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Hello, welcome to Gardeners' World. | 0:00:02 | 0:00:04 | |
And this weekend the clocks go forward, which for us gardeners | 0:00:04 | 0:00:08 | |
is the best time of the year | 0:00:08 | 0:00:10 | |
because it means that the light has at last caught up | 0:00:10 | 0:00:13 | |
with all our instincts to get out there | 0:00:13 | 0:00:16 | |
and garden for as long as possible. | 0:00:16 | 0:00:18 | |
This week, Carol visits one of the country's finest topiary gardens. | 0:00:20 | 0:00:24 | |
Just look at that - it's spectacular! | 0:00:24 | 0:00:27 | |
Joe gets a dahlia masterclass. | 0:00:27 | 0:00:31 | |
-There's a dahlia Joe Swift already. -Yes. | 0:00:31 | 0:00:33 | |
-I'm single and beautiful apparently. -I'll give you a better one than that. | 0:00:33 | 0:00:37 | |
At Long Meadow I'm planting for spring and sowing for summer. | 0:00:39 | 0:00:43 | |
This is the perfect spot for this Erythronium. | 0:00:56 | 0:01:01 | |
This is Erythronium californicum 'White Beauty' | 0:01:01 | 0:01:04 | |
I'm putting into the copse here. | 0:01:04 | 0:01:06 | |
I've got a dog's-tooth violet next to it, | 0:01:06 | 0:01:10 | |
so they complement and I'll put a few more in. | 0:01:10 | 0:01:13 | |
What this has - as the name suggests - is lovely white flowers, | 0:01:13 | 0:01:17 | |
and just the right feeling of freshness | 0:01:17 | 0:01:20 | |
that you get with this early spring light | 0:01:20 | 0:01:23 | |
coming through the gentle shade of the branches, but as yet no leaves. | 0:01:23 | 0:01:28 | |
And all the planting in the copse | 0:01:28 | 0:01:32 | |
is designed to make the most of this dappled light. | 0:01:32 | 0:01:37 | |
These plants respond really well to the coppice cycle. | 0:01:37 | 0:01:41 | |
Coppicing is really easy, it's like any gardening with shrubs. | 0:01:41 | 0:01:46 | |
You have a few trees and shrubs | 0:01:46 | 0:01:49 | |
and cut them back hard on a regular basis. | 0:01:49 | 0:01:51 | |
These hazels I last cut back five or six years ago | 0:01:51 | 0:01:55 | |
and they are due for a cut next year. | 0:01:55 | 0:01:57 | |
In that time the whole ecosystem changes. | 0:01:57 | 0:02:00 | |
You get completely open space, light floods in | 0:02:00 | 0:02:02 | |
and the primroses and the bluebells and the violets | 0:02:02 | 0:02:07 | |
just go whoosh with colour. | 0:02:07 | 0:02:08 | |
Then gradually, as the cover grows, | 0:02:08 | 0:02:10 | |
the shade increases and they die back a bit. They spread slowly. | 0:02:10 | 0:02:14 | |
It's changing all the time. | 0:02:14 | 0:02:16 | |
It's a lovely, subtle thing. | 0:02:16 | 0:02:18 | |
This is the best time of year to add plants in areas like this, | 0:02:30 | 0:02:35 | |
before the canopy closes over | 0:02:35 | 0:02:36 | |
and while you can still see the flowers and the gaps. | 0:02:36 | 0:02:41 | |
The copse spans the path that runs down the centre of the garden | 0:02:41 | 0:02:45 | |
and comes over on this side, | 0:02:45 | 0:02:46 | |
which actually seems to grow primroses better. | 0:02:46 | 0:02:49 | |
But, of course, you could do this in a tiny space. | 0:02:49 | 0:02:53 | |
When we were in London I had a little area where I used willow and dogwood | 0:02:53 | 0:02:57 | |
and then cut those down every two years. | 0:02:57 | 0:02:59 | |
It is important to get the coppice cycle, | 0:02:59 | 0:03:01 | |
so you flood it with light regularly and then it shades. | 0:03:01 | 0:03:05 | |
This Hacquetia has got | 0:03:05 | 0:03:09 | |
a wonderful ruff of lime green | 0:03:09 | 0:03:11 | |
and the flowers are tiny little yellow jobs in the middle. | 0:03:11 | 0:03:14 | |
But it's such a spring, vibrant colour. | 0:03:14 | 0:03:19 | |
So we'll introduce that, | 0:03:19 | 0:03:21 | |
but that's about as flash as we are getting here. | 0:03:21 | 0:03:25 | |
I don't want to have too much garishness because it's subtle. | 0:03:25 | 0:03:28 | |
The colour in this part is really dictated by the primroses | 0:03:28 | 0:03:32 | |
and I love primroses, they are my favourite flower. | 0:03:32 | 0:03:35 | |
I love the delicacy of them. | 0:03:35 | 0:03:37 | |
These are all hybridised. They range from almost pure white | 0:03:37 | 0:03:40 | |
