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With her can-do attitude, love of simple gardens | 0:00:02 | 0:00:04 | |
and decades of experience... | 0:00:04 | 0:00:06 | |
-Hello! -..Charlie Dimmock is one of Britain's best-loved gardeners. | 0:00:06 | 0:00:09 | |
Looking good, boys. | 0:00:09 | 0:00:11 | |
But the new kids on the gardening block are the Rich brothers. | 0:00:11 | 0:00:15 | |
We want to be the brothers | 0:00:15 | 0:00:17 | |
that change people's perceptions of gardeners. | 0:00:17 | 0:00:19 | |
Winners of multiple medals at the Chelsea Flower Show... | 0:00:19 | 0:00:22 | |
-Ooh. -Oh, wow. Amazing, isn't it? | 0:00:22 | 0:00:24 | |
..the boys have become known for their dramatic outdoor spaces. | 0:00:24 | 0:00:29 | |
Now these two different generations of gardening are going head-to-head. | 0:00:29 | 0:00:34 | |
I know they've got a gold medal, but I can come up with a few ideas. | 0:00:34 | 0:00:38 | |
They're meeting frustrated garden-owners across the country... | 0:00:38 | 0:00:42 | |
The photos made it look tiny. | 0:00:42 | 0:00:44 | |
-It is, isn't it? -I'm sure you've seen larger. | 0:00:44 | 0:00:47 | |
I don't know what to do with it. | 0:00:47 | 0:00:48 | |
..and will each pitch them a design based on their needs... | 0:00:48 | 0:00:51 | |
-Wow! -..and budget. | 0:00:51 | 0:00:53 | |
That looks really exciting. | 0:00:53 | 0:00:54 | |
It doesn't look like it could be our garden. | 0:00:54 | 0:00:56 | |
The winner... | 0:00:56 | 0:00:58 | |
Ta-da! | 0:00:58 | 0:00:59 | |
CHEERING | 0:00:59 | 0:01:00 | |
..brings their design to life. | 0:01:00 | 0:01:02 | |
Hold on, hold on! | 0:01:02 | 0:01:03 | |
Sweet as a nut. | 0:01:03 | 0:01:04 | |
And the loser has to help them build it. | 0:01:04 | 0:01:07 | |
Oh, I'm getting irritated now. We're sort of faffing around. | 0:01:07 | 0:01:10 | |
This is what happens... | 0:01:10 | 0:01:11 | |
-Does he ever get irritating? -All the time. | 0:01:11 | 0:01:14 | |
..when different styles collide... | 0:01:14 | 0:01:16 | |
-Who chose these? -One, two, three. | 0:01:16 | 0:01:18 | |
This looks like your design. | 0:01:19 | 0:01:21 | |
Yeah! | 0:01:21 | 0:01:22 | |
..to turn garden dreams into reality. | 0:01:22 | 0:01:25 | |
Wow! | 0:01:25 | 0:01:26 | |
-Open your eyes. -Wow! -Whoa. | 0:01:26 | 0:01:29 | |
It's amazing. | 0:01:29 | 0:01:30 | |
It's beautiful. | 0:01:30 | 0:01:32 | |
Today, Charlie and the Rich brothers are competing over a garden | 0:01:40 | 0:01:44 | |
whose owners have given up a place in the country | 0:01:44 | 0:01:47 | |
for a new life in suburbia. | 0:01:47 | 0:01:49 | |
Pippa and Tony, aka Mum and Dad to this lovely, huge family, | 0:01:49 | 0:01:53 | |
recently moved because Mum and Dad were taxi service for the children, | 0:01:53 | 0:01:58 | |
got fed up, so they've moved from a rural setting | 0:01:58 | 0:02:02 | |
right into a townhouse. | 0:02:02 | 0:02:04 | |
Yeah, does look very different to a rural setting, doesn't it? | 0:02:04 | 0:02:07 | |
Six months ago, Tony and Pippa Atkin | 0:02:07 | 0:02:10 | |
moved to Stamford in Lincolnshire, with their five children. | 0:02:10 | 0:02:13 | |
But the couple missed their old rural life. | 0:02:16 | 0:02:19 | |
The sacrifice we made is we actually lost, I feel, the countryside a lot. | 0:02:20 | 0:02:25 | |
So this is one of the reasons we want the garden changed, | 0:02:25 | 0:02:27 | |
so we can see more of wildlife. | 0:02:27 | 0:02:30 | |
The family lived in the heart of the Rutland countryside. | 0:02:30 | 0:02:33 | |
They had a garden dominated by a 500-year-old oak tree, | 0:02:33 | 0:02:38 | |
and the whole family embraced their rural lifestyle. | 0:02:38 | 0:02:41 | |
But now, things are a little different. | 0:02:42 | 0:02:45 | |
So that's what we really noticed, since we've moved here, | 0:02:45 | 0:02:48 | |
is that lack of birdlife. | 0:02:48 | 0:02:50 | |
We literally had ten pigeons | 0:02:50 | 0:02:52 | |
-and one lonely blackbird out in that garden. -Yeah. | 0:02:52 | 0:02:54 | |
Although it has nice mature shrubs, | 0:02:54 | 0:02:57 | |
this garden hasn't been touched since the family moved in. | 0:02:57 | 0:03:00 | |
So they're keen to put their stamp on it. | 0:03:00 | 0:03:03 | |
The garden, at the moment, although it's a nice garden, | 0:03:03 | 0:03:06 | |
it's not our garden. It doesn't feel like it's got our mark on it. | 0:03:06 | 0:03:09 | |
So to us, it feels slightly soulless. | 0:03:09 | 0:03:12 | |
But the biggest challenge is that it's on a corner plot. | 0:03:12 | 0:03:16 | |
It looks a different shape than usual. | 0:03:17 | 0:03:19 | |
-There seems to be lots of little nooks and crannies. -Wraps around the house. | 0:03:19 | 0:03:22 | |
The plot is a U shape, so it's not possible to see all of it once. | 0:03:22 | 0:03:27 | |
But Pippa and Tony badly need it to work, | 0:03:27 | 0:03:30 | |
because, with five children, | 0:03:30 | 0:03:31 | |
they're literally being driven out the house. | 0:03:31 | 0:03:34 | |
LAUGHTER | 0:03:34 | 0:03:35 | |
-We want a grown-up garden, don't we? -Yes. | 0:03:35 | 0:03:38 | |
A more grown-up garden. | 0:03:38 | 0:03:40 | |
For us to relax in more, | 0:03:40 | 0:03:42 | |
rather than children to play. | 0:03:42 | 0:03:44 | |
SHE LAUGHS | 0:03:45 | 0:03:46 | |
Children can use it - not a play area. | 0:03:46 | 0:03:48 | |
-No trampolines, then. -No, no. | 0:03:48 | 0:03:50 | |
But that's not all. | 0:03:52 | 0:03:53 | |
The couple would also like another reminder of their country life. | 0:03:53 | 0:03:57 | |
-What's your main thing? -The veggie patch. | 0:03:57 | 0:04:00 | |
-The vegetable patch. -Yeah. -OK. | 0:04:00 | 0:04:02 | |
The second bit, for me, would be actually somewhere to go and escape, | 0:04:02 | 0:04:06 | |
so it's just for me and Pippa to relax in, | 0:04:06 | 0:04:10 | |
without the children driving us up the wall. | 0:04:10 | 0:04:13 | |
To get their own personal sanctuary, | 0:04:13 | 0:04:16 | |
Pippa and Tony are prepared to put their money where their mouth is. | 0:04:16 | 0:04:20 | |
We've got £4,000 to spend on the garden. | 0:04:20 | 0:04:23 | |
-£4,000! -That's awesome. | 0:04:23 | 0:04:26 | |
-Yeah, that's great. -That's a really nice budget for this space. | 0:04:26 | 0:04:29 | |
We're hoping to get out of it a garden that we're going to love | 0:04:29 | 0:04:31 | |
-for years to come. -For years to come, yeah. -So it will pay us back in dividends. | 0:04:31 | 0:04:35 | |
So it looks like it's a garden for the adults to relax in, | 0:04:35 | 0:04:38 | |
and kind of a little escape. | 0:04:38 | 0:04:40 | |
And then just chuck the kids out in the park, is it?! | 0:04:40 | 0:04:42 | |
-LAUGHTER -Sounds perfect. | 0:04:42 | 0:04:45 | |
It's a healthy budget and a clear brief. | 0:04:45 | 0:04:48 | |
But this is a very challenging plot. | 0:04:48 | 0:04:50 | |
So Charlie and the Rich brothers are heading to Stamford | 0:04:52 | 0:04:55 | |
to take a closer look. | 0:04:55 | 0:04:57 | |
Now they're in competition, | 0:04:57 | 0:04:59 | |
they're looking for a nugget of inspiration that will enable them | 0:04:59 | 0:05:02 | |
to create the winning design. | 0:05:02 | 0:05:05 | |
The boys head straight inside and make an interesting discovery. | 0:05:05 | 0:05:09 | |
