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Up and down the country, | 0:00:02 | 0:00:04 | |
there are properties waiting to be brought back to life. | 0:00:04 | 0:00:06 | |
I'll be discovering why and how you can turn a diamond in the rough | 0:00:06 | 0:00:09 | |
into a gem of a home. | 0:00:09 | 0:00:11 | |
We'll be following the Empty Property Officers | 0:00:11 | 0:00:14 | |
whose job it is to track down the owners of these forgotten houses | 0:00:14 | 0:00:17 | |
and get them back into use. | 0:00:17 | 0:00:19 | |
And I'll be finding out more | 0:00:20 | 0:00:22 | |
about more about our housing stock, our history | 0:00:22 | 0:00:24 | |
and why we should both be preserving and reinventing | 0:00:24 | 0:00:27 | |
Britain's empty homes. | 0:00:27 | 0:00:28 | |
The decision to take on an empty property | 0:00:38 | 0:00:40 | |
and turn it into your home is never a simple one. | 0:00:40 | 0:00:43 | |
In taking on a building that's been standing vacant, there's always | 0:00:43 | 0:00:46 | |
an element of the unknown. | 0:00:46 | 0:00:48 | |
But if you are prepared to do your research, plan and work hard, | 0:00:48 | 0:00:51 | |
the benefits and rewards can far outweigh the risks. | 0:00:51 | 0:00:55 | |
On today's show, I'll be meeting a couple who've taken on | 0:00:59 | 0:01:02 | |
a disused house and have plans for a major renovation... | 0:01:02 | 0:01:06 | |
In effect, it'll be two houses, so you've got old at the front | 0:01:06 | 0:01:09 | |
and brand spanking new at the back. | 0:01:09 | 0:01:11 | |
..I'll see what's being done to get houses lived in again | 0:01:13 | 0:01:16 | |
along one of Britain's busiest roads... | 0:01:16 | 0:01:18 | |
I think the community's getting back on its feet, following the blight and uncertainty. | 0:01:18 | 0:01:23 | |
..and we'll be following | 0:01:23 | 0:01:24 | |
one of Britain's Empty Property Officers, as they work | 0:01:24 | 0:01:27 | |
to bring abandoned buildings back into use. | 0:01:27 | 0:01:30 | |
Finally, for local people who live in this street, | 0:01:30 | 0:01:32 | |
it's going to be an end of a nightmare for them. | 0:01:32 | 0:01:34 | |
Jason Rodd and his fiancee Gail Dewing recently spent | 0:01:36 | 0:01:39 | |
£200,000 on this detached cottage in the Nottinghamshire village | 0:01:39 | 0:01:43 | |
of Southwell, home to the Bramley Apple. | 0:01:43 | 0:01:46 | |
Dating back to the 17th century, | 0:01:46 | 0:01:48 | |
it's believed to have been a former orchard worker's cottage. | 0:01:48 | 0:01:52 | |
I think we fell for it a bit, | 0:01:52 | 0:01:54 | |
even with the agent's photograph on the front of the details. | 0:01:54 | 0:01:57 | |
It was obviously taken on a sunny day and it did look | 0:01:57 | 0:02:00 | |
really nice and classic and cottage-y. | 0:02:00 | 0:02:02 | |
When the previous owner moved into a retirement home, | 0:02:04 | 0:02:06 | |
the house fell into disrepair. | 0:02:06 | 0:02:08 | |
Gail and Jason are planning a total overhaul. | 0:02:08 | 0:02:11 | |
We almost felt sorry for the building... | 0:02:11 | 0:02:14 | |
The brickwork and everything is so lovely at front, | 0:02:14 | 0:02:17 | |
and then you've got this utterly hideous | 0:02:17 | 0:02:19 | |
'70s flat-roof extension on the back. | 0:02:19 | 0:02:21 | |
A project on this scale is new for both of them | 0:02:21 | 0:02:23 | |
and while Jason has done some renovation work before, | 0:02:23 | 0:02:26 | |
for Gail, this is a step into the unknown. | 0:02:26 | 0:02:28 | |
I have no experience, no physical, manual skills, | 0:02:29 | 0:02:34 | |
but I do have vision of where we're going to get to. | 0:02:34 | 0:02:37 | |
I'm meeting Jason and Gail at their cottage to discuss their plans | 0:02:39 | 0:02:42 | |
and hear their ideas on how to unite the old house | 0:02:42 | 0:02:45 | |
and the brand-new modern extension they're looking to build. | 0:02:45 | 0:02:48 | |
So, guys, tell me about your beautiful cottage here. | 0:02:49 | 0:02:52 | |
It was previously empty for over six months | 0:02:52 | 0:02:54 | |
and we're in the process of renovating it. | 0:02:54 | 0:02:56 | |
-Can we go inside and have a look round? -Absolutely. | 0:02:56 | 0:02:59 | |
Brilliant. Lead the way. | 0:02:59 | 0:03:00 | |
At the moment, the house has three bedrooms and a small living area, | 0:03:00 | 0:03:04 | |
but Gail and Jason have big ideas for the property. | 0:03:04 | 0:03:08 | |
So, we're in the main part of the cottage, the living room. | 0:03:08 | 0:03:11 | |
-That's correct. -It's beautiful, really cosy size. | 0:03:11 | 0:03:14 | |
Now, where do you start on a project like this? | 0:03:14 | 0:03:16 | |
The first thing we had to do was get the house dried out. | 0:03:16 | 0:03:20 | |
It was absolutely damp, you could smell it as soon as you came in. | 0:03:20 | 0:03:23 | |
So, the first brief was get as much off the walls as you possibly could, | 0:03:23 | 0:03:27 | |