to egg-yolk yellow and every shade in between. | 0:03:40 | 0:03:44 | |
For about three weeks, primroses just sing in this part of the garden. | 0:03:44 | 0:03:50 | |
There's no other plant that expresses the hope of this time of year so well. | 0:03:50 | 0:03:56 | |
While the spring flowers are fabulous, | 0:04:06 | 0:04:09 | |
it's still important to keep sowing so you get | 0:04:09 | 0:04:12 | |
summer flowers coming through and the whole sequence unfolds. | 0:04:12 | 0:04:16 | |
As one finishes, others begin. | 0:04:16 | 0:04:19 | |
I'm going to sow my sweet peas now. | 0:04:19 | 0:04:21 | |
I used to sow them in autumn always, but found there's not much advantage | 0:04:21 | 0:04:24 | |
and there's a lot of problems with keeping a sweet peas over winter here. | 0:04:24 | 0:04:30 | |
There are many, many different varieties of sweet pea. | 0:04:30 | 0:04:35 | |
If you are sowing them, you want to see them in flower, | 0:04:35 | 0:04:39 | |
you want to choose ones that you really love. | 0:04:39 | 0:04:42 | |
We went along to Easton Walled Gardens in Lincolnshire | 0:04:42 | 0:04:45 | |
where Lady Ursula Cholmeley grows 60 different varieties. | 0:04:45 | 0:04:49 | |
Their value as a garden plant is fantastic for two reasons. | 0:04:56 | 0:04:59 | |
One is you can get a very long flowering period out of them | 0:04:59 | 0:05:02 | |
and secondly, you have got cut flowers for... | 0:05:02 | 0:05:04 | |
These have been flowering since mid-May this year | 0:05:04 | 0:05:08 | |
and I would hope to be still picking by mid-September. | 0:05:08 | 0:05:11 | |
It's a pretty fantastic flowering season. | 0:05:11 | 0:05:13 | |
We've divided ours up into old varieties and newer varieties. | 0:05:20 | 0:05:24 | |
The old Grandiflora peas are more your classic cottage garden plant. | 0:05:24 | 0:05:29 | |
They've got a great deal of charm, their scent is fantastic. | 0:05:29 | 0:05:33 | |
The modern varieties are much bigger and frillier. | 0:05:33 | 0:05:36 | |
We've got some of the oldest varieties here. | 0:05:40 | 0:05:44 | |
This one - Matucana - is a fantastic sweet pea. | 0:05:44 | 0:05:46 | |
It's very like the original Cupani, the first known variety of sweet pea, | 0:05:46 | 0:05:50 | |
but it has two or three more flowers on the stem | 0:05:50 | 0:05:53 | |
and it's very famous for its scent. | 0:05:53 | 0:05:55 | |
Next to it we've got Lord Nelson, | 0:05:55 | 0:05:57 | |
and I love about the old-fashioned peas, what their names say. | 0:05:57 | 0:06:01 | |
It's very evocative of English history. | 0:06:01 | 0:06:04 | |
Presumably the naval connection is why | 0:06:04 | 0:06:07 | |
it's the most brilliant dark blue colour. | 0:06:07 | 0:06:10 | |
This is a modern variety that I particularly like, | 0:06:13 | 0:06:16 | |
mainly because it's completely mad. | 0:06:16 | 0:06:18 | |
It's red on a white ground. | 0:06:18 | 0:06:21 | |
The colour is so incredible. | 0:06:21 | 0:06:24 | |
you can't really believe sweet peas | 0:06:24 | 0:06:26 | |
could throw a colourway like that - it's fantastic. | 0:06:26 | 0:06:28 | |
They are part of the English psyche. | 0:06:31 | 0:06:33 | |
It's the same as cream teas, strawberries, roses, | 0:06:33 | 0:06:37 | |
sweet peas and swallows, I think, to me, sum up an English summer. | 0:06:37 | 0:06:41 | |
A lot of people maybe remembered their grandparents, | 0:06:41 | 0:06:43 | |
certainly I remember my grandparents growing them. | 0:06:43 | 0:06:46 | |
It's more than just a flower, it means a lot to me as well. | 0:06:46 | 0:06:50 | |
There's no doubt about it that sweet peas are quintessentially to do with an English summer garden. | 0:06:54 | 0:07:01 | |
I can't imagine this garden without them. I've got a selection here. | 0:07:01 | 0:07:04 | |
I've got Painted Lady, which is a lovely pink with a fabulous scent. | 0:07:04 | 0:07:08 | |
Cream Southbourne we always grow. | 0:07:08 | 0:07:10 | |
It's a Spencer type. They do have fragrance, | 0:07:10 | 0:07:13 | |
but not nearly so good as a Grandiflora type. | 0:07:13 | 0:07:15 | |
Cupani, which is the original sweet pea, | 0:07:15 | 0:07:17 | |
really good and I would always want that. | 0:07:17 | 0:07:20 | |
But let's sow some Cream Southbourne. | 0:07:20 | 0:07:22 | |
