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It's day four here at the greatest flower show in the world and today's | :00:07. | :00:10. | |
show is all about the wonderful small gardens here at Chelsea. | :00:11. | :00:14. | |
But it may take a while to get to them as it's absolutely | :00:15. | :00:17. | |
And who can blame people stopping to get that | :00:18. | :00:21. | |
all-important photo to say - I was there! | :00:22. | :00:23. | |
Which means progress through the showground is best | :00:24. | :00:24. | |
You know what James, if you can't beat | :00:25. | :00:30. | |
Hello and welcome back to the Chelsea Flower Show, | :00:31. | :01:09. | |
it's Thursday, which means the gates have been thrown open to everyone | :01:10. | :01:13. | |
lucky enough to have got their hands on a ticket. | :01:14. | :01:17. | |
Up to 35,000 people are expected through the gates today, | :01:18. | :01:20. | |
which is why it's absolutely heaving! | :01:21. | :01:22. | |
Today, it's all about the small gardens as we're on a mission | :01:23. | :01:27. | |
to prove that even when space is at a premium the ideas | :01:28. | :01:30. | |
Our instant gardener, Danny Clarke, continues to find | :01:31. | :01:36. | |
takeaway inspiration here at Chelsea and today he's looking at novel ways | :01:37. | :01:39. | |
to maximise the potential of your outdoor pots and planters. | :01:40. | :01:44. | |
Special guest, Alex Polizzi, will be joining us to cast her | :01:45. | :01:47. | |
Self-confessed floral fan model, Kelly Brook, joins in the fun too. | :01:48. | :01:57. | |
But time to take a look at the Fresh gardens here at Chelsea, | :01:58. | :02:00. | |
an event supported by M Investments. | :02:01. | :02:02. | |
This year there are seven challenging designs, | :02:03. | :02:04. | |
so Ann Marie Powell has been to try to out what they really | :02:05. | :02:07. | |
I always really enjoy the Fresh gardens at Chelsea. These are the | :02:08. | :02:26. | |
gardens without any kind of constraints. Designers can make them | :02:27. | :02:30. | |
any size they like, embrace brace new technology or a really exciting | :02:31. | :02:32. | |
or unusual idea. This garden by Russian design has | :02:33. | :02:45. | |
particularly caught my eye. The theme of the garden is called | :02:46. | :02:48. | |
Revive. That's wonderfully illustrated here. We have this metal | :02:49. | :02:55. | |
fretwork which runs throughout the space, supporting the natural. Look | :02:56. | :02:58. | |
at those steams. It feels like it's holding the yew up. We have this | :02:59. | :03:02. | |
naturalistic planting behind me here. Moving through all sorts of | :03:03. | :03:10. | |
plants, which is to represent prime evil nature. You have more structure | :03:11. | :03:14. | |
here and there. I think where the garden doesn't quite succeed is that | :03:15. | :03:21. | |
the planting could be bigger and the formal planting isn't formal enough. | :03:22. | :03:30. | |
What unifies nature here is the beautiful lace work that runs | :03:31. | :03:33. | |
through the space. I don't think it's quite enough. | :03:34. | :03:37. | |
I have to say, I really, really love this garden. This garden is by | :03:38. | :03:47. | |
Claudy Jonstra. It's a space in which to work. It's beautiful and | :03:48. | :03:51. | |
practical, too. Let me show you how it works. Every single plant in this | :03:52. | :03:58. | |
whole garden and even nettles are used to make dye. We have these | :03:59. | :04:03. | |
beautiful flow forms. What they do is naturally purify the water, which | :04:04. | :04:11. | |
aids the dying process, as does this Cooper pot which enarrives the | :04:12. | :04:17. | |
colour. The wool goes in, dyede made into balls ever wool. They become | :04:18. | :04:29. | |
magical. Up the steps we have this tapestry. We are losing our dying | :04:30. | :04:35. | |
skills, but this celebrates the craft and I - love it! | :04:36. | :04:43. | |
Whilst the Fresh gardens have continued to push perceptions | :04:44. | :04:45. | |
of what gardens can be, the Artisans have produced a range | :04:46. | :04:48. | |
of designs rooted in the world of traditional craftsmanship. | :04:49. | :04:50. | |
James has been to take a look at some of the incredible | :04:51. | :04:53. | |
This Suffolk-themed garden is inspired by the Arts and Craft | :04:54. | :05:10. | |
movement. It was about artisan skills and materials. It's really | :05:11. | :05:15. | |
packed in here. You have tiles in the roof, you have these incredible | :05:16. | :05:20. | |
oak beams from trees grown in Suffolk. We have hand made bricks on | :05:21. | :05:25. | |
the floor. Right at the back you have this flint wall. I don't know | :05:26. | :05:29. | |
how they managed to put it together in the tiny amount of time these | :05:30. | :05:33. | |
gardens have to do. My favourite bit has to be this plaster work. It's | :05:34. | :05:41. | |
apparently a traditional Suffolk way of using plaster on the ex-tieror of | :05:42. | :05:47. | |
