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For the moment, the biggest thing we have is hope | 0:00:04 | 0:00:07 | |
that some sort of cure will come along. | 0:00:07 | 0:00:11 | |
No, I know I'm never going to see Christopher walk down the aisle. | 0:00:11 | 0:00:14 | |
We're here to help a family whose eldest son faces an uncertain | 0:00:14 | 0:00:17 | |
future with muscular dystrophy. | 0:00:17 | 0:00:19 | |
If we can prolong his life, | 0:00:21 | 0:00:23 | |
for it to be a good quality of life, then that's what I aim for. | 0:00:23 | 0:00:28 | |
But getting round the house is becoming increasingly difficult. | 0:00:28 | 0:00:32 | |
To see Christopher in this, in this house, permanently, is scary. | 0:00:33 | 0:00:40 | |
We're going to need the whole community to rally round. | 0:00:41 | 0:00:45 | |
No...no parent should go through losing a kid. | 0:00:45 | 0:00:48 | |
You know, it's a life-changing thing for a family | 0:00:48 | 0:00:51 | |
and it was just, you know, something we could do to help, really. | 0:00:51 | 0:00:54 | |
And we just have nine days to give this family the new start they need. | 0:00:54 | 0:00:59 | |
All the usual suspects are here and look - Julia's back, | 0:01:02 | 0:01:05 | |
but we will need a small army, if we're going to get this done. | 0:01:05 | 0:01:07 | |
-Where are we going to find a small army - where are we going to find them? -We're over here! | 0:01:07 | 0:01:11 | |
So they are - this is DIY SOS - The Big Build! | 0:01:11 | 0:01:15 | |
Claire and Colin Gibbons live near Hereford with their two sons - | 0:01:25 | 0:01:28 | |
five-year-old Ben and Christopher, aged seven. | 0:01:28 | 0:01:31 | |
Today, hospital visits are a regular part of life. | 0:01:33 | 0:01:36 | |
18 months ago, they were the last thing on anyone's mind. | 0:01:36 | 0:01:40 | |
Colin was a fire-fighter, Claire was a supermarket manager. | 0:01:40 | 0:01:44 | |
They were working hard to make their three-bedroom house | 0:01:44 | 0:01:48 | |
a perfect family home. | 0:01:48 | 0:01:50 | |
Over the six years we've been here, we've saved up enough | 0:01:50 | 0:01:54 | |
to do one room at a time. | 0:01:54 | 0:01:56 | |
I've done most of the work myself. | 0:01:56 | 0:01:58 | |
He's bit of a perfectionist, | 0:01:58 | 0:02:00 | |
so whereas you would think a job might take you maybe a day, | 0:02:00 | 0:02:05 | |
it might take Colin maybe a couple of weeks. | 0:02:05 | 0:02:07 | |
That's harsh, that's harsh. | 0:02:09 | 0:02:11 | |
Just before Christopher's sixth birthday, Claire and Colin | 0:02:14 | 0:02:18 | |
noticed their eldest son was walking stiffly, | 0:02:18 | 0:02:21 | |
and took him to a child development specialist for tests. | 0:02:21 | 0:02:25 | |
What they learned changed their lives forever. | 0:02:25 | 0:02:29 | |
The doctor said Christopher has a muscle-wasting condition. | 0:02:29 | 0:02:35 | |
And I said, "OK then," I was, "He'll have some medication for that. | 0:02:40 | 0:02:45 | |
"That'll sort that problem out. | 0:02:45 | 0:02:46 | |
"When does he need to have it?" You know - "We'll get it today." | 0:02:46 | 0:02:49 | |
She said no. | 0:02:51 | 0:02:53 | |
We obviously had no idea what was coming, | 0:02:55 | 0:02:57 | |
so it was the second appointment when we went to see her. | 0:02:57 | 0:03:01 | |
Erm, they obviously knew 100% then it was Duchenne muscular dystrophy. | 0:03:03 | 0:03:09 | |
Duchenne muscular dystrophy is a genetic condition | 0:03:09 | 0:03:12 | |
overwhelmingly affecting boys. | 0:03:12 | 0:03:15 | |
As muscle function deteriorates over time, Christopher finds it | 0:03:15 | 0:03:19 | |
harder to stand or grip. | 0:03:19 | 0:03:21 | |
I'm going to dig it so deep that it won't work. | 0:03:21 | 0:03:26 | |
Increasingly Christopher has to spend days | 0:03:27 | 0:03:29 | |
in his wheelchair, as walking becomes more difficult. | 0:03:29 | 0:03:33 | |
Just watch the road, boys. Stay on the footpath. | 0:03:35 | 0:03:38 | |
The way that we had it explained to us | 0:03:40 | 0:03:43 | |
is that by the age of 10 to 12, Christopher will be wheelchair bound. | 0:03:43 | 0:03:49 | |
By late teens, he'll be totally paralysed, | 0:03:55 | 0:04:00 | |
and the life expectancy is early to mid '20s. | 0:04:03 | 0:04:08 | |
Every case progresses at a different speed, | 0:04:09 | 0:04:12 | |
but despite some promising medical research, there's currently no cure. | 0:04:12 | 0:04:16 | |
He did ask me, "Mummy, is there a medicine?" | 0:04:16 | 0:04:21 | |
and I said, "No, darling," I said, "They're working on it. They're working on that medicine", | 0:04:21 | 0:04:26 | |
and that "One day you will have that medicine but I don't know when." | 0:04:26 | 0:04:30 | |
Uneven floors and narrow doorways mean Christopher's wheelchair won't fit in the house. | 0:04:32 | 0:04:37 | |
You have a good rinse. | 0:04:39 | 0:04:40 | |
And with Colin away on night shifts, bedtime can be a real struggle. | 0:04:42 | 0:04:46 | |
He is determined to walk up the stairs by himself, | 0:04:47 | 0:04:51 | |
but he's getting heavier now and I can't...I can't carry him | 0:04:51 | 0:04:54 | |
as I used to be able to carry him. | 0:04:54 | 0:04:56 | |
The stairs are becoming dangerous but the last thing Claire | 0:04:56 | 0:04:59 | |
and Colin want is for their seven-year-old to sleep downstairs. | 0:04:59 | 0:05:03 | |
The reason why we want Christopher upstairs is to | 0:05:05 | 0:05:07 | |
feel as part of the family. That is what he's used to. | 0:05:07 | 0:05:11 | |
We wanted to be able to...for him to feel as normal as possible. | 0:05:11 | 0:05:15 | |
Already bedtime is becoming far from normal. | 0:05:16 | 0:05:19 | |
Christopher sleeps in splints to stretch his tendons, | 0:05:19 | 0:05:22 | |
while nightly steroids protect his muscles. | 0:05:22 | 0:05:25 | |
Lay back down. | 0:05:26 | 0:05:28 | |
That's why we're coming, | 0:05:28 | 0:05:29 | |
so Christopher can sleep upstairs near his family. | 0:05:29 | 0:05:33 | |
Mummy loves you very much, OK? | 0:05:34 | 0:05:37 | |
Night-night. Night-night, little man. | 0:05:37 | 0:05:39 | |
So thanks to a tip-off from the next-door neighbour who | 0:05:43 | 0:05:45 | |
wrote in, we've sent Mark in, two weeks before the main build to knock | 0:05:45 | 0:05:49 | |
down the garage and lay foundations for a two-storey extension. | 0:05:49 | 0:05:53 | |
It looks like he's found a couple of willing helpers. | 0:05:54 | 0:05:57 | |
-When you're a builder it's fun. -Yeah. | 0:05:57 | 0:06:01 | |
Look at that, like a shower falling down! Wow! | 0:06:01 | 0:06:06 | |
This was the perfect home, | 0:06:07 | 0:06:09 | |
but it's no longer fit for the family needs. | 0:06:09 | 0:06:12 | |
We're on our way to turn things around | 0:06:14 | 0:06:16 | |
and keep the Gibbons family together as long as possible. | 0:06:16 | 0:06:19 | |
It's really strange for me to be in...in such a beautiful house, | 0:06:21 | 0:06:25 | |
-and you've done this yourself? -Thank you. Yeah, yeah, most of it. | 0:06:25 | 0:06:28 | |
It's a stunning job, he's done a really good job for you. | 0:06:28 | 0:06:31 | |
Yes, yes, he really has made this house perfect for us | 0:06:31 | 0:06:36 | |
to live in at this present moment but not obviously for the future. | 0:06:36 | 0:06:40 | |
Why is it not fit for purpose? What are you going to need us to do? | 0:06:40 | 0:06:43 | |
We're just thinking about the future, | 0:06:43 | 0:06:45 | |
so widening of doorways downstairs and then to be able to have a | 0:06:45 | 0:06:49 | |
bedroom upstairs for Christopher, that he can access, because | 0:06:49 | 0:06:53 | |
he is struggling with the stairs now - walking up the stairs, yeah. | 0:06:53 | 0:06:57 | |
-That does mean unpicking a lot of the work that you've already done to create a nice house. -Yes. | 0:06:57 | 0:07:01 | |
And if we're going to come and do this for you, | 0:07:01 | 0:07:03 | |
you realise we are going to have to do some damage? | 0:07:03 | 0:07:06 | |
I'm not worried about, you know, any damage that's done, as long | 0:07:06 | 0:07:10 | |
as Christopher gets what he needs, that's all I'm worried about. | 0:07:10 | 0:07:13 | |
You've got an electric chair now have you? What's that like? Is it good? Is it like a buggy? | 0:07:13 | 0:07:17 | |
Did you see that thing parked out there? That's my thing. | 0:07:17 | 0:07:20 | |
-Oh, that's your one, is it? -Yeah. | 0:07:20 | 0:07:22 | |
-OK. How is it, is it fast? -Yes. | 0:07:22 | 0:07:23 | |
It's like having your own little buggy or go-kart, | 0:07:23 | 0:07:26 | |
I suppose, isn't it? Is it all right when you have to take the chair? | 0:07:26 | 0:07:30 | |
-Yeah? -Yeah. -Have you had a go in the wheelchair yet? | 0:07:30 | 0:07:34 | |
-Sometimes. -Do you? Does he let you have a go? | 0:07:34 | 0:07:36 | |
-Does he? What, the electric one? Is that fun? -Yeah. | 0:07:36 | 0:07:40 | |
-Yeah. Cool. So who's the best driver at it? -Me. | 0:07:40 | 0:07:43 | |
-Really? Is he? Is he? -Yeah. | 0:07:43 | 0:07:46 | |
We've got a lot of work to do if we want to encourage wheelchair racing in the house. | 0:07:46 | 0:07:51 | |
And talking of childish rivalry... | 0:07:51 | 0:07:53 | |
Billy's got a new hat. | 0:07:53 | 0:07:54 | |
You've got a new one, and you've got a new one. | 0:07:54 | 0:07:56 | |
-I've been promoted. -Have you got a new one? -Yeah. -How come I haven't got a new one? | 0:07:56 | 0:08:00 | |
