Browse content similar to Erddig House. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
A couple of weeks ago we asked you to is enin your national treasure. | :00:20. | :00:25. | |
And Nicky Tweeted, "I love Erddig Hall so much, it feels like you | :00:25. | :00:33. | |
have gone back in time." couldn't agree more. From Erddig | :00:33. | :00:43. | |
:00:43. | :00:55. | ||
Hall, welcome to National Treasures Good evening, and welcome to Erddig | :00:55. | :00:59. | |
Hall. For two centuries well up until the late 1970s this was the | :00:59. | :01:02. | |
home of the Miss Work of Art. the surface, they were a typically | :01:02. | :01:08. | |
wealthy family, but behind this grand facade was a interesting | :01:08. | :01:13. | |
story. They were people like us who shared a love of history, but they | :01:13. | :01:19. | |
horded everything because this horse is a unique glimpse into 19th | :01:19. | :01:23. | |
century life and is perfectly preserved. We're joined by fans of | :01:23. | :01:28. | |
Erddig. What do you think is special about it? Erddig is so | :01:28. | :01:31. | |
unique. It's an atmosphere that brings people back here again and | :01:31. | :01:35. | |
again. What do you think is special? To me, it's just a family | :01:35. | :01:39. | |
homestead. You just feel like you can pull up a chair and have a cup | :01:39. | :01:43. | |
of tea. That would be nice. Tonight we're going to take you inside this | :01:43. | :01:49. | |
grand house. We'll show you how the servants worked and how the family | :01:49. | :01:53. | |
lived and, unusually, the relationship between the two. | :01:53. | :02:00. | |
explain another unusual relationship - how a feral child | :02:00. | :02:05. | |
found wandering the woods became King George I's pet perfect, and we | :02:05. | :02:11. | |
head to Perthshire to meet one of the few men alive who know what | :02:11. | :02:16. | |
it's like to sink a German warship. If you have World War II questions | :02:16. | :02:21. | |
of your own or other questions, do e-mail us at | :02:21. | :02:24. | |
[email protected], or you can Tweet us. We'll see if we can | :02:24. | :02:27. | |
help you out later. Throughout the series we have | :02:27. | :02:31. | |
learnt a lot about the historical passions of some of our best-known | :02:31. | :02:34. | |
faces, everything from Greg Wallace's war-time rationing | :02:34. | :02:39. | |
recipes to Larry Lamb's love of the music halls. Tonight we're going | :02:39. | :02:41. | |
undercover with Sheila Hancock as she infiltrates the fascinating | :02:41. | :02:51. | |
:02:51. | :03:00. | ||
world of female spies. From Mata Hari to Anna Chapman, | :03:00. | :03:03. | |
women spice have been seen as glamorous. Growing up in World War | :03:03. | :03:08. | |
II, I really was quite scared of talking. I thought there were spies | :03:08. | :03:11. | |
behind every tree, and it's not surprising considering the posters | :03:11. | :03:17. | |
that were all over the place. This is a typical one, "Careless talk | :03:17. | :03:21. | |
costs lives." It's given me a life- long interest in the world of | :03:21. | :03:25. | |
spying, and in particular, the role of the female spy. When I think of | :03:25. | :03:31. | |
spies in the olden days, I think of people like Mata Harics, kind of | :03:31. | :03:35. | |
vampy and sexy and all of that. When did that happen? I think | :03:35. | :03:39. | |
throughout the centuries, it's conditioned by women's role in | :03:39. | :03:43. | |
society. Women spies would be cortisans, would be the lovers of | :03:43. | :03:49. | |
Kings, of generals and could get information from the pillow, as it | :03:49. | :03:54. | |
were. But World War II changed everything. With the recruitment of | :03:54. | :03:59. | |
female agents into an intelligence unit called The Special Operations | :04:00. | :04:06. | |
Executive or SOE. The purpose of SOE agents was to facility - | :04:06. | :04:12. | |
facility ate the dropping of supplies. They acted as wireless | :04:12. | :04:19. | |
operators or couriers. Let's have a look at what they used. A courier | :04:19. | :04:24. | |
would be taking secret messages from one place to another. This is | :04:24. | :04:27. | |
a handbag that has a secret compartment. | :04:27. | :04:30. | |
