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With her can-do attitude, love of simple gardens, | 0:00:02 | 0:00:04 | |
and decades of experience... | 0:00:04 | 0:00:06 | |
Hello! | 0:00:06 | 0:00:07 | |
Charlie Dimmock is one of Britain's best-loved gardeners. | 0:00:07 | 0:00:10 | |
Looking good, boys. | 0:00:10 | 0:00:12 | |
But the new kids on the gardening block are the Rich brothers. | 0:00:12 | 0:00:16 | |
We want to be the brothers that change people's perceptions of gardeners. | 0:00:16 | 0:00:19 | |
Winners of multiple medals at the Chelsea Flower Show... | 0:00:19 | 0:00:22 | |
-Oh, wow. -Look at it turn. -Amazing, isn't it? | 0:00:22 | 0:00:24 | |
..the boys have become known for their dramatic outdoor spaces. | 0:00:24 | 0:00:28 | |
Now these two different generations of gardening are going head-to-head. | 0:00:30 | 0:00:34 | |
I know they've got a gold medal, but I can come up with a few ideas. | 0:00:34 | 0:00:38 | |
They're meeting frustrated garden owners across the country. | 0:00:38 | 0:00:42 | |
The photos made it look tiny. It is, isn't it? | 0:00:42 | 0:00:45 | |
I'm sure you've seen larger. | 0:00:45 | 0:00:47 | |
I don't know what to do with it. | 0:00:47 | 0:00:48 | |
And will need to pitch them a design based on their needs and budget. | 0:00:48 | 0:00:54 | |
That looks really exciting. | 0:00:54 | 0:00:55 | |
It doesn't look like it could be our garden. | 0:00:55 | 0:00:57 | |
The winner... | 0:00:57 | 0:00:58 | |
..brings their design to life... | 0:01:00 | 0:01:02 | |
Hold on, hold on. | 0:01:02 | 0:01:03 | |
Sweet as a nut. | 0:01:03 | 0:01:05 | |
..and the loser has to help them build it. | 0:01:05 | 0:01:07 | |
Oh, I'm getting irritated now. We're just faffing around. | 0:01:07 | 0:01:10 | |
This is what happens... | 0:01:10 | 0:01:12 | |
-Does he ever get irritating? -All the time. | 0:01:12 | 0:01:14 | |
..when different styles collide. | 0:01:14 | 0:01:16 | |
Who chose these? | 0:01:16 | 0:01:17 | |
One, two, three. | 0:01:17 | 0:01:18 | |
-This looks like your design! -Yeah! | 0:01:20 | 0:01:22 | |
..to turn garden dreams into reality. | 0:01:22 | 0:01:26 | |
-Wow! -You can open your eyes. | 0:01:26 | 0:01:28 | |
-Whoa! -It's amazing. | 0:01:28 | 0:01:30 | |
It's beautiful. | 0:01:30 | 0:01:31 | |
Today, Charlie and the Rich brothers are competing over | 0:01:37 | 0:01:40 | |
a garden for a young family who are bursting out of their house. | 0:01:40 | 0:01:45 | |
This design's going to be a bit different. | 0:01:45 | 0:01:47 | |
Lara and Mark moved into the house about ten, 12 years ago. | 0:01:47 | 0:01:51 | |
Love the house, but the children, Edward and Toby, | 0:01:51 | 0:01:55 | |
-are growing up and space is getting tight... -Oh, I see. | 0:01:55 | 0:01:58 | |
..but they don't want to move. | 0:01:58 | 0:02:00 | |
Swimming coach Lara Hawkins and her husband, IT engineer Mark, | 0:02:01 | 0:02:05 | |
live in Bexley in Kent with their sons, Edward and Toby, | 0:02:05 | 0:02:09 | |
and their dog, Daisy. | 0:02:09 | 0:02:11 | |
This is the only house we've lived in while we've had the children, | 0:02:12 | 0:02:16 | |
so this is the garden that we've all grown up in together as a family. | 0:02:16 | 0:02:20 | |
The boys have outgrown the house, | 0:02:22 | 0:02:24 | |
preferring to play in the acres of woods that the garden backs onto. | 0:02:24 | 0:02:28 | |
The boys are older now, | 0:02:30 | 0:02:32 | |
so they're tending to use the garden a lot less than they did, | 0:02:32 | 0:02:36 | |
so we want to try and get them back out in the garden again. | 0:02:36 | 0:02:40 | |
The garden is split into two parts. | 0:02:41 | 0:02:43 | |
The top section is just grass, | 0:02:43 | 0:02:45 | |
while the lower part has become a storage area for bikes and play equipment, | 0:02:45 | 0:02:51 | |
and it's just this bottom section that they want the garden rescue team to redesign. | 0:02:51 | 0:02:55 | |
And there is one feature that it must have. | 0:02:57 | 0:02:59 | |
Our wish-list for the garden and what we've saved up for is | 0:02:59 | 0:03:04 | |
an outdoor cabin, so, a usable space, another room for us to use. | 0:03:04 | 0:03:11 | |
This garden - it's the bottom area there - has to have | 0:03:11 | 0:03:15 | |
a cabin that is a chill-out zone cum storage cum relaxation area. | 0:03:15 | 0:03:21 | |
That's got me a little bit worried. | 0:03:21 | 0:03:23 | |
Do they want to get rid of anything that's there at the moment? | 0:03:23 | 0:03:25 | |
-Sheds can go. -Ah, nice. -Tramp can move. -Nice. | 0:03:25 | 0:03:30 | |
This part of the plot is only seven by seven metres, | 0:03:30 | 0:03:33 | |
but has to include a multifunctional outdoor building and that | 0:03:33 | 0:03:36 | |
could take up almost half of the space. | 0:03:36 | 0:03:39 | |
But that's not all. | 0:03:40 | 0:03:41 | |
In whatever's left, | 0:03:41 | 0:03:42 | |
they'd like a garden that's inspired by their surroundings. | 0:03:42 | 0:03:47 | |
What she would love to do, and Mark as well, is bring the | 0:03:47 | 0:03:50 | |
woodland into that space, | 0:03:50 | 0:03:52 | |
because it can't be built on and she feels like they're neglecting it. | 0:03:52 | 0:03:55 | |
It's quite a small space, isn't it? | 0:03:55 | 0:03:57 | |
So, it'll be quite interesting how we're going to do that. | 0:03:57 | 0:03:59 | |
We do appreciate that we're lucky that we have this nice backdrop of trees. | 0:03:59 | 0:04:03 | |
It would just be lovely to sit down there and enjoy it, | 0:04:03 | 0:04:06 | |
which is what we don't do at the moment. | 0:04:06 | 0:04:08 | |
We don't really go down there. | 0:04:08 | 0:04:10 | |
It's scruffy, it's tatty, | 0:04:10 | 0:04:14 | |
it needs help. | 0:04:14 | 0:04:15 | |
They may only want one part of their garden done, | 0:04:17 | 0:04:19 | |
but with a high-spec building to include, | 0:04:19 | 0:04:22 | |
Mark and Lara have set a budget to match. | 0:04:22 | 0:04:24 | |
So, we've saved up £4,500. | 0:04:27 | 0:04:29 | |
The budget's four and a half thousand, | 0:04:29 | 0:04:31 | |
-but that cabin's going to make it go... -Yeah. | 0:04:31 | 0:04:34 | |
It's going to be quite interesting trying to work with how to | 0:04:34 | 0:04:36 | |
give them lots of space, but still keeping that cabin. | 0:04:36 | 0:04:39 | |
-Lots of space in a really small space. -I know, I know. | 0:04:39 | 0:04:43 | |
When we get the garden of our dreams, | 0:04:43 | 0:04:44 | |
we'll have a space that we can use all year round. | 0:04:44 | 0:04:47 | |
The whole family can use. | 0:04:47 | 0:04:49 | |
And enjoy it to the full, so, yeah, we're really excited. | 0:04:49 | 0:04:52 | |
Really looking forward to it. | 0:04:52 | 0:04:55 | |
This is a major conundrum for the designers. | 0:04:55 | 0:04:58 | |
Four and a half grand may be a healthy budget, | 0:04:58 | 0:05:00 | |
but half of that could go on the cabin. | 0:05:00 | 0:05:03 | |
And once that's in, | 0:05:03 | 0:05:04 | |
will there be any space left in this area for anything else? | 0:05:04 | 0:05:08 | |
With the challenge on the table, Charlie and the Rich brothers | 0:05:11 | 0:05:14 | |