We're all colour-coded as well, look. | 0:08:00 | 0:08:02 | |
-Is that right? -I'm green. | 0:08:02 | 0:08:03 | |
With envy? | 0:08:03 | 0:08:04 | |
Yeah. Chris is red for danger. Billy's yellow. | 0:08:04 | 0:08:08 | |
Amber. | 0:08:08 | 0:08:10 | |
I'm "Stop", he's "Go" and he's "Wait!" | 0:08:10 | 0:08:14 | |
And this week our designer is an old friend | 0:08:14 | 0:08:17 | |
Yay! It's a good to be back, boys. | 0:08:17 | 0:08:20 | |
I think she's come to the wrong set. | 0:08:20 | 0:08:21 | |
It's like you're auditioning for Grease or something. | 0:08:21 | 0:08:24 | |
Julia has a long history with the team, | 0:08:24 | 0:08:27 | |
and she's one designer that's never been scared to get her hands dirty. | 0:08:27 | 0:08:31 | |
Yes, if there's one thing Julia understands better than anyone, | 0:08:35 | 0:08:37 | |
it's how to get the best out of the boys. | 0:08:37 | 0:08:41 | |
Have I got to cart it all the way through myself? | 0:08:41 | 0:08:43 | |
-Good luck. -Thank you, thanks for offering to help. | 0:08:43 | 0:08:48 | |
But where there's a will, there's a way and she's certainly wilful. | 0:08:48 | 0:08:52 | |
Oh, can't believe she came back. | 0:08:57 | 0:08:59 | |
It's day one and we're off. It took six years to build, minutes to trash | 0:08:59 | 0:09:03 | |
and we have just nine days to put this lot back together | 0:09:03 | 0:09:06 | |
and construct a two-storey timber-frame extension. | 0:09:06 | 0:09:09 | |
There's things going on everywhere with everything. | 0:09:09 | 0:09:12 | |
There's windows coming out, conservatories going, landscapers, bricks going in and out. | 0:09:12 | 0:09:16 | |
Fantastic. Sort of a hive of activity | 0:09:16 | 0:09:17 | |
but yeah, it's making me really nervous already, cos there's | 0:09:17 | 0:09:20 | |
dust flying around and it was just so perfect. I mean, Claire - | 0:09:20 | 0:09:23 | |
bless her - hoovered before we arrived yesterday, and... | 0:09:23 | 0:09:27 | |
That is like taking a mop to a tsunami, really, isn't it? It's er... | 0:09:28 | 0:09:32 | |
Yeah, so I am extremely nervous about the whole thing, | 0:09:32 | 0:09:35 | |
but we've got to do it and we've just got to do it as best we can. | 0:09:35 | 0:09:39 | |
Of course we'll do the best we can. We always do the best we can. | 0:09:39 | 0:09:42 | |
We never turn up and think we're going to do the worst we can. | 0:09:42 | 0:09:45 | |
Julia's plans are all about freedom for Christopher. | 0:09:45 | 0:09:47 | |
We're adding a ramp at the front and we're widening all doorways downstairs | 0:09:47 | 0:09:51 | |
so Chris can use his wheelchair throughout the ground floor. | 0:09:51 | 0:09:54 | |
We're going to knock down the conservatory | 0:09:54 | 0:09:56 | |
and re-build it twice the size so the family have space to sit | 0:09:56 | 0:10:00 | |
and eat together, and we're laying a new floor flush with the kitchen, | 0:10:00 | 0:10:04 | |
eliminating the awkward step that currently hinders wheelchair access. | 0:10:04 | 0:10:09 | |
We're ripping out the current playroom | 0:10:09 | 0:10:11 | |
and growing its footprint with a new two-storey extension. | 0:10:11 | 0:10:14 | |
A special wheelchair lift will take Christopher up to the new first floor. | 0:10:14 | 0:10:18 | |
This space will provide a large bedroom, giving Christopher | 0:10:18 | 0:10:21 | |
the room he needs for technical equipment, including a hoist | 0:10:21 | 0:10:24 | |
going the length of the house to help him access a wet-room bathroom. | 0:10:24 | 0:10:29 | |
It's all very scary equipment, really, for a little boy. | 0:10:29 | 0:10:32 | |
We're going to try and disguise the equipment as much as possible, to make it really feel like home. | 0:10:32 | 0:10:37 | |
It's about getting that balance right between getting the functionality | 0:10:37 | 0:10:40 | |
and making sure that we've got everything in place for him, as time goes on, that he can get used to. | 0:10:40 | 0:10:44 | |
Without looking like a hospital ward? | 0:10:44 | 0:10:46 | |
Absolutely without it looking like a hospital. | 0:10:46 | 0:10:48 | |
It's got to be a happy, dynamic, fun place for him to be. | 0:10:48 | 0:10:51 | |
And there's one other instruction Julia has made loud and clear - | 0:10:51 | 0:10:54 | |
see what it says? | 0:10:54 | 0:10:56 | |
Upstairs, Julia has banished us | 0:10:56 | 0:10:57 | |
from Colin's newly decorated master bedroom. | 0:10:57 | 0:11:01 | |
Downstairs, Julia's instructed us | 0:11:01 | 0:11:03 | |
to hand the lounge and kitchen back pristine | 0:11:03 | 0:11:05 | |
once we've widened the doors. Not sure how we're going to do that, | 0:11:05 | 0:11:08 | |
I mean, you can't make an omelette without breaking eggs, can you? | 0:11:08 | 0:11:11 | |
But if the instructions are not to do any damage, | 0:11:12 | 0:11:15 | |
then we must obey the designer. | 0:11:15 | 0:11:17 | |
We never go against the designer. | 0:11:17 | 0:11:19 | |
Slightly worried because these are the...this room and the kitchen | 0:11:19 | 0:11:22 | |
were the two rooms that we didn't want to damage too much. | 0:11:22 | 0:11:26 | |
The debriefing we had this morning was we're not going to do any work | 0:11:37 | 0:11:40 | |
in this part of the house, right? | 0:11:40 | 0:11:43 | |
And you spin round to your right, | 0:11:45 | 0:11:47 | |
we're not doing anything in this room, | 0:11:47 | 0:11:50 | |
apart from widening all the doorways. | 0:11:50 | 0:11:52 | |
So this is our finished floor. | 0:11:54 | 0:11:57 | |
No-one made any provision to get any hardboard, | 0:11:57 | 0:12:00 | |
I'm dreading the moment when we take up the floor covering, | 0:12:00 | 0:12:03 | |
there's going to be little scratches. | 0:12:03 | 0:12:05 | |
Outside, the timber frame building is firing up, | 0:12:05 | 0:12:09 | |
and there's rumours we're being filmed. Amazing. | 0:12:09 | 0:12:12 | |
It's now 11.45 and we started work at, what, 9.30, so two hours. | 0:12:13 | 0:12:20 | |
Who was that bloke on the scaffold? | 0:12:23 | 0:12:24 | |
Mind you, it's difficult to keep track. | 0:12:24 | 0:12:26 | |
We've got people here from Somerset, Staffordshire, Yorkshire, | 0:12:26 | 0:12:29 | |
basically all over England. | 0:12:29 | 0:12:31 | |
People often ask us, | 0:12:31 | 0:12:32 | |
how do you manage to get so many people working together? | 0:12:32 | 0:12:35 | |
Well, you can't micro-manage them, | 0:12:35 | 0:12:36 | |
what you have to do is just point them in the right direction | 0:12:36 | 0:12:39 | |
and have an overview, someone in charge, somebody they can respect. | 0:12:39 | 0:12:43 | |
A lot of people, innit? 20 people you've got under your command. | 0:12:43 | 0:12:46 | |
-I know. -That makes you like an executive. -It does, doesn't it? | 0:12:46 | 0:12:49 | |
-But I am a natural leader... -Are you? -..of, erm, of men. -Oh, yeah? | 0:12:49 | 0:12:52 | |
There's probably enough there, aren't there? | 0:12:52 | 0:12:55 | |
Bit more? Another one in there, mate. | 0:12:55 | 0:12:57 | |
Yeah, a lot of pointing, not much doing. | 0:12:57 | 0:12:59 | |
What are you going to do with this place then, | 0:12:59 | 0:13:01 | |
cos a garden, obviously, is really important in a house like this | 0:13:01 | 0:13:04 | |
when you're trying to create maximum space. | 0:13:04 | 0:13:06 | |
-Essentially, it's like another third of your living space. -It is, | 0:13:06 | 0:13:09 | |
and we're going to do the most brilliantly fun thing out here | 0:13:09 | 0:13:12 | |
and create like a track way around the garden | 0:13:12 | 0:13:15 | |
so that he can race around on his wheelchair | 0:13:15 | 0:13:17 | |
and Ben can race around on his bicycle. | 0:13:17 | 0:13:19 | |
Nice, so that's what the oval down there is for. | 0:13:19 | 0:13:21 | |
So this is what they've been doing here, they've been setting out... | 0:13:21 | 0:13:25 | |
Fantastic garden, guys, this week. | 0:13:25 | 0:13:26 | |
..they've been setting out this track way for us which is going to loop here and round here. | 0:13:26 | 0:13:31 | |
Because of the different levels here, we've got real issues, | 0:13:31 | 0:13:34 | |
cos we need to ensure obviously that you've got wheelchair access | 0:13:34 | 0:13:37 | |
straight out of the house, straight into the room for the hot tub. | 0:13:37 | 0:13:41 | |
Yes, the hot tub. | 0:13:41 | 0:13:42 | |
Now, Claire's research secured donations for a hot tub | 0:13:42 | 0:13:45 | |
from Make A Wish Foundation and the local Round Table | 0:13:45 | 0:13:48 | |
soon after Christopher's diagnosis. | 0:13:48 | 0:13:51 | |
His occupational therapist recommends daily exercise | 0:13:51 | 0:13:54 | |
in the hot water to help relax his muscles. | 0:13:54 | 0:13:58 | |
But the shed also needs to be right for the future - | 0:13:58 | 0:14:01 | |
it's only going to get more difficult for Christopher | 0:14:01 | 0:14:03 | |
to climb in and out without a hoist. | 0:14:03 | 0:14:06 | |
There's no wheelchair access and it's cold in the winter. | 0:14:06 | 0:14:10 | |
Is that nice? Yeah? | 0:14:10 | 0:14:12 | |
So they use their hot tub pretty much all year round for his physio? | 0:14:12 | 0:14:16 | |
Yeah, they do. Well, they need to definitely. The trouble is, | 0:14:16 | 0:14:18 | |
at the moment it's not insulated, so we're going to insulate it all. | 0:14:18 | 0:14:21 | |
-Oh, are you? -And make it a much better space for over winter months. | 0:14:21 | 0:14:24 | |