a building to create these beautiful leaves. There are iris here, | :05:48. | :05:51. | |
represented at the planting in the front. The person who created this | :05:52. | :05:59. | |
is a third generation. They have been combined in a really small | :06:00. | :06:04. | |
space to create a garden for artistry. This is a design all about | :06:05. | :06:11. | |
practicing music. The word "artisan" in gardening might suggest a design | :06:12. | :06:17. | |
that frozen a couple of hundred years ago. That doesn't have to be | :06:18. | :06:20. | |
the case. What I love about this particular design is it's really | :06:21. | :06:24. | |
playful with the past and the present. For starters, you have | :06:25. | :06:29. | |
these immaculate dry stonewalls. A technology that is thousands of | :06:30. | :06:33. | |
years old. It's contrasted up at the front with these sculpture that is | :06:34. | :06:38. | |
are so cutting-edge, it's literally never been done before. These are 3D | :06:39. | :06:44. | |
scans of real survivors of meningitis that are put into a room | :06:45. | :06:50. | |
in Birmingham and multiple cameras take so many pictures of them you | :06:51. | :06:54. | |
create perfect models in a computer. A robot has gone through layers and | :06:55. | :07:02. | |
layers of cedar and sliced away areas, stuck them together to create | :07:03. | :07:13. | |
a real-life image. The old and new sitting seamlessly alongside each | :07:14. | :07:17. | |
other. Craftmanship can take so many forms. | :07:18. | :07:23. | |
From the achievements of the craftsmen and women | :07:24. | :07:30. | |
in the Artisans, to a designer who has excelled himself this year | :07:31. | :07:33. | |
by embedding the work of some long established artistry | :07:34. | :07:35. | |
Designer Matthew Wilson has only gone and brought | :07:36. | :07:38. | |
We joined him to find out more on the Yorkshire moors. | :07:39. | :07:52. | |
This year I'm doing a garden for the whole of the county of Yorkshire. | :07:53. | :07:59. | |
The attraction for me is, it's a landscape that I absolutely adore. I | :08:00. | :08:03. | |
never get bored of it. I think you can't get bored of it because it's | :08:04. | :08:09. | |
so diverse, from big scale epic stuff right the way down to intimate | :08:10. | :08:15. | |
and very, kind of, costing landscapes. It has everything. You | :08:16. | :08:20. | |
can't take this landscape and stick it into a plot in Chelsea. You can | :08:21. | :08:24. | |
be inspired by the elements, the water, the stone, the plants, the | :08:25. | :08:28. | |
trees and try and get something of that ruggedness and put that into a | :08:29. | :08:30. | |
garden. It's not just about the landscape or | :08:31. | :08:42. | |
the gardens of Yorkshire that inspired the Chelsea garden. It's | :08:43. | :08:49. | |
this, the Great East Window at York Minster, the largest expanse of | :08:50. | :08:54. | |
medieval glass in Britain. What I find incredible about it, and so | :08:55. | :08:59. | |
inspiring about it, is the way that the glass and the light interact and | :09:00. | :09:04. | |
the way it changes through the course of the day. In the same way, | :09:05. | :09:07. | |
actually, that light changes a garden during the course of a day. | :09:08. | :09:17. | |
The garden is effectively the arch of the window, laid on its side. So, | :09:18. | :09:24. | |
I've kind of exploded all the elements and resembled them in a | :09:25. | :09:27. | |
different way, reconfigured them. The planting in a way has been the | :09:28. | :09:30. | |
biggest challenge. I tried to think - how can I get the landscape and | :09:31. | :09:35. | |
the gardens of Yorkshire across through the planting. I have taken | :09:36. | :09:38. | |
the shape of the windows and the size of the individual windows and | :09:39. | :09:42. | |
laid them on to the ground, with the stone edge, and into those stone | :09:43. | :09:47. | |
windows I will effectively be planting plants that represent the | :09:48. | :09:50. | |
colours of the stained glass in planting. That's the plan anyway! | :09:51. | :09:55. | |
I've gone for plants that have got, hopefully, quite a lot of character | :09:56. | :10:01. | |
in them. So rather than things that are absolutely pristine they are | :10:02. | :10:06. | |
more craggey and a bit more Yorkshire. | :10:07. | :10:14. | |
Capturing something on this scale is, obviously a massive challenge | :10:15. | :10:21. | |
for a Chelsea garden, where you're effectively scaling everything down | :10:22. | :10:24. | |
but, at the same time, you have to give it a sense of something big, | :10:25. | :10:28. | |
something impressive, something people will look at and go - wow. We | :10:29. | :10:37. | |
are making a modern East Window, a five meter by three meter stained | :10:38. | :10:41. | |
glass panel which the York Glaziers Trust issic making. It will be big. | :10:42. | :10:45. | |