What I do is sow them in these pots, | 0:07:22 | 0:07:25 | |
three or four to a pot, and they stay in the pot. | 0:07:25 | 0:07:29 | |
They grow on through and when they are planted, | 0:07:29 | 0:07:32 | |
tip them out and plant all three together | 0:07:32 | 0:07:34 | |
at the base of a tripod or wigwam. | 0:07:34 | 0:07:37 | |
You can see that they are nice, big seeds. | 0:07:37 | 0:07:41 | |
There is a lot of nonsense talked about growing sweet peas, | 0:07:41 | 0:07:45 | |
a lot of ritual, which I don't think it's necessary, | 0:07:45 | 0:07:48 | |
just as I don't think it's necessary to grow them in the autumn. | 0:07:48 | 0:07:51 | |
I don't nick them, I don't soak them. | 0:07:51 | 0:07:54 | |
All I do is just pop them in a fairly loose compost. | 0:07:54 | 0:07:58 | |
This is a mixture of a peat-free bought compost | 0:07:58 | 0:08:01 | |
mixed up with a bit of vermiculite | 0:08:01 | 0:08:02 | |
and leaf mould, so it's nice and open. | 0:08:02 | 0:08:05 | |
Space them out...putting them in, | 0:08:05 | 0:08:09 | |
and just pushing them down like that. | 0:08:09 | 0:08:11 | |
Then I'll sift some soil over the top. | 0:08:11 | 0:08:14 | |
And I'll grow these under cover until they germinate. | 0:08:14 | 0:08:18 | |
As soon as there are little shoots appearing, | 0:08:18 | 0:08:21 | |
they'll go first to a cold frame | 0:08:21 | 0:08:22 | |
and then quite quickly outdoors to harden off. | 0:08:22 | 0:08:25 | |
But I won't plant them out until certainly early May, | 0:08:25 | 0:08:30 | |
because it can be quite cold here. | 0:08:30 | 0:08:32 | |
At the same time as I plant them out, | 0:08:32 | 0:08:34 | |
I'll probably plant some direct and that will bulk them up. | 0:08:34 | 0:08:37 | |
The great thing about sweet peas is not only do you have scent and wonderful colour, but height. | 0:08:37 | 0:08:42 | |
And height is so important. Any flowers that climb, | 0:08:42 | 0:08:45 | |
and can climb up a tripod or wigwam so you can place it where you want that height, | 0:08:45 | 0:08:50 | |
as opposed to being restricted to a wall or fence, is good news. | 0:08:50 | 0:08:54 | |
Whatever you plant, don't forget to label it. | 0:08:56 | 0:08:58 | |
Give the seed a light covering of the same compost mix, | 0:09:00 | 0:09:03 | |
put them somewhere warm and sunny and water them in. | 0:09:03 | 0:09:08 | |
As well as sweet peas, I'm going to be sowing some dahlias. | 0:09:15 | 0:09:19 | |
I don't normally grow dahlias from seed, | 0:09:19 | 0:09:22 | |
but I'm quite keen to increase our stock | 0:09:22 | 0:09:24 | |
because the last couple of winters have hit our dahlias really hard. | 0:09:24 | 0:09:28 | |
We need to bulk the numbers up. | 0:09:28 | 0:09:29 | |
I thought I would grow some dahlias as cut flowers and grow them in the vegetable garden. | 0:09:29 | 0:09:35 | |
Then we can also have them in the Jewel Garden | 0:09:35 | 0:09:37 | |
and I'll grow those from tubers. | 0:09:37 | 0:09:39 | |
However many dahlias we grow here, | 0:09:39 | 0:09:42 | |
it will be nothing compared to Ken Stock down in Bournemouth. | 0:09:42 | 0:09:45 | |
He's only got a small plot, | 0:09:45 | 0:09:47 | |
but he grows hundreds and hundreds of dahlias. | 0:09:47 | 0:09:50 | |
So Joe went down to see what tips he could glean from a lifetime devoted to dahlias. | 0:09:50 | 0:09:57 | |
On the south coast, spring has well and truly begun. | 0:10:00 | 0:10:06 | |
In just a few months' time the beaches will be packed full of people, | 0:10:08 | 0:10:12 | |
the roads packed full of traffic. | 0:10:12 | 0:10:14 | |
And one garden in particular will be packed with dahlias. | 0:10:14 | 0:10:19 | |
When I say packed, I mean packed! | 0:10:19 | 0:10:22 | |
To say Ken Stock is a dahlia enthusiast is an understatement. | 0:10:29 | 0:10:33 | |
In the height of summer his modest front and back gardens are home to 500 different varieties. | 0:10:33 | 0:10:39 | |
Since he retired six years ago, | 0:10:39 | 0:10:42 | |
they have gradually eased pretty much every other plant out of his garden. | 0:10:42 | 0:10:48 | |
Ken, your garden, I can count three roses, one Euonymus and that is it. | 0:10:48 | 0:10:54 | |
At this time of year there is nothing else in it. | 0:10:54 | 0:10:57 | |
