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Welcome back to Buckingham Palace. It is concert time with the biggest | 0:00:21 | 0:00:27 | |
names in rock, pop and classical music representing six decades of | 0:00:27 | 0:00:31 | |
the Queen's reign. We have an audience of 20,000 people, already | 0:00:31 | 0:00:36 | |
in the mood, for the best concert in living memory. Some members of | 0:00:36 | 0:00:39 | |
the Royal Family have taken their seats. The Queen will join them in | 0:00:39 | 0:00:43 | |
a short while, but sadly The Duke of Edinburgh will not be attending | 0:00:43 | 0:00:46 | |
this evening. The news came through a few hours ago that he was in | 0:00:46 | 0:00:50 | |
hospital being treated for a bladder infection and of course, we | 0:00:50 | 0:00:55 | |
wish him a swift recovery. The concert is about to get underway. | 0:00:55 | 0:01:05 | |
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Apology for the loss of subtitles for 82 seconds | 0:01:05 | 0:02:27 | |
Sit back, turn up the volume, and # Shake your ass, come over here | 0:02:27 | 0:02:36 | |
# I'm a burning effigy # So come on | 0:02:36 | 0:02:46 | |
0:02:46 | 0:02:54 | ||
# Life's too short for you to die # Heaven knows your mother lied | 0:02:54 | 0:02:58 | |
# Separate your rights from wrongs Come and sing a different song | 0:02:58 | 0:03:03 | |
# The kettle's on, so don't be long Mon cher | 0:03:03 | 0:03:06 | |
# So come on Let me entertain you | 0:03:06 | 0:03:12 | |
# Let me entertain you | 0:03:12 | 0:03:22 | |
# Look me up in the Yellow Pages I will be your rock of ages | 0:03:22 | 0:03:32 | |
0:03:32 | 0:03:48 | ||
# Yeah | 0:03:48 | 0:03:56 | |
# So come on Let me entertain you | 0:03:56 | 0:04:06 | |
# Let me entertain you | 0:04:06 | 0:04:13 | |
# Let me entertain you | 0:04:13 | 0:04:21 | |
# Look me up in the Yellow Pages I will be your rock of ages | 0:04:21 | 0:04:29 | |
# Come on, come on Come on, come on | 0:04:29 | 0:04:32 | |
# Come on, come on Come on, come on | 0:04:32 | 0:04:34 | |
# Come on, come on Come on, come on | 0:04:34 | 0:04:44 | |
0:04:44 | 0:04:44 | ||
Apology for the loss of subtitles for 82 seconds | 0:04:44 | 0:06:35 | |
Ladies and gentlemen, please Ladies and gentlemen, Robbie | 0:06:35 | 0:06:45 | |
Williams. CHEERING AND APPLAUSE | 0:06:45 | 0:06:47 | |
Well good evening loyal subjects and welcome to the noisiest party | 0:06:47 | 0:06:55 | |
The Queen has ever seen! Oh, she won't like this. She won't | 0:06:55 | 0:07:01 | |
like this. This will be too noisy for her. This is the equivalent to | 0:07:01 | 0:07:05 | |
a well meaning parent handing over their home to their 16-year-olds | 0:07:05 | 0:07:10 | |
for a Saturday night and it ends up on Facebook! | 0:07:10 | 0:07:15 | |
But she has only got herself to blame. Her celebrating her 60 years | 0:07:15 | 0:07:21 | |
of reign. CHEERING AND APPLAUSE | 0:07:21 | 0:07:29 | |
60 years of reign. It sounds like a Welsh summer! | 0:07:29 | 0:07:30 | |
LAUGHTER Ladies and gentlemen, welcome to | 0:07:31 | 0:07:34 | |
the Diamond Jubilee Concert. We have a line-up tonight that is | 0:07:34 | 0:07:38 | |
out of this world. Some of the biggest stars in the world playing | 0:07:38 | 0:07:43 | |
their biggest hits. If you recognise any of these names give a | 0:07:43 | 0:07:53 | |
0:07:53 | 0:07:54 | ||
little cheer. We have Gary Barlow. Kylie Minogue. Annie Lennox. Yeah, | 0:07:54 | 0:08:04 | |
0:08:04 | 0:08:11 | ||
yeah, yeah, Tom Jones. Shirley Bassey. Elton John. Stevie Wonder. | 0:08:11 | 0:08:15 | |
And Paul McCartney. All by Royal appointment and I'm delighted to | 0:08:16 | 0:08:20 | |
say we have the Royal Family joining us this evening over in the | 0:08:20 | 0:08:24 | |
joining us this evening over in the Royal Box. | 0:08:24 | 0:08:29 | |
Now those are good seats! They are very good seats. How did | 0:08:29 | 0:08:37 | |
you get those seats? LAUGHTER | 0:08:37 | 0:08:40 | |
I hope you didn't use a tout because that's just spoiling it for | 0:08:40 | 0:08:43 | |
the rest of us. I have to say I'm surprised I'm not up there with you | 0:08:43 | 0:08:51 | |
because I do have Royal connections. Yes, I drink in the Prince Albert. | 0:08:51 | 0:08:52 | |
LAUGHTER I have been known to watch | 0:08:52 | 0:08:55 | |
Coronation Street. And my auntie Mary's first husband turned out to | 0:08:55 | 0:09:01 | |
be a queen. LAUGHTER | 0:09:01 | 0:09:04 | |
Right, let's have more music. We have a fabulous show for you this | 0:09:04 | 0:09:09 | |
evening, ladies and gentlemen. Forget decorum, I want you to clap. | 0:09:09 | 0:09:15 | |
I want you to cheer. I want you to roar. I want you to stamp your feet | 0:09:15 | 0:09:20 | |
and bounce up and down as we welcome two very special guests and | 0:09:20 | 0:09:30 | |
0:09:30 | 0:09:46 | ||
# I gotta feeling # That tonight's gonna be | 0:09:46 | 0:09:49 | |
# That tonight's gonna be a good, good night | 0:09:49 | 0:09:56 | |
# A feeling that tonight's gonna be a good night | 0:09:56 | 0:10:01 | |
# That tonight's gonna be a good night | 0:10:01 | 0:10:03 | |
# That tonight's gonna be a good, good night | 0:10:03 | 0:10:13 | |
0:10:13 | 0:10:14 | ||
# Tonight's the night Let's live it up | 0:10:14 | 0:10:15 | |
# I got my money, let's spend it up | 0:10:15 | 0:10:17 | |
# Go out and smash it Like, oh, my God | 0:10:17 | 0:10:21 | |
# Jump off that sofa Let's get, get off | 0:10:21 | 0:10:25 | |
# I know that we'll have a ball | 0:10:26 | 0:10:29 | |
# Fill up my cup, mazel tov | 0:10:29 | 0:10:30 | |
# Look at her dancing Just take it off | 0:10:30 | 0:10:33 | |
# Let's paint the town We'll shut it down | 0:10:33 | 0:10:37 | |
# Let's burn the roof And then we'll do it again | 0:10:37 | 0:10:42 | |
# Cos I gotta feeling, woohoo, that tonight's gonna be a good night | 0:10:42 | 0:10:46 | |
# That tonight's gonna be a good night | 0:10:46 | 0:10:50 | |
# That tonight's gonna be a good, good night | 0:10:50 | 0:10:55 | |
# A feeling, woohoo, that tonight's gonna be a good night | 0:10:55 | 0:11:01 | |
# That tonight's gonna be a good night | 0:11:01 | 0:11:03 | |
# That tonight's gonna be a good, good night | 0:11:03 | 0:11:11 | |
# Tonight's the night Hey! | 0:11:11 | 0:11:12 | |
# Let's live it up Let's live it up | 0:11:12 | 0:11:13 | |
# I got my money My pay | 0:11:13 | 0:11:15 | |
# Let's spend it up Let's spend it up | 0:11:15 | 0:11:17 | |
# Go out and smash it Smash it | 0:11:17 | 0:11:19 | |
# Like, oh, my God Like, oh, my God | 0:11:19 | 0:11:21 | |
# Jump off that sofa Come on! | 0:11:21 | 0:11:23 | |
# Let's get, get off | 0:11:23 | 0:11:33 | |
# I know that we'll have a ball | 0:11:33 | 0:11:34 | |
# If we get down and go out and just lose it all | 0:11:34 | 0:11:36 | |
# I feel stressed out I wanna let it go | 0:11:36 | 0:11:37 | |
# Let's go way out, spaced out and losing all control | 0:11:37 | 0:11:40 | |
# Fill up my cup, mazel tov | 0:11:40 | 0:11:44 | |
# Look at her dancing Just take it off | 0:11:44 | 0:11:47 | |
# Let's paint the town We'll shut it down | 0:11:47 | 0:11:50 | |
# Let's burn the roof And then we'll do it again | 0:11:50 | 0:11:56 | |
# Let's do it, let's do it Let's do it, let's do it | 0:11:56 | 0:12:03 | |
# And do it and do it Let's live it up | 0:12:03 | 0:12:04 | |
# And do it and do it And do it, do it, do it | 0:12:04 | 0:12:14 | |
0:12:14 | 0:12:15 | ||
# Here we come, here we go | 0:12:15 | 0:12:16 | |
# We gotta rock Rock, rock, rock, rock, rock | 0:12:16 | 0:12:18 | |
# Feel the shot, body rock Rock it, don't stop | 0:12:18 | 0:12:21 | |
# Round and round, up and down Around the clock | 0:12:21 | 0:12:27 | |
# And I'm feelin', woohoo, that tonight's gonna be a good night | 0:12:27 | 0:12:31 | |
# That tonight's gonna be a good night | 0:12:31 | 0:12:34 | |
# That tonight's gonna be a good, good night | 0:12:35 | 0:12:44 | |
0:12:45 | 0:12:49 | ||
# And do it and do it And do it, do it, do it | 0:12:49 | 0:12:59 | |
0:12:59 | 0:13:01 | ||
# Hell, yeah | 0:13:01 | 0:13:11 | |
0:13:11 | 0:13:16 | ||
# Ohh | 0:13:16 | 0:13:26 | |
0:13:26 | 0:13:26 | ||
. | 0:13:26 | 0:13:27 | |
# This is love | 0:13:27 | 0:13:34 | |
# This is love | 0:13:34 | 0:13:44 | |
0:13:44 | 0:13:50 | ||
APPLAUSE AND CHEERING | 0:13:50 | 0:13:57 | |
. Are | 0:13:57 | 0:13:58 | |
. Are you | 0:13:58 | 0:13:58 | |
. Are you ready | 0:13:58 | 0:14:08 | |
0:14:08 | 0:14:12 | ||
# I'm feeling sexy and free # You're like a shot of pure gold | 0:14:12 | 0:14:19 | |
# I can taste the tension like a cloud of smoke in the air | 0:14:19 | 0:14:24 | |
# Now I'm breathing like I'm running Cos you're taking me there | 0:14:24 | 0:14:28 | |
# Don't you know You spin me out of control | 0:14:28 | 0:14:35 | |
# Ooh, ooh, ooh, ooh We can do this all night | 0:14:36 | 0:14:45 | |
# This love is skintight Baby, come on | 0:14:45 | 0:14:47 | |
# Ooh, ooh, ooh, ooh Pull me like a bass drum | 0:14:47 | 0:14:49 | |
# Sparking up a rhythm Baby, come on | 0:14:49 | 0:14:53 | |
# Ooh, ooh, ooh, ooh Rock my world into the sunlight | 0:14:53 | 0:14:55 | |
# Make this dream the best I've ever known | 0:14:55 | 0:15:00 | |
# Dirty dancing in the moonlight Take me down like I'm a domino | 0:15:00 | 0:15:07 | |
# Every second is a highlight When we touch, don't ever let me go | 0:15:07 | 0:15:13 | |
# Dirty dancing in the moonlight Take me down like I'm a domino | 0:15:13 | 0:15:23 | |
0:15:23 | 0:15:28 | ||
# You got me losing my mind My heart beats out of time | 0:15:28 | 0:15:35 | |
# I'm seeing Hollywood stars You strum me like a guitar | 0:15:35 | 0:15:45 | |
0:15:45 | 0:16:02 | ||
# This club is skintight Baby, come on | 0:16:02 | 0:16:05 | |
# Ooh, ooh, ooh, ooh Rock my world into the sunlight | 0:16:05 | 0:16:08 | |
# Make this dream the best I've ever known | 0:16:08 | 0:16:09 | |
# Dirty dancing in the moonlight Take me down like I'm a domino | 0:16:09 | 0:16:15 | |
# Oh, baby, baby Got me feeling so right | 0:16:16 | 0:16:19 | |
# Oh, baby, baby Dancing in the moonlight | 0:16:19 | 0:16:21 | |
# Oh, baby, baby Got me feeling so right | 0:16:21 | 0:16:26 | |
# Oh, baby, baby | 0:16:26 | 0:16:30 | |
# Ooh, ooh, ooh, ooh Rock my world into the sunlight | 0:16:30 | 0:16:33 | |
# Make this dream the best I've ever known | 0:16:33 | 0:16:37 | |
# Dirty dancing in the moonlight Take me down like I'm a domino | 0:16:37 | 0:16:41 | |
# Every second is a highlight When we touch, don't ever let me go | 0:16:41 | 0:16:51 | |
# Dirty dancing in the moonlight | 0:16:51 | 0:16:57 | |
Take me down like I'm a domino Domino, domino, yeah. # | 0:16:57 | 0:17:07 | |
0:17:07 | 0:17:15 | ||
Thank | 0:17:15 | 0:17:15 | |
Thank you. | 0:17:15 | 0:17:25 | |
0:17:25 | 0:17:27 | ||
Thank you. CHEERING | 0:17:27 | 0:17:27 | |
CHEERING Your | 0:17:27 | 0:17:27 | |
Your majesty. | 0:17:27 | 0:17:28 | |
Your majesty. Another | 0:17:28 | 0:17:29 | |
Another head | 0:17:29 | 0:17:29 | |
Another head turning | 0:17:29 | 0:17:30 | |
Another head turning performance | 0:17:30 | 0:17:30 | |
Another head turning performance from | 0:17:30 | 0:17:31 | |
from Jessie | 0:17:31 | 0:17:31 | |
from Jessie J. | 0:17:31 | 0:17:31 | |
from Jessie J. Next | 0:17:31 | 0:17:36 | |
from Jessie J. Next up, an act with five number one singles and three | 0:17:36 | 0:17:46 | |
0:17:46 | 0:18:21 | ||
platinum selling albums. Please # When they're gone | 0:18:21 | 0:18:29 | |
# Standing still until they come back | 0:18:29 | 0:18:31 | |
# You accept that they've got things to do | 0:18:31 | 0:18:33 | |
# But sometimes in the end There's nothing left for you | 0:18:33 | 0:18:38 | |
# If hurt is missing your baby I've done too much of it lately | 0:18:38 | 0:18:47 | |
# Cos every minute's like an hour Every hour's like a day | 0:18:47 | 0:18:48 | |
# Every day lasts forever But what else am I gonna do? | 0:18:48 | 0:18:51 | |
# I'd wait forever and a day for you I'd wait up, wait up | 0:18:51 | 0:18:58 | |
# I can't eat, I can't sleep What else could it be? | 0:18:58 | 0:19:00 | |
# Missing you so deep Long as I'm where you're going to | 0:19:00 | 0:19:06 | |
# I'd wait forever and a day for you | 0:19:06 | 0:19:10 | |
# I'd wait up, wait up for you Oh, I'd wait up, wait up | 0:19:10 | 0:19:20 | |
0:19:20 | 0:19:21 | ||
# Everybody in love Go on, put your hands up | 0:19:21 | 0:19:22 | |
# Everybody in love Go on, put your hands up | 0:19:22 | 0:19:24 | |
# If you're in love Put your hands up | 0:19:24 | 0:19:27 | |
# Everybody in love Go on, put your hands up | 0:19:27 | 0:19:30 | |
# Everybody in love Go on, put your hands up | 0:19:30 | 0:19:32 | |
# Everybody in love Go on, put your hands up | 0:19:32 | 0:19:36 | |
# If you're in love # Put your hands up | 0:19:36 | 0:19:41 | |
# Everybody in love Everybody in love | 0:19:41 | 0:19:46 | |
# Everybody in love Go on, put your hands up. # | 0:19:46 | 0:19:52 | |
APPLAUSE AND CHEERING | 0:19:52 | 0:19:57 | |