I suppose it was easy for women to not be suspected at a time like | :04:30. | :04:33. | |
that. Is that right? Well, it conforms to the role of women in | :04:33. | :04:36. | |
society in France in the early 1940s, which is, you know, | :04:37. | :04:41. | |
housewife, office worker, that sort of thing, and this assumption was | :04:41. | :04:45. | |
that the resistance fighter was bound to be a man. This, I believe, | :04:45. | :04:54. | |
belonged to a specific woman. Her name was Yvonne Kurmou, from 1943. | :04:54. | :04:58. | |
My goodness. There is a stain there. What is that? That is her blood | :04:58. | :05:02. | |
when she was shot in the leg, and you can see the bloodstains here. | :05:02. | :05:07. | |
Oh, my goodness, and did she get away all right? Yes, she did. | :05:07. | :05:11. | |
Sesurvived. She's one of the most successful wireless operators, but | :05:11. | :05:14. | |
strangely, is one of the most forgotten. | :05:14. | :05:19. | |
Because of the bravery of women like her, attitudes towards female | :05:20. | :05:23. | |
operators changed. As tensions between East and West developed | :05:23. | :05:29. | |
into the Cold War, a whole raft of elaborate Bondesque gadgets emerged, | :05:29. | :05:36. | |
some of which were definitely more Jane a than James, like the kiss- | :05:36. | :05:41. | |
of-death lipstick with a concealed- shot pistol, a lady's leather belt, | :05:41. | :05:45. | |
hidden dagger, optional, and a fashionable silver ring with a | :05:45. | :05:50. | |
hollow compartment, perfect for carrying poison - just in case. | :05:50. | :05:54. | |
Pictured here with the former Foreign Secretary Geoffrey Howell | :05:54. | :05:59. | |
is one of the women recruited during the Cold War, Baroness Mita | :05:59. | :06:03. | |
Ramsey. If I ask you for a job description of what you did, what | :06:03. | :06:09. | |
would it be? An intelligence officer in secret intelligence | :06:09. | :06:14. | |
service, also known as MI6. Would you call yourself a spy? I suppose | :06:14. | :06:20. | |
it could be, yes. During the Cold War, one of her jobs was to recruit | :06:20. | :06:25. | |
agents across the world to pass foreign military secrets back to | :06:25. | :06:28. | |
the UK. Were there advantages in being a woman? Well, you can | :06:28. | :06:34. | |
sometimes get away with murder with policemen, and you can play up a | :06:34. | :06:38. | |
little bit your helpless femininity, so I think that can be a real | :06:38. | :06:42. | |
advantage. One of the qualities I would have thought you needed was | :06:42. | :06:47. | |
not exactly an enjoyment of danger, but not avoiding danger. I mean, if | :06:47. | :06:51. | |
you were frightened of danger, then you couldn't do it, could you? | :06:51. | :06:55. | |
suppose that's true. I have never thought about it like enjoying the | :06:55. | :06:59. | |
danger, but if you couldn't live with the rush of adrenaline when | :06:59. | :07:02. | |
something's not going right, then you wouldn't go on doing it. You | :07:02. | :07:06. | |
would either have a nervous breakdown, or you would certainly | :07:06. | :07:10. | |
stop. Female spies have come a long way. The glamorous image of the | :07:10. | :07:16. | |
movies remains a fiction. Well, where did the Mata Hari bit come | :07:16. | :07:20. | |
in? Where was the glamour and the sexiness? I don't know if I would | :07:20. | :07:23. | |
use that word about being an intelligence officer. There is a | :07:23. | :07:28. | |
lot of waiting around. There is a lot of taking a long time to get | :07:28. | :07:32. | |
anywhere to make absolutely sure you're not followed. That can be in | :07:33. | :07:36. | |
all climates. There are a lot of times when you're standing in way, | :07:36. | :07:39. | |
way below zero waiting to do something, and you think, there | :07:39. | :07:43. | |
must be easier ways to... Like filming! Exactly. | :07:43. | :07:49. | |
LAUGHTER Oh, the Baroness there, an | :07:49. | :07:52. | |
extraordinary woman. Sheila has joined us in this amazing dining | :07:52. | :07:56. | |
room. Isn't it lovely? It's incredible. We'll learn more about | :07:56. | :07:59. | |
it in just a moment. Meeting the Baroness must have been special, | :08:00. | :08:03. | |
