
Browse content similar to 13/11/2011. Check below for episodes and series from the same categories and more!
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Good morning. It's Sunday 13th November. And joining us in the | :00:13. | :00:20. | |
studio today is mezzo-soprano, who has signed the UK's biggest record | :00:20. | :00:29. | |
deal, not once, but twice, it's Katherine jenkings. And Joaning us, | :00:29. | :00:36. | |
also is Reginald D Hunter. we'll be looking at the best in the | :00:36. | :00:46. | |
| :00:46. | :00:50. | ||
telly. Great, great, great, it's Good morning. Welcome to Something | :00:50. | :00:55. | |
For The Weekend. It is Remembrance Sunday today and we will be | :00:55. | :01:00. | |
observing a two minutes' silence at eleven o'clock, with the rest of | :01:00. | :01:07. | |
the country. And Katherine was doing a gig for....The Festival of | :01:07. | :01:14. | |
Remembrance. With the Royal bridge legion. And the Queen? Yes. And you | :01:14. | :01:19. | |
were supposedly going to wear this poppy, which was already auctioned | :01:19. | :01:25. | |
off for �25,000 and it got stolen. Yes, it wasn't in my care at the | :01:25. | :01:32. | |
time but it was made of Rubys, black diamonds, emeralds �25,000 | :01:32. | :01:36. | |
for the British Legion and it's been stolen. It's terrible. Are you | :01:36. | :01:40. | |
sure it wasn't in your care at the time! | :01:40. | :01:48. | |
Our guest for today, we'll be talking to her all about that later | :01:48. | :01:55. | |
Reginald is in the middle of a 70- dayure and he'll be talking to us | :01:55. | :02:00. | |
about his experiences acting in a very British pantomime. And | :02:00. | :02:05. | |
Katherine Jenkins, who has just released her eighth album and will | :02:05. | :02:11. | |
be here to tell us about that and entertaining the British troops and | :02:11. | :02:15. | |
the competition she ran to launch her latest album. | :02:15. | :02:22. | |
We want your questions for our guests, Reginald and Katherine, so | :02:22. | :02:29. | |
exmail us or tweet us. So Simon, what is the chef's special this | :02:29. | :02:34. | |
Sunday? It's my mum's birthday today. Happy birthday. She you | :02:34. | :02:42. | |
later. The starter today is an cleany, which means little oranges, | :02:42. | :02:50. | |
and the risotto balls, which are deep fried. Is it Italian? It S | :02:50. | :02:56. | |
I've never had it, ever. Have you not. No, I'm excited about it, | :02:56. | :03:01. | |
something new. Have you, looseies? I'm not sure? | :03:01. | :03:06. | |
What are we doing? I'm sure you must have. The main course is cod | :03:06. | :03:14. | |
with lemon and capers. It's in a lover butter sauce. So it's butter, | :03:14. | :03:19. | |
lemon segments and capers and parsley and lots of butter. And | :03:20. | :03:26. | |
dessert, a delicious classic of bread and butter pudding with | :03:26. | :03:36. | |
| :03:36. | :03:36. | ||
bananas in it. That is one of my favourite desserts. Bread and | :03:36. | :03:42. | |
butter pudding? Yes. It is nice, but it can't be good for you? Lots | :03:42. | :03:47. | |
of sugar and bread? It gives you lots of energy. It's really, really | :03:47. | :03:54. | |
good for you. Yes, really no calories in it at all. And finally, | :03:54. | :04:02. | |
a spicey chicken noodle salad. . Chicken, deep fried. That's good | :04:02. | :04:11. | |
for you? And coriander optional on the top, Tim. Bleeergh. | :04:11. | :04:17. | |
And our recipies are on the website so you can have a go a cooking them | :04:17. | :04:22. | |
yourself. And here's what in the rest of | :04:22. | :04:32. | |
| :04:32. | :04:38. | ||
today. The drama of Pan Am. The fall is coming to Frozen Plante. | :04:38. | :04:44. | |
And Johnny's got beef with Ricky in Life's Too Short. | :04:45. | :04:50. | |
Have I done something to offend you? Trashing me in front of two | :04:50. | :04:54. | |
million people. And on top of that, Wayne is here. | :04:54. | :05:00. | |
What delights have you got for us today? A very simple crowd pleaser. | :05:00. | :05:09. | |
This is the first cocktail I learnt how to make 22 years ago. The iced | :05:09. | :05:17. | |
tea. 22 years ago! I started at ten, by the way! | :05:17. | :05:22. | |
I thought you only got that in a big jug. | :05:22. | :05:29. | |
I like the crowd pleaser. I want more, more, iced tea. | :05:29. | :05:37. | |
I want more, more, iced tea. So, what are we making? | :05:37. | :05:47. | |
| :05:47. | :05:52. | ||
We're going to make arancini. And a tapenade dip, So, Louise, | :05:52. | :05:59. | |
chop those as finely as you possibly can, and Tim, chop those | :05:59. | :06:07. | |
finely as you can. When you say, "Finely." We need to be able to | :06:07. | :06:16. | |
roll them into a ball, so the finer you can chop them the better. And | :06:16. | :06:25. | |
the same with you, nice and small. I love sun-dried tomorrow toss. | :06:25. | :06:32. | |
dried or sun blush? Both. Are these sun-dried. They're expensive. | :06:32. | :06:40. | |
can do it yourself. Can you? Here's how you save the house keeping | :06:40. | :06:48. | |
budget. You get a baking tray, put loads of sea salt on it. And cut | :06:48. | :06:54. | |
tomatoes in half or into quarters. Lay them cut side facing up on to | :06:54. | :07:01. | |
the tray into a coolish oven, 100 or 120 degrees and leave them there | :07:01. | :07:05. | |
for hours, and they'll dry out for a fraction of the price. That's the | :07:05. | :07:11. | |
tip of the day. How is your Christmas shopping going? You said | :07:12. | :07:18. | |
you were going to start it last week. How did it go? I'm really | :07:18. | :07:25. | |
good at starting Christmas shopping for other people. I go with them, | :07:25. | :07:29. | |
but don't do it for myself. This week I'm starting. Sniplt you can | :07:29. | :07:37. | |
get me an apple? To eat? Yes, please, and a bottle of beer. | :07:37. | :07:45. | |
You're easy. I've got a great present for Jamie, indoor football. | :07:45. | :07:53. | |
No, I don't want any more footballs. I have bags and buckets of | :07:53. | :07:59. | |
footballs everywhere. It must be wonderful round her house. My son | :08:00. | :08:05. | |
always asks for a new football. That's what boys do. Bouncy balls, | :08:05. | :08:10. | |
any kind of balls. I like balls. I still like getting balls for | :08:11. | :08:16. | |
presents. That's the best present you can buy a man, a ball. Forget I | :08:16. | :08:21. | |
pads, and things like that, get him a ball. Try it with Jamie. Get him | :08:21. | :08:25. | |
a ball! This is my thing. Apparently | :08:25. | :08:30. | |
they're all different. What, balls? Apparently the weights are | :08:30. | :08:39. | |
different, the style is slightly different. Get him a baseball bat. | :08:39. | :08:45. | |
A golf ball. A basketball. We've got loads of them everywhere. | :08:45. | :08:53. | |
we just talk risotto for a second? Just don't get him a rugby ball, he | :08:53. | :09:00. | |
won't know what to do with that. they don't bounce. Let me do this | :09:00. | :09:06. | |
and then I'll tell you a story. For the perfect risotto you want to | :09:06. | :09:12. | |
break the rice. You have to wait until there are little cracks | :09:12. | :09:18. | |
appearing in the rice. We don't care. What's your story? It's the | :09:18. | :09:24. | |
same every week, I try my best. Come on, a story about football. | :09:24. | :09:30. | |
Add the stock to the pan gradually, and when that's absorb the, add | :09:30. | :09:39. | |
more. Go. Austen Healey said he'd take some rugby balls to a little | :09:39. | :09:44. | |
village in Africa, and he gets it out of his bag, and he gives it to | :09:44. | :09:50. | |
these kids and they were so excited and they looked at the rugby ball | :09:50. | :09:56. | |
and had no idea what to do with it. And their faces went from pure | :09:56. | :10:03. | |
elation to puzzlement. And Austen Healey tried to line them up and | :10:03. | :10:09. | |
teach them how to pass it to each other, but when we left, I saw them | :10:09. | :10:16. | |
trying to kick it to each other. And I could imagine them with a | :10:16. | :10:25. | |
hammer trying to knock it round! Now, cook the rice gently until it | :10:25. | :10:32. | |
becomes translucent. And stuck the onions and tomatoes in there. And | :10:32. | :10:37. | |
really mash it together. And work down the rice. We did really well | :10:37. | :10:43. | |
at football yesterday. Chelsea beat Spain, 1-0. We did well, did you | :10:43. | :10:50. | |
watch it? No, not yet yesterday. That's not like you to miss a | :10:50. | :10:55. | |
football game? No, we had school fireworks. I did have slightly | :10:55. | :11:00. | |
mixed emotions, because I do like Spain. I used to live there, years | :11:00. | :11:05. | |
ago, for two weeks every summer! Well done to Wales as well. They | :11:05. | :11:12. | |