They may have moved into a town, | 0:05:09 | 0:05:12 | |
but the couple's love of the country life remains. | 0:05:12 | 0:05:14 | |
Nice! This is cosy. | 0:05:16 | 0:05:18 | |
-Lovely. -Check out this sofa here. | 0:05:18 | 0:05:20 | |
Doesn't this evoke a real country feel? | 0:05:20 | 0:05:22 | |
-It does, yeah. -But look. I mean, what's so nice | 0:05:22 | 0:05:25 | |
is actually the tweed pattern. | 0:05:25 | 0:05:26 | |
-That's really cool, isn't it? -Yeah. -Look at the colours. | 0:05:26 | 0:05:29 | |
-Quite strong geometry, isn't there? -Yeah, definitely. | 0:05:29 | 0:05:31 | |
Meanwhile, Charlie's trying to find something positive to say | 0:05:37 | 0:05:41 | |
about Tony and Pippa's odd-shaped plot. | 0:05:41 | 0:05:44 | |
The lovely thing about your garden | 0:05:44 | 0:05:46 | |
is it's not like a typical townhouse garden - | 0:05:46 | 0:05:49 | |
ie, rectangular or narrow. | 0:05:49 | 0:05:52 | |
It is wrapped round the house. | 0:05:52 | 0:05:54 | |
-Yes. -This is very small, so it's never going to be | 0:05:54 | 0:05:57 | |
realistically fantastic for children running around, | 0:05:57 | 0:05:59 | |
you know, certainly older children running around in it. | 0:05:59 | 0:06:02 | |
And it would just be really nice to have something for us. | 0:06:02 | 0:06:04 | |
It would be, so we can sort of sit out here in the summertime, relax and enjoy it. | 0:06:04 | 0:06:08 | |
For us, it's a little bit soulless. | 0:06:08 | 0:06:10 | |
-Yeah. -OK. So you want to put some heart into it. -Yes. | 0:06:10 | 0:06:12 | |
And look at this. | 0:06:12 | 0:06:14 | |
-Chunky wood. -Nice. | 0:06:15 | 0:06:16 | |
It looks like they have this kind of use of natural materials. | 0:06:16 | 0:06:20 | |
-Mm-hm. -So I think what's really nice | 0:06:20 | 0:06:22 | |
-is to try and connect this with the garden. -Yeah. | 0:06:22 | 0:06:24 | |
Some form of - you know, if it's wood, or if it's some other kind of natural material, | 0:06:24 | 0:06:28 | |
-I think they're going to love that. -Oh, perfect. | 0:06:28 | 0:06:30 | |
The brothers are getting inspired by the rustic interior, | 0:06:30 | 0:06:33 | |
but Charlie hasn't finished with Tony and Pippa yet. | 0:06:33 | 0:06:36 | |
Are there any plants | 0:06:36 | 0:06:38 | |
that you really, really want to see in the garden? | 0:06:38 | 0:06:42 | |
Tell Charlie about your plant knowledge, darling. | 0:06:42 | 0:06:44 | |
-LAUGHTER -I have very little plant knowledge. | 0:06:44 | 0:06:46 | |
-I just know what I like. -I'm not just talking about him, I'm talking about me, too. | 0:06:46 | 0:06:50 | |
-Oh, OK. -I should have said OUR plant knowledge, really. | 0:06:50 | 0:06:52 | |
I like to be able to walk out and grab a bit of rosemary when cooking lamb. | 0:06:52 | 0:06:56 | |
Maintenance is not too much of an issue? | 0:06:56 | 0:06:59 | |
No. I think we'd like a sort of mid-maintenance garden. | 0:06:59 | 0:07:02 | |
So not high-maintenance, not low-maintenance. | 0:07:02 | 0:07:05 | |
Somewhere in between, somewhere where we can potter around | 0:07:05 | 0:07:07 | |
-and do bits and pieces. -Pottering is the key word, really. | 0:07:07 | 0:07:10 | |
Mid-maintenance - that's a new one. | 0:07:10 | 0:07:13 | |
They may not be averse to a bit of pottering, but for the designers, | 0:07:13 | 0:07:17 | |
finding a way to bring some rustic flair | 0:07:17 | 0:07:20 | |
to this odd-shaped suburban plot is a huge challenge, | 0:07:20 | 0:07:24 | |
even for four grand. | 0:07:24 | 0:07:25 | |
So our designers get down to business. | 0:07:29 | 0:07:31 | |
Each of them has to come up with a design | 0:07:33 | 0:07:35 | |
for the couple's ideal garden within their budget. | 0:07:35 | 0:07:38 | |
Pippa and Tony will then choose the winner, | 0:07:39 | 0:07:42 | |
and the loser will help the victor build the garden. | 0:07:42 | 0:07:45 | |
Will it be Charlie, | 0:07:50 | 0:07:51 | |
who's taken on board that the couple want a grown-up space, | 0:07:51 | 0:07:55 | |
a retreat away from their hectic family life? | 0:07:55 | 0:07:58 | |
Aww. | 0:07:58 | 0:07:59 | |
Or the Rich brothers, who've seen that they still have | 0:07:59 | 0:08:02 | |
a real taste for the countryside? | 0:08:02 | 0:08:04 | |
-This is the garden we've designed. -Wow! | 0:08:04 | 0:08:07 | |
It's time for the designers to present their ideas. | 0:08:07 | 0:08:09 | |
We know you guys have recently moved from the country | 0:08:09 | 0:08:12 | |
to this townhouse. And what we really wanted to do | 0:08:12 | 0:08:15 | |
was kind of capture the character and that feeling | 0:08:15 | 0:08:18 | |
of being in the country, but giving it to you in the back garden. | 0:08:18 | 0:08:20 | |
So this area here, basically where we're sitting now, | 0:08:20 | 0:08:23 | |
is more of the more formal country-style garden. | 0:08:23 | 0:08:26 | |
I think it's the sunniest spot of the garden, | 0:08:26 | 0:08:28 | |
so in the evening it'll be great - dining out, drinking, | 0:08:28 | 0:08:31 | |
things like that, having friends over. | 0:08:31 | 0:08:33 | |
And what defines that space is the low box hedging. | 0:08:33 | 0:08:36 | |
So even when the planting dies down, | 0:08:36 | 0:08:38 | |
you've got lovely interest with these interesting shapes. | 0:08:38 | 0:08:41 | |
The boys have put a seating area | 0:08:41 | 0:08:43 | |
in the tricky middle section of the plot, | 0:08:43 | 0:08:45 | |
from where each side of the garden can be seen. | 0:08:45 | 0:08:49 | |
But Charlie's using it differently. | 0:08:49 | 0:08:51 | |
This is a patio. | 0:08:51 | 0:08:54 | |
We've got planting on either side so you're drawn in, | 0:08:54 | 0:08:57 | |
and we'll have a focal point against the wall, | 0:08:57 | 0:09:00 | |
whether it's a statue or a very beautiful plant. | 0:09:00 | 0:09:03 | |
The boys are working with the shape of the house | 0:09:05 | 0:09:07 | |
to create different zones. | 0:09:07 | 0:09:09 | |
But Charlie's working against it, | 0:09:09 | 0:09:11 | |
with a curved path to unify the different areas. | 0:09:11 | 0:09:15 | |
And she's keeping the couple's private seating area | 0:09:16 | 0:09:20 | |
away from prying eyes. | 0:09:20 | 0:09:22 | |
It's always nice to sit in an area that's open, but, for me, | 0:09:22 | 0:09:26 | |
I also sometimes like to sit in an area that's a bit more enclosed | 0:09:26 | 0:09:30 | |
and private and secret. | 0:09:30 | 0:09:31 | |
So up round here, behind this planting, | 0:09:31 | 0:09:34 | |
there's a pergola with a hard standing area, | 0:09:34 | 0:09:37 | |
so you can have a couple of chairs or a bench there. | 0:09:37 | 0:09:41 | |
The next challenge on the brief was an area for growing vegetables. | 0:09:41 | 0:09:44 | |
As this is the sunny area, | 0:09:46 | 0:09:49 | |
I've made this your vegetable patch, and for the vegetable patch, | 0:09:49 | 0:09:53 | |
-I want it to look pretty. -Lovely. | 0:09:53 | 0:09:55 | |
So it's something you can look at and go, | 0:09:55 | 0:09:57 | |
"Ah, that's really nice." | 0:09:57 | 0:09:59 | |
And edged with willow. | 0:09:59 | 0:10:00 | |
Charlie's put a new veg plot by the back door, | 0:10:00 | 0:10:04 | |
but the boys haven't included one. | 0:10:04 | 0:10:07 | |
Instead, they focus the budget on mature trees | 0:10:07 | 0:10:10 | |
to make the garden more private. | 0:10:10 | 0:10:12 | |