will now compete to make over Lara and Mark's garden. | 0:05:14 | 0:05:18 | |
So, they're heading to Bexley to find out what they've let themselves in for. | 0:05:18 | 0:05:22 | |
-Definitely a hard-working area. -It is, isn't it? -Yeah. | 0:05:24 | 0:05:27 | |
Beautiful woodland, look at that. | 0:05:27 | 0:05:29 | |
-It's a really nice backdrop, isn't it? -Not my favourite. | 0:05:29 | 0:05:31 | |
-My most hated thing. -Yeah, I think we'll join you on that one, happily. | 0:05:31 | 0:05:35 | |
I think once you get rid of a few of these things, | 0:05:35 | 0:05:37 | |
-it will be a dramatic difference how big it looks here. -Yeah. | 0:05:37 | 0:05:40 | |
Cos it's quite cramped, isn't it? | 0:05:40 | 0:05:42 | |
To see how this small space could really help take the pressure | 0:05:43 | 0:05:46 | |
off the house, the boys head inside for a snoop around. | 0:05:46 | 0:05:50 | |
Oh, it's quite a nice open-plan feel to it, isn't it? | 0:05:54 | 0:05:56 | |
Yeah, I like it. Yeah, really nice. | 0:05:56 | 0:05:58 | |
A bit clean, bit modern and, of course, our beloved sofas. | 0:05:58 | 0:06:02 | |
Real comfy sofas, yeah. | 0:06:02 | 0:06:04 | |
I think we should differently try and put a sofa outside. | 0:06:05 | 0:06:07 | |
Pretty dreamy having one of these. | 0:06:07 | 0:06:09 | |
Yeah, there's quite a few toys, isn't there? | 0:06:09 | 0:06:11 | |
So, maybe having an outdoor space means they can kind of chuck | 0:06:11 | 0:06:14 | |
all that down there, and just have this as a bit more of an adult area maybe. | 0:06:14 | 0:06:17 | |
Yeah, I know what you mean. Get the bit of the clutter out, you know. | 0:06:17 | 0:06:20 | |
-The kids can have that, their space. Maybe one of the TVs. -Yeah. | 0:06:20 | 0:06:23 | |
-I'd like to be down there. -I'd definitely be down there. | 0:06:23 | 0:06:25 | |
I'd like to have the nerf gun. | 0:06:25 | 0:06:27 | |
The boys can see how the family would benefit from some extra room. | 0:06:27 | 0:06:31 | |
But Charlie wants to know more about why they only want to change | 0:06:33 | 0:06:37 | |
the lower part of the garden. | 0:06:37 | 0:06:39 | |
This has obviously been a very well used area, with the sheds, | 0:06:39 | 0:06:44 | |
-the washing lines, the trampoline. -Yeah. | 0:06:44 | 0:06:46 | |
What do you want it to do now? | 0:06:46 | 0:06:49 | |
It's such a nice place to be, down here as well. | 0:06:49 | 0:06:52 | |
And it's quiet, but we don't use it, but it could be usable. | 0:06:52 | 0:06:56 | |
So, we'd quite like a cabin, here. | 0:06:56 | 0:06:58 | |
An indoor room, but outdoors in the woods. | 0:06:58 | 0:07:01 | |
Space where we can come to relax. | 0:07:01 | 0:07:05 | |
-So, chill-out area. -Chill out, yes. | 0:07:05 | 0:07:07 | |
-I've also noticed it's quite subtle colours in here. -Yeah. | 0:07:07 | 0:07:10 | |
There's nothing that stands out too much. | 0:07:10 | 0:07:12 | |
So, I think they'll quite like that natural, quite sympathetic feel in the garden. | 0:07:12 | 0:07:15 | |
Yeah, I like it. Balance between contemporary, nature. | 0:07:15 | 0:07:18 | |
Yeah, key. | 0:07:18 | 0:07:19 | |
The boys are feeling confident. | 0:07:20 | 0:07:22 | |
But Charlie is trying to manage the couple's expectations. | 0:07:25 | 0:07:29 | |
I have to say, by putting the den in, it means, space-wise, | 0:07:29 | 0:07:33 | |
-there's not much of a garden. -It's reduced, yeah. | 0:07:33 | 0:07:35 | |
The trampoline - has it got to stay? | 0:07:35 | 0:07:38 | |
It could possibly go up that end. | 0:07:39 | 0:07:41 | |
OK. | 0:07:41 | 0:07:42 | |
It won't be around forever, we appreciate that. | 0:07:42 | 0:07:45 | |
He will, eventually, grow out of trampolining. | 0:07:45 | 0:07:47 | |
What about what's left of the garden? | 0:07:47 | 0:07:50 | |
What do you envisage seeing? | 0:07:50 | 0:07:53 | |
-Something that blends in with the woods would be nice. -OK. | 0:07:53 | 0:07:57 | |
Yeah, somewhere that you can look out from, from the house, | 0:07:57 | 0:08:00 | |
that makes you think, "I want to go down there." | 0:08:00 | 0:08:02 | |
This really could be the designers' hardest challenge yet. | 0:08:02 | 0:08:06 | |
A building for a family of four could be huge and then, | 0:08:06 | 0:08:09 | |
in what's left of this space, they have to create a woodland garden. | 0:08:09 | 0:08:13 | |
So, it's time for them to flex their creative muscles. | 0:08:15 | 0:08:19 | |
Each of them has to come up with a design for Lara and Mark's | 0:08:19 | 0:08:22 | |
ideal garden within the £4,500 budget. | 0:08:22 | 0:08:26 | |
The couple will then choose a winner, and the loser will | 0:08:26 | 0:08:29 | |
have to swallow their pride and take orders from the victorious designer. | 0:08:29 | 0:08:33 | |
Having seen the tight space inside the house, | 0:08:36 | 0:08:39 | |
the Rich brothers understand the couple's need for an extra building, | 0:08:39 | 0:08:44 | |
while Charlie seemed more keen on creating a garden | 0:08:44 | 0:08:47 | |
than providing an outdoor living space. | 0:08:47 | 0:08:50 | |
Can they impress Lara and Mark? | 0:08:51 | 0:08:53 | |
-This, here, is the den or shed. -Yeah. | 0:08:54 | 0:08:58 | |
It's very modern, very sleek. | 0:08:58 | 0:09:00 | |
-It's a cube. -Right. | 0:09:00 | 0:09:01 | |
It's got panels of glass that open up, so it's a good, big space | 0:09:01 | 0:09:07 | |
that will be able to be used for lots of different things. | 0:09:07 | 0:09:10 | |
Your living space in there is quite open plan, | 0:09:10 | 0:09:13 | |
and it can get quite busy quite quickly, especially having two kind of teenage sons, | 0:09:13 | 0:09:17 | |
so, what we wanted to do, and, like, our main element to this | 0:09:17 | 0:09:20 | |
is giving you this large cabin space. | 0:09:20 | 0:09:22 | |
It gives you this little escape. | 0:09:22 | 0:09:25 | |
Both designers know how important the new building will be, | 0:09:25 | 0:09:28 | |
so Charlie's opted for small, but stylish, square cube, | 0:09:28 | 0:09:33 | |
while the boys are arguing that bigger is better, and have | 0:09:33 | 0:09:37 | |
gone with a giant log cabin to fit with the woods. | 0:09:37 | 0:09:40 | |
But what are they planning for what's left of this tiny area | 0:09:40 | 0:09:43 | |
of the garden? | 0:09:43 | 0:09:45 | |
So, we've got a patio area out the front here, | 0:09:45 | 0:09:48 | |
so you can open the doors up. | 0:09:48 | 0:09:50 | |
It's all about relaxation. | 0:09:50 | 0:09:53 | |
It'll be a lovely area to go when they've gone to bed, | 0:09:53 | 0:09:57 | |
so you can sit down there and relax yourself. | 0:09:57 | 0:10:01 | |
We've put in a little outdoor sofa along with the fire bowl, as well. | 0:10:01 | 0:10:04 | |
We got these concrete pads, kind of very smooth, very clean, | 0:10:04 | 0:10:08 | |
very modern, and that creates a kind of stylish area and somewhere | 0:10:08 | 0:10:12 | |
that becomes very usable. | 0:10:12 | 0:10:13 | |
We do get a lot of moles from the wood, that's my only concern. | 0:10:13 | 0:10:16 | |
Oh, we'll make that concrete thick, don't worry. | 0:10:16 | 0:10:19 | |