which... Jason has done all the work in here, as you can see. | 0:03:27 | 0:03:31 | |
Already, the house is drying out. | 0:03:31 | 0:03:33 | |
What's the grand plan? | 0:03:33 | 0:03:34 | |
What's your vision for the place, what do you want to do with it? | 0:03:34 | 0:03:37 | |
Well, it's a home for life. | 0:03:37 | 0:03:39 | |
It will be three stages, | 0:03:39 | 0:03:41 | |
so...renovating and repairing the old two-up, two-down cottage. | 0:03:41 | 0:03:45 | |
Stage two is an extension, so big, family...a modern kitchen. | 0:03:46 | 0:03:51 | |
So, everything outside of this two-up, two-down | 0:03:51 | 0:03:54 | |
will be modern, new and contemporary. | 0:03:54 | 0:03:57 | |
And we'll be living as a family in that part of the building. | 0:03:57 | 0:04:02 | |
And then, we're putting another annexe outside of the house. | 0:04:02 | 0:04:04 | |
A completely separate new build at the north end of the property. | 0:04:04 | 0:04:07 | |
And the wood burner here is temporary? | 0:04:07 | 0:04:09 | |
It's going to help you to dry out the place and give you some warmth | 0:04:09 | 0:04:12 | |
-while you work. -Yeah. -Are you on gas here? How does it work? | 0:04:12 | 0:04:15 | |
There's been nothing to the property whatsoever. | 0:04:15 | 0:04:17 | |
We're currently researching all the renewable options, | 0:04:17 | 0:04:20 | |
which we're really interested in, apart from the cost. | 0:04:20 | 0:04:22 | |
So tricky, isn't it? Because you're plying all your efforts and energies | 0:04:22 | 0:04:26 | |
into making this a home for life, and all the energy solutions | 0:04:26 | 0:04:29 | |
out there that are perhaps the greenest | 0:04:29 | 0:04:31 | |
do require quite a lot of investment upfront. | 0:04:31 | 0:04:34 | |
I'm curious where this extension would go. | 0:04:34 | 0:04:36 | |
-Shall we go through to the back? -Yeah, sure. | 0:04:36 | 0:04:38 | |
This might be a small cottage, | 0:04:39 | 0:04:40 | |
but it's a massive renovation that Jason and Gail are taking on. | 0:04:40 | 0:04:44 | |
Where are we here? What was this on the back of the house? | 0:04:47 | 0:04:51 | |
Well, this was the previous owner's kitchen. | 0:04:51 | 0:04:54 | |
Really small space. This is like a warren of rooms here, | 0:04:54 | 0:04:56 | |
and you've got, I can see, more modern brick there, | 0:04:56 | 0:04:59 | |
so that's an add-on again, is it? | 0:04:59 | 0:05:01 | |
That's the 1970s flat-roof extension coming off | 0:05:01 | 0:05:03 | |
this very tiny original kitchen. | 0:05:03 | 0:05:05 | |
What is your budget for a project of this size? | 0:05:05 | 0:05:09 | |
It's a big, big project. | 0:05:09 | 0:05:10 | |
We're going to try really hard to stick within the £75,000. | 0:05:10 | 0:05:13 | |
Obviously, it doesn't include stage three, | 0:05:13 | 0:05:16 | |
which is a complete new build at the other end of the property. | 0:05:16 | 0:05:20 | |
-Are you living somewhere else at the moment? -Yeah. | 0:05:20 | 0:05:22 | |
Are you having to pay rent, or...? | 0:05:22 | 0:05:23 | |
-No, we are actually paying another mortgage. -OK. | 0:05:23 | 0:05:26 | |
But as soon as we can get a bathroom of sorts | 0:05:26 | 0:05:28 | |
and some sort of living conditions | 0:05:28 | 0:05:31 | |
then we will move in. | 0:05:31 | 0:05:33 | |
Where would you like a bit more help? | 0:05:33 | 0:05:35 | |
What is it you're still exploring and thinking about | 0:05:35 | 0:05:37 | |
and developing ideas with? | 0:05:37 | 0:05:40 | |
Well, we've already mentioned the heating and energy efficiency, | 0:05:40 | 0:05:44 | |
and also the transition between old and new. | 0:05:44 | 0:05:47 | |
We're quite adamant... In effect, it'll be two houses, | 0:05:47 | 0:05:49 | |
so you've got old at the front and brand spanking new at the back... | 0:05:49 | 0:05:54 | |
Making sure it's a smooth transition, | 0:05:54 | 0:05:56 | |
but a wow factor at the same time. | 0:05:56 | 0:05:58 | |
-It's difficult to visualise that at the moment. -Yeah. | 0:05:58 | 0:06:01 | |
You just have to hope you're going the right way, | 0:06:01 | 0:06:03 | |
but it's nice to see when it's already been done | 0:06:03 | 0:06:05 | |
and get some guidance from that. | 0:06:05 | 0:06:07 | |
Look, as I say, you do seem to be on track, | 0:06:07 | 0:06:09 | |
but it's always good to get some more guidance | 0:06:09 | 0:06:12 | |
and see how other people have tackled this kind of thing. | 0:06:12 | 0:06:15 | |
There's always room for more ideas. | 0:06:15 | 0:06:16 | |
Later on, we'll go and see another period property that's had a complete renovation. | 0:06:16 | 0:06:20 | |
I think you'll take a lot from it, and it'll be nice to speak | 0:06:20 | 0:06:23 | |
to the guys that have been through a complete project. | 0:06:23 | 0:06:25 | |
We'll get as much help and advice there - and, really, inspiration. | 0:06:25 | 0:06:28 | |
You can rule things in, rule things out, see what you like. | 0:06:28 | 0:06:31 | |