Will this count against them? | 0:10:12 | 0:10:15 | |
To contrast that more formal area | 0:10:15 | 0:10:17 | |
we've got this lovely meadow area at the back. | 0:10:17 | 0:10:19 | |
It's just something that has that natural feeling, but is purposeful. | 0:10:19 | 0:10:23 | |
What's really good about this, also, is you've got the trees masking the building. | 0:10:23 | 0:10:27 | |
-Wow. -So again, you've really softened that backdrop. | 0:10:27 | 0:10:29 | |
So if we were looking out of your kitchen window, | 0:10:29 | 0:10:31 | |
you're going to be looking out onto this lovely, natural space. | 0:10:31 | 0:10:34 | |
The last demand in the brief was that the sound of the countryside, | 0:10:34 | 0:10:38 | |
especially wildlife, be a key part of the new garden. | 0:10:38 | 0:10:42 | |
We loved the idea of being able to get rid of the cliched | 0:10:42 | 0:10:45 | |
kind of bird feeder and draw them in through trees, | 0:10:45 | 0:10:47 | |
cos these are going to have fruit, you know, berries on them, | 0:10:47 | 0:10:50 | |
and that's really going to draw in the wildlife. And the pollinators as well, through the meadow grass. | 0:10:50 | 0:10:55 | |
I'm going for things that will attract | 0:10:55 | 0:10:57 | |
lots of butterflies and bees, | 0:10:57 | 0:10:59 | |
because if you start attracting those, | 0:10:59 | 0:11:01 | |
you're going to start attracting the birds. | 0:11:01 | 0:11:04 | |
So we're going to go for things like buddleias and lavenders. | 0:11:04 | 0:11:07 | |
And Charlie has added an extra feature | 0:11:07 | 0:11:10 | |
that she hopes will tip the balance. | 0:11:10 | 0:11:13 | |
I have put in some water. | 0:11:13 | 0:11:15 | |
It is totally child-friendly. | 0:11:15 | 0:11:17 | |
-Brilliant. -So it's just a millstone with the water bubbling, | 0:11:17 | 0:11:20 | |
and you'll find the birds will come in and bathe. | 0:11:20 | 0:11:24 | |
These designs couldn't be more different. | 0:11:25 | 0:11:27 | |
But now it's up to Pippa and Tony to choose one. | 0:11:27 | 0:11:30 | |
We have the Rich brothers. What do you think of that one, then? | 0:11:32 | 0:11:35 | |
It looks lovely. It looks absolutely lovely. | 0:11:35 | 0:11:37 | |
With the box hedging and everything. | 0:11:37 | 0:11:39 | |
And then you've got the wilder bit at the back. | 0:11:39 | 0:11:41 | |
So, what do you like about it? | 0:11:41 | 0:11:43 | |
I like the formal seating area. | 0:11:43 | 0:11:45 | |
That could be very nice in the summertime, | 0:11:45 | 0:11:47 | |
sitting out there, eating. | 0:11:47 | 0:11:49 | |
-Do you like the position of it? -Yeah, I do like that. | 0:11:49 | 0:11:51 | |
What's your favourite bit of this one, then? | 0:11:51 | 0:11:54 | |
Oh, the back bit with the trees, actually. | 0:11:54 | 0:11:56 | |
-It does feel very country, doesn't it? -Yes. | 0:11:56 | 0:11:58 | |
-When you look at it. -And then we've got Charlie's. | 0:11:58 | 0:12:00 | |
What I like about this is definitely that we've got the vegetable patch, | 0:12:00 | 0:12:03 | |
and having it right by the back door would be great | 0:12:03 | 0:12:07 | |
-to nip out and pick things for tea. -It will, won't it? | 0:12:07 | 0:12:09 | |
-Yeah, that's perfect positioning. -And I like the way... | 0:12:09 | 0:12:13 | |
I like the bit of the hidden area there, so in the summertime, | 0:12:13 | 0:12:16 | |
if we want to escape the kids, you and me can go out there | 0:12:16 | 0:12:19 | |
-and hide away and have a glass of wine, couldn't we? -Yeah. | 0:12:19 | 0:12:23 | |
If we could have a bit of each, | 0:12:23 | 0:12:25 | |
there'd be certain bits we'd mix and match together, | 0:12:25 | 0:12:28 | |
but we can't do that. | 0:12:28 | 0:12:30 | |
Only one design can win. | 0:12:30 | 0:12:32 | |
Will it be the Rich brothers, with their formal seating area, | 0:12:32 | 0:12:36 | |
trees that mask the neighbours' houses, | 0:12:36 | 0:12:38 | |
and their natural planting scheme that will attract the birds? | 0:12:38 | 0:12:42 | |
Or will it be Charlie, with her large, curvy pathway, | 0:12:43 | 0:12:47 | |
pretty vegetable plot and bird-friendly water feature? | 0:12:47 | 0:12:50 | |
It's time to find out. | 0:12:51 | 0:12:54 | |
-Oh, hey, guys. -Hello! | 0:12:54 | 0:12:56 | |
Well... | 0:12:56 | 0:12:58 | |
We've made a decision. | 0:12:58 | 0:13:00 | |
And we can reveal... | 0:13:01 | 0:13:04 | |
-Oh! -Charlie. | 0:13:06 | 0:13:07 | |
Ah, Charlie! | 0:13:07 | 0:13:08 | |
-Well done! -There we go. -Whoo! | 0:13:08 | 0:13:10 | |
Now, what was it, then, that did it for you? | 0:13:10 | 0:13:14 | |
There's something about it just hit me. | 0:13:14 | 0:13:16 | |
-It's the whole curvy... -Organic flow of it? -Yes. | 0:13:16 | 0:13:19 | |
-Oh, I'm kind of pleased with that! -Yeah, lovely. Really lovely. | 0:13:19 | 0:13:22 | |
-Cos the designs were very different. -Very different. | 0:13:22 | 0:13:25 | |
I like the vegetable patch, definitely, | 0:13:25 | 0:13:27 | |
which was lacking in your design, I'm afraid. | 0:13:27 | 0:13:29 | |
-Yeah, we didn't have it. -Yeah, so... | 0:13:29 | 0:13:31 | |
-You ignored the vegetables! -LAUGHTER | 0:13:31 | 0:13:33 | |
Charlie has emerged triumphant, | 0:13:33 | 0:13:36 | |
but a curvy design requires a lot of skill | 0:13:36 | 0:13:39 | |
and a lot of landscaping to carry off. | 0:13:39 | 0:13:41 | |
She's going to need the boys' brains and brawn to make it happen. | 0:13:41 | 0:13:45 | |
It's bright and early on the day of the build. | 0:13:49 | 0:13:52 | |
Charlie's away sorting out a secret feature for the garden, | 0:13:52 | 0:13:56 | |
which will be turning up later, | 0:13:56 | 0:13:58 | |
but her plant order has arrived. | 0:13:58 | 0:14:00 | |
Well, check these babies out. What do you reckon? | 0:14:01 | 0:14:04 | |
-They're beautiful. -I know. They even look good in the van, which is always a good sign. | 0:14:04 | 0:14:07 | |
So the first job of the day for project manager Paul | 0:14:07 | 0:14:10 | |
and his team of landscapers is to unload all 200 of them. | 0:14:10 | 0:14:16 | |
But it's going to be a long time | 0:14:16 | 0:14:18 | |
before any of them will see a flowerbed, | 0:14:18 | 0:14:20 | |
because Charlie's design requires some serious | 0:14:20 | 0:14:23 | |
and complicated landscaping to happen first. | 0:14:23 | 0:14:27 | |
The large, curved pathway connects the two odd ends of the garden | 0:14:27 | 0:14:31 | |
and is wide enough at one end to be used as a seating area. | 0:14:31 | 0:14:34 | |
-Let's get this spray. -Let's crack on. | 0:14:36 | 0:14:38 | |
Let's get this spray out, Lee. | 0:14:38 | 0:14:39 | |
And it's Lee's job to mark out where it needs to go. | 0:14:39 | 0:14:43 | |
Maybe come in a foot. | 0:14:43 | 0:14:45 | |
Just go for it. | 0:14:45 | 0:14:46 | |
When it comes to curves like this, there's no mathematics involved. | 0:14:46 | 0:14:50 | |
Come to my toe, Lee. | 0:14:51 | 0:14:53 | |
It just takes a good eye and good judgment. | 0:14:53 | 0:14:56 | |
I think we'll go with that now. | 0:14:56 | 0:14:58 | |
Pippa and Tony miss their old countryside surroundings, | 0:15:00 | 0:15:04 | |
so Charlie has chosen materials that will give the garden a rural feel, | 0:15:04 | 0:15:09 | |
starting with these reclaimed cobbles. | 0:15:09 | 0:15:12 | |