A mole won't go through the concrete. | 0:10:19 | 0:10:22 | |
The boys are confident they'll keep the moles out with their | 0:10:22 | 0:10:24 | |
concrete staggered patio, their seating area and dramatic fire bowl. | 0:10:24 | 0:10:29 | |
But, with a smaller building, | 0:10:30 | 0:10:32 | |
Charlie's able to include two seating areas to the boys' one, | 0:10:32 | 0:10:36 | |
and instead of a fire bowl, | 0:10:36 | 0:10:38 | |
she's opted for her favourite type of focal point. | 0:10:38 | 0:10:41 | |
We have a water feature here. | 0:10:41 | 0:10:43 | |
A globe of brushed steel with a light in it. | 0:10:43 | 0:10:47 | |
So, when it bubbles at night, | 0:10:47 | 0:10:48 | |
all the water lights up at the top | 0:10:48 | 0:10:50 | |
as it's running over gently. | 0:10:50 | 0:10:52 | |
The next challenge was how to make the surrounding woods | 0:10:53 | 0:10:56 | |
feel part of the garden. | 0:10:56 | 0:10:59 | |
-We wanted to be able to bring in the woodland into your garden. -Mmm-hmm. | 0:10:59 | 0:11:02 | |
So, we've done that by having quite large, naturalistic flowerbeds. | 0:11:02 | 0:11:05 | |
We've also brought in two small trees, as you can see here, | 0:11:05 | 0:11:08 | |
and we did that because it really blurs the lines between | 0:11:08 | 0:11:11 | |
your garden and the woodland. | 0:11:11 | 0:11:13 | |
Thinking about the woodland area, I have, along the bottom here, the fence. | 0:11:13 | 0:11:18 | |
So, you've got solid panels but you've also got louvered panels. | 0:11:18 | 0:11:22 | |
We'd still want a gate to access the woodland. | 0:11:22 | 0:11:26 | |
You'll have a solid gate, but every other panel will be louvered. | 0:11:26 | 0:11:31 | |
So, you can sort of see through, | 0:11:31 | 0:11:33 | |
-but people can't really see in. -OK. | 0:11:33 | 0:11:35 | |
Charlie has also added a feature tree to create a little magic. | 0:11:37 | 0:11:41 | |
This is a beautiful, multi-stemmed cherry tree, | 0:11:42 | 0:11:47 | |
but I've got it uplit. | 0:11:47 | 0:11:49 | |
So, at night-time, | 0:11:49 | 0:11:50 | |
that'll be like an oasis of light at the bottom of your garden. | 0:11:50 | 0:11:55 | |
By contrast, the boys are being more practical. | 0:11:55 | 0:11:59 | |
We wanted to give you this extra storage space for mower and bikes, | 0:11:59 | 0:12:02 | |
so that this area doesn't become cluttered, cos I think it's quite important - | 0:12:02 | 0:12:06 | |
cos it's not going to be massive - to really utilise it. | 0:12:06 | 0:12:09 | |
This area is really all about chill out, relaxation. | 0:12:09 | 0:12:13 | |
A little escape to get away from the house and just enjoy | 0:12:13 | 0:12:16 | |
a naturalistic, but also quite clean and contemporary, space. | 0:12:16 | 0:12:20 | |
These designs couldn't be more different, | 0:12:20 | 0:12:22 | |
but Mark and Lara now have to pick one. | 0:12:22 | 0:12:25 | |
I think it's really difficult. I really like both of them. | 0:12:27 | 0:12:31 | |
I can kind of visualise this one a little bit better than this one. | 0:12:31 | 0:12:35 | |
I really like the water feature that Charlie did. | 0:12:35 | 0:12:38 | |
Erm, I really like this one. | 0:12:38 | 0:12:40 | |
I like the way that it leads you, | 0:12:41 | 0:12:43 | |
-the straight lines lead you to the woods. -Yeah, I can see that as well. | 0:12:43 | 0:12:47 | |
I quite like the amount of trees. | 0:12:47 | 0:12:49 | |
-So, I think with Charlie's it was broken up a little bit more, wasn't it? -Yeah. | 0:12:49 | 0:12:53 | |
We had a living space down here, which was lovely, | 0:12:53 | 0:12:56 | |
because you were looking out onto the woods this way, | 0:12:56 | 0:12:59 | |
so I could see exactly where she was going with that. | 0:12:59 | 0:13:02 | |
-Yeah, they look really different. -Mmm. | 0:13:02 | 0:13:04 | |
This is turning into a split decision. | 0:13:05 | 0:13:07 | |
Lara seems drawn to Charlie's modern cube, spherical water feature | 0:13:08 | 0:13:13 | |
and cherry tree with its sparkly fairy lights. | 0:13:13 | 0:13:16 | |
But Mark prefers the Rich brothers design, with its large cabin, | 0:13:16 | 0:13:20 | |
concrete pathway and fire bowl. | 0:13:20 | 0:13:23 | |
But they can only pick one, | 0:13:23 | 0:13:25 | |
so which one is going to be? | 0:13:25 | 0:13:27 | |
-Hello. -Hello. -Well, it's been a hard decision. | 0:13:28 | 0:13:32 | |
We've had a long discussion and we've decided to choose this one. | 0:13:32 | 0:13:35 | |
-BOTH: -Aaaah! -The Rich brothers! | 0:13:37 | 0:13:39 | |
The sofa did it. | 0:13:39 | 0:13:41 | |
What is it that kind of swayed you to go with us? | 0:13:43 | 0:13:46 | |
We really liked the clear line of sight through to the woods. | 0:13:46 | 0:13:51 | |
-LARA: -We like the way that the woods are kind of brought into the garden | 0:13:51 | 0:13:54 | |
so that it kind of merges as one, but the fire bowl would be | 0:13:54 | 0:13:56 | |
too dangerous for our children - unfortunately. | 0:13:56 | 0:13:59 | |
I'm sure we're going to combine as a team and, between us both, | 0:13:59 | 0:14:02 | |
we'll create a beautiful garden for you. | 0:14:02 | 0:14:04 | |
Brilliant, thank you. | 0:14:04 | 0:14:06 | |
So, the fire bowl has to go, but the rest of the design is a winner | 0:14:06 | 0:14:10 | |
and the brothers are thrilled - | 0:14:10 | 0:14:12 | |
but that's a heck of a cabin they're planning to include. | 0:14:12 | 0:14:15 | |
The pressure will be on to make it feel part of the garden. | 0:14:15 | 0:14:18 | |
It's the first day of the build. | 0:14:22 | 0:14:24 | |
The Rich brothers are away arranging for the arrival of the new cabin. | 0:14:24 | 0:14:28 | |
They've given forewarning that it's a monster, | 0:14:28 | 0:14:30 | |
so the landscape team are on site clearing the way. | 0:14:30 | 0:14:33 | |
Some of the old garden buildings have got to go, | 0:14:36 | 0:14:39 | |
so garden owner Mark is adding his muscle to help the team get them out, | 0:14:39 | 0:14:43 | |
under the watchful eye of the family dog, Daisy. | 0:14:43 | 0:14:46 | |
Once this building is out, | 0:14:49 | 0:14:51 | |
the landscapers can lay foundations for the new cabin, | 0:14:51 | 0:14:54 | |
but project manager Kate's seen the weather forecast | 0:14:54 | 0:14:57 | |
and it's not good news. | 0:14:57 | 0:14:58 | |
-The weather is going to be our biggest enemy. -It's not looking good. | 0:14:59 | 0:15:02 | |
We're supposed to be putting in poured concrete. | 0:15:02 | 0:15:04 | |
It's saying, like, torrential rain later and the concrete will | 0:15:04 | 0:15:07 | |
be running out of that bottom gate. | 0:15:07 | 0:15:09 | |
-Shall we go home then? -Erm... | 0:15:09 | 0:15:12 | |
One thing you can't change in the garden is the weather, | 0:15:12 | 0:15:15 | |
so with everything crossed, the team cracks on. | 0:15:15 | 0:15:19 | |
Now the old shed has been removed, | 0:15:19 | 0:15:20 | |
the team sets about getting the area ready for the new cabin. | 0:15:20 | 0:15:24 | |
But, things are never straightforward. | 0:15:24 | 0:15:27 | |
In the old garden, the shed faced the house, | 0:15:27 | 0:15:29 | |