Not quite as big as that, it's big none the less. It will be something | :10:46. | :10:51. | |
quite unlike anybody has seen before at Chelsea. I'm very nervous about | :10:52. | :10:57. | |
it. Auto I'd be stupid not to be nervous about it. But, yes, I'm | :10:58. | :11:02. | |
aware a lot of people have spent a lot of time, energy and effort | :11:03. | :11:05. | |
helping me to make this garden happen. So, yeah, I am definitely | :11:06. | :11:11. | |
nervous about it. It's a big thing, isn't it? It's a big thing. | :11:12. | :11:22. | |
As you can see here on Matthew's garden the representation | :11:23. | :11:24. | |
of York Minster's East window is a triumph. | :11:25. | :11:35. | |
A county with medieval features on a modern show. It's near-impossible. | :11:36. | :11:40. | |
He's really pulled it out of the bag. What I really love about this | :11:41. | :11:46. | |
are the incredible attention to detail in artisan features. Starting | :11:47. | :11:51. | |
with one of them, this backlit modern interpretation of a stained | :11:52. | :11:55. | |
glass window made by the same crafts people that are restoring the | :11:56. | :12:00. | |
original. We have the shape of the window reflected in a collapsed way | :12:01. | :12:07. | |
in this central pavilion, made of indigenous materials, like this | :12:08. | :12:11. | |
fabulous stone and these chunky oak beams. The one thing I think is a | :12:12. | :12:20. | |
shape for visitors is this view. You have a wild, stylised interpretation | :12:21. | :12:25. | |
of a Yorkshire landscape, complete with oak tree, framed by a goth | :12:26. | :12:36. | |
arch. The plan of the garden is a cross shape like a cathedral. He's | :12:37. | :12:41. | |
taken thousands of pictures of the cathedral, scattered them around and | :12:42. | :12:45. | |
stitched them back together. An incredible job, Matthew. | :12:46. | :12:51. | |
What's fantastic to see at Chelsea is the number of people | :12:52. | :12:54. | |
who treat a visit to the show as an opportunity for some | :12:55. | :12:57. | |
Our first guest today is one such visitor. | :12:58. | :13:00. | |
Businesswoman and television presenter, Alex Polizzi, takes | :13:01. | :13:02. | |
an annual pilgrimage to the show with her plant-loving | :13:03. | :13:04. | |
mother Olga and every year is a highlight for them both. | :13:05. | :13:06. | |
Is your mum with you? She isn't. She's already been. Good reports? We | :13:07. | :13:15. | |
are excited to see the difference there is this year. When you come | :13:16. | :13:19. | |
with her, what is it that you're looking for when you walk around the | :13:20. | :13:23. | |
gardens? I'm looking for inspiration. I'm looking to see what | :13:24. | :13:28. | |
we can replicate from our small, from this big. It's a chance to see | :13:29. | :13:33. | |
lots of old friends in the horticultural world who are here. My | :13:34. | :13:36. | |
mother is a keen gardener. I have come to it later. I really adore it. | :13:37. | :13:41. | |
Do you? You say later, how late? I'm 44 now. I've been gardening - I was | :13:42. | :13:47. | |
going to ask you how old you are, in the last few years? I opened my | :13:48. | :13:55. | |
mum's hotel in Devon, 15 years ago, I had to become informed because I | :13:56. | :13:59. | |
had to instruct a garden for the first time in my life. We had to | :14:00. | :14:02. | |
make decisions. Quickly I discovered a passion for it. It's a huge | :14:03. | :14:07. | |
restoration project, isn't it? We will see a film on tonight's show. | :14:08. | :14:13. | |
How long has it taken? We have owned the hotel since 2004. Really, every | :14:14. | :14:18. | |
year it's a learning process. Discovering what works in a garden, | :14:19. | :14:21. | |
what doesn't. We keep on trying. Hopefully, we improve on things | :14:22. | :14:26. | |
every year. In your opinion, how important are gardens to hotels | :14:27. | :14:30. | |
Well, I mean certainly there are different types of hotels. If you | :14:31. | :14:34. | |
are a city centre hotel you don't require a garden so much. I do | :14:35. | :14:39. | |
believe gardens are an oasis. I think that's what I look for looking | :14:40. | :14:45. | |
around Chelsea. I like to find contemporary gardens that would fit | :14:46. | :14:50. | |
in any city. In ends Leah garden is essential. That is what people want | :14:51. | :14:55. | |
to see when they stay. Surrounded by beauty. How good is your gardening | :14:56. | :14:59. | |
knowledge. We are having fun with all our guests this week. It's | :15:00. | :15:05. | |
called Pot Luck. In front of us we have selected six beautiful plants. | :15:06. | :15:10. | |
We are wondering if you are good at Latin and could name them for us. | :15:11. | :15:16. | |
Are you feeling confident? No. I'm liking your honesty. I will do my | :15:17. | :15:17. | |
best. This one is that. Can you pronounce | :15:18. | :15:36. | |
it? Calor fear. There is lavender here. This is cosmos. This is | :15:37. | :15:43. | |