That's right. I was dreading that, I thought you'd bring that up. | 0:10:57 | 0:11:00 | |
-The whole garden is entirely dedicated to your dahlias. -Yes. | 0:11:00 | 0:11:04 | |
But what is it about the dahlia that you love so much? | 0:11:04 | 0:11:07 | |
Well, they are a fantastic species. They produce | 0:11:07 | 0:11:11 | |
various types of flowers, various heights, | 0:11:11 | 0:11:14 | |
you've got every colour in the rainbow. | 0:11:14 | 0:11:16 | |
-You are a one-flower man. -The dahlia comes from Central America. | 0:11:16 | 0:11:20 | |
I feel almost like a Mayan Indian. | 0:11:20 | 0:11:22 | |
I've got something there that driving me to this distraction of the dahlia. It really holds me. | 0:11:22 | 0:11:29 | |
For Ken, the summer display more than makes up for | 0:11:31 | 0:11:34 | |
the fallow winter and spring. Not that the work ever stops. | 0:11:34 | 0:11:37 | |
Keeping and developing a display like this is a full-time job. | 0:11:37 | 0:11:43 | |
Last autumn your dahlias, when they get hit by the first really hard frost, | 0:11:43 | 0:11:47 | |
all the foliage will go black. | 0:11:47 | 0:11:49 | |
That's the time to lift them up and store them. | 0:11:49 | 0:11:52 | |
Once they are blackened, you cut them down, wait a couple of weeks, let the buds... | 0:11:52 | 0:11:59 | |
Round the collar where the stem joins the tubers, there will be buds. | 0:11:59 | 0:12:03 | |
They are more prominent if you leave them a couple of weeks. | 0:12:03 | 0:12:06 | |
-Then you lift them and you've got a nice, big tuber. -Wash them off. | 0:12:06 | 0:12:11 | |
Then into trays, and we are waiting to get some cutting material? | 0:12:11 | 0:12:14 | |
Used to, I don't do that any more. | 0:12:14 | 0:12:15 | |
I split the clump into tubers with an eye. | 0:12:15 | 0:12:18 | |
Why do you do that? | 0:12:18 | 0:12:20 | |
You get a far bigger clump of tubers the following year. | 0:12:20 | 0:12:24 | |
Stronger than you would have... | 0:12:24 | 0:12:26 | |
-Better than the cutting. Much better. -OK, that's new on me. | 0:12:26 | 0:12:30 | |
Show me what a division looks like then. | 0:12:30 | 0:12:33 | |
Here's one that... Can you see the eye? | 0:12:33 | 0:12:37 | |
There's an eye there, there's one there. | 0:12:37 | 0:12:41 | |
I can, I'm used to seeing them. | 0:12:41 | 0:12:42 | |
I can see it just. You've got the bulbous part of the tuber. | 0:12:42 | 0:12:46 | |
Whereas some people cut it off here, you've got to keep this section, | 0:12:46 | 0:12:50 | |
-the adjoining section on it. -That's where the growth comes from. | 0:12:50 | 0:12:54 | |
All 400 or so dahlias in Ken's greenhouse | 0:12:54 | 0:12:56 | |
have been grown from divisions. | 0:12:56 | 0:12:58 | |
But to get even more, now is the time to start taking cuttings from the emerging new growth. | 0:12:58 | 0:13:04 | |
-Just below. -Just below. | 0:13:04 | 0:13:06 | |
That's it. | 0:13:06 | 0:13:08 | |
Take a bit of foliage off. | 0:13:08 | 0:13:10 | |
The main reason - you reduce the leaf area | 0:13:10 | 0:13:13 | |
so it doesn't wilt so much. | 0:13:13 | 0:13:14 | |
The transpiration. | 0:13:14 | 0:13:15 | |
Oh! You professionals, eh?! | 0:13:15 | 0:13:18 | |
A little, tiny... Oh, rooting powder. | 0:13:19 | 0:13:22 | |
You use rooting powder. | 0:13:22 | 0:13:24 | |
-There you go. -The next one. | 0:13:24 | 0:13:27 | |
And just under the node. | 0:13:29 | 0:13:31 | |
-And there you go. -Rooting powder. | 0:13:32 | 0:13:35 | |
-Bless you. -You see - now I know why I'm here! | 0:13:35 | 0:13:38 | |
-You're going to have these, you know. -Am I? | 0:13:38 | 0:13:41 | |
Oh, yes! When we've finished you are going to take them home. | 0:13:41 | 0:13:44 | |
You know there's a dahlia Joe Swift already out there. | 0:13:44 | 0:13:47 | |
-I'm single and beautiful. -I'll give you a better one than that. | 0:13:47 | 0:13:50 | |
But Ken isn't content to grow commercial varieties. | 0:13:52 | 0:13:56 | |
He breeds his own. | 0:13:56 | 0:13:57 | |
Last year, he registered over 40 dahlias with the RHS. | 0:13:57 | 0:14:01 | |
After selecting and labelling the parent flowers, | 0:14:01 | 0:14:04 | |
he strips the petals to reveal the centres | 0:14:04 | 0:14:08 | |
and then brushes the pollen of one onto the other. | 0:14:08 | 0:14:11 | |