wasn't it? It was. It was remarkable. It summed up - when I | :08:03. | :08:06. | |
asked her why she chose such a difficult, dangerous career, she | :08:06. | :08:10. | |
said, quite simply, "I wanted to serve my country," and that's what | :08:10. | :08:15. | |
she's done ever since. She's at the heart of Lords now. She's | :08:15. | :08:19. | |
campaigned. She's done everything. Do you think her role and the other | :08:19. | :08:23. | |
female spys from World War II are largely overlooked? I think there | :08:23. | :08:27. | |
is a danger like all history because history is mainly written | :08:27. | :08:33. | |
by men. Certainly there were women that did remarkable things. We know | :08:33. | :08:37. | |
about the famous ones that films were made of, but we don't know | :08:37. | :08:40. | |
about others. I know you're starting to write a book. It's a | :08:40. | :08:43. | |
novel, isn't it? I am of the wartime generation, and I wanted to | :08:44. | :08:49. | |
put some of my experiences in the book. In the process I have been | :08:49. | :08:52. | |
researching resistance workers, and I have been absolutely amazed of | :08:52. | :08:56. | |
the untold stories of these women. They're just completely ignored and | :08:56. | :09:00. | |
overlooked. It's just a case of keeping those stories and memories | :09:00. | :09:05. | |
alive. Yes, it's very important people know about them. Good luck. | :09:05. | :09:10. | |
How far are you in it? I am about a quarter of the way through. | :09:10. | :09:16. | |
back to it. Yeah, better. Toot sweet! Just ass women were the | :09:16. | :09:20. | |
unsung heroes of World War II, in stately homes it's normally the | :09:20. | :09:23. | |
staff that are forgotten over time. That's not the case here in Erddig | :09:23. | :09:29. | |
Hall, is it? No, I am here in the guts of the building. Look at these | :09:30. | :09:33. | |
incredible bells. People would have rung them upstairs if they wanted | :09:33. | :09:38. | |
something. We'll come here into the servants' hall. This is where they | :09:38. | :09:41. | |
would have eaten. There are paintings on the wall. These look | :09:41. | :09:45. | |
like they're the paintings of the owners, but they're not. Merlin | :09:45. | :09:48. | |
Watson is heavily involved in the restoration of the building. Tell | :09:48. | :09:52. | |
me about these? They're portraits of staff. This lady was a spider | :09:52. | :09:56. | |
brusher, in other words, a housemaid. The painting was painted | :09:56. | :10:03. | |
in 1973. She's shown with her broom and her mop. This is a game keeper | :10:03. | :10:11. | |
to the estate, Jack Henshaw. The indescription tells us he was a | :10:11. | :10:17. | |
little bit bond of beer here is somebody called Jack Nicklaus. He | :10:17. | :10:20. | |
plucked chickens. He was a simpleton and kept by the family as | :10:20. | :10:26. | |
an act of charity. This is unusual. Usually portraits are reserved for | :10:26. | :10:30. | |
members of the family. Yes, but it's one of the things about Erddig | :10:30. | :10:34. | |
- in the early 18th century, the family were close to their servants. | :10:34. | :10:38. | |
They corresponded with them. They took a great interest in them when | :10:38. | :10:42. | |
they got married. They began to record them. This collection goes | :10:42. | :10:48. | |
right the way through to the 20th century. It does. Photography began | :10:48. | :10:52. | |
in the 1860s. It's continued until the First World War. There are just | :10:52. | :10:56. | |
a sprinkling of photographs just after. Incredible. You can find | :10:56. | :11:00. | |
more about all of these servants and stories on our website. Ruth | :11:00. | :11:03. | |
Goodman explores the secrets of the house including more of these | :11:03. | :11:07. | |
paintings and the recently discovered postcard collection of | :11:07. | :11:14. | |
the house's last ever nanny. Here is the web address. The collection | :11:14. | :11:19. | |
is unique, but Lucy Worsley has unearthed one or two other pictures | :11:19. | :11:23. | |
of servants elsewhere, particularly a on the King George I's palace. | :11:23. | :11:28. | |
She used it to try to solve one of our strangest Royal mysteries. | :11:28. | :11:32. | |
at Kensington Palace in London, this staircase is lined with the | :11:32. | :11:37. | |