But it's not long before Paul has realised there's a problem. | 0:15:15 | 0:15:18 | |
The curvy path is rapidly using up all the stones, | 0:15:18 | 0:15:21 | |
and they're running out. | 0:15:21 | 0:15:23 | |
He psychs himself up to give the boss the bad news. | 0:15:24 | 0:15:28 | |
Hello. | 0:15:29 | 0:15:30 | |
Hi, you all right? | 0:15:31 | 0:15:33 | |
I may have slightly under-ordered on the cobbles. | 0:15:33 | 0:15:38 | |
'Well, if you need to, you can lose the bit...' | 0:15:38 | 0:15:40 | |
-You know, we... -'You know where the water feature is?' -Yes. | 0:15:40 | 0:15:43 | |
'We could end it at the water feature.' | 0:15:43 | 0:15:45 | |
-That's what we thought, Charlie. -'We could do something neat.' -Yeah. | 0:15:45 | 0:15:48 | |
That's great. Everything else is tickety-boo. | 0:15:48 | 0:15:51 | |
So Charlie's come up with a solution. | 0:15:53 | 0:15:55 | |
If they do run out of cobbles, | 0:15:55 | 0:15:57 | |
there's an area in the far corner that could easily be left out. | 0:15:57 | 0:16:01 | |
The build is back on track. | 0:16:01 | 0:16:03 | |
Meanwhile, out front, | 0:16:09 | 0:16:11 | |
Charlie's arrived with the boys, | 0:16:11 | 0:16:13 | |
and is ready to set them their tasks for the day. | 0:16:13 | 0:16:16 | |
The good thing about this garden, it's quite small, | 0:16:16 | 0:16:19 | |
and there's lots of really lovely plants there already. | 0:16:19 | 0:16:22 | |
-Does help, doesn't it? -I think you guys can be on the vegetables. | 0:16:22 | 0:16:25 | |
-Oooh. -Yeah. -Sounds nice. Nice and easy! | 0:16:25 | 0:16:27 | |
The vegetable area has to look really pretty, | 0:16:27 | 0:16:29 | |
so we're going to do a bit of weaving with hazel and willow. | 0:16:29 | 0:16:32 | |
-That sounds exactly what I'd like to do. -That excites me, that's good. -Yeah? | 0:16:32 | 0:16:36 | |
-Yeah, I'm really excited. -Right up your street. And then you need to do some physical work, | 0:16:36 | 0:16:39 | |
so I think you can put down the... | 0:16:39 | 0:16:41 | |
-No more physical work! -Why? Oh, your hands! | 0:16:41 | 0:16:44 | |
-Your hands have gone all rough. -Proper man hands now. | 0:16:44 | 0:16:47 | |
He keeps using those coarse pencils, you know? | 0:16:47 | 0:16:49 | |
So you can put down the patio area. | 0:16:49 | 0:16:51 | |
I'll do the water feature. | 0:16:51 | 0:16:53 | |
-Of course. -Your day's looking easier and easier, isn't it? | 0:16:53 | 0:16:56 | |
LAUGHTER | 0:16:56 | 0:16:57 | |
Charlie wasn't joking. | 0:16:57 | 0:16:59 | |
There's a lot of physical work to do | 0:16:59 | 0:17:01 | |
before anyone can start doing any nice willow weaving | 0:17:01 | 0:17:04 | |
or vegetable planting. | 0:17:04 | 0:17:06 | |
She puts the brothers straight on to digging out | 0:17:06 | 0:17:09 | |
the area for the new patio. | 0:17:09 | 0:17:11 | |
It needs to be 15 - 20cm deep | 0:17:11 | 0:17:15 | |
before the hardcore can go down. | 0:17:15 | 0:17:17 | |
Luckily, there's just enough cobbles, | 0:17:19 | 0:17:21 | |
and Charlie's helping Andy edge the path at the back of the garden. | 0:17:21 | 0:17:24 | |
I love using these granite setts. | 0:17:25 | 0:17:27 | |
-Yeah, they're beautiful. -Because of the curves, | 0:17:27 | 0:17:30 | |
it makes it much easier | 0:17:30 | 0:17:31 | |
to get a really good sweep and gentle curve on it. | 0:17:31 | 0:17:34 | |
-If we were using pavers that were much bigger... -Yeah, it's more difficult. | 0:17:34 | 0:17:38 | |
..it would be much more difficult to get that curve, | 0:17:38 | 0:17:41 | |
-so it does make life a bit easier. -Certainly does. | 0:17:41 | 0:17:43 | |
The great thing about these cobbles, they're granite, | 0:17:43 | 0:17:46 | |
so it's a natural material, so when they get wet in the rain, | 0:17:46 | 0:17:48 | |
they look beautiful. The other thing is they're recycled, | 0:17:48 | 0:17:51 | |
so that does mean they cost a bit more, | 0:17:51 | 0:17:54 | |
because you've got to pay for someone to lift them, | 0:17:54 | 0:17:56 | |
clean them up and then transport them. | 0:17:56 | 0:17:58 | |
But nice to work with, aren't they? | 0:17:58 | 0:18:00 | |
Yeah, fantastic. | 0:18:00 | 0:18:01 | |
A good two inches of concrete underneath them | 0:18:01 | 0:18:04 | |
and then haunch them up with the same concrete. | 0:18:04 | 0:18:06 | |
It'll be solid. | 0:18:06 | 0:18:08 | |
Pippa and Tony's garden is surrounded by a lot of modern brick, | 0:18:08 | 0:18:12 | |
so by using a contrasting stone, | 0:18:12 | 0:18:14 | |
the eye is drawn away from the walls. | 0:18:14 | 0:18:16 | |
And the brothers are begrudgingly acknowledging | 0:18:18 | 0:18:20 | |
Charlie's winning design. | 0:18:20 | 0:18:22 | |
Bit of a tricky one to design, this, wasn't it? | 0:18:22 | 0:18:25 | |
You've got lots of different little spaces within this entire garden. | 0:18:25 | 0:18:28 | |
Yeah, it's a slightly irregular size. Little pockets, isn't there? | 0:18:28 | 0:18:31 | |
-Not really your conventional rectangle or anything. -No. | 0:18:31 | 0:18:34 | |
And Charlie's used curves in this. What do you reckon about that? | 0:18:34 | 0:18:37 | |
I think it's worked really well. | 0:18:37 | 0:18:38 | |
Definitely links the two spaces, creates that journey. | 0:18:38 | 0:18:41 | |
And I think wandering between these two pockets of planting, | 0:18:41 | 0:18:43 | |
-I think it'll be a really nice experience. -Yeah. | 0:18:43 | 0:18:46 | |
One of the biggest challenges with redesigning Pippa and Tony's garden | 0:18:46 | 0:18:50 | |
was its shape. | 0:18:50 | 0:18:51 | |
But there are some simple ways to make an odd-shaped plot | 0:18:53 | 0:18:56 | |
look more appealing. | 0:18:56 | 0:18:58 | |
By putting a large focal feature in the middle of a triangular garden, | 0:18:59 | 0:19:04 | |
the eye is drawn away from the narrowest point. | 0:19:04 | 0:19:07 | |
To stop a long, narrow garden feeling claustrophobic, | 0:19:08 | 0:19:11 | |
it's a good idea to split the garden into different spaces | 0:19:11 | 0:19:15 | |
with their own function. | 0:19:15 | 0:19:17 | |
L-shaped gardens can suit a more inventive layout | 0:19:20 | 0:19:23 | |
and lend themselves to distinct garden rooms. | 0:19:23 | 0:19:26 | |
And with a large garden, it's all about scale. | 0:19:29 | 0:19:32 | |
Keeping garden features in proportion to the space | 0:19:32 | 0:19:35 | |
will make the most of the dramatic landscape. | 0:19:35 | 0:19:38 | |
A place to escape from the kids was one of the key criteria | 0:19:41 | 0:19:46 | |
for Pippa and Tony. | 0:19:46 | 0:19:47 | |
And Charlie's planning a secluded seating area just for them. | 0:19:48 | 0:19:52 | |
But she needs their help to get it right. | 0:19:54 | 0:19:56 | |
We're going to pop those into the ground | 0:19:58 | 0:20:00 | |
-to make a sort of hard standing. -Yeah. -OK. | 0:20:00 | 0:20:03 | |
OK, so this will then... You know, cos you're not, Pippa, | 0:20:03 | 0:20:06 | |
mad on all the walls or the fences, are you? | 0:20:06 | 0:20:08 | |
-No, that's right. -So I'm thinking if you're sat here, | 0:20:08 | 0:20:11 | |
you don't see this wall and you don't really see the fence, | 0:20:11 | 0:20:14 | |
-because there's lots of planting there. -Yeah. | 0:20:14 | 0:20:16 | |
And then just to screen this area, what do you think about... | 0:20:16 | 0:20:20 | |
