Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
A heady scent of flowers, a sea of beautiful gardens | :00:00. | :00:08. | |
It can only mean one thing - The greatest flower show | :00:09. | :00:16. | |
It's a star-studded occasion with the gardening glitterati | :00:17. | :00:23. | |
and press in full attendance for the first look at the | :00:24. | :00:26. | |
We'll be bringing you exclusive coverage of all the glitz | :00:27. | :00:30. | |
and glamour as we explore the stunning gardens and the floral | :00:31. | :00:33. | |
festival taking place inside the Great Pavilion. | :00:34. | :00:38. | |
So sit back and relax, as we've got your VIP pass | :00:39. | :00:42. | |
Welcome to the 2017 RHS Chelsea Flower Show, | :00:43. | :01:17. | |
an event supported by M Investments. | :01:18. | :01:20. | |
The party is in full swing on Main Avenue as the gardens | :01:21. | :01:24. | |
and exhibits celebrate the show's opening day. | :01:25. | :01:27. | |
The gardens are looking magnificent in the sunshine, and today | :01:28. | :01:30. | |
we will take you for a look at some of these incredible creations. | :01:31. | :01:38. | |
Coming up, we'll be meeting some of the green-fingered celebrities | :01:39. | :01:41. | |
who make this annual pilgrimage to discover the very latest trends | :01:42. | :01:44. | |
Carol Klein takes us on a plant safari around the Great Pavilion, | :01:45. | :01:50. | |
which is brimming with floral perfection. | :01:51. | :01:55. | |
And Frances Tophill joins Chelsea Pensioner Barbra Whilds | :01:56. | :01:58. | |
on a tour of the showground as they hunt | :01:59. | :02:01. | |
I did he want to get in touch with us you can tweak us at hashtag BBC | :02:02. | :02:16. | |
Chelsea. But before we get started, | :02:17. | :02:19. | |
a taste of excitement Chelsea has a carnival atmosphere. | :02:20. | :03:31. | |
Right now famous faces and VIPs are flooding into the showground. They | :03:32. | :03:35. | |
make a beeline for Main Avenue which is where the large gardens are and | :03:36. | :03:40. | |
where some of the best designers show off their skills. I am standing | :03:41. | :03:46. | |
in the Welcome to Yorkshire garden. They are trying to cut and paste an | :03:47. | :03:50. | |
ecosystem from hundreds of miles away, lift it up and drop it into | :03:51. | :03:55. | |
urban London and hope you suspend your disbelief. They are doing it in | :03:56. | :04:00. | |
clever ways. Hidden in this undergrowth believe it or not is | :04:01. | :04:04. | |
speaker which is piping out the sounds of the Yorkshire coast line. | :04:05. | :04:09. | |
Things like seagulls and rippling waves. They are not just audible but | :04:10. | :04:14. | |
visual as well. This water feature is rippling waves to mimic the | :04:15. | :04:22. | |
coastline. They are doing it by a nautical buoy which is bobbing up | :04:23. | :04:28. | |
and down. There is this incredible intention to detail which Chelsea is | :04:29. | :04:33. | |
all about. We will be following this garden's journey to Chelsea and | :04:34. | :04:37. | |
interviewing its designer Tracy Foster on tonight's BBC Two | :04:38. | :04:38. | |
programme. We have an exciting new element | :04:39. | :04:41. | |
to the showground this year. To mark their 50th Birthday, | :04:42. | :04:44. | |
BBC Radio 2 has teamed up with the RHS to create | :04:45. | :04:46. | |
a new category of gardens. There are five of them, | :04:47. | :04:49. | |
each designed to celebrate the five senses - taste, | :04:50. | :04:55. | |
touch, smell, sight and sound. And many of the familiar faces | :04:56. | :04:59. | |
from Radio 2 are here I was lucky to join in the hubbub | :05:00. | :05:18. | |
when I caught up with Jeremy Vine earlier. | :05:19. | :05:23. | |
You have all created these fantastic gardens celebrating the senses and | :05:24. | :05:28. | |
this is all about touch? Yes, there are five senses and five gardens. We | :05:29. | :05:33. | |
think ours is the guest. We are trying not to say too loudly! You | :05:34. | :05:39. | |
can plunge your hand here into these pines. It is a cloud pruned pine. | :05:40. | :05:45. | |
The designer has done what I asked. You can fall into the river here and | :05:46. | :05:52. | |
here, this is the Bali sensation. You imagine URA filed running | :05:53. | :05:59. | |
through Bali. This is the any bit which is hard to plunge or hand | :06:00. | :06:04. | |
into. Did you get involved with the planting and the selection of the | :06:05. | :06:09. | |
flowers? Inode Jo Wiley was here all week in the pouring rain getting | :06:10. | :06:15. | |
down and dirty. What did you plant? Let me just show you. This plant | :06:16. | :06:24. | |
here I planted. I spoke to the designer, a very talented man and he | :06:25. | :06:29. | |
said to me, ask Jeremy what is it called. It is called Canon's den. | :06:30. | :06:42. | |
Nearly! Canon's went. Was this the only one you did? I get tripped up | :06:43. | :06:48. | |
all the time on the names. We can appreciate the beauty. It will be so | :06:49. | :06:52. | |
popular not just today but for the rest of the week. Matt has done a | :06:53. | :06:58. | |
