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Hello and welcome to The Royal Horticultural Society's | :00:33. | :00:34. | |
Chelsea Flower Show 2017, an event supported | :00:35. | :00:38. | |
It's the opening day of the most celebrated flower show on Earth | :00:39. | :00:51. | |
and the world's press has descended en masse to get a first | :00:52. | :00:54. | |
look at what Chelsea has to offer this year. | :00:55. | :00:56. | |
There's been a real sense of excitement in the air, | :00:57. | :00:59. | |
as a host of VIPs and famous faces join the press pack | :01:00. | :01:01. | |
to take in the very best plants and garden design. | :01:02. | :01:07. | |
But you don't need a VIP pass to enjoy this year's offering, | :01:08. | :01:11. | |
because we will be covering every inch | :01:12. | :01:13. | |
here on the BBC, ensuring you don't miss a moment. | :01:14. | :01:18. | |
Our team of garden design and plant experts will be your guides | :01:19. | :01:21. | |
throughout the week sharing their specialist knowledge | :01:22. | :01:25. | |
Coming up on tonight's programme, Joe | :01:26. | :01:30. | |
and I give our first impressions of the large show gardens and we'll | :01:31. | :01:33. | |
be meeting designer Tracy Foster as she takes on the challenge | :01:34. | :01:35. | |
of bringing the rugged Yorkshire coastline to Chelsea. | :01:36. | :01:39. | |
We'll be meeting the Great Pavilion exhibitor whose passion for Alliums | :01:40. | :01:42. | |
helped establish them as a favourite in the British summer border. | :01:43. | :01:45. | |
Joanna Lumley is here to share her passion | :01:46. | :01:49. | |
for gardening and why, for her, the Chelsea Flower Show | :01:50. | :01:51. | |
Adam Frost will be with us throughout the week, | :01:52. | :01:55. | |
to show how you can use the best design ideas at Chelsea | :01:56. | :01:57. | |
Tonight, it's all about maximising small spaces. | :01:58. | :02:03. | |
And just hours ago, Her Majesty the Queen arrived | :02:04. | :02:05. | |
for her annual visit to the show, and we'll be bringing | :02:06. | :02:08. | |
As visitors arrive at the show, the first point of call is usually | :02:09. | :02:16. | |
Monty and I were eager to do the same, so earlier we headed down | :02:17. | :02:20. | |
There has always been something of the catwalk about the main show | :02:21. | :02:35. | |
gardens here at Chelsea. They set the fashions from which we tend to | :02:36. | :02:39. | |
follow. What you see here today will start popping up in gardens all over | :02:40. | :02:45. | |
the country in the years to come. And there have been certain trends | :02:46. | :02:48. | |
over the last few years which are starting to become repeated, and one | :02:49. | :02:53. | |
of them is to take a landscape and conceptualise it, think of Dan | :02:54. | :02:59. | |
Pearson or Andy Sturgeon's Gardens. And this year is no exception. | :03:00. | :03:03. | |
Whether that means what we are seeing are true gardens or works of | :03:04. | :03:08. | |
art or ideas, I don't think that matters. What matters is that you | :03:09. | :03:12. | |
can find something in it that is meaningful to you, and that you | :03:13. | :03:17. | |
enjoy it. And here we have Breaking Ground Garden and that follows that | :03:18. | :03:22. | |
pattern. It is based upon the landscape around Wellington College | :03:23. | :03:25. | |
in Berkshire, and it seem really is learning. I know that landscape, it | :03:26. | :03:31. | |
is heathland, although most of our heathland has disappeared over the | :03:32. | :03:34. | |
last 100 years, and at the back of the garden you can see a little | :03:35. | :03:37. | |
re-creation of his lid with its typical flora, and that great, | :03:38. | :03:42. | |
gritty, Sandy, acidic soil, I know because I went to school just down | :03:43. | :03:47. | |
the road from there, and I can smell it. And these walls which I first | :03:48. | :03:52. | |
thought was something to do with DNA or chemical structure, but they | :03:53. | :03:58. | |
represent the walls of learning, they break down and start again, and | :03:59. | :04:04. | |