# Oh, oh, oh, oh, oh Oh, OK | 0:19:57 | 0:20:00 | |
# Oh, oh, oh, oh, oh Oh, JLS | 0:20:00 | 0:20:01 | |
# Oh, oh, oh, oh, oh Oh, yeah | 0:20:01 | 0:20:05 | |
# Oh, oh, oh, oh, oh | 0:20:05 | 0:20:10 | |
# I can't explain what's gotten into me | 0:20:11 | 0:20:12 | |
# My sanity is in the passenger seat | 0:20:12 | 0:20:16 | |
# I let her drive She is my guide | 0:20:16 | 0:20:20 | |
# We're flying reckless tonight | 0:20:20 | 0:20:23 | |
# Direct me to the floor And turn it up some more | 0:20:23 | 0:20:27 | |
# I'mma get it on, on, on, on, on | 0:20:27 | 0:20:32 | |
# Direct me to the floor And turn it up some more | 0:20:32 | 0:20:34 | |
# I'mma get it on, on, on, on, on | 0:20:34 | 0:20:40 | |
# She makes me wanna Makes me wanna | 0:20:40 | 0:20:46 | |
# Makes me wanna | 0:20:46 | 0:20:52 | |
# Oh-oh oh-oh oh-oh | 0:20:52 | 0:21:02 | |
0:21:02 | 0:21:06 | ||
# London to Jamaica LA to Africa | 0:21:06 | 0:21:12 | |
# She makes me wanna Oh-oh oh-oh oh-oh | 0:21:12 | 0:21:14 | |
# Makes me wanna Oh-oh oh-oh oh-oh | 0:21:14 | 0:21:18 | |
# London to Jamaica LA to Africa | 0:21:18 | 0:21:28 | |
0:21:28 | 0:21:28 | ||
# London to Jamaica LA to Africa | 0:21:28 | 0:21:33 | |
# Oh-oh oh-oh oh-oh Makes me wanna | 0:21:34 | 0:21:40 | |
# Oh-oh oh-oh oh-oh She makes me wanna | 0:21:40 | 0:21:47 | |
# Oh-oh oh-oh oh-oh Makes me wanna | 0:21:47 | 0:21:54 | |
# London to Jamaica LA to Africa | 0:21:54 | 0:21:59 | |
# London to Jamaica LA to Africa | 0:21:59 | 0:22:05 | |
# Oh-oh oh-oh oh-oh Makes me wanna | 0:22:05 | 0:22:15 | |
0:22:15 | 0:22:24 | ||
Next, | 0:22:24 | 0:22:25 | |
Next, please | 0:22:25 | 0:22:25 | |
Next, please welcome | 0:22:25 | 0:22:31 | |
Next, please welcome to the stage, everybody's favourite, Ms Miranda | 0:22:32 | 0:22:38 | |
Well, hello. Hello one and all. What an evening. What a night, JLS | 0:22:38 | 0:22:46 | |
there. Yeah Which I presume stands for Jaunty Little Singers. It is an | 0:22:46 | 0:22:50 | |
honour to be here, but I have embarrassed myself backstage in an | 0:22:50 | 0:22:55 | |
attempt to get in with the musoes and make Jessie J my new best | 0:22:55 | 0:22:59 | |
friend, love her, I joined in a conversation about Tinchy Stryder. | 0:22:59 | 0:23:04 | |
I never heard of him. I thought they were talking about a kid's | 0:23:04 | 0:23:11 | |
walking boot, it's embarrassing. For those older, people at home, | 0:23:11 | 0:23:15 | |
there are screams and I will tell you why in a minute. It is very | 0:23:15 | 0:23:20 | |
exciting. Now for the benefit for our Royal Box, I shall point out | 0:23:20 | 0:23:30 | |
0:23:30 | 0:23:33 | ||
tunch tunch out Tinchy Stryder is a rap artist. The Royal Box are | 0:23:33 | 0:23:43 | |
0:23:43 | 0:23:45 | ||
probably mashing it up. I am out- of-touch. I thought Kanyee West was | 0:23:45 | 0:23:54 | |
a Tube stop. I got confused with will.i.am. It is not going well, I | 0:23:54 | 0:23:59 | |
will keep you updated. I will introduce you to somebody called | 0:23:59 | 0:24:07 | |
Gary Barlow. CHEERING AND APPLAUSE | 0:24:07 | 0:24:09 | |
Gary is coming on to announce his mystery singing partner. Now, I | 0:24:09 | 0:24:17 | |
don't want to ruin any surprise, but I'm sure it is me! | 0:24:17 | 0:24:18 | |
LAUGHTER You can laugh, but earlier he was | 0:24:18 | 0:24:22 | |
saying, "The woman I have chosen is bute., -- beautiful, serene, an | 0:24:22 | 0:24:28 | |
international babe." I thought could he be dropping anymore hints? | 0:24:28 | 0:24:34 | |
So I will take my position now. It is awkward, it is Cheryl. No, | 0:24:34 | 0:24:38 | |
that's fine. Fine. All right then. Give it up for Gary Barlow and | 0:24:38 | 0:24:48 | |
0:24:48 | 0:25:00 | ||
Cheryl. # Picture perfect memories | 0:25:00 | 0:25:10 | |
0:25:10 | 0:25:17 | ||
And I wonder if I ever cross your mind | 0:25:17 | 0:25:25 | |
# For me it happens all the time | 0:25:25 | 0:25:31 | |
# It's a quarter after one | 0:25:31 | 0:25:33 | |
# I'm all alone And I need you now | 0:25:33 | 0:25:39 | |
# Said I wouldn't call But I lost all control | 0:25:39 | 0:25:44 | |
# And I need you now | 0:25:44 | 0:25:48 | |
# And I don't know how I can do without | 0:25:48 | 0:25:53 | |
# I just need you now | 0:25:53 | 0:26:03 | |
0:26:03 | 0:26:05 | ||
# Another shot of whiskey Can't stop looking at the door | 0:26:05 | 0:26:11 | |
# Wishing you'd come sweeping in The way you did before | 0:26:11 | 0:26:19 | |
# And I wonder if I ever cross your mind | 0:26:19 | 0:26:25 | |
# For me it happens all the time | 0:26:26 | 0:26:35 | |
# It's a quarter after one | 0:26:35 | 0:26:36 | |
# I'm a little drunk And I need you now | 0:26:36 | 0:26:40 | |
# Said I wouldn't call But I lost all control | 0:26:40 | 0:26:46 | |
# And I need you now | 0:26:46 | 0:26:51 | |
# And I don't know how I can do without | 0:26:51 | 0:26:55 | |
# I just need you now | 0:26:55 | 0:27:05 | |
0:27:05 | 0:27:08 | ||
# I just need you now | 0:27:08 | 0:27:18 | |
0:27:18 | 0:27:20 | ||
# Guess I'd rather hurt than feel nothing at all | 0:27:20 | 0:27:27 | |
# It's a quarter after one | 0:27:27 | 0:27:28 | |
# I'm all alone and I need you now | 0:27:28 | 0:27:31 | |
# And I said I wouldn't call | 0:27:31 | 0:27:36 | |
# But I'm a little drunk And I need you now | 0:27:36 | 0:27:42 | |
# And I don't know how I can do without | 0:27:42 | 0:27:47 | |
# I just need you now | 0:27:47 | 0:27:57 | |
0:27:57 | 0:27:58 | ||
# I just need you now | 0:27:58 | 0:28:08 | |
0:28:08 | 0:28:08 | ||
# I just need you now. # | 0:28:08 | 0:28:18 | |
0:28:18 | 0:28:48 | ||
CHEERING AND APPLAUSE Gary and Cheryl. Now, ladies and | 0:28:48 | 0:28:58 | |
0:28:58 | 0:29:00 | ||
gentlemen, please give a very warm What about that? How great is Gary | 0:29:00 | 0:29:05 | |
Barlow looking in that three-piece suit? I will tell you, I thought | 0:29:05 | 0:29:09 | |
Robbie was looking sexy in his little black slinky number. Not | 0:29:09 | 0:29:13 | |
only is Gary Barlow singing tonight, he is running the whole event. | 0:29:13 | 0:29:17 | |
Amazing. Ten years ago, if you had a bet on what he would be running, | 0:29:17 | 0:29:22 | |
you would have said a Little Chef off the A36, but this is amazing. | 0:29:22 | 0:29:26 | |
Let's hear it for Gary. CHEERING AND APPLAUSE Ladies and | 0:29:26 | 0:29:30 | |
gentlemen, I cannot tell you how exciting this is for me to be here, | 0:29:30 | 0:29:32 | |
performing at Buckingham Palace, amazing. I can't believe they have | 0:29:32 | 0:29:37 | |
had me back. Last time, I was hear I was dressed as Batman and stood | 0:29:37 | 0:29:43 | |
on that window ledge. LAUGHTER | 0:29:43 | 0:29:46 | |
They still won't let me see little Robin. I have just seen JLS and I | 0:29:46 | 0:29:50 | |
have to tell you, ladies, they are walking around with their tops tops | 0:29:50 | 0:29:59 | |
off. There is more six-packs back there than Prince Harry has stuffed | 0:29:59 | 0:30:04 | |
under his seat. Later on, I will be introducing Madness who will be | 0:30:04 | 0:30:08 | |
performing on the palace roof. Standing outside Buckingham Palace | 0:30:08 | 0:30:17 | |
and asking people to cheer for Madness, what would George III | 0:30:17 | 0:30:23 | |
think? While he is performing, keep an eye on the screens for home | 0:30:23 | 0:30:27 | |
movies of a special girl. Ladies and gentlemen, please go wild and | 0:30:27 | 0:30:37 | |
0:30:37 | 0:30:37 | ||
crazy for the one and only Sir # Send me love in a package | 0:30:37 | 0:30:43 | |
# I gotta powerhouse reception waiting for you | 0:30:43 | 0:30:45 | |
# When you come back to your loving baby's arms again | 0:30:45 | 0:30:49 | |
# Sail across stars to a silvery moon | 0:30:49 | 0:30:51 | |
# And if you wanna know what heaven's like | 0:30:51 | 0:30:52 | |
# You'll be there soon | 0:30:52 | 0:30:54 | |
# Well, give me kisses that explode | 0:30:55 | 0:30:58 | |
# Before my very eyes | 0:30:58 | 0:31:00 | |
# I know the sight of you could generate a million sighs | 0:31:00 | 0:31:03 | |
# I'm all set for detonation, baby Don't you know? | 0:31:03 | 0:31:06 | |
# Three, two, one, zero, here I go | 0:31:06 | 0:31:09 | |
# Sail across stars to a silvery moon | 0:31:09 | 0:31:11 | |
# And if you wanna know what heaven's like | 0:31:11 | 0:31:13 | |
# You'll be there soon | 0:31:13 | 0:31:19 | |
# Dynamite | 0:31:19 | 0:31:29 | |
0:31:29 | 0:31:38 | ||
# Once in every lifetime comes a love like this | 0:31:38 | 0:31:44 | |
# Oh, I need you, you need me | 0:31:44 | 0:31:47 | |
# Oh, my darling, can't you see? | 0:31:47 | 0:31:52 | |
# Young dreams should be dreamed together | 0:31:52 | 0:31:57 | |
# And the young hearts shouldn't be afraid | 0:31:57 | 0:32:04 | |
# And some day while the years have flown | 0:32:05 | 0:32:12 | |
# Darling, then we'll teach the young ones of our own | 0:32:12 | 0:32:22 | |
0:32:22 | 0:32:30 | ||
# I've had nothing but bad luck | 0:32:30 | 0:32:33 | |
# Since the day I saw the cat at my door | 0:32:33 | 0:32:37 | |
# So I came into you, sweet lady Answering your mystical call | 0:32:37 | 0:32:45 | |
# Crystal ball on the table Showing the future, the past | 0:32:45 | 0:32:53 | |
# Same cat with them evil eyes | 0:32:53 | 0:32:57 | |
# Better get out of there fast | 0:32:57 | 0:33:03 | |
# She's just a devil woman With evil on her mind | 0:33:03 | 0:33:06 | |
# Beware the devil woman She's gonna get you | 0:33:06 | 0:33:11 | |
# She's just a devil woman With evil on her mind | 0:33:11 | 0:33:13 | |
# Beware the devil woman | 0:33:13 | 0:33:17 | |
# She's gonna get you from behind From behind | 0:33:17 | 0:33:27 | |
0:33:27 | 0:33:36 | ||
# Used to think that life was sweet Used to think we were so complete | 0:33:36 | 0:33:43 | |
# I can't believe you'd throw it away | 0:33:43 | 0:33:50 | |
# Well, it seems a long time ago You were the lonely one | 0:33:50 | 0:34:00 | |
0:34:00 | 0:34:01 | ||
# Now it comes to letting go You are the only one | 0:34:01 | 0:34:10 | |
# Do you know what you've done? | 0:34:10 | 0:34:14 | |
# It's so funny how we don't talk any more | 0:34:14 | 0:34:20 | |
# It's so funny why we don't talk any more | 0:34:20 | 0:34:30 | |
# But I ain't losing sleep and I ain't counting sheep | 0:34:30 | 0:34:38 | |
# It's so funny how we don't talk | 0:34:38 | 0:34:48 | |
0:34:48 | 0:34:50 | ||
# Power from the needle to the plastic | 0:34:50 | 0:34:53 | |
# AM, FM, I feel so ecstatic now | 0:34:53 | 0:34:58 | |
# It's music I've found And I'm wired for sound | 0:34:58 | 0:35:08 | |
0:35:08 | 0:35:08 | ||
# Power from the needle to the plastic | 0:35:08 | 0:35:12 | |
# AM, FM, I feel so ecstatic now | 0:35:12 | 0:35:19 | |
# It's music I've found And I'm wired for sound | 0:35:19 | 0:35:29 | |
0:35:29 | 0:35:33 | ||
# And lead us not to the time of trial | 0:35:33 | 0:35:38 | |
# But deliver us from evil | 0:35:38 | 0:35:43 | |
# Keep us from evil | 0:35:43 | 0:35:45 | |
# For thine is the kingdom The power and the glory | 0:35:45 | 0:35:53 | |
# Let all the people say amen In every tribe and and tongue | 0:35:53 | 0:36:02 | |
# Let every heart's desire be joined | 0:36:02 | 0:36:08 | |
# To see the kingdom come | 0:36:08 | 0:36:16 | |
# Let every hope and every dream Be born in love again | 0:36:16 | 0:36:24 | |
# Let all the world sing with one voice | 0:36:24 | 0:36:28 | |
# Let the people say amen. # | 0:36:28 | 0:36:38 | |
0:36:38 | 0:36:45 | ||
APPLAUSE AND CHEERING | 0:36:45 | 0:36:55 | |
0:36:55 | 0:36:59 | ||
Ladies | 0:36:59 | 0:36:59 | |
Ladies and | 0:36:59 | 0:36:59 | |
Ladies and gentlemen, | 0:36:59 | 0:37:03 | |
Ladies and gentlemen, thank you. Thank you, ladies and gentlemen. | 0:37:03 | 0:37:07 | |
This next song I recorded in 1968, but I believe it was meant to be | 0:37:07 | 0:37:17 | |
0:37:17 | 0:37:27 | ||
# When I tell everyone # I want the world to know | 0:37:27 | 0:37:37 | |
0:37:37 | 0:37:41 | ||
# Who would believe that # When I tell everyone | 0:37:41 | 0:37:51 | |
0:37:51 | 0:37:58 | ||
# I want the world to know # I want the world to know | 0:37:58 | 0:38:08 | |
0:38:08 | 0:38:24 | ||
Thank you, Sir Cliff. Next on stage, ladies and gentlemen, it's Jimmy | 0:38:24 | 0:38:32 | |
Carr. Ladies and gentlemen, one more time. | 0:38:33 | 0:38:38 | |
Sir Cliff Richard. APPLAUSE AND CHEERING Sir Cliff. That sounds | 0:38:38 | 0:38:43 | |
good. Pretty impressive being a knight of the realm, usually. Not | 0:38:43 | 0:38:51 | |
so much today. Ten a penny backstage! | 0:38:51 | 0:38:53 | |
LAUGHTER Can I do a quick check where people | 0:38:53 | 0:38:56 | |
are from? Who is here from England? CHEERING AND APPLAUSE | 0:38:56 | 0:38:58 | |
Any Welsh people? CHEERING AND APPLAUSE | 0:38:58 | 0:39:03 | |
Scotland? CHEERING AND APPLAUSE | 0:39:03 | 0:39:09 | |
Anyone in from Northern Ireland? CHEERING AND APPLAUSE | 0:39:09 | 0:39:11 | |
What about the rest of the Commonwealth? Anyone? | 0:39:12 | 0:39:16 | |
CHEERING AND APPLAUSE Well, thanks for coming all this | 0:39:16 | 0:39:19 | |
way. We are excited backstage because we get to meet the Royals | 0:39:19 | 0:39:23 | |
later on. What is the etiquette? What do you | 0:39:23 | 0:39:32 | |
say when you are introduced? I guess, just call me Mr Carr. | 0:39:32 | 0:39:34 | |
LAUGHTER I was not expecting to see me here | 0:39:34 | 0:39:38 | |
either, don't panic. I was low down the list, someone must have got ill. | 0:39:38 | 0:39:41 | |
The temptation to say something inappropriate is almost too much. I | 0:39:41 | 0:39:45 | |