won 4-1 and Ireland, they won. Right, what are we doing now? | :11:12. | :11:16. | |
with arancini, there are many different ways of doing it. This is | :11:16. | :11:23. | |
a very basic one. If you're having it just as a snack on its own. | :11:23. | :11:29. | |
make it into balls? Yes, smaller than a squash ball. You have to be | :11:29. | :11:35. | |
careful not to get all the tomatoes in one ball. Yes, absolutely right, | :11:35. | :11:40. | |
chef. Because I put them in all together. What kind of ball is | :11:40. | :11:49. | |
this? Golf. No, no. A bouncy ball. Yes, it's like a superball size. | :11:49. | :11:58. | |
Mine's like a golf ball? Yes, that's too big. Now, egg and then | :11:58. | :12:07. | |
flour. Isn't that weefrd, that this is a different way - isn't that | :12:07. | :12:13. | |
weird that this is a different way round to rehearsal. Oh, no. | :12:13. | :12:18. | |
didn't squash it together enough. Don't worry, we've got loads of | :12:18. | :12:24. | |
rice. We're not going to get this cooked any way. Mine doesn't stick | :12:24. | :12:29. | |
together. Nobody is following this at all. No, I am. If you had this | :12:29. | :12:36. | |
as a snack, you could flatten them out a little. But we are going to | :12:36. | :12:43. | |
have them with tapenade, so we're not going to flatten them out at | :12:43. | :12:49. | |
all. Are some cooked? No, we're going to cook them now. How long do | :12:49. | :12:55. | |
they take? About seven minutes. there a reason why you've left my | :12:55. | :13:01. | |
one over here? Because it will... Pop it in! | :13:01. | :13:07. | |
Now, Tim, we want the olives, and the sun-blushed tomatoes, the | :13:07. | :13:13. | |
garlic and the parsley and the lemon zest and juice, but I'll | :13:13. | :13:18. | |
settle for just juice seeing as we're well out of time. We've made | :13:19. | :13:28. | |
such a mess today. Not the mayo. You said that, Tim, like you knew | :13:28. | :13:38. | |
| :13:38. | :13:41. | ||
exactly what you were knowing what to do. "Shall I get on with the | :13:41. | :13:47. | |
tapenade?." If you like, you can put anchovy in it. | :13:47. | :13:51. | |
That should do it. Have a little taste to check it is | :13:51. | :14:00. | |
nice. That's delicious. Louise, do you want a taste of it? No, I'm OK. | :14:00. | :14:08. | |
I'm going to wait. That's so nice. All of that into there, and we want | :14:09. | :14:16. | |
probably about two spoonfuls of mayo. I think that will ruin it. | :14:16. | :14:23. | |
The reason we put the mayo in is because we have no mozzarella in | :14:23. | :14:30. | |
the middle of the arancini. We're using it as a dip, so we're letting | :14:30. | :14:36. | |
it down with a little bit of mayo so we want a nice little bit of | :14:36. | :14:43. | |
creamyness in there. That's quite conservative. You want more than | :14:43. | :14:50. | |
that? It is delicious, I think the mayo will be too much. Drain those | :14:50. | :14:55. | |
off and sprinkle salt and pepper on the top. And then we sit these | :14:55. | :15:03. | |
lovely arancini on there and then a spoonful on there, Tim. And then | :15:03. | :15:09. | |
basically, get your arancini, dip it into our tapenade dip and enjoy. | :15:09. | :15:19. | |
| :15:19. | :15:20. | ||
It has quite a strong smell. Oh, it's lovely. And the tapenade | :15:20. | :15:26. | |
brings that depth of flavour. And you can add more mayo, how ever | :15:26. | :15:33. | |
much you want it to be. And what's the main course? Cod with a butter | :15:33. | :15:40. | |
and lemon sauce. The website is where you can find | :15:40. | :15:49. | |
all of today's recipies. They taste better than they look, as well. | :15:49. | :15:58. | |
Sorry, that was a complement. think it was a complement. Now, | :15:58. | :16:05. | |
please ensure your seatbelts are in an upright position, this is pan A | :16:05. | :16:14. | |
an upright position, this is pan A - Pan Am. | :16:14. | :16:21. | |
So, who else do we have? Laura Cameron? My sister. I couldn't seem | :16:21. | :16:26. | |
to escape her. They put you two on the same flight? Wasn't that | :16:26. | :16:36. | |
| :16:36. | :16:44. | ||
something! Prepare for takeoff. Runway three. | :16:44. | :16:54. | |
| :16:54. | :17:20. | ||
Clear for takeoff. We're on the So, how new are you, Laura? Is it | :17:20. | :17:30. | |
| :17:30. | :17:47. | ||
And you can reach cruising altitude with two episodes on Wednesday at | :17:47. | :17:54. | |
9am on people two. Our next guest has sung across the | :17:54. | :18:03. | |
globe and sang for the Queen, the Pope and even Barbara Streisand. | :18:03. | :18:13. | |
# Love will continue # Love keeps on beating | :18:13. | :18:23. | |
# When you're gone # St # But if I still believe you love me | :18:23. | :18:33. | |
| :18:33. | :18:33. | ||
# Maybe I'll survive # So I tell myself a million times | :18:34. | :18:42. | |
# Wake me up inside # Call my name and send me from the | :18:42. | :18:52. | |
dark # Save me from the darkest night # | :18:52. | :18:55. | |
Welcome back to Something For The Weekend, Katherine Jenkins. Good | :18:55. | :19:00. | |
morning. Hi, how are you? Really, good, thank you. Looking as | :19:00. | :19:05. | |
gorgeous as ever. Oh, than you. We've had lots of tweets and e- | :19:05. | :19:10. | |
mails about the stolen poppy, which is in the papers. There's no news | :19:10. | :19:15. | |
on it? How did it happen? I don't know that much about it, except | :19:15. | :19:21. | |
that I was asked maybe a week before if I would wear it, because | :19:21. | :19:26. | |
they wanted to donate the proceeds to the British Legion. And I was | :19:26. | :19:31. | |
looking forward to wearing it. And a man came to my dressing room, | :19:31. | :19:35. | |
just before the programme, and said it's literally been stolen from the | :19:36. | :19:41. | |
lady's bag, who was looking after it all day. How was the concert? | :19:41. | :19:46. | |
Amazing. It's such an honour to be involved in something like that. I | :19:46. | :19:53. | |
think remembrance is so emotional, but last night was an amazing show | :19:53. | :19:58. | |
to be involved in. Do you find when you're doing shows like this is | :19:58. | :20:02. | |
does touch you more, because I know you go to the troops and all that, | :20:02. | :20:08. | |
but does it give you a purpose in your music? I just love to be there, | :20:08. | :20:12. | |
with the representatives of all the people serving there now, and | :20:12. | :20:17. | |
you've got all the war widows and the Chelsea Pensioners. During | :20:17. | :20:22. | |
rehearsals, I was balling my eyes out, you have so many people in the | :20:22. | :20:29. | |
room. And you go out and visit the fors? Yes, I've been out to Iraq | :20:29. | :20:33. | |
and Kosovo and Afghanistan and all of that. I've tried, recently to go | :20:33. | :20:37. | |
out to Afghanistan, and the trip hasn't happen recently, so I'm | :20:37. | :20:43. | |
desperate to go out and see them, maybe after Christmas. But it must | :20:43. | :20:47. | |
be quite nerve wracking? Of course, because you're going to a war zone. | :20:47. | :20:53. | |
But you are being looked out by the best and you're only going for 24, | :20:53. | :20:57. | |
maybe 48 hours, and those men and women are dealing with it for | :20:58. | :21:04. | |
months at a time, so you can't plain. And you do a gig, a concert, | :21:04. | :21:10. | |
isn't it? I think a concert would be the cet way of putting it. | :21:10. | :21:16. | |
have an e-mail which says, "What gives you the biggest buzz, doing a | :21:16. | :21:22. | |
concert or singing the national anthem at a sporting event?." | :21:22. | :21:29. | |
that's a hard one. You do go to a lot of sporting events? I do. And I | :21:29. | :21:35. | |
must admit singing the national anthem is some of my best moments. | :21:35. | :21:43. | |
I recover rugby. I'm from Neath. And we have a good rugby team. If | :21:43. | :21:47. | |
you grow up in Wales, you have an instant love of rugby. And your | :21:47. | :21:53. | |
football team did well. I know. another e-mail, would you like to | :21:53. | :22:01. | |
sing in the Olympics next year? love to. You must be a shoo-in? | :22:01. | :22:06. | |
no. But I would love to be involved in that in some way, it would be | :22:06. | :22:13. | |
amazing. And you have a new album out? Yes. Daydream. Your eighth | :22:13. | :22:20. | |
album? Yes, I don't know where the time has gone. Has there been a | :22:20. | :22:25. | |
change vocally for you through the years? Yes, it's been eight years. | :22:25. | :22:33. | |
I started when I was 23, with a classical album - that was a huge | :22:33. | :22:37. | |
crash! And your voice develops an awful lot, so there is a change, | :22:37. | :22:42. | |
but I think as well my style has developed as well. It's not just | :22:42. | :22:48. | |
classical, there is pop in there as well. You would call yourself | :22:49. | :22:53. | |