We're also going to put in a little fibre optic twinkly ceiling as well, | 0:14:24 | 0:14:28 | |
again just to sort of help with all the sensory experience | 0:14:28 | 0:14:30 | |
and make it a really relaxing space, but I haven't told Billy yet. | 0:14:30 | 0:14:34 | |
He doesn't know you've got fibre optics? | 0:14:34 | 0:14:36 | |
-You know how he feels about fire optics? -Yeah. | 0:14:36 | 0:14:38 | |
That's one showdown I'm looking forward to. | 0:14:38 | 0:14:41 | |
Up on the first floor, we have a breakthrough, | 0:14:44 | 0:14:46 | |
literally, as opposed to a breakdown which is what normally happens. | 0:14:46 | 0:14:49 | |
This is the bit we're going to have to get absolutely right. | 0:14:49 | 0:14:53 | |
This entrance way takes us into the brand-new room | 0:14:53 | 0:14:56 | |
that is the heart of this build - | 0:14:56 | 0:14:58 | |
a bedroom and bathroom fully equipped for Christopher's needs. | 0:14:58 | 0:15:02 | |
It will let the family stay together on the same floor | 0:15:02 | 0:15:04 | |
and that's so important. | 0:15:04 | 0:15:06 | |
These timber framed extensions are fantastic. | 0:15:06 | 0:15:08 | |
People say, "Are they strong enough compared to normal builds?" | 0:15:08 | 0:15:12 | |
Well, if you think about it, | 0:15:12 | 0:15:13 | |
Tudor buildings are timber framed and they've been here for ever. | 0:15:13 | 0:15:16 | |
And thanks to our Taunton boys, the timbers keep on coming. | 0:15:16 | 0:15:19 | |
This really is instant building. | 0:15:19 | 0:15:21 | |
I've got something to show you in the hot tub room. | 0:15:21 | 0:15:24 | |
Ladies and gentlemen, an unstoppable force meets an immovable object. | 0:15:24 | 0:15:28 | |
Now, what I want to do in here, Bill, erm, | 0:15:28 | 0:15:31 | |
is to create a really lovely sort of sensory experience, | 0:15:31 | 0:15:33 | |
-because it's really important for Christopher to be able to really relax. -Special lights. | 0:15:33 | 0:15:38 | |
Yeah, so, this is where you come in. | 0:15:38 | 0:15:40 | |
-So what I want to create is... -A row of lights? | 0:15:40 | 0:15:43 | |
No. Starlit sky, and then it's your job to get it all linked up... | 0:15:43 | 0:15:47 | |
And drill millions of holes and poke these through. | 0:15:49 | 0:15:52 | |
Drill millions of holes, preferably in constellations. | 0:15:52 | 0:15:54 | |
That's star patterns, Bill. | 0:15:54 | 0:15:57 | |
Oh, well, you'll have to do that. | 0:15:57 | 0:15:58 | |
What do you mean I'll have to do that? | 0:15:58 | 0:16:00 | |
Well, a chippy will have to drill them, MDF. | 0:16:00 | 0:16:02 | |
Oh, why, can you not do that? | 0:16:02 | 0:16:04 | |
That's a chippy's job, ain't it? | 0:16:04 | 0:16:06 | |
Right, OK, so that's your little job for this week. | 0:16:06 | 0:16:10 | |
This week, my little job for this week? | 0:16:10 | 0:16:12 | |
What about the rest of the house, I don't need to deal with that? | 0:16:12 | 0:16:15 | |
This is the important bit. | 0:16:15 | 0:16:17 | |
Anyway, right, so there we go. Good luck. | 0:16:17 | 0:16:20 | |
Design team 1, spark's face 0. | 0:16:20 | 0:16:22 | |
In the back garden, it's level pegging, | 0:16:25 | 0:16:28 | |
and the racing track is taking shape - not bad for the first day. | 0:16:28 | 0:16:31 | |
Amazingly, our timber frame extension is up to the second floor | 0:16:32 | 0:16:35 | |
with the roof trusses on already, | 0:16:35 | 0:16:37 | |
and it's not the only place that's actually developed. | 0:16:37 | 0:16:40 | |
The garden has been completely stripped, the conservatory has gone | 0:16:40 | 0:16:42 | |
and the footings are in for this amazing racetrack, | 0:16:42 | 0:16:45 | |
and it's worth looking at the size of the place. | 0:16:45 | 0:16:48 | |
It's huge, huge enough for a utility room, for a bathroom | 0:16:49 | 0:16:52 | |
and then a play area for the boys here, | 0:16:52 | 0:16:54 | |
which is all going to be linked via a lift shaft here | 0:16:54 | 0:16:57 | |
up to a giant bedroom and wet room in the top, | 0:16:57 | 0:16:59 | |
and all that has been done in just one day, not bad, eh? | 0:16:59 | 0:17:03 | |
You know it never fails to amaze me the progress that we make, | 0:17:04 | 0:17:08 | |
with the right help. | 0:17:08 | 0:17:09 | |
This morning, it's the brickies' turn. | 0:17:11 | 0:17:13 | |
Our timber frame is getting a brick skin from top to bottom, | 0:17:13 | 0:17:16 | |
so the new extension matches the rest of the house. | 0:17:16 | 0:17:19 | |
I mean, if it was a naked builder, | 0:17:19 | 0:17:20 | |
we'd be putting a pair of trousers and a T-shirt on | 0:17:20 | 0:17:23 | |
to make it match everybody else. | 0:17:23 | 0:17:24 | |
I'll go away from that simile straightaway, I think. | 0:17:24 | 0:17:27 | |
And our glaziers have driven two hours with windows | 0:17:27 | 0:17:29 | |
and a brand-new set of doors for the conservatory. | 0:17:29 | 0:17:32 | |
But Chris is stuck in what is fast becoming his least favourite room. | 0:17:32 | 0:17:36 | |
-Oh, there you are, I've been wondering where you were. -I'm here. | 0:17:37 | 0:17:40 | |
I'm in the rooms that aren't having anything done to. | 0:17:40 | 0:17:42 | |
-That was the brief, remember? -Yeah, cos I've seen you looking frustrated | 0:17:42 | 0:17:46 | |
and hopping from foot to foot all day. | 0:17:46 | 0:17:47 | |
Well, we've had these door linings fitted | 0:17:47 | 0:17:49 | |
so I wanted to patch around them while it was quiet, | 0:17:49 | 0:17:52 | |
but every time I keep coming in the room, | 0:17:52 | 0:17:54 | |
there's cables...which isn't their fault, | 0:17:54 | 0:17:57 | |
but Billy wants to put two-way switches in, whilst... | 0:17:57 | 0:18:00 | |
Makes perfect sense, but I can't patch plaster until they're in. | 0:18:00 | 0:18:05 | |
Look, I've got my tools all ready to go, | 0:18:05 | 0:18:07 | |
-bucket of water there, bag of hard wall, but I can't get at it. -Yeah. | 0:18:07 | 0:18:12 | |
Very frustrating, and considering that we're not doing nothing | 0:18:12 | 0:18:15 | |
-in these two rooms. -Well, apart from destroying them, | 0:18:15 | 0:18:17 | |
-I mean, we have made a few holes in them. -We've done very well. | 0:18:17 | 0:18:21 | |
So where is Bonny Prince Billy? I'm afraid he's otherwise occupied. | 0:18:21 | 0:18:24 | |
Not working - arguing. | 0:18:24 | 0:18:26 | |
-Are the fibre optics going in today? -We haven't touched them. | 0:18:26 | 0:18:29 | |
-Why not? -Not in that room. | 0:18:29 | 0:18:30 | |
I do not do fibre optics, that's a chippy's job. | 0:18:30 | 0:18:33 | |
You said yesterday... | 0:18:33 | 0:18:35 | |
No, you said. MDF is wood, isn't it, really, in a way? | 0:18:35 | 0:18:39 | |
-So that's a chippy, ain't it? -Yeah. | 0:18:39 | 0:18:41 | |
I bet I can do it. | 0:18:41 | 0:18:43 | |
You're a better man than me, Gunga Din. | 0:18:45 | 0:18:47 | |
I bet I could do it cos that's ridiculous. | 0:18:47 | 0:18:49 | |
Round 2 to the sparks. | 0:18:49 | 0:18:51 | |
-All right, fine, all right. -But we will all be here to help. | 0:18:51 | 0:18:54 | |
Oh, no, you won't! | 0:18:54 | 0:18:56 | |
Out the back, insulation board is going into the hot tub, | 0:18:56 | 0:18:58 | |
and, with that one out of action, | 0:18:58 | 0:19:00 | |
Christopher is at a local leisure centre | 0:19:00 | 0:19:02 | |
having a supervised hydro therapy session. | 0:19:02 | 0:19:05 | |
This is just one of the regular treatments | 0:19:07 | 0:19:09 | |
Claire takes him to each week. | 0:19:09 | 0:19:11 | |
It's meant Claire giving up work, | 0:19:11 | 0:19:14 | |
as she devotes all her time and energy to her son's medical needs. | 0:19:14 | 0:19:18 | |
Well, I went into crisis mode when I found out about Christopher. | 0:19:19 | 0:19:24 | |
I...I did research, | 0:19:24 | 0:19:26 | |
I phoned up charities, wanting to know, erm, | 0:19:26 | 0:19:31 | |
was there a cure, was there medicine, | 0:19:31 | 0:19:34 | |
what I could do personally. | 0:19:34 | 0:19:36 | |
When the consultant originally told us what Christopher had | 0:19:36 | 0:19:41 | |
was a muscle-wasting disease, | 0:19:41 | 0:19:43 | |
I sat there numb and took full responsibility for it. | 0:19:43 | 0:19:48 | |
What do you mean full responsibility? | 0:19:48 | 0:19:50 | |
Because being his mum, | 0:19:50 | 0:19:53 | |
because they explained to us that it was genetic, that it came from me. | 0:19:53 | 0:19:57 | |
That's a huge thing that you're saying there, | 0:19:57 | 0:20:00 | |
"I take full responsibility," as if there needs to be blame somehow. | 0:20:00 | 0:20:04 | |
It's my responsibility to make sure that the family functions, | 0:20:04 | 0:20:08 | |
-I've got... -It's both of your responsibilities. | 0:20:08 | 0:20:10 | |
Yeah, I know, but I had to give Colin that time to grieve, erm, | 0:20:10 | 0:20:15 | |
cos it is a grieving process of what you've lost, | 0:20:15 | 0:20:18 | |
of what potentially you're going to lose with Christopher | 0:20:18 | 0:20:21 | |
and the sort of life that he could have potentially lived. | 0:20:21 | 0:20:25 | |
I had to let him cry. Colin went into meltdown. | 0:20:25 | 0:20:30 | |
So when do you get time to cry? | 0:20:30 | 0:20:31 | |
But that's the point, I don't think I do that. | 0:20:36 | 0:20:42 | |
It's hard, but Claire's obviously had to stay strong and support Colin | 0:20:44 | 0:20:48 | |
as he struggled with the news of Christopher's diagnosis. | 0:20:48 | 0:20:51 | |