You know, we talked about, you'd like somewhere to sit, | 0:20:20 | 0:20:23 | |
where you can see the children, | 0:20:23 | 0:20:25 | |
but the children might not necessarily be able to see you. | 0:20:25 | 0:20:28 | |
-LAUGHTER -Yes. -Yeah? | 0:20:28 | 0:20:30 | |
So I'm thinking about putting up some rails here | 0:20:30 | 0:20:33 | |
and staggering them like louvres, so you can look through, | 0:20:33 | 0:20:36 | |
but they can't necessarily look back. | 0:20:36 | 0:20:39 | |
-That sounds good. -And it will slightly enclose | 0:20:39 | 0:20:41 | |
-this... -Space, yeah. -..adult-themed area. | 0:20:41 | 0:20:43 | |
-Ha! -Yeah, that'd be lovely. -That'd be lovely. | 0:20:43 | 0:20:45 | |
-Gives us a nice escape. -The only problem is, | 0:20:45 | 0:20:48 | |
that wall is still really dominant, | 0:20:48 | 0:20:49 | |
and, on the design, there was a focal point there. | 0:20:49 | 0:20:54 | |
So I would like you guys | 0:20:54 | 0:20:56 | |
-to go and get the focal point. -Ooh. | 0:20:56 | 0:20:59 | |
So we have a little bit of money left from the budget. | 0:20:59 | 0:21:02 | |
20, 40, 60, 80, 100, | 0:21:02 | 0:21:06 | |
and 20, 40, 50. | 0:21:06 | 0:21:08 | |
Lovely. Thank you very much. | 0:21:08 | 0:21:09 | |
So you can get something that you will like to look at | 0:21:09 | 0:21:12 | |
which will draw your eye. | 0:21:12 | 0:21:14 | |
But it can't be too small, cos it's got to have some sort of impact. | 0:21:14 | 0:21:17 | |
Right, let's go shopping. | 0:21:17 | 0:21:19 | |
This is a canny move by Charlie. | 0:21:19 | 0:21:21 | |
She wants the couple to feel they're part of the process. | 0:21:21 | 0:21:24 | |
Let's just hope she likes what they come back with. | 0:21:24 | 0:21:27 | |
The brothers are still on manual labour duties. | 0:21:31 | 0:21:34 | |
Now they've dug the path, they're adding a layer of hardcore. | 0:21:34 | 0:21:38 | |
But it's thirsty work. | 0:21:41 | 0:21:42 | |
-Nice little sun trap. -It's not bad, is it? | 0:21:44 | 0:21:46 | |
The sun's not out, but when it was! | 0:21:46 | 0:21:48 | |
Charlie's been working us a bit hard today, hasn't she? | 0:21:48 | 0:21:50 | |
You poor old souls! | 0:21:50 | 0:21:52 | |
LAUGHTER | 0:21:52 | 0:21:53 | |
We were just moaning about you. | 0:21:53 | 0:21:55 | |
Well, it is a sun trap, but, um, we haven't really finished it. | 0:21:55 | 0:21:58 | |
We need you to sort of move away. | 0:21:58 | 0:22:00 | |
-It is perfect placement for it, though, isn't it? -It is. | 0:22:00 | 0:22:02 | |
-Do you need us to dig it as well, or...? -No, no. | 0:22:02 | 0:22:04 | |
But when I say move away, I really do mean move away. | 0:22:04 | 0:22:08 | |
-THEY GROAN -Come on. | 0:22:08 | 0:22:10 | |
SHE STRAINS | 0:22:10 | 0:22:12 | |
My saviour. Thank you. | 0:22:12 | 0:22:14 | |
This is not a time for hanging around. | 0:22:16 | 0:22:19 | |
The Atkins are a family of seven, | 0:22:19 | 0:22:21 | |
and Charlie's turned over almost all of one corner of the garden | 0:22:21 | 0:22:25 | |
to a vegetable plot that's big enough for all of them. | 0:22:25 | 0:22:28 | |
The patch is bisected by another path that will be edged with hazel. | 0:22:28 | 0:22:33 | |
Perfect, thank you. These are beautiful hazel, aren't they? | 0:22:38 | 0:22:41 | |
-Yeah. -Really nice material to use. | 0:22:41 | 0:22:43 | |
I know, I love using, like, a natural material. | 0:22:43 | 0:22:45 | |
I think it adds a kind of, like, earthy, cottagey feel, doesn't it? | 0:22:45 | 0:22:48 | |
-Really cottagey. Really nice. And they're sustainable as well, aren't they? -Yeah. | 0:22:48 | 0:22:52 | |
It's great to use materials like that. Just cut down the tree, it'll regrow. | 0:22:52 | 0:22:55 | |
-I know. -And you can cut it down again! | 0:22:55 | 0:22:57 | |
Hazel has been used for thousands of years in the countryside | 0:22:57 | 0:23:01 | |
to make fences, because it's lightweight and hard-wearing. | 0:23:01 | 0:23:05 | |
It remains very popular in garden design today, | 0:23:05 | 0:23:08 | |
because it's not only sustainable, but attractive, too. | 0:23:08 | 0:23:11 | |
-How's that look? -That's not bad. So this is going to be our gravel path. | 0:23:13 | 0:23:16 | |
It's really just for access. | 0:23:16 | 0:23:18 | |
And also to make it as pretty as possible, is what I wanted. | 0:23:18 | 0:23:20 | |
It is a really pretty material, isn't it? | 0:23:20 | 0:23:22 | |
I mean, most people's vegetable patch | 0:23:22 | 0:23:24 | |
-is down the bottom of the garden and you don't see it. -Hidden away. | 0:23:24 | 0:23:27 | |
We don't have this option in this garden. There's not enough space. | 0:23:27 | 0:23:30 | |
-It's right beside their eating area as well. -Yeah. | 0:23:30 | 0:23:32 | |
You've really got it in for my calendula there, haven't you? | 0:23:32 | 0:23:35 | |
You know you can eat calendula flowers, don't you? | 0:23:35 | 0:23:37 | |
-Michelangelo. -Calendula. | 0:23:37 | 0:23:39 | |
Pot marigold. | 0:23:39 | 0:23:41 | |
Do you want to try it? | 0:23:41 | 0:23:42 | |
-Yeah... -You look so... -SHE LAUGHS | 0:23:42 | 0:23:44 | |
I wouldn't trust her! | 0:23:44 | 0:23:46 | |
-That tastes of absolutely nothing. -I mean, if I was starving... | 0:23:50 | 0:23:53 | |
But it looks really pretty in a salad. | 0:23:53 | 0:23:55 | |
-That's pepped me up now. Get me on. -Woohoo! | 0:23:55 | 0:23:57 | |
-Get me digging. -That's lunch over, boys! Keep working. | 0:23:57 | 0:24:00 | |
While the boys hammer away, | 0:24:02 | 0:24:04 | |
Andy needs Charlie's guidance in the new seating area. | 0:24:04 | 0:24:08 | |
So I'm thinking I don't want a uniform curve like that. | 0:24:08 | 0:24:11 | |
No, just staggered. | 0:24:11 | 0:24:12 | |
And Charlie's very exacting when it comes to how she wants it to look. | 0:24:12 | 0:24:16 | |
I don't want it uniform. | 0:24:18 | 0:24:19 | |
I want this to be a little bit more random. | 0:24:19 | 0:24:21 | |
-LAUGHING: -I know you don't like it! -That's fine. | 0:24:21 | 0:24:24 | |
-I can see your shoulders going up. -No, it's fine. It's fine. | 0:24:24 | 0:24:27 | |
And that way, we're going to put some planting in between, | 0:24:27 | 0:24:29 | |
we're going to have some cobbles, | 0:24:29 | 0:24:31 | |
so it'll just soften the whole feel of this area. | 0:24:31 | 0:24:34 | |
To complement the large vegetable patch, | 0:24:42 | 0:24:45 | |
Charlie's asked Lee to make a wooden compost bin that will sit | 0:24:45 | 0:24:48 | |
in the shady area by the kitchen door. | 0:24:48 | 0:24:51 | |
The compost bin will take any organic matter, | 0:24:52 | 0:24:55 | |
from leaves to old newspapers. | 0:24:55 | 0:24:57 | |
Once rotted down, | 0:24:57 | 0:24:58 | |
the compost can be used to improve the soil, as it's nutrient-rich. | 0:24:58 | 0:25:03 | |
Meanwhile, there's some more tinkering to be done | 0:25:03 | 0:25:06 | |
in the seating area. | 0:25:06 | 0:25:07 | |
Doesn't look right with just the front, does it? | 0:25:09 | 0:25:11 | |
No, I think you should do the back as well, and then | 0:25:11 | 0:25:14 | |
say you maybe put one there, two close to there, | 0:25:14 | 0:25:18 | |
none in that one, one there, one there. | 0:25:18 | 0:25:20 | |
-Right, yeah. -Yeah? And then we'll put all the gravel in. | 0:25:20 | 0:25:23 | |
Right. | 0:25:25 | 0:25:26 | |
As Andy cracks on, | 0:25:26 | 0:25:27 | |