beautiful. I think you are doing quite well, Alec 's. That is that | :15:44. | :15:58. | |
one. I am just going on the colour for this one. In actual fact, you | :15:59. | :16:07. | |
haven't done badly, four out of six if we swap those two round. Well | :16:08. | :16:14. | |
done, indeed. We are looking forward to you chatting to Monty Don tonight | :16:15. | :16:19. | |
on BBC Two. Enjoyed your time here at Chelsea. I do intend to, thank | :16:20. | :16:23. | |
you. Our instant Gardener Danny Clarke | :16:24. | :16:28. | |
is on the loose again with great ideas to enhance your | :16:29. | :16:29. | |
garden at home. Today, he's out to prove you don't | :16:30. | :16:33. | |
even need to have a garden - there's a lot you can achieve | :16:34. | :16:37. | |
with just a pot and some I want to make gardening accessible. | :16:38. | :16:47. | |
All week I have been looking for ideas for you at home. The designers | :16:48. | :16:53. | |
here are fantastic. I want to transmit some of their genius to | :16:54. | :16:59. | |
your plots at home. Don't worry, if you haven't got a garden, I have | :17:00. | :17:06. | |
ideas for you also. I feel like a boy in a sweet shop. Big nose to | :17:07. | :17:12. | |
prove you can plant anything of any size in parts. These large trees | :17:13. | :17:19. | |
give this space majority. It is fantastic. What is great, you can | :17:20. | :17:27. | |
change a landscape. All you need to do is move these pots around, all | :17:28. | :17:32. | |
you need to do is move them like your furniture indoors. We have | :17:33. | :17:35. | |
vegetables growing in this. It goes to show, when it comes to pots, | :17:36. | :17:47. | |
anything grows. Anne-Marie Powell is so clever. It is not all about using | :17:48. | :17:53. | |
the same plants, she has used different one, different heights and | :17:54. | :17:58. | |
different materials. On the roof, she has utilised that as well. It is | :17:59. | :18:03. | |
a great place for the plants to get the sunshine. Look at these, all | :18:04. | :18:08. | |
these lovely colours. Although they will not see the winter through, you | :18:09. | :18:13. | |
can move this indoors and give it lots of protection. If you bring it | :18:14. | :18:24. | |
indoors, look at this. It is an old crate. My favourite, the bottler | :18:25. | :18:32. | |
sink. Having this array of choices is such a great thing. Let's talk | :18:33. | :18:38. | |
about size. Chelsea is all about big, bold designs. That is what we | :18:39. | :18:47. | |
have got here. Why not buy one big pots instead of several small ones. | :18:48. | :18:53. | |
They work on all sorts of levels and these beauties are fantastic. | :18:54. | :18:59. | |
Most of the plants and flowers on display here at Chelsea have been | :19:00. | :19:02. | |
through an almost scientific routine of temperature control to be | :19:03. | :19:06. | |
at their absolute peak this week, but Graham Blunt believes his | :19:07. | :19:09. | |
exhibit is best left to mother nature. | :19:10. | :19:12. | |
It's a brave approach, so we went along to find out | :19:13. | :19:15. | |
more about from the no nonsense nurseryman. | :19:16. | :19:26. | |
We are in the south-east of England on the Sussex border. We have been | :19:27. | :19:35. | |
looking for a plot of land to develop and turn into a nursery. We | :19:36. | :19:41. | |
found this in 1995. It was a field full of cat. We have built the | :19:42. | :19:46. | |
nursery, the office and created this out of nothing. -- cattle. We are | :19:47. | :19:54. | |
totally off grid, the power, we create ourselves. We have put in | :19:55. | :19:57. | |
solar panels, which is how we survived. We are short in winter, | :19:58. | :20:05. | |
but we never have power cuts. The only things we are missing is a | :20:06. | :20:12. | |
fridge and freezer. We eat fresh all the time, but I do miss having a | :20:13. | :20:18. | |
freezer, because when we have a lot of vegetables, it gets boring eating | :20:19. | :20:22. | |
loads of courgettes, so it would be nice to freeze them. I hope in the | :20:23. | :20:26. | |
future we can bypass that problem. We don't have cooling or heating | :20:27. | :20:31. | |
units, but as I never went to horticultural college, I wouldn't | :20:32. | :20:37. | |
know how they work anyway. I grow things and if they are ready, they | :20:38. | :20:41. | |
are ready, if they are not, they are not. We want to grow the plants | :20:42. | :20:49. | |
tough. My plants may look British and rugged, but they will grow. Dig | :20:50. | :20:57. | |
a hole. If it is going to rain that night, don't rather watering it. | :20:58. | :21:04. | |
They will just grow. This comes all the way from Madagascar. It is a | :21:05. | :21:10. | |
lovely plant, it will flower through to early November. Easy to grow, | :21:11. | :21:22. | |
should it in a pots. In the winter, bring it in. The leaves will fall | :21:23. | :21:27. | |
off and in the spring, start watering it again and it will start | :21:28. | :21:32. | |
