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Tonight we are celebrating 125 years of the motor car, everything | :00:17. | :00:22. | |
from this glamorous Mercedes worth �2 million to the fastest most | :00:22. | :00:26. | |
iconic vehicles ever, from the National Motor Museum at Beaulieu, | :00:26. | :00:36. | |
:00:36. | :01:01. | ||
welcome to National Treasures Live. APPLAUSE. Good evening, welcome to | :01:01. | :01:05. | |
National Treasures Live from a beautiful setting in the heart of | :01:05. | :01:10. | |
the New Forest. It's gorgeous. This is Palace House, it's it's family | :01:10. | :01:13. | |
seat of the Montagus and Lord Montagu started what was to become | :01:13. | :01:16. | |
one of our largest and most important motoring collections. | :01:16. | :01:20. | |
This place is more than a petrolhead's dream. The cars give a | :01:20. | :01:25. | |
snapshot of life throughout the last century. Look at this one, | :01:25. | :01:29. | |
exclusive luxury of 1909 Rolls Royce Silver Ghost, considered by | :01:29. | :01:34. | |
many to be the the greatest car of its time and isn't it? Stunning. | :01:34. | :01:39. | |
Arguably its modern equivalent, the Ferrari Enzo, I spotted a man here | :01:39. | :01:44. | |
who would like to drive one. Absolutely, I would love one. | :01:44. | :01:49. | |
wouldn't fit the kids in, that's the problem. No back seat. To this | :01:49. | :01:53. | |
modest, no less exciting car of recent times, this is the Ford | :01:53. | :01:57. | |
Anglia and what's so exciting about this car. Harry Potter flew in it. | :01:57. | :02:03. | |
He did indeed. Well done, thank you guys. Tonight we will hear the | :02:03. | :02:08. | |
human stories behind these rather beautiful cars. We will see Sir | :02:08. | :02:12. | |
Malcolm Campbell's record-breaking Bluebird, his grandson himself a | :02:12. | :02:14. | |
motoring record-breaker, will explain why this place is so | :02:14. | :02:20. | |
special to his family. Also on the anniversary of his first murder, we | :02:20. | :02:24. | |
get exclusive access to the original police files on Jack the | :02:24. | :02:27. | |
Ripper and I have my work cut out trying to explain to Michael | :02:27. | :02:32. | |
Douglas why the Romans came here in the first place. | :02:32. | :02:35. | |
If you have any questions of your own for Dan about the Romans or | :02:35. | :02:40. | |
anything else, then do get in touch with us. Here is our e-mail address. | :02:40. | :02:46. | |
You can follow us on Twitter. We will put him on-the-spot later. | :02:47. | :02:51. | |
least favourite part of the show. We start 150 years ago before cars | :02:51. | :02:57. | |
even as old as this this one were a regular sight on our roads. Larry | :02:57. | :03:01. | |
Lamb heads back that way to look at how people entertained themselves | :03:01. | :03:04. | |
long before the days of the soap opera. | :03:05. | :03:08. | |
What I love about it's East End of London is around every corner | :03:08. | :03:15. | |
there's a hidden historical gem to discover. Just like here, near | :03:15. | :03:20. | |
Whitechaple. Behind this facade of five Victorian terrace houses lies | :03:20. | :03:27. | |
one of the city's best kept seek Ritz. Built -- secrets. | :03:27. | :03:37. | |
:03:37. | :03:43. | ||
It's now one of our most important This is Wilton's Musical, the | :03:43. | :03:46. | |
oldest surviving musical in the world. It's a bit haunting coming | :03:46. | :03:52. | |
in here, it's shraoeubg a time -- it's like a time capsule. Takes you | :03:52. | :04:02. | |
:04:02. | :04:03. | ||
back to what some would call the good old days. | :04:03. | :04:08. | |
Evolving from pub sing-a-longs from the 1860s the music hall was the | :04:08. | :04:11. | |
most popular entertainment of its day, a mixture of crowd-pleasing | :04:11. | :04:15. | |
songs, comedy and speciality acts, its legacy has been celebrated on | :04:15. | :04:24. | |
both film and television. Carol Zeidman is the chief tour guide at | :04:24. | :04:30. | |
Wilton's. What was it like when it was open in the 1860s? Very lively. | :04:30. | :04:34. | |
In John Wilton's day we have witness accounts there were 1300 | :04:34. | :04:39. | |
people in here with extra chairs put in. Must have been on each | :04:39. | :04:44. | |
other's shoulders or something. must have been pretty packed. | :04:44. | :04:48. | |