great job. You can use your touch sense here. That tree has bark | :06:59. | :07:02. | |
peeling off it rather like crepe paper. You can really feel it is | :07:03. | :07:09. | |
like a great experience. It certainly has the feel-good factor. | :07:10. | :07:13. | |
Enjoy your garden and the rest of the show. Jeremy, thank you. | :07:14. | :07:19. | |
It looks like Nicki had loads of fun chatting with Jeremy Vine here | :07:20. | :07:28. | |
earlier. James, how long has it been? It is probably 18 years. This | :07:29. | :07:37. | |
is so brave and different, tell me about it. The idea is it is a | :07:38. | :07:42. | |
Soundgarden. How do you get sound into Gardens? You can either play | :07:43. | :07:47. | |
live music which will frighten the horses or you can have whispering | :07:48. | :07:51. | |
grasses. The other thing about Chelsea is it is to do new and | :07:52. | :07:56. | |
exciting things. The idea is we are standing in a woodland glade with | :07:57. | :08:01. | |
soft planting around it but you look closer and it is not quite what you | :08:02. | :08:06. | |
expected. I love that. There is so much more to this garden than meets | :08:07. | :08:13. | |
the eye. You think you get it and then you suddenly notice it. In here | :08:14. | :08:20. | |
are speakers. That is where the sound comes from. If you play | :08:21. | :08:25. | |
certain frequencies of sound through water it makes different patterns. | :08:26. | :08:28. | |
It has all been programmed by some very clever, very young sound | :08:29. | :08:35. | |
artists. Some of these are like ice crystals rippling across the surface | :08:36. | :08:39. | |
and others are very loud. It is like taking the base out. Now it is doing | :08:40. | :08:45. | |
something different. It is doing weird things! It looks like Jack | :08:46. | :08:49. | |
Frost is painting live over the surface and then it looks like fish | :08:50. | :08:54. | |
jumping up and down. It is really dramatic. To be able to turn sound | :08:55. | :08:58. | |
into a visual form is something I have not seen before. It is fun. | :08:59. | :09:03. | |
Essentially what we are doing is creating a show, a visual spectacle | :09:04. | :09:08. | |
so you have to create sound you can see. We have a strip of gravel which | :09:09. | :09:10. | |
people can put their foot and there is a vibration | :09:11. | :09:26. | |
which travels up your leg. If you go to a concert and you stand slightly | :09:27. | :09:28. | |
too close to a speaker sound, you feel the music. Here, you are | :09:29. | :09:31. | |
feeling it and seeing it but you can't hear it. You can roughly hear | :09:32. | :09:34. | |
it. It is quite low. You can feel it and then you see it. On top of that, | :09:35. | :09:40. | |
the planting is spectacular. I have an amazing planting team who were | :09:41. | :09:43. | |
helping me. As you know with Chelsea, it is not just one person. | :09:44. | :09:48. | |
I had very talented sound artists who helped me with the speakers and | :09:49. | :09:53. | |
a team who helped me put this whole vision together. My brief was to | :09:54. | :09:58. | |
create a slightly sinister slightly spectral woodland and I think that | :09:59. | :10:02. | |
is what we have. It is spectacular. If there is one garden to see at | :10:03. | :10:04. | |
Chelsea this year, it is this one. The Chelsea Flower Show attracts | :10:05. | :10:11. | |
designers and growers from all over the world, | :10:12. | :10:13. | |
and the show's international influences can be seen | :10:14. | :10:15. | |
throughout the gardens. This is the Hagakure, | :10:16. | :10:17. | |
the hidden leaves garden. Hagakure means leaves and tree | :10:18. | :10:19. | |
shade, and expresses The white in the design symbolises | :10:20. | :10:21. | |
purity and sacredness in Japan. And this plant, Cornus kousa, | :10:22. | :10:28. | |
is covered in these white flowers which is symbolic | :10:29. | :10:33. | |
of monks' clothing. I am sitting on a mattress, which is | :10:34. | :10:55. | |
a traditional flooring bedding made of Rush and straw. | :10:56. | :11:00. | |
The designer wanted to emulate the nature and environment | :11:01. | :11:04. | |
in which he grew up using plants like Iris japonica and | :11:05. | :11:06. | |
It is peaceful and beautiful. Chelsea has a truly international | :11:07. | :11:19. | |
flavour. And thanks to a long line | :11:20. | :11:28. | |
of intrepid plant hunters, every garden is filled with flowers | :11:29. | :11:31. | |
and fauna from around the world. Throughout the week, our very | :11:32. | :11:34. | |
own plant hunter Carol Klein will be touring the Great Pavilion looking | :11:35. | :11:37. | |
into the origin of some Africa is such a huge continent, | :11:38. | :11:52. | |
varied and exciting. It has given us some of our most scintillating and | :11:53. | :11:54. | |
vibrant plants. What could be more British than a | :11:55. | :12:07. | |
good old geranium? My grandad grew them and I bet yours did as well! In | :12:08. | :12:13. | |
actual fact, they are not geraniums at all, they are pelargoniums, and | :12:14. | :12:18. | |