The cover protects against further pollination. | 0:14:11 | 0:14:14 | |
Then, after about a month, Ken brings them inside to dry. | 0:14:14 | 0:14:19 | |
I can see what you like about these dahlias, because you can grow them | 0:14:20 | 0:14:24 | |
from divisions, from cuttings and from seed as well, can't you? | 0:14:24 | 0:14:28 | |
-You learned something! -I learned something. | 0:14:28 | 0:14:30 | |
-That's the thing about gardening. You never stop learning. -It's brilliant. | 0:14:30 | 0:14:35 | |
It's great to learn something new about one of my favourite plants, | 0:14:35 | 0:14:39 | |
and I can't wait till later in the year, when I can enjoy the display. | 0:14:39 | 0:14:44 | |
Well, I doubt these will look quite as spectacular as Ken's, | 0:14:52 | 0:14:57 | |
which are amazing. | 0:14:57 | 0:15:00 | |
But it is quite a good way to get a lot of dahlias - | 0:15:00 | 0:15:03 | |
to sow them yourself - | 0:15:03 | 0:15:04 | |
particularly if you don't have any tubers to start with. | 0:15:04 | 0:15:08 | |
Because, for about £2 or £3 you'd buy a packet of seeds, | 0:15:08 | 0:15:12 | |
which will give you up to 100 plants. | 0:15:12 | 0:15:15 | |
Whereas to buy one dahlia tuber could cost the same amount, | 0:15:15 | 0:15:19 | |
a really good quality one would cost £2 or £3. | 0:15:19 | 0:15:21 | |
That is a distinct advantage. | 0:15:23 | 0:15:24 | |
The disadvantage with seeds is you buy them as a mix, | 0:15:24 | 0:15:27 | |
so you don't really know what that mix is made up of. | 0:15:27 | 0:15:30 | |
You'd get an idea, there'd be hot colours or there'd be a paler mix. | 0:15:30 | 0:15:34 | |
This one is called Bishop's Children | 0:15:34 | 0:15:36 | |
because of the bright colours, which I want for the Jewel Garden. | 0:15:36 | 0:15:39 | |
But, I'm actually going to plant these out into the vegetable garden | 0:15:39 | 0:15:43 | |
and use them as cut flowers to see what colours they are, | 0:15:43 | 0:15:46 | |
and then the following year, I may put them more specifically. | 0:15:46 | 0:15:50 | |
I like to place the seeds on the surface, putting two to each module. | 0:15:50 | 0:15:54 | |
One can be weeded out later. Then I cover the seeds lightly. | 0:15:54 | 0:15:58 | |
Right, now... | 0:16:06 | 0:16:09 | |
I'm much more familiar with growing dahlias from tubers. | 0:16:09 | 0:16:14 | |
The great advantage of that is that you know your variety, | 0:16:14 | 0:16:19 | |
you know exactly what the flower is going to be like. | 0:16:19 | 0:16:22 | |
This is Arabian Night, | 0:16:22 | 0:16:24 | |
which is a beautiful, rich red, with a slight touch of blue in it. | 0:16:24 | 0:16:30 | |
It's a lovely colour, and just perfect for the Jewel Garden. | 0:16:30 | 0:16:33 | |
That's a nice, healthy tuber. | 0:16:33 | 0:16:36 | |
However, I'm going to give this a little encouragement. | 0:16:36 | 0:16:39 | |
I'm not going to force it into growth, | 0:16:39 | 0:16:41 | |
but just give it a good start in life, | 0:16:41 | 0:16:44 | |
by growing it for the next few weeks in the greenhouse, | 0:16:44 | 0:16:47 | |
getting it into...growth | 0:16:47 | 0:16:51 | |
and then putting it into a cold frame, | 0:16:51 | 0:16:53 | |
and then in a protective place outside, | 0:16:53 | 0:16:55 | |
so it will gradually harden off. | 0:16:55 | 0:16:57 | |
So that by mid-May, which is when the last risk of frost | 0:16:57 | 0:17:00 | |
will have passed, it will be ready to plant out into the garden. | 0:17:00 | 0:17:04 | |
That is going to give me a very focused source of colour in the Jewel Garden, | 0:17:05 | 0:17:11 | |
and I can place it exactly where I want it to give maximum effect. | 0:17:11 | 0:17:15 | |
But it is expensive. | 0:17:15 | 0:17:17 | |
So expensive but very focused, and this is cheap but very cheerful. | 0:17:17 | 0:17:23 | |
Now, come and have a look at this. | 0:17:32 | 0:17:34 | |
Look at the box hedges in the Jewel Garden. | 0:17:40 | 0:17:43 | |
Don't they look appalling? They look dreadful. | 0:17:43 | 0:17:47 | |
This could be very worrying because if it was box blight, | 0:17:47 | 0:17:51 | |
I may have to dig the whole lot up and burn them. | 0:17:51 | 0:17:54 | |
Actually, I don't think this is blight, | 0:17:55 | 0:17:57 | |