to shoot. They have tiny little seeds, but don't eat them because | :21:33. | :21:40. | |
they are poisonous. And this one, it is as hard as nails, coming from | :21:41. | :21:44. | |
North America in the Rocky Mountains. As tough as old boots. | :21:45. | :21:50. | |
You can snow and rain on it, it doesn't care. Really beautiful. Like | :21:51. | :22:00. | |
everything in the nursery, we have grown this ourselves, it was born | :22:01. | :22:05. | |
here seven or eight years ago from seeds. Everything is grown from | :22:06. | :22:09. | |
scratch and read propagate everything ourselves. My record | :22:10. | :22:17. | |
isn't brilliant, I would love to have loads of gold medals, but I | :22:18. | :22:24. | |
stick to my principles. This is how, if you grew the plans, this is how | :22:25. | :22:29. | |
they would look. They are not perfect, so when it comes to judging | :22:30. | :22:36. | |
I get slightly critiqued and the judges are the first two at made it | :22:37. | :22:44. | |
-- the first to admit it. It has been a struggle, myself and my wife | :22:45. | :22:48. | |
lived in a mobile home for five or six years. I don't know how she put | :22:49. | :22:52. | |
up with it will stop to finally have the house makes everything tastier. | :22:53. | :22:58. | |
I love it. I would not swap it for the world. This is the life? Yes, | :22:59. | :23:10. | |
growing the plants that we love, and working with the person I love. I am | :23:11. | :23:25. | |
here with his apprentices who designed this, Will Williamson and | :23:26. | :23:28. | |
Gemma Nannery. You must be the youngest designers this year? Quite | :23:29. | :23:37. | |
possibly. I am 22. I am 20. Congratulations. Tell me about the | :23:38. | :23:48. | |
exhibit? We wanted to try and show life as we go round the exhibit, | :23:49. | :23:57. | |
starting as a kid, then the proposal and then she is pregnant. This has | :23:58. | :24:04. | |
been a leap year and she is asking the gentleman to marry her? We | :24:05. | :24:09. | |
thought as it is leap year, why not? How easy was it to design? It took | :24:10. | :24:16. | |
awhile, but we knew it was the right thing to do. These are very unusual, | :24:17. | :24:28. | |
where did they come from? Mike Aunty made them. She has done an amazing | :24:29. | :24:36. | |
job. Has it been a fantastic experience, nerve wracking? It has | :24:37. | :24:42. | |
been unreal, but we can now relax a little bit, it is amazing. Enjoy it. | :24:43. | :24:52. | |
It isn't over for you, you are designing a garden at Hampton Court | :24:53. | :25:01. | |
this year? I am indeed. The theme is around Sussex, so it will be a good | :25:02. | :25:05. | |
experience. What are we, six weeks away? Yes. Thank you very much. Hope | :25:06. | :25:11. | |
it goes well. All this week, Carol Klein has been | :25:12. | :25:15. | |
taking us on a journey around the globe to reveal how plants have | :25:16. | :25:18. | |
transformed our lives. Today, it's the turn of the humble | :25:19. | :25:21. | |
pea to take centre stage in, We live in a world that is full of a | :25:22. | :25:40. | |
seemingly infinite variety of colour, form and texture. The | :25:41. | :25:51. | |
diversity of nature is staggering. We take it for granted that trades | :25:52. | :25:58. | |
like red petals, blonde hair, brown eyes are passed on from one | :25:59. | :26:03. | |
generation to another. We even know how. It is a story that started in | :26:04. | :26:16. | |
Austria. It is the story of one man and one plans, you could say, | :26:17. | :26:22. | |
unlocked the secrets of life itself. What am I doing here? The planned in | :26:23. | :26:31. | |
question is the humble pea. It is thanks to the pea we now know all | :26:32. | :26:35. | |
about the laws of inheritance. I am not talking about how much your | :26:36. | :26:41. | |
great grandma left in her will. I am talking about the way in which | :26:42. | :26:46. | |
children resemble their parents, whether they be pea or people. And | :26:47. | :26:51. | |
the man who discovered how was a pioneering Austrian monk who went by | :26:52. | :27:07. | |
the name of Gregor. He was a very patient man. He spent eight years | :27:08. | :27:12. | |
carefully crossbreeding peas. He chose them for their different | :27:13. | :27:19. | |
touristic. Some had purple peas, some Paul Weitz, some were green, | :27:20. | :27:25. | |
Sunway yellow. Some were short, somewhere big. But he made careful | :27:26. | :27:32. | |
notes of all his experiments. These are sweet peas, but you get the | :27:33. | :27:37. | |
idea. He revealed the basic instruction sheet for all living | :27:38. | :27:44. | |
things. Nowadays, we have all heard of dominant and recessive genes, but | :27:45. | :27:50. | |
without Gregor, we might not have the modern science of genetics at | :27:51. | :28:05. | |
all. Here at Chelsea, plant breeders use knowledge of genetics, to | :28:06. | :28:07. | |