they take their name from the Greek word for a stalk because their seed | :12:19. | :12:24. | |
head resembles a stalk's bill. Although there have been cultivated | :12:25. | :12:29. | |
here for more than 400 years, they are definitely not British. They are | :12:30. | :12:35. | |
almost all from South Africa. They love the conditions they find there, | :12:36. | :12:42. | |
hot, dry and sunny. In the wild there are more than 200 species of | :12:43. | :12:47. | |
Patagonian 's. They're a more than 16,000 cultivars. They really land | :12:48. | :12:53. | |
themselves to hybridisation, but the thing that the great majority have | :12:54. | :12:58. | |
in common are the sizzling colours of their homeland. In my youth, you | :12:59. | :13:09. | |
seldom saw an ad the Pampas, but in the last 20 years or so, their | :13:10. | :13:15. | |
fortunes have really changed -- Agapanthus. Some people grow them in | :13:16. | :13:22. | |
their gardens, some people have them in and out of the greenhouse and | :13:23. | :13:26. | |
just have them outside for a glorious summer display. In almost | :13:27. | :13:30. | |
all cases, they are blue, with flowers as blue as an African sky | :13:31. | :13:36. | |
and it is that blue that seduces us all to growing them in our British | :13:37. | :13:46. | |
gardens. There are lots of African plants that seem really exotic, but | :13:47. | :13:51. | |
there are few amongst their number that we take for granted. Plants | :13:52. | :14:00. | |
like red-hot poker is, or as I preferred to call them, Torch | :14:01. | :14:05. | |
lilies. But in actual fact, we should be celebrating them. Some are | :14:06. | :14:13. | |
small and dainty, some are huge, fiery torches. Isn't it about time | :14:14. | :14:18. | |
we brought them out from the wings and into the limelight. From | :14:19. | :14:25. | |
pelargoniums to Agapanthus and so many other plants, we gardeners | :14:26. | :14:29. | |
should really say a huge thank you to Africa. | :14:30. | :14:39. | |
The international flavour continues in the Great Pavilion. | :14:40. | :14:44. | |
Kirstenbosch National Botanical Garden have | :14:45. | :14:45. | |
This is their 42nd year at the show, and over the past 42 years they've | :14:46. | :14:51. | |
been awarded a staggering 34 gold medals. | :14:52. | :14:56. | |
This year's exhibit showcases South Africa's rich | :14:57. | :14:58. | |
James, standing here, this display is quite remarkable, isn't it? It is | :14:59. | :15:13. | |
just a spectacular. It transports you to the other side of the world, | :15:14. | :15:18. | |
but there are individual ingredients you can experiment even someone like | :15:19. | :15:22. | |
the UK. For example, these at the front, the pink lilac and white | :15:23. | :15:29. | |
flowers, you conceive those in hanging baskets, they are super easy | :15:30. | :15:34. | |
to grow, namesia. And what about these? Tricky in the UK, most | :15:35. | :15:41. | |
standard advice says that you have to grow them in a greenhouse and | :15:42. | :15:45. | |
bring them indoors during cold weather, but I have a friend who is | :15:46. | :15:51. | |
growing this at altitude in North Wales, and the secret is to keep the | :15:52. | :15:57. | |
roots dry in winter. And this is a beauty. This is spectacular, and | :15:58. | :16:09. | |
what I love about South African plants, day look beautiful. Restios | :16:10. | :16:18. | |
are another. A reader viewer has written into ask about watering | :16:19. | :16:25. | |
cacti. Always let them dry out, and maybe when they are thoroughly dry, | :16:26. | :16:29. | |
water them again, I water mine once a month. Thank you very much, James. | :16:30. | :16:34. | |
For all of the international exhibitors and visitors, | :16:35. | :16:36. | |
the Chelsea Flower Show still remains a quintessentially | :16:37. | :16:38. | |
And what could be more British than the sight | :16:39. | :16:41. | |
of the Chelsea Pensioners wearing their iconic scarlet | :16:42. | :16:43. | |
Margery and Arthur, thank you for joining us today. It is an exciting | :16:44. | :16:53. | |
day, and we have borrowed your grounds for the week. In actual | :16:54. | :16:57. | |
fact, it is a lot longer than that. What other highlights for you? The | :16:58. | :17:04. | |
flower show has been here, it is like having friends and family | :17:05. | :17:07. | |
coming back to us. Do look forward to it single year? Every year, it is | :17:08. | :17:14. | |
such an event, and it is known throughout the world and it is great | :17:15. | :17:18. | |
to be a part of. The highlight of the year, absolutely. You are going | :17:19. | :17:23. | |
to enjoy it with the rest of us the whole week, and you? Definitely. And | :17:24. | :17:28. | |
we are going to have sunshine! Thank you. | :17:29. | :17:30. | |
These retired service men and women live in the Royal Hospital building, | :17:31. | :17:33. | |
and it's in the grounds of the hospital that | :17:34. | :17:35. | |
Yesterday, Gardeners' World presenter Frances Tophill | :17:36. | :17:38. | |
went to meet one of the veterans on their allotment here on site | :17:39. | :17:41. | |