classical, not an opera. Yes, I haven't done any opera. I studied | :22:53. | :22:59. | |
and I always thought I would go into opera, but then I got my | :22:59. | :23:04. | |
record contract. I always get confused about this when I start | :23:04. | :23:09. | |
talking about voices, but when are you going to hit your snaeck | :23:09. | :23:16. | |
think the next couple of years. the best is yet to come? Apparently. | :23:16. | :23:24. | |
We have the video for your single and TVs a case that people could | :23:24. | :23:29. | |
make their own video? This is a song written especially for | :23:29. | :23:32. | |
recommendans. I performed it for the first time yesterday. And I've | :23:32. | :23:38. | |
made so many albums and had to have videos to accompany them, so I | :23:38. | :23:43. | |
wanted to give somebody else a chance and encourage up and coming | :23:43. | :23:51. | |
talent, so we ran a competition. What is the song called? It's | :23:52. | :24:01. | |
| :24:02. | :24:04. | ||
called A Flower. # For a flower tells a story | :24:04. | :24:12. | |
Foreign foreign # For the life you give | :24:12. | :24:18. | |
# For the years you served in a distant land | :24:18. | :24:28. | |
| :24:28. | :24:39. | ||
# Your finest hour, you gave for us # That was by Chris Costa. He won | :24:39. | :24:43. | |
creating your video. Did you get involved? I got to judge them all. | :24:43. | :24:48. | |
So I saw all the entries. I think he did a really good video. It's | :24:48. | :24:54. | |
very moving and he got the subject really well. Are you going to be | :24:54. | :24:58. | |
touring soon? Yes, I'm going to be going through the UK in January and | :24:58. | :25:03. | |
February of next year. Is that what you like to do, it's about showing | :25:03. | :25:06. | |
off your voice? It's about the connection with the audience. It's | :25:07. | :25:12. | |
nice to be in the studio and focus your energy on making something as | :25:12. | :25:18. | |
perfect as you can make it, but to with be an audience and have a joke | :25:18. | :25:24. | |
and a laugh and share it with be audience, that's the best bit. | :25:24. | :25:28. | |
you have vocal freedom to do what you wish to do on that night. | :25:28. | :25:35. | |
When you can sing the way you can you can letry? And it's lovely | :25:36. | :25:40. | |
having a full orchestra. And I have a great partner coming on tour with | :25:40. | :25:48. | |
me, so it will be lovely. I saw you on Breakfast the other day, and you | :25:48. | :25:53. | |
have to get up ridiculously early to warm up your voice. What time is | :25:53. | :26:02. | |
it? At least three or four hours if I'm singing in the morning. Maybe | :26:02. | :26:09. | |
more. That, Katherine, is a full European warm-up. | :26:09. | :26:19. | |
| :26:19. | :26:27. | ||
Now, date and banana bread and butter pudding. OK, quizs based | :26:27. | :26:37. | |
| :26:37. | :26:39. | ||
around news, popular culture and tell us the year this happened. | :26:39. | :26:49. | |
| :26:49. | :26:50. | ||
# Oh, Carolina # Solicitors acting for the Princess | :26:50. | :26:58. | |
of Wales have issued high court Ritz permanently banning pictures | :26:58. | :27:04. | |
of the Princess working out in a gym. | :27:04. | :27:11. | |
The train ran from Dover to Calais, just over one year late. The Grand | :27:11. | :27:15. | |
National has been declared void after 30 horses ran the race, | :27:15. | :27:25. | |
| :27:25. | :27:33. | ||
despite a second false start. # Carolina....# | :27:33. | :27:38. | |
We have reason to believe that your house is bugged. Your phones are | :27:38. | :27:44. | |
tapped, your office is wired. They may follow you. They may be here in | :27:44. | :27:52. | |
Washington as we speak. Are you saying my life...I'm Saying that | :27:52. | :28:00. | |
your life as you know it is over. Oh, that's too easy '94. | :28:01. | :28:07. | |
I'll go a year later, I'll go '956789 I'm rubbish at it. I have | :28:07. | :28:17. | |
| :28:17. | :28:19. | ||
no idea. I think it's '95 to 2000, because it they were fallow years, | :28:19. | :28:24. | |
football wise. There's pretty much been nothing going on for Liverpool | :28:24. | :28:29. | |
for a long time. Don't, Tim, I'll be pilling up. | :28:29. | :28:35. | |
.A lot of you are cooking this week. This is Lucy. She made the beef and | :28:35. | :28:41. | |
venison pie. Look at that, that is beautiful. A quality bit of work. | :28:41. | :28:46. | |
But she didn't put the oysters in. What? What's the point unless you | :28:46. | :28:54. | |
do the whole thing. Get it off! know, we cook these recipies, and | :28:54. | :28:59. | |
they interpret them themselves. know, either you cook your meal or | :28:59. | :29:08. | |
you don't. And these look beautiful. | :29:08. | :29:15. | |
A bit more people taking liberties. This is Ben and A lrk i. They made | :29:15. | :29:25. | |
| :29:25. | :29:27. | ||
the pop - and Ali. They made the pop-up cakes. They are not pop-up | :29:27. | :29:32. | |
cakes, they're in a glass. So, if you're going to cook our recipies, | :29:33. | :29:41. | |
cook them properly! Send them via the website or tweet | :29:41. | :29:47. | |
them. All that work you put in and then they go and ad-lib them. What | :29:47. | :29:54. | |
were the dogs called? The dogs were called Alfie and Lola, and they | :29:55. | :30:01. | |
called Alfie and Lola, and they were delicious! | :30:01. | :30:07. | |
So, this is cod in butter sauce. That looks an expensive piece of | :30:07. | :30:14. | |
cod. And the sauce, parsley, butter, lemon, capers and shalllets. And we | :30:14. | :30:20. | |
have a raw potato, clarified butter and icing sugar. Oh, that's | :30:20. | :30:26. | |
controversial. Now, we can do this one of two ways. If you were doing | :30:26. | :30:31. | |
it either as a family meal or a dinner party, it would be nice to | :30:31. | :30:37. | |
roast the whole piece of cod. So all I would do was brush oil on it, | :30:37. | :30:42. | |
springle with salt and pepper, and roast it in the oufpb for 20 | :30:42. | :30:48. | |
minutes and then you can - oven for 20 minutes and then you can break | :30:48. | :30:53. | |
pieces off. We're going to leave the skin on, so Tim, down the | :30:53. | :30:57. | |
middle. Am I going to need a special knife? We've left you with | :30:58. | :31:06. | |
a choice of implements. You're going for a small one. Oh. OK, nice | :31:06. | :31:11. | |
choice. I'd go four down that way and two that way, to end up with | :31:11. | :31:16. | |
eight pieces. What? Down the middle and down the middle again and then | :31:16. | :31:21. | |
across the middle way, so we get eight pieces of it. | :31:21. | :31:26. | |
OK. Meanwhile, I'll start the sauce. Now, the sauce is a very simple | :31:26. | :31:35. | |
sauce. Very delicious, and the shall lets....Then In half? Yeah, | :31:35. | :31:40. | |
two across. And then rub some oil. We probably only need half of that. | :31:40. | :31:45. | |
The reason we're keeping the skin on is when we fry this piece they | :31:45. | :31:49. | |
hold together. If you're confident you can hold the cod together, by | :31:49. | :31:56. | |
all means skin it before that. So, the sauce, finely slice the | :31:56. | :32:02. | |
shalllets. Really nice little thin half moons. We don't want to colour | :32:02. | :32:08. | |
these up, we just want to soften them. So a little oil in a cool pan. | :32:08. | :32:13. | |
You don't want loads and loads of heat in this. Add the shalllets and | :32:13. | :32:22. | |
cook them nice and gently. It is difficult getting through the | :32:22. | :32:27. | |
skin. Yes, well, again, it's taking time and always the problem is | :32:27. | :32:34. | |
exactly that, that when you start sawing at it, it looks a little bit | :32:34. | :32:41. | |
untidy, but it will still taste delicious. So, olive oil and...? | :32:41. | :32:48. | |
Plenty of olive oil and plenty of salt and pepper. A touch more oil. | :32:48. | :32:56. | |
You don't have to use olive oil, you could use nut oil or ordinary | :32:56. | :33:02. | |
vegetable oil. But olive oil gives a little more flavour. | :33:02. | :33:08. | |
Now, let's do four pieces, then we can put three on the plate and eat | :33:08. | :33:14. | |
one. Skin down? No, on the side. Lovely. And we're really just going | :33:14. | :33:19. | |
to cook this so it's just done. Like with all fish, we don't want | :33:19. | :33:27. | |
it too be too much. Bring the fish up to room temperature and oil the | :33:27. | :33:33. | |
fish rather than the pan, so you smell just the fish. It is | :33:33. | :33:39. | |
absolutely delicious. It does smell good. | :33:39. | :33:45. | |
So, we cook away our shalllets. Let's pretend - important with this, | :33:45. | :33:53. | |
we don't colour them. We don't want them caramelised. We want it nice | :33:53. | :33:59. | |