portraits of servants who worked for King George I. In among the | :11:37. | :11:41. | |
courtiers and ladies in waiting is one of the most mysterious figures | :11:41. | :11:48. | |
in the history of the Royal court. He was known simply as "Peter, the | :11:48. | :11:54. | |
wild boy". In 1725, he was found by local peasants deep in the woods | :11:54. | :12:00. | |
near the German town of Hanover. He was a feral child with a wild | :12:00. | :12:03. | |
appearance who lived off the food of the forest and who couldn't | :12:03. | :12:08. | |
articulate a single word. People were surprised by the wild boy's | :12:08. | :12:11. | |
excessively hairy appearance, the way he scampered on all fours | :12:11. | :12:16. | |
instead of walking upright. They noticed he had an old wound on his | :12:16. | :12:21. | |
left hand. Some of the fingers were fused together with webbing, like a | :12:21. | :12:23. | |
duck's foot. King George I, who had been born near that city, heard | :12:23. | :12:27. | |
about the wild boy, and invited him to join the Royal household. | :12:27. | :12:32. | |
Perhaps he relished the challenge of transforming Peter from the | :12:32. | :12:38. | |
savage he seemed into the perfect gentleman. And the courtiers were | :12:38. | :12:41. | |
intrigued by him because he didn't understand the rules of human | :12:41. | :12:46. | |
behaviour. They were charmed by his encounters with civilisation. At | :12:46. | :12:51. | |
night, he wouldn't get into a bed. He'd go and curl up in the corner | :12:51. | :12:56. | |
of the room on floor. Standing next to Peter in the picture is his | :12:56. | :13:02. | |
tutor, Dr John Arbuthnot in the hat. He tried to teach him the alphabet. | :13:02. | :13:07. | |
He got him to mouth the letters, and despite all of his tutor's | :13:07. | :13:13. | |
efforts, Peter never learned how to speak. For the ploser ifs, he | :13:13. | :13:16. | |
summed up one of the great questions of the enlightenment - | :13:16. | :13:20. | |
what does it mean to be a human being? If you have no speech, do | :13:20. | :13:26. | |
you have a soul? Was Peter just an animal? At the time, people assumed | :13:26. | :13:30. | |
that Peter acted the way he did because he was a wild child. They | :13:30. | :13:36. | |
didn't suspect that something else could have been afflicting him. But | :13:36. | :13:42. | |
a new analysis of Peter's portraits by Professor Philip Beale Beals has | :13:42. | :13:48. | |
revealed the possible causes of his behaviour. What we see in this | :13:48. | :13:56. | |
particular picture is he has this prominent flop of hair and these | :13:56. | :14:00. | |
nostrils. The artist has captured the lip, which have this cupid's | :14:00. | :14:04. | |
bow appearance. You have put all of these clues into your database and | :14:04. | :14:11. | |
come out with an answer? I think this is a condition described as | :14:11. | :14:19. | |
Pit Hopkins Syndrome. There are many features, the most severe of | :14:19. | :14:25. | |
this is the neurological component, a difficulty to develop speech and | :14:25. | :14:30. | |
other conditions. Not realising Peter's behaviour could be due to a | :14:30. | :14:36. | |
medical condition, the courtiers got bored of him and was sent to | :14:36. | :14:41. | |
the country. He was looked after in Hertfordshire. In the country, | :14:41. | :14:45. | |
Peter could be much more himself, a far cry from his life within the | :14:45. | :14:52. | |
Royal Palaces. And near to his home, here at | :14:53. | :14:57. | |
Berkhamstead School Library, they have the only remaining artefact | :14:58. | :15:03. | |
left from his life, Peter's collar. Look at this. You can see where it | :15:03. | :15:06. | |
was locked on around his neck. It looks like a horrible, vicious | :15:06. | :15:11. | |
thing to wear. What do you think of a human being wearing a collar like | :15:11. | :15:15. | |
a dog? I don't think people should wear collars. But at the same time, | :15:15. | :15:19. | |
it was made with a kind thought, I think, because it's got his name | :15:19. | :15:27. | |
and address on the front. "Whoever will bring him to Mr Fen shall be | :15:27. | :15:32. | |
paid for their trouble." It shows, then, he wasn't really an object or | :15:32. | :15:35. | |