to see how this year's show could inspire them. | :17:42. | :17:53. | |
Barbara, hello. What an incredible space this series. So many | :17:54. | :18:02. | |
allotments, right in the centre of London and right by the Chelsea | :18:03. | :18:05. | |
Flower Show. It is amazing and wonderful. This is mine. I have | :18:06. | :18:15. | |
autumn fruiting raspberries on the way, some are fruiting raspberries, | :18:16. | :18:19. | |
blackberries, goose breeze, and some pink currents. I have never grown | :18:20. | :18:24. | |
one of those, and you have loads of fruit is already falling on the | :18:25. | :18:28. | |
vines. You have everything I could imagine being fitted into such a | :18:29. | :18:31. | |
small space, but there are few things like strawberries are not | :18:32. | :18:36. | |
here. Is there a reason for that? I haven't really got the ground space. | :18:37. | :18:41. | |
And things like tomatoes. Let's see if we can find some varieties next | :18:42. | :18:45. | |
door that would fit in amongst all of this. Yes. That would be | :18:46. | :18:46. | |
brilliant. What you make of this one, Barbara? | :18:47. | :18:58. | |
It is wonderful. All of the different colours and the different | :18:59. | :19:02. | |
leaves, wonderful. Every allotment here would hope for a plot like | :19:03. | :19:15. | |
this. Definitely. If you were in two minds about growing strawberries, I | :19:16. | :19:22. | |
bet this changes your mind. The smell coming from these is | :19:23. | :19:24. | |
fantastic, isn't it? This one is called Fenella, and it is good for a | :19:25. | :19:31. | |
wet summer, it doesn't watch like some of the others. But this one, | :19:32. | :19:37. | |
Cupid, is a more compact version, you could grow that in a container | :19:38. | :19:42. | |
and maybe hang it from the vines. We have managed to add strawberries to | :19:43. | :19:47. | |
your allotment. Let's see if we can find something else to really finish | :19:48. | :19:48. | |
it off. Can I persuade you to try a tomato? | :19:49. | :19:56. | |
This one is called Cherry baby. It's sweet. That is a really good | :19:57. | :20:16. | |
tomato! Definitely worth growing, I would say. But it is quite big, and | :20:17. | :20:24. | |
I know that space is an issue. So this one, patio plum, isn't it | :20:25. | :20:29. | |
unusual? It grows in a pot like that, and it will keep on cropping | :20:30. | :20:34. | |
until December if you want it to, so really prolific. So hopefully you | :20:35. | :20:39. | |
have had some inspiration to make your allotment even more productive | :20:40. | :20:42. | |
and grow even more different things. I certainly have, and thank you very | :20:43. | :20:46. | |
much for showing me. Lovely to meet you, and I hope you enjoy the rest | :20:47. | :20:48. | |
of the show. There is such an extraordinary | :20:49. | :20:58. | |
wealth of information here, not only in terms of how plants look but also | :20:59. | :21:00. | |
how they taste. This area of London has a long | :21:01. | :21:03. | |
horticultural history. The nearby Chelsea Physic Garden | :21:04. | :21:09. | |
was founded in 1673 to train apothecaries in the identification | :21:10. | :21:10. | |
and use of medicinal plants. Former head gardener | :21:11. | :21:14. | |
of the Physic Garden and Chelsea designer Nick Bailey is exploring | :21:15. | :21:16. | |
a fresh garden that celebrates those ancient medicinal plants | :21:17. | :21:19. | |
with a contemporary twist. Chelsea Flower Show is famous for | :21:20. | :21:38. | |
ornamental plants, but this year I'm excited to discover a garden that | :21:39. | :21:46. | |
focuses on plant loop was medicinal qualities. Catherine, this is a | :21:47. | :21:53. | |
beautiful garden. But it is about more than just the aesthetics, | :21:54. | :22:00. | |
right? Yes, it is about a journey of discovery of Ben Branson, the | :22:01. | :22:05. | |
founder. He discovered this book, the art of distillation, published | :22:06. | :22:10. | |
in 1651. He bought himself a copper still and started experimenting with | :22:11. | :22:16. | |
plants in his garden, and he developed the world's first | :22:17. | :22:22. | |
nonalcoholic spirit. And the garden has a distinctive modern element in | :22:23. | :22:25. | |
the materials and structure, and very much a traditional element on | :22:26. | :22:28. | |
the other side. What is the driver behind that? This whole journey was | :22:29. | :22:36. | |
from 1651 through modern times, and we have an abstract interpretation | :22:37. | :22:42. | |
of 17th-century apothecary here, and on the other side, the copper work | :22:43. | :22:49. | |
is kept all shiny and new, and we have lab equipment and modern-day | :22:50. | :22:57. | |
distillation. And these slice throughs of plant specimens. This is | :22:58. | :23:04. | |
through oak, and then we have pine and also Flax. Looking across the | :23:05. | :23:10. | |
garden, it is not just the structures and the ornamentation, | :23:11. | :23:13. | |
but also the planting. What has driven that? Copper is important to | :23:14. | :23:21. | |
alchemists, and if you look at the garden in plan view, we have a cross | :23:22. | :23:26. | |