and neutral. So, to that we add the butter. Does that mean you cook | :33:59. | :34:05. | |
them slowly? Yes, you just want them to scorch. Turn the heat up a | :34:05. | :34:10. | |
little bit as the butter goes in. The cod doesn't take long at all. | :34:10. | :34:15. | |
You get that lovely slight little bit of colour going on there. | :34:15. | :34:23. | |
Beautiful. Did you watch England last night? Yeah, did you? No, I | :34:23. | :34:29. | |
missed it. I was travelling down. I watched it on the BBC website, just | :34:29. | :34:33. | |
by text, because you can't get media on the train. It was a | :34:33. | :34:37. | |
learning process, so everyone said. It was a chance for Capello to | :34:37. | :34:44. | |
learn. And I think what we learnt from it was, actually, possession | :34:44. | :34:49. | |
football doesn't work. Get it in the mixer! | :34:49. | :34:55. | |
And what Spain missed out on, they didn't have a big centre forward. | :34:55. | :35:01. | |
They didn't have a striker. They needed Toshack and Keegan, that's | :35:01. | :35:07. | |
what they did. They passed 48 times in the first half and 75 in the | :35:07. | :35:14. | |
second half, but we won. So, we are going to segment the lemon. So put | :35:14. | :35:19. | |
the knife in at that angle and we want all the skin off. | :35:19. | :35:23. | |
Back to the cod. It is just about there. Look at | :35:23. | :35:28. | |
this lovely sauce. Very sixle. Butter, olive oil and delicious | :35:29. | :35:35. | |
shalllets in there. We then add capers for a little bit of vinegar. | :35:35. | :35:43. | |
And finaly chop a big load of parsley. And that goes in as well. | :35:43. | :35:48. | |
In terms of flavour, we have the cod which has a sweetness and taste | :35:48. | :35:53. | |
of the sea. Then the sauce has butter, shalllets, the freshness of | :35:53. | :35:59. | |
parsley. And once you've got all of that off, we need to segment the | :35:59. | :36:06. | |
lemon. So you go in and out. Beautiful. It's not particularly | :36:06. | :36:10. | |
crucial. Once we've get to this point with the butter, where it's | :36:10. | :36:13. | |
melting and just starting to colour a little bit. That's all the sauce | :36:13. | :36:17. | |
needs to be. The cod is done already so lift them out. This | :36:17. | :36:23. | |
would also work with something like monkfish and it would probably work | :36:23. | :36:27. | |
with salon, but I think it is better with a white fish, to be | :36:28. | :36:32. | |
honest. How many of these do you need? | :36:32. | :36:37. | |
can get three out of you, that would be perfect. I've already done | :36:37. | :36:45. | |
four. One more then, five. I don't like even numbers in cooking. | :36:45. | :36:52. | |
For the rest of the lemon, squeeze it into the pan. So we've cut | :36:52. | :36:57. | |
through all the butteryness with the lemon. And stick the segments | :36:57. | :37:02. | |
in whole, Tim. So now we've got the lovely freshness of the lemon and | :37:02. | :37:09. | |
the parsley. How come there's only four there, I put five in? I think | :37:09. | :37:15. | |
two are close! So we put in two little bits of the | :37:15. | :37:21. | |
cod in and let it sit there so the butter goes in. Now, the cash hide | :37:21. | :37:26. | |
demonstrate. This is a really nice thing to do with potatoes and it | :37:26. | :37:32. | |
gives a very, very different taste. We're going to put them on a manned | :37:33. | :37:37. | |
line. In restaurant world, when we're showing off. We would cut | :37:37. | :37:41. | |
down the middle of this potato so you have a perfect round and then | :37:41. | :37:51. | |
go tonne the manned line, so you - mandolin, so you get a perfect | :37:51. | :37:58. | |
round. I don't like perfect rounds, I don't think perfect shapes look | :37:58. | :38:03. | |
appetising, it looks too manufacturered. That's interesting. | :38:03. | :38:09. | |
But we want half moons. Why? Because we want them to be upright. | :38:09. | :38:16. | |
So we dip the potatoes into clarified butter. You melt the | :38:16. | :38:22. | |
butter and separate it out and get rid of all the impurities. Lay that | :38:22. | :38:32. | |
| :38:32. | :38:33. | ||
on to a baking sheet. And then you sprinkle a little bit of salt. | :38:33. | :38:39. | |
Lovely. You need to dip it into the clarified butter first. So a little | :38:39. | :38:49. | |
bit of salt and then bizarrely, we dust it with icing sugar. Why? | :38:49. | :38:57. | |
caramelise the potatoes and gives a delicious flavour and it goes like | :38:57. | :39:03. | |
a crisp. So we put patchment paper on top and then another tray on top | :39:03. | :39:09. | |
and they stay nice and flat. see, I don't like all those | :39:09. | :39:18. | |
machines, it's easier to do it with a knife. Look. You have good knives. | :39:18. | :39:24. | |
Look at those. Try it while we plate up. They do taste sweet but | :39:24. | :39:31. | |
it goes quickly. So, a piece of fish, a little bit | :39:31. | :39:39. | |
of lemon, a little bit of sauce....This Looks nice. | :39:39. | :39:43. | |
Deliciously fresh. A little bit more of that. And one more piece of | :39:43. | :39:49. | |
cod sitting on the top and pour over a little more sauce and then | :39:49. | :39:56. | |
our carbohydrate, our potatoes. feels early to be eating fish, | :39:56. | :40:04. | |
though, doesn't it? And the crisps. Go for it, ladies. Thank you. | :40:04. | :40:11. | |
What's the pudding? Date and banana bread and butter pudding. | :40:11. | :40:21. | |
| :40:21. | :40:24. | ||
That's beautiful. Out in Antarctic summer is over and most animals are | :40:24. | :40:29. | |
heading out to sea, but the Emperor penguins are going in the other | :40:29. | :40:35. | |
penguins are going in the other direction. | :40:35. | :40:41. | |
From the edge of the sea ice they go towards their colony, but an ice | :40:41. | :40:47. | |
block stands in their way. The males are particularly fat at | :40:47. | :40:54. | |
this time of year. This will be crucial for their survival in the | :40:54. | :40:57. | |
months ahead, but it doesn't make squeezing through narrow gaps any | :40:57. | :41:07. | |
| :41:07. | :41:40. | ||
squeezing through narrow gaps any And you can slip in some time to | :41:40. | :41:49. | |
watch Frozen Plante on Wednesday at 9pm on BBC One. Now, our next guest | :41:49. | :41:57. | |
won a �14 bet but he has been nominated for the Perrier Award | :41:57. | :42:05. | |
three times, with his close-run comedy. Barack Obama is supposed to | :42:05. | :42:11. | |
be doing his bit for black people, what do you do for black people? I | :42:11. | :42:19. | |
say, "I try not to eat fried chicken in front of white people." | :42:19. | :42:24. | |
Oh, first it was funny in your mind. When I was 14 I got mixed up in | :42:24. | :42:28. | |
something that is very dangerous for any teenager to get mixed up in | :42:28. | :42:35. | |
in the deep South. I got mixed up in sarcasm. She was like, you know | :42:35. | :42:42. | |
what, when I tell you to do something, I don't mean for you to | :42:42. | :42:48. | |
do it when you get good. You know what, I can show you. Without | :42:48. | :42:54. | |
needing to show you. And I said, "Maybe if you had a better | :42:54. | :42:59. | |
vocabulary, you wouldn't be so violent." You were out giging | :42:59. | :43:05. | |
around the country, where were you last night? Chatham. A good gig? | :43:05. | :43:09. | |
gave a decent account of ourselves. It's an interesting story how you | :43:09. | :43:15. | |
came to be on these shores, a �10 bet. Am I right in saying you were | :43:15. | :43:20. | |
in a pub in Birmingham? Yes, that's correct. And someone bet you �10 | :43:20. | :43:24. | |
that you wouldn't do stand-up and you came back the next night and | :43:24. | :43:28. | |
did it. But we want to know what you were doing in Birmingham? | :43:28. | :43:33. | |
are a lot of people in Birmingham, who wanted the same thing. I fit | :43:33. | :43:38. | |
right in! I'd just got the sack from a pantomime that wasureing | :43:38. | :43:42. | |
Wales and the Midlands and at the time of my sacking we were in | :43:42. | :43:47. | |
Birmingham, so it seemed as good a place as any to set up shop. | :43:47. | :43:53. | |
how do you get sacked from a pantomime? If you're not over | :43:53. | :44:01. | |
grateful about having an underpaid, over worked job and never speak up, | :44:01. | :44:07. | |
you're OK, if you speak up that's a good way to get sacked. And I was | :44:07. | :44:13. | |
young and I didn't know how to pretend gratitude. So you did the | :44:13. | :44:20. | |
stand-up and you realised you could do it? Well, if we maintain | :44:20. | :44:24. | |
interest in the facts, it was more like a week between the bet being | :44:24. | :44:28. | |
made and the comedy stand-up. Because the comedy club was every | :44:28. | :44:33. | |
Tuesday, so I had to wait until the next Tuesday. But I got in as soon | :44:33. | :44:38. | |