but the boys' cabin is meant to run along the fence | 0:15:29 | 0:15:32 | |
and Scott and Adam have realised it's quite a slope. | 0:15:32 | 0:15:35 | |
This means the bottom end of the new cabin will be higher than the top - | 0:15:37 | 0:15:41 | |
something else the Rich brothers will have to deal when they arrive. | 0:15:41 | 0:15:44 | |
So, at the moment, we're lifting some slabs. | 0:15:46 | 0:15:48 | |
We've got a problem with the levels for the new cabin that's coming in. | 0:15:48 | 0:15:51 | |
It's always one of those things, until you get on site you're not | 0:15:51 | 0:15:53 | |
too sure what you're going to have to overcome. | 0:15:53 | 0:15:56 | |
The sub-frame goes in just in time, because the brothers' cabin | 0:16:00 | 0:16:03 | |
has arrived and a new team of contractors gets straight to work. | 0:16:03 | 0:16:06 | |
And it doesn't take long to see just how big it is. | 0:16:08 | 0:16:11 | |
Rather than have a bespoke structure built on site, | 0:16:12 | 0:16:15 | |
to keep costs under control, the brothers have ordered the | 0:16:15 | 0:16:18 | |
building from an online supplier, so it comes as a set size. | 0:16:18 | 0:16:22 | |
At five by two and a half metres, it will occupy more than | 0:16:24 | 0:16:27 | |
a third of the space, but it's what the client wanted. | 0:16:27 | 0:16:31 | |
For the same size as this cabin, | 0:16:34 | 0:16:36 | |
a house extension in the UK would cost an average price of £10,000. | 0:16:36 | 0:16:40 | |
It's no surprise that garden owners are putting state-of-the-art | 0:16:41 | 0:16:45 | |
buildings into their outdoor spaces instead. | 0:16:45 | 0:16:47 | |
The modern garden building is like mini house. | 0:16:49 | 0:16:52 | |
It can come double-glazed, Wi-Fi ready and fully wired, | 0:16:52 | 0:16:56 | |
and is often cheaper than building an extension. | 0:16:56 | 0:16:58 | |
Large, wooden summer houses are ideal as alternative playrooms, | 0:17:00 | 0:17:04 | |
hobby rooms or workshops. | 0:17:04 | 0:17:07 | |
Modern cubes and pods cost more, | 0:17:07 | 0:17:10 | |
but are so high-spec they make perfect outdoor offices or gyms. | 0:17:10 | 0:17:14 | |
And an outdoor building can even serve a novelty purpose. | 0:17:15 | 0:17:19 | |
After all, who wouldn't like their own outdoor bar? | 0:17:19 | 0:17:22 | |
The problem with the cabin in Mark and Lara's garden | 0:17:25 | 0:17:28 | |
is that the more it goes up, | 0:17:28 | 0:17:30 | |
the more it's encroaching on the rest of the planned garden. | 0:17:30 | 0:17:33 | |
We think that we're not going to have enough room to put all of the | 0:17:35 | 0:17:37 | |
concrete slabs in, so we're just working out at the moment | 0:17:37 | 0:17:40 | |
how we can adjust it to the design, erm, and make everything fit | 0:17:40 | 0:17:45 | |
as closely as we can to what the boys have put on their design. | 0:17:45 | 0:17:48 | |
Mark and Lara loved the brothers' choice of using poured concrete | 0:17:48 | 0:17:52 | |
to create a modern, staggered pathway. | 0:17:52 | 0:17:55 | |
On the design, there are meant to be five panels... | 0:17:55 | 0:17:57 | |
..but now Scott and Adam are constructing the wooden framework, | 0:18:01 | 0:18:04 | |
there only seems to be room for three. | 0:18:04 | 0:18:06 | |
We've just placed it in where we think we're going to put it and then | 0:18:12 | 0:18:15 | |
we're going to send a picture to Dave and Harry and just make | 0:18:15 | 0:18:17 | |
sure that they're happy with what we've done. | 0:18:17 | 0:18:19 | |
Scott has no choice but to send the boys the not-so-good news. | 0:18:19 | 0:18:22 | |
So far, the rain has stayed off, so Scott and Adam | 0:18:28 | 0:18:30 | |
make the executive decision to start laying the concrete. | 0:18:30 | 0:18:34 | |
Rather than using individual pavers, | 0:18:38 | 0:18:41 | |
the brothers wanted big slabs to match the proportions of the cabin. | 0:18:41 | 0:18:46 | |
This way, it will not only be an attractive feature, | 0:18:46 | 0:18:48 | |
but serve as a pathway to the woods. | 0:18:48 | 0:18:50 | |
With their design changing all the time, | 0:18:53 | 0:18:56 | |
the Rich brothers and Charlie have arrived to take control. | 0:18:56 | 0:19:00 | |
And, not surprisingly, the main topic of conversation | 0:19:00 | 0:19:03 | |
is the giant cabin. | 0:19:03 | 0:19:04 | |
The cabin is definitely taking up a large proportion of this garden. | 0:19:06 | 0:19:09 | |
Now, that's being polite. | 0:19:09 | 0:19:10 | |
No, no, there's still loads of different elements within this | 0:19:10 | 0:19:13 | |
that we're going to get stuck in to today. | 0:19:13 | 0:19:15 | |
-To make it look like a garden, not a collection of sheds. -Exactly. | 0:19:15 | 0:19:18 | |
-There's gravel. There's a green roof. There's plants... -Trees. | 0:19:18 | 0:19:21 | |
-Yeah, trees. -Some semi-mature trees. That'll be nice. | 0:19:21 | 0:19:24 | |
To make it actually a garden. | 0:19:24 | 0:19:25 | |
We've got three beautiful trees to put in, | 0:19:25 | 0:19:27 | |
that kind of echo the woodland and that borrowed landscape. | 0:19:27 | 0:19:30 | |
So, that's going to be really nice. Me and Dave might even | 0:19:30 | 0:19:32 | |
wander into the woodland if it gets too hot. | 0:19:32 | 0:19:34 | |
-Little bit of a... -All right for some! | 0:19:34 | 0:19:36 | |
And also, the one thing that you always have to have | 0:19:36 | 0:19:39 | |
to complement a really big cabin is another shed. For storage. | 0:19:39 | 0:19:43 | |
Because there's not enough shed space in there after the cabin. | 0:19:43 | 0:19:46 | |
You've got to make sure you've got storage. | 0:19:46 | 0:19:48 | |
-So, what we're going to be doing is upcycling... -OK. | 0:19:48 | 0:19:50 | |
..one of the current sheds they've got, but into something that | 0:19:50 | 0:19:53 | |
looks a little bit smarter, little bit neater and fits into the space. | 0:19:53 | 0:19:56 | |
And then we've got the sofa at the end to finish off that little seating area. | 0:19:56 | 0:19:59 | |
So, there's lots of little things in this garden and hopefully | 0:19:59 | 0:20:02 | |
it'll create this nice, little contemporary woodland space. | 0:20:02 | 0:20:05 | |
But, being a small space, it will be done and dusted like that. | 0:20:05 | 0:20:07 | |
Yeah. | 0:20:07 | 0:20:09 | |
Right, let's go. Let's go. | 0:20:09 | 0:20:10 | |
More than half the budget had to go on the new cabin, | 0:20:12 | 0:20:15 | |
so the brothers have decided to upcycle the old shed | 0:20:15 | 0:20:18 | |
so Lara and Mark have an area for storage. | 0:20:18 | 0:20:21 | |
-Who's going up there then? -I'll go up. | 0:20:23 | 0:20:25 | |
-Who's the lightest? -Oh! | 0:20:25 | 0:20:27 | |
-No windows needed. -All right. | 0:20:28 | 0:20:30 | |
Luckily, Harry's wearing his climbing shorts today. | 0:20:30 | 0:20:34 | |
Oh, he scared now, isn't he? | 0:20:34 | 0:20:36 | |
That's wiped the smile off his face. | 0:20:36 | 0:20:38 | |
Thank you very much. | 0:20:40 | 0:20:42 | |
Look at those chicken legs there. | 0:20:42 | 0:20:44 | |