a possession because if he was a slave, people wouldn't get paid for | :15:35. | :15:39. | |
the trouble. I agree with you. I think the collar does show they | :15:39. | :15:44. | |
cared about him. Peter lived on into his 70s, and in turn, he grew | :15:44. | :15:48. | |
very attached to the farmers who looked after him, so much so that | :15:48. | :15:52. | |
when the last farmer died, Peter really took it to heart. He pined | :15:52. | :16:02. | |
:16:02. | :16:03. | ||
away, and he died here at the farm Often, flowers mysteriously appear | :16:03. | :16:08. | |
at his grave. I asked somebody at the church who leaves them, and she | :16:08. | :16:11. | |
said, we don't know who leaves flowers for Peter but there must be | :16:11. | :16:17. | |
people around here who think he should be a remembered. Peter, once | :16:17. | :16:22. | |
ridiculed by the upper classes as a wild and soul this animal, had | :16:22. | :16:26. | |
grown into a gentle and sensitive person, leading an innocent and | :16:26. | :16:36. | |
:16:36. | :16:39. | ||
simple life, proving himself to be Isn't it lovely to think there are | :16:39. | :16:43. | |
people leaving flowers on Peter's grave today? You have to wonder who | :16:43. | :16:51. | |
those people might be. We are back in the dining room here, | :16:51. | :16:56. | |
where successive generations of the Yorkes would have entertained. They | :16:56. | :17:01. | |
would have had five-course meals including four desserts. It sounds | :17:01. | :17:07. | |
very grand and man in his here with me. They were not an ostentatious | :17:07. | :17:15. | |
family -- Merlin Waterson is here with me. No, if you look at the | :17:15. | :17:18. | |
portraits, the first Duke has chosen to be painted in a rather | :17:18. | :17:23. | |
sombre black coat, but it is a sympathetic, intelligent face. I | :17:23. | :17:30. | |
think that is how he would have wanted to have been sort of. What | :17:30. | :17:35. | |
happened at the Yorke family? lived here comfortably in the 19th | :17:35. | :17:39. | |
century but the income from the estate was dwindling and it was | :17:39. | :17:43. | |
running downhill. During the First World War, in a sense, it gave them | :17:44. | :17:53. | |
an opportunity to stop keeping up appearances. Most of the staff left. | :17:53. | :17:57. | |
That is when you came in, in the 70s. We can see what the house | :17:57. | :18:02. | |
looked like, it was in a poor state of repair. You stayed here for | :18:02. | :18:08. | |
quite a while? There had been mining their -- mining beneath the | :18:08. | :18:12. | |
house, so it had fallen three feet. Water had fallen into the centre | :18:12. | :18:16. | |
part of the building and when I stayed here, I sat in one of the | :18:16. | :18:19. | |
lovely bedrooms upstairs, but the water came through the ceiling and | :18:19. | :18:24. | |
when it was cold, because the windows were broken, sometimes snow | :18:24. | :18:28. | |
would drift in and you founded on the floor in the morning. It was in | :18:28. | :18:34. | |
a precarious state. And a labour of love for you and the Natural Trust | :18:34. | :18:37. | |
-- the National Trust to build it back up into what we see today. | :18:37. | :18:41. | |
This room would have had fine dinner parties, but most of the | :18:41. | :18:44. | |
time the family would have eaten alone, and for the last generation | :18:44. | :18:51. | |
of Yorkes it meant mum, dad anti- boys, but even they had 15 indoor | :18:51. | :18:55. | |
servants, which made it got pretty busy downstairs. | :18:55. | :19:00. | |
It would have been packed down here. Waste not, one not. That was the | :19:00. | :19:06. | |
motto. That is why there are all of these incredible artefacts. We do | :19:06. | :19:12. | |
have been down here working, or up there, relaxing? I would have liked | :19:12. | :19:16. | |
the people down here more but I am not a good cook and I do not like | :19:16. | :19:21. | |
emptying chamber pots and things! This would have been a very hot | :19:21. | :19:27. | |
place to work because that fire was an open fire until the early | :19:27. | :19:32. | |
twentieth-century, when they put the range in. And that window, a | :19:32. | :19:39. | |
beautiful window, very unusual. Servants in the kitchen where often | :19:39. | :19:43. | |