could end up in the tower by the end of the of the evening, ladies | 0:39:45 | 0:39:52 | |
and gentlemen. I promise, this will be the cleanest you have seen me. | 0:39:52 | 0:39:58 | |
When, when... BOOING | 0:39:58 | 0:40:03 | |
It is like a panto. When Liz, sorry The Queen, asked me to do this this | 0:40:03 | 0:40:08 | |
evening, I was, I was thrilled because she is the best Queen I can | 0:40:08 | 0:40:13 | |
remember. LAUGHTER | 0:40:13 | 0:40:18 | |
And she has taken to this job like she was born to it. | 0:40:18 | 0:40:19 | |
LAUGHTER Without her, this country would not | 0:40:19 | 0:40:28 | |
have a bunting industry. LAUGHTER | 0:40:29 | 0:40:32 | |
She has worked very hard to get where she is today so it is fitting | 0:40:32 | 0:40:34 | |
that we celebrate 60 years in style and what better a way than with | 0:40:34 | 0:40:37 | |
this man, with the next performer. He is one of the world's greatest | 0:40:37 | 0:40:39 | |
classical musicians. He has been playing the piano since he was | 0:40:39 | 0:40:44 | |
three years of age. Ladies and gentlemen, please welcome Lang Lang. | 0:40:44 | 0:40:54 | |
0:40:54 | 0:40:54 | ||
Apology for the loss of subtitles for 82 seconds | 0:40:54 | 0:45:16 | |
APPLAUSE AND CHEERING Lang Lang, everybody. An amazing talent. | 0:45:16 | 0:45:20 | |
Extraordinary. Now, I hope everybody here and at home is | 0:45:20 | 0:45:29 | |
having as good a time as any. Has any, as I meant as me. I love a new | 0:45:29 | 0:45:34 | |
tea tea towel. It is time to introduce a favourite of mine. An | 0:45:34 | 0:45:44 | |
opera singer who was brilliant in Les Mis, please give a huge warm | 0:45:44 | 0:45:51 | |
welcome to my imaginary, future husband, Mr Alfie Boe. | 0:45:51 | 0:46:01 | |
0:46:01 | 0:46:25 | ||
# Che bella cosa e' # Pe' ll'aria fresca | 0:46:25 | 0:46:35 | |
0:46:35 | 0:46:35 | ||
Apology for the loss of subtitles for 82 seconds | 0:46:35 | 0:47:51 | |
# Che bella cosa e' # Quanno fa notte e 'o sole | 0:47:51 | 0:48:01 | |
0:48:01 | 0:48:01 | ||
Apology for the loss of subtitles for 82 seconds | 0:48:01 | 0:48:58 | |
# It's now or never # Kiss me, my darling | 0:48:58 | 0:49:08 | |
0:49:08 | 0:49:15 | ||
# It's now or never # It's now or never | 0:49:15 | 0:49:25 | |
0:49:25 | 0:49:43 | ||
# It's now or never # Kiss me, my darling | 0:49:43 | 0:49:53 | |
0:49:53 | 0:50:00 | ||
# It's now or never # It's now or never | 0:50:00 | 0:50:10 | |
0:50:10 | 0:50:34 | ||
APPLAUSE AND CHEERING Ladies and gentlemen, please give a | 0:50:34 | 0:50:38 | |
raucous and rapturous welcome to Mr Lenny Henry. | 0:50:38 | 0:50:45 | |
APPLAUSE AND CHEERING Yeah. Yeah. Yeah. What a phenomenal audience. | 0:50:45 | 0:50:51 | |
Let me say whooh. You have got to mind yourself down there because | 0:50:51 | 0:50:57 | |
this is actually a traffic roundabout. This is a roundabout, | 0:50:57 | 0:51:02 | |
this goes to Victoria Station. I was here two weeks ago going, "And | 0:51:02 | 0:51:06 | |
you." The wonderful voice of Alfie Boe, ladies and gentlemen. | 0:51:06 | 0:51:13 | |
APPLAUSE AND CHEERING His dulcet tones have brought a | 0:51:13 | 0:51:21 | |
rich texture to this event by doing the song from the Cornetto advert. | 0:51:21 | 0:51:30 | |
We have Sir Paul McCartney, Sir Cliff, I am not intimidated, I am a | 0:51:30 | 0:51:37 | |
CBE, a chunky black entertainer! We have got a real treat now. A | 0:51:37 | 0:51:45 | |
true national treasure, no, it is not Bryan May on the palace roof, | 0:51:45 | 0:51:53 | |
apparently Prince Harry is up there with a twelve bore shotgun. Please | 0:51:53 | 0:51:57 | |
welcome the one and only, Jools Holland. | 0:51:57 | 0:52:06 | |
APPLAUSE AND CHEERING Thank you so much, ladies and | 0:52:06 | 0:52:09 | |
gentlemen, what a lovely way to spend the afternoon on a hot day | 0:52:09 | 0:52:16 | |
celebrating a marvellous, and how fantastic The Queen and her family | 0:52:16 | 0:52:21 | |
are. I'm going to bring somebody on to sing a song we are going to | 0:52:21 | 0:52:31 | |
0:52:31 | 0:52:32 | ||
dedicate to the Queen today. I'm going to get some rhythm going. | 0:52:32 | 0:52:40 | |
Yeah. So please welcome now to this stage, the wonderful, Ruby Turner. | 0:52:40 | 0:52:50 | |
0:52:50 | 0:52:50 | ||
Apology for the loss of subtitles for 82 seconds | 0:52:50 | 0:54:06 | |
# You're everything I hoped for # Hey, such joy and happiness | 0:54:06 | 0:54:16 | |
0:54:16 | 0:54:30 | ||
# You're everything I hoped for # You are so beautiful | 0:54:30 | 0:54:40 | |
0:54:40 | 0:54:40 | ||
Apology for the loss of subtitles for 82 seconds | 0:54:40 | 0:55:50 | |
Ladies and gentlemen, a huge thank you to Jools Holland and Ruby | 0:55:50 | 0:55:57 | |
Turner. Incredible. Singing You Are So Beautiful in tribute to Wayne | 0:55:57 | 0:56:02 | |
Rooney. LAUGHTER | 0:56:02 | 0:56:05 | |
So what watched the flotilla on the Thames yesterday? It was amazing, | 0:56:05 | 0:56:08 | |
The Queen in her barge, you can't blame her for taking the barge, the | 0:56:08 | 0:56:13 | |
traffic was terrible! Roads, closed, diversions, nightmare, there must | 0:56:13 | 0:56:18 | |
have been doing big going on. Speaking of transport, someone has | 0:56:18 | 0:56:24 | |
double parked a car, it is it is blocking in Sir Elton. We need to | 0:56:24 | 0:56:31 | |
get it moved. It is a Rolls-Royce, licence plate HRH 1. Personalised | 0:56:31 | 0:56:40 | |
plates, a little bit new money! LAUGHTER | 0:56:40 | 0:56:43 | |
A bit of bad news for the driver, the Corgi in the back left you a | 0:56:43 | 0:56:45 | |
message! Time for another legendary singer, ladies and gentlemen, go | 0:56:45 | 0:56:55 | |
0:56:55 | 0:57:25 | ||
wild and crazy, Grace Jones. # Wheels must turn | 0:57:25 | 0:57:34 | |
# Sparks will fly when the whistle blows | 0:57:34 | 0:57:39 | |
# Never stop the action Keep it up, keep it up | 0:57:40 | 0:57:49 | |
0:57:50 | 0:57:50 | ||
# Never stop the action Keep it up, keep it up | 0:57:50 | 0:57:59 | |
# Work to the rhythm | 0:57:59 | 0:58:04 | |
# Live to the rhythm | 0:58:04 | 0:58:08 | |
# Love to the rhythm | 0:58:09 | 0:58:13 | |
# Slave to the rhythm | 0:58:14 | 0:58:23 | |
0:58:24 | 0:58:26 | ||
# Axe to wood, in ancient times | 0:58:26 | 0:58:34 | |
# To man machine, power lines | 0:58:34 | 0:58:44 | |
0:58:44 | 0:58:44 | ||
# The fire burns, heart beats strong | 0:58:44 | 0:58:50 | |
# Sing out loud the chain gang song | 0:58:50 | 0:58:56 | |
# Never stop the action Keep it up, keep it up | 0:58:56 | 0:59:05 | |
# Never stop the action Keep it up, keep it up | 0:59:05 | 0:59:15 | |
0:59:15 | 0:59:15 | ||
# Breathe to the rhythm | 0:59:15 | 0:59:21 | |
# Work to the rhythm | 0:59:21 | 0:59:26 | |
# Work to the rhythm | 0:59:26 | 0:59:32 | |
# Love to the rhythm | 0:59:32 | 0:59:42 | |
0:59:42 | 0:59:57 | ||
# Slave to the rhythm. # | 0:59:57 | 1:00:00 | |
# Baby, don't you cry | 1:00:01 | 1:00:04 | |
# It's only the rhythm | 1:00:04 | 1:00:07 | |
# Baby, don't you cry | 1:00:07 | 1:00:13 | |
# You're just a slave to the rhythm | 1:00:13 | 1:00:17 | |
# We love to the rhythm | 1:00:18 | 1:00:23 | |
# We work to the rhythm | 1:00:23 | 1:00:31 | |
# We love to the rhythm | 1:00:31 | 1:00:41 | |
1:00:41 | 1:00:51 | ||
# To the rhythm. # | 1:00:52 | 1:01:01 | |
CHEERING | 1:01:01 | 1:01:01 | |
CHEERING AND | 1:01:01 | 1:01:02 | |
CHEERING AND APPLAUSE | 1:01:02 | 1:01:03 | |
CHEERING AND APPLAUSE We | 1:01:03 | 1:01:03 | |
We love | 1:01:03 | 1:01:03 | |
We love you! | 1:01:03 | 1:01:09 | |
We love you! The | 1:01:09 | 1:01:09 | |
The fantastic, | 1:01:09 | 1:01:09 | |
The fantastic, Grace | 1:01:10 | 1:01:10 | |
The fantastic, Grace Jones! | 1:01:10 | 1:01:12 | |
The fantastic, Grace Jones! There is nothing like a big Royal | 1:01:12 | 1:01:17 | |
celebration to lift the nation's mood. The Royal Wedding in 2011, | 1:01:17 | 1:01:22 | |
Diamond Jubilee in 2012. No pressure, Harry, in your own time, | 1:01:22 | 1:01:29 | |
son! Call me, Hazza! Me and you, 2013! It is an amazing night. I | 1:01:29 | 1:01:37 | |
will stick my neck out and say this is better than the Tweenies on Ice. | 1:01:37 | 1:01:43 | |
So exciting! I met Tom Jones backstage. I threw my pants at him. | 1:01:43 | 1:01:48 | |
You should have took them off first! Introduce the next turn, | 1:01:48 | 1:01:54 | |
please. Certainly. Now, we are spoiling you tonight big time, Buck | 1:01:54 | 1:01:59 | |
Pal posse. They might have seen him. He has two BRIT Awards and a number | 1:01:59 | 1:02:09 | |
1:02:09 | 1:02:10 | ||
one album. Let's hear it for the # White lips, pale face | 1:02:10 | 1:02:20 | |
1:02:20 | 1:02:25 | ||
# Burnt lungs, sour taste # Long nights, strange men | 1:02:25 | 1:02:35 | |
1:02:35 | 1:02:38 | ||
# Been this way since 18 But lately her face seems | 1:02:38 | 1:02:43 | |
# Slowly sinking, wasting Crumbling like pastries | 1:02:43 | 1:02:49 | |
# And they scream | 1:02:49 | 1:02:50 | |
# The worst things in life come free to us | 1:02:50 | 1:02:53 | |
# Cos we're just under the upper hand | 1:02:53 | 1:02:59 | |
# And go mad for a couple of grams | 1:02:59 | 1:03:01 | |
# And she don't want to go outside tonight | 1:03:01 | 1:03:05 | |
# And in a pipe She flies to the Motherland | 1:03:05 | 1:03:08 | |
# Or sells love to another man | 1:03:09 | 1:03:11 | |
# It's too cold outside for angels to fly | 1:03:11 | 1:03:20 | |
# Angels to fly | 1:03:20 | 1:03:28 | |
# Ripped gloves, raincoat Tried to swim and stay afloat | 1:03:28 | 1:03:34 | |
# Dry house, wet clothes Loose change, banknotes | 1:03:34 | 1:03:43 | |
# Weary-eyed, dry throat Call girl, no phone | 1:03:43 | 1:03:50 | |
# And they say | 1:03:50 | 1:03:52 | |
# She's in the Class A Team Stuck in her daydream | 1:03:52 | 1:03:58 | |
# Been this way since 18 But lately her face seems | 1:03:58 | 1:04:03 | |
# Slowly sinking, wasting Crumbling like pastries | 1:04:03 | 1:04:09 | |
# And they scream | 1:04:09 | 1:04:10 | |
# The worst things in life come free to us | 1:04:10 | 1:04:15 | |
# Cos we're just under the upper hand | 1:04:15 | 1:04:17 | |
# And go mad for a couple of grams | 1:04:17 | 1:04:20 | |
# But she don't want to go outside tonight | 1:04:20 | 1:04:24 | |
# And in a pipe she flies to the Motherland | 1:04:25 | 1:04:28 | |
# Or sells love to another man | 1:04:28 | 1:04:31 | |
# It's too cold outside | 1:04:31 | 1:04:34 | |
# For angels to fly | 1:04:34 | 1:04:37 | |
# Angels to fly | 1:04:37 | 1:04:40 | |
# An angel will die | 1:04:40 | 1:04:42 | |
# Covered in white | 1:04:42 | 1:04:43 | |
# Closed eye | 1:04:43 | 1:04:45 | |
# And hoping for a better life | 1:04:45 | 1:04:48 | |
# This time, we'll fade out tonight | 1:04:48 | 1:04:51 | |
# Straight down the line | 1:04:51 | 1:05:01 | |
1:05:01 | 1:05:04 | ||
# And they say | 1:05:04 | 1:05:05 | |
# She's in the Class A Team Stuck in her daydream | 1:05:05 | 1:05:11 | |
# Been this way since 18 But lately her face seems | 1:05:11 | 1:05:17 | |
# Slowly sinking, wasting Crumbling like pastries | 1:05:17 | 1:05:22 | |
# They scream | 1:05:22 | 1:05:23 | |
# The worst things in life come free to us | 1:05:24 | 1:05:27 | |
# And we're all under the upper hand | 1:05:27 | 1:05:30 | |
# Go mad for a couple of grams | 1:05:30 | 1:05:33 | |
# And we don't want to go outside tonight | 1:05:33 | 1:05:38 | |
# And in a pipe we fly to the Motherland | 1:05:38 | 1:05:42 | |
# Or sell love to another man | 1:05:42 | 1:05:45 | |
# It's too cold | 1:05:45 | 1:05:48 | |
# For angels to fly | 1:05:48 | 1:05:55 | |
# For angels to fly | 1:05:55 | 1:06:02 | |
# To fly, fly | 1:06:02 | 1:06:08 | |
# For angels to fly | 1:06:08 | 1:06:10 | |
# To fly, fly | 1:06:10 | 1:06:13 | |
# Angels to die. # | 1:06:14 | 1:06:16 | |
APPLAUSE AND CHEERING | 1:06:16 | 1:06:22 | |
Thank | 1:06:22 | 1:06:22 | |
Thank you | 1:06:22 | 1:06:22 | |
Thank you very | 1:06:22 | 1:06:31 | |
Thank you very much. Thank you, Ed Sheeran. Now, please | 1:06:31 | 1:06:36 | |
welcome one of our most consistently brilliant singers and | 1:06:36 | 1:06:46 | |
1:06:46 | 1:06:46 | ||
Apology for the loss of subtitles for 82 seconds | 1:06:46 | 1:07:39 | |
# No-one on earth # I'm thrown and overblown | 1:07:39 | 1:07:45 | |
# There must be an angel Playing with my heart, yeah | 1:07:45 | 1:07:54 | |
# I walk into an empty room And suddenly my heart goes boom | 1:07:54 | 1:08:04 | |
# It's an orchestra of angels | 1:08:04 | 1:08:09 | |
# And they're playing with my heart, yeah | 1:08:09 | 1:08:15 | |
# Must be talking to an angel Must be talking to an angel | 1:08:16 | 1:08:18 | |
# Must be talking to an angel | 1:08:18 | 1:08:25 | |
# Must be talking to an angel Must be talking to an angel | 1:08:25 | 1:08:29 | |
# Must be talking to an angel | 1:08:29 | 1:08:35 | |
# No-one on earth could feel like this | 1:08:35 | 1:08:37 | |
# I'm thrown and overblown with bliss | 1:08:38 | 1:08:43 | |
# There must be an angel Playing with my heart, yeah | 1:08:43 | 1:08:51 | |
# And when I think that I'm alone It seems there's more of us at home | 1:08:51 | 1:09:01 | |
1:09:01 | 1:09:02 | ||