The building has to be rebuilt on the other side of the plot, | 0:20:47 | 0:20:51 | |
so needs careful dismantling. | 0:20:51 | 0:20:52 | |
Meanwhile, at the front of the house, Charlie's on craft detail. | 0:20:59 | 0:21:03 | |
The brothers have asked her to come up with something to dress the new cabin, | 0:21:04 | 0:21:08 | |
so she's making some Japanese hanging planters. | 0:21:08 | 0:21:11 | |
Right, the boys have asked me to make some kokedama, which, er, | 0:21:11 | 0:21:15 | |
translation means "moss ball". | 0:21:15 | 0:21:16 | |
So, it's a moss ball with a plant growing in it, | 0:21:16 | 0:21:19 | |
and what you really need is some clay, but we're going to add to it | 0:21:19 | 0:21:22 | |
some organic matter and we're also going to put some sand in as well. | 0:21:22 | 0:21:27 | |
So, it's like making mud pies. | 0:21:27 | 0:21:29 | |
With Scott and Adam making a start on rebuilding the new shed, | 0:21:32 | 0:21:36 | |
the boys set about creating a seating area. | 0:21:36 | 0:21:39 | |
Lara and Mark loved the boys' idea of a contemporary seating space, | 0:21:41 | 0:21:45 | |
a separate area outside the cabin where they can relax and | 0:21:45 | 0:21:49 | |
enjoy the woodland views. | 0:21:49 | 0:21:50 | |
The reason we've put it here is because we wanted to keep it functional, | 0:21:52 | 0:21:56 | |
so there needed to be a route through the garden to the woodland behind. | 0:21:56 | 0:21:59 | |
Also, it needs to kind of interact with the cabin a little bit and, | 0:21:59 | 0:22:01 | |
being on the boundary here, it feels a little bit safer. | 0:22:01 | 0:22:04 | |
It's quite nice to be surrounded by something, so it will be more of a comfortable seating space. | 0:22:04 | 0:22:08 | |
And we're going to construct this wooden structure. It's going to be drilled and pegged, | 0:22:08 | 0:22:12 | |
and that's going to give you this nice area where we'll fill with gravel. | 0:22:12 | 0:22:15 | |
Once the outer frame for the seating area is done... | 0:22:19 | 0:22:23 | |
..they level the space and then pop a gravel mat down. | 0:22:25 | 0:22:29 | |
So, this here is the gravel matting. It's going to do two things. | 0:22:36 | 0:22:39 | |
It's really going to help stabilise the gravel base and also stop it | 0:22:39 | 0:22:43 | |
from moving around from too much when you're walking on it. | 0:22:43 | 0:22:45 | |
Then it's time to pour in five bags of grey gravel | 0:22:47 | 0:22:50 | |
that the brothers have chosen for its contemporary look. | 0:22:50 | 0:22:53 | |
We decided to use gravel in this garden cos it's a great, | 0:22:59 | 0:23:03 | |
cost-effective material. And it's very natural. So, you know, | 0:23:03 | 0:23:06 | |
we've got the backdrop of the woods, so it's really fitting. | 0:23:06 | 0:23:09 | |
At the front of the house, | 0:23:12 | 0:23:13 | |
Charlie's making good progress with her kokedamas, | 0:23:13 | 0:23:16 | |
and has chosen plants that are in keeping with the woodland theme. | 0:23:16 | 0:23:21 | |
So, this is a hardy fern. | 0:23:21 | 0:23:23 | |
Hardy ferns are fabulous if you've got a shady area, | 0:23:23 | 0:23:26 | |
especially if it's quite protected, because they literally keep | 0:23:26 | 0:23:29 | |
going nearly all through the winter, | 0:23:29 | 0:23:31 | |
and you get different textures of leaf, | 0:23:31 | 0:23:34 | |
different colours of leaf, and look really woodlandy, | 0:23:34 | 0:23:38 | |
and give that really green, lush feeling to an area. | 0:23:38 | 0:23:41 | |
Now Charlie takes her mixture of the clay, compost and sand, | 0:23:44 | 0:23:48 | |
and packs it around the fern roots to make a sticky ball. | 0:23:48 | 0:23:52 | |
She then wraps the whole thing in moss. | 0:23:56 | 0:23:58 | |
And then winds it in string to keep the moss in place. | 0:24:00 | 0:24:04 | |
The art of Japanese kokedama began in the early 1600s. | 0:24:07 | 0:24:11 | |
Originally, miniature bonsai trees were taken out of their pots | 0:24:11 | 0:24:14 | |
and displayed in this way. | 0:24:14 | 0:24:16 | |
While Charlie indulges in some Japanese crafting... | 0:24:18 | 0:24:21 | |
..in the back garden, Harry's taking a less subtle approach | 0:24:22 | 0:24:26 | |
to the old concrete in front of the cabin. | 0:24:26 | 0:24:28 | |
We're going to start by breaking this concrete here | 0:24:28 | 0:24:31 | |
so we can introduce a bit of planting. | 0:24:31 | 0:24:33 | |
And that will knit the whole scheme together | 0:24:33 | 0:24:35 | |
and really soften all the edges. | 0:24:35 | 0:24:37 | |
One of the biggest challenges with this project is to make | 0:24:41 | 0:24:44 | |
the giant building feel part of the new garden. | 0:24:44 | 0:24:47 | |
And, in North Yorkshire, | 0:24:49 | 0:24:51 | |
textile designer Georgia Wilkinson has done just that. | 0:24:51 | 0:24:54 | |
She needed a quiet workspace to start her new business, | 0:24:56 | 0:24:59 | |
so she bought a 1930s cricket pavilion, | 0:24:59 | 0:25:03 | |
moved it to her parents' farm, and converted it into a studio. | 0:25:03 | 0:25:07 | |
They were going to chop this gorgeous building up for firewood, | 0:25:09 | 0:25:13 | |
unless anyone wanted to give it a new home. | 0:25:13 | 0:25:15 | |
So, we decided to move it, and give it a new lease of life, | 0:25:15 | 0:25:19 | |
and it's been the perfect building for my studio. | 0:25:19 | 0:25:22 | |
Structurally, there wasn't a lot to change in it, | 0:25:22 | 0:25:26 | |
considering it was built in the 1930s, it's survived really well. | 0:25:26 | 0:25:29 | |
The shed has lots of original features, | 0:25:29 | 0:25:32 | |
it's not just been bought flat-packed and put up. | 0:25:32 | 0:25:34 | |
It has a sort of history to it. | 0:25:34 | 0:25:36 | |
The pavilion works really well for my business because it has the two, | 0:25:39 | 0:25:43 | |
the home and the visitor side, | 0:25:43 | 0:25:44 | |
which were there originally, and I've kept the two halves separate, | 0:25:44 | 0:25:48 | |
so I do have my clean designing side, and then the workshop space | 0:25:48 | 0:25:53 | |
in the home side, which works really well to keep the sort of | 0:25:53 | 0:25:55 | |
messiness, I can shut the door on it at the end of the day. | 0:25:55 | 0:25:58 | |
To turn a cricket pavilion into a garden building, | 0:26:04 | 0:26:07 | |
Georgia has dressed it with the tools of her trade... | 0:26:07 | 0:26:10 | |
..as well as vintage furniture and ornaments to make it feel | 0:26:11 | 0:26:14 | |
like home at her parents' farm. | 0:26:14 | 0:26:16 | |
Back in Bexley, the typically unpredictable British weather | 0:26:20 | 0:26:24 | |
means we've ended up with sun, not rain, so next to Mark and Lara's | 0:26:24 | 0:26:29 | |
new cabin, the giant concrete paving slabs have set already. | 0:26:29 | 0:26:33 | |
So, Harry and David are carefully removing the wooden moulds. | 0:26:34 | 0:26:38 | |
Now the pathway and seating area are finished, | 0:26:39 | 0:26:43 | |
the brothers can crack on with their planting scheme. | 0:26:43 | 0:26:45 | |
We're putting some semi-mature trees into this garden, | 0:26:47 | 0:26:50 | |