as I could. Do you remember your gags? I remember the first gag a | :44:38. | :44:43. | |
wrote and I came up with it between the moment the MC was starting to | :44:43. | :44:48. | |
announce my name and I went on. It only occurred to me then that I | :44:48. | :44:53. | |
actually needed jokes. At that time all I had was a voice and an | :44:53. | :44:57. | |
attitude. Going light back to the beginning, how did you actually end | :44:57. | :45:02. | |
up coming over the UK to start up an entertainment career? Well, the | :45:02. | :45:06. | |
plan was to go come over here and get trained in acting by the | :45:06. | :45:12. | |
British. I felt like, you know, a black man, American man, and acting | :45:12. | :45:17. | |
in America, I didn't feel like I had too many advantages. I could | :45:17. | :45:22. | |
act, couldn't sing, couldn't dance. But you got into RADA. Yes. Which, | :45:22. | :45:26. | |
over here is a really respected institution for actors, so you must | :45:26. | :45:31. | |
be pretty good at acting? Well, I had to be really, really good at | :45:31. | :45:37. | |
acting, because after that was over I couldn't show anyone anything | :45:37. | :45:46. | |
else. So I had to be really good at it. And I had a Southerner's | :45:46. | :45:53. | |
disdain for New York and LA. So a reasonable delay from hitting the | :45:54. | :46:00. | |
big towns, was to come over the UK. And I was surprised by attitudes | :46:00. | :46:06. | |
every day. So my six-month mission turned into, so far, a 15 year one. | :46:06. | :46:11. | |
And that kind of thing happens because you see the signs that you | :46:11. | :46:17. | |
might thrive here rather than your original plan. Does your stand-up | :46:17. | :46:23. | |
go down differently over here than in the UK? Yes, often times people | :46:23. | :46:32. | |
walk out. Whatever here or in America? Over in America. In | :46:32. | :46:37. | |
America, our attention span is as long as a commercial break. But | :46:37. | :46:42. | |
over here, their attention span is longer! | :46:42. | :46:45. | |
I read something, which I don't know is true, but you said you were | :46:45. | :46:51. | |
near the bone with your comedy and what you talk about, but it's nice | :46:51. | :46:55. | |
because people could come to your gigs and laugh about things which | :46:55. | :47:00. | |
maybe on the outside world they're not allowed to talk about or laugh | :47:00. | :47:05. | |
about it, and I think that's really nice. I said that? Yes. It sounds | :47:05. | :47:11. | |
good, stick with it? That must have be early in my career when I said | :47:11. | :47:17. | |
that. Have you been able to get back to acting, if that is your | :47:17. | :47:22. | |
first love? I can't say it was my first love, but it was something I | :47:22. | :47:27. | |
was good at without a whole lot of effort. Which appealed to me. But | :47:28. | :47:32. | |
stand-up was the thing I liked the most and spoke to me and it excites | :47:32. | :47:37. | |
me. I feel like doing it when I don't feel like doing it. So that's | :47:37. | :47:44. | |
a good sign. It's like being in love what's that line, "Happy to be | :47:44. | :47:50. | |
sad thinking about you" I even have the opportunity to be hurt by this. | :47:50. | :47:55. | |
Your tour is called Sometimes the Devil Tells the Truth. Is there a | :47:55. | :48:01. | |
theme running through it? For me, it's about how untrue things get | :48:01. | :48:05. | |
aligned next to true things. Sometimes now, even politicians, | :48:05. | :48:12. | |
are quite open in talking about their agendas, with not nearly | :48:12. | :48:18. | |
enough deafness and hiding as they used to. Sometimes the devil says | :48:18. | :48:24. | |
things that are true. Even the person that we disagree with or | :48:24. | :48:28. | |
don't like, just because we don't like them or disagree with them, it | :48:28. | :48:38. | |
doesn't mean they're not saying the truth. Now, on the ure, we try to | :48:38. | :48:43. | |
align some of our differences and see what happens. Now you've turned | :48:43. | :48:50. | |
theure into a DVD for Christmas. And that's the one time when a lot | :48:50. | :48:54. | |
of comedians can be judged against each other. You say that, but my | :48:54. | :48:58. | |
intention was to make a DVD about some of the things I've been | :48:59. | :49:03. | |
writing and thinking about over the years, but the whole Christmas | :49:03. | :49:07. | |
market? It's the people who make money in the game and that's the | :49:07. | :49:11. | |
way they recognise the best way to sell the thing. I have mixed | :49:11. | :49:15. | |
feelings about it, but I also know that their experience in these | :49:15. | :49:19. | |
matters is greater than mine to this point, so all right. Do you | :49:19. | :49:24. | |
think you're here to stay now? You've made your name over here. Do | :49:24. | :49:30. | |
you think you'll go back to America one day, or stay in Britain? Well, | :49:30. | :49:38. | |
I love Britain. I've learned a lot. In fact, I grew into my manhood | :49:38. | :49:43. | |
here in Britain. However, I don't think I see Britain as the end of | :49:43. | :49:49. | |
my rainbow, but then I don't know if I see America as that either. | :49:50. | :49:56. | |
But I'll be here for the while. All right. Get your questions in | :49:56. | :50:03. | |
for Reginald before the end of the programme. Keep them coming in. Put | :50:03. | :50:13. | |
| :50:13. | :50:13. | ||
your names on them. But still all this is to come: | :50:13. | :50:19. | |
Johnny Depp cameos in Life's Too Short. It's going to make a lot | :50:19. | :50:26. | |
more money than any film you've ever made. | :50:26. | :50:30. | |
Simon's creating some spicey chicken noodle salads. And find out | :50:30. | :50:40. | |
| :50:40. | :50:45. | ||
how to build a superjumbo wing. UpupLots To come, and not least our | :50:45. | :50:50. | |
gadget expert, Lucy Hedges, who has three new gizmos in Something For | :50:50. | :50:59. | |
The Weekend, including a Newquay board and a phone thing. And we've | :50:59. | :51:05. | |
got some virtual reality goggles. There you go. Katherine Jenkins is | :51:05. | :51:11. | |
in the kitchen now. You've cooked in the kitchen now. You've cooked | :51:11. | :51:19. | |
with us a couple of times before. What did you do before? I humous. | :51:19. | :51:26. | |
And then a pudding. I think it was a cake. I remember you being very | :51:26. | :51:30. | |
confident and competent. Oh, I enjoy cooking, but I stick to the | :51:30. | :51:36. | |
things I know how to cook, so it's always nice to be taught something | :51:36. | :51:42. | |
different. And your fiance, Gethin, is opening up a hotel? He is. In | :51:42. | :51:48. | |
Lincoln. I imagine it will be a family thing. Yes, making the beds | :51:49. | :51:55. | |
and all sorts. And then you'll come out and sing in the hotel lounge. | :51:55. | :52:03. | |
can see me doing that. Is it like a big B&B? No, no, it's a proper | :52:03. | :52:09. | |
hotel. Right, what are we cooking? A date and banana bread and butter | :52:09. | :52:17. | |
pudding. So we're making a toffee sauce to start with. Eye custard, | :52:17. | :52:24. | |
eggs, sugar and cream and milk on the bubble. And loads of bread, | :52:24. | :52:32. | |
dates and bananas. This is the easiest sauce in the world. You can | :52:32. | :52:42. | |
use whatever quantities you have. 200 ml of cream, and 200 g of | :52:42. | :52:48. | |
butter. And bring it up to the boil in a pan, simple. That's it done. | :52:48. | :52:56. | |
So, we've already buttered the bread. So first job, cut off the | :52:56. | :53:03. | |
crusts. This is where she'll be knocking up the sandwiches in the | :53:03. | :53:13. | |
| :53:13. | :53:15. | ||
hotel. Room service. Oh, leave the crusts on, people think they're | :53:15. | :53:25. | |
getting more. But some people don't like them. | :53:25. | :53:32. | |
Tell you what I was thinking. Our Olympic truck, you can get some | :53:32. | :53:41. | |
pictures in there. Yes, if you'd like to come and work for us on our | :53:41. | :53:49. | |
Olympic cooking bus. Not too much. You don't have to do them as | :53:49. | :53:55. | |
triangles, you can do them as squares. And we just layer them up | :53:55. | :53:59. | |
here. I like this question. This might as well be German to me but | :53:59. | :54:06. | |
I'll ask it any way. This is from Kate. What is the difference | :54:06. | :54:15. | |
between a mezzo-soprano and a bell canto. Have I said that right? | :54:15. | :54:22. | |
canto is a style of singing and a mezzo-soprano is a kind of voice. | :54:22. | :54:30. | |
What kind of singing is bell canto? It's Cockney, around a piano. | :54:30. | :54:40. | |
| :54:40. | :54:42. | ||
beautiful, long lines. It's about legato, singing. Italian singing. | :54:42. | :54:48. | |
