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The day we have all been waiting for has arrived as the world's most | :00:10. | :00:15. | |
prestigious flower show finally opens. It is the star-studded event | :00:16. | :00:19. | |
here in Central London as celebrities and VIPs rub shoulders | :00:20. | :00:23. | |
with royalty, to witness the creme de la creme in garden design and | :00:24. | :00:27. | |
planned perfection. It is glamorous, it is beautiful, it can only be the | :00:28. | :00:29. | |
Chelsea Flower Show. Hello and welcome to the 2017 | :00:30. | :01:03. | |
Chelsea Flower Show, an event supported by M Investments. All | :01:04. | :01:07. | |
eyes are on the stunning gardens and pristine plants as celebrity guests, | :01:08. | :01:12. | |
press and the Royal Family attend a private tour of the show. But you | :01:13. | :01:17. | |
have the best seats in the house as we explore this floral extravaganza. | :01:18. | :01:21. | |
Coming up tonight we will be revealing all of the show gardens, | :01:22. | :01:25. | |
some of which are already hitting the headlines. Comedian Peter Kay is | :01:26. | :01:29. | |
with Nicki Chapman discussing why the Chelsea Flower Show is the | :01:30. | :01:35. | |
perfect place to spoil his mum. Culinary goddess Mary Berry and DJ | :01:36. | :01:39. | |
Chris Evans reveal their garden dedicated to taste and we go behind | :01:40. | :01:43. | |
the scenes to discover the weird and wonderful ways that the exhibitors | :01:44. | :01:46. | |
in the Great Pavilion create their exquisite displays. The celebrations | :01:47. | :01:52. | |
are in swing and as the press pour into The Showgrounds -- Joe Burns, | :01:53. | :01:55. | |
they are pulling out all the stops to impress the crowds. | :01:56. | :02:12. | |
Each of the eight large show gardens has been finished to the Chelsea | :02:13. | :03:04. | |
standard and with the judging already completed, it is going to be | :03:05. | :03:07. | |
a tense wait for the results tomorrow morning but who are the | :03:08. | :03:11. | |
designers that make up Chelsea's top team this year? Let us head down | :03:12. | :03:16. | |
Main Avenue and we will introduce you. | :03:17. | :03:23. | |
First we have the Linklaters garden for woman-macro. -- my geese. What | :03:24. | :03:33. | |
is unique about this garden is the fact it is enveloped why this huge | :03:34. | :03:38. | |
hedge, it is very much a secret garden and I hope that the public | :03:39. | :03:46. | |
love that and enjoy it. Next up, the largest of the show gardens this | :03:47. | :03:55. | |
year, the Silk Road garden. I am Laurie Chetwode and I am packed | :03:56. | :03:58. | |
columns and we are delighted to be here for the fourth time. The team | :03:59. | :04:03. | |
of people who have worked on this garden have been fantastic and that | :04:04. | :04:09. | |
makes it all worthwhile. Making our way up Main Avenue the next garden | :04:10. | :04:12. | |
celebrates 500 years of Covent Garden. My name is Lee and I am | :04:13. | :04:25. | |
extremely proud to be on Main Avenue and I cannot wait to see the | :04:26. | :04:26. | |
reaction of the public. And Chris Beardshaw returns with the | :04:27. | :04:45. | |
Morgan Stanley Garden. It is time for a pit stop, Chris, you have | :04:46. | :04:49. | |
brought as a wonderful garden this year, it is absolutely singing out | :04:50. | :04:53. | |
in the sunshine, full of colour and flour. What is the thought process | :04:54. | :04:57. | |
behind it, why have you brought this garden? I was given a brief of | :04:58. | :05:02. | |
exploring education and it has long puzzled me that there must be a link | :05:03. | :05:05. | |
between music and gardens because the vocabulary that we use is | :05:06. | :05:09. | |
common. We talk about the patent is, the rhythms, the choreography, the | :05:10. | :05:26. | |
tapestries, all musical and theatrical terms and I wanted to see | :05:27. | :05:30. | |
how was that overlap going to work? Can we combine those elements? Have | :05:31. | :05:32. | |
you listened to a lot of music? The woodland behind is inspired by back, | :05:33. | :05:35. | |
this inspired by Mozart... I knew that. There is a complex mix of | :05:36. | :05:40. | |
colour, straightaway from your normal planting style, it is quite | :05:41. | :05:45. | |
riotous? That is well observed because Mozart is about pomp and | :05:46. | :05:50. | |
ceremony, it is about primadonna is performing and clamouring for | :05:51. | :05:54. | |
