Browse content similar to East. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is a story about families. About parents and children. And how | :00:32. | :00:36. | |
we use pictures to remember our past. | :00:36. | :00:44. | |
To honour our heritage, or bring our loved ones back to life. It's a | :00:44. | :00:49. | |
tale of forgotten people. Hidden paintings. And one man's | :00:49. | :00:54. | |
extraordinary passion to belong in a land far away from his ancestral | :00:54. | :01:03. | |
home. It all starts here in Thetford, Norfolk. | :01:03. | :01:06. | |
These days, Thetford is probably best known as the birthplace of | :01:06. | :01:11. | |
this chap, Thomas Payne, the famous revolutionary. But I'm on the trail | :01:11. | :01:17. | |
of another local hero who's almost been completely forgotten. | :01:17. | :01:22. | |
Back in 1926 27, he was the talk of the town. When a three-day public | :01:22. | :01:26. | |
holiday was announced, just so the locals could visit an art | :01:26. | :01:32. | |
exhibition. The paintings were collected by | :01:33. | :01:38. | |
this man. Prince Frederick Duleep Singh, or Freddy to his friends. | :01:38. | :01:43. | |
His family once ruled a mighty Indian King donl. But Freddy lived | :01:43. | :01:48. | |
and died just a few miles from here in the heart of rural East Anglia - | :01:48. | :01:52. | |
- kingdom. In his will, he left 90 of his | :01:52. | :01:55. | |
paintings to the people of Thetford and suggested this place, the | :01:55. | :02:05. | |
:02:05. | :02:05. | ||
Guildhall, as a good venue to show them. It's a suitably grand setting | :02:05. | :02:09. | |
for Freddy's generous gift and I can't wait the see the pictures for | :02:09. | :02:19. | |
:02:19. | :02:24. | ||
But it looks as though I'll have to wait a little longer! | :02:24. | :02:29. | |
The bowls club meet here every Tuesday. But there's not a canvas | :02:29. | :02:31. | |
in sight. There used to be a load of | :02:32. | :02:35. | |
portraits hanging up here in the Guildhall? Yes, many years ago, yes. | :02:35. | :02:39. | |
There doesn't seem to be anything here at all? No. What a shame. Do | :02:39. | :02:44. | |
you know who collected them, by the way? No. Have you ever heard of | :02:44. | :02:48. | |
prince Freddy Duleep Singh? Yes, I have. Oh, you have?! OK. So you | :02:48. | :02:55. | |
have heard of the deep Singh family? Yes. I'm on the hunt for | :02:55. | :02:58. | |
the pictures. To find them? Yes, like a detective and maybe I can | :02:58. | :03:03. | |
give you a game of bowls after, I'm very bad though. Wfrpblgts we are | :03:03. | :03:06. | |
not very good either. I've been searching for a collection of | :03:06. | :03:10. | |
portraits that used to hang up in the Guildhall. I asked around some | :03:10. | :03:16. | |
more, but no-one could throw much light on the enigmatic prince or | :03:17. | :03:24. | |
elusive paintings. Still, since I was here... | :03:24. | :03:32. | |
That's better. Good. Nice! I hit it! You're a very good | :03:32. | :03:39. | |
teacher. Do I win any money? No. | :03:39. | :03:45. | |
If only my quest for the paintings had started so well. There were 90 | :03:45. | :03:49. | |
of them and there are 90 listed portraits in here, every single | :03:49. | :03:54. | |
inch of this hall must have been covered and now there's absolutely | :03:54. | :03:58. | |
no trace of them. I've drawn a blank at the Guildhall but I did | :03:58. | :04:02. | |
leave with a couple of leads. Five minutes down the High Street is the | :04:02. | :04:10. | |
King's House, apparently some of the paintings ended up here. | :04:10. | :04:18. | |
Wow. Very dark in here. Somehow I don't think these are the portraits | :04:18. | :04:23. | |
we are actually looking for. But, there's one over there that looks a | :04:23. | :04:28. | |
lot more promising. By my brilliant powers of deduction, | :04:28. | :04:31. | |
there's a number here which looks very much to me like a catalogue | :04:31. | :04:37. | |
number. So, who are you? Mrs French, you must be in here. Well, Mrs | :04:37. | :04:44. | |
French, here you're described as an aged lady, but I'm pretty sure this | :04:44. | :04:50. | |
is you, wink dress with a white scarf and a white cap on the head. | :04:50. | :04:55. | |
Found one of Prince Freddy's collection. It's not only Mrs | :04:55. | :04:59. | |