Structurally it was much as you see now. It was the decorations that | :04:48. | :04:53. | |
were different. The walls were pale blue and salmon pink. The walls | :04:53. | :04:59. | |
were covered with mirrors. The balcony fronts were made of papier | :04:59. | :05:03. | |
mache reinforced with plaster. Of all the gas lights, the most | :05:03. | :05:07. | |
spectacular was a great big sunburner lamp and the whole thing | :05:08. | :05:16. | |
was covered in a solid mass of 27,000 pieces of richly polished | :05:16. | :05:22. | |
glass and feathers, spangles and spires. Who was the most famous act | :05:22. | :05:32. | |
:05:32. | :05:36. | ||
ever billed here at Wilton's? was George Leybourne, Champagne | :05:36. | :05:46. | |
:05:46. | :05:53. | ||
Charlie. He would sing his song Ladies and gentlemen,... Michael is | :05:53. | :05:55. | |
an author and chairman of ceremonies who believes that the | :05:55. | :06:01. | |
pop song has its roots in music hall. How important was music, did | :06:01. | :06:06. | |
it sort of achieve a style of its own? The songs themselves began to | :06:06. | :06:11. | |
reflect the lives of the people who were coming to the halls. It was | :06:11. | :06:14. | |
about the mother-in-law, and troubles with the wife. In the | :06:14. | :06:18. | |
earlier days there wasn'tle much of a chorus as we understand it and | :06:18. | :06:23. | |
the emphasis began to move from the verses to the choruses. Where | :06:23. | :06:29. | |
everybody joined in. The rather more jolly style of song began to | :06:29. | :06:37. | |
emerge. There were thousands of songs | :06:37. | :06:43. | |
written to feed this thirst and hunger for this kind of song, which | :06:43. | :06:49. | |
reflected work and family life. What would you say were the overall | :06:49. | :06:56. | |
causes of the demise of the music hall? It all actually got a bit | :06:56. | :07:00. | |
tedious after 30 or 40 years. It tended to be the same subjects time | :07:00. | :07:07. | |
after time. The other thing was the influence of American music which | :07:07. | :07:13. | |
was so much more sophisticated. Unfortunately, now the decline of | :07:13. | :07:18. | |
the music hall era is mirrored in the decline of these buildings. | :07:18. | :07:22. | |
What fuels your sort of enthusiasm for preserving halls like this? | :07:22. | :07:28. | |
Well, there isn't another hall like this and it's also the music hall | :07:28. | :07:33. | |
that had the first performance of the can-can, which is a good enough | :07:33. | :07:39. | |
reason to preserve it. Old time music halls were like the careers | :07:39. | :07:44. | |
of the stars in them, brilliant but brief. They're now a part of our | :07:44. | :07:48. | |
entertainment heritage, not just historical monuments and some of | :07:48. | :07:54. | |
them like Wilton's are working museums so we should cherish them | :07:54. | :08:03. | |
while we can because that is show show business. | :08:03. | :08:07. | |
Certainly is, isn't it. Good old days. A great show, ran for 30 | :08:07. | :08:11. | |
years. It was and a treat for me because I was a boy who never | :08:12. | :08:17. | |
really had been to the theatre, so to see the audience watching that | :08:17. | :08:22. | |
stuff that my Gran grew up on, the songs she taught me, it was a treat. | :08:22. | :08:30. | |
You remember the good old days? Yeah? You see, long memories and | :08:30. | :08:37. | |
your granny was a huge fan? She was a Marie Lloyd fan, she was her | :08:37. | :08:41. | |
favourite. I am going to take you to your own good old days if you | :08:41. | :08:44. | |
don't mind, because this is a huge collection of cars, we know you | :08:44. | :08:52. | |
like your cars and we found this. 1938 Morris 8. Why do you know this | :08:53. | :08:58. | |
in particular? Because this was actually my first car, not this | :08:58. | :09:02. | |
model, I have to say, but this was the first car I ever owned. Was it | :09:02. | :09:07. | |
really? My key to freedom, yeah. How much was it, can you remember? | :09:07. | :09:15. | |
I do, pfs -- it was �29. -- �39 but it represented a lot of money to me, | :09:15. | :09:20. | |
it was all the money I used to earn the weekends working on a market | :09:20. | :09:27. | |
stall but I had to have a car. I passed my driving licence as soon | :09:27. | :09:31. | |
as I could. I went out and almost lost it immediately. You are happy | :09:31. | :09:38. | |