-Sound good? -Yeah, definitely. Thanks. -Great. | 0:06:31 | 0:06:33 | |
What a beautiful little cottage! | 0:06:36 | 0:06:38 | |
You can see why Gail and Jason are besotted with this place, | 0:06:38 | 0:06:41 | |
and they've started in exactly the right way, | 0:06:41 | 0:06:43 | |
sorting out the structure to make sure it's all nice and sound. | 0:06:43 | 0:06:45 | |
But they've definitely got a lot ahead of them, so it will be good | 0:06:45 | 0:06:48 | |
for them to meet people who've been through this before, | 0:06:48 | 0:06:51 | |
exchange ideas, and just get that little bit of extra inspiration. | 0:06:51 | 0:06:54 | |
We've all walked past them and possibly | 0:06:58 | 0:06:59 | |
not even given them a second thought, | 0:06:59 | 0:07:01 | |
but abandoned buildings lying disused and desolate | 0:07:01 | 0:07:05 | |
have the potential to become homes once again. | 0:07:05 | 0:07:07 | |
Luckily, there are Empty Property Officers up and down the country | 0:07:07 | 0:07:11 | |
working to bring these forgotten places back into use. | 0:07:11 | 0:07:15 | |
In Lewisham, south-east London, it's the job of Nick Long | 0:07:15 | 0:07:17 | |
to find new owners for the unloved properties on his patch. | 0:07:17 | 0:07:20 | |
Since he's been in the post, | 0:07:20 | 0:07:22 | |
he and his team have brought around 3,000 empties back into use. | 0:07:22 | 0:07:26 | |
Today he's on his way to a house | 0:07:28 | 0:07:29 | |
which has been empty for the past six months. | 0:07:29 | 0:07:32 | |
Nick is working with the family of the owner to get it lived in again. | 0:07:32 | 0:07:36 | |
It's a property that is owned by an elderly gentleman, | 0:07:36 | 0:07:40 | |
and we're working with the family to try and make an assessment | 0:07:40 | 0:07:43 | |
of whether this property can be saved and made safe. | 0:07:43 | 0:07:46 | |
Sadly, the owner is unable to live independently and has moved out. | 0:07:46 | 0:07:51 | |
Nick is concerned about possible structural problems | 0:07:51 | 0:07:54 | |
at the front of the house, so he's called in his colleague Kevin Foley, | 0:07:54 | 0:07:57 | |
a building control officer from Lewisham Council. | 0:07:57 | 0:08:01 | |
It looks to me as though there's a certain amount of subsidence | 0:08:01 | 0:08:04 | |
to the front bay. | 0:08:04 | 0:08:05 | |
I've noticed that there's chunks falling off the building, actually. | 0:08:05 | 0:08:08 | |
If it's as dangerous as I think it possibly could be, | 0:08:08 | 0:08:12 | |
we would need to get contractors in today or tomorrow... | 0:08:12 | 0:08:15 | |
But I think we need to have a closer look | 0:08:15 | 0:08:16 | |
-to see what we're dealing with. -OK, let's do that. | 0:08:16 | 0:08:19 | |
With signs of possible subsidence | 0:08:20 | 0:08:22 | |
and the risk of injury to the public, | 0:08:22 | 0:08:24 | |
Nick and Kevin need to assess the structure of the bay window | 0:08:24 | 0:08:27 | |
more closely. | 0:08:27 | 0:08:28 | |
See the diagonal cracks that indicate... | 0:08:29 | 0:08:32 | |
that there has been movement on the bay and... | 0:08:33 | 0:08:35 | |
..they're quite deep and wide and they are more than superficial. | 0:08:37 | 0:08:40 | |
They're going all the way through the brickwork, you can see. | 0:08:40 | 0:08:44 | |
Nick and Kevin continue their inspection | 0:08:44 | 0:08:46 | |
on the first floor of the house. | 0:08:46 | 0:08:49 | |
You can clearly see daylight | 0:08:49 | 0:08:52 | |
through the mullions and the brickwork. | 0:08:52 | 0:08:55 | |
And probably... | 0:08:55 | 0:08:57 | |
Yep, just... | 0:08:57 | 0:08:58 | |
As you can see, if that was to fall on someone's head... | 0:09:00 | 0:09:02 | |
Do quite a bit of damage. | 0:09:02 | 0:09:04 | |
I think, looking at the balcony next door, | 0:09:04 | 0:09:06 | |
that's something we'll need to go and have a closer look at. | 0:09:06 | 0:09:09 | |
Here we've got this stone balcony, | 0:09:13 | 0:09:15 | |
which you can see is moving away from the main wall of the building. | 0:09:15 | 0:09:19 | |
Obviously, if that was to fall forward, | 0:09:21 | 0:09:23 | |
that could do some serious damage to anyone who's passing below. | 0:09:23 | 0:09:26 | |
Are you coming to a view that this is a dangerous structure? | 0:09:26 | 0:09:29 | |
This thing could fall over next week. | 0:09:29 | 0:09:31 | |
Obviously, we can't take the risk, | 0:09:31 | 0:09:32 | |
so, as a matter of urgency, we want to get our contractors in | 0:09:32 | 0:09:35 | |
just to make this front bay safe. | 0:09:35 | 0:09:38 | |
It's clear some urgent structural repairs need to be done. | 0:09:40 | 0:09:44 | |
Only then can this house become a home once more. | 0:09:44 | 0:09:46 | |
We'll serve a Dangerous Structure Notice on the property, | 0:09:48 | 0:09:51 | |
get our contractors in, | 0:09:51 | 0:09:53 | |
make the front of the property safe and secure | 0:09:53 | 0:09:55 | |
and that allows the occupiers or the owners of the building | 0:09:55 | 0:09:58 | |