One thing I hope when they return home in a few days | 0:20:53 | 0:20:56 | |
is that they both draw strength | 0:20:56 | 0:20:58 | |
from the huge support network they have around them. | 0:20:58 | 0:21:00 | |
Friends, family, colleagues | 0:21:00 | 0:21:03 | |
and almost 80 tradesmen turning up every day. | 0:21:03 | 0:21:05 | |
In Christopher's bedroom, the walls are starting to take shape, | 0:21:07 | 0:21:11 | |
and this fancy hole | 0:21:11 | 0:21:13 | |
is the aperture for that wheelchair lift to the ground floor. | 0:21:13 | 0:21:16 | |
Meanwhile Jules and his merry men are laying the concrete base | 0:21:19 | 0:21:23 | |
for our new conservatory. It's a very hi-tech operation. | 0:21:23 | 0:21:26 | |
This is a new...this is a new technique, actually, | 0:21:28 | 0:21:31 | |
-taught to me by the locals. -Is that right? | 0:21:31 | 0:21:33 | |
Yeah, I haven't got me wellies... | 0:21:33 | 0:21:35 | |
-Right. -..so he said bag up. | 0:21:35 | 0:21:37 | |
That doesn't look right, does it, really? | 0:21:38 | 0:21:41 | |
What's going on, then, | 0:21:41 | 0:21:43 | |
cos how come there's a big hole in the corner there? | 0:21:43 | 0:21:45 | |
Not enough concrete. | 0:21:45 | 0:21:47 | |
What happened, Julian, what's going on? | 0:21:47 | 0:21:49 | |
We're just...we're just fine tuning. | 0:21:49 | 0:21:52 | |
We've sort of set the floor, but really 15mm too high. | 0:21:52 | 0:21:56 | |
Fine tuning! I think our leader of men is out of his depth. | 0:21:56 | 0:21:58 | |
Time to bring my cerebral gold mine to bear. | 0:21:58 | 0:22:01 | |
Well, what is it you want me to measure? | 0:22:01 | 0:22:03 | |
Well, I want you to put the spirit level out so it's level. | 0:22:05 | 0:22:08 | |
-No. See the tiles? Come off the tiles. -Yes. -Come out level. -Yes. | 0:22:08 | 0:22:13 | |
And measure down to the concrete, please. | 0:22:13 | 0:22:15 | |
-90.. -Still 90? | 0:22:18 | 0:22:20 | |
Could you open up the other door and do exactly the same process, please. | 0:22:20 | 0:22:24 | |
It's 95. | 0:22:27 | 0:22:28 | |
Just for the record, it's worth remembering this. | 0:22:28 | 0:22:31 | |
We need this concrete level with the kitchen floor | 0:22:31 | 0:22:33 | |
for Christopher's wheelchair. | 0:22:33 | 0:22:35 | |
Jules had better get it right before it sets, with him in it! | 0:22:35 | 0:22:38 | |
Luckily, our young plaster boarders seem to know what they're doing. | 0:22:40 | 0:22:43 | |
As we reach the end of the second day, | 0:22:43 | 0:22:45 | |
Christopher's room is boarded out for plastering in the morning. | 0:22:45 | 0:22:48 | |
Inside the house, at least, it's all going rather smoothly. | 0:22:48 | 0:22:51 | |
It's a beautiful brand-new day | 0:22:56 | 0:22:58 | |
and Chris has two teams at work on the extension. | 0:22:58 | 0:23:00 | |
Well, my boys have moved down, going to board this one out, | 0:23:00 | 0:23:04 | |
and we've got a new gang of plasterers upstairs plastering that, | 0:23:04 | 0:23:07 | |
so they're chasing them. | 0:23:07 | 0:23:08 | |
How you doing? It's Mark here at SOS. | 0:23:10 | 0:23:12 | |
I've got a major problem, mate. | 0:23:12 | 0:23:14 | |
'Yes, you have, you're too short.' | 0:23:14 | 0:23:15 | |
Do you know the aperture...? | 0:23:15 | 0:23:17 | |
'I mean, not in life, I mean with the measurements, | 0:23:17 | 0:23:19 | |
'that's why we call him 100 Millar. | 0:23:19 | 0:23:21 | |
'He's always too short by about 100mm.' | 0:23:21 | 0:23:24 | |
What's actually happened is | 0:23:24 | 0:23:26 | |
the information that we got was wrong for the lift going in, | 0:23:26 | 0:23:29 | |
and the lift guys have come out to fit the lift and the lift won't fit in the aperture. | 0:23:29 | 0:23:33 | |
Now we've got the walls built upstairs/downstairs, the floors down, | 0:23:33 | 0:23:36 | |
all the radiator pipes going through, the wiring through, | 0:23:36 | 0:23:38 | |
we've got to rip the whole thing out and re-build it. | 0:23:38 | 0:23:41 | |
I'm telling you, he measured it wrong and it's causing huge problems. | 0:23:41 | 0:23:44 | |
-We've got to cut the floor out. -No. | 0:23:44 | 0:23:46 | |
-We've got to move the walls up the stairs. -No. | 0:23:46 | 0:23:49 | |
-And we've got... -I've got plasterers upstairs. | 0:23:49 | 0:23:51 | |
You're going to have to go and have a word with them. | 0:23:51 | 0:23:53 | |
The most important thing in this house is to get this lift in. | 0:23:53 | 0:23:56 | |
-I'd better stop them skimming the ceiling, so I'll go and stop the plasterers. -Yeah, you'd better do. | 0:23:56 | 0:24:00 | |
Gentleman, gentlemen, all change, all change. Bit of a problem. | 0:24:00 | 0:24:03 | |
You're going to come out and tell us to stop. | 0:24:03 | 0:24:06 | |
How can you read my mind? | 0:24:06 | 0:24:09 | |
You don't want to go in there, mate, scary. | 0:24:09 | 0:24:11 | |
No-one's fault. Mark's. | 0:24:11 | 0:24:13 | |
That wall has got to move this way 100mm. Sorry about that. | 0:24:13 | 0:24:17 | |
No problem, Christopher. | 0:24:17 | 0:24:19 | |
Christopher? Sounds like my grandad. | 0:24:19 | 0:24:21 | |
So Chris's boys have to down tools | 0:24:21 | 0:24:23 | |
while our chippies unpick their own work. | 0:24:23 | 0:24:26 | |
Time to make myself scarce, I think. | 0:24:26 | 0:24:28 | |
Colin must have found it hard | 0:24:31 | 0:24:32 | |
balancing the needs of his job with the needs of his family, | 0:24:32 | 0:24:36 | |
especially in the difficult days after Christopher's diagnosis. | 0:24:36 | 0:24:40 | |
All of a sudden, it just got too much, erm... | 0:24:41 | 0:24:44 | |
I don't know, it was just a build-up, I think | 0:24:45 | 0:24:48 | |
and then, one day, I was actually at work | 0:24:48 | 0:24:50 | |
and the wheels fell off and that was it, | 0:24:50 | 0:24:54 | |
everyone knew then it was time for me | 0:24:54 | 0:24:56 | |
to go and spend time with the family. | 0:24:56 | 0:24:59 | |
I do get a sense that you're frustrated with yourself. | 0:24:59 | 0:25:01 | |
Very, very. | 0:25:01 | 0:25:03 | |
-Because? -You do feel it's out of your control, | 0:25:05 | 0:25:08 | |
I mean, yeah, the fatherly role is to protect your family, | 0:25:08 | 0:25:12 | |
protect your kids and look after your wife, erm, but obviously, | 0:25:12 | 0:25:16 | |
when Christopher was diagnosed, that was taken away from me. | 0:25:16 | 0:25:19 | |
You know, you have your children, two boys in my case, | 0:25:19 | 0:25:22 | |
and you're thinking, right, it will be football on the Saturday, | 0:25:22 | 0:25:26 | |
and you think of all the things you're going to do with them | 0:25:26 | 0:25:29 | |
as they're growing up, | 0:25:29 | 0:25:31 | |
and then, all of a sudden, half of that is taken away and that's... | 0:25:31 | 0:25:35 | |
Well, you can either make a list of the things that he can't do, | 0:25:35 | 0:25:38 | |
-or you can make a list of the things he can do. -Yeah. | 0:25:38 | 0:25:41 | |
You have support from your work colleagues, from your community, | 0:25:41 | 0:25:44 | |
from an extraordinary wife, | 0:25:44 | 0:25:47 | |
and what you've got to come to terms with now, you can't change... | 0:25:47 | 0:25:52 | |
you can't change the diagnosis | 0:25:52 | 0:25:53 | |
-which is what you're still trying to fight in your head. -Yeah. | 0:25:53 | 0:25:57 | |
You've just got to find something to be...to throw your energy at, | 0:25:57 | 0:26:01 | |
burn off all that frustration about it not being fair and... | 0:26:01 | 0:26:05 | |
..so you can be there for her and the boys. | 0:26:06 | 0:26:09 | |
I know exactly what you're saying. I know exactly what you're saying. | 0:26:09 | 0:26:13 | |
Getting you sorted and getting you right | 0:26:13 | 0:26:16 | |
-about how you're going to deal with this is important to him. -Yeah. | 0:26:16 | 0:26:19 | |
Back on site, the lift engineers are signing off | 0:26:22 | 0:26:24 | |
on the new position for the lift shaft. | 0:26:24 | 0:26:27 | |
Getting there, getting there. | 0:26:29 | 0:26:31 | |
As long as we're about 50mm from the face of that skirting board | 0:26:31 | 0:26:34 | |
-to the outside of these beams. -What's the actual gap? -9.46. | 0:26:34 | 0:26:37 | |
Upstairs, a second lot of chippies | 0:26:39 | 0:26:41 | |
are ripping out the wall we put in yesterday. | 0:26:41 | 0:26:43 | |
And round the back, you know the doors we put in yesterday? | 0:26:44 | 0:26:47 | |
Yeah, they're coming out too. | 0:26:47 | 0:26:49 | |
-They're heavy. -Got to take the glass out, mate. | 0:26:49 | 0:26:51 | |
Can we afford to keep doing things twice? | 0:26:51 | 0:26:53 | |
I say, can we afford to keep doing things twice? | 0:26:53 | 0:26:55 | |
Really, it needs to be an internal set of doors, not external doors, | 0:26:55 | 0:26:59 | |
cos these here have a rebate on them, | 0:26:59 | 0:27:00 | |
and that rebate runs all the way round the door, top and bottom, | 0:27:00 | 0:27:04 | |
and that's why it's catching the floor, | 0:27:04 | 0:27:06 | |
cos that rebate is to stop the weather coming in. | 0:27:06 | 0:27:09 | |
So simply put, you've ordered the wrong doors, haven't you? | 0:27:09 | 0:27:13 | |
(He's a bit grumpy.) | 0:27:15 | 0:27:17 | |
Oh, this is not a good sign, he's gone quiet, | 0:27:19 | 0:27:22 | |
it's never good when he goes quiet. | 0:27:22 | 0:27:24 | |
Well, there's no point blaming the designer | 0:27:25 | 0:27:27 | |