attention which is why the planting palette is so excitable, with the | :05:55. | :05:57. | |
green just to give it that polite sense of cohesion. Those Lupin 's | :05:58. | :06:04. | |
are gorgeous. I am so glad that you brought it here. You're always | :06:05. | :06:08. | |
challenging yourself and this is just wonderful. Thank you. We are | :06:09. | :06:16. | |
halfway along Main Avenue and we have drawn level with the mighty | :06:17. | :06:19. | |
Great Pavilion. This year it is home to more than 100 exhibitors and | :06:20. | :06:24. | |
early this morning James Wong went behind-the-scenes to discover the | :06:25. | :06:27. | |
extraordinary lengths that the exhibitors take to ensure their | :06:28. | :06:37. | |
displays are perfect today. There is no other way to say this, but | :06:38. | :06:42. | |
explained the tea strainer? Trying to get all the little bits out, | :06:43. | :06:48. | |
because the surface of the water should be so reflective, anything, | :06:49. | :06:51. | |
dust, bits of grass, it looks wrong if it is not scooped out. You doing | :06:52. | :06:58. | |
this until the judges come yes. Celebrity tea strainer! We will be | :06:59. | :07:07. | |
seen a lot of that this week. I have lived in Latin America and I love | :07:08. | :07:11. | |
the feeling that you have managed to transport us to a bit of it. Cable | :07:12. | :07:18. | |
ties and plastic parts, though? Yes cable tie it on and we will wrap | :07:19. | :07:21. | |
models around it to make it look more natural. That is what we have | :07:22. | :07:27. | |
done. It all becomes one of the same object. That is ingenious and | :07:28. | :07:30. | |
suddenly you have a piece of Ecuador behind you. I know Chelsea is all | :07:31. | :07:38. | |
about the peak of perfection, but what on earth can we learn? We need | :07:39. | :07:46. | |
to have it in a perfect shape and there is an advantage to taking some | :07:47. | :07:50. | |
of the leaves off, we take them of Michael just at the tip and then we | :07:51. | :07:56. | |
get another set of leaves covering them quickly, small, keeps the tree | :07:57. | :08:06. | |
in proportion. When it comes to gardening Kit, old antique fellows, | :08:07. | :08:13. | |
what is that about? I do not know where they have come from, but they | :08:14. | :08:21. | |
keep all my blood in my body, but I tried to stack them up and there is | :08:22. | :08:24. | |
no way I am doing this against my fingers, so bellows here I come. | :08:25. | :08:30. | |
Tweezers, if it all goes horribly wrong! All that preening and | :08:31. | :08:36. | |
prepping is now done and the great villain is now packed with people | :08:37. | :08:44. | |
and press surprised by it. Let us continue our journey and meet the | :08:45. | :08:47. | |
remaining Show Garden designers. Let's go. Further on, along our | :08:48. | :08:57. | |
journey is breaking ground. I am Andrew Wilson and I am Gavin | :08:58. | :09:03. | |
McWilliam and we are the designers of Breaking Ground. Our hopes is for | :09:04. | :09:07. | |
gold in Best in show because we think we have produced something | :09:08. | :09:15. | |
magical. Nearing the top of Main Avenue we have the Royal Bank of | :09:16. | :09:23. | |
Canada garden. My name is Charlotte Harris and for me Chelsea is the | :09:24. | :09:30. | |
greatest flower show on earth. It is an enormous privilege to be here. | :09:31. | :09:47. | |
And this is Welcome To Yorkshire. I am Tracy Foster and I hope that when | :09:48. | :09:51. | |
people come and see the garden that they will really love this slice of | :09:52. | :09:55. | |
the Yorkshire coastline and it will inspire people to come and make a | :09:56. | :10:03. | |
visit and see it for themselves. Right at the top of Main Avenue, we | :10:04. | :10:12. | |
have the M and G garden. And our journey ends at the top of Main | :10:13. | :10:18. | |
Avenue with this garden and you have brought the drama to the garden with | :10:19. | :10:23. | |
a garden inspired by a Maltese quarry. We wanted to create | :10:24. | :10:26. | |
something that was a real show stopper. This garden is for | :10:27. | :10:30. | |
everyone, a lot of people wonder what is going on there, but I think, | :10:31. | :10:36. | |
the idea is it is a garden which has been made with the material on site, | :10:37. | :10:41. | |
perhaps the plants on site, it is very sustainable, it is inspired by | :10:42. | :10:47. | |
the Maltese flora and systems, which are historic but also have this | :10:48. | :10:51. | |