French who lives here now, she shares the premises with some more | :04:59. | :05:04. | |
of Freddy's friends. Stern looking chap. | :05:04. | :05:14. | |
Number five. You look a bit scary. Elizabeth Blomfields, in a dress | :05:14. | :05:18. | |
aligned with blue and white robe over the shoulders, flowers in it. | :05:18. | :05:25. | |
You have made an effort. Now, this is really interesting. | :05:25. | :05:32. | |
Clearly, not one of Prince Freddy's, no catalogue number on it. This has | :05:32. | :05:41. | |
to be something to do with the Duleep Singhs, it's Indian, the | :05:41. | :05:45. | |
eyes and the jewellery. Spot the odd one out. I've a feeling I'll | :05:45. | :05:50. | |
meet him again later. First on with my quest to find Freddy's paintings. | :05:50. | :05:54. | |
According to the catalogue, there were nearly 100 of them, but I've | :05:54. | :05:58. | |
only seen a handful so far. Maybe someone here knows where the | :05:58. | :06:04. | |
rest of them ended up. The ancient house museum was | :06:04. | :06:08. | |
another of Freddy's gifts to Thetford. | :06:08. | :06:12. | |
Curator Oliver Bone has a treasure trove of material about the | :06:12. | :06:15. | |
exhibition which obvious lib caused quite a stir. | :06:15. | :06:20. | |
We have here an interesting thing. A wooden block with a metal plate | :06:20. | :06:25. | |
which shows the opening event itself with the people and the | :06:25. | :06:32. | |
paintings on the wall. I think in in the middle; there's a photograph | :06:32. | :06:36. | |
of Prince Duleep Singh, so it's poignant because he didn't live to | :06:36. | :06:41. | |
see the day when all the portraits were on display. It's a very Indian | :06:41. | :06:48. | |
thing to do, strangely. Really. have photographs of ancestors that | :06:48. | :06:52. | |
have passed over, particularly your parents, they're garlanded and will | :06:52. | :06:56. | |
beed every day, so the idea of a portrait keeping the past alive, | :06:56. | :07:01. | |
it's really interesting that they did that spontaneously. | :07:01. | :07:06. | |
Then here are some of the photographs of the paintings as the | :07:06. | :07:12. | |
backdrop to local lives in Thetford. Old time dancing group. A great | :07:12. | :07:22. | |
:07:22. | :07:23. | ||
photograph. A lot of hair spray. This one is one of my favourites. | :07:24. | :07:33. | |
The knitting party, part of the war effort. All these ladies proudly | :07:33. | :07:39. | |
displaying their scarves, socks and things. At the top of the | :07:39. | :07:42. | |
photograph, this portrait is the one you can see over there on the | :07:42. | :07:48. | |
wall. Yes. For years, Freddy's paintings were part of the fabric | :07:48. | :07:52. | |
of Thetford life. During the 50s and 60s, most were taken down and | :07:52. | :07:57. | |
put in storage. At least these ones escaped that fate. Colourful | :07:57. | :08:01. | |
snapshots of local people and familiar landscapes as they looked | :08:01. | :08:05. | |
centuries ago. Dogs in the fields. Then on the | :08:05. | :08:10. | |
skyline, you can see the outline of Norwich with the spire of the | :08:10. | :08:14. | |
cathedral pointing up. They're striking pictures, but I | :08:14. | :08:18. | |
wonder what Freddy saw in the portraits of people he'd never have | :08:18. | :08:21. | |
known. At first glance, it's hard to | :08:21. | :08:24. | |
connect these portraits with a person who actually collected them. | :08:24. | :08:30. | |
They bring back a world that's a million miles away from Prince fed | :08:30. | :08:34. | |
Rick's homeland. So what drew him particularly to these portraits and | :08:34. | :08:39. | |
why was he so keen to ensure that none of them travelled too far from | :08:39. | :08:43. | |
home -- Prince Frederick. To understand Freddy's fascination for | :08:43. | :08:48. | |
the characters, you need to understand more about his own | :08:48. | :08:52. | |
extraordinary family. Do you remember the boy with the | :08:52. | :08:57. | |
almond eyes? He was Freddy's father who grew up expecting to rule the | :08:57. | :09:04. | |
Punjab, an opulent Indian kingdom thousands of miles from Thetford. | :09:04. | :09:08. | |
But then came the British. They seized control of his homeland and | :09:08. | :09:13. | |
forced the young Maharajah to convert from his Sikh faith to | :09:13. | :09:19. | |
Christianity. This is a beautiful and significant | :09:19. | :09:24. | |