some time to arrange for repairs to be carried out. | 0:09:58 | 0:10:03 | |
Since Nick's visit, the council has brought in a specialist contractor | 0:10:03 | 0:10:06 | |
to put scaffolding in place, securing the structure | 0:10:06 | 0:10:10 | |
of the front bay window. | 0:10:10 | 0:10:12 | |
Taking on an empty dilapidated building | 0:10:12 | 0:10:15 | |
can be a tough and stressful undertaking. | 0:10:15 | 0:10:18 | |
But the stunning results that can be achieved | 0:10:18 | 0:10:20 | |
are just one of the reasons why it's becoming a desirable way | 0:10:20 | 0:10:23 | |
to create your dream home. | 0:10:23 | 0:10:25 | |
And that's exactly what Ian and Tina Walker found | 0:10:25 | 0:10:29 | |
when they decided to take a gamble | 0:10:29 | 0:10:31 | |
on this Grade II listed thatched cottage | 0:10:31 | 0:10:33 | |
in Peterborough in 2006. | 0:10:33 | 0:10:36 | |
It was condemned, empty, | 0:10:36 | 0:10:37 | |
derelict, full of scrap, | 0:10:37 | 0:10:40 | |
on the verge of collapse | 0:10:40 | 0:10:42 | |
and a building worth saving. | 0:10:42 | 0:10:43 | |
When I first saw it and it was covered up with a tarpaulin, | 0:10:45 | 0:10:48 | |
I actually hadn't seen that before. You know, a house wrapped up. | 0:10:48 | 0:10:51 | |
It hadn't been lived in for around 50 years | 0:10:51 | 0:10:54 | |
and the cottage was on the local Houses At Risk register. | 0:10:54 | 0:10:58 | |
The Walkers bought it for £47,500 | 0:10:58 | 0:11:00 | |
and spent a further £92,000 on the major renovation work needed. | 0:11:00 | 0:11:05 | |
To get a blank canvas, effectively, although it was a restoration... | 0:11:05 | 0:11:10 | |
That I could also do it in the way that I felt that it should be done, | 0:11:10 | 0:11:13 | |
was brilliant. Just life... | 0:11:13 | 0:11:16 | |
Well, nearly a 30-year dream come true for me. | 0:11:16 | 0:11:19 | |
As a joiner, Ian could dedicate his skills | 0:11:19 | 0:11:22 | |
to bringing the house back into use and making it a home again. | 0:11:22 | 0:11:25 | |
Generally speaking, it was in such a bad way | 0:11:26 | 0:11:29 | |
that if there was anything that was in good order, it was a bonus. | 0:11:29 | 0:11:33 | |
We tried to keep as much of its original fabric - | 0:11:33 | 0:11:36 | |
and he definitely did - as we could, | 0:11:36 | 0:11:39 | |
but to reuse it our way. | 0:11:39 | 0:11:41 | |
By taking on a condemned house, | 0:11:42 | 0:11:44 | |
Ian and Tina were able to create their idyllic family home | 0:11:44 | 0:11:47 | |
for much less than if they'd bought it already renovated | 0:11:47 | 0:11:50 | |
and it's now worth £275,000. | 0:11:50 | 0:11:54 | |
The finish was when people kept telling me how lovely it looked. | 0:11:55 | 0:11:59 | |
You just turn round and look at it | 0:11:59 | 0:12:01 | |
and you might get a flashback of what it was, and you think, "Wow!" | 0:12:01 | 0:12:04 | |
Whatever we've done, | 0:12:04 | 0:12:06 | |
and whatever efforts we put in here or endured or went through, | 0:12:06 | 0:12:10 | |
it's a house now that will stand for the next 200 years, | 0:12:10 | 0:12:14 | |
and that's a big deal. | 0:12:14 | 0:12:15 | |
Across the country, road building projects that have stalled | 0:12:19 | 0:12:22 | |
can often lead to problems with large numbers of empty properties. | 0:12:22 | 0:12:27 | |
The area around the North Circular here in Enfield | 0:12:27 | 0:12:30 | |
has suffered decades of neglect. | 0:12:30 | 0:12:32 | |
Years of problems with fly-tipping, squatting, | 0:12:32 | 0:12:35 | |
arson and vermin have made places uninhabitable. | 0:12:35 | 0:12:39 | |
But with 75,000 people on London's waiting list, | 0:12:39 | 0:12:42 | |
these homes are resources that need to be used. | 0:12:42 | 0:12:46 | |
Back in the '60s and '70s, | 0:12:47 | 0:12:49 | |
the Government worked to compulsory purchase houses | 0:12:49 | 0:12:51 | |
along this two-mile stretch of the A406 | 0:12:51 | 0:12:54 | |
to make way for a road widening scheme that never materialised, | 0:12:54 | 0:12:57 | |
leaving hundreds of homes to fall into disrepair. | 0:12:57 | 0:13:01 | |
But today, more than 40 years later, | 0:13:03 | 0:13:06 | |
250 properties are in their final phase of being refurbished | 0:13:06 | 0:13:09 | |
and the entire area is being brought back to life. | 0:13:09 | 0:13:13 | |
I've come to meet Ken Barnett, the project manager | 0:13:13 | 0:13:15 | |
from Notting Hill Housing Trust to find out more. | 0:13:15 | 0:13:19 | |
Ken, remind me, how did we get to a situation where so many properties | 0:13:19 | 0:13:22 | |
along the A406, the North Circular, were sitting empty for years? | 0:13:22 | 0:13:27 | |
It started back in the 1960s, when the Department Of Transport | 0:13:27 | 0:13:30 | |
started to buy up properties, | 0:13:30 | 0:13:32 | |
planning to make the road into a dual carriageway. | 0:13:32 | 0:13:36 | |