that is how learning works. This wall has the aspirations of learning | :04:05. | :04:10. | |
through pupils. And here the synapses connecting the planting in | :04:11. | :04:15. | |
the pavement. It is flowing free and moving out, and the lines of colour | :04:16. | :04:19. | |
weaving and trending towards the future where education is left | :04:20. | :04:25. | |
behind, but never forgotten. We go back to that question, is it a | :04:26. | :04:28. | |
garden? Does it relate to me at home? And I think the answer is | :04:29. | :04:33. | |
absolutely yes, because there will be something here, something in all | :04:34. | :04:37. | |
the gardens at Chelsea that you can find, you can use and make your own | :04:38. | :04:44. | |
garden the better for it. From a damp northern European landscape to | :04:45. | :04:48. | |
this scorched and arid Mediterranean. The idea here is a | :04:49. | :04:54. | |
Maltese quarry that has been completely abandoned. So originally | :04:55. | :04:59. | |
the ground level would be at the top of these wonderful towers here, | :05:00. | :05:04. | |
these are just huge and imposing on the site, and the whole area around | :05:05. | :05:08. | |
has been excavated out as the quarry has been developed. But over time, | :05:09. | :05:13. | |
the quarry has been abandoned, and a couple have taken over the site and | :05:14. | :05:17. | |
turned it into a garden, and it really is a functional garden. We | :05:18. | :05:22. | |
have a seating area at the top with this wonderful pistachio holding the | :05:23. | :05:27. | |
corner as you walk down to the sunken area, and I really like this | :05:28. | :05:32. | |
garden because it is a landscape. It really conjures up the essence of a | :05:33. | :05:36. | |
landscape, but it is also an incredibly contemporary garden at | :05:37. | :05:39. | |
the same time, it has a very strong mood about it, and everything works | :05:40. | :05:43. | |
with that theme which makes it so successful. The new owners have | :05:44. | :05:48. | |
found these old pieces of stone on-site and they have rearranged | :05:49. | :05:50. | |
them and used what they can enter this sort of chequerboard effect of | :05:51. | :05:55. | |
stones, and I like the way that the boundary has got these saw marks cut | :05:56. | :06:02. | |
in to add texture and backdrop to the whole garden, because the stone | :06:03. | :06:05. | |
is continuous throughout the site and it gives that a real sense of | :06:06. | :06:09. | |
harmony. The plants have got that sense that it has been abandoned, | :06:10. | :06:13. | |
they have self seeded and dotted around, but there is a huge range of | :06:14. | :06:16. | |
endemic lance at the same time, salsify over there, and Islay of the | :06:17. | :06:24. | |
red Valeri and behind me. And this fantastic terrace and this water, | :06:25. | :06:32. | |
the colour is perfect, the quality is so tempting. As the week goes on | :06:33. | :06:38. | |
and the temperatures rise, I can see people diving in and enjoying this | :06:39. | :06:42. | |
space. I will stick my neck out on this garden, I think James is | :06:43. | :06:45. | |
heading for his fourth Chelsea gold medal. I have said it. Another show | :06:46. | :06:51. | |
garden designer, Tracy Foster, was faced with the task of capturing the | :06:52. | :06:54. | |
essence of Yorkshire's coastline. Sophie Raworth caught | :06:55. | :07:01. | |
up with Tracy onsite during the hectic three-week build, | :07:02. | :07:03. | |
to see if her months Your first time doing a show garden | :07:04. | :07:12. | |
on Main Avenue. You'd think you'd keep it kind of simple. Not so per | :07:13. | :07:17. | |
Tracy Foster, because she has decided to bring a slice of the | :07:18. | :07:21. | |
Yorkshire coastline to central London, complete with cliffs and the | :07:22. | :07:24. | |
sea. Tracy, it is certainly ambitious. | :07:25. | :07:35. | |
Explain what you are doing. What is going on here is the front of the | :07:36. | :07:38. | |