What's legato singing? It's about beautiful long lines and control. | :54:48. | :54:53. | |
There's so much to learn about singing. I wish I knew more about | :54:53. | :55:02. | |
it, because every time you're on, and the same with Alfie, it's a | :55:02. | :55:06. | |
different language. Do you know Alfie? Request yes, I've sung with | :55:06. | :55:14. | |
him a few times. And I saw on Twitter, you with Cliff Richard? | :55:14. | :55:19. | |
know. Whether I first started I was a special guest on people'stures | :55:19. | :55:25. | |
and right at the beginning, Cliff asked me on a tour. So it is nice | :55:25. | :55:31. | |
to see him again, but it was really good yesterday. It was great to see | :55:31. | :55:36. | |
him again. I love the way an event becomes more and more important. I | :55:36. | :55:41. | |
do a lot of stuff with the forces and I know you do, and I this it's | :55:41. | :55:47. | |
great that everyone embraces it and I'm really, really glad. So, we | :55:47. | :55:51. | |
have one layer of the bread. Sprinkle on the dates and bananas. | :55:51. | :55:56. | |
At this point, whatever you want to do for your peding, if you have a | :55:57. | :56:06. | |
| :56:07. | :56:07. | ||
desire - pudding, if you have a desire to do a raisin one, or | :56:07. | :56:14. | |
apples. And then brown sugar. you allowed to eat things like this | :56:14. | :56:20. | |
with your voice, or are you only allowed things like honey? Things | :56:20. | :56:25. | |
like dairy I avoid if I'm singing, but I'm not singing today, so I can | :56:25. | :56:30. | |
have some of this. What happens if you get a cold? Are you out of the | :56:30. | :56:36. | |
game? Well, I've had a terrible cold all week, but if you have just | :56:36. | :56:46. | |
| :56:46. | :56:48. | ||
a head cold it doesn't affect your voice, but if you have laryngitis, | :56:48. | :56:56. | |
or a chest cold, it's really, really bad and you can't sing. | :56:56. | :57:04. | |
look how simple that is, just boil it up. Now, the three eggs and | :57:04. | :57:11. | |
yolks go in and the sugar. Do you do all albums now? Well, with the | :57:11. | :57:19. | |
albums we release a single. There's one coming out on 5th December, and | :57:19. | :57:25. | |
the current one is out, but they're all on the album. So you keep | :57:25. | :57:31. | |
whisking, and now we want to bring the temperature up. If you ever | :57:31. | :57:38. | |
make custard and it curlgdzs, add the cream a little - and it | :57:38. | :57:48. | |
recurredles, add the milk and cream a little bit at a time. I made | :57:48. | :57:53. | |
Yorkshire puddings the other day. It was great. It's easy! I used to | :57:54. | :58:00. | |
be really, really scared of them. That's great. In my mind I've got | :58:00. | :58:05. | |
you and Gethin working in this hotel, and I can't get it out of my | :58:05. | :58:11. | |
mind. But it is more like a B&B. Yes, a steep staircase and lots of | :58:11. | :58:17. | |
rules! Leave that for 20 minutes or so, so the custard soaks into the | :58:17. | :58:24. | |
bread and loads of sugar on the top. And we bake it. Calorific! | :58:24. | :58:29. | |
And we bake it for about 40 minutes or so. We're looking for it to set. | :58:29. | :58:36. | |
The smell is gorgeous. So pour over normal custard? Yes, the customer | :58:36. | :58:45. | |
yard was three egg yolks and three whole eggs and vanilla pod. If you | :58:45. | :58:53. | |
make a big one with real custard it's much better. Quite often you | :58:53. | :58:59. | |
just add milk and the consistency is not the same. The bread is going | :58:59. | :59:06. | |
to taste of bread, so it's the custard that makes it delicious. | :59:06. | :59:11. | |
Coming back to the sauce. That's so simple. Equal quantities of butter | :59:11. | :59:17. | |
and of sugar and of cream. Boil that together and pour a wee bit of | :59:17. | :59:22. | |
that over there. I'm not sure I'm happy about the plate. It doesn't | :59:22. | :59:29. | |
look good. You've got a thing about plates. I'd like you to have a | :59:29. | :59:33. | |
taste. We're about to come to eleven o'clock and we want to | :59:33. | :59:39. | |
observe the silence. So have a quick taste first. What's the final | :59:39. | :59:46. | |
dish? Spicey chicken noodle salad. Um mmm. That is absolutely | :59:46. | :59:52. | |
delicious. It's a proper pud, isn't it. And the caramel sauce is good. | :59:52. | :59:57. | |
Why are things that are so bad for you taste so good, it's such a | :59:57. | :00:02. | |
shame? It's the rule of life. guys. It is almost eleven o'clock | :00:02. | :00:06. | |
and we're going to observe a two minute silence along with the rest | :00:06. | :00:16. | |
| :00:16. | :00:16. | ||
Apology for the loss of subtitles for 117 seconds | :00:16. | :02:14. | |
Our thoughts are with everyone in the forces. Now, focus your minds | :02:14. | :02:18. | |
now, because the next one minute and 20 seconds is your last chance | :02:18. | :02:28. | |
| :02:28. | :02:33. | ||
to get the year in deja vu. # Oh, Carolina # | :02:33. | :02:37. | |
Solicitors acting for the Princess of Wales have issued High Court | :02:37. | :02:41. | |
writs aimed at permanently banning public application of the Princess | :02:41. | :02:46. | |
working out at the gym. The first purpose-built train has | :02:46. | :02:50. | |
travelled through the channel done from Calais to Folkestone. Just | :02:50. | :02:56. | |
over one year late and it took two hours to complete the trip. Good | :02:56. | :03:01. | |
evening. The Grand National has been declared void after a mix-up | :03:01. | :03:10. | |
when 30 horses ran the race despite a second false start. | :03:10. | :03:20. | |
| :03:20. | :03:24. | ||
# Carolina, come wine for me # # Oh, Carolina # | :03:24. | :03:30. | |
Mr Boils wants me to tell you how much we appreciate...A Million | :03:30. | :03:38. | |
dollars in a bank in Zurich. You've sure turned greedy overnight. | :03:39. | :03:45. | |
my brother out. Now. Your brother is a convicted fellon. | :03:45. | :03:55. | |
| :03:55. | :03:56. | ||
OK, what year was the failed Grand National? And Shaggy. I like the | :03:56. | :04:02. | |
fact that you've just told me you recognise the dancers. I reckon is | :04:02. | :04:08. | |
has to be around 1959, because I recognise the dancers. Back then | :04:09. | :04:12. | |
they used to have four or five who were very popular and danced behind | :04:12. | :04:16. | |
all of the pop acts, and I recognise all of them, so it must | :04:16. | :04:24. | |
have been when I was singing, a long time ago. I'd say '49, '956789 | :04:24. | :04:30. | |
Are we allowed to double up, because I reckon '94. My first | :04:30. | :04:38. | |
drink is a crowd pleaser. We've had quite a few viewers texting or | :04:38. | :04:44. | |
tweeting me asking for the best recipe for a Long Island iced tea. | :04:44. | :04:50. | |
A lot of people think it's a sad drink, but it's towelly a really | :04:50. | :05:00. | |
lovely long drink. It was made in the late '70s in Long Island in New | :05:00. | :05:09. | |
Hampshire. But the iced tea theory goes back to prohibition when they | :05:09. | :05:19. | |
used to drink it in long glasses with whisky and Kola and ice and | :05:19. | :05:29. | |
| :05:29. | :05:32. | ||
tea. And you could get away with it. Oh, look. Just have a look at Wayne. | :05:32. | :05:39. | |
You're handsome there. You mean he's not handsome now? No, he is | :05:39. | :05:45. | |
handsome now. I'm mucking it up. was 16 years old there I believe. | :05:45. | :05:53. | |
Yeah, I broke some hearts! Equal measures, half a shot each of | :05:53. | :06:00. | |
vodka, gin, rum and some orange liqueur. Equal measures. Some | :06:00. | :06:08. | |
people put tequila into it, which you can do, and instead of putting | :06:08. | :06:15. | |
Kola, you can use cranberry. And fresh squeezed orange and lemon | :06:15. | :06:19. | |
and a little bit of sugar and shake it up together. A lot of people ask | :06:20. | :06:27. | |
me about this part of the show and say, "Do you really have a proper | :06:27. | :06:33. | |
taste?" and I say, "Yeah, and everyone who comes on has a proper | :06:33. | :06:40. | |
taste." If you top it up with champagne, it becomes a Beverley | :06:40. | :06:49. | |
hills iced tea. And other mixers it becomes other things. It's a crazy | :06:49. | :06:55. | |
drink. Then Kola, just to give it a look. That make it is look like tea. | :06:55. | :07:02. | |
It reminds me of Happy Hours in bars. Jugs of these things. Two for | :07:02. | :07:08. | |
the price of one. A slice of lemon and simple. | :07:08. | :07:14. | |
Delicious. Um mm. Oh, that's lovely. What memories is this going to | :07:14. | :07:21. | |
bring back? Any? Yeah, loads! to share with us all? I don't think | :07:21. | :07:30. | |
This one is a drink first made.....That's So easy to drink. | :07:30. | :07:35. | |