cos they never take the blame for anything. "It wasn't me, it was him." | 0:27:27 | 0:27:31 | |
None of them can measure. | 0:27:31 | 0:27:33 | |
I'm hot, and when I get hot and I'm sweating and I get all... | 0:27:33 | 0:27:37 | |
Ooh, I could crush a grape. | 0:27:39 | 0:27:41 | |
So whilst Julian is mentally making fruit salad, | 0:27:45 | 0:27:48 | |
it looks like our lift shaft is in the right place at last. | 0:27:48 | 0:27:52 | |
It's taken six men the best part of a morning. Blimey. | 0:27:52 | 0:27:55 | |
-That's it finished? -Yeah. | 0:27:55 | 0:27:57 | |
-Sorted? -Yep. | 0:27:57 | 0:27:59 | |
-Is it right? -I'm happy. | 0:27:59 | 0:28:01 | |
Well done, lads. Tidy job. | 0:28:01 | 0:28:04 | |
It's a tidy job because someone else measured it | 0:28:05 | 0:28:07 | |
and then fixed it, Mark. | 0:28:07 | 0:28:09 | |
Actually, there is one thing extra Mark forgot to do - | 0:28:09 | 0:28:12 | |
update the furniture designer with the new dimensions. | 0:28:12 | 0:28:15 | |
That will be the one delivering wall-to-wall oak veneer benches, | 0:28:15 | 0:28:19 | |
pre-made, to size, as ordered. | 0:28:19 | 0:28:21 | |
This is Andy who, very kindly, has done some furniture for us, | 0:28:21 | 0:28:24 | |
and having made loads of furniture to fit into the room, | 0:28:24 | 0:28:27 | |
it didn't fit because...? | 0:28:27 | 0:28:29 | |
-Cos a wall had been moved. -Yeah. -170mm. | 0:28:29 | 0:28:32 | |
Yeah, that's because 100 Millar, as we call him, as we've discussed, | 0:28:32 | 0:28:34 | |
made a mistake on the measurements. | 0:28:34 | 0:28:36 | |
Why have you decided to join in, because, to be honest, mate, | 0:28:36 | 0:28:39 | |
-you could have been somewhere else earning money rather than doing something for nothing? -Yeah, | 0:28:39 | 0:28:44 | |
but, erm, from a charity point of view, erm, | 0:28:44 | 0:28:46 | |
I lost my daughter last year and something like this, | 0:28:46 | 0:28:49 | |
it's my way of giving something back | 0:28:49 | 0:28:51 | |
and the people of Hereford have been fantastic, supporting us, | 0:28:51 | 0:28:54 | |
so that was one of the reasons I jumped on board. | 0:28:54 | 0:28:56 | |
I didn't know that, honestly. | 0:28:56 | 0:28:58 | |
I didn't know that was the case with you, I'm so sorry to hear that. | 0:28:58 | 0:29:01 | |
It's kind of... He's having a real struggle to come to terms with, er, | 0:29:01 | 0:29:05 | |
-what he's facing with his boy. -Yeah, yeah. | 0:29:05 | 0:29:09 | |
And without wanting to push you too hard on this, | 0:29:09 | 0:29:12 | |
but I'm...I'm not sure how I would begin to get up the next day | 0:29:12 | 0:29:17 | |
and go to work, did you find that? | 0:29:17 | 0:29:19 | |
It was so tough, yeah, it was seriously tough. | 0:29:19 | 0:29:22 | |
But I've great friends, I've got great family | 0:29:22 | 0:29:24 | |
and, erm, work has been, yeah, it's helped me get over it. | 0:29:24 | 0:29:28 | |
Throw yourself hard into work. | 0:29:28 | 0:29:30 | |
Yeah, yeah, cos without it, it would have been so much harder. | 0:29:30 | 0:29:32 | |
I'm very glad you came along to help and I really appreciate it as well, | 0:29:32 | 0:29:36 | |
it will make a big difference to this family as well, | 0:29:36 | 0:29:38 | |
-they've got tough, tough years coming up. -Yeah, yeah, | 0:29:38 | 0:29:41 | |
and no parent should go through losing a kid. | 0:29:41 | 0:29:44 | |
I mean, that's been, you know, very hard for us. | 0:29:44 | 0:29:47 | |
That's been one hell of a day, that has. | 0:29:53 | 0:29:56 | |
We turned up this morning, everything looking great | 0:29:56 | 0:29:59 | |
and then the lift was in the wrong place, | 0:29:59 | 0:30:01 | |
so we had to rip the ceilings down, move everything about, | 0:30:01 | 0:30:03 | |
re-build the walls, re-plaster it, change the plumbing, | 0:30:03 | 0:30:08 | |
change the wiring, had to rip the doors out, | 0:30:08 | 0:30:11 | |
we've just had to change everything today, it's been a hell of a day. | 0:30:11 | 0:30:14 | |
Look at that sunshine, what a cracking day! | 0:30:23 | 0:30:26 | |
And talking of the skies, Julia's concentrating on her constellations. | 0:30:26 | 0:30:30 | |
She's in fibre optic heaven, | 0:30:30 | 0:30:32 | |
drilling stars for the hot tub light fittings. | 0:30:32 | 0:30:35 | |
This is the night sky as it was | 0:30:35 | 0:30:37 | |
on the day that Colin and Claire got married. How cute is that! | 0:30:37 | 0:30:40 | |
-Who cares? -Who cares?! It's romantic! | 0:30:42 | 0:30:45 | |
No-one's going to sit there and think, "Oh, hang on a second, I recognise that night sky. | 0:30:45 | 0:30:49 | |
"Wasn't that the night sky on the night they got married?" | 0:30:49 | 0:30:52 | |
Punch some random holes in, feed the fibre optics and go, | 0:30:52 | 0:30:54 | |
"That was the sky when you got married," and they'll go, "Oh, was it? Oh lovely." | 0:30:54 | 0:30:57 | |
They're never going to get a piece of paper and compare it, are they? | 0:30:57 | 0:31:00 | |
They might do. | 0:31:00 | 0:31:02 | |
Don't ruin it for me, I'm having a lovely time. | 0:31:02 | 0:31:05 | |
Is it worth the effort? | 0:31:05 | 0:31:07 | |
Most of what we're doing is about the little boys, | 0:31:07 | 0:31:09 | |
and it's all for Christopher, which is fantastic | 0:31:09 | 0:31:12 | |
and that's what we're here for, | 0:31:12 | 0:31:13 | |
-but Colin and Claire really need something for them, I feel. -Yes. | 0:31:13 | 0:31:17 | |
And it's lovely, it's a lovely thing. | 0:31:17 | 0:31:19 | |
Any woman would love this surely? | 0:31:19 | 0:31:21 | |
Really? Really? There's a woman over there, | 0:31:21 | 0:31:23 | |
there's a woman with a hard hat on, a building woman, | 0:31:23 | 0:31:26 | |
-when did she turn up? -I have no idea. | 0:31:26 | 0:31:28 | |
Excuse me, lady, there, hello, hello, yes. | 0:31:28 | 0:31:30 | |
Hello, can you pop round a second, can you come this way? | 0:31:30 | 0:31:34 | |
So this is a sensible lady with shorts on, you see. | 0:31:34 | 0:31:37 | |
-You're a firefighter, aren't you? -I am, yeah. | 0:31:37 | 0:31:39 | |
-OK, what's your name? -Carolyn. -Hello, Carolyn. -Carolyn, right. | 0:31:39 | 0:31:43 | |
Carolyn, we're discussing here, | 0:31:43 | 0:31:45 | |
would they prefer tickets to a show and dinner for the night out | 0:31:45 | 0:31:49 | |
or to have a representation in lights on the ceiling | 0:31:49 | 0:31:51 | |
of how the sky was when they got married? | 0:31:51 | 0:31:56 | |
OK, I would go for the show and meal. | 0:31:56 | 0:31:59 | |
Oh, for goodness sake! | 0:31:59 | 0:32:00 | |
HE LAUGHS AND CHEERS | 0:32:02 | 0:32:04 | |
Caroline and Colin's other workmates from the fire station | 0:32:05 | 0:32:08 | |
have been on site all week offering their support. | 0:32:08 | 0:32:11 | |
They may not be trades, but they've turned up anyway, | 0:32:11 | 0:32:14 | |
determined to do what they can, | 0:32:14 | 0:32:16 | |
including misusing equipment.... | 0:32:16 | 0:32:18 | |
..to do something unusual with a sausage. | 0:32:19 | 0:32:22 | |
Down below, a brickie's working on the access ramp to the front door. | 0:32:22 | 0:32:26 | |
Round at the back, the concrete slab is well and truly set, | 0:32:26 | 0:32:28 | |
and underfloor heating is going into the conservatory. | 0:32:28 | 0:32:32 | |
We've had a little bit of a problem cos Knowlsey helped with this. | 0:32:34 | 0:32:37 | |
'What do you mean?' | 0:32:37 | 0:32:39 | |
-Well, there's another problem that Knowlsey didn't work out. -'What?' | 0:32:39 | 0:32:42 | |
-It's 20mm too high. -'That wasn't me!' | 0:32:42 | 0:32:45 | |
Well, in one place. | 0:32:45 | 0:32:47 | |
Yeah, the whole square! | 0:32:47 | 0:32:48 | |
I think we all know who's really responsible for the concrete | 0:32:50 | 0:32:53 | |
and, with the insulation laid, it's obvious the slab is still too high. | 0:32:53 | 0:32:58 | |
There's only one solution - they're in for a long hot afternoon. | 0:32:58 | 0:33:01 | |
Meanwhile in the playroom, at least the sparks are ahead of schedule. | 0:33:07 | 0:33:10 | |
I feel confident that I've measured it right | 0:33:12 | 0:33:14 | |
and as I drill a hole, the cable should fall through. Let's go, son. | 0:33:14 | 0:33:19 | |
It's like an episode of Thunderbirds. | 0:33:19 | 0:33:22 | |
And 37.5. Right, drill, please, scalpel, knife. | 0:33:22 | 0:33:27 | |
Deodorant perhaps? | 0:33:27 | 0:33:29 | |
-It's always best... -To wear glasses. -..to shut your eyes. | 0:33:32 | 0:33:35 | |
Yeah, or wear goggles. | 0:33:35 | 0:33:37 | |
1-0, that's 1-0 to us, the sparks, we got that one. | 0:33:37 | 0:33:42 | |
He's a complete pilchard, isn't he? | 0:33:42 | 0:33:44 | |
And up the gable end of our new extension - some real professionals. | 0:33:44 | 0:33:48 | |
Our Taunton brickies are finishing the brick skin, | 0:33:48 | 0:33:50 | |
and there's their very last brick. | 0:33:50 | 0:33:53 | |
He's sweating, very impressed. 4,500 bricks. | 0:33:53 | 0:33:59 | |
4,500 bricks in three days. | 0:33:59 | 0:34:00 | |
That's proper bricklaying, that is. | 0:34:00 | 0:34:02 | |
"That is proper bricklaying, that is." | 0:34:02 | 0:34:04 | |
Our racing track is looking good too. | 0:34:04 | 0:34:06 | |
The landscapers have been cementing blocks all morning. | 0:34:06 | 0:34:10 | |
Just for a change, it's all going to plan. | 0:34:10 | 0:34:12 | |
I'm sure we can soon put a stop to that. | 0:34:12 | 0:34:14 | |