contemporary feeling. You're so well known here for doing your wonderful | :10:52. | :10:57. | |
south of France gardens, so why did you choose a Maltese quarry? I am | :10:58. | :11:03. | |
obsessed with them. I constantly visit quarries. I wanted to smash | :11:04. | :11:10. | |
the prestige that we always do Provencal. We are fanatic about | :11:11. | :11:17. | |
Mediterranean plants and landscapes. It certainly involves some | :11:18. | :11:19. | |
challenging gardening because you have been right up there, some | :11:20. | :11:24. | |
extreme gardening. Everyone wanted to go unplugged by one, it was so | :11:25. | :11:29. | |
exciting and working with the Maltese quarrymen, they were really | :11:30. | :11:33. | |
inventive and genius. It has been a long time in the making and you are | :11:34. | :11:37. | |
here and congratulations and have a great week. That is all eight of | :11:38. | :11:42. | |
this year's large show gardens, each of the designers is a master of the | :11:43. | :11:47. | |
craft but for some of them, this is their first venture onto a worldwide | :11:48. | :11:53. | |
stage of Chelsea. Lee's debut an Main Avenue celebrates 500 years of | :11:54. | :12:06. | |
Covent Garden. You are an Main Avenue for the first time. How does | :12:07. | :12:10. | |
that feel? It feels very grown-up. You are grown-up. It has been my | :12:11. | :12:13. | |
dream for 13 years, to cover Main Avenue garden. You have realised | :12:14. | :12:15. | |
that dream, is this your dream garden you have created for us, it | :12:16. | :12:18. | |
is based on all the principles I love in terms of scale and balance | :12:19. | :12:24. | |
and proportion. I love symmetry. The whole thing is me, softened with | :12:25. | :12:29. | |
flowers, just to give it that romantic historic feel. You have | :12:30. | :12:33. | |
taken 500 years of Covent Garden and distilled it into a very accessible | :12:34. | :12:37. | |
approachable space and I think a lot of people would love to have a | :12:38. | :12:41. | |
garden like this behind their house. When I designed it, I wanted | :12:42. | :12:44. | |
something that looked like a domestic garden. I know that we have | :12:45. | :12:47. | |
a lot of structure and we have got the apple trees and to some extent | :12:48. | :12:51. | |
those elements would not be in a domestic garden, but I wanted to | :12:52. | :12:54. | |
show that this layout could be adapted and people could take those | :12:55. | :12:59. | |
things away with them. A dominant feature by these arches which are in | :13:00. | :13:05. | |
this colour? Yes they are. Did they look quite harsh initially? We just | :13:06. | :13:11. | |
had their hedging, no leaves, and I thought what I Don? I was really | :13:12. | :13:15. | |
scared about the colour and to the plan started to go win, but it | :13:16. | :13:20. | |
looked isolated and when it was we put those copper Pettini had | :13:21. | :13:23. | |
planters and, it brought the collar down to ground level and I relaxed. | :13:24. | :13:29. | |
It ties it in nicely and brings it through to the rest of the garden. | :13:30. | :13:34. | |
You have worked with Dermot Gavin with her few gardens at Chelsea, did | :13:35. | :13:39. | |
he teach you any tricks? It was about 13 years ago. He really | :13:40. | :13:42. | |
inspired me and showed me what could be achieved and when I first came to | :13:43. | :13:46. | |
Chelsea, I was in awe of the magnitude of what you can do and I | :13:47. | :13:50. | |
saw horticulture in a completely different way and he really was a | :13:51. | :13:54. | |
key person in terms of movie my career forward. It must have been a | :13:55. | :13:58. | |
great experience. Hopefully we will see you here for many years to hope | :13:59. | :14:05. | |
so. There is a nervous wait ahead for all the designers who will not | :14:06. | :14:09. | |
find out their medal results until tomorrow morning. Then we will see | :14:10. | :14:13. | |
which of the gardens have made the grade and been awarded a coveted | :14:14. | :14:17. | |
gold medal, but not all the gardens are being judged. This year's show | :14:18. | :14:23. | |
is also the home to five garden is celebrating the 50th anniversary of | :14:24. | :14:26. | |
Radio 2 and they are designed around each of the five senses. I'm here | :14:27. | :14:30. | |
with Chris Evans and Mary Berry who are going to tell me all about it. | :14:31. | :14:38. | |
This is the taste garden and Mary, you're famous for your culinary | :14:39. | :14:41. | |