book. Yes, this is amazing isn't it. It's a Bible that was given to the | :09:24. | :09:31. | |
young Maharajah just as he was leaving India in 1854 by the Lord | :09:31. | :09:36. | |
who was the Governor General of India at the time. If you look at | :09:36. | :09:41. | |
the inscription inside the Bible, you can just make out the words | :09:41. | :09:46. | |
where it says "to his highness, Maharajah Duleep Singh, in this | :09:47. | :09:54. | |
holy book to which he's been led by God's grace, find an inheritance | :09:54. | :09:57. | |
far greater than all earthly kingdoms". So in other words, | :09:57. | :10:02. | |
that's a good swap, we'll take the Punjab and you have the Bible? | :10:02. | :10:06. | |
seems to be the implication, yes. Never mind the earthly riches, | :10:06. | :10:10. | |
we'll look after those for you, you have this! The British can take | :10:10. | :10:15. | |
care of those and you have the Bible. One priceless treasure came | :10:15. | :10:19. | |
to symbolise the deal the Maharajah was forced to strike with the | :10:19. | :10:25. | |
British. This was one of the family's most | :10:25. | :10:28. | |
prized processions, a legendary jewel mined in India over a | :10:28. | :10:32. | |
thousand years ago. This was the nearest that Freddy ever got to it. | :10:32. | :10:37. | |
This is only a glass replica. The real one is, of course, in the | :10:37. | :10:45. | |
Tower of London locked away with the rest of the Crown Jewels. | :10:45. | :10:49. | |
In return for giving up his inheritance and his faith, Freddy's | :10:49. | :10:53. | |
father was offered a pension and the chance to build a new life in | :10:53. | :10:57. | |
England. He settled at efl don Hall and | :10:57. | :11:01. | |
these pictures from the family album show how he threw himself | :11:01. | :11:08. | |
into the role of a hunting, shooting and gambling aristocrat -- | :11:08. | :11:12. | |
Elvedon Hall. Later he came to regret his deal with the British, | :11:12. | :11:16. | |
he tried to reclaim his throne and went back to Sikhism. He never made | :11:16. | :11:22. | |
it home, dying in exile in Paris. The British Government were | :11:22. | :11:25. | |
determined that Maharajah Duleep Singh shouldn't receive a | :11:25. | :11:30. | |
traditional Sikh cremation. So they insisted that his body be returned | :11:30. | :11:36. | |
to Britain and buried here at the church yard at Elvedon, a stone's | :11:36. | :11:41. | |
throw from where he used to live the life of an English aristocrat. | :11:41. | :11:45. | |
Today this has become a place of pilgrimage for Sikhs all over the | :11:45. | :11:50. | |
world and a memorial to the first ever Sikh settler in Britain. | :11:50. | :11:56. | |
The Maharajah's story is dark and tragic. But what does it have to do | :11:56. | :12:01. | |
with Freddy's pictures? Perhaps the answer lies in the | :12:01. | :12:06. | |
contrasts between father and son. From everything I've learned so far, | :12:06. | :12:11. | |
Prince Freddy seems to have been the exact opposite of his papa. | :12:11. | :12:17. | |
Maharajah Duleep Singh was a party animal, a ladies' man and had a | :12:17. | :12:20. | |
passionate love/hate relationship with the British. Prince Freddy on | :12:20. | :12:25. | |
the other hand, was reserved, quiet, a budding historian, never married | :12:25. | :12:29. | |
and seemed to model himself on the perfect English country gent. | :12:29. | :12:39. | |
It was a role he began to play early in life. When Prince Freddy | :12:39. | :12:42. | |
was young, he used to ride around the countryside around his home | :12:42. | :12:47. | |
looking at old churches and stately homes. This was just the beginning | :12:47. | :12:51. | |
of a life long passion, some would say obsession, of wanting to record | :12:51. | :12:58. | |
the local history of the place that he called home. | :12:58. | :13:06. | |
Walk on by. Keep walking... She really likes grass! | :13:06. | :13:09. | |
I'm inclined to let her have some, frankly. | :13:09. | :13:16. | |
Lovely view. Freddy loved the country life, so it's no surprise | :13:16. | :13:20. | |
he chose to settle in East Anglia, setting up home at old Buckenham | :13:20. | :13:27. | |
Hall in the wilds of Norfolk. The house was later demolished, but | :13:28. | :13:33. | |
the gardens live on, tucked away in one corner of them is a solitary | :13:33. | :13:36. | |