Can I just ask what the design team is doing out here at this stage? | 0:34:14 | 0:34:18 | |
What we are doing is setting out the lighting around our racetrack, | 0:34:18 | 0:34:22 | |
cos we've got these lovely little lights to insert into the bricks. | 0:34:22 | 0:34:26 | |
It's too late, the stones are already in. | 0:34:26 | 0:34:28 | |
No, no, they can pop back out again cos they're not set. | 0:34:28 | 0:34:31 | |
When you take them back out again, it means you have to put more stuff underneath | 0:34:31 | 0:34:34 | |
because otherwise they go out of level. | 0:34:34 | 0:34:36 | |
You can't just pop them out and pop them back in. | 0:34:36 | 0:34:38 | |
-I'm not going to argue with the lady. -Thank you very much indeed. | 0:34:38 | 0:34:42 | |
-Really? -No chance. | 0:34:42 | 0:34:44 | |
No? Not you either? | 0:34:44 | 0:34:46 | |
Since when did you get all suddenly Mr Helpful? | 0:34:46 | 0:34:49 | |
We're only trying to get the job done, aren't we, darling? | 0:34:49 | 0:34:52 | |
Thank you very much indeed, yes. | 0:34:52 | 0:34:53 | |
Have you given him Rohypnol or something? | 0:34:53 | 0:34:56 | |
But we won't be able to do it | 0:34:57 | 0:34:59 | |
-standing round talking about it, will we, sausage? -No. -So we need... | 0:34:59 | 0:35:02 | |
I'm sorry. Am I interrupting? | 0:35:02 | 0:35:04 | |
Am I in the way, am I? | 0:35:04 | 0:35:06 | |
I'm sorry. I'll go somewhere else, then, shall I? | 0:35:06 | 0:35:09 | |
Yeah, it seems to me, on this build, if a job's worth doing, | 0:35:09 | 0:35:12 | |
it's worth doing at least twice. | 0:35:12 | 0:35:14 | |
I mean, just ask Jules. | 0:35:14 | 0:35:16 | |
He's clearly lost it after laying the floor for the 15th time. | 0:35:16 | 0:35:19 | |
He could be in Riverdance, couldn't he? | 0:35:19 | 0:35:22 | |
The insulation's in and the pipe work is in, | 0:35:22 | 0:35:25 | |
so we've put a temporary ply floor over, | 0:35:25 | 0:35:28 | |
and a DPM just to keep the rain out. | 0:35:28 | 0:35:29 | |
And because we've had to take out the doors, | 0:35:29 | 0:35:32 | |
we're temporary blocking the opening in for security for tonight, | 0:35:32 | 0:35:38 | |
that's what we're doing. | 0:35:38 | 0:35:41 | |
They all think he's lost it. | 0:35:41 | 0:35:43 | |
Right, are we ready? | 0:35:43 | 0:35:45 | |
Do you think you should let people out first, Jules? | 0:35:46 | 0:35:50 | |
Oh, yeah. Oh, does your mate want to get out, don't he? | 0:35:50 | 0:35:53 | |
Proper job. Right, somebody drill me and screw me. | 0:35:56 | 0:36:03 | |
Morning. As you can see, | 0:36:13 | 0:36:14 | |
tradesmen are turning up right, left and centre. 82 on site yesterday. | 0:36:14 | 0:36:18 | |
We need about 85 today if we're going to get it done. | 0:36:18 | 0:36:21 | |
Another busy day ahead. | 0:36:21 | 0:36:22 | |
With the last slate in place, at last we can drop the scaffolding. | 0:36:22 | 0:36:26 | |
Well, when I say drop, take it down carefully, obviously, | 0:36:26 | 0:36:28 | |
in case there's anybody from health and safety taking notes | 0:36:28 | 0:36:31 | |
and wanting to write in - we do love your letters. | 0:36:31 | 0:36:34 | |
That means the landscapers can start on the back, smoothing the level | 0:36:34 | 0:36:37 | |
so Christopher has wheelchair access from the house to the hot tub. | 0:36:37 | 0:36:40 | |
And the conservatory has arrived | 0:36:40 | 0:36:41 | |
now Jules has finished shaving his underfloor insulation. | 0:36:41 | 0:36:44 | |
Inside the house, Chris is going nowhere fast - | 0:36:44 | 0:36:46 | |
the coving's damaged where we had to move the boiler, | 0:36:46 | 0:36:49 | |
meaning Chris will have to patch up his favourite room again. | 0:36:49 | 0:36:52 | |
We're not doing nothing in here, Bill? | 0:36:52 | 0:36:54 | |
We're not touching the kitchen, the living room, | 0:36:54 | 0:36:57 | |
the bathroom or the bedroom. | 0:36:57 | 0:36:59 | |
-Or the hallway. -Don't dare touch it, don't dare touch it. | 0:36:59 | 0:37:03 | |
Upstairs, little Christopher's en-suite bathroom is beginning | 0:37:04 | 0:37:08 | |
to take shape and some of the medical kit is starting to turn up. | 0:37:08 | 0:37:12 | |
This is what will help Christopher maintain his independence | 0:37:12 | 0:37:15 | |
in the coming years. | 0:37:15 | 0:37:17 | |
So this is amazing. | 0:37:18 | 0:37:19 | |
Basically, I've got this in my hand, I come in to use the loo. | 0:37:19 | 0:37:22 | |
Basically, if he sits on the loo, as he sits back, | 0:37:22 | 0:37:25 | |
the seat depresses at the back and it activates a seat switch, | 0:37:25 | 0:37:28 | |
he'll press with his elbow | 0:37:28 | 0:37:29 | |
-and then that will activate the wash and dry facility. -What happens here? | 0:37:29 | 0:37:33 | |
FLUSHING | 0:37:33 | 0:37:35 | |
It works. | 0:37:40 | 0:37:42 | |
Thank you very much, thank you. | 0:37:43 | 0:37:46 | |
The toilet also uses jets of warm air | 0:37:46 | 0:37:48 | |
so Christopher will be able to wash and dry himself hands-free. | 0:37:48 | 0:37:52 | |
I'm very impressed, actually. It's a brilliant bit of kit. | 0:37:52 | 0:37:55 | |
The decorators are turning Chris's old room into a bedroom for Ben, | 0:37:55 | 0:38:00 | |
and in Christopher's new room, | 0:38:00 | 0:38:02 | |
a street artist is working on a mural with a touring car theme. | 0:38:02 | 0:38:06 | |
Why touring cars? | 0:38:09 | 0:38:10 | |
Well, both Ben and Christopher are racing mad, Colin too in fact, | 0:38:10 | 0:38:14 | |
so we've bought the whole family to the go-karts | 0:38:14 | 0:38:16 | |
for a bit of friendly competition. | 0:38:16 | 0:38:18 | |
-So who's going to win? Me, Jules or your dad? -You. | 0:38:18 | 0:38:24 | |
Is that a bit of favouritism? | 0:38:25 | 0:38:27 | |
-Try and win, go flat out. -Flat out? | 0:38:27 | 0:38:29 | |
It may not be football on a Saturday like Colin mentioned, | 0:38:30 | 0:38:34 | |
but this is a chance for him to focus on the things he can do with the boys. | 0:38:34 | 0:38:38 | |
-Put your foot down, that's it, good boy. -Put my foot down! | 0:38:48 | 0:38:52 | |
They play in the back garden with their little push along cars | 0:38:58 | 0:39:02 | |
and they pretend they're racing drivers, | 0:39:02 | 0:39:04 | |
every boy's little dream, | 0:39:04 | 0:39:06 | |
but to see them two and to have the track to themselves, yeah... | 0:39:06 | 0:39:10 | |
Well, you could see for yourself, | 0:39:10 | 0:39:12 | |
the smile on their faces, brilliant, priceless, absolutely priceless. | 0:39:12 | 0:39:17 | |
Well done, boys, well done! | 0:39:19 | 0:39:21 | |
Well done, the boys! Which brings us to the grudge match. | 0:39:21 | 0:39:24 | |
Right, then, lads, prepare to be beaten. | 0:39:26 | 0:39:29 | |
He can only drive tractors, | 0:39:29 | 0:39:30 | |
he'll be no good on a go-kart, that's for sure. | 0:39:30 | 0:39:34 | |
He has got a weight advantage, to be fair. | 0:39:34 | 0:39:36 | |
Look at that look. There's somebody who wants his dad to win! | 0:39:38 | 0:39:41 | |
It's the prince of darkness versus the king of tractors versus Dad. | 0:39:41 | 0:39:45 | |
Come on, Daddy, come on, Daddy. | 0:39:46 | 0:39:48 | |
And they're off! | 0:39:48 | 0:39:49 | |
And it's an early lead for Dad. | 0:39:52 | 0:39:54 | |
Billy's been overtaken already by Julian. | 0:39:58 | 0:40:01 | |
See, some of those tractors go quite fast. | 0:40:02 | 0:40:05 | |
Come on, Daddy! Come on! | 0:40:05 | 0:40:07 | |
Dad's certainly still holding on to the lead, making his sons proud. | 0:40:07 | 0:40:10 | |
This was supposed to be a bit of a laugh, | 0:40:12 | 0:40:14 | |
now they're taking it really seriously. | 0:40:14 | 0:40:17 | |
Last lap. | 0:40:18 | 0:40:19 | |
-Daddy won. -Daddy won. | 0:40:21 | 0:40:22 | |
Clap for Daddy. | 0:40:23 | 0:40:25 | |
Were you cheering Daddy on? Good boy. | 0:40:25 | 0:40:27 | |
Crash you didn't. | 0:40:27 | 0:40:29 | |
No, I didn't. I thought I'd lost it a couple of times. | 0:40:29 | 0:40:33 | |
It's been a great day, victory for Dad and smiles for the whole family. | 0:40:33 | 0:40:38 | |
And back on site, even Chris has something to celebrate. | 0:40:40 | 0:40:43 | |
With one day to go, he's finally out of the room | 0:40:43 | 0:40:46 | |
that he was doing nothing to. It's only taken him eight days! | 0:40:46 | 0:40:50 | |
There's one big job we haven't started yet. | 0:40:52 | 0:40:54 | |
You know that building site out the front, the rubble garden? | 0:40:54 | 0:40:57 | |
We need to turn it into a lovely garden. | 0:40:57 | 0:41:00 | |
Luckily enough, that bloke spraying the soil blue | 0:41:00 | 0:41:03 | |
is a Chelsea Flower Show Gold Medal winner. | 0:41:03 | 0:41:05 | |
Peter Dowle has taken a personal interest in helping out. | 0:41:06 | 0:41:10 | |
I can't believe we've got someone of your importance and eminence. | 0:41:11 | 0:41:14 | |
Well, we had the call, it's in Herefordshire and local business, | 0:41:14 | 0:41:18 | |
so we thought, what could we do to help? | 0:41:18 | 0:41:20 | |
We got the call, my sister has a lovely little son Joseph | 0:41:20 | 0:41:24 | |
who's just been diagnosed with the same condition. | 0:41:24 | 0:41:27 | |
-Really? -Mm. -Man, that's hard. | 0:41:27 | 0:41:30 | |
Sorry. | 0:41:30 | 0:41:31 | |
Sorry. And it was just, you know, something we could do to help really, | 0:41:34 | 0:41:37 | |
-so that was just... -Jesus, that's tough. | 0:41:37 | 0:41:40 | |