out front, Pippa and Tony are back from their shopping trip. | 0:25:27 | 0:25:31 | |
Oooh! | 0:25:31 | 0:25:32 | |
Excited. | 0:25:32 | 0:25:33 | |
Charlie sent them off with £150 from the budget | 0:25:33 | 0:25:37 | |
to buy something that would detract from an ugly wall. | 0:25:37 | 0:25:40 | |
And this is what they came back with. | 0:25:40 | 0:25:43 | |
-Oh, that is fantastic. -There we go. | 0:25:43 | 0:25:46 | |
We're really pleased with it, and really pleased now, as well, | 0:25:46 | 0:25:49 | |
getting it home, that I still quite like it. | 0:25:49 | 0:25:52 | |
-LAUGHTER -Which is good. | 0:25:52 | 0:25:53 | |
You were worried that you might not like it? | 0:25:53 | 0:25:55 | |
I've never bought a statue before. | 0:25:55 | 0:25:57 | |
-Ready? -Yeah. Go on. | 0:25:57 | 0:25:59 | |
It's ever so light(!) | 0:25:59 | 0:26:01 | |
As it's going to be the key focal point, | 0:26:02 | 0:26:05 | |
this delightful cherub now needs to be | 0:26:05 | 0:26:08 | |
properly positioned in the garden. | 0:26:08 | 0:26:10 | |
I think she should be like that, yeah. | 0:26:14 | 0:26:17 | |
Like that. | 0:26:17 | 0:26:18 | |
Yeah, a bit higher. | 0:26:18 | 0:26:19 | |
-HE STRAINS -Higher! | 0:26:19 | 0:26:21 | |
And it looks like she needs a bit of a lift. | 0:26:21 | 0:26:24 | |
This country garden is starting to take shape. | 0:26:35 | 0:26:39 | |
The brothers are finishing the small path by the veg patch | 0:26:39 | 0:26:42 | |
with some gravel, and Lee's almost there with the bespoke compost bin. | 0:26:42 | 0:26:47 | |
Lee, this is looking amazing! | 0:26:51 | 0:26:53 | |
-It's getting there. -So this is going to be a compost bin. | 0:26:53 | 0:26:56 | |
Won't take a huge amount, | 0:26:56 | 0:26:58 | |
but it will take the scraps from the kitchen, you know - | 0:26:58 | 0:27:00 | |
peelings, a few weeds, that type of thing. | 0:27:00 | 0:27:04 | |
And it's going to be ideal for her vegetable patch. | 0:27:04 | 0:27:07 | |
Yeah. | 0:27:07 | 0:27:08 | |
I'm very pleased with that! | 0:27:08 | 0:27:10 | |
Now it's time for Charlie to reveal her secret feature. | 0:27:10 | 0:27:14 | |
Pippa was won over by Charlie's suggestion of water in her design, | 0:27:14 | 0:27:19 | |
so Charlie's ordered a freestanding bowl to sit amongst the new plants. | 0:27:19 | 0:27:24 | |
It may be small, but it's made from basalt, | 0:27:27 | 0:27:31 | |
so it's incredibly heavy. | 0:27:31 | 0:27:32 | |
I've gone for a self-contained water feature. | 0:27:38 | 0:27:40 | |
You can get them at most garden centres these days. | 0:27:40 | 0:27:43 | |
You get everything included, so there's the reservoir, | 0:27:43 | 0:27:46 | |
there's the metal grid that's really strong, | 0:27:46 | 0:27:49 | |
that will support the actual feature, | 0:27:49 | 0:27:52 | |
and it comes with a submersible pump, | 0:27:52 | 0:27:55 | |
and it'll all plug into this weatherproof socket here. | 0:27:55 | 0:27:59 | |
£500. Not bad. | 0:28:00 | 0:28:02 | |
And it's a little bit different. | 0:28:02 | 0:28:04 | |
And it'll be great for the birds to bathe in. | 0:28:04 | 0:28:07 | |
Fixed bubble, as always. | 0:28:15 | 0:28:16 | |
-Ooh! -Oh, my word. -CHARLIE LAUGHS | 0:28:16 | 0:28:19 | |
Charlie, it's like you've done it before! | 0:28:19 | 0:28:21 | |
SHE GIGGLES | 0:28:21 | 0:28:22 | |
Right. Slowly down, slowly, slowly. | 0:28:25 | 0:28:28 | |
A water feature like this does require power, | 0:28:28 | 0:28:31 | |
so if you're going to install one, | 0:28:31 | 0:28:33 | |
remember to factor in the extra cost of an electrician. | 0:28:33 | 0:28:36 | |
All Charlie needs to do now is cover up the reservoir. | 0:28:41 | 0:28:45 | |
A water feature like this is great for children because it's very safe, | 0:28:47 | 0:28:51 | |
because there's no big open body of water, | 0:28:51 | 0:28:54 | |
but they can still touch it, which is quite fun, | 0:28:54 | 0:28:57 | |
so it's sort of quite a sensory part of the garden. | 0:28:57 | 0:29:00 | |
Also ideal for the birds, so we'll put a couple of pebbles in there. | 0:29:00 | 0:29:04 | |
The birds will come and bathe in it. | 0:29:04 | 0:29:06 | |
Likewise, insects will come and drink from it as well. | 0:29:06 | 0:29:08 | |
Over in the vegetable garden, | 0:29:16 | 0:29:18 | |
Charlie wants to add some structure to the new beds, | 0:29:18 | 0:29:21 | |
so she's challenged the boys to show off their weaving skills. | 0:29:21 | 0:29:25 | |
What Charlie's done here is she's used hazel | 0:29:29 | 0:29:32 | |
and she's used them in different forms, | 0:29:32 | 0:29:34 | |
so she's got the lovely kind of horizontal weave as the low fencing. | 0:29:34 | 0:29:37 | |
Also, what's so nice is using the same materials, | 0:29:37 | 0:29:40 | |
but in a vertical way. So having these kind of tepees | 0:29:40 | 0:29:43 | |
is really going to create a little focal point in this area. | 0:29:43 | 0:29:46 | |
And it's very natural material | 0:29:46 | 0:29:48 | |
and, you know, gives this lovely, like, authentic feel to this space, | 0:29:48 | 0:29:51 | |
-doesn't it? -It does, yeah. It's lovely. | 0:29:51 | 0:29:54 | |
Willow and hazel are versatile, natural materials | 0:29:54 | 0:29:58 | |
that can make practical and beautiful objects in the garden. | 0:29:58 | 0:30:01 | |
Someone that knows all about this ancient craft | 0:30:01 | 0:30:05 | |
is professional weaver Eddie Glew. | 0:30:05 | 0:30:07 | |
My father was a basket-maker, and when I was about 21 years old, | 0:30:07 | 0:30:10 | |
he saw me not doing much, and gave me the opportunity to work with him, | 0:30:10 | 0:30:14 | |
which was the greatest thing that I ever did. | 0:30:14 | 0:30:17 | |
And I learned to fall in love with the craft. | 0:30:17 | 0:30:20 | |
And I'm still doing it to this day. | 0:30:20 | 0:30:22 | |
I can make anything from willow, basically. | 0:30:24 | 0:30:27 | |
I'm a yes man when it comes to willow. | 0:30:27 | 0:30:29 | |
It's such a versatile material. You can do anything with it. | 0:30:31 | 0:30:34 | |
It's so supple. And we're in the perfect country for it - | 0:30:34 | 0:30:38 | |
you can grow it anywhere. Stick a rod in the ground, | 0:30:38 | 0:30:40 | |
if it's green and fresh, it'll grow. | 0:30:40 | 0:30:43 | |
You can make lots of things for the garden, | 0:30:43 | 0:30:45 | |
so we've been making plant supports, the obelisks, | 0:30:45 | 0:30:48 | |
the bird feeders, | 0:30:48 | 0:30:50 | |
decorations for the garden - | 0:30:50 | 0:30:52 | |
things like dragonflies and sunflowers that we've made. | 0:30:52 | 0:30:55 | |
For me, if you're going to have fencing in your garden, | 0:30:57 | 0:31:00 | |
some willow fencing is always going to look better, | 0:31:00 | 0:31:03 | |
because it's in keeping with the garden, | 0:31:03 | 0:31:05 | |
it's made with a material that you could be growing. | 0:31:05 | 0:31:08 | |
The material is extremely tactile and it's very rewarding. | 0:31:10 | 0:31:14 | |
So you're making things that are coming to life in front of you. | 0:31:14 | 0:31:17 | |
And at the end of the day, | 0:31:21 | 0:31:22 | |
there's a sense of satisfaction, because you've created something | 0:31:22 | 0:31:26 | |
that will be useful to somebody else. | 0:31:26 | 0:31:28 | |
Eddie's had years of experience working with willow. | 0:31:33 | 0:31:36 | |