introduce a new varieties every year. We may be able to use it to | :28:08. | :28:18. | |
improve human health. And it is thanks to the pea, we can all look | :28:19. | :28:23. | |
forward to a healthier, brighter and more colourful future. From the | :28:24. | :28:35. | |
familiar pea to the new kids on the block. This has been the perfect | :28:36. | :28:40. | |
place to launch new varieties of flowers. Let me introduce you to a | :28:41. | :28:46. | |
brand-new shrub rose. It is Sandringham, chose by the Duchess of | :28:47. | :28:50. | |
Cornwall when she attended the Sandringham flower show at the years | :28:51. | :28:55. | |
ago. They have these wonderful double petals, it smells divine. | :28:56. | :29:00. | |
Good resistance to disease and where it is different from others, | :29:01. | :29:03. | |
hopefully it will flower all summer long. | :29:04. | :29:07. | |
The British love affair with another flowering beauty, clematis, | :29:08. | :29:09. | |
One first-time exhibitor of this climbing beauty hoping to give | :29:10. | :29:14. | |
the crowds what they want is Marcel Floyd. | :29:15. | :29:18. | |
We caught up with him to discover the pressures of bringing a firm | :29:19. | :29:21. | |
I'm a clematis grower, and I love them. My name is Marcel Floyd. Back | :29:22. | :29:47. | |
in the early 1980s I had no other work on at all, so someone said - | :29:48. | :29:52. | |
would you like to work in the garden centre? I thought, I'll give it a | :29:53. | :29:56. | |
whirl. I was playing football, going to see bands. That was my life. | :29:57. | :30:00. | |
Wasn't fussed with anything to do with gardening at the time. In 1984 | :30:01. | :30:10. | |
I decided, oh, Chelsea Flower Show's on. Let's see what it's about. | :30:11. | :30:19. | |
Nothing took my centre that much until I saw this, my bug started | :30:20. | :30:26. | |
ford clematis. I bought 40 and planted them around my parents | :30:27. | :30:30. | |
garden. They thought I was going through a phase. I had 90 clematis | :30:31. | :30:36. | |
in that garden. Abit addicted to them was an under statement. | :30:37. | :30:43. | |
Obsession, yeah, to a certain extent. My first daughter is called | :30:44. | :30:53. | |
Albany. My second daughter is named Jasmine. We were going to call Jake, | :30:54. | :31:00. | |
our little boy, the Potato Vine, but we thought that would be cruel on | :31:01. | :31:06. | |
him. He is stuck with the name Jake. We named a clematis after him. That | :31:07. | :31:13. | |
was Jolly Jake. I love clematis because they give you so much. | :31:14. | :31:18. | |
December it can be snowing. I would have Winter Beauty in flower. A | :31:19. | :31:25. | |
couple of months later, armandii, scented flowers. Then in April we | :31:26. | :31:36. | |
have koreana. They thrive on neglect. This will flower in April, | :31:37. | :31:41. | |
May and again in August, September time. Any aspect. They're tough. | :31:42. | :31:51. | |
Then you come on to the big flowering ones, the showstoppers. | :31:52. | :31:55. | |
How the hell has that flowered that big? You think, it's a dinner plate | :31:56. | :32:00. | |
much you can't eat off it, no, about about but you can look at it and | :32:01. | :32:04. | |
appreciate it. It's brilliant. All year round they will give you flower | :32:05. | :32:11. | |
and they're just beautiful. Chelsea is the biggest show on earth in the | :32:12. | :32:16. | |
horticultural cadden Darryl. There is nowhere in the world that comes | :32:17. | :32:21. | |
close to. We are chuffed, proud, it's an under statement, to be in. | :32:22. | :32:26. | |
Our theme at Chelsea is Japanese. We are doing a Japanese tea house | :32:27. | :32:31. | |
because many of our big flowering varieties in our garden today began | :32:32. | :32:40. | |
in Japan. This is the roof. The first part. A lot of curves and a | :32:41. | :32:45. | |
lot of work has gone into this. This will be covereded in wooden | :32:46. | :32:50. | |
shingles. On each of the four corners, eight foot high on posts, | :32:51. | :32:54. | |
there will be panels on every single corner where you can look through to | :32:55. | :33:00. | |
the lovely polished floor. The chap working with me decides halfway | :33:01. | :33:03. | |
through the build he is going on holiday for three weeks - bless him. | :33:04. | :33:07. | |
We will get it done. We will get it done. There is a lot of work to be | :33:08. | :33:11. | |
done, but it will look great on the day. Gold would be lovely. It would | :33:12. | :33:19. | |
just be the icing on top of the cake, to be honest. Us being there | :33:20. | :33:22. | |
is what it's really about for us. Floyds did brilliantly. They won a | :33:23. | :33:37. | |
silver gilt medal. I wander around Chelsea and can't help but feel | :33:38. | :33:43. | |
inadequate. Everything is so unbelievable pristine. Almost 3D | :33:44. | :33:48. | |
printer perfect. The wonderful thing about clematis is that they are | :33:49. | :33:53. | |