That decision was subsequently shelved but, in the meantime, | 0:13:36 | 0:13:38 | |
total uncertainty and total blight of the area. | 0:13:38 | 0:13:42 | |
The Housing Trust purchased the houses from Transport For London | 0:13:42 | 0:13:45 | |
and is in the process of bringing them back into use. | 0:13:45 | 0:13:47 | |
What's the cost of doing this? What sort of money is involved? | 0:13:47 | 0:13:51 | |
We are spending just in excess of £10 million | 0:13:51 | 0:13:53 | |
of refurbishment costs on that. | 0:13:53 | 0:13:55 | |
That includes the clean-up of the gardens | 0:13:55 | 0:13:58 | |
and everything that was squatted. | 0:13:58 | 0:14:00 | |
In terms of the works we're doing, we're doing, broadly, | 0:14:00 | 0:14:03 | |
new roofs, new kitchens, new bathrooms, | 0:14:03 | 0:14:06 | |
we're reconfiguring some properties, just to make them more usable, | 0:14:06 | 0:14:09 | |
bringing them up to modern-day standards. | 0:14:09 | 0:14:12 | |
Finally, what difference does all this make? How important is it? | 0:14:12 | 0:14:16 | |
I think the community is getting back on its feet, | 0:14:16 | 0:14:19 | |
following the blight and uncertainty | 0:14:19 | 0:14:21 | |
which has gone on for a long, long time. | 0:14:21 | 0:14:23 | |
And one local resident, Maureen Stephenson, | 0:14:23 | 0:14:26 | |
has benefited from the housing project. | 0:14:26 | 0:14:28 | |
Having lived in the area for 14 years, she's now living | 0:14:28 | 0:14:31 | |
in one of the improved properties, | 0:14:31 | 0:14:33 | |
complete with double glazing to minimise the road noise. | 0:14:33 | 0:14:37 | |
Before the regeneration started along the A406, it was really bad, | 0:14:37 | 0:14:41 | |
the houses were derelict and run down, there were squatters, | 0:14:41 | 0:14:45 | |
people used to fly-tip, dump rubbish everywhere. | 0:14:45 | 0:14:49 | |
You really felt like you were living in a slum. It wasn't very nice. | 0:14:49 | 0:14:53 | |
The work being done here really has made | 0:14:53 | 0:14:56 | |
a positive difference to the area. | 0:14:56 | 0:14:58 | |
It is so lovely to see all those houses back in use | 0:14:58 | 0:15:02 | |
and, you know, nicely decorated... | 0:15:02 | 0:15:04 | |
And families are going to move in | 0:15:04 | 0:15:06 | |
so that we can have a community again. | 0:15:06 | 0:15:09 | |
For so many years, when you drove down this road, | 0:15:10 | 0:15:13 | |
you'd just see boarded-up house after boarded-up house, | 0:15:13 | 0:15:15 | |
but now, finally, the area is being brought back to life. | 0:15:15 | 0:15:19 | |
And it's not just about revitalising the community, | 0:15:19 | 0:15:22 | |
it's also about getting people off the housing waiting lists | 0:15:22 | 0:15:25 | |
and providing much-needed homes for families. | 0:15:25 | 0:15:29 | |
I'm with Jason Rodd and Gail Dewing | 0:15:32 | 0:15:35 | |
who bought a derelict house which they plan to renovate | 0:15:35 | 0:15:37 | |
and add to with a new, contemporary extension. | 0:15:37 | 0:15:40 | |
I want them to meet someone who's carried out a similar project | 0:15:40 | 0:15:43 | |
and can give them some great advice. | 0:15:43 | 0:15:45 | |
Right, guys, this is the property I want you to see. | 0:15:45 | 0:15:48 | |
Detached red-brick house dating back to 1903. | 0:15:48 | 0:15:51 | |
It was empty for a whole year. It was in a pretty poor condition. | 0:15:51 | 0:15:56 | |
Peter and his wife worked on it, he dedicated himself to it | 0:15:56 | 0:15:58 | |
for a whole year, just to do it up. | 0:15:58 | 0:16:00 | |
He's been working on it in bits ever since, | 0:16:00 | 0:16:02 | |
so a lot of work has gone into it. | 0:16:02 | 0:16:04 | |
-I think we should go and say hello. -OK. | 0:16:04 | 0:16:06 | |
Interior designer Peter Tasker and wife Vicky | 0:16:07 | 0:16:10 | |
fell for the red-brick Victorian detached house at first sight. | 0:16:10 | 0:16:13 | |
The front of the house was what first drew us to it, | 0:16:15 | 0:16:18 | |
because there were so many nice architectural features. | 0:16:18 | 0:16:22 | |
But the inside was quite a different story. | 0:16:22 | 0:16:24 | |
Yes, very damp and there were lots of cracks everywhere. | 0:16:24 | 0:16:27 | |
The couple bought the house in 2005 for £300,000 | 0:16:27 | 0:16:31 | |
and to save money, they decided to live in the property | 0:16:31 | 0:16:34 | |
whilst work was ongoing. | 0:16:34 | 0:16:35 | |
Well, we got the keys, and then we literally all moved in | 0:16:35 | 0:16:38 | |
and started working. | 0:16:38 | 0:16:40 | |
Yeah, we piled all our possessions in this room | 0:16:40 | 0:16:42 | |
and started painting throughout. | 0:16:42 | 0:16:44 | |
Impressively, Peter did much of the work himself, | 0:16:44 | 0:16:47 | |
only calling in the professionals for the specialist jobs. | 0:16:47 | 0:16:50 | |
We wouldn't have been able to do the project without | 0:16:50 | 0:16:53 | |
basically deciding we were going to do the work ourselves. | 0:16:53 | 0:16:55 | |