and when it came to choosing what species, we took inspiration | 0:26:50 | 0:26:53 | |
from the woodland that's literally just beyond the garden gate. | 0:26:53 | 0:26:56 | |
Lara and Mark love living so close to the woods | 0:26:59 | 0:27:02 | |
and liked the way the boys reflected it in their design. | 0:27:02 | 0:27:05 | |
And when it came to their choice of trees, | 0:27:10 | 0:27:13 | |
the boys didn't have to go far for inspiration. | 0:27:13 | 0:27:15 | |
When we came to this spot in the woodland, | 0:27:21 | 0:27:23 | |
we knew we had to use birch. | 0:27:23 | 0:27:25 | |
Really beautiful, really delicate trees, | 0:27:25 | 0:27:27 | |
and with a really light-dappled canopy. | 0:27:27 | 0:27:28 | |
Birch really does offer a lot because it's got this lovely, | 0:27:28 | 0:27:31 | |
natural foliage in the summer. | 0:27:31 | 0:27:33 | |
Even in the winter, | 0:27:33 | 0:27:34 | |
you've got this lovely kind of white and black stripped bark. | 0:27:34 | 0:27:37 | |
So, you know, it's a great tree for a smaller garden. | 0:27:37 | 0:27:40 | |
The boys have two birch trees to plant | 0:27:44 | 0:27:46 | |
in the new bed by the gravel seating area. | 0:27:46 | 0:27:48 | |
-Straight in the pot. -Don't take him out! | 0:27:52 | 0:27:54 | |
It's easy when they're not heavy. Sit him in. | 0:27:55 | 0:27:58 | |
I think when you've got trees like this, | 0:27:58 | 0:28:01 | |
it really helps connecting with the natural landscape | 0:28:01 | 0:28:03 | |
that's just beyond your garden, beautiful woodland here, | 0:28:03 | 0:28:06 | |
so this is really just going to help draw the eye, make the garden feel | 0:28:06 | 0:28:09 | |
a bit bigger, and just make it feel like part of the woodland. | 0:28:09 | 0:28:12 | |
This soil's great, so we're not going to add any compost | 0:28:12 | 0:28:15 | |
when planting the tree. | 0:28:15 | 0:28:17 | |
But what we are going to do is give it a big drench | 0:28:17 | 0:28:19 | |
and then top-dress it with compost so it keeps the moisture in. | 0:28:19 | 0:28:22 | |
Costing just under £300 for the pair, | 0:28:22 | 0:28:25 | |
it's really important these trees are planted | 0:28:25 | 0:28:28 | |
with a lot of care and attention. | 0:28:28 | 0:28:30 | |
Meanwhile, out of harm's way, Charlie's kokedamas are nearly done. | 0:28:32 | 0:28:38 | |
-Look at these, these look great! Amazing! -I love them. | 0:28:38 | 0:28:41 | |
This looks super fun, I'm quite jealous, actually. | 0:28:41 | 0:28:43 | |
I'm having a great time, so I don't need a hand at all, boys. | 0:28:43 | 0:28:46 | |
-It's like little antlers on that one. -How heavy are they? | 0:28:46 | 0:28:49 | |
-Let's have a look. -They're not ridiculous. | 0:28:49 | 0:28:51 | |
-But you can feel the weight of the clay. -You don't need them | 0:28:51 | 0:28:54 | |
-to be watered, probably. -You just stand them in a tray of water | 0:28:54 | 0:28:56 | |
for ten minutes, and it sucks it all up. | 0:28:56 | 0:28:59 | |
Of course, the Sphagnum acts like a wick, | 0:28:59 | 0:29:01 | |
drawing the moisture into the clay. | 0:29:01 | 0:29:03 | |
If you wanted to hang them... | 0:29:03 | 0:29:05 | |
Well, you just use string and tie them up. | 0:29:05 | 0:29:07 | |
-Or you can just place them on the wall. -It's stunning. -It's great! | 0:29:07 | 0:29:11 | |
I'm really enjoying myself. | 0:29:11 | 0:29:13 | |
I'm glad I've only got to do this and nothing else. | 0:29:13 | 0:29:15 | |
-I think you've done an epic job, Charlie. -Good. | 0:29:15 | 0:29:17 | |
You're having fun out here, we're going to do some digging. | 0:29:17 | 0:29:20 | |
Sat in the sun. You've got cream on you, boys, haven't you, | 0:29:20 | 0:29:23 | |
-in this sun? -No, I need to find some. | 0:29:23 | 0:29:24 | |
Unfortunately for Charlie, this isn't the only job for the day. | 0:29:28 | 0:29:32 | |
The lads need her skills to help plant tree number two. | 0:29:32 | 0:29:36 | |
Lift that up. | 0:29:37 | 0:29:38 | |
One, two, three. | 0:29:38 | 0:29:40 | |
-Oh! -Oh! | 0:29:40 | 0:29:41 | |
CHARLIE LAUGHS | 0:29:41 | 0:29:42 | |
Did you bump heads? | 0:29:42 | 0:29:43 | |
-There's not a lot of space for our big heads. -Too much hair, isn't it? | 0:29:43 | 0:29:48 | |
It's like a hair battle, isn't it? | 0:29:48 | 0:29:50 | |
And it's a good job, because the hole they've dug... | 0:29:50 | 0:29:53 | |
-Is that big enough? -One, two, three... -Let's find out. | 0:29:53 | 0:29:56 | |
..isn't big enough. | 0:29:56 | 0:29:58 | |
One, two, three... | 0:29:58 | 0:29:59 | |
The trees will grow steadily but it will take 20 years for them | 0:29:59 | 0:30:03 | |
to reach their maximum height of 18 metres. | 0:30:03 | 0:30:06 | |
Oh, yes. | 0:30:06 | 0:30:07 | |
One, two, three. | 0:30:07 | 0:30:09 | |
There we are, that's better. | 0:30:11 | 0:30:12 | |
-Might need a little bit of water once it's in. -Yeah, yeah. | 0:30:12 | 0:30:15 | |
One more tree? | 0:30:18 | 0:30:19 | |
The third tree the boys have chosen for this space is an Amelanchier | 0:30:19 | 0:30:23 | |
which produces white flowers in the spring. | 0:30:23 | 0:30:26 | |
Very nice tree. | 0:30:26 | 0:30:28 | |
It is a beauty, isn't it? | 0:30:28 | 0:30:29 | |
The boys want to train the tree so it spreads nicely along the fence. | 0:30:29 | 0:30:33 | |
So, I'm just going to do it loose. | 0:30:33 | 0:30:37 | |
Whoa, too much! Up a little bit more. | 0:30:37 | 0:30:40 | |
Perfect, that's beautiful. | 0:30:40 | 0:30:42 | |
So, with Charlie's expert help, | 0:30:44 | 0:30:47 | |
they tether it so it'll grow into the shape they want. | 0:30:47 | 0:30:50 | |
Beautiful. | 0:30:50 | 0:30:52 | |
That totally screens that fence panel, doesn't it? | 0:30:52 | 0:30:55 | |
Merges in with the oak, doesn't it? | 0:30:55 | 0:30:57 | |
The under-gardener's next job is to start planting | 0:31:01 | 0:31:04 | |
in front of the cabin. | 0:31:04 | 0:31:05 | |
In the boys' design, the concrete slabs are interplanted | 0:31:05 | 0:31:09 | |
to break-up the solid hard landscaping. | 0:31:09 | 0:31:11 | |
Righty-ho. | 0:31:12 | 0:31:14 | |
So, the area I'm going to plant up now is between | 0:31:15 | 0:31:19 | |
these concrete pathways. | 0:31:19 | 0:31:20 | |
And the planting will just make it look sort of softer and more | 0:31:20 | 0:31:25 | |
attractive, whilst still making it practical. | 0:31:25 | 0:31:28 | |
And we've got a really gorgeous array of plants that will put up | 0:31:28 | 0:31:33 | |
with someone treading on them, and it won't kill them, | 0:31:33 | 0:31:36 | |
as well as looking very pretty because they all flower. | 0:31:36 | 0:31:40 | |
They've got really gorgeous scents. | 0:31:40 | 0:31:42 | |
So, we've got thymes, different thymes. | 0:31:42 | 0:31:45 | |
This one's a more upright one. | 0:31:45 | 0:31:47 | |
This one's a mat-forming one. | 0:31:47 | 0:31:50 | |
Oh, that one's lemon. Oh! Yum, yum, yum, yum, yum. | 0:31:50 | 0:31:54 | |
We've got Corsican mint, Which is very low and flat to the ground. | 0:31:54 | 0:31:59 | |
And then we've got some chamomile, | 0:31:59 | 0:32:01 | |
which won't take so much traffic, but we can have those on the edge, | 0:32:01 | 0:32:06 | |