relatively easy to grow. If you have a couple of tips you could get | :33:54. | :33:56. | |
something almost as beautiful as this. The first one is heads in the | :33:57. | :34:03. | |
sun, feet in the shade. That's about siting. Where you plant your | :34:04. | :34:09. | |
clematis. They like a cool root zone but sun on their leaves. That is how | :34:10. | :34:16. | |
climbers grow in the wild. They scramble up from the forest floor to | :34:17. | :34:20. | |
the top of trees. There is another one which is about pruning this can | :34:21. | :34:26. | |
be a hornets nest. There are different varieties, classified into | :34:27. | :34:30. | |
different groups, all of which require different methods of | :34:31. | :34:32. | |
pruning. There are tables and books about this. There is a simple way | :34:33. | :34:37. | |
through it. If it flowers before June, don't prune. Clematis | :34:38. | :34:42. | |
varieties that flower in the early summer don't require winter pruning. | :34:43. | :34:43. | |
Simple as. Good luck. Our next special guest is best known | :34:44. | :34:50. | |
as one of Britain's most But when she's not adorning | :34:51. | :34:53. | |
the cover of a magazine, she can be found indulging | :34:54. | :34:56. | |
in a hobby that may well surprise you - | :34:57. | :34:58. | |
she's a secret gardener! Thank you for having me. It | :34:59. | :35:08. | |
surprised us. I believe it surprised your friends, they have seen a | :35:09. | :35:11. | |
different side to you? I surprised myself, actually. I required a | :35:12. | :35:17. | |
property 10 years ago. It came with beautiful gardens. I didn't know a | :35:18. | :35:21. | |
thing about gardening. My grandfather was a keen gardener. I | :35:22. | :35:26. | |
remember watching him tinkering in the vegetable patch. He had aviaries | :35:27. | :35:34. | |
and amazing birds. I bought this property and was overwhelmed by the | :35:35. | :35:40. | |
maintenance. I have five acres. That isn't a usual garden? It was a fruit | :35:41. | :35:44. | |
farm. An apple and pear orchard connected to the house. I had to | :35:45. | :35:48. | |
have that with the house. I just wanted the house. Within a year the | :35:49. | :35:52. | |
farmer that looked after it retired. He left me with all this land to | :35:53. | :35:56. | |
look after. Where do you start? Exactly. It looks absolutely | :35:57. | :36:02. | |
beautiful. Oh, thank you. It's ongoing, isn't it? Absolutely. Well, | :36:03. | :36:06. | |
it started when I realised that I wasn't in the country the whole time | :36:07. | :36:10. | |
much I needed to make the garden less maintenance. I didn't want to | :36:11. | :36:14. | |
scrap out the orchard. I live in Kent. It's famous for the blossom | :36:15. | :36:21. | |
trails. I love the blossom in the springtime. It's gorgious. I wanted | :36:22. | :36:27. | |
the structure of the orchard. I removed every other tree it looked | :36:28. | :36:31. | |
like an old orchard and maded it into a meadow. Sprinkled wildflower, | :36:32. | :36:37. | |
meadow seeds, poppy seeds. Just let it kind of do its own thing. After a | :36:38. | :36:45. | |
while you get wild orchids, buttercups, that's great for the | :36:46. | :36:48. | |
wildlife. You are hands on, you do-it-yourself? Absolutely. What is | :36:49. | :36:54. | |
your favourite part? When you have five acres, that's a lot to look | :36:55. | :36:59. | |
after? My favourite garden isn't far from I live. What is the favourite | :37:00. | :37:08. | |
part of yours? I was inspired by seeing rooms made in the garden. I | :37:09. | :37:12. | |
wanted areas great for the wildlife, that weren't overly managed. I think | :37:13. | :37:16. | |
there's nothing more beautiful than natural beauty. Then I also wanted | :37:17. | :37:21. | |
things that were more conned and more for mall. My favourite at the | :37:22. | :37:28. | |
moment would have to be a topiary maze of roses inside. I will see how | :37:29. | :37:34. | |
they do this year. That is like an Alice in Wonderful land inspired | :37:35. | :37:38. | |
garden. Beautiful. That is my favourite. Every year it changes. Do | :37:39. | :37:45. | |
gardens reflect our lives, the highs and lows we go through? I think so. | :37:46. | :37:49. | |
I never went to a gardening school. I was never taught about gardening. | :37:50. | :37:55. | |
In the past 10 years I've learnt so much about plants and structures and | :37:56. | :37:59. | |
just - I want someone to have an experience when they come into my | :38:00. | :38:04. | |
garden. I'm about kind of having your eye travel through the property | :38:05. | :38:09. | |
and just create a journey, really. You are a natural, natural designer. | :38:10. | :38:13. | |
Natural gardener. You must be in your element here at Chelsea? I | :38:14. | :38:17. | |
think it's absolutely fantastic to be here. I'm so dreading going | :38:18. | :38:21. | |
shopping down that lane with all the little shops. I just saw the most | :38:22. | :38:30. | |