in it now. Don't go anywhere but you can sit there. The smell is | :09:38. | :09:42. | |
wonderful. From Larry's first car to one of the earliest surviving | :09:42. | :09:44. | |
vehicles to drive on the roads of Britain now. | :09:44. | :09:48. | |
I am in Heaven. Look at this. This is the Grenville steam carriage. It | :09:48. | :09:54. | |
looks like a steam locomotive engine and smells like it, trust me | :09:54. | :09:59. | |
on this one, and sounds like one. Instead of running on tracks, it | :09:59. | :10:03. | |
runs on wheels, on the road. Revolutionary. Victorian roads were | :10:03. | :10:06. | |
full of horses and carts and bicycles and everything so | :10:06. | :10:11. | |
parliament in a bout of health and safety enthusiasm insisted a law | :10:11. | :10:16. | |
was passed where you had to wave a red flag and a maximum speed limit | :10:16. | :10:20. | |
was 4mph in the countryside, twomph in the city. That's pointless, | :10:20. | :10:28. | |
isn't it. We are going slowly. pretty slow. In having this car, | :10:28. | :10:31. | |
the British motoring industry it didn't really take off. In Germany, | :10:31. | :10:36. | |
though, no such health and safety laws and a man called Karl Benz | :10:36. | :10:40. | |
came up with this, this is really the father of all modern cars. It's | :10:40. | :10:50. | |
:10:50. | :10:50. | ||
got a engine, runs on gas gasoline. Not for the last time, German cars | :10:50. | :10:53. | |
dominating the British market. Not this one, though. This British | :10:53. | :10:58. | |
car, I think, outshone them all, a beautiful Rolls Royce. While cars | :10:58. | :11:02. | |
were still a rare sight on the streets of London in the 1880s | :11:02. | :11:06. | |
something more sinister was grabbing the headlines. It's 123 | :11:06. | :11:16. | |
:11:16. | :11:18. | ||
years to the very day since Jack the Ripper claimed his first victim. | :11:18. | :11:22. | |
Forensic anthropologist Zanthey Mallet has been given exclusive | :11:22. | :11:29. | |
access to the original files. He emerged from the shadows in 1888, | :11:29. | :11:35. | |
watch watching stalking, the autumn of terror had begun. Over the neck | :11:35. | :11:41. | |
three months Jack the Ripper murdered five women in Whitechaple, | :11:42. | :11:44. | |
slitting their throats and mutilating their bodies. Then | :11:44. | :11:48. | |
Britain's most famous serial killer melted back into the shadows, his | :11:48. | :11:54. | |
real identity never revealed. But now, more than a century on, with | :11:54. | :12:00. | |
the help of a top murder detective I hope to unveil his true face. | :12:00. | :12:05. | |
Despite the intervening 123 years, this case is very much alive. In | :12:05. | :12:10. | |
that time over 200 suspects have been named, from royalty and | :12:10. | :12:14. | |
artists to Queen Victoria's own surgeon Sir William Gull. This list | :12:14. | :12:19. | |
of suspects continues to lengthen because of the incredible trerb | :12:19. | :12:23. | |
trove of original documents and it's some of these that the London | :12:23. | :12:28. | |
Metropolitan archives have given me privileged access to. As a forensic | :12:28. | :12:30. | |
anthropologist I have looked at cold cases before but to get a | :12:30. | :12:37. | |
chance to review the most famous cold case ever is very exciting. At | :12:37. | :12:40. | |
the time the police and newspapers received many letters supposedly | :12:40. | :12:47. | |
from the killer. OK, this one is a postcode and it's made out to the | :12:47. | :12:51. | |
city of London police and it's actually stamped with the 4th | :12:51. | :12:56. | |
February 1889 and it says: Dear boss, be on the look out as I am | :12:56. | :13:01. | |
coming to visit. It's signed Jack the Ripper. I am actually allowed | :13:01. | :13:07. | |
to take this one out: Dear boss, the police will not get me. They | :13:07. | :13:11. | |
think they will. I hope they do. I will rip some more up soon. Jack | :13:11. | :13:15. | |
the Ripper. I am hopeful the clues to unlocking | :13:15. | :13:20. | |
his identity are lurking somewhere inside these very documents. I have | :13:20. | :13:25. | |
asked ex-murder squad detective Trevor Maret, an expert on the | :13:25. | :13:30. | |
archives, to explain his latest theories. What can we pull out of | :13:30. | :13:33. | |
these letters that may be relevant to this investigation? I think one | :13:33. | :13:38. | |