We dug out the floor, we mixed the gobo... | 0:16:55 | 0:16:59 | |
-I mean, we did all of that, didn't we? -Yeah. | 0:16:59 | 0:17:02 | |
And for those who don't know, gobo is concrete, | 0:17:02 | 0:17:04 | |
and these people clearly know their stuff. | 0:17:04 | 0:17:07 | |
So, Peter's meeting us today to offer | 0:17:07 | 0:17:09 | |
some ideas and inspiration for Gail and Jason. | 0:17:09 | 0:17:11 | |
-It's quite an extension, isn't it? -Wow. | 0:17:13 | 0:17:15 | |
-Yeah. -Absolutely. | 0:17:15 | 0:17:18 | |
-It's a fantastic space. -Yeah. | 0:17:18 | 0:17:20 | |
So, it strikes me as something quite similar to your plans, | 0:17:20 | 0:17:24 | |
in that it's extending out the back, it's getting that width | 0:17:24 | 0:17:27 | |
and that one big, open-plan space. | 0:17:27 | 0:17:29 | |
As soon as you walk in, you feel it's cosy, | 0:17:29 | 0:17:32 | |
yet light and airy at the same time. | 0:17:32 | 0:17:35 | |
For me, this is definitely the aspect that I wanted... Well, want. | 0:17:36 | 0:17:42 | |
You know, you walk in and there's a wow factor. | 0:17:42 | 0:17:44 | |
And the light... Have you thought about where you'd bring light in, | 0:17:44 | 0:17:47 | |
or how you would use windows in your extension? | 0:17:47 | 0:17:50 | |
Seeing the amount of natural light you've managed to bring in here, | 0:17:50 | 0:17:53 | |
it's something we're going to maybe pay a bit more attention to | 0:17:53 | 0:17:56 | |
before we make any big decisions on that, | 0:17:56 | 0:17:58 | |
because it is really impressive and it helps to set the whole room off | 0:17:58 | 0:18:01 | |
with so much natural light. It's lovely. | 0:18:01 | 0:18:03 | |
You guys are looking at energy and heating solutions. | 0:18:03 | 0:18:06 | |
-What are you...? You're on gas here, aren't you? -Yes. | 0:18:06 | 0:18:09 | |
Did you think of using anything else, | 0:18:09 | 0:18:11 | |
or going for any particular green technologies? | 0:18:11 | 0:18:14 | |
I looked into solar panels, I looked into turbines... | 0:18:14 | 0:18:18 | |
but the initial outlay was too much in every case. | 0:18:18 | 0:18:20 | |
Having underfloor heating makes a big difference. | 0:18:20 | 0:18:24 | |
Is that throughout here, or throughout the ground floor? | 0:18:24 | 0:18:27 | |
-Throughout the ground floor. -Yeah. | 0:18:27 | 0:18:29 | |
The beauty of this is you've got your insulation | 0:18:29 | 0:18:31 | |
and then a slab of concrete. | 0:18:31 | 0:18:34 | |
What happens is it heats that concrete | 0:18:34 | 0:18:36 | |
and then that becomes like a storage heater. | 0:18:36 | 0:18:38 | |
So, how sympathetic did you keep the look of it from the outside? | 0:18:38 | 0:18:41 | |
Did you stay with the red brick? That's what you're thinking, right? | 0:18:41 | 0:18:45 | |
We went with the Imperial sized brick. | 0:18:45 | 0:18:47 | |
I sourced the blue engineering bricks with the chamfer, | 0:18:47 | 0:18:51 | |
which I had to have handmade. | 0:18:51 | 0:18:53 | |
The bricklayer did really good... | 0:18:53 | 0:18:56 | |
they call it dental work, to try and match the existing corbelling | 0:18:56 | 0:18:58 | |
and that sort of thing. | 0:18:58 | 0:19:00 | |
Yeah, I think when you look, it is in-keeping. | 0:19:00 | 0:19:04 | |
-That's what you think, be as sympathetic as possible? -Yeah. | 0:19:04 | 0:19:07 | |
These guys are thinking of getting a bathroom, a bedroom ready | 0:19:07 | 0:19:10 | |
and trying to moving as soon as possible to be there. | 0:19:10 | 0:19:13 | |
-Is that something you would advise? -Yes, I would. | 0:19:13 | 0:19:16 | |
Because otherwise you're paying for two...accommodations | 0:19:16 | 0:19:19 | |
and you would be heating two areas too. | 0:19:19 | 0:19:22 | |
As a reality check, how tough is it? | 0:19:22 | 0:19:24 | |
It's not that pleasant, is it? | 0:19:24 | 0:19:26 | |
It isn't. | 0:19:26 | 0:19:28 | |
You just have to enjoy your food with dust in, | 0:19:28 | 0:19:30 | |
and enjoy doing a lot of cleaning. | 0:19:30 | 0:19:33 | |
But you do end up with some nice results. | 0:19:33 | 0:19:36 | |
That's not going to put you off. I sense the usual determination. | 0:19:36 | 0:19:40 | |
Yeah, we're determined and we both know it will be worth it in the end. | 0:19:40 | 0:19:44 | |
You know, it's the endgame, isn't it? | 0:19:44 | 0:19:46 | |
I love this, I think it's an amazing space. | 0:19:46 | 0:19:49 | |
As you said, it really does have that wow factor. | 0:19:49 | 0:19:51 | |
But, I think we should also look around a bit further, | 0:19:51 | 0:19:54 | |
-so shall we pop to the front of the house? -Yes. | 0:19:54 | 0:19:57 | |
Peter and his wife carried out | 0:20:01 | 0:20:02 | |
a complete renovation from the ground up, | 0:20:02 | 0:20:05 | |
creating a truly stunning family home. | 0:20:05 | 0:20:08 | |
Right, this is your front sitting room. | 0:20:12 | 0:20:14 | |