in the basement, but here they are in the ground floor with the light | :19:43. | :19:51. | |
streaming in. Lovely. I have somebody with some of these | :19:51. | :19:53. | |
utensils, my grandmother had some of these. What is that? Sugar | :19:53. | :20:00. | |
nippers. How did show the come? a large cone, and this would be the | :20:00. | :20:06. | |
top of it. Was the sugar lumps for a ball or cooking? Cooking, | :20:06. | :20:10. | |
anything that was needed. And if you mash that, you get icing sugar. | :20:10. | :20:18. | |
It would have been hard work down here. Look at this! This is an | :20:18. | :20:23. | |
apple peeler and corer. It does everything. A scullery maid would | :20:23. | :20:29. | |
have been up at 6am and not in bed until 10pm. Do you know how much | :20:29. | :20:35. | |
she got paid? About �8 in year. are doing all of the research for | :20:35. | :20:39. | |
us! These guys have been slaving away down here, but the family had | :20:40. | :20:45. | |
plenty of time up there for leisure. They did, the Yorke family spent | :20:45. | :20:50. | |
lots of time out here in this beautiful garden. Looking lovely. | :20:50. | :20:53. | |
They would play croquet, cricket, there was even a bowling alley down | :20:53. | :20:58. | |
the other end. It is a Grade 1 listed garden so the layout has not | :20:58. | :21:03. | |
been changed and about 300 years. Throughout the series down and | :21:03. | :21:06. | |
Michael have been criss-crossing the land on their history rogue | :21:06. | :21:12. | |
chip, and for the final leg of their journey they have been timid | :21:12. | :21:18. | |
and -- been to meet an ordinary man with an extraordinary story. | :21:18. | :21:24. | |
I don't fit on this bed. You make a lot of noise in your sleep, a lot | :21:24. | :21:31. | |
of scratching and snoring. A lot of tromping. When we put this engine | :21:31. | :21:36. | |
on, the whole thing will go! Today we are going off to meet a special | :21:36. | :21:43. | |
person, a surprise for years. Off to Scotland. Great. Doing what? | :21:43. | :21:53. | |
:21:53. | :22:07. | ||
Welcome to Scotland! I can't even see through the rain. Britain is a | :22:07. | :22:12. | |
nation shaped by warfare but the reality is there has been more war | :22:12. | :22:16. | |
in our nation's history than peace. A British soldier has been killed | :22:16. | :22:21. | |
in combat every year since the Second World War apart from once. | :22:21. | :22:26. | |
Is there ever a good reason for war? Do you ever think, they should | :22:26. | :22:34. | |
be happening? A lot of people say the second world war was a good one. | :22:34. | :22:44. | |
:22:44. | :22:49. | ||
Britain was on the right side of Let's see what this house is, on | :22:49. | :22:57. | |
the right. There we go. You are driving on the lawn! Is this | :22:57. | :23:03. | |
somebody's lawn?! Have you heard of the Bismarck? I have heard of it, | :23:03. | :23:07. | |
but I don't know what it is. Something to do with the Second | :23:08. | :23:13. | |
World War? Yes, it is a big ship. One of the most powerful warships | :23:13. | :23:18. | |
ever build, and it threatened Britain's supply line to North | :23:18. | :23:22. | |
America, potentially a war winning piece of equipment for the Germans | :23:22. | :23:32. | |
:23:32. | :23:32. | ||
will -- for the Germans. This man is responsible for sinking it. | :23:32. | :23:35. | |
have to make sure we are at the right house because he is not good | :23:35. | :23:39. | |
with maps, but I think we will meet someone with a first-hand account | :23:39. | :23:43. | |
of a major piece of history, and I am nervous about that because he | :23:43. | :23:51. | |
does this all of the time, but I just cut people's hair! John, how | :23:51. | :23:56. | |
are you? This is Michael Foster up hello, nice to meet you. Welcome | :23:56. | :24:02. | |
aboard. Meeting John Moffett is a once-in-a-lifetime opportunity for | :24:02. | :24:08. | |
Michael. He dropped a torpedo that hit the Bismarck, the world's most | :24:08. | :24:13. | |
powerful German battleship. It hit it in the rudder, it span in | :24:13. | :24:17. | |
circles and the Royal Navy closed in and pounded it until it sank. | :24:17. | :24:20. | |