reminder of Freddy's desire to live a quiet life and draw a line under | :13:37. | :13:40. | |
his father's battles with the establishment. | :13:40. | :13:46. | |
This is a monument which Prince Frederick built in 1897 on the | :13:46. | :13:50. | |
Diamond Jubilee of Queen Victoria. I would like to get a closer look | :13:50. | :13:55. | |
at the inscription. We can just about read it there. | :13:55. | :13:59. | |
Very moss-covered, isn't it? That's rite. You can just about make out | :13:59. | :14:05. | |
Victoria. Yes, that's Victoria. Under the moss. There is the D for | :14:05. | :14:10. | |
Duleep and Singh next to hit. That's it. You need Braille really | :14:10. | :14:14. | |
to read that. This is very much a statement, | :14:14. | :14:20. | |
isn't it? It says "I am nailing my colours to the British mast"? | :14:20. | :14:24. | |
That's right. "this is where I belong". I couldn't wish for a | :14:24. | :14:27. | |
better guide than Peter who shares some of Freddy's passion for | :14:27. | :14:32. | |
collecting. He's tracked down an amazing array of artefacts linked | :14:32. | :14:37. | |
to the Duleep Singh family. This is the photograph album of Prince | :14:37. | :14:40. | |
Frederick Duleep Singh and these would have been taken by Prince | :14:40. | :14:45. | |
Frederick, a keen photographer. did a fine job. This is the inside, | :14:45. | :14:49. | |
yes. There are the paintings, or some of them. Is this where he | :14:49. | :14:53. | |
started his collection of paintings? He started as a | :14:53. | :14:57. | |
schoolboy from whatever small means he had, saving his pocket money. | :14:57. | :15:03. | |
a schoolboy. Impressive, isn't it? Many of the paintings at Old | :15:03. | :15:06. | |
Buckenham ended up as part of Freddy's gift to Thetford and he | :15:07. | :15:10. | |
was always on the lookout for new pictures. | :15:10. | :15:13. | |
This was an age when many great country houses found it hard to | :15:13. | :15:17. | |
make ends meet. If you knew what you were looking for, there were | :15:17. | :15:22. | |
rich pickings to be had. At auction rooms like this one in Diss where | :15:22. | :15:27. | |
Freddy knew well. Prince Freddy built up a very | :15:27. | :15:32. | |
impressive collection and even though he was fairly wealthy, he | :15:32. | :15:37. | |
didn't have bottomless pockets, so I reckon he had an eagle eye for a | :15:37. | :15:40. | |
bargain. Wonder if there was anything here that might have | :15:40. | :15:44. | |
caught his fancy. His collection was growing year-by-year and I've | :15:44. | :15:50. | |
already discovered where some of Freddy's paintings ended up. His | :15:50. | :15:54. | |
gift numbered nearly 100 canvasses and others are harder to find. | :15:54. | :15:59. | |
I've tracked down these ones to the storage area of the Castle Museum | :15:59. | :16:04. | |
in Norwich where they come under the watchful eye of head curator | :16:05. | :16:07. | |
Andrew Moore. Tell us about this portrait which | :16:07. | :16:12. | |
has just been restored? Looks magnificent actually? A wonderful | :16:12. | :16:16. | |
example of an English portrait, not necessarily by a great English | :16:17. | :16:24. | |
artist, but an artist who had real facility in capturing a real person. | :16:24. | :16:29. | |
He looks so chic in his grey and that beautiful powder blue. Very | :16:29. | :16:34. | |
young. I suppose it was the only way of capturing your children in | :16:34. | :16:41. | |
case you lost them? You did die young of smallpox. That is our | :16:41. | :16:46. | |
document to his life and he would have passed into complete obscurity | :16:46. | :16:56. | |
without that portrait. If family name died out when Edward Lewkenor | :16:56. | :17:01. | |
passed away, just as the Duleep dynasty would come to an end with | :17:01. | :17:05. | |
Freddy's death. Beginning to see why Prince Freddy treasured the | :17:05. | :17:08. | |
painings so much, not because they're great works of art, but | :17:08. | :17:12. | |
much more because they kept alive places and people he was fascinated | :17:12. | :17:17. | |
with. -- paintings. Every picture in the collection has a story to | :17:17. | :17:21. | |
reveal and many had personal significance for Freddy. He was an | :17:21. | :17:26. | |
ardent Monarchist and a prince, so he probably had a soft spot for | :17:26. | :17:33. | |