sort of, where people don't walk quite so often. | 0:32:06 | 0:32:10 | |
And this is a bit looser. | 0:32:10 | 0:32:12 | |
Again, so yummy. | 0:32:12 | 0:32:13 | |
Using scented plants in the pathway means that when the family walk | 0:32:15 | 0:32:18 | |
on it, they'll brush against them, sending fragrance into the air. | 0:32:18 | 0:32:22 | |
And because Lara and Mark are not dedicated gardeners, | 0:32:22 | 0:32:26 | |
this bed is deliberately low-maintenance. | 0:32:26 | 0:32:28 | |
These plants will happily thrive on little water and in poor soil. | 0:32:28 | 0:32:33 | |
We now know that many beautiful plants can flourish | 0:32:37 | 0:32:40 | |
in poor conditions, but back in the 1960s, | 0:32:40 | 0:32:43 | |
garden designer Beth Chatto was one of the first to experiment | 0:32:43 | 0:32:47 | |
with the concept in our changeable British climate. | 0:32:47 | 0:32:51 | |
She transformed a disused car park into a wonderful gravel garden. | 0:32:52 | 0:32:57 | |
We're in one of the driest parts of the country with | 0:32:58 | 0:33:01 | |
only 20 inches of rain each year, | 0:33:01 | 0:33:04 | |
and Beth really wanted to create | 0:33:04 | 0:33:07 | |
a garden which looked beautiful, | 0:33:07 | 0:33:10 | |
which didn't need irrigation. | 0:33:10 | 0:33:12 | |
The soil here is very, very sandy, very poor, free-draining. | 0:33:13 | 0:33:18 | |
All the plants are chosen | 0:33:18 | 0:33:20 | |
because they're adapted to the dry conditions. | 0:33:20 | 0:33:23 | |
And the gravel actually helps to keep or lock in the moisture. | 0:33:23 | 0:33:28 | |
You can say it's a Mediterranean style of planting, | 0:33:30 | 0:33:33 | |
but the plants come from all over the world. | 0:33:33 | 0:33:36 | |
Among the plants that thrive here are the sedums, verbenas, | 0:33:36 | 0:33:39 | |
we have got Nepetas. | 0:33:39 | 0:33:41 | |
It's really important to have all-year-round structure. | 0:33:41 | 0:33:44 | |
In this garden, we use Cistuses and lavenders, | 0:33:44 | 0:33:47 | |
so there's something there even through the winter months. | 0:33:47 | 0:33:50 | |
This garden is not really about flower colour at all. | 0:33:51 | 0:33:55 | |
It's about the contrasting shapes and textures. | 0:33:55 | 0:33:59 | |
What they have got in common | 0:33:59 | 0:34:00 | |
is that they thrive in these kinds of conditions. | 0:34:00 | 0:34:03 | |
Back in the Kent garden, | 0:34:08 | 0:34:10 | |
Charlie is busy planting her low-maintenance pathway. | 0:34:10 | 0:34:13 | |
So, when you plant these, you want to make sure that | 0:34:15 | 0:34:17 | |
they're sort of slightly lower than the surface. | 0:34:17 | 0:34:21 | |
That way, they'll sort of mould into the concrete structure. | 0:34:21 | 0:34:26 | |
And, to keep them looking good, | 0:34:26 | 0:34:28 | |
you don't want them to go all woody and straggly. | 0:34:28 | 0:34:30 | |
So, the best thing to do, once they finish flowering, | 0:34:30 | 0:34:34 | |
is get a pair of scissors and just trim them over. | 0:34:34 | 0:34:37 | |
That'll keep them nice and compact, and looking good. | 0:34:37 | 0:34:41 | |
Chamomile tends to be quite floppy. | 0:34:41 | 0:34:43 | |
Again, when it's flowered, | 0:34:43 | 0:34:45 | |
just trim it up and that'll just keep that nice mat shape. | 0:34:45 | 0:34:48 | |
Meanwhile, the bosses are planning the next planting beds. | 0:34:56 | 0:35:00 | |
In their design, the boys have chosen beds that mirror the shape | 0:35:01 | 0:35:05 | |
of the cabin, and they're using wood edging to create a neat finish. | 0:35:05 | 0:35:09 | |
But it's not long before landscaper Adam needs their muscle. | 0:35:13 | 0:35:17 | |
He's created a frame for the upcycled storage shed. | 0:35:17 | 0:35:21 | |
Now all it needs is a roof. | 0:35:21 | 0:35:24 | |
Beautiful. So, we're just finishing upcycling this shed | 0:35:29 | 0:35:32 | |
that we've recycled from the shed | 0:35:32 | 0:35:33 | |
that was existing in the garden already. | 0:35:33 | 0:35:35 | |
It's solid, it's sturdy, and it's looking really, really good. | 0:35:35 | 0:35:38 | |
What we're going to do with this one | 0:35:38 | 0:35:40 | |
is we're going to put a green roof over the top of it. | 0:35:40 | 0:35:42 | |
So, what we've done is we've braced the roof, cos that's one of | 0:35:42 | 0:35:45 | |
the first and most important things. You can't put a green roof | 0:35:45 | 0:35:47 | |
on a roof that isn't strong enough. | 0:35:47 | 0:35:49 | |
It's going to collapse, and that's not good. | 0:35:49 | 0:35:51 | |
So, we've got some 3x2s here, just supporting that. | 0:35:51 | 0:35:53 | |
The next thing, we've got a waterproof membrane, which is | 0:35:53 | 0:35:56 | |
going to stop water permeating through and rotting the roof. | 0:35:56 | 0:35:59 | |
Then we're going to put a framework on top, | 0:35:59 | 0:36:01 | |
and that holds all the plants and substrate in. | 0:36:01 | 0:36:03 | |
David's adding 100 golden thymes. | 0:36:07 | 0:36:11 | |
This evergreen perennial will provide all-round interest | 0:36:11 | 0:36:14 | |
and pink flowers in late spring and early summer. | 0:36:14 | 0:36:17 | |
Dream on! | 0:36:18 | 0:36:20 | |
Keeping the plants in their trays like this is definitely | 0:36:21 | 0:36:24 | |
one of the easier ways to create a green roof. | 0:36:24 | 0:36:26 | |
This really gives Lara and Mark the opportunity to change them up, | 0:36:26 | 0:36:29 | |
mix and match the plants, and really have some fun with it. | 0:36:29 | 0:36:32 | |
With the new shed in place and less boots on the ground, | 0:36:35 | 0:36:39 | |
Charlie is helping Scott create a final concrete panel. | 0:36:39 | 0:36:43 | |
There'd better be enough of this. | 0:36:43 | 0:36:45 | |
This links the steps up to the house and will complete | 0:36:45 | 0:36:48 | |
the brothers' staggered pathway. | 0:36:48 | 0:36:49 | |
When this concrete panel is set, all the hard landscaping | 0:36:54 | 0:36:58 | |
will be finished. | 0:36:58 | 0:36:59 | |
Harry and David have moved on to planting | 0:37:01 | 0:37:03 | |
the three main beds in their design. | 0:37:03 | 0:37:05 | |
With so much hardscaping in the garden, | 0:37:06 | 0:37:09 | |
it's critical to choose the right plants to soften the space. | 0:37:09 | 0:37:13 | |
We really wanted to keep the woodland theme in this garden | 0:37:13 | 0:37:17 | |
but, because the aspect is a lot more sunny, | 0:37:17 | 0:37:19 | |
it gives you the opportunity to use more ornamental plants. | 0:37:19 | 0:37:22 | |
We've got things like Thalictrum, Astrantia, Calamagrostis, | 0:37:22 | 0:37:26 | |
and all these kind of knit together to give this really lovely | 0:37:26 | 0:37:29 | |
kind of understory feeling, | 0:37:29 | 0:37:31 | |
and, you know, it's very green and very luscious, | 0:37:31 | 0:37:33 | |
and with just a very muted colour palette, | 0:37:33 | 0:37:36 | |
it knits this garden together really nicely. | 0:37:36 | 0:37:39 | |
The team are now on the home stretch. | 0:37:39 | 0:37:42 | |
And, while the boys beaver away, | 0:37:42 | 0:37:45 | |