incredible plant, I planted two, they grow huge. I saw one, I thought | :38:31. | :38:35. | |
- is that how big mine is going to get? It's frightening. You get so | :38:36. | :38:41. | |
much inspiration. It's perfect and pristine. My leaves are browner than | :38:42. | :38:46. | |
that! There is so much beauty in the Great Pavilion and in all the | :38:47. | :38:51. | |
gardens. If Kelly Brook was a flower, what would you be? An | :38:52. | :38:55. | |
English rose. I grow different varieties of roses in my garden. An | :38:56. | :38:59. | |
English rose. If I could come back as anything! You will see wonderful | :39:00. | :39:04. | |
varieties here. Is it true you are a beekeeper as well? Yes. I have four | :39:05. | :39:11. | |
beehives much I keep them in the orchard. Great for the blossom, the | :39:12. | :39:16. | |
whole garden. What a retreat. You would have to come down. I would | :39:17. | :39:21. | |
love to. I'm a Kent gardener myself. Enjoy your day here. I know your' | :39:22. | :39:23. | |
going to love it. Thanks very much. Down here, in the artisan | :39:24. | :39:31. | |
gardens, you'll notice how But this hasn't hindered | :39:32. | :39:33. | |
a rich variety of planting If you've got an equally shady | :39:34. | :39:38. | |
spot in your garden, then there are plants that suit | :39:39. | :39:44. | |
the shadows and can still add If I was to pick one plant for a | :39:45. | :39:58. | |
small garden, in the shade, it would have to be the Japanese maple. They | :39:59. | :40:02. | |
really do have Everything Eventually. For starters in lowlight | :40:03. | :40:06. | |
levels it's difficult to get things which have large amounts of colour. | :40:07. | :40:10. | |
Few flowers will flower for a long period of time and in bright | :40:11. | :40:15. | |
colours. With maples they have this leaf diversity that comes in every | :40:16. | :40:18. | |
shade for months and months of the year. Also they have a small size. | :40:19. | :40:23. | |
Even at that level, they have lots of character, like the shape of a | :40:24. | :40:29. | |
much larger tree. You can pack in loads loads into a tiny space. This | :40:30. | :40:33. | |
garden is not much bigger than the living room of my tiny London flat. | :40:34. | :40:38. | |
There are 30maples in here. It feels like you are in a woodland Glenn in | :40:39. | :40:42. | |
a postage sized garden. -- glen. People often talk about | :40:43. | :40:54. | |
shady fwardens like they are some kind of terrible, horticultural | :40:55. | :40:59. | |
disadvantage. Why on earth would you want a hot, dry border when you | :41:00. | :41:04. | |
could have cool, calm, shade-loving ground cover like this? It's like | :41:05. | :41:11. | |
diving into the ocean floor. You have beautiful hostas here. When | :41:12. | :41:15. | |
water droplets from rain hit this they look like Mercury as they dance | :41:16. | :41:20. | |
around the surface. The glossy leaves here. You have apple green | :41:21. | :41:28. | |
foliage here. Shade is not your enemy. | :41:29. | :41:36. | |
Flowers in shade can look just as striking as those in full sun. From | :41:37. | :41:42. | |
a design point of view, it helps to know what colours to pick. Like this | :41:43. | :41:57. | |
wonderful californicum with yellows. It works on hard landscaping | :41:58. | :42:01. | |
materials. They turn into giant reflectors. Bouncing the light in | :42:02. | :42:05. | |
around the space making it appear to glow in the twilight. If you want to | :42:06. | :42:12. | |
create the atmosphere of cool, calm escapism, it's just got to be a | :42:13. | :42:17. | |
shady garden. I'd actively prefer one over a flot in full sun. | :42:18. | :42:22. | |
We are lucky today. The sunshine is back. | :42:23. | :42:33. | |
Earlier this week the RHS awarded their prestigious | :42:34. | :42:35. | |
Best Show Garden to Andy Sturgeon, but did you agree? | :42:36. | :42:37. | |
Or do you prefer another show garden? | :42:38. | :42:39. | |
Well, it's time for you to have your say. | :42:40. | :42:48. | |
It's an award all the designers would love to win. | :42:49. | :42:50. | |
There's nothing quite like getting the recognition | :42:51. | :42:52. | |
It's like the final endorsement. Absolutely. | :42:53. | :43:03. | |
You can vote right now for your favourite show garden. | :43:04. | :43:05. | |
Just go to our website, bbc.co.uk/chelsea, where you can | :43:06. | :43:09. | |
have a look at all of the amazing gardens and find out how to vote. | :43:10. | :43:13. | |
You've got until 9.30pm tonight to make your decision. | :43:14. | :43:15. | |
You can find out the winner on BBC One tomorrow evening at 7.30pm. | :43:16. | :43:18. | |
Monty and Joe are back tonight on BBC Two at 8.00pm | :43:19. | :43:23. | |
with all the action from a busy day here at Chelsea. | :43:24. | :43:26. | |
And remember, get voting for your People's Choice winner! | :43:27. | :43:29. | |
Our service providers work truly all hours | :43:30. | :44:04. |