Roger Le Strange. Who almost had his head chopped off by Oliver | :17:33. | :17:38. | |
Cromwell! And step forward Robert Hopton with his son Ralph, they | :17:38. | :17:42. | |
were Royalists too. Ralph died in exile from his | :17:42. | :17:47. | |
homeland, just like Freddy's father. It's not only people that mattered | :17:47. | :17:57. | |
:17:57. | :18:06. | ||
# Straight down the middle... # about this for a hazard? The ruined | :18:06. | :18:16. | |
:18:16. | :18:16. | ||
Apology for the loss of subtitles for 110 seconds | :18:16. | :20:06. | |
A fairly good example of how most of them were. A lot of them still | :20:06. | :20:10. | |
are, to be honest. A very dark varnish, quite a bit of overpaint. | :20:10. | :20:14. | |
It's also quite mouldy. You can really see it from here actually. | :20:14. | :20:20. | |
It's a matter of deciding what's the most important to work on to | :20:20. | :20:24. | |
get a good result and also just to stop them from actually falling | :20:24. | :20:30. | |
apart. So for example, something like this is actually reaching the | :20:30. | :20:35. | |
stage where we really need to rescue it or it's literally going | :20:35. | :20:38. | |
to fall to bits. Do you think they're salvagable? You can mend | :20:38. | :20:43. | |
the tears locally without having to do too much work to it. Just | :20:43. | :20:47. | |
holding the canvas together means that the paint may survive a bit | :20:47. | :20:52. | |
better. Can't imagine that will ever look good again. It turns out | :20:52. | :21:00. | |
I was wrong. In her studio near Cambridge, conservation expert | :21:00. | :21:06. | |
Julie Crick is nursing more of Freddy's friends back to life. | :21:06. | :21:14. | |
It will take time for his wounds to heal. But how about this for a | :21:15. | :21:22. | |
speedy recovery? Years of accumulated grime washed away to | :21:22. | :21:25. | |
reveal this landscape in its true colours. | :21:25. | :21:33. | |
Just as the artist pictured it centuries ago. | :21:33. | :21:38. | |
This is where Freddy's story ends. Blo Norton Hall in Norfolk where he | :21:38. | :21:42. | |
spent the final years of his life. It's recently been restored by a | :21:42. | :21:48. | |
new owner and can be rented for holidays. But I reckon Freddy would | :21:48. | :21:52. | |
still feel right at home here. By now, he'd written his own page in | :21:52. | :21:56. | |
the story of East Anglia. But tuck add way at the very top of the | :21:56. | :22:01. | |
house was a shrine to the other side of his history -- tucked away. | :22:01. | :22:05. | |
Why have you brought me to this room in particular? It's very | :22:05. | :22:12. | |
significant. This attic wing was actually the Sikh gallery where | :22:12. | :22:17. | |
Prince Frederick kept all his Sikh portraits. It shows his father, | :22:17. | :22:23. | |
grandfather, uncles, all in their former glories. There used to be | :22:23. | :22:28. | |
the famous painting which is now in the Lahore Museum and, on the table | :22:29. | :22:33. | |
I think roughly in front of us, there would have been a big table | :22:33. | :22:40. | |
with the delightful one done in Rome. On the left, we would have | :22:40. | :22:49. | |
had a painting of the throne. seems to have been in Freddy such a | :22:49. | :22:54. | |
need to put down roots? Yes. know, the way that he sort of | :22:54. | :22:58. | |
reconstructed a whole web of relationships through paintings in | :22:58. | :23:03. | |
East Anglia, that shows to me a real need of, I want to belong, I | :23:03. | :23:08. | |
want community, solidity? Yes. here we are in the room where the | :23:08. | :23:12. | |
part of his heritage he actually couldn't explore and access, he | :23:12. | :23:20. | |
still lined the walls with what he had? Yes. With what was left? | :23:20. | :23:25. | |
Freddy died here in 1926, surrounded by the fruits of a life | :23:25. | :23:30. | |
dedicated to honouring and preserving the past. | :23:30. | :23:33. | |
When Prince Freddy died, a solicitor made an inventory of | :23:34. | :23:40. | |
everything left in the hall and it ran to 174 pages. Items ranged from | :23:40. | :23:46. | |
very fine antiques and paintings to more unusual items like swords, | :23:46. | :23:50. | |
fossils and even a yak's tail. Theite them caught my eye is buried | :23:50. | :23:59. | |
away on page 56 and it is... Model of Koi Nour in velvet lined | :23:59. | :24:03. | |