You were flying the Swordfish on that famous mission against the | :24:20. | :24:26. | |
Bismarck? Yes. Tell us what happened? New set off from the Ark | :24:26. | :24:32. | |
Royal? We kept going up above the clouds, and all of a sudden all | :24:32. | :24:37. | |
hell let loose. Shells bursting all around us and causing a sheet of | :24:37. | :24:45. | |
water to come up to maybe 200, 300 ft, coming up everywhere. I could | :24:45. | :24:52. | |
see this big ship firing its guns. It was a hell of a size. It was | :24:52. | :24:55. | |
really something. I could just about see the people on the deck of | :24:55. | :25:02. | |
the ship. Of the Bismarck? Yes, I was that close. Bullets started | :25:02. | :25:08. | |
flying them. My observers suddenly said, not yet! And all of a sudden | :25:08. | :25:13. | |
he shouted, let her go! And away she went. You didn't know what you | :25:13. | :25:19. | |
had done and you went over the next day? Yes, to finish her off. All of | :25:19. | :25:25. | |
a sudden, it turned on its side. Did you see that? Oh, yes, and not | :25:25. | :25:33. | |
only that, I was about 50 ft off the water, and there were hundreds | :25:33. | :25:39. | |
of chaps in the sea. It was unbelievable. It was not a side | :25:39. | :25:46. | |
that you forget. -- not a sight that you forget. Did you feel you | :25:46. | :25:49. | |
were doing the right thing being in the Navy, fighting on the right | :25:49. | :25:56. | |
side? Hitler had to be stopped, and if we can do our bit, then fair | :25:56. | :26:02. | |
enough. I cannot thank you enough for sharing that with me. That is | :26:02. | :26:10. | |
absolutely superb, thank you. That was remarkable. His actions | :26:10. | :26:14. | |
were responsible for changing the course of the war. That is the | :26:14. | :26:18. | |
amazing thing about meeting people like that, normal people with an | :26:18. | :26:22. | |
impact on history which will be felt for years to come. Amazing. | :26:22. | :26:28. | |
Where next? Salad. Can I get a white pudding before we go? What is | :26:28. | :26:35. | |
that? It is like a battered sausage... | :26:35. | :26:39. | |
An extraordinary testimony. We have met people throughout this series | :26:39. | :26:45. | |
who have been at a heart of history, quite a privilege. I have met him a | :26:45. | :26:49. | |
couple of times, he is a national treasure. | :26:49. | :26:53. | |
Thank you for your tweets and e- mail so that the programme. | :26:53. | :26:56. | |
Question -- Sheila, you have a question? | :26:56. | :27:01. | |
We know the people upstairs were above us in the kitchen, but was | :27:01. | :27:05. | |
there hierarchy in the kitchen? Housekeeper ruled the roost and had | :27:05. | :27:10. | |
a stronger position than the cook, so could order the cut around, but | :27:10. | :27:13. | |
there was a time when the cook earned so much more because of all | :27:13. | :27:16. | |
of the entertaining. The Butler was in charge on the | :27:17. | :27:22. | |
male side and had for it man below, said definitely a hierarchy. As a | :27:22. | :27:28. | |
scullery maid, I would have had to obey everybody! | :27:28. | :27:32. | |
We have a tweet about World War One. Richard wants to know, could the | :27:32. | :27:39. | |
Allies have won the war without Enigma? Women was so important in | :27:39. | :27:43. | |
breaking the code. More women than men working on the Enigma code, I | :27:43. | :27:48. | |
believe. The second world war would have lasted a lot longer if the | :27:48. | :27:54. | |
Enigma code had not been broken. A lot of lives were saved breaking | :27:54. | :27:59. | |
that was stopped they broke lots of codes. | :27:59. | :28:04. | |
Sheila, it has been lovely having you, thank you. And thank you to | :28:04. | :28:07. | |
the staff it, I don't know how many apples you have chopped since you | :28:07. | :28:13. | |
have been the! Thank you for joining us tonight. -- since you | :28:13. | :28:16. | |
have been here. That is it for tonight, and the | :28:16. | :28:21. | |
series. But you can go to the website where you can find great | :28:21. | :28:24. | |
activities and animations from the tee at BBC Hands On History. | :28:24. | :28:29. | |
And you will find details of the annual Heritage Days where | :28:29. | :28:33. |