it's time for a final Japanese touch, courtesy of Charlie. | 0:37:45 | 0:37:49 | |
Here we go. | 0:37:49 | 0:37:50 | |
First two kokedama - I've made them so they're hanging ones. | 0:37:50 | 0:37:53 | |
-So, on the side of the...cabin. -They look epic, don't they? | 0:37:53 | 0:37:56 | |
I love the authentic string. They're quite heavy, aren't they? | 0:37:56 | 0:38:00 | |
-They're very heavy, yeah. -They're nice and wet. | 0:38:00 | 0:38:02 | |
Yes, I soaked them, and let them just drip dry. | 0:38:02 | 0:38:05 | |
Yeah, you need to face it up because I want the Hosta looking this way, | 0:38:07 | 0:38:10 | |
-all right? -OK, boss. | 0:38:10 | 0:38:12 | |
I think they're really cool. | 0:38:13 | 0:38:15 | |
They look epic. Really, really cool, Charlie. | 0:38:15 | 0:38:17 | |
All they need is a bit of a trim, and the cabin, | 0:38:17 | 0:38:20 | |
like the rest of the garden, is complete. | 0:38:20 | 0:38:23 | |
Just stay few days ago, | 0:38:26 | 0:38:27 | |
the bottom half of Lara and Mark's garden was a scruffy, cluttered | 0:38:27 | 0:38:31 | |
area, filled with two sheds, ugly concrete slabs, and a trampoline. | 0:38:31 | 0:38:36 | |
Now it's had a £4,500 transformation. | 0:38:36 | 0:38:41 | |
The cabin may dominate nearly half the space, but it's an essential | 0:38:42 | 0:38:46 | |
part of the garden design, giving the family the extra room they need. | 0:38:46 | 0:38:50 | |
But it's swallowed £2,500 of the budget, | 0:38:50 | 0:38:54 | |
so the boys had to come up with a host of clever ideas to make | 0:38:54 | 0:38:57 | |
the garden around it work for the money. | 0:38:57 | 0:39:00 | |
Rather than expensive stone pavers, they used concrete that was | 0:39:01 | 0:39:06 | |
set in moulds to create a staggered pathway. | 0:39:06 | 0:39:08 | |
The lines draw the eye towards the woodland behind, | 0:39:10 | 0:39:13 | |
giving the illusion that the garden is bigger, all for £170. | 0:39:13 | 0:39:18 | |
The boys built a contemporary seating area for the couple | 0:39:18 | 0:39:21 | |
to enjoy the woodland view. | 0:39:21 | 0:39:23 | |
They used £160 worth of grey gravel to achieve a sleek, modern feel. | 0:39:23 | 0:39:29 | |
A new sofa that cost just under £250 completes the look. | 0:39:30 | 0:39:35 | |
The brothers' choice of trees were inspired by the woods behind. | 0:39:36 | 0:39:40 | |
They spent £350 on two birch trees and an Amelanchier. | 0:39:41 | 0:39:45 | |
Lara and Mark wanted a low-maintenance planting scheme, | 0:39:49 | 0:39:52 | |
so the boys spent £550 on a mix of fragrant herbs, ferns, | 0:39:52 | 0:39:58 | |
grasses, and ornamental plants. | 0:39:58 | 0:40:00 | |
The boys upcycled the couple's tatty old shed into | 0:40:03 | 0:40:06 | |
a new storage space. | 0:40:06 | 0:40:08 | |
They then created another planting opportunity by making a green roof. | 0:40:08 | 0:40:12 | |
Finally, Charlie made some Japanese kokedamas that now hang | 0:40:14 | 0:40:19 | |
by the side of the cabin. | 0:40:19 | 0:40:20 | |
At just £10 each, | 0:40:20 | 0:40:22 | |
these are the quirky touch to complete the boys' garden scheme. | 0:40:22 | 0:40:26 | |
Harry and David have transformed this dilapidated area | 0:40:29 | 0:40:32 | |
into a practical and stylish space. | 0:40:32 | 0:40:35 | |
-But is it everything Lara and Mark were hoping for? -There's a step... | 0:40:36 | 0:40:40 | |
-now. -Here we go. -A little bit further, a little bit further. | 0:40:40 | 0:40:44 | |
Eyes closed tight. | 0:40:44 | 0:40:46 | |
Ready? Open your eyes and have a look at your new garden. | 0:40:46 | 0:40:49 | |
Ooh! Oh, wow! | 0:40:49 | 0:40:52 | |
-What do you think? -It's beautiful. | 0:40:54 | 0:40:56 | |
-MARK: -It's fantastic. -Yeah, it's lovely. | 0:40:56 | 0:40:59 | |
Really, really, really nice. | 0:40:59 | 0:41:02 | |
Oh, big smiles! | 0:41:02 | 0:41:04 | |
It's brilliant. | 0:41:04 | 0:41:06 | |
-Yeah, it's brilliant. -MARK: -Loads of plants. | 0:41:06 | 0:41:08 | |
-HARRY: -It's definitely greener, isn't it? | 0:41:08 | 0:41:10 | |
So much planting, love the gravel as well. | 0:41:10 | 0:41:12 | |
It all looks so clean and fresh. | 0:41:12 | 0:41:14 | |
We've got the low-lying scented plants here. | 0:41:14 | 0:41:17 | |
-We've got things like thyme, chamomile, Moroccan mint... -OK. | 0:41:17 | 0:41:21 | |
So they'll smell beautiful. | 0:41:21 | 0:41:23 | |
And if you walk over them, if you brush them, that's really nice. | 0:41:23 | 0:41:26 | |
Checking out the beautifully aromatic herbs. | 0:41:26 | 0:41:30 | |
-LARA: -We've got some ferns. | 0:41:30 | 0:41:31 | |
-Yeah. -That's the only one I recognise! And a grass. | 0:41:31 | 0:41:34 | |
-Perfect. -There we are. So, we've got your cabin here. | 0:41:34 | 0:41:37 | |
And given you a sofa over there. | 0:41:37 | 0:41:39 | |
Do you feel like, as a family now, you'll use this space a lot more? | 0:41:39 | 0:41:42 | |
Definitely, yeah, without a doubt, it's a proper... | 0:41:42 | 0:41:46 | |
Well, living area, isn't it? | 0:41:46 | 0:41:47 | |
-MARK: -It's been transformed from something that was disused | 0:41:47 | 0:41:51 | |
in the summer and abandoned for the rest of the year | 0:41:51 | 0:41:54 | |
into something that we'll use all year round. | 0:41:54 | 0:41:56 | |
Exactly, that's what's so nice about having the cabin, isn't it? | 0:41:56 | 0:41:59 | |
This has really made sure | 0:41:59 | 0:42:00 | |
that they've got enough space for everyone. | 0:42:00 | 0:42:03 | |
-Oh, look! -Can you guess what that is? -Perfect! | 0:42:03 | 0:42:06 | |
-MARK: -That's our old shed. | 0:42:06 | 0:42:08 | |
LAUGHTER | 0:42:08 | 0:42:09 | |
Recycled bike shed, looks like it's going down well. | 0:42:09 | 0:42:12 | |
Oh, it's perfect. | 0:42:12 | 0:42:14 | |
-It's been chopped about a bit. -I imagine! | 0:42:14 | 0:42:16 | |
-Well, it doesn't look like the old shed. -It's stronger | 0:42:16 | 0:42:19 | |
-than the old one, I can tell you that. -Brilliant. | 0:42:19 | 0:42:21 | |
That's fantastic. | 0:42:21 | 0:42:22 | |
We've got these little things that Charlie did, | 0:42:22 | 0:42:24 | |
they're called kokedamas, | 0:42:24 | 0:42:26 | |
so they're like a really cool way of having a hanging basket. | 0:42:26 | 0:42:28 | |
-And then a little bit of thyme, gold thyme, on the roof. -It's perfect. | 0:42:28 | 0:42:31 | |
It's lovely. Thank you. | 0:42:31 | 0:42:33 | |
-HARRY: -No worries. -Pleasure. -Brilliant. | 0:42:33 | 0:42:35 | |
With two growing sons, | 0:42:35 | 0:42:37 | |
Lara and Mark's home has been feeling the squeeze. | 0:42:37 | 0:42:41 | |
Now they not only have an extra room but also | 0:42:41 | 0:42:44 | |
a stylish, contemporary garden that they can all enjoy. | 0:42:44 | 0:42:48 | |
I really like the redesign. | 0:42:49 | 0:42:51 | |
I think it looks fantastic, it looks really light, it's spacious, | 0:42:51 | 0:42:54 | |
it's got everything in there that we want. | 0:42:54 | 0:42:56 | |
We couldn't have done the work ourselves, | 0:42:56 | 0:42:58 | |
and ended up with something so nice. | 0:42:58 | 0:43:00 | |
Now we've got a whole different garden. It's beautiful. | 0:43:00 | 0:43:04 |