thing you should look at is one letter that refers to the removal | :13:38. | :13:44. | |
of organs. I like to find them nice parts. What is the relevance of | :13:44. | :13:49. | |
body parts? For a time the police believed that the killer could have | :13:49. | :13:52. | |
possibly been a surgeon because these organs that were removed from | :13:52. | :13:56. | |
the victims were apparently removed by someone with some anatomical | :13:56. | :14:04. | |
knowledge. Trevor believes this isn't necessarily the case. | :14:04. | :14:09. | |
anatomy kwrabgt abelieved doctors and medical students to go to | :14:09. | :14:13. | |
mortuaries and freely take organs for research purposes. The idea | :14:13. | :14:17. | |
that someone else had taken the body parts seems to be borne out by | :14:17. | :14:23. | |
documents relating to the fourth victim, Catherine Edows. If you | :14:23. | :14:27. | |
look at the inquest report and the time of the PC who found the body, | :14:27. | :14:33. | |
he went into the square at about 1.30 and then says at about 1.44 he | :14:33. | :14:37. | |
came back and found the body of Catherine in darkest part of the | :14:37. | :14:43. | |
square. That leaves less than 14 minutes and clearly, in my | :14:43. | :14:47. | |
estimatation, that's not sufficiently long enough for | :14:47. | :14:52. | |
someone to kill somebody, to mutilate their body, to then remove | :14:52. | :14:56. | |
a uterus and kidney in almost total darkness with what was described as | :14:56. | :15:06. | |
:15:06. | :15:08. | ||
Trevor began to focus on the records of travellers. | :15:08. | :15:16. | |
investigation turned towards the a German seaman employed by a German | :15:16. | :15:22. | |
fleet. They had vessels in London on all the dates of the murders bar | :15:22. | :15:29. | |
one. Why is he your top suspect? was arrested and executed in New | :15:29. | :15:36. | |
York for a ripper-like murder and he suffered from a diseasey so | :15:36. | :15:40. | |
often manifested itself and forced him to kill and mutilate women. So | :15:40. | :15:44. | |
putting together with all the other things in connection with the man, | :15:44. | :15:49. | |
must make him one of the top suspects. No picture of him exists. | :15:50. | :15:56. | |
So Trevor has put together an e-fit. We may be looking at the face of | :15:56. | :16:00. | |
Jack the Ripper? Yes it is a possibility. At the moment, it is | :16:00. | :16:04. | |
just a theory. But it is chilling to think we could finally be | :16:04. | :16:14. | |
:16:14. | :16:18. | ||
looking at the word's most infamous serial killer. It is amazing we are | :16:18. | :16:23. | |
still talking about this almost 125 years later. Now, have a look at | :16:23. | :16:28. | |
these cars. There is a bit of history in each one. This is the | :16:28. | :16:38. | |
:16:38. | :16:42. | ||
car that started it all. A 1903 deDion Boutin. You like it. It is a | :16:42. | :16:49. | |
beauty. You with tpwhro horn if you want. Promise? Yes. It does have | :16:49. | :16:54. | |
history. It has been in the Montagu family for 100 years and it was the | :16:54. | :16:59. | |
car that started the collection F I take you inside and tell you more | :16:59. | :17:04. | |
about it. Nearly 60 years ago, the current Lord Montagu opened the | :17:04. | :17:10. | |
doors of this house to the public and invited them to see his car | :17:10. | :17:14. | |
collection. And the collection was housed in the museum. And this is | :17:14. | :17:21. | |
the start of the museum. Here? Interesting place for a museum. | :17:21. | :17:26. | |
might think so. A beautiful hall. It is the front hall. It was a bill | :17:26. | :17:34. | |
yard room. There were five cars in here. And if we look at it in 1952 | :17:34. | :17:39. | |
it was a squash to be honest. There were five cars here and then Lord | :17:39. | :17:43. | |
Montagu decided hef going to expand the collection. He was doing it for | :17:43. | :17:48. | |
his father. His father was a motoring pioneer. It is in the | :17:48. | :17:54. | |
family? Yes. He moved the cars. Hello! To the pantry and the | :17:54. | :18:00. | |
kitchen. And it smelled so badly of oil, the women said it is us or the | :18:01. | :18:05. | |
cars. Come and clean this up again. So he took the cars outside and | :18:05. | :18:11. | |
that is how it started. 250 cars later. Kept the cars and kept the | :18:11. | :18:16. | |