skills and you're also a keen gardener. I love gardening. When | :14:42. | :14:44. | |
you're exhausted from cooking, go out into the French air and pick | :14:45. | :14:48. | |
some herbs and do some gardening, it makes you feel good. | :14:49. | :15:02. | |
Writeback I love seeing all the vegetables, which are not common at | :15:03. | :15:10. | |
this time of year. Lots of kale and lettuce. They are like miniature | :15:11. | :15:17. | |
works of art. It looks like a Peter Rabbit special. Are you a keen | :15:18. | :15:24. | |
gardener Chris? Massively so, if not more so than Mary Berry the lead | :15:25. | :15:33. | |
back! But no, I have done it before, I do have a tractor, my wife loves | :15:34. | :15:40. | |
gardening. I know all the blogs I've said this to you but it's true. It's | :15:41. | :15:44. | |
the conversation, you need somebody to listen, when you have made a | :15:45. | :15:48. | |
garden you need somebody to look at it and I am a good look. Are you | :15:49. | :15:53. | |
ploughing the fields for your vegetables? We do all the usual | :15:54. | :15:58. | |
stuff, sweet peas, beetroot is good fun. Vegetables are quite easy to | :15:59. | :16:01. | |
grow, they do a lot of work themselves and the kids love them, | :16:02. | :16:09. | |
they love anything in the garden that they can eat or anything that | :16:10. | :16:12. | |
is smaller than it should be or is massive. That's the key to getting | :16:13. | :16:15. | |
them engaged or involved but I know why you came here, because of your | :16:16. | :16:19. | |
market gardening past, your heritage. Are you talking about my | :16:20. | :16:27. | |
pineapples? Don't you come from a family of market gardeners? I come | :16:28. | :16:32. | |
from a family of gardeners, but the group I and apples, and we don't | :16:33. | :16:37. | |
have any here. But this is a garden you can take this home. You can | :16:38. | :16:45. | |
relate to them, people can look and see celeriac, I have seen that in | :16:46. | :16:48. | |
the shops, perhaps I should try and grow it but that is hard because it | :16:49. | :16:54. | |
is harvested so late but there is so much to see, tomatoes, everything. I | :16:55. | :16:58. | |
think it will inspire people to have a go at home and children. Wonderful | :16:59. | :17:04. | |
children. You have had quite a crowd, even broadcast here this | :17:05. | :17:09. | |
morning? I did not realise how good the gardens were going to be and | :17:10. | :17:15. | |
Mary was very much involved in the architecture of this garden, but | :17:16. | :17:19. | |
they are quite impressive R? They are impressive, drying in the | :17:20. | :17:25. | |
crowds, the sort of gardens you can take home and do yourself. You can | :17:26. | :17:37. | |
smell it. It smells are stunning. I had a good taste of many of the | :17:38. | :17:41. | |
things and that dear little mulberry tree, something brand-new. I am | :17:42. | :17:48. | |
going to grow it. That could be disappearing by the end of the week. | :17:49. | :17:55. | |
Underneath my arm. The five feel-good gardens are new additions | :17:56. | :17:59. | |
to the shore and from the reaction I have seen we are sure to see them as | :18:00. | :18:03. | |
a big hit. We will explore them in depth later in the week. The smaller | :18:04. | :18:08. | |
gardens here have a certain sparkle all of their own as Arit Anderson | :18:09. | :18:14. | |
and Joe have been finding out. As an RHS Gold winning conceptual | :18:15. | :18:25. | |
design yourself what do you think of the Bermuda Triangle by jack Dunn | :18:26. | :18:31. | |
clay? It is bawled, using these strong triangular shapes. These | :18:32. | :18:40. | |
great Palmer to use this sort of eruption of the volcano. The eyes | :18:41. | :18:48. | |
being drawn to the middle, I think it really works. I agree, he has | :18:49. | :18:57. | |
used lots of plants from that area. If I am honest I would like to have | :18:58. | :19:02. | |
seen them peeking out more, more of that eruption, a bit more colour | :19:03. | :19:09. | |
coming through. I think one of the things unfortunately the viewers | :19:10. | :19:12. | |
will not see is that it is like, whipped up during the night so you | :19:13. | :19:17. | |
would see a lovely volcanic lava field. You get shadows and it gets | :19:18. | :19:25. | |
backlight and I think he's done a great job, bold is good. Let's go | :19:26. | :19:33. | |
into the Bermuda Triangle, after you. Thank you. This is a bit | :19:34. | :19:43. | |