but the disease is so virulent, it is worth | 0:17:57 | 0:18:00 | |
keeping a very careful lookout for it. | 0:18:00 | 0:18:04 | |
Box blight has spread over the last ten years, | 0:18:04 | 0:18:06 | |
and it's something that anybody who grows box, | 0:18:06 | 0:18:09 | |
either as hedges or topiary, just has to deal with at some stage. | 0:18:09 | 0:18:13 | |
Carol has been along to Levens Hall in the Lake District, | 0:18:13 | 0:18:16 | |
which has got the oldest and some of the most magnificent topiary in the land, | 0:18:16 | 0:18:20 | |
to see how they are dealing with this problem. | 0:18:20 | 0:18:24 | |
Where the foothills of the Lake District flatten towards the sea | 0:18:30 | 0:18:34 | |
is a magical garden. | 0:18:34 | 0:18:36 | |
Just look at that - it's spectacular! | 0:18:51 | 0:18:55 | |
You really appreciate the geometry and the symmetry in some places, | 0:18:55 | 0:19:00 | |
but then all these things with their own personality. | 0:19:00 | 0:19:04 | |
It's just lovely and you get a real idea of the whole thing. | 0:19:04 | 0:19:08 | |
I can't wait to get in amongst it. | 0:19:08 | 0:19:12 | |
This incredible miscellany of box and yew | 0:19:15 | 0:19:18 | |
represents 300 years of continuous evolution. | 0:19:18 | 0:19:22 | |
It was in the 1690s that Guillaume Beaumont | 0:19:23 | 0:19:26 | |
laid out the architecture of the gardens at Levens Hall, | 0:19:26 | 0:19:30 | |
and as far as we know, it was he who introduced | 0:19:30 | 0:19:34 | |
the very first box and yew in the gardens. | 0:19:34 | 0:19:38 | |
And now is a wonderful time to enjoy this garden. | 0:19:41 | 0:19:44 | |
Fresh from its annual trim, it couldn't be more pristine. | 0:19:44 | 0:19:48 | |
You feel as though each one of these monumental structures is a character in a play. | 0:19:48 | 0:19:55 | |
But the drama's made all the more intense | 0:19:55 | 0:19:58 | |
by this lovely box that's used to edge all these beds | 0:19:58 | 0:20:03 | |
and set the stage, really create the symmetry. | 0:20:03 | 0:20:07 | |
But sadly, | 0:20:07 | 0:20:09 | |
all that's going to have to change. | 0:20:09 | 0:20:12 | |
In the mid-'90s came word of a new virulent disease attacking box - | 0:20:18 | 0:20:24 | |
Cylindrocladium buxicola. | 0:20:24 | 0:20:26 | |
It became known by some gardeners as the Black Death. | 0:20:26 | 0:20:31 | |
Slowly but surely, the Buxus sempervirens 'Suffruticosa' throughout the garden is dying. | 0:20:33 | 0:20:39 | |
In some areas, the gardeners have had no choice than to remove it altogether. | 0:20:39 | 0:20:45 | |
So, how long ago was it, Chris, that the dreaded box blight actually struck? | 0:20:48 | 0:20:53 | |
Well, we didn't get it until two years ago, | 0:20:53 | 0:20:56 | |
and when we got it, we knew about it. The symptoms... | 0:20:56 | 0:20:59 | |
It's called the Black Death. | 0:20:59 | 0:21:01 | |
Within a few days, it can turn black and the leaves drop off. | 0:21:01 | 0:21:04 | |
-As fast as that? -Absolutely. | 0:21:04 | 0:21:06 | |
Because it's a fungus, isn't it? | 0:21:06 | 0:21:08 | |
It is. It germinates on the leaf in hot, humid conditions. | 0:21:08 | 0:21:12 | |
The one good thing about box blight, although it does affect all box, | 0:21:12 | 0:21:16 | |
it hits the low box edge in Buxus sempervirens 'Suffruticosa'. | 0:21:16 | 0:21:19 | |
It gets through that the worst. | 0:21:19 | 0:21:21 | |
It's got a softer leaf and the fungus gets through the cuticles so much easier. | 0:21:21 | 0:21:26 | |
The larger box pieces, | 0:21:26 | 0:21:28 | |
the leaves are so much harder the fungus can't get in. | 0:21:28 | 0:21:31 | |
That's the secret to it resisting the disease. | 0:21:31 | 0:21:33 | |
-You're hoping to hang on to all these? -Were hoping to survive with this stuff and replace the box edges. | 0:21:33 | 0:21:38 | |
Mine's tougher than yours. | 0:21:43 | 0:21:44 | |
It's coming out easy enough up here! THEY LAUGH | 0:21:44 | 0:21:47 | |
It must have become a pretty familiar task? | 0:21:47 | 0:21:51 | |
It has. Throughout the history of the garden, they've been replaced, | 0:21:51 | 0:21:54 | |
but this time, we have to find something other than box to do it with. | 0:21:54 | 0:21:58 | |
Lonicera's great. It clips very well for a big hedge, | 0:22:00 | 0:22:03 | |