# It's a multitude of angels | 1:09:02 | 1:09:06 | |
# And they're playing with my heart, yeah | 1:09:06 | 1:09:14 | |
# Must be talking to an angel Must be talking to an angel | 1:09:14 | 1:09:18 | |
# I must be hallucinating Watching angels celebrating | 1:09:18 | 1:09:23 | |
# Could this be reactivating All my senses dislocating? | 1:09:23 | 1:09:33 | |
1:09:33 | 1:09:35 | ||
# This must be a strange deception by celestial intervention | 1:09:35 | 1:09:41 | |
# Leaving me the recollection of your heavenly connection | 1:09:41 | 1:09:51 | |
1:09:51 | 1:09:51 | ||
Apology for the loss of subtitles for 82 seconds | 1:09:51 | 1:10:47 | |
# Come on... | 1:10:47 | 1:10:54 | |
# Yeah... | 1:10:54 | 1:10:59 | |
# Da-da-da... | 1:10:59 | 1:11:09 | |
1:11:09 | 1:11:12 | ||
# Must be talking to an angel | 1:11:12 | 1:11:18 | |
# Yeah... | 1:11:18 | 1:11:27 | |
APPLAUSE AND CHEERING | 1:11:27 | 1:11:37 | |
1:11:37 | 1:11:38 | ||
Annie | 1:11:38 | 1:11:38 | |
Annie Lennox. | 1:11:38 | 1:11:39 | |
Annie Lennox. Now, | 1:11:39 | 1:11:43 | |
Annie Lennox. Now, respect is due, ladies and gentlemen, as we welcome | 1:11:43 | 1:11:53 | |
1:11:53 | 1:11:54 | ||
to the stage Mr Rolf Harris. APPLAUSE G'day. Bit louder - g'day! | 1:11:54 | 1:12:00 | |
G'day! Do you like the shirt? I painted it a couple of nights ago - | 1:12:01 | 1:12:07 | |
true. Now, I wouldn't want to worry what the weather woman told you | 1:12:07 | 1:12:10 | |
# Wouldn't want to worry what the weatherman said | 1:12:10 | 1:12:14 | |
# Wouldn't want to worry # What the weather woman's talking | 1:12:14 | 1:12:15 | |
about # Thinking about | 1:12:15 | 1:12:17 | |
# Nagging about # Singing about | 1:12:17 | 1:12:22 | |
# Going to be a fine day # Going to be a real fine day! # | 1:12:22 | 1:12:30 | |
Look at that sky, what a great day! APPLAUSE And what a pleasure for me | 1:12:30 | 1:12:38 | |
to be here. It's brilliant. I'm absolutely thrilled. I moved to | 1:12:38 | 1:12:46 | |
England 60 years ago so my time here has sort of completely | 1:12:46 | 1:12:51 | |
overlapped the Queen's reign. I think she's looking better than me, | 1:12:51 | 1:13:01 | |
1:13:01 | 1:13:01 | ||
by the way! LAUGHTER I had the privilege of meeting Her Majesty | 1:13:01 | 1:13:07 | |
several times and recently painted her portrait. I've got to tell you | 1:13:07 | 1:13:15 | |
it's been the highlight of my career. APPLAUSE Thank you. Right | 1:13:15 | 1:13:23 | |
now, we have a wonderful, wonderful soprano who has a voice that would | 1:13:23 | 1:13:27 | |
melt marble. So I hope they've got the statues all insured. Would you | 1:13:27 | 1:13:37 | |
1:13:37 | 1:13:37 | ||
Apology for the loss of subtitles for 82 seconds | 1:13:37 | 1:15:01 | |
give her a fantastic welcome. Here # Io non gli scendo incontro | 1:15:01 | 1:15:11 | |
1:15:11 | 1:15:11 | ||
Apology for the loss of subtitles for 82 seconds | 1:15:11 | 1:17:30 | |
How about that, the gorgeous Renee Fleming. What a talented family. | 1:17:30 | 1:17:34 | |
Renee with her lovely voice and her father writing the James Bond | 1:17:34 | 1:17:37 | |
books! Wherever you are watching this in the world, I would like to | 1:17:37 | 1:17:43 | |
say a big welcome to London. CHEERING AND APPLAUSE It is the | 1:17:43 | 1:17:48 | |
place to be. We have, of course, the Olympics. It is London 2012. It | 1:17:48 | 1:17:52 | |
is all we are hearing about in London at the moment. Olympics, | 1:17:52 | 1:17:59 | |
Olympics, Olympics. If I had �1 for every time somebody mentioned the | 1:17:59 | 1:18:04 | |
Olympics, I could almost afford a ticket! LAUGHTER Ideally for the | 1:18:04 | 1:18:08 | |
women's volleyball. No, we are quite tense about our chances here. | 1:18:08 | 1:18:12 | |
Let's face it, we didn't make the World Cup final, we came second to | 1:18:12 | 1:18:17 | |
last in Eurovision. On the plus side, I'm confident we can win the | 1:18:17 | 1:18:24 | |
Great British Bake-Off. Actually, we will do very well. How about Tom | 1:18:24 | 1:18:31 | |
Daley? CHEERING Tom Daley, only 18. They are getting younger, these | 1:18:31 | 1:18:35 | |
athletes. If we carry on at this rate, for the 2016 Olympics, they | 1:18:35 | 1:18:42 | |
will be drug testing for Calpol! LAUGHTER Time for something special. | 1:18:42 | 1:18:49 | |
Here is somebody who is nothing short of the King of music, the | 1:18:49 | 1:18:59 | |
Rajah of Rhythm. Some say he is on The Voice. Some say he won The | 1:18:59 | 1:19:09 | |
1:19:09 | 1:19:45 | ||
Voice! CHEERING I say he IS The # What's all these crazy questions | 1:19:45 | 1:19:53 | |
# Don't turn on the lights cos I don't wanna see | 1:19:53 | 1:19:56 | |
# Mama told me not to come | 1:19:56 | 1:20:01 | |
# Mama told me not to come | 1:20:01 | 1:20:04 | |
# She said, that ain't the way to have fun, son | 1:20:04 | 1:20:13 | |
# Open up the window Let some air into this room | 1:20:13 | 1:20:17 | |
# I think I'm almost choking from the smell of stale perfume | 1:20:17 | 1:20:21 | |
# And the cigarette you're smoking 'bout to scare me half to death | 1:20:21 | 1:20:25 | |
# Open up the window Let me catch my breath | 1:20:25 | 1:20:28 | |
# Mama told me not to come | 1:20:28 | 1:20:33 | |
# Mama told me not to come | 1:20:33 | 1:20:37 | |
# She said, that ain't the way to have fun, son | 1:20:37 | 1:20:41 | |
# That ain't the way to have fun, son, son, son | 1:20:41 | 1:20:51 | |
1:20:51 | 1:21:00 | ||
# The radio is blasting Someone's knocking at the door | 1:21:00 | 1:21:04 | |
# I'm looking at my girlfriend She just passed out on the floor | 1:21:04 | 1:21:08 | |
# I've seen so many things I ain't never seen before | 1:21:08 | 1:21:12 | |
# Don't know what it is But I don't wanna see no more | 1:21:12 | 1:21:15 | |
# Mama told me not to come | 1:21:15 | 1:21:20 | |
# Mama told me not to come | 1:21:20 | 1:21:23 | |
# She said, that ain't the way to have fun, no | 1:21:23 | 1:21:28 | |
# That ain't the way to have fun, son | 1:21:28 | 1:21:32 | |
# And Mama told me, Mama told me Mama told me, Mama told me | 1:21:32 | 1:21:35 | |
# Mama told me not to come | 1:21:36 | 1:21:40 | |
# That ain't the way to have fun, son | 1:21:40 | 1:21:43 | |
# That ain't the way to have fun | 1:21:43 | 1:21:46 | |
# That ain't the way to have fun, no | 1:21:46 | 1:21:51 | |
# That ain't the way to have fun | 1:21:51 | 1:21:55 | |
# And Mama told me, Mama told me Mama told me, Mama told me | 1:21:55 | 1:22:05 | |
# Mama told me not to come | 1:22:05 | 1:22:07 | |
# That ain't the way to have fun, son | 1:22:07 | 1:22:09 | |
# That ain't the way to have fun | 1:22:09 | 1:22:19 | |
1:22:19 | 1:22:21 | ||
APPLAUSE AND CHEERING | 1:22:21 | 1:22:25 | |
Maybe I should've listened. | 1:22:25 | 1:22:35 | |
1:22:35 | 1:22:41 | ||
Thank | 1:22:41 | 1:22:41 | |
Thank you. | 1:22:41 | 1:22:43 | |
Thank you. Thank | 1:22:43 | 1:22:49 | |
Thank you. Thank you very much. I would like to say that this is a | 1:22:49 | 1:22:56 | |
fantastic feeling to be up here tonight. CHEERING For the Queen's | 1:22:56 | 1:23:00 | |
Diamond Jubilee. I was here ten years ago when we did the Golden | 1:23:00 | 1:23:05 | |
Jubilee. We were at the back of the Palace then. Tonight, we are in the | 1:23:06 | 1:23:11 | |
front. So that's the way it goes. Is everybody having a good time? | 1:23:11 | 1:23:19 | |
AUDIENCE: Yes! That is the main thing. Yeah. We will, we'll do it. | 1:23:19 | 1:23:29 | |
1:23:29 | 1:23:47 | ||
# I saw the light on the night # I saw the flickering shadows | 1:23:47 | 1:23:57 | |
1:23:57 | 1:23:57 | ||
Apology for the loss of subtitles for 82 seconds | 1:23:57 | 1:24:38 | |
# As she deceived me # I could see that girl | 1:24:38 | 1:24:48 | |
1:24:48 | 1:25:12 | ||
# At break of day when that man drove away I was waiting | 1:25:13 | 1:25:19 | |
# I crossed the street to her house and she opened the door | 1:25:19 | 1:25:27 | |
# She stood there laughing | 1:25:27 | 1:25:34 | |
# I felt the knife in my hand and she laughed no more | 1:25:35 | 1:25:42 | |
# My, my, my, Delilah | 1:25:42 | 1:25:50 | |
# Why, why, why, Delilah | 1:25:50 | 1:25:57 | |
# So before they come to break down the door | 1:25:57 | 1:26:05 | |
# Forgive me, Delilah I just couldn't take any more | 1:26:05 | 1:26:15 | |
1:26:15 | 1:26:28 | ||
# She stood there laughing | 1:26:28 | 1:26:35 | |
# I felt the knife in my hand and she laughed no more | 1:26:35 | 1:26:41 | |
# My, my, my, Delilah | 1:26:42 | 1:26:50 | |
# Why, why, why, Delilah | 1:26:51 | 1:26:57 | |
# So before they come to break down the door | 1:26:57 | 1:27:04 | |
# Forgive me, Delilah I just could not take any more | 1:27:04 | 1:27:14 | |
1:27:14 | 1:27:27 | ||
# She stood there laughing | 1:27:27 | 1:27:33 | |
# I felt the knife in my hand and she laughed no more | 1:27:33 | 1:27:39 | |
# My, my, my, Delilah | 1:27:40 | 1:27:47 | |
# Why, why, why, Delilah | 1:27:47 | 1:27:55 | |
# So before they come to break down the door | 1:27:55 | 1:28:02 | |
# Forgive me, Delilah I just could not take any more | 1:28:02 | 1:28:09 | |
# Forgive me, Delilah I just could not take any more. # | 1:28:09 | 1:28:19 | |
1:28:19 | 1:28:20 | ||
APPLAUSE AND CHEERING | 1:28:20 | 1:28:30 | |
1:28:30 | 1:28:31 | ||
Tom | 1:28:31 | 1:28:31 | |
Tom Jones, | 1:28:31 | 1:28:31 | |
Tom Jones, ladies | 1:28:31 | 1:28:38 | |
Tom Jones, ladies and gentlemen. Tom Jones! APPLAUSE He's a living | 1:28:38 | 1:28:44 | |
legend. What a voice. He's so sexy. Everybody down here is now | 1:28:44 | 1:28:48 | |
pregnant! LAUGHTER We have seen a lot of change in the last 60 years. | 1:28:48 | 1:28:55 | |
When the Queen came to the throne, there were only two million cars on | 1:28:55 | 1:29:04 | |
the road. Now there are 27 million. Everybody in The Mall say yeah! | 1:29:04 | 1:29:12 | |
Yeah! Everybody in The Mall say yeah? Yeah. Everybody down here say | 1:29:12 | 1:29:20 | |
yeah! Yeah! Everybody in the posh seats say yah! Yah! All right over | 1:29:20 | 1:29:30 | |
1:29:30 | 1:29:30 | ||
Apology for the loss of subtitles for 82 seconds | 1:29:30 | 1:30:16 | |
there? Ladies and gentlemen, please It is so unfair that Grace Jones | 1:30:16 | 1:30:20 | |
did that! So fantastic backstage. I have to be careful because I went | 1:30:20 | 1:30:24 | |
up to Paul McCartney with a big hog roast in my fist and he passed out! | 1:30:24 | 1:30:34 | |
1:30:34 | 1:30:39 | ||
Chaos. I held the door open for Jessie J and she said Arrhhh! I | 1:30:39 | 1:30:44 | |
said, "All right, love, go and have a nice drink!" This is a tremendous | 1:30:44 | 1:30:48 | |
celebration, ladies and gentlemen, of the last 60 years. I think it is | 1:30:48 | 1:30:53 | |
right and proper that we all turn to the Royal Box now and say with | 1:30:53 | 1:31:01 | |
one voice, loud and clear, you just missed Tom Jones! LAUGHTER I mean, | 1:31:01 | 1:31:11 | |
1:31:11 | 1:31:13 | ||
you live there! Black people in the house say yeah! Yeah! Let's fight! | 1:31:13 | 1:31:19 | |
Now I want to introduce someone special. A founder member of Take | 1:31:19 | 1:31:24 | |
That. He's sold 70 million records. He's won so many BRIT Awards his | 1:31:24 | 1:31:29 | |
mantelpiece is 20 feet long. Some say he deserves to be decorated. He | 1:31:29 | 1:31:36 | |
has been, he has more tattoos than a Maori Chieftain. He is a natural- | 1:31:36 | 1:31:46 | |
1:31:46 | 1:32:04 | ||
# Oh, the shark, babe # Just a jack-knife | 1:32:04 | 1:32:14 | |
1:32:14 | 1:32:29 | ||
# You know, when that shark bites # And fancy gloves though | 1:32:29 | 1:32:39 | |
1:32:39 | 1:32:41 | ||
# On the sidewalk, oh Sunday morning, don't you know? | 1:32:41 | 1:32:47 | |
# Lies a body, just oozing life | 1:32:47 | 1:32:54 | |
# And someone's sneaking around the corner | 1:32:54 | 1:33:00 | |
# Could that be our boy Mack the Knife? | 1:33:00 | 1:33:06 | |
# From a tug boat down by the river Don't ya know? | 1:33:06 | 1:33:13 | |
# There's a cement bag just dropping on down | 1:33:13 | 1:33:19 | |
# That cement's there It's there for the weight, dear | 1:33:19 | 1:33:25 | |
# Five'll get you ten old Macheath's back in town | 1:33:26 | 1:33:31 | |
# Do ya hear 'bout Louie Miller? He disappeared, baby | 1:33:31 | 1:33:37 | |
# After drawing out all his hard-earned cash | 1:33:37 | 1:33:44 | |
# And now Macheath spendsHe spends just like a, like a sailor | 1:33:44 | 1:33:50 | |
# Could it be? Could it be? | 1:33:50 | 1:33:53 | |
# Could it be our boy's done something rash? | 1:33:53 | 1:34:03 | |
1:34:03 | 1:34:21 | ||
# Now that Macheath's back in town | 1:34:21 | 1:34:23 | |
# I said, Jenny Diver Oh, Sukey Tawdry | 1:34:23 | 1:34:28 | |
# Look out, Miss Lotte Lenya and old Lucy Brown | 1:34:28 | 1:34:34 | |
# Yeah, the line forms on the right, babe | 1:34:34 | 1:34:40 | |
# Now that Macheath's back in town. # | 1:34:40 | 1:34:50 | |
1:34:50 | 1:34:59 | ||
APPLAUSE AND CHEERING | 1:34:59 | 1:35:09 | |
1:35:09 | 1:35:17 | ||
Yeah, | 1:35:17 | 1:35:18 | |
Yeah, Robbie | 1:35:18 | 1:35:18 | |
Yeah, Robbie Williams | 1:35:18 | 1:35:24 | |
Yeah, Robbie Williams up there on stage, everybody. A razor-sharp | 1:35:24 | 1:35:30 | |
performance of Mack The Knife. Good on you, Rob. We have plenty more | 1:35:30 | 1:35:36 | |