How do you even begin to get your head round news like that? | 0:41:40 | 0:41:43 | |
Yeah, he's 16 months, 18 months old, | 0:41:43 | 0:41:45 | |
so it's just diagnosed in the last three, four months, | 0:41:45 | 0:41:48 | |
so it's a life-changing thing for a family and... | 0:41:48 | 0:41:53 | |
So you decided to get involved in this and help this family out. | 0:41:55 | 0:41:58 | |
Well, it's important to them. | 0:41:58 | 0:42:00 | |
The more space they can get and the more normal the lad's life can be, | 0:42:00 | 0:42:03 | |
and by putting a nice garden in, and also a little race track | 0:42:03 | 0:42:06 | |
out the back there, so when he's using his wheelchair... | 0:42:06 | 0:42:09 | |
Yeah, a big Scalextric, then. | 0:42:09 | 0:42:11 | |
Well, that's kind of what it feels like, doesn't it? | 0:42:11 | 0:42:13 | |
And I suppose normality is the thing you're aiming for, | 0:42:13 | 0:42:16 | |
and what's really interesting is, in your garden design, | 0:42:16 | 0:42:18 | |
what you're trying to do, I'm guessing, | 0:42:18 | 0:42:20 | |
is combine what you'd normally do in a garden, like a beautiful garden, | 0:42:20 | 0:42:23 | |
with a highly usable garden for their specific needs. | 0:42:23 | 0:42:26 | |
Absolutely. A practical outside space | 0:42:26 | 0:42:29 | |
which, you know, makes it a nice space to be in. | 0:42:29 | 0:42:32 | |
Fantastic. Wonderful. | 0:42:32 | 0:42:34 | |
Unbelievably, our conservatory is up at last! | 0:42:34 | 0:42:37 | |
Yes, blow the trumpets! Put up the bunting! We can hang the doors! | 0:42:37 | 0:42:41 | |
They've actually become a bit of a garden feature recently, | 0:42:41 | 0:42:44 | |
we thought we were going to leave them there. | 0:42:44 | 0:42:46 | |
And the floor's level with the kitchen at last. | 0:42:46 | 0:42:48 | |
Jules finally got it right in the end. | 0:42:48 | 0:42:51 | |
Guys, wonderful job. | 0:42:53 | 0:42:55 | |
I'm almost feeling a little bit... a little bit emotional. | 0:42:55 | 0:42:58 | |
Oh, you! Other side. | 0:43:01 | 0:43:02 | |
Thanks. | 0:43:03 | 0:43:05 | |
Blimey! Music's gone a bit heavy, isn't it? | 0:43:08 | 0:43:10 | |
Have a dance at home if you want. | 0:43:13 | 0:43:14 | |
Tarmac and artificial turf | 0:43:14 | 0:43:16 | |
will give Christopher an all-weather surface for his wheelchair, | 0:43:16 | 0:43:19 | |
and, hang on a minute, | 0:43:19 | 0:43:21 | |
isn't that Julia's constellations I see before me? | 0:43:21 | 0:43:24 | |
Rather late in the day. Another job that's taken nine days. | 0:43:24 | 0:43:28 | |
Oh, yes! Yes! Oh! | 0:43:28 | 0:43:31 | |
You've still got to feed those onto the main one. | 0:43:32 | 0:43:35 | |
This is why I've been trying to get a chippy on the job | 0:43:35 | 0:43:37 | |
for the last four hours, but Mr Millar - no, no, no! | 0:43:37 | 0:43:39 | |
-Skirtings in the house are more important apparently. -Well, they are. | 0:43:39 | 0:43:43 | |
No, they're not. | 0:43:43 | 0:43:45 | |
Well, they are. | 0:43:45 | 0:43:47 | |
Yeah, but they're not. | 0:43:47 | 0:43:48 | |
In the period that you've managed to do one board, | 0:43:48 | 0:43:50 | |
we've managed to build a two-storey extension. | 0:43:50 | 0:43:53 | |
Is that a fair comment, really, is it? | 0:43:53 | 0:43:56 | |
Er, yes. | 0:43:56 | 0:43:58 | |
It's going to be so beautiful when it's done. | 0:43:58 | 0:44:00 | |
So anyway, now we know it works, that's great. | 0:44:00 | 0:44:03 | |
Brilliant. Our handmade furniture is back with a few modifications, | 0:44:03 | 0:44:07 | |
and this time it fits. | 0:44:07 | 0:44:08 | |
Beautiful, look at that. | 0:44:10 | 0:44:12 | |
It's the final push, here comes the lift. | 0:44:12 | 0:44:15 | |
Fits perfectly, like a glove. | 0:44:17 | 0:44:18 | |
We have hoists in the playroom and up in Christopher's bedroom. | 0:44:22 | 0:44:25 | |
And a motorised hospital bed | 0:44:28 | 0:44:29 | |
will be able to turn Christopher as he sleeps. | 0:44:29 | 0:44:32 | |
But despite all the medical equipment, | 0:44:33 | 0:44:35 | |
Julia is determined to keep things looking fun. | 0:44:35 | 0:44:38 | |
Just nine days ago, we arrived to find a family rocked | 0:44:42 | 0:44:45 | |
by news of their oldest boy's muscle-wasting condition. | 0:44:45 | 0:44:49 | |
We would walk to the end of the Earth to find that cure for Christopher. | 0:44:49 | 0:44:54 | |
The seven-year-old was in danger of being cut off from family life | 0:44:54 | 0:44:58 | |
on the first floor, especially at bedtime, already an ordeal. | 0:44:58 | 0:45:02 | |
Mummy loves you very much, OK? | 0:45:03 | 0:45:05 | |
We always knew this was going to be a sensitive build. | 0:45:05 | 0:45:09 | |
We're hoping that it's...the changes aren't going to be all clinical. | 0:45:09 | 0:45:13 | |
When we see the house with the lift in, | 0:45:16 | 0:45:18 | |
with the hoist and things like that, | 0:45:18 | 0:45:20 | |
it's going to be heart-breaking I know, | 0:45:20 | 0:45:22 | |
because it's something that you know is coming. | 0:45:22 | 0:45:25 | |
We had to transform Claire and Colin's home | 0:45:25 | 0:45:28 | |
without trashing years of hard work. | 0:45:28 | 0:45:30 | |
(He's a bit grumpy.) | 0:45:32 | 0:45:34 | |
And we had to do most things twice. | 0:45:34 | 0:45:37 | |
Don't dare touch it, don't dare touch it. | 0:45:37 | 0:45:39 | |
But with 80, 90, 100 trades every day... | 0:45:39 | 0:45:42 | |
-On behalf of everyone on the planet, thank you very much. -Thank you. | 0:45:42 | 0:45:47 | |
..some travelling from Essex, Leicester and Yorkshire, | 0:45:47 | 0:45:51 | |
and with a firefighting army marching on their stomachs, | 0:45:51 | 0:45:58 | |
the people of Hereford have given this family | 0:45:58 | 0:46:00 | |
the new start they need, whatever the future holds. | 0:46:00 | 0:46:04 | |
A two-storey extension means we've been able to give Christopher | 0:46:09 | 0:46:13 | |
more room for his wheelchair, upstairs and down. | 0:46:13 | 0:46:16 | |
The family lounge is back to its former glory, | 0:46:16 | 0:46:20 | |
but with widened doors. | 0:46:20 | 0:46:21 | |
You'd never know we'd been here. | 0:46:21 | 0:46:22 | |
And the kitchen, well, you'd think we'd never been here either. | 0:46:22 | 0:46:27 | |
We've taken the boys' narrow playroom and widened it | 0:46:27 | 0:46:29 | |
with a bright construction theme. They're going to love this. | 0:46:29 | 0:46:33 | |
How cool is this for boys to play in? | 0:46:35 | 0:46:38 | |
In the adjoining toilet, there's loads of room for Chris's wheelchair, | 0:46:38 | 0:46:42 | |
and a team of friendly robots guard the walls. | 0:46:42 | 0:46:45 | |
A wheelchair lift will take Christopher up to a brand-new bedroom. | 0:46:47 | 0:46:50 | |
This was the space Claire and Colin asked us not to make look like a hospital ward. | 0:46:50 | 0:46:56 | |
I think we've done all right. | 0:46:56 | 0:46:58 | |
Christopher's new bathroom includes hands-free taps and toilet, | 0:46:59 | 0:47:02 | |
and a rising bath. | 0:47:02 | 0:47:04 | |
But we've given it a locker room feel in the colours | 0:47:04 | 0:47:06 | |
of his dad's favourite football club - Sunderland AFC. | 0:47:06 | 0:47:09 | |
Christopher's old bedroom has been re-engineered for young Ben - | 0:47:12 | 0:47:17 | |
a bike-mad, map-loving five-year-old who hero worships his dad. | 0:47:17 | 0:47:20 | |
Downstairs, that cramped conservatory has been transformed | 0:47:21 | 0:47:24 | |
into a bubble of calm, | 0:47:24 | 0:47:26 | |
a gracious space for the whole family to come together. | 0:47:26 | 0:47:30 | |
And with those doors hung at last | 0:47:30 | 0:47:32 | |
and the floor level sorted inside and out, | 0:47:32 | 0:47:35 | |
Christopher can race from the furthest corner of the garden | 0:47:35 | 0:47:39 | |
right the way to the front of the house. | 0:47:39 | 0:47:41 | |
-Unusually, we're going to do this start with the outside. -OK. | 0:47:43 | 0:47:47 | |
So, a lot of people have worked very hard | 0:47:47 | 0:47:50 | |
to give you the best possible home that they could. | 0:47:50 | 0:47:54 | |
OK, three, two, one - open your eyes. | 0:47:54 | 0:47:56 | |
Oh, my God, it's wonderful! | 0:48:02 | 0:48:04 | |
Oh, wow. I can't... Wow. | 0:48:04 | 0:48:06 | |
It looks completely different, look at the door. | 0:48:09 | 0:48:12 | |
If you look up by the drainpipe, | 0:48:12 | 0:48:13 | |
the straight line that you can see down, | 0:48:13 | 0:48:16 | |
everything to the right is new. | 0:48:16 | 0:48:18 | |
OK, new playroom, in you go. | 0:48:21 | 0:48:24 | |
-Oh, my God. -Oh! -It's outstanding, it's magic, it's magical... | 0:48:29 | 0:48:33 | |
It's amazing, wow. | 0:48:33 | 0:48:34 | |
This doesn't even... | 0:48:36 | 0:48:38 | |
You can't even see it, it's like a little spaceship. | 0:48:41 | 0:48:45 | |
Have a little seat just there. | 0:48:46 | 0:48:47 | |
Importantly, this area here is an area that, obviously, | 0:48:47 | 0:48:50 | |
they can play in and jump around in at the moment. Later on, | 0:48:50 | 0:48:53 | |
when he finds it more difficult, it's an area he can lay as well, | 0:48:53 | 0:48:55 | |
and, of course, with the hoist, | 0:48:55 | 0:48:57 | |
he'll be able to get in and out as well, so he'll be able to lay here. | 0:48:57 | 0:49:00 | |
If he's going to lay on here, we still want him | 0:49:00 | 0:49:02 | |
to be able to play, so in here... | 0:49:02 | 0:49:04 | |
Oh, look. | 0:49:05 | 0:49:06 | |