Even though I saw how much alcohol you put in there, it doesn't taste | :07:35. | :07:40. | |
like there is any in there. This is a Bramble. It was designed by one | :07:40. | :07:46. | |
of the Founding Fathers of the bar back in the '80. I I've put one | :07:46. | :07:52. | |
shot of freshly squeezed lemon juice and syrup, and a shot of gin | :07:52. | :07:57. | |
and mix it out and this is a blackbury liqueur. | :07:57. | :08:05. | |
Just drizzle it over the top. That's so pretty. Simple, but | :08:05. | :08:14. | |
elegant. And delicious. And it's a fantastic simple drink. You get the | :08:14. | :08:20. | |
sourness and a jammy feel as well. You can taste the raspberry. That's | :08:20. | :08:26. | |
good. You serve those at a party and everyone's happy. No wonder | :08:26. | :08:30. | |
these are crowd pleasers. If you want to impress your family and | :08:30. | :08:36. | |
friends with those cocktails, you can go to the website. | :08:37. | :08:42. | |
His CV includes Charlie and the Chocolate Factory, Pirates of the | :08:42. | :08:49. | |
Caribbean and now this, Johnny Depp guest stars in Life's Too Short. | :08:49. | :08:56. | |
Here they are, the lads. Hi. You're popping in every other day. | :08:56. | :09:04. | |
seems like it. Have you met before? Johnny, this is Stephen. Hello. | :09:04. | :09:12. | |
Ricky. I remember him. Hi, how's it going. Fine. I've just made another | :09:12. | :09:17. | |
film that's going to make loads of money. Probably more money than any | :09:17. | :09:24. | |
film you've ever made. Good. you? Yeah, just writing. I write | :09:24. | :09:29. | |
and direct all my own stuff. great for you. That must be so | :09:29. | :09:34. | |
great. I'm working with a great director now. A guy called Tim | :09:34. | :09:39. | |
Burton, have you heard of him? course. And I'm playing an | :09:39. | :09:43. | |
interesting character. Do you have any idea who my leading lady is in | :09:44. | :09:49. | |
this film? In the Tim Burton film? Helen Bonham Carter? How do you | :09:49. | :09:55. | |
know? A stab in the dark. thinks your an idea yachts? Sorry, | :09:55. | :10:01. | |
have I done something to offend you? You mean, like trashing me in | :10:01. | :10:08. | |
front of two million people, the Golden Globes? They were jokes. | :10:08. | :10:13. | |
They were jokes? I actually got together with a few pals after the | :10:13. | :10:17. | |
awards and we wrote some jokes about you. I want you to carry this | :10:17. | :10:26. | |
with you for the rest of your days. No-one makes fun of Timal en - Alen | :10:26. | :10:33. | |
on my watch. And you can see Johnny Depp in Life's Too Short on | :10:33. | :10:38. | |
Thursday on BBC Two. Lisi Hedges is back with three gadgets for us | :10:38. | :10:46. | |
today. Reg is helping us now and wearing it. That's very Robo Cops, | :10:46. | :10:56. | |
| :10:56. | :11:00. | ||
meets Star Trek. This is Sony's HMZ T1, a personal 3D visor. You have | :11:00. | :11:07. | |
two screens in front of you that merge to create a 3D experience. | :11:08. | :11:17. | |
| :11:18. | :11:19. | ||
What is it looking like? It's looking like Jon Bon Jovi in a 3D | :11:19. | :11:26. | |
perfect gram at the moment. The picture isn't doing anything at the | :11:26. | :11:31. | |
moment. Are you impressed by the depth of the 3D? Yes. Good, that's | :11:31. | :11:38. | |
the answer I wanted. Can you take it off and I can show the cameras | :11:38. | :11:44. | |
what's going on inside. You have the two displays there. They're | :11:44. | :11:51. | |
angled to create the cinema experience. It's like having the | :11:51. | :11:55. | |
ultimate cinema experience without having the annoying noisy person or | :11:55. | :12:01. | |
the one with the big hair. It lasts for three hours before turning off. | :12:01. | :12:08. | |
But the pay-off is it needs to be plugged into an amplifier at all | :12:08. | :12:15. | |
times. How do you press play? Tim. You'll have to have a go later. | :12:15. | :12:22. | |
We haven't time now. That's available pre-order right now. Sony | :12:22. | :12:26. | |
are putting to out available for pre-order right now. It's really | :12:26. | :12:35. | |
like going to a concert but by yourself. Yes, a completely | :12:35. | :12:42. | |
emergence experience. �800. What! If you buy it is that it, or do you | :12:42. | :12:51. | |
have to continue buying things? because you can hook it up to other | :12:51. | :12:56. | |
items. So I already have the technology to play it through. | :12:56. | :13:06. | |
| :13:06. | :13:07. | ||
That's right. OK. Next up, the Samsung Galaxy Note. It's not a | :13:07. | :13:13. | |
tablet or a note. It sits between the two. It has phone functionality | :13:13. | :13:19. | |
but it's also great for viewing web pages. It's not called the note | :13:19. | :13:24. | |
just for fun it comes with the S pen. We don't have that this | :13:24. | :13:29. | |
morning, we've misplaced it. But we have a replacement. It does slot | :13:29. | :13:34. | |
into the back, it's not as chunky as this. But we have a picture of | :13:34. | :13:41. | |
Tim there. You can draw on the photograph. Let me get that up for | :13:41. | :13:49. | |
you...Reg, do you want to have a go at defacing Tim's face. Sure. If I | :13:49. | :13:54. | |
colour him in, can I make him black! You can. Oh, it seems to | :13:54. | :14:00. | |
have turned off. That's not good. There we go. Oh, I've just drawn a | :14:00. | :14:05. | |
big line across your face. But the idea is you can annotate documents | :14:05. | :14:15. | |
| :14:15. | :14:16. | ||
and make notes. It's a great way to note take for the digital scribe. | :14:16. | :14:23. | |
This is an amazing piece of technology. Most people across the | :14:23. | :14:31. | |
country have to go in the sun to get this brown! There are loads of | :14:31. | :14:41. | |
| :14:41. | :14:44. | ||
cool tricks up its sleeve. You can swipe your hand over the screen, | :14:44. | :14:51. | |
you can place your hand over the front of a video to pause it. And | :14:51. | :14:57. | |
the focus is so sharp it will poke your eyes out. But is it a phone? | :14:57. | :15:02. | |
People aren't necessarily buying it as a smart phone. The screen is | :15:02. | :15:09. | |
great for use at web Bruceing. where do you get it? You can get it | :15:09. | :15:12. | |
for free on a multitude of contracts. | :15:12. | :15:20. | |
And lastly this is a 25-key portable keyboard, and it will | :15:20. | :15:26. | |
teach you how to play the piano. The basics. Who wants to have a go. | :15:26. | :15:32. | |
Press "play." The keys light up and you're meant to follow the lit up | :15:32. | :15:37. | |
keys in association with these hands telling you what to do. | :15:37. | :15:47. | |
kind of Simon Says, with a keyboard. And this is an award-winning piano | :15:47. | :15:51. | |
instructor. If it gets too confusing you can just follow the | :15:51. | :16:00. | |
keys that light up. So it gives you a tutorial. | :16:00. | :16:09. | |
4 His hands are showing you what to It's nice and portable. Why you'd | :16:09. | :16:17. | |
want to carry it around, though, I don't know? I pit of impromptu | :16:17. | :16:23. | |
busking, on the underground. Or if you're nervous about getting a | :16:23. | :16:28. | |
real-live tutor. It will show you the basics. If you want to learn | :16:28. | :16:33. | |
the piano and you're so nervous you don't want to hire an instructor, | :16:33. | :16:41. | |
but willing to pay five times as much...This Is your gadget! It's | :16:41. | :16:48. | |
�80. More details are on our website. | :16:48. | :16:56. | |
27m long and weighing tonnes, the Airbus A308 is the daddy in the | :16:56. | :17:01. | |
flying world. This is how to build a superbus wing. | :17:01. | :17:07. | |
A final check that all the pins are out and it's time to release the | :17:07. | :17:10. | |
master pins leaving nearly 30 tonnes of wing hanging from the | :17:11. | :17:17. | |
crane at just two points. The last one out now. Right, the wing's free. | :17:18. | :17:27. | |
I'll get the radio and we'll get it out. We're ready. Right. Take it up | :17:27. | :17:37. | |
on the bolt above. 12-08 on the inboard, 6-90 on the out board. | :17:37. | :17:45. | |
Jimmy, stop! That's going to come over. Chris, | :17:45. | :17:55. | |
| :17:55. | :17:58. | ||
looseen yours off, tighten yours up a touch, Jim. | :17:58. | :18:05. | |
19 -8, six, seven, five. Hold it there. We're ready for you to come | :18:05. | :18:15. | |
| :18:15. | :18:15. | ||
west. Take that chain off, please. 4 Going up. Finally, the largest | :18:16. | :18:25. | |
wing in commercial airliner history takes its first flight. | :18:25. | :18:34. | |
OK, and you can engineer some time for how to build a superbus wing | :18:34. | :18:41. | |
tonight on BBC Two. But now, Reginald is joining us in the | :18:41. | :18:51. | |
| :18:51. | :18:51. | ||
kitchen. Yes, Madam. I love that, "Madam." How's your cooking? OK. I | :18:51. | :18:58. | |