coming up. Fabulous music, special guests, plus, obviously, the | 1:35:36 | 1:35:41 | |
lighting of the National Beacon. Believe me, this show is more | 1:35:41 | 1:35:47 | |
packed than a posse of petrified possums. That's not easy to say! We | 1:35:47 | 1:35:53 | |
are all here in the presence of some highly-distinguished guests to | 1:35:53 | 1:35:58 | |
pay a warm, respectful and loving tribute to Her Majesty Queen | 1:35:58 | 1:36:07 | |
Elizabeth II. Let's do it again. CHEERING AND APPLAUSE | 1:36:07 | 1:36:16 | |
I hope you feel that outpouring of love, ma'am. It's been 60 years | 1:36:16 | 1:36:20 | |
since the Queen came to the throne and became our glorious Queen. To | 1:36:20 | 1:36:27 | |
mark the occasion, and specially for tonight, distinguished musical | 1:36:27 | 1:36:31 | |
composer Andrew Lloyd-Webber and award-winning songwriter Gary | 1:36:31 | 1:36:38 | |
Barlow have come together to write a brand-new piece of music and to | 1:36:38 | 1:36:42 | |
make sure that the song encapsulated the Commonwealth | 1:36:42 | 1:36:47 | |
spirit, Gary went on a special walkabout travelling all round the | 1:36:47 | 1:36:51 | |
world with nothing more than a loincloth - what am I saying - | 1:36:51 | 1:36:57 | |
sorry, nothing more than a laptop is what I was trying to say, a pair | 1:36:57 | 1:37:04 | |
of headphones and a microphone. He went to Kenya, Jamaica, Australia | 1:37:04 | 1:37:10 | |
and the Solomon Islands. And the journey ends back here at | 1:37:10 | 1:37:16 | |
Buckingham Palace. Along the way, Gary met some extraordinary | 1:37:16 | 1:37:23 | |
characters and captured some unique voices, rhythms and sounds. Tonight, | 1:37:23 | 1:37:30 | |
the song they have created receives its live premiere with an exclusive | 1:37:30 | 1:37:38 | |
performance featuring the Military Wives Choir, conducted by Gareth | 1:37:38 | 1:37:47 | |
Malone, the indigenous Australian musician, Gurrumul, the Slum | 1:37:47 | 1:37:56 | |
Drummers of Kenya, and the African Children's Choir. It's a heck of a | 1:37:56 | 1:38:04 | |
line-up, but a very simple title. It's called Sing. With over 200 | 1:38:04 | 1:38:11 | |
people appearing on stage, stand by for a performance of a lifetime in | 1:38:11 | 1:38:16 | |
honour of Her Majesty's Diamond Jubilee - this is Sing. Gary, over | 1:38:16 | 1:38:22 | |
to you. Thank you. OK, everybody, one performance only the | 1:38:22 | 1:38:25 | |
Commonwealth Band is here and we are going to sing Sing. Please | 1:38:25 | 1:38:35 | |
1:38:35 | 1:38:51 | ||
# Some words # So hear a thousand voices | 1:38:51 | 1:39:01 | |
1:39:01 | 1:39:18 | ||
# In this life when you sing # Don't you see, right now the world | 1:39:18 | 1:39:28 | |
1:39:28 | 1:39:34 | ||
# Make some noise Find your voice tonight | 1:39:34 | 1:39:39 | |
# Sing it stronger, sing together | 1:39:39 | 1:39:42 | |
# Make this moment last forever | 1:39:42 | 1:39:46 | |
# Old and young Shouting love tonight | 1:39:46 | 1:39:51 | |
# To sing We've had a lifetime to wait | 1:39:51 | 1:40:01 | |
1:40:01 | 1:40:03 | ||
# And see a thousand faces celebrate | 1:40:03 | 1:40:13 | |
1:40:13 | 1:40:14 | ||
# You brought hope You brought light | 1:40:15 | 1:40:17 | |
# Conquered fear It wasn't always easy | 1:40:17 | 1:40:26 | |
# Stood your ground, kept your faith | 1:40:26 | 1:40:29 | |
# Don't you see, right now the world is listening to what we say | 1:40:29 | 1:40:39 | |
# Sing it louder, sing it clearer | 1:40:39 | 1:40:42 | |
# Knowing everyone will hear you | 1:40:42 | 1:40:45 | |
# Make some noise Find your voice tonight | 1:40:45 | 1:40:50 | |
# Sing it stronger, sing together | 1:40:50 | 1:40:53 | |
# Make this moment last forever | 1:40:53 | 1:40:57 | |
# Old and young Shouting love tonight | 1:40:57 | 1:41:02 | |
# Some words They can't be spoken, only sung | 1:41:02 | 1:41:12 | |
1:41:12 | 1:41:14 | ||
# To hear a thousand voices | 1:41:14 | 1:41:18 | |
# Shouting love and light and hope. # | 1:41:19 | 1:41:28 | |
1:41:29 | 1:41:42 | ||
# Just hear... | 1:41:42 | 1:41:52 | |
1:41:52 | 1:41:53 | ||
# Sing it stronger, sing together | 1:41:53 | 1:41:59 | |
# Make some noise Find your voice tonight | 1:41:59 | 1:42:01 | |
# Sing it stronger, sing together | 1:42:01 | 1:42:04 | |
# Make this moment last forever | 1:42:04 | 1:42:08 | |
# Old and young Shouting love tonight | 1:42:08 | 1:42:18 | |
1:42:18 | 1:42:19 | ||
# To hear a thousand voices | 1:42:19 | 1:42:21 | |
# Shouting love and light and hope. # | 1:42:21 | 1:42:26 | |
APPLAUSE AND CHEERING | 1:42:26 | 1:42:36 | |
1:42:36 | 1:42:42 | ||
Wasn't | 1:42:42 | 1:42:43 | |
Wasn't that | 1:42:43 | 1:42:43 | |
Wasn't that lovely? | 1:42:43 | 1:42:47 | |
Wasn't that lovely? A totally unique performance for a truly | 1:42:48 | 1:42:50 | |
wonderful occasion. A song composed for Her Majesty's Diamond Jubilee | 1:42:51 | 1:42:57 | |
with singers and musicians drawn from all over the Commonwealth. | 1:42:57 | 1:43:03 | |
That was lovely. I have no doubt the Queen will be listening to that | 1:43:03 | 1:43:12 | |
on her iPod. LAUGHTER I know she's got one. She was given it by | 1:43:12 | 1:43:17 | |
President Obama. He's the President of America. This iPod came fully- | 1:43:17 | 1:43:22 | |
loaded up with songs from Broadway musicals which I thought was | 1:43:22 | 1:43:26 | |
presumptuous. She is the Queen, but she doesn't necessarily like show | 1:43:26 | 1:43:31 | |
tunes. One for the feature folk! LAUGHTER I think tonight's been | 1:43:31 | 1:43:37 | |
going very well. Give a round of applause to our stage crew tonight. | 1:43:37 | 1:43:44 | |
APPLAUSE Our stage crew tonight have been working like demons. They | 1:43:44 | 1:43:48 | |
have been striking sets, putting new sets in, they have been working | 1:43:49 | 1:43:54 | |
quicker than Jeremy Hunt deleting a text! LAUGHTER I have been very | 1:43:54 | 1:43:58 | |
busy economicing the comments on Twitter. I am pleased to say we are | 1:43:58 | 1:44:05 | |
trending this evening. CHEERING are just beneath Justin Bieber's | 1:44:05 | 1:44:11 | |
new haircut. If you do want to join in, the hashtag is Give Rob Brydon | 1:44:11 | 1:44:16 | |
A Knighthood! LAUGHTER All one word! Now, at this point in the | 1:44:16 | 1:44:20 | |
evening, it is good to take stock. We are in London, only a fool | 1:44:20 | 1:44:26 | |
wouldn't realise that! We are at the top of The Mall. A big hello to | 1:44:26 | 1:44:31 | |
everybody in The Mall. APPLAUSE thought it would be nice, given how | 1:44:31 | 1:44:35 | |
far back The Mall people go - the people at the back may as well be | 1:44:35 | 1:44:39 | |
in Norfolk! LAUGHTER Let's try something. This is for the people | 1:44:39 | 1:44:45 | |
in The Mall. Let's try and do, for the first time ever, a forward- | 1:44:45 | 1:44:51 | |
moving Mexican wave. From the back of The Mall to the front, OK? What | 1:44:51 | 1:44:54 | |
this will involve is, if you are at the back of The Mall, it will | 1:44:54 | 1:45:03 | |
involve you starting it off, OK? I will count you in, 40, 39... | 1:45:03 | 1:45:09 | |
LAUGHTER We may do that later. If introducing one glorious Welsh | 1:45:09 | 1:45:15 | |
singer... You want to do it now? All right, we will do it now! Let's | 1:45:15 | 1:45:25 | |
1:45:25 | 1:45:27 | ||
see the Mexican wave. Go! I have no idea if they are doing it. If | 1:45:27 | 1:45:30 | |
introducing one glorious Welsh singer wasn't enough, it is now my | 1:45:30 | 1:45:33 | |
pleasure to introduce another. Ladies and gentlemen, she is the | 1:45:33 | 1:45:37 | |
one, she is the only, she is the utterly incomparable, Shirley | 1:45:37 | 1:45:47 | |
1:45:47 | 1:45:47 | ||
Apology for the loss of subtitles for 82 seconds | 1:45:47 | 1:47:46 | |
# I can see every part # Men are mere mortals who | 1:47:46 | 1:47:56 | |
1:47:56 | 1:47:56 | ||
Apology for the loss of subtitles for 82 seconds | 1:47:56 | 1:49:01 | |
# Diamonds are forever Here comes another superstar, it is | 1:49:01 | 1:49:11 | |
1:49:11 | 1:49:28 | ||
# I'm spinning around # I know you're feeling me | 1:49:28 | 1:49:35 | |
# I'm breaking it down I'm not the same | 1:49:35 | 1:49:38 | |
# I know you're feeling me cos you like it like this | 1:49:38 | 1:49:41 | |
# Clearing this house out of joythat I borrowed from back in the day | 1:49:41 | 1:49:47 | |
# Threw away my old clothes Got myself a better wardrobe | 1:49:47 | 1:49:51 | |
# I got something to say | 1:49:51 | 1:49:54 | |
# I'm through with the past Ain't no point in looking back | 1:49:54 | 1:49:59 | |
# The future will be | 1:49:59 | 1:50:02 | |
# And did I forget to mention that I found a new direction | 1:50:02 | 1:50:06 | |
# And it leads back to me | 1:50:06 | 1:50:10 | |
# Yeah, I'm spinning around Move out of my way | 1:50:10 | 1:50:14 | |
# I know you're feeling me cos you like it like this | 1:50:14 | 1:50:18 | |
# I'm breaking it down I'm not the same | 1:50:19 | 1:50:22 | |
I know you're feeling me cos you like it like this | 1:50:22 | 1:50:27 | |
# Baby, baby, baby | 1:50:27 | 1:50:31 | |
# Baby, baby, baby | 1:50:31 | 1:50:32 | |
# Like it like this You know you like it like this | 1:50:32 | 1:50:34 | |
# Baby, baby, baby, ooh | 1:50:34 | 1:50:36 | |
# Baby, baby, baby | 1:50:36 | 1:50:39 | |
# Like it like this You know you like it like this | 1:50:39 | 1:50:42 | |
# Ooh, baby, baby, baby | 1:50:42 | 1:50:46 | |
# Like it like this | 1:50:47 | 1:50:53 | |
# La la-la, la la la-la-la La la-la, la la la-la-la | 1:50:53 | 1:51:00 | |
# La la-la, la la la-la-la La la-la, la la la-la-la | 1:51:00 | 1:51:07 | |
# I just can't get you out of my head | 1:51:07 | 1:51:10 | |
# Boy, your loving is all I think about | 1:51:10 | 1:51:14 | |
# I just can't get you out of my head | 1:51:14 | 1:51:18 | |
# Boy, it's more than I dare to think about | 1:51:18 | 1:51:23 | |
# Every night, every day | 1:51:23 | 1:51:30 | |
# Just to be there in your arms | 1:51:30 | 1:51:37 | |
# Won't you stay? | 1:51:37 | 1:51:45 | |
# Won't you stay? | 1:51:45 | 1:51:53 | |
# Stay forever and ever and ever and ever | 1:51:53 | 1:52:01 | |
# La la-la, la la la-la-la La la-la, la la la-la-la | 1:52:01 | 1:52:08 | |
# La la-la, la la la-la-la La la-la, la la la-la-la | 1:52:08 | 1:52:18 | |
1:52:18 | 1:52:21 | ||
# I just can't get you out of my head | 1:52:21 | 1:52:29 | |
# Non-stop dancing The bus stop to the funky music | 1:52:29 | 1:52:36 | |
# Hustle, pumping the muscle Blame it on the boogie | 1:52:36 | 1:52:43 | |
# Do you remember the old days? Remember the O'Jays? | 1:52:43 | 1:52:51 | |
# Walking in rhythm Life was for living | 1:52:51 | 1:52:59 | |
# When you can't find the music to get down and boogie | 1:52:59 | 1:53:03 | |
# All you can do is step back in time | 1:53:03 | 1:53:07 | |
# Ball of confusion when nothing is new | 1:53:07 | 1:53:11 | |
# And there's nothing doing | 1:53:11 | 1:53:13 | |
# Step back in time | 1:53:13 | 1:53:15 | |
# I wanna funk, I wanna funk | 1:53:15 | 1:53:17 | |
# I wanna f-f-funk | 1:53:17 | 1:53:19 | |
# I wanna funk | 1:53:19 | 1:53:21 | |
# I wanna funk, I wanna f-f-funk | 1:53:21 | 1:53:23 | |
# Step back, step back | 1:53:23 | 1:53:33 | |
Ladies | 1:53:33 | 1:53:33 | |
Ladies and | 1:53:33 | 1:53:33 | |
Ladies and gentlemen, | 1:53:33 | 1:53:43 | |
1:53:43 | 1:53:46 | ||
Ladies and gentlemen, give it up # Riding on a love train | 1:53:46 | 1:53:56 | |
1:53:56 | 1:53:58 | ||
# When you can't find the music to get down and boogie | 1:53:58 | 1:54:02 | |
# All you can do is step back in time | 1:54:02 | 1:54:06 | |
# Ball of confusion when nothing is new | 1:54:06 | 1:54:10 | |
# And there's nothing doing | 1:54:10 | 1:54:12 | |
# Step back in time, woah | 1:54:12 | 1:54:16 | |
# Step back, step back, step back | 1:54:16 | 1:54:21 | |
# Do your remember the old days? Remember the O'Jays? | 1:54:21 | 1:54:29 | |
# Walking in rhythm Life was for living | 1:54:29 | 1:54:38 | |
# When you can't find the music to get down and boogie | 1:54:38 | 1:54:48 | |
1:54:48 | 1:54:50 | ||
# Step back in time | 1:54:50 | 1:54:53 | |
# And there's nothing doing Step back in time | 1:54:53 | 1:54:55 | |
# When you can't find the music to get down and boogie | 1:54:55 | 1:54:57 | |
# All you can do is step back in time | 1:54:57 | 1:55:02 | |
# Ball of confusion when nothing is new | 1:55:02 | 1:55:05 | |
# And there's nothing doing Step back in time | 1:55:05 | 1:55:15 | |
1:55:15 | 1:55:25 | ||
# Dance, it's all I wanna do So won't you dance? | 1:55:26 | 1:55:31 | |
# I'm standing here with you Why won't you move? | 1:55:31 | 1:55:35 | |
# I'll get inside your groove | 1:55:35 | 1:55:37 | |
# Cos I'm on fire, fire, fire, fire | 1:55:37 | 1:55:41 | |
# It hurts when you get too close | 1:55:41 | 1:55:45 | |
# But, baby, it hurts | 1:55:45 | 1:55:48 | |
# If love is really good You just want more | 1:55:48 | 1:55:51 | |
# Even if it throws you to the fire, fire, fire, fire | 1:55:51 | 1:55:56 | |
# All the lovers that have gone before | 1:55:56 | 1:56:04 | |
# They don't compare to you | 1:56:04 | 1:56:12 | |
# Don't be frightened Just give me a little bit more | 1:56:12 | 1:56:20 | |
# They don't compare, all the lovers | 1:56:20 | 1:56:29 | |
# Dance, it's all I wanna do So won't you dance? | 1:56:29 | 1:56:35 | |
# I'm standing here with you Why won't you move? | 1:56:35 | 1:56:39 | |
# Even if it throws you to the fire, fire, fire, fire | 1:56:39 | 1:56:49 | |
1:56:49 | 1:57:05 | ||