Huge project, it's a big house, what did you budget for that? | 0:20:14 | 0:20:17 | |
We budgeted about 40,000, initially. | 0:20:17 | 0:20:22 | |
As the project has taken more and more time, | 0:20:22 | 0:20:24 | |
obviously we've eaten into that, | 0:20:24 | 0:20:27 | |
-but we seem to be pretty much on budget. -Really? -Yeah. | 0:20:27 | 0:20:30 | |
How much of it was spent on the extension, as a proportion of that? | 0:20:30 | 0:20:34 | |
I think the whole extension, | 0:20:34 | 0:20:36 | |
just the infrastructure of getting it built, | 0:20:36 | 0:20:40 | |
was about 15,000. | 0:20:40 | 0:20:41 | |
It's encouraging you can add on such a big space | 0:20:41 | 0:20:44 | |
like you have for that kind of budget. | 0:20:44 | 0:20:47 | |
When you first moved in, did you have a clear idea that | 0:20:47 | 0:20:50 | |
you were going to keep the old part of the house very much separate, | 0:20:50 | 0:20:54 | |
or did you feel that you wanted to integrate? | 0:20:54 | 0:20:56 | |
Well, we always quite liked the idea of eclectic, | 0:20:56 | 0:20:59 | |
in the sense that you may have old pieces and old bits, | 0:20:59 | 0:21:03 | |
and then you walk into the new, | 0:21:03 | 0:21:05 | |
but you've still got old elements there. | 0:21:05 | 0:21:07 | |
I think here, it's quite unapologetic, quite honest... | 0:21:07 | 0:21:10 | |
You just go from quite new to a bit older. | 0:21:10 | 0:21:13 | |
You don't have to feel that you have to sort of... | 0:21:13 | 0:21:15 | |
-Stage it. -Yes, exactly. | 0:21:15 | 0:21:17 | |
We've got a 200-year-old cottage | 0:21:17 | 0:21:19 | |
and it's going to... We can't modernise it, | 0:21:19 | 0:21:23 | |
we don't want to modernise it... | 0:21:23 | 0:21:25 | |
I feel quite comfortable with it, don't you? | 0:21:25 | 0:21:27 | |
The change in between the two. | 0:21:27 | 0:21:30 | |
I think it's quite nice that you've got effectively two houses. | 0:21:30 | 0:21:33 | |
Peter, thank you for showing us around. | 0:21:33 | 0:21:35 | |
Amazing to see that kitchen, | 0:21:35 | 0:21:37 | |
and how well also the rest of the house works with it, | 0:21:37 | 0:21:39 | |
so it's been really great, and I hope it's been really useful. | 0:21:39 | 0:21:42 | |
-Absolutely, yeah. -Fantastic. -Thank you very much. | 0:21:42 | 0:21:45 | |
In Lewisham, south-east London, | 0:21:48 | 0:21:50 | |
Empty Property Officer Nick Long is heading to a house | 0:21:50 | 0:21:53 | |
that's been vacant for the past 20 years. | 0:21:53 | 0:21:56 | |
It's been a long-term problem case for Nick until recently | 0:21:56 | 0:21:59 | |
when a new owner took it on. | 0:21:59 | 0:22:01 | |
I'm visiting to see what progress the owner's making. | 0:22:01 | 0:22:04 | |
I understand he bought the property in auction, | 0:22:04 | 0:22:07 | |
and we're trying to find out his timescale, | 0:22:07 | 0:22:09 | |
what plans he has for the property... | 0:22:09 | 0:22:11 | |
We're very, very keen to see this property | 0:22:11 | 0:22:13 | |
brought back into good repair and, hopefully, finally, | 0:22:13 | 0:22:16 | |
after probably 20 years, | 0:22:16 | 0:22:17 | |
this property will come back into use and occupation. | 0:22:17 | 0:22:20 | |
Over the years, the property fell into a state of dereliction | 0:22:21 | 0:22:24 | |
and was the subject of an arson attack. | 0:22:24 | 0:22:27 | |
It was a blight on an otherwise well-kept residential street. | 0:22:27 | 0:22:30 | |
I think last time I came, it was simply a shell of a property. | 0:22:32 | 0:22:35 | |
It's really wonderful to see this property actually painted | 0:22:35 | 0:22:38 | |
and new windows are in. | 0:22:38 | 0:22:40 | |
Today he's meeting the new owner, Lyndon Cartwright, | 0:22:41 | 0:22:44 | |
to see how the renovation is progressing. | 0:22:44 | 0:22:47 | |
-Hi, Lyndon. Good to see you. -Nice to see you, sir. | 0:22:47 | 0:22:49 | |
Making good progress, by the look of it. | 0:22:49 | 0:22:51 | |
-Come on in, have a check. -Looking really good. | 0:22:51 | 0:22:53 | |
As with all empty properties, Nick wants to make sure | 0:22:53 | 0:22:56 | |
the work will be completed as soon as possible | 0:22:56 | 0:22:58 | |
and the house lived in again. | 0:22:58 | 0:23:00 | |
I can recall this property being just a derelict, burnt-out shell | 0:23:00 | 0:23:05 | |
and literally just a couple of walls standing, | 0:23:05 | 0:23:07 | |
and it just seemed a massive project. | 0:23:07 | 0:23:09 | |
Is there anything you haven't renewed or had to replace in the property? | 0:23:09 | 0:23:13 | |
Just the first two and a half metres of wall... | 0:23:13 | 0:23:15 | |
Brickwork, masonry, that sort of thing. | 0:23:15 | 0:23:17 | |
-That was the only thing that was salvageable? -That's it. -Right. | 0:23:17 | 0:23:21 | |
Why did you take on this challenge? | 0:23:21 | 0:23:23 | |
It was an exciting opportunity | 0:23:23 | 0:23:25 | |
to have a go at building a four-bed house, | 0:23:25 | 0:23:28 | |