and three lines that represent the chemical symbol for copper, and | :23:27. | :23:29. | |
moving forward, it has been essential to the process of | :23:30. | :23:34. | |
distillation. Why is copper significant in distillation, what | :23:35. | :23:37. | |
qualities does it have? It has a fantastic conductivity, so it heats | :23:38. | :23:45. | |
very quickly, and it is therefore very useful in the process of | :23:46. | :23:49. | |
distillation. Catherine, just looking at the palate you have got | :23:50. | :23:53. | |
here, this is a really interesting mix. We have the plant here that has | :23:54. | :24:00. | |
been used in traditional Chinese medicine for over a thousand years. | :24:01. | :24:05. | |
It is used for ailments of the liver and kidney. And the garden has a | :24:06. | :24:10. | |
range of more modern medicinal plants. Yes, we have plantain. And | :24:11. | :24:16. | |
this is something you would find growing in your lawn, it is a | :24:17. | :24:19. | |
British native. It is, and it is nice to have it here, sometimes | :24:20. | :24:22. | |
people recognise it from their childhood, but this has been found | :24:23. | :24:27. | |
useful to remove dirt from the RA, but also potential use in treatment | :24:28. | :24:33. | |
for cancer. Catherine, thank you, that has been a fantastic insight | :24:34. | :24:39. | |
into this fusion of ancient and modern traditional plants and modern | :24:40. | :24:41. | |
plants used in medicine. Thank you very much. Thank you very much. | :24:42. | :24:43. | |
Goodbye. This digitalis typifies the garden. | :24:44. | :24:54. | |
It was used historically by healers to deal with heart elements, and it | :24:55. | :24:58. | |
has made its way all the way through to modern medicine where it is used | :24:59. | :25:01. | |
in the same way, and it is a great reminder to us that plants are not | :25:02. | :25:05. | |
just about aesthetics and food, they also deliver some of our most | :25:06. | :25:07. | |
important medicines. You don't have to be a horticultural | :25:08. | :25:18. | |
expert for gardens to really move you. What I love about Chelsea is | :25:19. | :25:24. | |
that every year it serves as an inspiration for a whole new | :25:25. | :25:29. | |
generation of gardeners. One of those gardeners here today is Trevor | :25:30. | :25:38. | |
Nelson. So you are new to gardening? I am absolutely new to gardening, | :25:39. | :25:43. | |
but I have had gardens, but I haven't used them. I took it for | :25:44. | :25:49. | |
granted I had a garden, got a garden around, did it, never went out | :25:50. | :25:52. | |
there. For someone like me who can't imagine not being interested in | :25:53. | :25:56. | |
plants, I think it's fascinating that you can suddenly develop this | :25:57. | :25:58. | |
passion so quickly. How does that happen? I have fallen in love with | :25:59. | :26:04. | |
looking at gardens. It really hit me last year watching the coverage that | :26:05. | :26:08. | |
I have to come here and come to the Chelsea Flower Show, I can't believe | :26:09. | :26:12. | |
I'm saying that, and now I am here I am loving it. There is a big synergy | :26:13. | :26:16. | |
between music and gardening, one of my favourite landscape architects | :26:17. | :26:21. | |
said something like, architecture and landscape architecture is just | :26:22. | :26:24. | |
frozen music. You're supposed to have all the same principles, the | :26:25. | :26:28. | |
same rhythm and tempo and texture, just frozen into a three-dimensional | :26:29. | :26:33. | |
space. We are at the Artisan gardens here. From up music point of view, | :26:34. | :26:36. | |
what you think? So, this is your favourite. Yes, it | :26:37. | :26:51. | |
is. What musical genre does this conjure up for you? Because it has a | :26:52. | :26:59. | |
contemporary twist, I would say cool R You have got the water feature, | :27:00. | :27:06. | |
the canopy, you are secluded. Because it is so well-stocked, you | :27:07. | :27:12. | |
feel you are in a bigger there are so many plants. It is kind of | :27:13. | :27:17. | |
contemporary, but it is also nostalgic and the types of materials | :27:18. | :27:24. | |
and plants here. A mash up garden! I am learning how to be cool today! | :27:25. | :27:36. | |
What you think about this one? Definitely more traditional, looks a | :27:37. | :27:43. | |
bit wilder. Attached to a cottage in the country. You were talking about | :27:44. | :27:46. | |
musically? Folk. So what kind of music do you think | :27:47. | :27:59. | |
about this one? Jazz, but not jazz as you know it. 80s jazz. Very sexy, | :28:00. | :28:08. | |
very polished, very perfect. I think you have hit the nail on the head. | :28:09. | :28:13. | |
They have a forensic level of detail, there is not a single piece | :28:14. | :28:16. | |
of dust, and it is something you only get to see a Chelsea. It needs | :28:17. | :28:21. | |
to be framed and you pick it up and walk away and hang it on your wall. | :28:22. | :28:22. | |
It is great. Is there anything you have taken | :28:23. | :28:34. | |
away from this year's Chelsea? Ideas, ideas and more ideas. You | :28:35. | :28:38. | |
