers. To serve this we have bread, thick white sliced, | :27:22. | :27:27. | |
gorgeous bread, from magnificent northern bakeries. A couple of | :27:27. | :27:31. | |
fishy fingers sit in there like that. A little bit of rocket to | :27:31. | :27:36. | |
make it look like we are being posh. Bread on top. Finally, cut that | :27:36. | :27:41. | |
fella in half and we just about managed it. This is such a dish you | :27:41. | :27:48. | |
are going to eat, Beverley. Over to Tim and Danny for the Deja View | :27:48. | :27:58. | |
:27:58. | :28:05. | ||
The headlines, music was KLF and the year was? 1991. We haven't a | :28:05. | :28:10. | |
lot of time left. People have been asking about your cult Join Me, if | :28:10. | :28:14. | |
it's still going and you have your country? People still join. | :28:14. | :28:20. | |
Beverley is now looking at me that I might be odd. It's good, people | :28:20. | :28:29. | |
do random acts of goodness on a Friday. December we do a big thing | :28:29. | :28:33. | |
where people get together and do random acts of kindness on the | :28:33. | :28:40. | |
streets. Excel Excellent. Thanks to Beverley and Danny. Next week we | :28:40. | :28:47. | |
have Denise van Outen and Simon Callow show and talking to the F F1 | :28:47. | :28:51. |