wife. Yes. Well done. Now Dan is with a personal with a connection | :18:16. | :18:24. | |
to the cars. We have come into the main collection. This is one of the | :18:24. | :18:28. | |
most incredible collections anywhere. We have everything from | :18:28. | :18:34. | |
the model. The Ford and the thing I'm most excited about are some of | :18:34. | :18:42. | |
the fastest British cars produced. This was christened the Bluebird. | :18:42. | :18:50. | |
What is the story behind this name? My grandfather had a series of nick | :18:50. | :18:58. | |
names for the cars mp one day he was a play called the Bluebird of | :18:58. | :19:05. | |
happiness and bought tin of blue paint and painted the car blue and | :19:05. | :19:11. | |
christened it Bluebird and won his first race. It became his Bluebird | :19:11. | :19:18. | |
of happy ps. Here is footage of it breaking the record. In those days | :19:18. | :19:23. | |
he did 125mph. All these cars followed it, break records. We have | :19:23. | :19:29. | |
the Sunbeam and these are not your family vehicles? No, but my | :19:29. | :19:33. | |
grandfather had a great British battle in the 20s and 30s to be the | :19:33. | :19:39. | |
fastest man in the world. It is a shame that sea grave was killed. | :19:39. | :19:43. | |
Your uncle Don cap bell got the record in this beast. Another | :19:44. | :19:52. | |
Bluebird. What is the difference in horsepower? This is a massive 4,100 | :19:52. | :19:58. | |
horsepower, the other was 350. You needed to get that speed. That was | :19:58. | :20:08. | |
:20:08. | :20:08. | ||
the record, in 1964. This is quicker than the McLaren F1 there? | :20:09. | :20:17. | |
Yes it is the fastest car built by a Briton. It is more powerful. | :20:17. | :20:21. | |
have set records with electric cars. What is going on with your family? | :20:21. | :20:25. | |
It is something my grandfather started and this thr is this | :20:25. | :20:29. | |
wanting to go fast and we have got it. Good luck. I expect to come | :20:29. | :20:36. | |
back in a few years and see Morecambe bell cars lined up. | :20:36. | :20:43. | |
hope to have an electric car that can do 500mph. Good luck. Yes good | :20:43. | :20:47. | |
luck to dorn. Now Dan and Michael have been raying around in their | :20:47. | :20:52. | |
own special vehicle, -- racing around in their own vehicle. But it | :20:52. | :20:58. | |
won't break any record. After last week's visit to Preston, Dan pushed | :20:58. | :21:05. | |
it too far. It didn't like that hill. # If you leave me now # You | :21:05. | :21:15. | |
:21:15. | :21:20. | ||
take away the biggest part of me! Please don't go # I just want you | :21:20. | :21:27. | |
to stay! It will take more Nan a broken van to keep those boys down. | :21:27. | :21:35. | |
They're heading north in search of the Romans. Well the van's gone. It | :21:35. | :21:40. | |
blew up. Michael's gone to get me another one. Here he is. Oh you | :21:40. | :21:50. | |
have got to be kidding. Is this a joke? She is called Dougall. This | :21:50. | :21:57. | |
is rubbish. You broke the other one with your massive feet. Where are | :21:57. | :22:03. | |
we going? One of my fundamental periods of history. The Romans. The | :22:03. | :22:08. | |
first people who came here and left any written record and left a lot | :22:08. | :22:14. | |
of archaeology and this is an incredible site. Look at it. Yeah | :22:14. | :22:24. | |
:22:24. | :22:25. | ||
it is incredible. What will we find? We could find wood. That is | :22:25. | :22:30. | |
treasure. Roman wood. No gold? Do we learn anything from these | :22:30. | :22:37. | |
digs. Are they worth it. Or do you just find the same stuff? Possibly | :22:37. | :22:44. | |
the highlight of the site is the tower. There is not much of it left. | :22:44. | :22:50. | |
There is none of it left. There is the found weigh. If you were Italy, | :22:50. | :22:57. | |
why would you come here? It is freezing! The weather's rubbish. | :22:57. | :23:01. | |
Michael wants to know why they came here. It is a difficult question. | :23:01. | :23:07. | |
It is one of the biggest questions in history, why do people invade | :23:07. | :23:13. | |
other lands. If I show him some of the remains that has survived 2,000 | :23:13. | :23:19. | |
years, maybe he will get a sense of what Roman Britain was about. | :23:19. | :23:24. | |
surprised they bit it so close to a met way. The old road was behind | :23:24. | :23:28. | |