walk around and think, I want that and I want that. I have enjoyed it, | :28:39. | :28:42. | |
I want to come back next year. Mark, we have been enjoying you an | :28:43. | :28:55. | |
Gardeners' World, and we are enjoying you here at Chelsea again. | :28:56. | :28:59. | |
Are you looking forward to the showground on the exhibits? There is | :29:00. | :29:04. | |
just so much to see, so much inspiration and colour and texture, | :29:05. | :29:07. | |
so many things to take home. Your face is a light already! There is so | :29:08. | :29:13. | |
much to see, but is there one thing you are looking out for this year? I | :29:14. | :29:18. | |
am, looking at Meadow type planting. I have an orchard at home, and it is | :29:19. | :29:24. | |
about 20 metres by ten metres, not too big at all, and last year we let | :29:25. | :29:28. | |
the grass go along and it looked wonderful, but we felt we needed to | :29:29. | :29:32. | |
add some colour, so it is interesting to see this year quite a | :29:33. | :29:36. | |
lot of Meadow planting going on, and it is interesting to see which | :29:37. | :29:39. | |
colours have been used in the grasses as well, so we have some | :29:40. | :29:44. | |
nice muted colours which are brilliant for calming, relaxing | :29:45. | :29:48. | |
moods, and then also some that are really quite bright and | :29:49. | :29:51. | |
effervescent, and that just lifts our mood and we have that behind us | :29:52. | :29:55. | |
as well. Yes, you look at this display and you just smile, don't | :29:56. | :29:59. | |
you? You really do. How important is that when you are thinking of | :30:00. | :30:04. | |
planning a garden or window box? What can we look out for, those soft | :30:05. | :30:09. | |
rules to think, every time I look at that, will make a difference? The | :30:10. | :30:13. | |
main thing is to keep it simple and just mix up the textures. Sometimes | :30:14. | :30:18. | |
it is easy to go to a garden centre or nursery and work out some | :30:19. | :30:23. | |
grasses, and then just some annuals. Put in some cornflowers, wonderful | :30:24. | :30:31. | |
bright blue. It lifts your mood, and it also calms, as well. Blue is a | :30:32. | :30:36. | |
wonderful colours are doing that. Then you can intersperse white and | :30:37. | :30:40. | |
yellow and red, and before you know it, you have a lovely mix of colours | :30:41. | :30:45. | |
going on. So every time you look at, whether it is on your windowsill or | :30:46. | :30:49. | |
balcony or wherever it might be, it will just lift your mood | :30:50. | :30:53. | |
straightaway. Health benefits, so important. They really are | :30:54. | :30:58. | |
important. I know first-hand how important it really is to have an | :30:59. | :31:01. | |
outdoor space or even just some greenery and some flowers, and | :31:02. | :31:06. | |
again, whether that is just on a small balcony or even in your | :31:07. | :31:11. | |
garden. Use it and enjoy it! We will be catching up with you tomorrow | :31:12. | :31:14. | |
night on BBC Two, so we look forward to that. | :31:15. | :31:22. | |
Too many people press day is all about the celebrities. But for me | :31:23. | :31:29. | |
the real celebrities are the large show Gardens and the designers who | :31:30. | :31:34. | |
create them. To get an opportunity to get in each of the divine is a | :31:35. | :31:39. | |
bit better we will find out what makes them tick. | :31:40. | :31:52. | |
I Andrew Wilson. And I am Gavin Williams. The three words which | :31:53. | :32:03. | |
describe me are calm, collected and amusing. I'm volatile, exciting and | :32:04. | :32:08. | |
angry most of the time! No, not really! | :32:09. | :32:13. | |
I chose to work in garden design because it brought together fine | :32:14. | :32:20. | |
art, graphic design and a passionate love of the landscape and I wanted | :32:21. | :32:25. | |
to design beautiful things to share with people. We produce simple, | :32:26. | :32:30. | |
elegant spacious designs. We also like to push the boundaries slightly | :32:31. | :32:35. | |
and produce thought-provoking work as well. My top tip for garden | :32:36. | :32:39. | |
design is always to keep things simple. I think that is the essence | :32:40. | :32:43. | |
of good design, it is the distillation to produce something | :32:44. | :32:50. | |
simple. Congratulations on an incredible garden. It is called | :32:51. | :32:55. | |
Breaking Cammack Road ground. How has it been for you? It has been | :32:56. | :33:00. | |
surprisingly good. We were concerned about the integration of all the | :33:01. | :33:05. | |
elements. It was about integrating these structures with really | :33:06. | :33:08. | |
involved planting but we have managed to pull it off brilliantly. | :33:09. | :33:14. | |
I love gardens which contrast loose planting with chunky architecture. | :33:15. | :33:19. | |
How has the planting worked for you? The planting is about drift, like | :33:20. | :33:29. | |
the drifting thoughts of daydreaming. There are big blocks of | :33:30. | :33:33. | |
Salvia which we were hoping would pull out the colour stops on the | :33:34. | :33:37. | |