but for keeping our hedges small, it just grows too much. | 0:22:03 | 0:22:06 | |
We'd probably have to clip it six to ten times a year to keep it in order. | 0:22:06 | 0:22:10 | |
We might try a patch somewhere, but it's not our frontrunner. | 0:22:10 | 0:22:13 | |
Probably this one behind you is much more like it. | 0:22:13 | 0:22:15 | |
That the Ilex crenata. | 0:22:15 | 0:22:17 | |
You can see it is actually quite a good match for the box. | 0:22:17 | 0:22:20 | |
It is, it's the best look-alike. | 0:22:20 | 0:22:22 | |
It may be the winner. It's a real look-alike. | 0:22:22 | 0:22:24 | |
We've never grown it here, so until we try it, | 0:22:24 | 0:22:27 | |
do we know whether it likes our soil, our climate or what? | 0:22:27 | 0:22:30 | |
But it's used extensively as a hedging plant, isn't it? | 0:22:30 | 0:22:33 | |
Yeah. That is one of the front-runners, yeah. | 0:22:33 | 0:22:36 | |
Alongside this one, which is Teucrium x lucidrys. | 0:22:36 | 0:22:38 | |
You can see it's got quite a shiny little evergreen leaf, | 0:22:38 | 0:22:41 | |
but it is hardy and easily propagated. | 0:22:41 | 0:22:44 | |
We took these cuttings last year. That might be a winner. | 0:22:44 | 0:22:47 | |
We may have the clip this a couple of times, just to keep the flowers off it, | 0:22:47 | 0:22:50 | |
but we've got high hopes. | 0:22:50 | 0:22:52 | |
-If I pass them... -You tap them out and chuck them here, I shall place them. That's great. | 0:23:00 | 0:23:05 | |
We're planting them touching. | 0:23:05 | 0:23:07 | |
They'll make a thicker hedge faster for that. | 0:23:07 | 0:23:09 | |
They had small hedges in the past, and perhaps that's a tradition we should go back to. | 0:23:09 | 0:23:14 | |
Certainly, with the speed of growth of the replacements, | 0:23:14 | 0:23:17 | |
instead of replacing them every 50 years, it will be every five years. | 0:23:17 | 0:23:20 | |
That's why propagating them ourselves from cuttings like these, | 0:23:20 | 0:23:24 | |
that will be so much more important. | 0:23:24 | 0:23:26 | |
Is it going to be somebody's full-time job? | 0:23:26 | 0:23:28 | |
It may get a bit like that. | 0:23:28 | 0:23:30 | |
Let's pull that out the way and see. | 0:23:30 | 0:23:34 | |
Great. | 0:23:34 | 0:23:36 | |
If you can get the last pots, | 0:23:36 | 0:23:37 | |
I'll get a rake and see what we can make it look like. | 0:23:37 | 0:23:40 | |
How much more to go, then? | 0:23:43 | 0:23:45 | |
Two metres done, and how many? 2,000 to go. You've got a job till the end of the summer! | 0:23:45 | 0:23:50 | |
You can visit Levens Hall from April 10th, | 0:23:58 | 0:24:03 | |
but if you can't get to Cumbria, | 0:24:03 | 0:24:05 | |
there are several other gardens with outstanding topiary | 0:24:05 | 0:24:08 | |
opening up over the next couple of weeks. | 0:24:08 | 0:24:10 | |
Hatfield House in Hertfordshire has an exceptional knot garden. | 0:24:10 | 0:24:15 | |
Packwood House in Warwickshire has clipped yew on grand scale. | 0:24:17 | 0:24:22 | |
The 200-year-old topiary garden at Antony House in Cornwall | 0:24:22 | 0:24:27 | |
is well worth a visit. | 0:24:27 | 0:24:29 | |
For even more suggestions, visit our website. | 0:24:29 | 0:24:33 | |
I realised that I haven't been to Levens Hall for about 15 years now, | 0:24:37 | 0:24:41 | |
and I LOVED it then, I loved seeing it. I must go back. | 0:24:41 | 0:24:44 | |
A beautiful garden and I hope that the new hedges | 0:24:44 | 0:24:47 | |
add to its beauty, and it's not seen as a terrible loss. | 0:24:47 | 0:24:50 | |
I've certainly got to deal with my box hedges. | 0:24:50 | 0:24:53 | |
I don't think it's box blight. | 0:24:53 | 0:24:56 | |
I think the problem we've got here is frost damage. | 0:24:56 | 0:24:58 | |
It is consistent all the way along. | 0:24:58 | 0:25:01 | |
I think I know why we've had the frost damage. | 0:25:01 | 0:25:03 | |
It's because I didn't cut the hedges in here until October 29th. | 0:25:03 | 0:25:08 | |
I looked it up in my diary yesterday. | 0:25:08 | 0:25:10 | |
Because it was cut so late, the wounds were exposed | 0:25:10 | 0:25:13 | |
and there was a little bit of a new growth, | 0:25:13 | 0:25:15 | |
and we've got that really cold weather in the middle of December. | 0:25:15 | 0:25:18 | |