frightening. It feels great. I like it in here. The Bermuda Triangle | :19:44. | :19:52. | |
really works. I am going to use that to get home tonight. The Artisan | :19:53. | :19:57. | |
gardens are a different ball game, all about craft and artistry, what | :19:58. | :20:04. | |
do you think of this? The attention to detail is outstanding. The | :20:05. | :20:08. | |
beautiful water feature in the background, you want to get drawn | :20:09. | :20:13. | |
into it. All of the planting, the details, the way it's been spaced | :20:14. | :20:19. | |
out, so much in here, absolutely outstanding. I love the use of | :20:20. | :20:25. | |
colour, the different textures. This cooling spot with the trees, almost | :20:26. | :20:32. | |
borrowing the land behind, Ishihara has been here for so long, he has | :20:33. | :20:37. | |
such a passion for Chelsea. He creates these things which people | :20:38. | :20:41. | |
get lost them. This vertical backdrop is like a moving picture. | :20:42. | :20:47. | |
It is outstanding, the fact he comes every year and can make you look at | :20:48. | :20:53. | |
the different details, that is what people can take away, that in our | :20:54. | :20:58. | |
garden there is so much to look at. Tiny little space and this is what | :20:59. | :21:01. | |
he can do. This has to be my favourite. This, for me, is one of | :21:02. | :21:11. | |
the best. It is great. Glitz and glamour as far as the eye can see, | :21:12. | :21:17. | |
earlier we caught up with some of the VIP's who have been taking it | :21:18. | :21:18. | |
all in. How do they keep everything alive? I | :21:19. | :21:34. | |
go to buy a plant at a garden centre and I can hear it going no! | :21:35. | :21:43. | |
Completely overwhelmed by it really. I have obviously seen it on TV over | :21:44. | :21:51. | |
the years but it is stunning. This is incredible. Living plants all put | :21:52. | :22:00. | |
together under a marquee. What I love is that I have got a rose in | :22:01. | :22:07. | |
front of me -- named after me, what could be better? I feel very spoilt. | :22:08. | :22:13. | |
It is beautiful, and beautiful weather for a great day. I love the | :22:14. | :22:22. | |
variety that is here and I love the stands because I'm a bit of a | :22:23. | :22:29. | |
shopper. Certainly a lot of famous faces here today, among them | :22:30. | :22:32. | |
comedian Peter K. Earlier Nicki Chapman caught up with him. Welcome | :22:33. | :22:42. | |
to Chelsea, first experience? It's like Glastonbury without music. Is | :22:43. | :22:48. | |
it better than Glastonbury? I have never been. What do you think? It is | :22:49. | :22:59. | |
beautiful. I work with you ten years ago on a TV programme, and Nicola | :23:00. | :23:05. | |
helped me out as a judges and now we meet again at Chelsea Flower Show. | :23:06. | :23:10. | |
What a place to meet because you and your mum love flowers. My mum loves | :23:11. | :23:16. | |
flowers so this is her birthday treat. There she is over there. It's | :23:17. | :23:23. | |
been beautiful. It's a wonderful place. Are you inspired as you walk | :23:24. | :23:30. | |
around, did you have a garden as a little boy? We had a hedge. Now I | :23:31. | :23:35. | |
have got a window box. Mum has got a nice garden in a bungalow. You did a | :23:36. | :23:41. | |
tour called mum wants a bungalow. Yes and the next one is called mum | :23:42. | :23:46. | |
wants a villa! We are moving up. I have loved these gardens. I think | :23:47. | :23:53. | |
those trees were already here but I like, I have not seen those hanging | :23:54. | :23:57. | |
down, lovely. There is some lovely things. It's a gorgeous spot, so | :23:58. | :24:03. | |
much to explore but he thought I would drive you around like car | :24:04. | :24:10. | |
share. I would you have done but it is American, can you drive American? | :24:11. | :24:16. | |
I am in control. But there is a vicious rumour car she is not coming | :24:17. | :24:22. | |
back. It is not. You're meant to be together. Tell her that! But yeah, | :24:23. | :24:31. | |
it's been lovely, but I think you should get out while the going is | :24:32. | :24:35. | |
good. Is it the pressure to keep doing it again. You need good | :24:36. | :24:40. | |
stories and there is only so much you can do in a car as you conceive. | :24:41. | :24:48. | |
What would you call this? A floral fancy. Hopefully you will see things | :24:49. | :24:51. | |
you will take back and you will take up gardening. What are you up to? | :24:52. | :24:59. | |