show and little sparks which sparked through the meadow. I do not | :33:38. | :33:45. | |
recognise those. There is a fantastic plants and its sparks off | :33:46. | :33:52. | |
in all sorts of different directions and then the head just floats, it | :33:53. | :33:57. | |
appears to just float in the planting. I have been reading about | :33:58. | :34:01. | |
your gardening, you have mentioned sign-ups a few times. It looks like | :34:02. | :34:08. | |
that. There are lots of little explosions through the garden. The | :34:09. | :34:14. | |
paving pattern is new ROM -based and then there are sparks. We wanted | :34:15. | :34:20. | |
these little flashes of energy. Have there been any dramas in the garden? | :34:21. | :34:24. | |
Surprisingly we have not had one. We have been waiting for it but it | :34:25. | :34:28. | |
never came which is why I am looking so relaxed on press day. You are | :34:29. | :34:33. | |
looking relaxed and the garden look incredible. I can see a Chelsea gold | :34:34. | :34:41. | |
on the rise in. That would be nice. Come back tomorrow! -- I can see a | :34:42. | :34:46. | |
Chelsea gold on the horizon. Tomorrow we will be getting under | :34:47. | :34:49. | |
the skin of two more of the large Now, it wouldn't be any | :34:50. | :34:52. | |
kind of a flower show It's a bumper year for the florists | :34:53. | :34:55. | |
as the British Florist Association are celebrating their 100th | :34:56. | :34:59. | |
anniversary, and across the week we'll be looking at some | :35:00. | :35:02. | |
fantastic displays. But now I'm joined by | :35:03. | :35:03. | |
Royal Florist Simon Lycett to help us all bring a bit of Chelsea | :35:04. | :35:06. | |
sparkle into our homes. Yes, it is always such a joy to see | :35:07. | :35:17. | |
you, Simon. What do have in store for me today? Because we are | :35:18. | :35:21. | |
creating the Royal bunch later on I thought it would be fun for you and | :35:22. | :35:26. | |
I to create a bunch which everyone at home could copy and replicate. I | :35:27. | :35:31. | |
see we are starting off with hydrangea. Ahead of hydrangea and | :35:32. | :35:36. | |
then you can use some strips of foliage. You can thread your stems | :35:37. | :35:42. | |
down through and bring it in and then that helps you work out at what | :35:43. | :35:48. | |
level. They will help you support the flowers. Little more | :35:49. | :35:54. | |
eco-friendly than using chicken wire. Or the foam. A lot of people | :35:55. | :36:01. | |
have hydrangea bush is in their garden. They have a beautiful smell. | :36:02. | :36:08. | |
This is the most beautiful fragrant rose. So we're not twisting, we are | :36:09. | :36:17. | |
using this as a structure. Do you get nervous when you do a bouquet | :36:18. | :36:22. | |
for Her Majesty is that who is doing it this year? Caitlin who is from | :36:23. | :36:29. | |
Swansea. She is 11. Will it be a long these lines? It will be smaller | :36:30. | :36:36. | |
for the modestly sized Royal hands. To think she will be nervous? I | :36:37. | :36:42. | |
think Caitlin is excited. To be at Chelsea is horticultural heaven for | :36:43. | :36:47. | |
a child who is interested in gardening. I have a question for | :36:48. | :36:52. | |
you. Deeney 's pier has been in touch. She wants to know what are | :36:53. | :37:00. | |
the latest trends in floristry. Is there a plant or flower that you are | :37:01. | :37:09. | |
seeing -- Denise Kear. I think there are. Some last four weeks in | :37:10. | :37:25. | |
decorations. The other trend is creating mixed colours and | :37:26. | :37:27. | |
arrangements in quite an informal style so it does not look too | :37:28. | :37:32. | |
arranged. I have broken one and I am trying to do it very softly. We will | :37:33. | :37:38. | |
use that later. I will make that into a little buttonhole for | :37:39. | :37:45. | |
someone. I need a little bit longer to perfect the magic. Yours is | :37:46. | :37:52. | |
looking stunning. Do we just find it at the end? It is paper covered wire | :37:53. | :37:57. | |
so it secures the stems without bruising them and then we trimmed | :37:58. | :38:06. | |
that off and trim the stems to fit in a Leave vase. Then do we have it | :38:07. | :38:16. | |
in the house? It can bring you more enjoyment. | :38:17. | :38:21. | |
We'll be bringing you exclusive coverage of Her Majesty The Queen's | :38:22. | :38:23. | |
annual visit to the show on BBC Two at eight o'clock this evening. | :38:24. | :38:26. | |
While the exhibitors and designers are waiting | :38:27. | :38:28. | |
for the royal seal of approval, let's hear what some of today's VIP | :38:29. | :38:31. | |
What's not to love about Chelsea? It is seeing all these gorgeous colours | :38:32. | :38:45. | |
and flowers. Oh, my gosh, it is exciting, so creative. People think | :38:46. | :38:48. | |
you have got to know about flowers to come here, no, you have got to | :38:49. | :38:55. | |
come here and worship. I come here for ideas, to see all the new things | :38:56. | :38:59. | |
and you have a great opportunity to talk to all the growers. I had not | :39:00. | :39:05. | |