case. So he had a replica made of the jewel that his father had to | :24:03. | :24:07. | |
give away to the British. His glass reproduction of that jewel, | :24:07. | :24:17. | |
:24:17. | :24:19. | ||
according to this, was valued at five shillings. | :24:19. | :24:23. | |
Freddy's father never really found peace after his fateful deal with | :24:24. | :24:30. | |
the British. Freddy's story has a different and happier ending. | :24:30. | :24:35. | |
I've enjoyed getting to know him better. And through his paintings, | :24:35. | :24:42. | |
I think I've discovered what made him tick. | :24:42. | :24:48. | |
He had a hunger to belong, to put down roots in a way his father | :24:48. | :24:57. | |
never had. At Blo Norton, he managed to do just that. He's | :24:57. | :25:07. | |
:25:07. | :25:07. | ||
buried here in a church yard a few hundred yards from his home. This | :25:07. | :25:10. | |
may seem an unlikely resting place for one of the men who could have | :25:10. | :25:15. | |
ruled one of the great kingdoms of India, but I think Prince Freddy | :25:15. | :25:19. | |
decided earlier on that that is where he wanted to belong and, | :25:19. | :25:23. | |
let's face it, you couldn't get a more English setting than this, | :25:23. | :25:31. | |
could you. Actually, that isn't quite the end | :25:31. | :25:41. | |
:25:41. | :25:42. | ||
of Freddy's extraordinary story. At the Museum of Rural life in | :25:42. | :25:46. | |
Norfolk, more of his paintings emerge from the shadows, ready to | :25:46. | :25:52. | |
great the public once more. I don't know if all 90 of his | :25:52. | :25:57. | |
portraits will ever be reunited under one roof, but I'm sure he'd | :25:57. | :26:03. | |
be pleased to see these familiar faces again. | :26:03. | :26:12. | |
I like to think of them as members of Freddy's extended family. Some | :26:12. | :26:19. | |
are enigmatic, some are beautiful, others rather twished. And some | :26:19. | :26:24. | |
perhaps a little dull. -- distinguished. Then there's the | :26:25. | :26:29. | |
trouble-maker. Every family had one of those. The grumpy old curmudgeon | :26:29. | :26:39. | |
:26:39. | :26:43. | ||
It's wonderful the see the paintings back on the wall finally | :26:43. | :26:47. | |
and the restoration is marvellous. They look beautiful. This is the | :26:47. | :26:52. | |
last one to go up, the last piece of the jigsaw? Yes, it's a | :26:52. | :26:56. | |
particular favourite of mine, this one. We've treated it rather | :26:56. | :26:59. | |
differently. Seems to have a lot of damage in the centre. Why didn't | :26:59. | :27:04. | |
you hide it? Normally what you would do is to fill in the gap and | :27:04. | :27:08. | |
then very carefully and meticulously retouch it to disguise | :27:08. | :27:13. | |
the fact that it ever was damaged. Why are you going to hang it in | :27:13. | :27:16. | |
this state? Well, because the story about this, there was a label on | :27:16. | :27:20. | |
the back of the painting which said the damage was done by a member of | :27:20. | :27:26. | |
the family. Who didn't like... Strutt family who didn't like him | :27:26. | :27:30. | |
and, when you look at the expression of his face and so on, | :27:30. | :27:34. | |
it seems to be just very plausible really. If you tried to repaint | :27:34. | :27:38. | |
that, it would really be a lot of new work. But it tells a story? | :27:38. | :27:42. | |
Tells a huge story, although it's not the greatest work of art in the | :27:42. | :27:47. | |
world, it's a fantastic image. Quite symbolic of the whole | :27:47. | :27:53. | |
collection really, what some of the paintings may lack in artistic | :27:53. | :27:57. | |
merit, they make up for it in flavour and colour and the stories. | :27:57. | :28:06. | |
Absolutely, yes. I think because of what happened to Maharajah Duleep | :28:06. | :28:12. | |
Singh and his family, the tra that of the loss of inheritance, culture | :28:12. | :28:14. | |
and religion, Prince Freddy probably knew better than most | :28:14. | :28:18. | |
people that you can't take the past for granted, that history is | :28:18. | :28:22. | |
something you have to fight for. Because of his passion for East | :28:22. | :28:27. | |
Anglia, his magpie eye for a bargain and huge generosity of | :28:27. | :28:33. | |
spirit, a very small slice of British history has been saved. | :28:33. | :28:42. |