# All the lovers that have gone before | 1:57:05 | 1:57:12 | |
# They don't compare to you | 1:57:12 | 1:57:20 | |
# Don't be frightened Just give me a little bit more | 1:57:20 | 1:57:28 | |
# They don't compare All the lovers. # | 1:57:28 | 1:57:37 | |
APPLAUSE AND CHEERING | 1:57:37 | 1:57:47 | |
1:57:47 | 1:57:56 | ||
Ladies | 1:57:56 | 1:57:57 | |
Ladies and | 1:57:57 | 1:57:57 | |
Ladies and gentlemen, | 1:57:57 | 1:58:03 | |
Ladies and gentlemen, that was Kylie Minogue and Flawless! Let me | 1:58:03 | 1:58:11 | |
take a moment now to talk about our wonderful monarch, our Queen. She | 1:58:11 | 1:58:16 | |
is - I wouldn't want to embarrass her - she is now 86 years old, | 1:58:16 | 1:58:20 | |
ladies and gentlemen. APPLAUSE Incredible. In 14 years' time, she | 1:58:21 | 1:58:27 | |
will be sending herself a telegram. And she's been working tirelessly | 1:58:27 | 1:58:36 | |
for 60 years. Even now, her work schedule would put any of us to | 1:58:36 | 1:58:41 | |
shame. I think there is a lesson here for all of us. You've got to | 1:58:41 | 1:58:46 | |
plan for your retirement. LAUGHTER You have got to get a pension or | 1:58:46 | 1:58:52 | |
you will end up like her. She's 86 and she's had to rent out her front | 1:58:52 | 1:58:56 | |
drive to Gary Barlow to put on a concert. LAUGHTER That said, let's | 1:58:56 | 1:59:01 | |
crack on with this excellent show. Next up on the balcony, please | 1:59:01 | 1:59:11 | |
1:59:11 | 1:59:11 | ||
Apology for the loss of subtitles for 82 seconds | 1:59:11 | 2:01:18 | |
# There's a place for us # A time and place for us | 2:01:18 | 2:01:26 | |
# Hold my hand and we're halfway there | 2:01:26 | 2:01:31 | |
# Hold my hand And I'll take you there | 2:01:31 | 2:01:38 | |
# Somehow | 2:01:38 | 2:01:40 | |
# Someday | 2:01:40 | 2:01:50 | |
2:01:50 | 2:02:08 | ||
# There's a time for us | 2:02:08 | 2:02:18 | |
# Someday a time for us | 2:02:18 | 2:02:23 | |
# Time together with time to spare | 2:02:23 | 2:02:27 | |
# Time to learn | 2:02:27 | 2:02:32 | |
# Time to care | 2:02:32 | 2:02:36 | |
# Someday | 2:02:36 | 2:02:40 | |
# Somewhere | 2:02:40 | 2:02:43 | |
# We'll find a new way of living | 2:02:43 | 2:02:49 | |
# We'll find a way of forgiving | 2:02:49 | 2:02:56 | |
# Somewhere | 2:02:57 | 2:03:06 | |
2:03:07 | 2:03:30 | ||
# Somehow | 2:03:30 | 2:03:32 | |
# Someday | 2:03:32 | 2:03:36 | |
# Somewhere. # | 2:03:36 | 2:03:44 | |
APPLAUSE AND CHEERING | 2:03:44 | 2:03:54 | |
2:03:54 | 2:04:04 | ||
Renee | 2:04:04 | 2:04:04 | |
Renee Fleming | 2:04:04 | 2:04:06 | |
Renee Fleming and | 2:04:06 | 2:04:10 | |
Renee Fleming and and Alfie Boe. Watching them on the balcony there, | 2:04:10 | 2:04:18 | |
was it just me or were you hoping for a kiss? A big thank you to the | 2:04:18 | 2:04:22 | |
BBC Concert Orchestra. And if there is anybody out here | 2:04:22 | 2:04:28 | |
who has a large car, they would love a lift home! | 2:04:28 | 2:04:29 | |
LAUGHTER Now is everybody warm enough? | 2:04:29 | 2:04:36 | |
It is not as hot as we thought it would be, is it? I'm glad it has | 2:04:36 | 2:04:43 | |
cooled down, it was getting humid. For a highly it was nearly 90 and | 2:04:43 | 2:04:48 | |
dangerously lot and I'm not talking about Judi Dench. I was worried if | 2:04:48 | 2:04:53 | |
the weather was too good today, The Queen would have looked out the | 2:04:53 | 2:04:57 | |
window and said, "To heck with the concert, let's just have a | 2:04:57 | 2:05:01 | |
barbecue." This area, where we are now, where this concert is taking | 2:05:01 | 2:05:06 | |
place and this will be of special interest to any foreign viewers, | 2:05:06 | 2:05:12 | |
any Americans who are sitting down eating peanut butter and jelly, | 2:05:12 | 2:05:17 | |
they mean jam, for them, where the the stage is now is normally | 2:05:17 | 2:05:22 | |
grazing land, yes. Yes, this is where normally you would see sheep | 2:05:22 | 2:05:29 | |
and cattle and cows. We can probably hear the cows right now. | 2:05:29 | 2:05:34 | |
Oh yes, and there are the sheep. Oh, the sheep are angry tonight, my | 2:05:34 | 2:05:42 | |
friend! LAUGHTER | 2:05:42 | 2:05:45 | |
And there are the snakes. Ladies and gentlemen, we are about to | 2:05:45 | 2:05:55 | |
2:05:55 | 2:05:58 | ||
crank things up. If you are still standing, he is the rocket man. | 2:05:58 | 2:06:08 | |
2:06:08 | 2:06:15 | ||
He is The Lion King. He is both Benny and his jet, Elton John. | 2:06:15 | 2:06:25 | |
2:06:25 | 2:06:31 | ||
# You could never know # Your blood like winter | 2:06:31 | 2:06:34 | |
# And there's a cold and lonely light that shines from you | 2:06:34 | 2:06:37 | |
# You'll wind up like the wreck you hide behind that mask you use | 2:06:37 | 2:06:40 | |
# And did you think this fool could never win? | 2:06:40 | 2:06:45 | |
# Well, look at me I'm coming back again | 2:06:45 | 2:06:47 | |
# I got a taste of love in a simple way | 2:06:47 | 2:06:50 | |
# And if you need to know | 2:06:50 | 2:06:53 | |
# While I'm still standing You just fade away | 2:06:53 | 2:06:57 | |
# Don't you know I'm still standing better than I ever did | 2:06:57 | 2:07:02 | |
# Looking like a true survivor Feeling like a little kid | 2:07:02 | 2:07:07 | |
# I'm still standing after all this time | 2:07:07 | 2:07:13 | |
# Picking up the pieces of my life without you on my mind | 2:07:13 | 2:07:20 | |
# I'm still standing Yeah, yeah, yeah | 2:07:20 | 2:07:24 | |
# I'm still standing Yeah, yeah, yeah | 2:07:24 | 2:07:32 | |
# Once I never could hope to win | 2:07:32 | 2:07:34 | |
# You starting down the road Leaving me again | 2:07:34 | 2:07:37 | |
# The threats you made were meant to cut me down | 2:07:37 | 2:07:40 | |
# And if our love was just a circus You'd be a clown by now | 2:07:40 | 2:07:45 | |
# Y'know, I'm still standing better than I ever did | 2:07:45 | 2:07:50 | |
# Looking like a true survivor Feeling like a little kid | 2:07:50 | 2:07:54 | |
# I'm still standing after all this time | 2:07:54 | 2:08:02 | |
# Picking up the pieces of my life without you on my mind | 2:08:02 | 2:08:07 | |
# I'm still standing Yeah, yeah, yeah | 2:08:07 | 2:08:11 | |
# I'm still standing Yeah, yeah, yeah | 2:08:11 | 2:08:21 | |
2:08:21 | 2:08:34 | ||
# Don't you know that I'm still standing better than I ever did | 2:08:34 | 2:08:39 | |
# Looking like a true survivor Feeling like a little kid | 2:08:39 | 2:08:44 | |
# I'm still standing after all this time | 2:08:44 | 2:08:51 | |
# Picking up the pieces of my life without you on my mind | 2:08:51 | 2:08:55 | |
# I'm still standing Yeah, yeah, yeah | 2:08:55 | 2:08:59 | |
# I'm still standing Yeah, yeah, yeah | 2:08:59 | 2:09:03 | |
# I'm still standing Yeah, yeah, yeah | 2:09:03 | 2:09:13 | |
2:09:13 | 2:09:24 | ||
# Let me entertain you I'm still standing | 2:09:25 | 2:09:34 | |
2:09:35 | 2:09:40 | ||
Thank you very much. Good evening. Your Majesty, congratulations on an | 2:09:40 | 2:09:45 | |
incredible achievement and we are very honoured to be here tonight to | 2:09:45 | 2:09:55 | |
2:09:55 | 2:10:00 | ||
# It's a little bit funny # I'm not one of those | 2:10:00 | 2:10:10 | |
2:10:10 | 2:10:29 | ||
# I'd buy a big house # Or a man who makes potions | 2:10:29 | 2:10:39 | |
2:10:39 | 2:11:08 | ||
# It may be quite simple # I hope you don't mind | 2:11:08 | 2:11:18 | |
2:11:18 | 2:11:55 | ||
# I sat on the roof # It's for people like you | 2:11:55 | 2:12:05 | |
2:12:05 | 2:12:18 | ||
# You see, I've forgotten # Anyway the thing is | 2:12:18 | 2:12:23 | |
# Yours are the sweetest eyes I've ever seen | 2:12:23 | 2:12:33 | |
2:12:33 | 2:12:33 | ||
# And you can tell everybody this is your song | 2:12:33 | 2:12:39 | |
# It may be quite simple But now that it's done | 2:12:39 | 2:12:46 | |
# I hope you don't mind I hope you don't mind | 2:12:46 | 2:12:52 | |
# That I put down in words | 2:12:52 | 2:12:55 | |
# How wonderful life is | 2:12:55 | 2:12:59 | |
# While you're in the world | 2:12:59 | 2:13:07 | |
# I hope you don't mind I hope you don't mind | 2:13:07 | 2:13:12 | |
# That I put down in words | 2:13:12 | 2:13:16 | |
# How wonderful life is | 2:13:16 | 2:13:20 | |
# While you're in the world. # | 2:13:20 | 2:13:24 | |
APPLAUSE AND CHEERING | 2:13:24 | 2:13:34 | |
2:13:34 | 2:13:55 | ||
I | 2:13:55 | 2:13:56 | |
I hope | 2:13:56 | 2:13:56 | |
I hope you | 2:13:56 | 2:14:06 | |
2:14:06 | 2:14:13 | ||
I hope you are in good voice for # I remember when Rock was young | 2:14:13 | 2:14:23 | |
2:14:23 | 2:14:26 | ||
# Had an old gold Chevy # Doin' a thing called | 2:14:26 | 2:14:34 | |
# We were hoppin' and boppin' to the Crocodile Rock | 2:14:34 | 2:14:37 | |
# Well, Crocodile Rocking is something shocking | 2:14:37 | 2:14:41 | |
# When your feet just can't keep still | 2:14:41 | 2:14:43 | |
# I never knew me a better time and I guess I never will | 2:14:43 | 2:14:47 | |
# Oh, Lawdy, mama Those Friday nights | 2:14:47 | 2:14:53 | |
# When Suzie wore her dresses tight | 2:14:53 | 2:14:55 | |
# Crocodile Rocking was entirely out of sight | 2:14:55 | 2:15:00 | |
# Come on, now | 2:15:00 | 2:15:08 | |
# Laa, la la la la, laa | 2:15:08 | 2:15:10 | |
# La la la la, laa | 2:15:10 | 2:15:12 | |
# La la la la, laa | 2:15:12 | 2:15:15 | |
# But the years went by The Rock just died | 2:15:15 | 2:15:18 | |
# Suzie went and left us for some foreign guy | 2:15:18 | 2:15:21 | |
# Long nights crying by the record machine | 2:15:21 | 2:15:24 | |
# Dreaming of my Chevy and my old blue jeans | 2:15:24 | 2:15:27 | |
# But they'll never kill the thrills we got | 2:15:27 | 2:15:30 | |
# Burnin' up to the Crocodile Rock | 2:15:30 | 2:15:32 | |
# Learning fast as the weeks went past | 2:15:32 | 2:15:35 | |
# We really thought the Crocodile Rock would last | 2:15:35 | 2:15:39 | |
# Well, Crocodile Rocking is something shocking | 2:15:39 | 2:15:42 | |
# When your feet just can't keep still | 2:15:42 | 2:15:46 | |
# I never knew me a better time and I guess I never will | 2:15:46 | 2:15:51 | |
# Oh, Lawdy, mama Those Friday nights | 2:15:51 | 2:15:55 | |
# When Suzie wore her dresses tight | 2:15:55 | 2:15:56 | |
# Crocodile Rocking was almost out of sight | 2:15:57 | 2:16:06 | |
2:16:07 | 2:16:07 | ||
# Laa, la la la la, laa | 2:16:07 | 2:16:09 | |
# La la la la, laa | 2:16:09 | 2:16:12 | |
# La la la la, laa | 2:16:12 | 2:16:19 | |
# La la la la, laa | 2:16:19 | 2:16:29 | |
2:16:29 | 2:16:50 | ||
# I remember when Rock was young # Had an old gold Chevy | 2:16:50 | 2:17:00 | |
2:17:00 | 2:17:01 | ||
# Was doin' a thing # While the other kids | 2:17:01 | 2:17:03 | |
# We were hoppin' and boppin' to the Crocodile Rock | 2:17:03 | 2:17:07 | |
# Well, Crocodile Rocking is something shocking | 2:17:07 | 2:17:12 | |
# When your feet just can't keep still | 2:17:12 | 2:17:15 | |
# I never knew me a better time I guess I never will | 2:17:15 | 2:17:20 | |
# Oh, Lawdy, mama Those Friday nights | 2:17:20 | 2:17:23 | |
# When Suzie wore those dresses tight | 2:17:23 | 2:17:25 | |
# Crocodile Rocking was almost out of sight | 2:17:25 | 2:17:35 | |
2:17:35 | 2:17:36 | ||
# Laa, la la la la, laa | 2:17:37 | 2:17:39 | |
# La la la la, laa | 2:17:39 | 2:17:40 | |
# La la la la, laa | 2:17:40 | 2:17:45 | |
# Laa, la la la la, laa | 2:17:45 | 2:17:50 | |
# La la la la, laa | 2:17:50 | 2:17:53 | |
# La la la la, laa | 2:17:53 | 2:17:58 | |
# Laa, la la la la, laa | 2:17:58 | 2:18:03 | |
# La la la la, laa | 2:18:03 | 2:18:05 | |
# La la la la, laa | 2:18:05 | 2:18:09 | |
# La la la la, laa | 2:18:09 | 2:18:11 | |
# Hoo, yeah. # | 2:18:11 | 2:18:12 | |
APPLAUSE AND CHEERING | 2:18:12 | 2:18:22 | |
2:18:22 | 2:18:36 | ||
Please | 2:18:36 | 2:18:36 | |
Please show | 2:18:36 | 2:18:36 | |
Please show your | 2:18:37 | 2:18:41 | |
Please show your appreciation for a man who knows how to put on a show, | 2:18:41 | 2:18:48 | |
Sir Elton John. APPLAUSE AND CHEERING | 2:18:48 | 2:18:52 | |
Obviously, it is not often you get to take over the centre of London, | 2:18:52 | 2:18:58 | |
put up a massive stage and invite along a nation, a worldwide | 2:18:58 | 2:19:06 | |
national audience, but thankfully we know some important people. | 2:19:06 | 2:19:15 | |
Important and much loved. Ladies and gentlemen, we have seen | 2:19:15 | 2:19:20 | |
tonight some incredible performances from some truly | 2:19:20 | 2:19:26 | |
outstanding singers, songwriters, musicians. We have had opera, pop, | 2:19:26 | 2:19:33 | |
rock, swing, punk, rap, we have had, I I mean, we have had instruments | 2:19:33 | 2:19:43 | |
2:19:43 | 2:19:44 | ||
and trumpets and drummers, if I had known I would have brought along me | 2:19:44 | 2:19:54 | |
2:19:54 | 2:19:55 | ||
didgeridoo and my washboard. Stop mucking about, Rolf! This is | 2:19:55 | 2:20:01 | |
serious! Let me remember why we're here. We're here to celebrate a | 2:20:02 | 2:20:10 | |
generous and compassionate lady. APPLAUSE AND CHEERING Who has given | 2:20:10 | 2:20:13 | |