been for a long time that I am loving it. | :39:06. | :39:24. | |
I love the varieties here and maybe I love the stands because I am a bit | :39:25. | :39:28. | |
of a shopper. It is fantastic, one of the great events of the year, | :39:29. | :39:31. | |
along with Scott, Henley and Wimbledon. It is a lovely thing to | :39:32. | :39:34. | |
do. It is a beautiful oasis in the heart of London. I cannot imagine | :39:35. | :39:36. | |
there is a more creative space on the planet than Chelsea. | :39:37. | :39:37. | |
The show gardens seem to have been a big hit with this year's VIPs. | :39:38. | :39:41. | |
Now I'm joined by two of Chelsea Flower Show's own | :39:42. | :39:43. | |
young stars, gold medal designers the Rich brothers. | :39:44. | :39:45. | |
Guys, it has been an incredible few years for you. You have been | :39:46. | :39:51. | |
catapulted. It feels like last year it was your Artisan garden? That was | :39:52. | :39:56. | |
2013 when we were first aired. Doing the little Artisan garden. It was | :39:57. | :40:02. | |
the pivotal point of our career being here amongst the hustle and | :40:03. | :40:08. | |
bustle. Huge names, it was crazy. You were still at uni then? So you | :40:09. | :40:14. | |
did that and you did three in a row, you did Main Avenue the next year | :40:15. | :40:19. | |
and people work for 20 years before they get onto Main Avenue. That is | :40:20. | :40:23. | |
incredible. It was our 10-year plan to get to Chelsea and with some good | :40:24. | :40:28. | |
luck and timing we somehow managed to do three in three years. We are | :40:29. | :40:33. | |
very pleased. It was a great result for us. Where has that taken US | :40:34. | :40:38. | |
young people getting into the industry, an industry which is not | :40:39. | :40:39. | |
necessarily known for its youth appeal? We have been | :40:40. | :40:56. | |
lucky to work with some fashion brands. That was cool. That was | :40:57. | :40:58. | |
maybe a different angle and they thought maybe that could be a nice | :40:59. | :41:01. | |
combination of industries in a way. The same direction in a way as most | :41:02. | :41:04. | |
people with designs. A bit of TV as well which has been fun. You have | :41:05. | :41:08. | |
just got a TV show out and I have just seen a book as well! When are | :41:09. | :41:14. | |
you coming back? We would love to be back. It is just finding the right | :41:15. | :41:21. | |
time and stuff like that. What has Chelsea done for you? It is unusual | :41:22. | :41:25. | |
to start at Chelsea, has it helped you in your career? I think being | :41:26. | :41:31. | |
young, coming in to Chelsea, as a designer, I think lines look at you | :41:32. | :41:36. | |
and think what have you done before, what can you show us? Chelsea came | :41:37. | :41:40. | |
up with the backbone, it was something we could lean on going | :41:41. | :41:44. | |
into these projects and gave us confidence as well that we knew we | :41:45. | :41:49. | |
could do it, and it has been absolutely incredible for us. It is | :41:50. | :41:54. | |
incredible how much you learn when you are catapulted into it. It is a | :41:55. | :41:59. | |
baptism of fire, they are not real Gardens in some ways, they're all | :42:00. | :42:04. | |
the challenges of designing it, the floral display and almost like a | :42:05. | :42:08. | |
stage set you are setting up at the same time? It is definitely a | :42:09. | :42:12. | |
different world. You have the same principles but you have to think | :42:13. | :42:20. | |
about who is viewing it and hitting your brief as well. You are letting | :42:21. | :42:22. | |
it grow and developing it but the stress of making sure something is | :42:23. | :42:25. | |
in flower or that you have captured that atmosphere, that is the | :42:26. | :42:28. | |
stressful bit. I cannot wait to see you back here again guys. Lovely to | :42:29. | :42:32. | |
see you again. Unfortunately that's | :42:33. | :42:37. | |
all we have time for today, but what a fantastic start | :42:38. | :42:38. | |
to the week. It is better killer. The first thing | :42:39. | :42:50. | |
people see if this wall of colour. It is great watching them -- it is | :42:51. | :42:59. | |
spectacular. Thank you, James. My damaged Rose has gone to good use! | :43:00. | :43:04. | |
Hopefully, my floral designs will get better with time. | :43:05. | :43:08. | |
It certainly has been a triumphant first few hours, | :43:09. | :43:10. | |
and there's further coverage of the inaugural day here at Chelsea | :43:11. | :43:12. | |
But if you're watching in Wales, we'll be on BBC Two. | :43:13. | :43:16. | |
Yes, Sophie Raworth and Joe Swift will be taking a look | :43:17. | :43:19. | |
at all the day's events, including a preview | :43:20. | :43:21. | |
And I'll be chatting to the comedy genius Peter Kay. | :43:22. | :43:26. | |
If you have a question for Monty and Joe about the show, | :43:27. | :43:31. | |
get in touch via #askmontyandjoe as they'll be answering your | :43:32. | :43:34. | |
We will see you at the same time tomorrow. Bye-bye! Told macro | :43:35. | :43:46. | |
bye-bye! | :43:47. | :43:48. |