There's a digger truck, track already built in there, | 0:49:06 | 0:49:09 | |
so that he can play with that. | 0:49:09 | 0:49:11 | |
Look at those little baskets, look at the skips! | 0:49:13 | 0:49:17 | |
-Ben's skip and Chris's skip. -No way. | 0:49:17 | 0:49:19 | |
I can't believe that all this was done in such a short amount of time. | 0:49:20 | 0:49:24 | |
We could have never have done this ourself. All this space. | 0:49:24 | 0:49:27 | |
Wheelchair access door, wheelchair access door, | 0:49:27 | 0:49:30 | |
and then wheelchair access door there, | 0:49:30 | 0:49:31 | |
which is not something we have shown you yet, | 0:49:31 | 0:49:33 | |
so maybe you should nip in there next. | 0:49:33 | 0:49:36 | |
Oh, my, look at the wallpaper. | 0:49:40 | 0:49:42 | |
Oh, my goodness. | 0:49:45 | 0:49:46 | |
Oh, wow. Oh, wow. | 0:49:49 | 0:49:50 | |
Of course, one of the key things about this build | 0:49:52 | 0:49:55 | |
was always going to be about the access | 0:49:55 | 0:49:58 | |
and making sure that he could get around, so... | 0:49:58 | 0:50:01 | |
He is going to love that. | 0:50:13 | 0:50:15 | |
It's like an adventure park, isn't it, for him? Look at it. | 0:50:16 | 0:50:19 | |
Do you remember the instruction you gave us? | 0:50:19 | 0:50:21 | |
"It's important he has access | 0:50:21 | 0:50:22 | |
-"but I don't want it to look like a hospital." -Yeah, yeah, absolutely. | 0:50:22 | 0:50:26 | |
So we've made it like an adventure park instead. | 0:50:26 | 0:50:28 | |
Would you like to step out into Chris's new bedroom? | 0:50:34 | 0:50:37 | |
Oh, my God, look at the cars! | 0:50:40 | 0:50:42 | |
Look at his bed, Christopher's bed. | 0:50:44 | 0:50:47 | |
-He's got a bed that doesn't look hospitalised. -I know. | 0:50:47 | 0:50:51 | |
And there's lots of controls on it. | 0:50:51 | 0:50:52 | |
Basically, it goes up at the end, up at the top, | 0:50:52 | 0:50:54 | |
and, also, you can tip it so it turns him and turns him in the night | 0:50:54 | 0:50:58 | |
so he can either turn himself or you can turn him, | 0:50:58 | 0:51:01 | |
and that's all under these controls here. | 0:51:01 | 0:51:04 | |
OK, this is the thing we were all worried about | 0:51:04 | 0:51:06 | |
and we were going to struggle to deal with, | 0:51:06 | 0:51:08 | |
so we've seen some hoists, | 0:51:08 | 0:51:09 | |
-we've seen a hoist down in the playroom area as well. -Yeah. | 0:51:09 | 0:51:12 | |
This is the key hoist here, obviously. | 0:51:12 | 0:51:13 | |
I'm going to demonstrate it | 0:51:13 | 0:51:15 | |
and I hope you're not going to be too upset by it, | 0:51:15 | 0:51:17 | |
but there is a little spaceship which flies around, | 0:51:17 | 0:51:20 | |
to the point where, if he comes up in the wheelchair in the lift, | 0:51:20 | 0:51:24 | |
then you can use the hoist, | 0:51:24 | 0:51:26 | |
you can use the hoist here, to get into the bed, | 0:51:26 | 0:51:28 | |
the hoist will also come through and into the new wet room bathroom. | 0:51:28 | 0:51:32 | |
-It doesn't look clinical at all, does it, Colin? -No, no. -At all. | 0:51:46 | 0:51:53 | |
You knew how I was feeling about coming in here, but it's just wow. | 0:51:55 | 0:51:59 | |
Pretty cool, isn't it? | 0:52:00 | 0:52:02 | |
We want to give you the environment | 0:52:03 | 0:52:05 | |
where you make the most of every day you've got, you know, what I mean - | 0:52:05 | 0:52:09 | |
every day, rather than... | 0:52:09 | 0:52:12 | |
it takes off some of the worry about what's going to happen, what's going to happen, what's going to happen. | 0:52:12 | 0:52:17 | |
-Yeah. -Just start living in the now for the time that you've got. -Yeah. | 0:52:17 | 0:52:21 | |
Oh, wow! Oh! | 0:52:24 | 0:52:27 | |
Ben's skip. | 0:52:29 | 0:52:31 | |
-So do you know what this is? -Yes. | 0:52:32 | 0:52:35 | |
OK, let me show you, something you can do here with your brother. | 0:52:35 | 0:52:38 | |
So what you do is, press that down one, there. | 0:52:38 | 0:52:41 | |
Let it stop there, just there. Right, hang onto that. | 0:52:43 | 0:52:47 | |
And your other hand, see how long you can hang on. | 0:52:49 | 0:52:51 | |
LAUGHTER | 0:52:55 | 0:52:58 | |
There he goes. Oh, he's gone. | 0:53:04 | 0:53:07 | |
See that little box on the wall just there? | 0:53:07 | 0:53:09 | |
Press that arrow and see what happens. | 0:53:09 | 0:53:12 | |
What? What? | 0:53:15 | 0:53:16 | |
Wow. | 0:53:19 | 0:53:22 | |
Oh, wow. | 0:53:31 | 0:53:33 | |
What do you think, Ben? | 0:53:46 | 0:53:47 | |
It never looked like this before. | 0:53:47 | 0:53:49 | |
< Oh, wow. | 0:53:49 | 0:53:50 | |
That's because this room, this part of the house wasn't here before, | 0:53:50 | 0:53:53 | |
it's an all-new part of the house. | 0:53:53 | 0:53:55 | |
Wow. | 0:53:57 | 0:53:58 | |
Is that cool, Ben? | 0:53:59 | 0:54:00 | |
-You like it? -Yeah. | 0:54:04 | 0:54:06 | |
So if you had to give marks out of ten for your bedroom, | 0:54:06 | 0:54:10 | |
how many out of ten would this be? | 0:54:10 | 0:54:12 | |
12. | 0:54:13 | 0:54:15 | |
Do you want to hop down, then? Come down your ladder. | 0:54:16 | 0:54:19 | |
-There's a bit of a den underneath as well, did you see that? -No. | 0:54:19 | 0:54:22 | |
Oh, wow. Oh, my God, it's much bigger, it's loads bigger. | 0:54:29 | 0:54:37 | |
Yeah, I was going to put some sort of ramp to get over that, | 0:54:37 | 0:54:41 | |
it was always going to be a worry for us. | 0:54:41 | 0:54:44 | |
Let me tell you, getting the floor height correct in here | 0:54:44 | 0:54:47 | |
was a massive worry for us cos we did it wrong at first | 0:54:47 | 0:54:49 | |
and we had to go back and do it all over, it was a nightmare. | 0:54:49 | 0:54:52 | |
Wow! | 0:54:52 | 0:54:55 | |
Look! | 0:54:55 | 0:54:57 | |
A main road! | 0:54:57 | 0:54:59 | |
Got their own racetrack. | 0:55:07 | 0:55:09 | |
-I didn't even know there was going to be a road. -Wow. | 0:55:09 | 0:55:12 | |
He changed it. | 0:55:13 | 0:55:16 | |
Just a bit. That's genius, that's genius. | 0:55:16 | 0:55:18 | |
And there's one more surprise, | 0:55:23 | 0:55:24 | |
if we can entice Christopher out of the garden. | 0:55:24 | 0:55:27 | |
It's not just his wheelchair access | 0:55:29 | 0:55:31 | |
and a new relaxing space for his hydrotherapy. | 0:55:31 | 0:55:34 | |
Open your eyes. | 0:55:37 | 0:55:39 | |
Oh, wow! | 0:55:42 | 0:55:44 | |
Oh, wow. | 0:55:46 | 0:55:48 | |
-And a hoist. -And a hoist. That's what we were worried about getting. | 0:55:48 | 0:55:52 | |
The lights on that board aren't just put up randomly, | 0:55:52 | 0:55:55 | |
-that is the stars on the day you two married. -No way! | 0:55:55 | 0:56:00 | |
-How romantic is that! -Nice. | 0:56:00 | 0:56:02 | |
CHEERING AND APPLAUSE | 0:56:10 | 0:56:12 | |
So the family have just seen the house | 0:56:26 | 0:56:29 | |
and, as you can see, they're really happy. | 0:56:29 | 0:56:31 | |
These are some of the people - | 0:56:31 | 0:56:33 | |
the ones at the back, stand up on tippy toes so that you can see - | 0:56:33 | 0:56:36 | |
these are the people who've been here for the last nine days. | 0:56:36 | 0:56:39 | |
What an amazing bunch of people you all are, | 0:56:39 | 0:56:41 | |
you've changed the house around. | 0:56:41 | 0:56:43 | |
We went through a list. We were talking to the lads here | 0:56:43 | 0:56:45 | |
and tell me the list again - your favourite things in the house? | 0:56:45 | 0:56:48 | |
-Erm, the lift. -The lift. | 0:56:48 | 0:56:49 | |
-The bedroom. -Whose bedroom? -Mine and Christopher's. | 0:56:51 | 0:56:54 | |
The track, they love the track out the back, | 0:56:54 | 0:56:56 | |
for all the people who got involved with the track. | 0:56:56 | 0:56:58 | |
Like a road it is. | 0:56:58 | 0:57:00 | |
It is like a road, isn't it? Yes, it's very cool. | 0:57:00 | 0:57:02 | |
Thank you to everybody, everybody that's here today, just thank you. | 0:57:02 | 0:57:06 | |
80, 90 builders every day turned up. They're amazing, amazing neighbours. | 0:57:26 | 0:57:30 | |
I can't take it all in. | 0:57:30 | 0:57:32 | |
It looks different with flowers in the middle of the road. | 0:57:34 | 0:57:38 | |
-Does it look pretty? -Yeah. | 0:57:38 | 0:57:40 | |
-Cheers, buddy. -Well done, mate. | 0:57:40 | 0:57:42 | |
Tell you what, you're holding it together really well, mate. | 0:57:43 | 0:57:47 | |
I think one of the toughest challenges in life, | 0:57:47 | 0:57:50 | |
especially as a parent, | 0:57:50 | 0:57:52 | |
is dealing with things that you just can't change. | 0:57:52 | 0:57:55 | |
How this family have come to terms with the diagnosis | 0:57:55 | 0:57:57 | |
they received 18 months ago is... | 0:57:57 | 0:58:00 | |
well, it doesn't bear thinking about, does it? | 0:58:00 | 0:58:02 | |
So if you can't change everything, change a little bit at a time. | 0:58:02 | 0:58:05 | |
And that's what all these people have done. | 0:58:05 | 0:58:08 | |
They've come along and changed what they can and, as a group, | 0:58:08 | 0:58:10 | |
they've made a massive change to how Christopher's life will run over the next few years. | 0:58:10 | 0:58:14 | |
He'll be able to use the whole house, | 0:58:14 | 0:58:16 | |
he'll be part of the family everywhere, | 0:58:16 | 0:58:18 | |
he'll have as normal a childhood as is possible. | 0:58:18 | 0:58:21 | |
So concentrate on what you can change, not what you can't. | 0:58:23 | 0:58:26 | |
Maybe you could help somebody. | 0:58:26 | 0:58:28 |