Boomf, it got hit, and this is the result. | 0:25:18 | 0:25:21 | |
And if you look in, if you open it up and look inside, | 0:25:21 | 0:25:24 | |
there is new growth in the interior, | 0:25:24 | 0:25:27 | |
and that's a pretty good sign that there isn't blight. | 0:25:27 | 0:25:29 | |
However, that's not the end of the story, | 0:25:29 | 0:25:32 | |
because it means that these poor hedges have been stressed. | 0:25:32 | 0:25:35 | |
A stressed plant is much more vulnerable to a box blight if it's around. | 0:25:35 | 0:25:40 | |
I need to do something about that. | 0:25:40 | 0:25:42 | |
So, I'm going to spray. | 0:25:42 | 0:25:45 | |
Not all sprays have to be chemical. | 0:25:45 | 0:25:47 | |
I'm going to spray with seaweed. | 0:25:47 | 0:25:49 | |
Liquid seaweed, used as a foliar spray, is really good, | 0:25:49 | 0:25:54 | |
particularly at this time of year, | 0:25:54 | 0:25:56 | |
for nourishing and aiding recovery in any ailing plant, | 0:25:56 | 0:26:00 | |
and by spraying the foliage, | 0:26:00 | 0:26:03 | |
the goodness is absorbed very quickly. | 0:26:03 | 0:26:07 | |
The goodness from seaweed are micronutrients. | 0:26:07 | 0:26:09 | |
Seaweed is better than any other plant at retaining micronutrients, | 0:26:09 | 0:26:14 | |
and they in turn | 0:26:14 | 0:26:16 | |
enable the plant that receives it to take up other nutrients. | 0:26:16 | 0:26:20 | |
It's a trigger, really. | 0:26:20 | 0:26:22 | |
These are all fairly small actions, | 0:26:22 | 0:26:25 | |
but the combined effect, and the timing of them, | 0:26:25 | 0:26:30 | |
will make a big difference to the plant. | 0:26:30 | 0:26:32 | |
Here are some other jobs to be getting on with this weekend. | 0:26:36 | 0:26:39 | |
You don't actually need a greenhouse, potting shed | 0:26:41 | 0:26:44 | |
or cold frames to grow plants from seed. | 0:26:44 | 0:26:47 | |
A seed bed is very cheap and very easy. | 0:26:47 | 0:26:51 | |
If you prepare a patch of ground, | 0:26:51 | 0:26:53 | |
removing all stones and any trace of weeds, and rake it fine, | 0:26:53 | 0:26:57 | |
you can sow your seeds in short rows. | 0:26:57 | 0:27:00 | |
Thin them as they grow, | 0:27:00 | 0:27:02 | |
and then plant them to their final growing position. | 0:27:02 | 0:27:04 | |
This is a wonderful way of growing brassicas and biannual flowers, | 0:27:04 | 0:27:08 | |
and it's a really simple way of producing lots of plants | 0:27:08 | 0:27:12 | |
that will need no hardening off, and it can't be done any cheaper. | 0:27:12 | 0:27:16 | |
I finished pruning my soft fruit last week, | 0:27:18 | 0:27:21 | |
and now is the perfect time | 0:27:21 | 0:27:23 | |
to give them a top-dressing of a potash-rich fertiliser. | 0:27:23 | 0:27:28 | |
If you can get hold of wood ash, that will do the job perfectly. | 0:27:28 | 0:27:32 | |
Finally, if you have paths made from old bricks, | 0:27:34 | 0:27:37 | |
you're bound to have frost damage after a winter like the last one. | 0:27:37 | 0:27:41 | |
Chisel out any damaged or broken bricks, | 0:27:41 | 0:27:44 | |
and bed replacements in on sharp sand. | 0:27:44 | 0:27:47 | |
There's no need to use cement to fix them. | 0:27:47 | 0:27:49 | |
The trouble is that if you let it get as bad as I've done, | 0:27:52 | 0:27:55 | |
you start to do one brick, and that leads to another, | 0:27:55 | 0:27:59 | |
and you realise they're all a bit ropey. | 0:27:59 | 0:28:01 | |
My advice is, don't be like me, because I always look at it | 0:28:01 | 0:28:04 | |
and think, "There are more important things to do. | 0:28:04 | 0:28:07 | |
"I want to be planting, I want to be growing this, pruning that." | 0:28:07 | 0:28:10 | |
If you tackle the paths in spring, when the worst of the weather is over, and you do it every year, | 0:28:10 | 0:28:16 | |
that way you keep on top of the job. | 0:28:16 | 0:28:18 | |
Now, having started, I'll have to plug away at this, | 0:28:18 | 0:28:21 | |
and with any luck, by next winter, I might have repaired the worst of it. | 0:28:21 | 0:28:25 | |
Anyway, next week, I hope you'll join me here again at Long Meadow. | 0:28:25 | 0:28:29 | |
See you then. Bye-bye. | 0:28:29 | 0:28:32 | |
Subtitles by Red Bee Media Ltd | 0:28:51 | 0:28:54 | |
E-mail [email protected] | 0:28:54 | 0:28:57 |