there. The amount of times I heard the Romans gave us the roads. | :23:28. | :23:33. | |
Before then we didn't go anywhere. We couldn't get past a tree. What | :23:33. | :23:40. | |
is the deal with Romans and roads? The Romans... Come on! They made | :23:40. | :23:44. | |
incredible roads that survive to the present and for 2,000 years | :23:44. | :23:50. | |
almost remained usable. Finding a bit of bone or a pebble. I want to | :23:50. | :23:57. | |
find body, a man with an axe or gold. I'm not interested in every | :23:57. | :24:02. | |
pebble, but I see family that have come to a hostile land and tried to | :24:02. | :24:06. | |
survive and protect themselves. This is a human story. If you put | :24:06. | :24:14. | |
it like that. Why didn't you say that at the beginning? Out of all | :24:14. | :24:19. | |
of Britain this is the most Roman bit? Out of north of Britain it is | :24:19. | :24:27. | |
the most important Roman place, yes. It is nothing to do with the Romans. | :24:27. | :24:33. | |
But it was the site of power here. It could have been cool. This is | :24:33. | :24:43. | |
:24:43. | :24:44. | ||
the Roman Emperor Billy Connolly Constantine. He declared -- the | :24:44. | :24:49. | |
Roman emp or the Constantine. He declared he was the efrpl erEmperor | :24:49. | :24:55. | |
of all Rome. I still don't know why you could come here. We should head | :24:55. | :25:01. | |
north and you may change your mind. How is this van faring? Better than | :25:01. | :25:08. | |
you one you broke. There is Hadrian's wall. It is only two foot | :25:08. | :25:13. | |
high. Look at it. You could jump over that. We're getting close to | :25:13. | :25:19. | |
one of the great sites of the briel. This is called House Steads. That | :25:19. | :25:27. | |
is an archaeology site. That is the best thing you have shown me. | :25:27. | :25:32. | |
the wall was attacked, they could respond to any attack. You know I'm | :25:32. | :25:38. | |
Scottish. Mad people like you. is this? You see this looks like a | :25:38. | :25:43. | |
jumbled pile of rocks. But it is a hospital built to lack after the | :25:43. | :25:50. | |
guys. Kitchen here obviously. Under floor heating. Central heating. | :25:50. | :25:56. | |
Crystal Maze. Look at this, the highlight. Look at these what | :25:56. | :26:05. | |
treens. -- lat Reens. Why did they come here? They came because of the | :26:05. | :26:11. | |
age old reasons for prestige, to show they were the great e and to | :26:11. | :26:17. | |
pillage the land, there were slaifrs here, good agricultural -- | :26:17. | :26:22. | |
slaves here and good agricultural land and for all these reasons. You | :26:22. | :26:27. | |
think about our guys in Afghanistan today, they're in fortified camps | :26:27. | :26:32. | |
serving miles from home in a hostile land. That is what is | :26:32. | :26:36. | |
exciting about history. These buildings change, the landscapes | :26:36. | :26:41. | |
change, but the human beings in them don't change. They're just the | :26:41. | :26:50. | |
same? Yes. It is amazing. Nice new wheels. I like Dougall. It is the | :26:50. | :26:58. | |
lesser of two evils. I know it is an interest to you, the romance. | :26:58. | :27:02. | |
Are there any specific foods stuffs that the romance brought with them | :27:02. | :27:07. | |
that have stayed on through the time? Larry. That is a difficult | :27:07. | :27:14. | |
one. The Romans brought everything. It was the first era of | :27:14. | :27:18. | |
globalization. And when they left, that trade got shut off. We went | :27:18. | :27:28. | |
back to eating what we had here. So nothing. What about wines? Would | :27:28. | :27:33. | |
wines have been here? Yes they brought wines. And planted vines. | :27:33. | :27:39. | |
Yes. He knows a lot. Get a tweet in. How effective was the wall at | :27:39. | :27:47. | |
keeping out the Scottish? effective enough! Terrible. It was | :27:47. | :27:51. | |
effective. But it was about stationing troops that could attack | :27:51. | :27:54. | |
over the wall and they were aggressive themselves. They did | :27:54. | :27:59. | |
well. If you want to find out more, head to our web-site. There are | :27:59. | :28:08. | |
activities you can do. You make a Roman Villa out of card board. And | :28:09. | :28:15. | |
the web-site address I on screen. And later Larry is in who do you | :28:15. | :28:23. |