re-heat a lot of burgers and Chinese food, but you have to do it | :18:58. | :19:05. | |
just right. If you overcook it, you blow it away. | :19:05. | :19:15. | |
| :19:15. | :19:15. | ||
We're going to make a spicey noodle chicken salad. | :19:15. | :19:25. | |
| :19:25. | :19:27. | ||
Carrot, white radish, spring onion and pack choi. Uli, is a vegetable? | :19:27. | :19:37. | |
| :19:37. | :19:41. | ||
Yes. It's a racist term in America. Is it? And dicon. What does it mean | :19:41. | :19:48. | |
in America? It's like a lesbian with a camera. | :19:48. | :19:53. | |
Right, so your first job, young man is cut the chicken breasts into | :19:53. | :19:59. | |
strips. Down the middle and then maybe three across. How do you know | :19:59. | :20:04. | |
I ain't scared of raw meat. I might be terrified of it? You would have | :20:04. | :20:13. | |
said. I need a fork. Are you scared of raw meet? No, I'm not. Next to a | :20:13. | :20:23. | |
| :20:23. | :20:24. | ||
pretty woman, I think I'm not! Plenty of salt in there, and ground | :20:24. | :20:34. | |
star Easter, and the when it is proving, they put an electric | :20:34. | :20:44. | |
| :20:44. | :20:44. | ||
current through the dough and it stops it proving and it makes it | :20:44. | :20:50. | |
really crunchy. A lot of people think I'm a comedian, but really | :20:50. | :20:56. | |
I'm a revolutionary, a culinary revolutionary. Now, the dressing. | :20:56. | :21:02. | |
Put the perform sugar and the lime juice - palm sugar and the lime | :21:02. | :21:07. | |
juice and the fish sauce - you can leave the fish sauce out if you | :21:07. | :21:13. | |
don't want to have it. Would it taste already without? Yes, but I | :21:13. | :21:18. | |
like it, because it gives the sauts depth. But if you don't like it, | :21:18. | :21:26. | |
because it is quite strong. Is it all right to put fish sauce with | :21:26. | :21:30. | |
chicken then? Yes, it's the dressing. Beautiful. Then all of | :21:30. | :21:35. | |
that into the egg and into the breadcrumbs. I have to ask you, | :21:36. | :21:41. | |
when you were in America you watched British comedy. Was it | :21:41. | :21:46. | |
Rumpole of the Bailey. That was one of the things I watched. And you | :21:46. | :21:52. | |
worked in a lawyer's firm. I had got into trouble for shoplifting | :21:52. | :21:56. | |
and this lawyer got a sentence I deserved and after he got me out of | :21:56. | :22:03. | |
trouble he hired me. Which was nice. And he was into Rumpole of the | :22:03. | :22:07. | |
Bailey. I didn't know it at the time, but my family were friends | :22:07. | :22:12. | |
with him. And he took it upon himself to teach me how to be a | :22:12. | :22:18. | |
gentleman, and Rumpole of the Bailey was one of his tools. Did it | :22:18. | :22:24. | |
work? I love the idea. It's along the idea of apprenticeship, which | :22:24. | :22:28. | |
is lost now, because it's all about making a fast buck. There used to | :22:29. | :22:36. | |
be a time when you were an apprentice for 20 or 30 years, and | :22:36. | :22:41. | |
the philosophy of that has now been lost. I agree with you, about that, | :22:41. | :22:47. | |
everything has to be instant. socially. For young girls and young | :22:47. | :22:56. | |
boys, there used to be an apprenticeship in place that taught | :22:56. | :23:02. | |
you how to be a young lady or a young man. I have boys and I really | :23:03. | :23:07. | |
want them to grow up to be real gentleman and treat people right. | :23:07. | :23:14. | |
But it's up to us to do it. want them to know how to be | :23:14. | :23:18. | |
gentleman for certain periods of time. Most of the time, I'd like to | :23:18. | :23:27. | |
think. Coatet chicken with the breadcrumbs. For you to be the chef, | :23:27. | :23:34. | |
I seem to be doing a whole lot already. That's the concept of the | :23:34. | :23:39. | |
show. One tweet says, "How have you used your RADA training in your | :23:39. | :23:47. | |
career, if at all?" Whenever I'm in a venue and the sound isn't good, I | :23:47. | :23:51. | |
project to fill all four corners of the building. And that's what RADA | :23:51. | :23:56. | |
can give you? Well, what RADA does, and I think some of the best | :23:56. | :24:03. | |
British schools do, is they give you a confidence, real or imagined. | :24:03. | :24:12. | |
I was often told in RADA that the difference between an American | :24:12. | :24:15. | |
performer and a British performer is that they bring something new | :24:15. | :24:25. | |
and different to every performance, but a British actor is reliable! | :24:25. | :24:31. | |
My suspicion is that often with these kind of courses, RADA is one | :24:31. | :24:36. | |
of the finest schools I've been lucky to be there, but with many of | :24:36. | :24:43. | |
them, they're often over priced and it's full of people who are able to | :24:43. | :24:52. | |
pay the full administrative cost. So maybe not so much talent, but | :24:52. | :24:59. | |
that's the way of life. In Maybe it wasn't my talent alone! | :24:59. | :25:09. | |
| :25:09. | :25:10. | ||
So, this is the lime juice and pam sugar and fish sauce.Le - palm | :25:10. | :25:19. | |
sugar and fish. It smells like fermented fish. | :25:19. | :25:29. | |
| :25:29. | :25:30. | ||
rub some of that on, on your next date! Try that? Cool, flavourful. | :25:30. | :25:34. | |
Refreshing. We've already used this great implement for doing the | :25:34. | :25:40. | |
carrots, and all you do is that to get the lovely strips. You have | :25:40. | :25:47. | |
great things, don't you? That masher thing last week. I feel like | :25:47. | :25:53. | |
James Bond. It's like the Secret Service of chefs. Where do we pick | :25:53. | :25:59. | |
these things up? I never see these things? What is this? It's white | :25:59. | :26:07. | |
radyickish. It feels a - White radish. It feels a lit like sugar | :26:07. | :26:12. | |
cane. I can see that. The carrot goes in there. And the noodles go | :26:13. | :26:19. | |
in there. I want one of these! That's plenty. In goes all the | :26:19. | :26:29. | |
| :26:29. | :26:35. | ||
shredded stuff into the bowl. this, like a professional. Dressing | :26:35. | :26:38. | |
the salad is one of the most important things, so get your hands | :26:38. | :26:48. | |
| :26:48. | :26:48. | ||
in and go for it. And we have the pack choi in there as well. That's | :26:48. | :26:53. | |
lovely freshness. Did she get that job because she's got pretty | :26:53. | :26:59. | |
fingers and it's slightly more sexy if she does it. It's your go now. | :26:59. | :27:09. | |
| :27:09. | :27:10. | ||
No, no, I don't want to be hurt by this. You need gentleness. So you | :27:10. | :27:14. | |
want gentleness. I had you figured out from the start! That's | :27:14. | :27:21. | |
beautiful. At this point you could add fresh mint or chopped coriander. | :27:21. | :27:26. | |
But that, as a simple salad is delicious. And to serve this, with | :27:26. | :27:33. | |
take a nice handful of this lovely salad. So you almost turn the | :27:33. | :27:39. | |
carrot and the radish into nodles as well. And then sit the delicious | :27:40. | :27:47. | |
chicken on top. As Simon and Reginald serve up the dish, we go | :27:47. | :27:54. | |
over to Katherine and Tim. Yes, this song was number one in | :27:54. | :28:01. | |
the year 19936789 I've eaten all mine. Try that, | :28:01. | :28:04. | |
Reginald and tell us what you think about it. | :28:04. | :28:08. | |
We were just having a chat about the time you went to have dinner | :28:08. | :28:14. | |
with the Queen. It was lunch at Buckingham Palace. How was that? | :28:14. | :28:21. | |
Crazy. Was it a big table? There was only about eight of us. Wow! | :28:21. | :28:26. | |
thought there was going to be about 88 of us. It was one of the things | :28:26. | :28:30. | |
where I went into the toilet and tried to take a picture to send my | :28:30. | :28:35. | |
mum! What did she talk about? Normal stuff? Yes, I think it was | :28:35. | :28:40. | |
just before the Variety Show and I was going to be singing at that, so | :28:40. | :28:45. | |
we talked about that. But there was a moment when they brought this | :28:45. | :28:52. | |
plate and gauze and a big bowl of water and I thought, "Oh, my gosh, | :28:52. | :28:59. | |
my table manners are not up to it, I don't know what to do" so I | :28:59. | :29:04. | |
watched the Queen and she took the gauze off the bowl of water and | :29:04. | :29:14. | |
| :29:14. | :29:14. | ||
washed the fruit in it. What did you have? I think it was a nectarin, | :29:14. | :29:21. | |
e. But it was nerve-wracking and I think she sensed I didn't know what | :29:21. | :29:27. | |
to do so she was lovely. But you would think at Buckingham Palace | :29:27. | :29:32. | |
that they would have washed the fruit for you. That's what you'll | :29:32. | :29:42. | |
| :29:42. | :29:49. |