This is the boys' first attempt. | 0:31:39 | 0:31:42 | |
But they're not doing too badly. | 0:31:42 | 0:31:44 | |
They're not the easiest to construct. | 0:31:47 | 0:31:49 | |
This bit, the whole tepee idea, is fine. | 0:31:49 | 0:31:52 | |
Weaving this around is a little bit tricky. | 0:31:52 | 0:31:54 | |
You've got to be a bit careful. But it's good fun. | 0:31:54 | 0:31:56 | |
You know, it's the idea that you're making something. | 0:31:56 | 0:31:59 | |
You can do it as a family, you know, as brothers. | 0:31:59 | 0:32:01 | |
So it's just quite fun, and a bit of an experiment as well. | 0:32:01 | 0:32:05 | |
Charlie's going to put sweet peas on this. | 0:32:06 | 0:32:08 | |
It's functional, practical, but also looks great. | 0:32:08 | 0:32:11 | |
It's time for Charlie's selection of nearly 200 plants | 0:32:14 | 0:32:18 | |
to be placed around the garden, ready for planting. | 0:32:18 | 0:32:21 | |
Tony and Pippa loved the sound of wildlife | 0:32:21 | 0:32:24 | |
in their old country garden, | 0:32:24 | 0:32:26 | |
so she's chosen a mix of bee- and butterfly-friendly plants. | 0:32:26 | 0:32:29 | |
Mm, yum! Just your basic lilac. | 0:32:31 | 0:32:35 | |
Pippa and Tony have got quite a lot of shrubs in the garden, | 0:32:35 | 0:32:37 | |
but I want to add one or two more to give a bit more structure. | 0:32:37 | 0:32:41 | |
But it's all about getting a lot of wildlife into the garden. | 0:32:41 | 0:32:44 | |
So there's lots of scented plants, like the lilac. | 0:32:44 | 0:32:47 | |
We've got honeysuckle, which is great for attracting bees | 0:32:47 | 0:32:50 | |
and butterflies into the garden. | 0:32:50 | 0:32:52 | |
And of course, if you get those coming into the garden, you'll get a lot more birds. | 0:32:52 | 0:32:56 | |
But I've gone for a lot of cottagey plants as well, | 0:32:56 | 0:32:59 | |
so, sort of real favourites, like Geum, | 0:32:59 | 0:33:03 | |
and then Phlox, and one of my favourite scented cottage plants, | 0:33:03 | 0:33:07 | |
lily of the valley, that does really well when it gets going. | 0:33:07 | 0:33:10 | |
And then there's some that are sort of woodlandy, | 0:33:10 | 0:33:13 | |
so we've got Solomon's Seal, dicentra | 0:33:13 | 0:33:16 | |
and lots and lots of different geraniums | 0:33:16 | 0:33:19 | |
to get the colour in there | 0:33:19 | 0:33:20 | |
and to make her shrubs look a little bit more attractive. | 0:33:20 | 0:33:24 | |
And of course, the key thing | 0:33:24 | 0:33:26 | |
for Pippa and Tony is the vegetable area. | 0:33:26 | 0:33:28 | |
So we've got some plants that we've bought, | 0:33:28 | 0:33:31 | |
but the great thing about growing vegetables is sowing them from seed. | 0:33:31 | 0:33:34 | |
One, you can choose exactly what you want to grow, | 0:33:34 | 0:33:36 | |
the children can be involved | 0:33:36 | 0:33:38 | |
and it's way more satisfying | 0:33:38 | 0:33:40 | |
than just buying them at the garden centre. | 0:33:40 | 0:33:42 | |
Charlie's next challenge is to try | 0:33:44 | 0:33:47 | |
and find a way to make the statue that | 0:33:47 | 0:33:49 | |
Pippa and Tony chose feel part of the garden. | 0:33:49 | 0:33:53 | |
Looks like she was designed to sit under that lilac. | 0:33:53 | 0:33:55 | |
Under the lilac, she's graduating the planting at different heights. | 0:33:57 | 0:34:01 | |
Soft-leaved perennials contrast well with the metal of the statue | 0:34:03 | 0:34:08 | |
and will cover up the wooden plinth the landscapers have built. | 0:34:08 | 0:34:11 | |
The sculpture Tony and Pippa bought | 0:34:16 | 0:34:17 | |
looks great against this brick wall. | 0:34:17 | 0:34:19 | |
She's used a muted colour palette of plant below it | 0:34:19 | 0:34:22 | |
so it doesn't detract too much from the statue itself. | 0:34:22 | 0:34:25 | |
And then she's also planted this lovely, lovely lilac tree, | 0:34:25 | 0:34:27 | |
that in time is going to arch over the statue. | 0:34:27 | 0:34:29 | |
She's picked out the dicentra, which is going to be this lovely | 0:34:29 | 0:34:33 | |
little bit of pink which will kind of | 0:34:33 | 0:34:34 | |
link really well with that planting. | 0:34:34 | 0:34:37 | |
So although it's very muted and very white, | 0:34:37 | 0:34:39 | |
just having this hint of pink really does bring your eye into here | 0:34:39 | 0:34:42 | |
and up into the tree. | 0:34:42 | 0:34:44 | |
In Charlie's seating area, Paul and Andy are adding | 0:34:47 | 0:34:50 | |
vertical wooden panels that will work like a shutter. | 0:34:50 | 0:34:53 | |
When the couple are sitting behind it, | 0:34:53 | 0:34:56 | |
they will be able to look out, | 0:34:56 | 0:34:58 | |
but it will be trickier for the kids to see in. | 0:34:58 | 0:35:01 | |
With a little imagination, | 0:35:04 | 0:35:06 | |
a hidden hideaway can be created in any garden, | 0:35:06 | 0:35:09 | |
whatever its shape or size. | 0:35:09 | 0:35:11 | |
The clever use of plants like ferns around a seating area can create | 0:35:13 | 0:35:17 | |
privacy without it feeling confined. | 0:35:17 | 0:35:20 | |
A pergola covered in pretty climbers, | 0:35:22 | 0:35:25 | |
like a rambling rose or a clematis, | 0:35:25 | 0:35:27 | |
can make a magical retreat. | 0:35:27 | 0:35:29 | |
If you want to enclose a section of your garden for an intimate setting, | 0:35:31 | 0:35:35 | |
box can provide the perfect living screen. | 0:35:35 | 0:35:38 | |
Or you could use a pretty row of espalier trees | 0:35:40 | 0:35:43 | |
to create a secret space. | 0:35:43 | 0:35:45 | |
But for complete peace and quiet, you could always | 0:35:47 | 0:35:51 | |
go up into a treehouse, the ultimate garden retreat. | 0:35:51 | 0:35:55 | |
Before the team can enjoy any peace and quiet, | 0:35:59 | 0:36:02 | |
there's a garden to finish. | 0:36:02 | 0:36:04 | |
With Charlie wanting to bring | 0:36:10 | 0:36:11 | |
a piece of the countryside to this town garden, | 0:36:11 | 0:36:14 | |
she's chosen to use the country favourite - a hoggin path. | 0:36:14 | 0:36:18 | |
A mix of gravel, sand and clay, it binds firmly when compacted | 0:36:25 | 0:36:30 | |
but still allows water to drain through it. | 0:36:30 | 0:36:32 | |
It's taken nearly all day, but Lee has finished not one | 0:36:35 | 0:36:39 | |
but two compost bins. | 0:36:39 | 0:36:42 | |
Made out of wood and shaped as beehives, these charming crafted | 0:36:42 | 0:36:46 | |
pieces are placed in the shady area behind the kitchen. | 0:36:46 | 0:36:51 | |
Lee has made some beautiful compost bins for the garden. | 0:36:51 | 0:36:54 | |
Now, that one there behind me is for the more garden waste, | 0:36:54 | 0:36:57 | |
the bulkier waste, this one here is for the kitchen peelings. | 0:36:57 | 0:37:00 | |
And as you can see, inside of it... | 0:37:00 | 0:37:02 | |
..there is a wormery. | 0:37:04 | 0:37:05 | |
Now, the point of a wormery is the fact that you can | 0:37:05 | 0:37:08 | |
take your kitchen peelings and you can put them in here | 0:37:08 | 0:37:10 | |
and then the worms will break them down and create gardener's gold - | 0:37:10 | 0:37:14 | |
really nice, nutritious fertiliser for your plants. | 0:37:14 | 0:37:16 | |
It's really simple, as you can see. | 0:37:16 | 0:37:18 | |
You just need some plastic containers | 0:37:18 | 0:37:20 | |
and then inside here you want to put your compost to start off with, | 0:37:20 | 0:37:23 | |