which we couldn't have afforded otherwise. | 0:23:28 | 0:23:30 | |
-Have you kept within your budget? -I think we're somewhere near. | 0:23:30 | 0:23:34 | |
I don't think we'll quite know until the end. | 0:23:34 | 0:23:37 | |
But, fingers crossed, we shouldn't be too far away. | 0:23:37 | 0:23:40 | |
Basically, you can see we've followed next door | 0:23:40 | 0:23:42 | |
on the front facade, with the addition of the Mansard roof. | 0:23:42 | 0:23:45 | |
And on the rear renovation, you can see how we've extended | 0:23:45 | 0:23:50 | |
and given us a much bigger area on the ground floor. | 0:23:50 | 0:23:52 | |
At the rear, it's very clear to see the house has been | 0:23:52 | 0:23:55 | |
almost completely rebuilt, with the addition of a large extension | 0:23:55 | 0:23:59 | |
on the ground floor and also into the roof space. | 0:23:59 | 0:24:02 | |
It really does look striking, all the progress you're making. | 0:24:04 | 0:24:08 | |
What's the time frame for final completion? | 0:24:08 | 0:24:11 | |
We think we've got three months left on site | 0:24:13 | 0:24:16 | |
-to finish the internals... -Right. | 0:24:16 | 0:24:19 | |
..and get it to a habitable state. | 0:24:19 | 0:24:22 | |
And are your plans to sell it or to move in, | 0:24:22 | 0:24:25 | |
or what are you planning on doing? | 0:24:25 | 0:24:26 | |
-We're planning to move in, actually. -You're moving in? -Yeah. | 0:24:26 | 0:24:29 | |
Having a family living in here will really be fantastic. | 0:24:29 | 0:24:33 | |
I look forward to seeing you at the housewarming, Nick. | 0:24:33 | 0:24:36 | |
-It will be a pleasure. -Thanks for meeting me today. | 0:24:36 | 0:24:38 | |
OK, lead the way. | 0:24:38 | 0:24:39 | |
The local people who live in this street... | 0:24:42 | 0:24:44 | |
It's going to be an end of a nightmare for them, | 0:24:44 | 0:24:46 | |
and finally we're going to see this house come back into life, | 0:24:46 | 0:24:49 | |
come back into use, and occupied, and that's what we want to see. | 0:24:49 | 0:24:53 | |
I've been with Jason and Gail, who've taken on an empty property | 0:24:59 | 0:25:03 | |
and have been getting invaluable advice from someone | 0:25:03 | 0:25:06 | |
who's been through a similar renovation. | 0:25:06 | 0:25:08 | |
So, guys, having had a good look round, | 0:25:08 | 0:25:11 | |
what are your thoughts as you leave? | 0:25:11 | 0:25:13 | |
Initially, I just thought, "Wow! The house is so different to ours." | 0:25:13 | 0:25:16 | |
-But, actually, the concept is very, very similar... -Yeah. -Old to new. | 0:25:16 | 0:25:22 | |
I'm very, very impressed with the extension. | 0:25:22 | 0:25:24 | |
And a few ideas there are about how you move from | 0:25:24 | 0:25:27 | |
old, period interiors to very modern, contemporary... | 0:25:27 | 0:25:31 | |
It doesn't have to be that obvious, does it? | 0:25:31 | 0:25:33 | |
From old to new, and I shouldn't worry too much about the contrast. | 0:25:33 | 0:25:37 | |
-As long as it is light, airy and liveable. -That's a really good point. | 0:25:37 | 0:25:41 | |
I think, in the end, it comes down to confidence. | 0:25:41 | 0:25:43 | |
It's just different, you go through and it's fine. | 0:25:43 | 0:25:46 | |
-It doesn't jar, it's OK. -Absolutely. I think there's two points for me. | 0:25:46 | 0:25:49 | |
I'm going away happier that | 0:25:49 | 0:25:51 | |
we decided on underfloor heating for the large kitchen space, | 0:25:51 | 0:25:55 | |
but also that need to go away and think about | 0:25:55 | 0:25:57 | |
-perhaps more natural light. -Yeah. | 0:25:57 | 0:26:00 | |
-Give it more thought, definitely. -It wasn't even on our radar, was it? | 0:26:00 | 0:26:04 | |
It's been really interesting to hear it from someone else's perspective, | 0:26:04 | 0:26:07 | |
who's been through it. | 0:26:07 | 0:26:09 | |
You're not alone. People do this all the time. | 0:26:09 | 0:26:11 | |
It just shows the decisions you've thought through | 0:26:11 | 0:26:13 | |
are ones that other people have considered as well. | 0:26:13 | 0:26:15 | |
So, hopefully there's a lot of encouragement there for you. | 0:26:15 | 0:26:18 | |
Good luck with it. | 0:26:18 | 0:26:19 | |
It's such a lovely cottage you've got, you're working on, | 0:26:19 | 0:26:22 | |
you're doing the right things, and I really hope today helps. | 0:26:22 | 0:26:26 | |
So, yeah, best of luck. | 0:26:26 | 0:26:27 | |
-Thank you. -Thanks very much. | 0:26:27 | 0:26:29 | |
It's been really great for Gail and Jason to see this place, | 0:26:34 | 0:26:36 | |
somewhere that matches their aspirations in so many ways. | 0:26:36 | 0:26:40 | |
And today, some great advice, encouragement and inspiration | 0:26:40 | 0:26:43 | |
they can carry with them through every stage of their renovation. | 0:26:43 | 0:26:46 | |
And what an exciting journey it's going to be, | 0:26:46 | 0:26:49 | |
as they try to create their perfect home. | 0:26:49 | 0:26:52 | |
Subtitles by Red Bee Media Ltd | 0:27:14 | 0:27:19 |