60 years of service to the people of Great Britain and the | 2:20:14 | 2:20:19 | |
Commonwealth. APPLAUSE AND CHEERING She has been an inspiration to | 2:20:19 | 2:20:24 | |
millions. She has touched hearts throughout the world, a living | 2:20:24 | 2:20:34 | |
testimony to the power of kindness, dedication, tolerance, and loyalty. | 2:20:34 | 2:20:41 | |
APPLAUSE AND CHEERING A lady who has upheld the best of British by | 2:20:41 | 2:20:51 | |
2:20:51 | 2:20:52 | ||
keeping calm and carrying on! Your Majesty, we thank you for 60 | 2:20:52 | 2:20:59 | |
wonderful years and we hope that you are enjoying this spectacular | 2:21:00 | 2:21:07 | |
achievement and we wish you a very happy and healthy and long reign. | 2:21:07 | 2:21:16 | |
APPLAUSE AND CHEERING And from the heart, we he hope that | 2:21:16 | 2:21:26 | |
2:21:26 | 2:21:26 | ||
Apology for the loss of subtitles for 82 seconds | 2:21:26 | 2:24:42 | |
What a fantastic record of 60 years glorious years. Give the BBC | 2:24:42 | 2:24:46 | |
Orchestra a round of applause, ladies and gentlemen. | 2:24:46 | 2:24:49 | |
APPLAUSE AND CHEERING That was a wonderful set of images | 2:24:49 | 2:24:56 | |
and if you go around the back of the Palace, there is a bloke | 2:24:56 | 2:25:01 | |
knocking out DVDs of the whole thing. He is saying, "Please make | 2:25:01 | 2:25:05 | |
sure you have the right change because one doesn't have that kind | 2:25:05 | 2:25:13 | |
of money.". Everybody in the the Mall, Say yeah. | 2:25:13 | 2:25:22 | |
I came down the Mall ten years ago before the show aye dropped a | 2:25:22 | 2:25:30 | |
contact lens, could you have a look down? I mean it! | 2:25:30 | 2:25:31 | |
LAUGHTER Them things is expensive, you know. | 2:25:31 | 2:25:37 | |
My family have insisted in being involved today. My brother Seymour | 2:25:37 | 2:25:42 | |
has the chicken concession about half a mile on the right. If you | 2:25:42 | 2:25:47 | |
turn around and form an orderly queue. He says, "Hurry up, I have | 2:25:47 | 2:25:55 | |
only got wings left." Tell him I sent you and you will get discount. | 2:25:55 | 2:26:03 | |
In Edinburgh, Sean Connery is the host and they are playing pass the | 2:26:03 | 2:26:07 | |
parcel. Come on, when is there going to be a black black James | 2:26:07 | 2:26:13 | |
Bond? They are going to be saying, "We have been expecting you Bond | 2:26:13 | 2:26:19 | |
for four four hours?" 60 years years of Her Majesty, The Queen, | 2:26:19 | 2:26:23 | |
70,000 of you have turned up to celebrate this wonderful occasion. | 2:26:23 | 2:26:27 | |
There is a,000 of you at -- 5,000 at the back who think they are | 2:26:27 | 2:26:34 | |
opening a new branch of IKEA. It is brilliant there is so many people | 2:26:34 | 2:26:39 | |
lined up on the Mall, thousands of you and not one of you with the | 2:26:39 | 2:26:43 | |
remote. Just one bloke in the middle going, "I want to watch the | 2:26:43 | 2:26:46 | |
football now." I'm going to do something now because we have got | 2:26:46 | 2:26:50 | |
time. I want you to give a huge round of applause to a legend who | 2:26:50 | 2:26:57 | |
will sing a song that I think you all know. Ladies and gentlemen, Mr | 2:26:57 | 2:27:02 | |
Rolf Harris. Are you serious? The thing is you | 2:27:02 | 2:27:06 | |
have got to join in. Are you going to join? | 2:27:06 | 2:27:16 | |
2:27:16 | 2:27:17 | ||
AUDIENCE: Yes. # Two little boys had two little | 2:27:17 | 2:27:23 | |
toys # Each had a wooden horse | 2:27:23 | 2:27:29 | |
# They played each summer's day # Warriors both of course | 2:27:29 | 2:27:38 | |
# One little chap then had a mishap # He broke off his horse's head | 2:27:38 | 2:27:43 | |
# He wept for his toy # Then cried with joy | 2:27:43 | 2:27:51 | |
# As his young playmate said # Did you think I would leave you | 2:27:51 | 2:27:55 | |
crying # When there is room on my horse | 2:27:56 | 2:28:05 | |
2:28:06 | 2:28:10 | ||
for two # Don't be crying | 2:28:10 | 2:28:15 | |
# When we grow up, we will both be soldiers | 2:28:15 | 2:28:24 | |
# And our horses will not be toys # And I wonder if we'll remember | 2:28:24 | 2:28:33 | |
when we were two little boys # Shall I carry on on | 2:28:33 | 2:28:42 | |
War came so fast # Bravely they marched away | 2:28:42 | 2:28:49 | |
# And in the mad crowd # Wounded and dying lay | 2:28:49 | 2:28:58 | |
# Up goes... You have got to stop because we're ready. I can only | 2:28:58 | 2:29:05 | |
apologise. I thought you wanted me to... | 2:29:05 | 2:29:07 | |
BOOING We will just do the last bit. | 2:29:07 | 2:29:13 | |
I am so sorry to interrupt you, sir. # When we were two little boys # | 2:29:13 | 2:29:21 | |
Rolf Harris, ladies and gentlemen. APPLAUSE AND CHEERING This is a big | 2:29:21 | 2:29:25 | |
moment for me and our next performer is a huge hero of mine | 2:29:25 | 2:29:29 | |
and I am sure for many people here and around the world. He sold 72 | 2:29:29 | 2:29:35 | |
million albums. He won 22 Grammy award. He is in two halls of fame. | 2:29:35 | 2:29:42 | |
He is a multi-instrumentalist and he is an active campaign her for | 2:29:42 | 2:29:45 | |
civil rights. He is a legend. He has so much soul. Ladies and | 2:29:45 | 2:29:52 | |
gentlemen, I give you the genius that is Stevie Wonder. | 2:29:52 | 2:30:02 | |
2:30:02 | 2:30:02 | ||
Apology for the loss of subtitles for 82 seconds | 2:30:02 | 2:30:56 | |
# # # Make it in the groove # # Making feeling all over | 2:30:56 | 2:31:06 | |
2:31:06 | 2:31:08 | ||
# Making the feeling all over # Yeah | 2:31:08 | 2:31:18 | |
2:31:18 | 2:31:57 | ||
I can't hear you! # You can feel it all over | 2:31:58 | 2:32:07 | |
2:32:08 | 2:32:10 | ||
# You can feel it all over now people | 2:32:10 | 2:32:20 | |
2:32:20 | 2:32:50 | ||
# Can't you feel it all over This is for you. | 2:32:50 | 2:32:59 | |
It's to celebrate the jubilee. I love you. | 2:32:59 | 2:33:09 | |
2:33:09 | 2:33:13 | ||
# Isn't she lovely # Isn't she wonderful | 2:33:13 | 2:33:19 | |
# Isn't she special # A young 86 years old | 2:33:20 | 2:33:29 | |
2:33:30 | 2:33:44 | ||
# I can't believe # Isn't she lovely | 2:33:44 | 2:33:54 | |
2:33:54 | 2:33:55 | ||
Apology for the loss of subtitles for 82 seconds | 2:33:55 | 2:34:44 | |
# # This is so magical # Isn't she lovely | 2:34:44 | 2:34:54 | |
2:34:54 | 2:34:55 | ||
APPLAUSE AND CHEERING Wait a minute. Wait a minute. | 2:34:55 | 2:35:04 | |
Will.i.am, will.i.am. We're going to do something a little different | 2:35:04 | 2:35:09 | |
right now. We're going to sing happy birthday to you right now. | 2:35:09 | 2:35:19 | |
2:35:19 | 2:35:29 | ||
Sing it with me. Here we go. | 2:35:29 | 2:35:39 | |
2:35:39 | 2:35:49 | ||
# It didn't make much sense # Feel in love again | 2:35:49 | 2:35:54 | |
There ought to be a law against # Anyone who takes offence | 2:35:54 | 2:36:04 | |
# At a day in your celebration # Cause we all know in our minds | 2:36:04 | 2:36:07 | |
# You know love can win # Everybody, come on | 2:36:07 | 2:36:11 | |
# Happy birthday to you # Say it | 2:36:11 | 2:36:21 | |
# Happy birthday # Happy birthday to you | 2:36:21 | 2:36:26 | |
# Happy birthday # Happy birthday to you | 2:36:26 | 2:36:35 | |
# Happy birthday # Happy birthday to you | 2:36:35 | 2:36:45 | |
2:36:45 | 2:36:50 | ||
# # Happy birthday # Happy birthday | 2:36:50 | 2:37:00 | |
2:37:00 | 2:37:05 | ||
# Put your hands up, you all # Happy birthday | 2:37:05 | 2:37:15 | |
2:37:15 | 2:37:16 | ||
# # Everybody all over the world, sing... | 2:37:16 | 2:37:21 | |
# Happy # Happy birthday | 2:37:21 | 2:37:31 | |
2:37:31 | 2:37:31 | ||
Apology for the loss of subtitles for 82 seconds | 2:37:31 | 2:39:43 | |
# When you believe in things # We're celebrating the Diamond | 2:39:43 | 2:39:46 | |
Jubilee # We're celebrating the Diamond | 2:39:46 | 2:39:52 | |
Jubilee # We're celebrating the Diamond | 2:39:52 | 2:40:00 | |
Jubilee # We're celebrating the Diamond | 2:40:00 | 2:40:10 | |
2:40:10 | 2:40:10 | ||
Jubilee # APPLAUSE AND CHEERING | 2:40:10 | 2:40:16 | |
Ladies and gentlemen, Stevie Wonder. APPLAUSE AND CHEERING | 2:40:16 | 2:40:21 | |
How exciting, is it? Stevie Wonder and Sir Paul McCartney on the same | 2:40:21 | 2:40:29 | |
bill. We have got to get them to sing Ebony and Ivory. No pressure, | 2:40:29 | 2:40:35 | |
lads, but if you don't, me and Lenny will. 20,000 of us stood here | 2:40:35 | 2:40:38 | |
being entertained outside Buckingham Palace with another | 2:40:38 | 2:40:43 | |
quarter of a million stood outside on the Mall and inside St James' | 2:40:43 | 2:40:47 | |
Park, spare a thought for the poor people stuck at home watching on | 2:40:47 | 2:40:50 | |
telly, with their feet up in the warmth with a fridge full of beer | 2:40:50 | 2:40:55 | |
and no queues for the toilet! You know what, Your Majesty, do you | 2:40:55 | 2:40:59 | |
mind if we nip into yours and watch it on the box? Ladies and gentlemen, | 2:40:59 | 2:41:04 | |
it is time for one of these. It's time to welcome one of | 2:41:04 | 2:41:08 | |
Britain's best loved bands. They have sold millions of records and | 2:41:08 | 2:41:11 | |
packed venues throughout the world and now they are playing on the | 2:41:11 | 2:41:17 | |
roof of Buckingham Palace. Go crazy for Madness. | 2:41:17 | 2:41:27 | |
2:41:27 | 2:41:56 | ||
# Then we would say nothing would come between us | 2:41:56 | 2:42:06 | |
2:42:06 | 2:42:07 | ||
# Our house in the middle of our # Our house | 2:42:07 | 2:42:16 | |
# The kids are playing up downstairs Sister's sighing in her sleep | 2:42:16 | 2:42:22 | |
# Brother's got a date to keep He can't hang around | 2:42:22 | 2:42:26 | |
# Our house In the middle of our street | 2:42:26 | 2:42:30 | |
# Our house, in the middle of our | 2:42:30 | 2:42:34 | |
# Our house, it has a crowd | 2:42:34 | 2:42:39 | |
# Our house, in the middle of our | 2:42:39 | 2:42:43 | |
# Our house, it has a crowd | 2:42:43 | 2:42:53 | |
2:42:53 | 2:42:54 | ||
# Our house In the middle of our street | 2:42:54 | 2:43:00 | |
# Our house In the middle of our street | 2:43:00 | 2:43:08 | |
APPLAUSE AND CHEERING | 2:43:08 | 2:43:18 | |
Thank | 2:43:18 | 2:43:18 | |
Thank you | 2:43:18 | 2:43:18 | |
Thank you very | 2:43:18 | 2:43:28 | |
2:43:28 | 2:43:33 | ||
Thank you very much. What a sight. # I never thought I'd miss you | 2:43:33 | 2:43:43 | |
2:43:43 | 2:43:57 | ||
# And I never thought # As soon as I wake up | 2:43:57 | 2:44:07 | |
2:44:07 | 2:44:21 | ||
# I know that it's you I need # Nothing more, nothing less | 2:44:22 | 2:44:31 | |
2:44:32 | 2:44:36 | ||
# That we can say so much # Bless you and bless me | 2:44:36 | 2:44:46 | |
2:44:46 | 2:44:53 | ||
# I've got to be near you Every night, every day | 2:44:53 | 2:44:58 | |
# I couldn't be happy any other way | 2:44:58 | 2:45:04 | |
# It must be love, love, love | 2:45:04 | 2:45:11 | |
# It must be love, love, love | 2:45:11 | 2:45:17 | |
# Nothing more, nothing less Love is the best | 2:45:17 | 2:45:27 | |
2:45:27 | 2:45:49 | ||
# As soon as I wake up Every night, every day | 2:45:49 | 2:45:55 | |
# I know that it's you I need To take the blues away | 2:45:55 | 2:46:01 | |
# It must be love, love, love | 2:46:01 | 2:46:07 | |
# It must be love, love, love | 2:46:07 | 2:46:17 | |
2:46:17 | 2:46:19 | ||
# It must be love, love, love | 2:46:19 | 2:46:29 | |
2:46:29 | 2:46:29 | ||
Apology for the loss of subtitles for 82 seconds | 2:46:29 | 2:47:31 | |
# Nothing more, nothing less APPLAUSE AND CHEERING | 2:47:31 | 2:47:34 | |
Hello everybody. Are you all right? | 2:47:34 | 2:47:41 | |
AUDIENCE: Yes. Is everyone dressed for the | 2:47:41 | 2:47:47 | |
occasion? God Bless you, everybody. Look at those people down there. | 2:47:47 | 2:47:56 | |
That's amazing. Look at me here. Well, let's keep the party going. I | 2:47:56 | 2:48:02 | |
saw a mouse. You couldn't resist, could you? Right there, is for the | 2:48:02 | 2:48:11 | |
Royal Family this. Everybody clap along. | 2:48:11 | 2:48:17 | |
To the beat. To the beat. That's your best bet here. Clap along to | 2:48:17 | 2:48:25 | |
the beat. We'll try it again, shall No, watch my foot. It is a give | 2:48:25 | 2:48:35 | |
2:48:35 | 2:48:52 | ||
away. Watch me foot. In a rush here. # We are family | 2:48:52 | 2:49:02 | |
2:49:02 | 2:49:03 | ||
# All my sisters and me # We are family | 2:49:03 | 2:49:11 | |
That killed it. Anyway. So here we go. It's the last acts of the night, | 2:49:11 | 2:49:17 | |
ladies and gentlemen. APPLAUSE AND CHEERING | 2:49:17 | 2:49:22 | |
I have come dressed for the occasion, but they weren't best | 2:49:22 | 2:49:32 | |
2:49:32 | 2:49:41 | ||
pleased when they saw me backstage because he is a big vegetarian. | 2:49:41 | 2:49:43 | |
LAUGHTER Anyway, he was in The Quarrymen. It | 2:49:43 | 2:49:47 | |
was downhill for him after that. He joined a four piece band which | 2:49:47 | 2:49:53 | |
changed the face of music forever. That rules out Bucks Fizz. Anybody | 2:49:53 | 2:50:03 | |
2:50:03 | 2:50:04 | ||
got any ideas who it might be, anybody? Tony Christy. It is | 2:50:04 | 2:50:11 | |
Queen's Diamond Jubilee, it is not happy hour at Center Parcs. It | 2:50:11 | 2:50:15 | |