some wet newspaper, kind of like a lasagne, make some layers. | 0:37:23 | 0:37:28 | |
Regularly feed the worms with all your kitchen trimmings. | 0:37:28 | 0:37:31 | |
Slowly, over time, then, that builds up to the top layer, to the lid. | 0:37:33 | 0:37:36 | |
And that's where the stacking system comes in. | 0:37:36 | 0:37:38 | |
So here, you've got your second box. | 0:37:38 | 0:37:40 | |
You drill holes in the bottom which line up with these holes in the | 0:37:40 | 0:37:43 | |
top here. This goes on top. | 0:37:43 | 0:37:45 | |
And then you'll do the same thing again, | 0:37:45 | 0:37:48 | |
you'll put in your compost and your newspaper layers | 0:37:48 | 0:37:50 | |
and obviously some of your fresh kitchen trimmings. | 0:37:50 | 0:37:52 | |
And that will draw the worms up into this top box | 0:37:52 | 0:37:55 | |
and leave your bottom box with some great fertiliser for your plants. | 0:37:55 | 0:37:59 | |
So then you can take that out, use it, put this at the bottom | 0:37:59 | 0:38:01 | |
and start the whole cycle again. | 0:38:01 | 0:38:03 | |
All that Pippa and Tony will have to do now | 0:38:03 | 0:38:06 | |
is add the 500 worms that the boys have ordered online. | 0:38:06 | 0:38:10 | |
The last of the plants are going in | 0:38:21 | 0:38:23 | |
and the wacker plate has almost done its job. | 0:38:23 | 0:38:27 | |
And as the sun begins to set, the garden is complete. | 0:38:31 | 0:38:36 | |
Just a few days ago, Pippa and Tony's garden | 0:38:38 | 0:38:42 | |
was a massive lawn with shrubs at the borders. | 0:38:42 | 0:38:44 | |
The awkward-shaped plot lacked colour | 0:38:45 | 0:38:48 | |
and was overlooked by brick walls. | 0:38:48 | 0:38:50 | |
Now it's had a £4,000 transformation. | 0:38:53 | 0:38:57 | |
Charlie designed a large, sweeping pathway, | 0:38:59 | 0:39:01 | |
big enough to accommodate a seating area. | 0:39:01 | 0:39:04 | |
Made from rustic hoggin and edged with reclaimed granite cobbles, | 0:39:04 | 0:39:08 | |
it came in at £970. | 0:39:08 | 0:39:11 | |
Pippa and Tony wanted to attract wildlife into their garden, | 0:39:15 | 0:39:19 | |
so Charlie spent £1,000 | 0:39:19 | 0:39:22 | |
on a selection of colourful and scented flowers. | 0:39:22 | 0:39:25 | |
Pippa was keen to have a water feature to attract the birds, | 0:39:27 | 0:39:31 | |
and Charlie chose a small one made of basalt at a cost of £500. | 0:39:31 | 0:39:36 | |
With a family of seven to feed, Harry and David built | 0:39:39 | 0:39:42 | |
a large vegetable plot framed with hazel fencing. | 0:39:42 | 0:39:46 | |
This leads to compost bins made by Lee for just £60. | 0:39:46 | 0:39:51 | |
To mask the ugly brick wall opposite the house, | 0:39:53 | 0:39:57 | |
the couple bought a statue for £150, | 0:39:57 | 0:40:00 | |
next to which Charlie planted an overhanging lilac tree. | 0:40:00 | 0:40:04 | |
And Charlie designed a secluded seating area | 0:40:08 | 0:40:12 | |
just for the couple for £200, | 0:40:12 | 0:40:14 | |
adding a purple wisteria as a finishing touch. | 0:40:14 | 0:40:18 | |
PIPPA LAUGHS | 0:40:20 | 0:40:21 | |
That's a very nervous laugh! | 0:40:21 | 0:40:23 | |
Charlie has brought a taste of the country into the town garden, | 0:40:23 | 0:40:27 | |
but is it the relaxing rural idyll Pippa and Tony were after? | 0:40:27 | 0:40:31 | |
You can open your eyes now. | 0:40:34 | 0:40:36 | |
Oh, fantastic! | 0:40:37 | 0:40:39 | |
That's very pretty, isn't it? | 0:40:39 | 0:40:41 | |
Charlie will be really pleased, | 0:40:41 | 0:40:43 | |
because she really wanted to create a pretty garden. | 0:40:43 | 0:40:45 | |
That wisteria, that's very pretty. | 0:40:45 | 0:40:47 | |
It's quite an eye-catching plant, isn't it? | 0:40:47 | 0:40:49 | |
Look at that! The statue goes in really nice. | 0:40:49 | 0:40:51 | |
Good choice there. | 0:40:51 | 0:40:53 | |
-Brilliant! -I love the colours. | 0:40:53 | 0:40:55 | |
That's really lovely. Oh, the veggie patch! | 0:40:55 | 0:40:58 | |
Wow! Look at that. | 0:40:58 | 0:41:00 | |
-A path. -That is really lovely. | 0:41:00 | 0:41:02 | |
Loves the kitchen garden, thinks it's really cute. | 0:41:02 | 0:41:06 | |
I think they'll get a lot of use out of that. | 0:41:06 | 0:41:08 | |
-Very nice wigwams. -Very posh wigwams. And what are these? | 0:41:08 | 0:41:13 | |
-That's a compost bin. -That's a very posh compost bin. | 0:41:13 | 0:41:15 | |
And then this is a wormery. | 0:41:15 | 0:41:17 | |
-OK. -Wow! -So that's all for your peelings from the kitchen. | 0:41:17 | 0:41:20 | |
Here we've got your rosemary. | 0:41:20 | 0:41:23 | |
-Oh, yes. -OK? | 0:41:23 | 0:41:25 | |
But there's enough space there for you to have some coriander. | 0:41:25 | 0:41:28 | |
And that's the same with the vegetable patch. | 0:41:28 | 0:41:31 | |
We've got garlic in there, lots of lettuce, some sweet peas, | 0:41:31 | 0:41:34 | |
because that's good for bringing insects in to pollinate. | 0:41:34 | 0:41:38 | |
And then we've just really enhanced | 0:41:38 | 0:41:40 | |
the planting that you already had here. | 0:41:40 | 0:41:42 | |
-Yes! Yeah, that's really clever. That's really clever. -Yeah, | 0:41:42 | 0:41:46 | |
it's perfect not to get rid of some of those existing shrubs. | 0:41:46 | 0:41:48 | |
-Yeah. -Adds that nice bit of maturity to the garden. | 0:41:48 | 0:41:51 | |
I love the sound of that water. | 0:41:51 | 0:41:54 | |
-Don't you? -Yeah. -That's really lovely, isn't it? | 0:41:54 | 0:41:56 | |
Sounds like she loves the sound of the water. | 0:41:56 | 0:41:58 | |
Yeah, well, it's a new little feature, isn't it? | 0:41:58 | 0:42:01 | |
It's a cool little thing. | 0:42:01 | 0:42:02 | |
And it's got a light in it. | 0:42:02 | 0:42:04 | |
At night-time, that will be really pretty. | 0:42:04 | 0:42:06 | |
-And then this is the area for a couple of seats. -Yeah. | 0:42:06 | 0:42:10 | |
And we were sat there earlier today, and it's a huge sun trap. | 0:42:10 | 0:42:13 | |
-It was gorgeous. -Brilliant. | 0:42:13 | 0:42:15 | |
Although you've put a lot in and there's a lot more in it, | 0:42:15 | 0:42:17 | |
it feels bigger, because that whole path coming round, it joins, | 0:42:17 | 0:42:21 | |
-doesn't it? The whole, you know... -It's like the Yellow Brick Road. | 0:42:21 | 0:42:25 | |
He just said he loves the Yellow Brick Road. | 0:42:25 | 0:42:27 | |
Charlie can be Dorothy! | 0:42:27 | 0:42:29 | |
Fantastic, yeah. I love it, absolutely love it. | 0:42:30 | 0:42:32 | |
Cheers! | 0:42:35 | 0:42:37 | |
Pippa and Tony missed the countryside | 0:42:37 | 0:42:39 | |
and wanted their new garden to attract wildlife, to grow their own | 0:42:39 | 0:42:43 | |
produce and provide a relaxing retreat. | 0:42:43 | 0:42:46 | |
Well, this garden's worked really well. | 0:42:48 | 0:42:50 | |
It's a small space and they wanted a lot in it, | 0:42:50 | 0:42:53 | |
but I think we managed to pull it off. | 0:42:53 | 0:42:56 | |
The couple love it and the kids do, too. | 0:42:57 | 0:43:00 | |
And now they have their own piece of the countryside in suburbia. | 0:43:00 | 0:43:04 | |
We'd never have been able to do this on our own. | 0:43:07 | 0:43:09 | |
-No. -Not in a million years. | 0:43:09 | 0:43:10 | |
It's money well spent, and we're going to enjoy it for years to come. | 0:43:10 | 0:43:13 | |
Yeah. | 0:43:13 | 0:43:15 |