Well, funny you should ask, I am doing a show at Blackpool opera | :25:00. | :25:03. | |
house on the 4th of June for a lovely lady who is very thoroughly | :25:04. | :25:07. | |
and needs treatment, she is called Polly Haydock so if kind people | :25:08. | :25:11. | |
would like to come and join me feel free. Give her our best, a lot of | :25:12. | :25:16. | |
the gardens here will be used for charities. Yes, there is a lovely | :25:17. | :25:24. | |
mental illness garden. Some stunning flowers at the main pavilion. There | :25:25. | :25:31. | |
was one of them, hundreds 66, 106, that was my favourite, I have a | :25:32. | :25:39. | |
picture of it. Talking of flowers and gorgeous arrangements the | :25:40. | :25:42. | |
florist to Her Majesty the Queen has done this especially for your mum to | :25:43. | :25:47. | |
celebrate her birthday. This is for you! For your birthday! Yeah! We are | :25:48. | :25:55. | |
so delighted you have joined us. Your first experience and I hope you | :25:56. | :26:04. | |
come back. I will. Looks like she is sorted for a lift home tonight. | :26:05. | :26:08. | |
Every garden designer here on Main avenue wants to walk away with one | :26:09. | :26:15. | |
of these, a shiny gold medal. I am here with Chelsea superstar Adam | :26:16. | :26:20. | |
Frost. Thank you, I don't think you have ever been so nice. You have got | :26:21. | :26:26. | |
seven, I have got one. To get one of these you have to come up with | :26:27. | :26:31. | |
perfection, the whole process of judging, the points system, nowhere | :26:32. | :26:36. | |
to hide, it's got to be top-notch. It has, right from when you send in | :26:37. | :26:41. | |
your submission to the RHS, you have to get through two or three mac | :26:42. | :26:45. | |
committees just to get here. Last year we did it, we worked out it | :26:46. | :26:50. | |
took 100 working days out of the year to come here and nail it. The | :26:51. | :26:56. | |
planning starts way in advance, shopping for plants and materials, | :26:57. | :27:00. | |
putting structures together, this is the culmination of all that planning | :27:01. | :27:05. | |
but things can go wrong. Things can go right. I have had some moments, | :27:06. | :27:10. | |
you think you have got everything right and in place then you come | :27:11. | :27:14. | |
here, the stripped piece of earth with 19 days to go and you go | :27:15. | :27:19. | |
through every single emotion. You are in love with it, out of love | :27:20. | :27:23. | |
with it, wishing you had never come, on top of the world. You do the lot | :27:24. | :27:29. | |
in a short period. You know about the judging process and the points | :27:30. | :27:33. | |
system, you get feedback so you know what categories to hit, and there | :27:34. | :27:39. | |
are a lot. It works out at about ten. But what you learn to do is | :27:40. | :27:42. | |
write your brief so it is understandable, keep it simple and | :27:43. | :27:47. | |
then at the end you can more or less set with a sheet and say you could | :27:48. | :27:53. | |
drop me a point because of this or that, I am OK with this and that, so | :27:54. | :27:58. | |
you can work out where roughly you are. The more you do you start to | :27:59. | :28:03. | |
understand the process. You are looking for a gold medal but anyone | :28:04. | :28:07. | |
who has won one could win best in show which is the icing on the cake. | :28:08. | :28:13. | |
It is, that just used to be 12 votes but now it is the top score which I | :28:14. | :28:18. | |
think is better because at least you know now if you nearly top score | :28:19. | :28:24. | |
your walking away... It is not subjective, it's on a points system. | :28:25. | :28:29. | |
You and I, we have not built gardens this year, the work starts now for | :28:30. | :28:33. | |
us to let everyone know how amazing these gardens are and enjoy the | :28:34. | :28:37. | |
week. Lovely to see you and I am glad you cannot get your eighth this | :28:38. | :28:38. | |
year. Bless you! Hi it's been a great first day, the | :28:39. | :28:56. | |
sunshine. The guest still enjoying the show, but Joe will be joining | :28:57. | :29:00. | |
Monty Don in a few moments on BBC Two. | :29:01. | :29:05. | |
We will delve deeper into the show gardens and Monty will catch up with | :29:06. | :29:12. | |
the lovely Joanna lovely. And there will be exclusive footage of the | :29:13. | :29:17. | |
Queen 's visit. But for both of us, goodbye for now. | :29:18. | :29:19. |