gives me pleasure, a bit of red, white and blue for the bads there, | 2:50:15 | 2:50:20 | |
to welcome on stage the biggest influence on popular music the | 2:50:20 | 2:50:26 | |
world has ever known. They don't come much bigger than this, the | 2:50:26 | 2:50:32 | |
party wouldn't be complete without him. In conjunction with Her | 2:50:32 | 2:50:37 | |
Majesty and the bronze and gold tanning centre Southport, look them | 2:50:37 | 2:50:44 | |
up, would you please welcome Sir Paul McCartney. | 2:50:44 | 2:50:54 | |
2:50:54 | 2:51:24 | ||
Roll up, roll up, to the magical # Roll up for the mystery tour | 2:51:24 | 2:51:34 | |
2:51:34 | 2:51:35 | ||
# Got some invitations # Roll up to the mystery tour | 2:51:35 | 2:51:40 | |
# Roll up for the mystery tour # The magical mystery tour is | 2:51:40 | 2:51:46 | |
waiting to take you away # Waiting to take you away | 2:51:47 | 2:51:52 | |
# Roll up # Roll up for the mystery tour | 2:51:52 | 2:51:58 | |
# Roll up # Roll up for the mystery tour | 2:51:58 | 2:52:01 | |
# Roll up # You got everything you need | 2:52:01 | 2:52:06 | |
# Roll up for the mystery tour # Roll up | 2:52:07 | 2:52:12 | |
# Satisfaction guaranteed # Roll up for the mystery tour | 2:52:12 | 2:52:17 | |
# The magical mystery tour is hoping to take you away | 2:52:17 | 2:52:27 | |
2:52:27 | 2:52:39 | ||
# Is hoping to take you away # The history tour | 2:52:39 | 2:52:47 | |
# The magical mystery tour # Roll up | 2:52:47 | 2:52:54 | |
# The magical mystery tour # Roll up | 2:52:54 | 2:53:03 | |
# # # Roll up to the mystery tour # Roll out for the mystery tour | 2:53:03 | 2:53:12 | |
# The magical mystery tour is coming to take you away | 2:53:13 | 2:53:20 | |
# # Coming to take you away # The magical mystery tour is | 2:53:20 | 2:53:27 | |
coming to take you away # Dying to take you away | 2:53:27 | 2:53:37 | |
2:53:37 | 2:53:52 | ||
Thank you. Thank you very much. This is something, isn't it? | 2:53:52 | 2:53:57 | |
May we congratulate Your Majesty on 60 fantastic years? | 2:53:58 | 2:54:07 | |
2:54:08 | 2:54:22 | ||
I'll send all my loving to you # I'll pretend that I'm kissing | 2:54:22 | 2:54:29 | |
# The lips I am missing # And hope that my dreams will come | 2:54:29 | 2:54:32 | |
true # And then while I'm away | 2:54:32 | 2:54:42 | |
2:54:42 | 2:54:44 | ||
# I'll write home every day # And I'll send all my loving to | 2:54:44 | 2:54:51 | |
# All my loving # I will send to you | 2:54:51 | 2:55:01 | |
2:55:01 | 2:55:10 | ||
# All my loving # Darling I'll be true | 2:55:10 | 2:55:17 | |
# Close your eyes and I'll kiss you # Tomorrow I'll miss you | 2:55:17 | 2:55:25 | |
# Remember I'll always be true # And then while I'm away | 2:55:25 | 2:55:33 | |
# I'll write home every day # And I'll send all my loving to | 2:55:33 | 2:55:41 | |
# All my loving # I will send to you | 2:55:41 | 2:55:47 | |
# All my loving # Darling I'll be true | 2:55:47 | 2:55:57 | |
2:55:57 | 2:55:57 | ||
Apology for the loss of subtitles for 82 seconds | 2:55:57 | 2:56:51 | |
# All my loving # When I find myself in times of | 2:56:51 | 2:56:55 | |
trouble, mother Mary comes to me speaking words of wisdom | 2:56:56 | 2:57:00 | |
# In my hour of darkness she is standing right in front of me | 2:57:00 | 2:57:05 | |
# Speaking words of wisdom # Let it be | 2:57:05 | 2:57:15 | |
2:57:15 | 2:57:25 | ||
# # Whisper words of wisdom # Let it be | 2:57:25 | 2:57:28 | |
# When the broken hearted people living in the world agree | 2:57:28 | 2:57:38 | |
2:57:38 | 2:57:38 | ||
# There will be an answer # Let it be | 2:57:38 | 2:57:43 | |
# # There is a chance they will see there will be an answer | 2:57:43 | 2:57:49 | |
# Let it be # Let it be now | 2:57:49 | 2:57:54 | |
# Let it be # There will be an answer | 2:57:54 | 2:57:59 | |
Let it be # Let it be | 2:57:59 | 2:58:08 | |
# Won't you let it be # Whisper words of wisdom | 2:58:08 | 2:58:18 | |
2:58:18 | 2:58:18 | ||
Apology for the loss of subtitles for 82 seconds | 2:58:18 | 2:58:58 | |
# Let it be # Whisper words of wisdom | 2:58:58 | 2:59:06 | |
# Let it be # When the night is cloudy | 2:59:06 | 2:59:10 | |
# There is still light that shines on me | 2:59:10 | 2:59:19 | |
# # Shine on until tomorrow # Let it be | 2:59:19 | 2:59:24 | |
# Mother Mary comes to me # # Speaking words of wisdom | 2:59:24 | 2:59:34 | |
2:59:34 | 2:59:37 | ||
# Let it be # There will be an answer | 2:59:37 | 2:59:43 | |
# Let it be # Oh now, let it be | 2:59:43 | 2:59:50 | |
# # Won't you let it be # His per words of wisdom -- | 2:59:50 | 2:59:59 | |
whisper words of wisdom # Let it be | 2:59:59 | 3:00:09 | |
3:00:09 | 3:00:13 | ||
# Oh now, let it be # APPLAUSE AND CHEERING | 3:00:13 | 3:00:23 | |
3:00:23 | 3:00:30 | ||
Thank you. Thank you, London. # When you were young | 3:00:30 | 3:00:34 | |
# You know you did You know you did, you know you did | 3:00:34 | 3:00:36 | |
# But if this ever-changing world in which we live in | 3:00:37 | 3:00:44 | |
# Makes you give in and cry | 3:00:44 | 3:00:48 | |
# Say live and let die | 3:00:48 | 3:00:53 | |
# Live and let die | 3:00:53 | 3:00:54 | |
# Live and let die | 3:00:54 | 3:01:04 | |
3:01:04 | 3:01:37 | ||
# What does it matter to ya | 3:01:37 | 3:01:40 | |
# When you've got a job to do You gotta do it well | 3:01:40 | 3:01:43 | |
# You gotta give the other fellow hell | 3:01:43 | 3:01:52 | |
# You used to say "Live and let live" | 3:01:52 | 3:02:02 | |
3:02:02 | 3:02:12 | ||
# You used to say "Live and let live" | 3:02:12 | 3:02:18 | |
# You know you did You know you did, you know you did | 3:02:18 | 3:02:20 | |
# But if this ever-changing world in which we live in | 3:02:20 | 3:02:24 | |
# Makes you give in and cry | 3:02:24 | 3:02:33 | |
# Say live and let die | 3:02:33 | 3:02:39 | |
# Live and let die | 3:02:40 | 3:02:49 | |
3:02:50 | 3:03:21 | ||
APPLAUSE AND CHEERING | 3:03:21 | 3:03:31 | |
3:03:31 | 3:03:40 | ||
Thank | 3:03:40 | 3:03:40 | |
Thank you. | 3:03:40 | 3:03:41 | |
Thank you. All | 3:03:41 | 3:03:48 | |
Thank you. All right, thank you so much. | 3:03:48 | 3:03:58 | |
3:03:58 | 3:04:02 | ||
Just one word her Her Majesty, she asks after the festivities are over, | 3:04:02 | 3:04:06 | |
would you please leave in an orderly fashion? | 3:04:06 | 3:04:13 | |
Or she will be forced to unleash the Corgis! | 3:04:13 | 3:04:23 | |
3:04:23 | 3:04:26 | ||
LAUGHTER # Desmond has his barrow | 3:04:26 | 3:04:36 | |
3:04:36 | 3:04:38 | ||
# Desmond says to Molly # And Molly says this | 3:04:39 | 3:04:40 | |
# Ob-la-di, ob-la-da life goes on, brah | 3:04:40 | 3:04:43 | |
# La-la, how the life goes on | 3:04:43 | 3:04:46 | |
# Ob-la-di, ob-la-da life goes on, brah | 3:04:46 | 3:04:50 | |
# La-la, how the life goes on | 3:04:50 | 3:04:55 | |
# Desmond takes a trolley to the jewellery store | 3:04:55 | 3:04:59 | |
# Buys a 20-carat golden ring | 3:04:59 | 3:05:01 | |
# Takes it back to Molly waiting at the door | 3:05:01 | 3:05:04 | |
# And as he gives it to her she begins to sing | 3:05:04 | 3:05:09 | |
# Ob-la-di, ob-la-da life goes on, brah | 3:05:09 | 3:05:13 | |
# La-la, how the life goes on | 3:05:13 | 3:05:16 | |
# Ob-la-di, ob-la-da life goes on, brah | 3:05:16 | 3:05:20 | |
# La-la how the life goes on | 3:05:20 | 3:05:28 | |
# Ob-la-di, ob-la-da life goes on, brah | 3:05:28 | 3:05:30 | |
# La-la how the life goes on | 3:05:30 | 3:05:34 | |
# Ob-la-di, ob-la-da life goes on, brah | 3:05:34 | 3:05:36 | |
# La-la how the life goes on | 3:05:36 | 3:05:42 | |
# Ob-la-di, ob-la-da life goes on, brah | 3:05:42 | 3:05:44 | |
# La-la how the life goes on | 3:05:44 | 3:05:48 | |
# Ob-la-di, ob-la-da life goes on, brah | 3:05:48 | 3:05:52 | |
# La-la how the life goes on | 3:05:52 | 3:06:02 | |
# And if you want some fun Take ob-la-di-la-do. # | 3:06:02 | 3:06:12 | |
3:06:12 | 3:06:21 | ||
Ladies | 3:06:21 | 3:06:21 | |
Ladies and | 3:06:21 | 3:06:21 | |
Ladies and gentlemen, | 3:06:21 | 3:06:26 | |
Ladies and gentlemen, please welcome Her Majesty the Queen and | 3:06:26 | 3:06:32 | |
the Royal Highnesses, The Prince of Wales and the Duchess of Cornwall. | 3:06:32 | 3:06:42 | |
3:06:42 | 3:06:42 | ||
Apology for the loss of subtitles for 82 seconds | 3:06:42 | 3:07:46 | |
Your Majesty, mummy... LAUGHTER | 3:07:46 | 3:07:56 | |
3:07:56 | 3:07:57 | ||
APPLAUSE AND CHEERING I'm sure you would want me to thank | 3:07:58 | 3:08:03 | |
on your behalf all the wonderful people who have made tonight | 3:08:03 | 3:08:11 | |
possible. All the performers, the artists, the musicians, the | 3:08:11 | 3:08:21 | |
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comedians, who made such jolly good jokes. | 3:08:25 | 3:08:26 | |
LAUGHTER Gary Barlow for helping to make the | 3:08:26 | 3:08:33 | |
whole thing possible. APPLAUSE AND CHEERING | 3:08:33 | 3:08:38 | |
And above all, all those remarkable technicians, all 600 of them behind | 3:08:38 | 3:08:46 | |
the scenes. APPLAUSE AND CHEERING | 3:08:46 | 3:08:53 | |
Without which nothing would happen. And if I may say so, Your Majesty, | 3:08:53 | 3:09:03 | |
3:09:03 | 3:09:07 | ||
thank God the weather turned out fine. | 3:09:07 | 3:09:09 | |
LAUGHTER And the reason, of course, is | 3:09:09 | 3:09:17 | |
because I didn't do the forecast! Your Majesty, millions, we are told, | 3:09:17 | 3:09:25 | |
dream of having tea with you. Quite a lot, quite a lot of people have | 3:09:25 | 3:09:32 | |
very nearly had a picnic dinner with you in the the garden in | 3:09:32 | 3:09:40 | |
Buckingham Palace. APPLAUSE AND CHEERING | 3:09:40 | 3:09:44 | |
The only sad thing about this evening is that my father couldn't | 3:09:44 | 3:09:52 | |
be here with us because unfortunately he is taken unwell, | 3:09:52 | 3:09:55 | |
but ladies and gentlemen, if we shout loud enough, he might just | 3:09:55 | 3:10:05 | |
3:10:05 | 3:10:34 | ||
hear us in hospital. Your Majesty, a Diamond Jubilee is | 3:10:35 | 3:10:42 | |
a unique and special event. Some of us have had the joy of celebrating | 3:10:42 | 3:10:52 | |
3:10:52 | 3:10:57 | ||
three jubilees with you and I have the medals to prove it! | 3:10:58 | 3:10:59 | |
LAUGHTER And we are now celebrating the life | 3:10:59 | 3:11:02 | |
and service of a very special person over the last 60 years. | 3:11:02 | 3:11:12 | |
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APPLAUSE AND CHEERING I was three when my grandfather, | 3:11:13 | 3:11:20 | |
King George VI died and suddenly, unexpectedly your and my father's | 3:11:20 | 3:11:30 | |
3:11:30 | 3:11:30 | ||
lives were changed when you were only 26. So as a nation, this is | 3:11:30 | 3:11:36 | |
our opportunity to thank you and my father for always being there for | 3:11:36 | 3:11:43 | |
us, for inspiring us with your selfless duty and service and for | 3:11:43 | 3:11:53 | |
3:11:53 | 3:12:02 | ||
making us proud to be British. APPLAUSE AND CHEERING | 3:12:02 | 3:12:07 | |
Proud at a time when I know how many of our fellow countrymen are | 3:12:07 | 3:12:13 | |
suffering such hardship and difficulties. Proud to be lining | 3:12:13 | 3:12:19 | |
the banks of the Thames in their millions despite the rain and the | 3:12:19 | 3:12:26 | |
cold. Proud to be part of something as unique as the Commonwealth which | 3:12:26 | 3:12:33 | |
through your leadership has given us that essential sense of unity | 3:12:33 | 3:12:42 | |
through diversity. So Your Majesty, we offer you our humble duty and | 3:12:42 | 3:12:52 | |
3:12:52 | 3:12:54 | ||
with it three resounding cheers for Her Majesty the Queen. Hip-hip... | 3:12:54 | 3:12:57 | |
Hooray. Hip-hip. | 3:12:57 | 3:13:07 | |
3:13:07 | 3:13:07 | ||
Apology for the loss of subtitles for 82 seconds | 3:13:07 | 3:13:48 | |
# Send her victorious # Long to reign over us | 3:13:48 | 3:13:58 | |
3:13:58 | 3:13:58 | ||
Apology for the loss of subtitles for 82 seconds | 3:13:58 | 3:15:09 | |
# May she defend our laws Ladies and gentlemen, Her Majesty | 3:15:09 | 3:15:19 | |
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the The Queen will light the The pageant master presents the | 3:15:25 | 3:15:27 | |
Jubilee Crystal Diamond to the Queen and this is the vehicle for | 3:15:28 | 3:15:34 | |
lighting the last of 4,200 beacons in the UK and across the world. The | 3:15:34 | 3:15:44 | |
last one being this one on the Mall. A flame six meters high which | 3:15:44 | 3:15:48 | |
signals that this Diamond Jubilee has been celebrated fully and | 3:15:48 | 3:15:56 | |
formally outside Buckingham Palace. A crowd of 20,000 people who have | 3:15:56 | 3:16:02 | |
enjoyed the best music, the very best entertainment for this Diamond | 3:16:02 | 3:16:10 | |
Jubilee and many thousands more lining the Mall and St James' Park. | 3:16:10 | 3:16:20 | |
3:16:20 | 3:16:20 | ||
There will be a fireworks display set to a diamond theme. 5,000 | 3:16:20 | 3:16:24 | |
individual bursts of fireworks in four minutes all set to glorious | 3:16:24 | 3:16:34 | |
3:16:34 | 3:16:34 | ||
Apology for the loss of subtitles for 82 seconds | 3:16:34 | 3:19:07 | |
MUSIC: Land Of Hope And Glory A splendid and fitting fireworks | 3:19:07 | 3:19:11 | |
extravaganza bringing the Diamond Jubilee Concert to an end. Join us | 3:19:11 | 3:19:19 |