garden will be the water feature, and the water feature is all about | :07:39. | :07:42. | |
the sea, so I couldn't really do a small water feature, it had to be | :07:43. | :07:45. | |
quite big. How will you do that there? Yes, everybody keeps asking | :07:46. | :07:50. | |
me that! Richard is constructing some sort of | :07:51. | :08:02. | |
cliff like walls. They are beautiful behind us. Huge pieces of chalk that | :08:03. | :08:08. | |
we got out of the quarry, and then we will just form the land, rolling | :08:09. | :08:13. | |
right up to the level of the top of the cliffs, and then on the top, | :08:14. | :08:17. | |
that is where there will be a ruin, and it puts a bit of mood in the | :08:18. | :08:24. | |
garden as well. This isn't your first time at Chelsea, you have done | :08:25. | :08:27. | |
an Artisan garden here, but the problems of the scale is a different | :08:28. | :08:32. | |
kettle of fish. It has been a huge change having a massive team of | :08:33. | :08:36. | |
people and lots of people responsible for different things, | :08:37. | :08:39. | |
things I am not involved in at all. And you are standing here at the | :08:40. | :08:44. | |
moment, itching to get in there. I'm dying to do something that might be | :08:45. | :08:45. | |
useful to somebody! It is the nerve-racking bit, I can't | :08:46. | :08:56. | |
stand it when people are touching the trees. Is it straight, Tracy? | :08:57. | :09:03. | |
They are putting the steps in now. When the paths is structured in the | :09:04. | :09:10. | |
shape of it, and even though bits have been built, it is just random. | :09:11. | :09:16. | |
It isn't particularly stable. Now the sea bed is starting to be made | :09:17. | :09:24. | |
up, it is miles better. It is pretty much completed now, the folly, so we | :09:25. | :09:32. | |
have completed it with some mud and water in a bucket! Everything seems | :09:33. | :09:36. | |
to be OK. I guess there is time for stuff to go wrong if it is going to. | :09:37. | :09:46. | |
Have you not been sleeping much? I haven't been sleeping tremendously | :09:47. | :09:54. | |
well, no. I think that is pretty standard. You are lucky to get five | :09:55. | :09:57. | |
hours. But it is all coming together. Today is the big day, | :09:58. | :10:01. | |
getting the turf in. You have just started that? Yes, it is quite easy | :10:02. | :10:07. | |
to cut, it feels a bit like cheating, but I'm sure it's the | :10:08. | :10:12. | |
right thing for a bank like that. And the sea does ebb and flow, | :10:13. | :10:20. | |
doesn't it? Yes, it is really nice. It is an ambitious garden, isn't it? | :10:21. | :10:23. | |
You are literally bringing a Yorkshire Cliffside to Chelsea. We | :10:24. | :10:29. | |
knew it was an ambitious plan. I didn't want to play it safe. What's | :10:30. | :10:33. | |
the point? I love this hedgerow along the side of the path, which | :10:34. | :10:37. | |
looks more spectacular when the turf is not there. It is area and light, | :10:38. | :10:42. | |
and I feel it is very believable. That is one good thing about doing a | :10:43. | :10:46. | |
natural garden, if something goes over a bit, it looks more natural! | :10:47. | :10:47. | |
It helps! I like your logic. Tracy, this is quite a build. You | :10:48. | :11:02. | |
have really had to build up the site. Yes, we brought in a lot of | :11:03. | :11:06. | |
soil and had to build some strong retaining walls. Because you have a | :11:07. | :11:10. | |
neighbour next door. And we don't want it to fall on them! And how | :11:11. | :11:16. | |
have you found the experience? I have enjoyed it, it is quite hectic | :11:17. | :11:20. | |
and frantic on Main Avenue, a lot of coming and going, but on balance it | :11:21. | :11:25. | |
has been good fun. And the thing that I think people are going to | :11:26. | :11:30. | |
ask, is this a garden, or is it a landscape? What have you created | :11:31. | :11:34. | |
here? It is a garden, not in the conventional sense of a garden you | :11:35. | :11:37. | |
would have around the back of your town house where you would have a | :11:38. | :11:40. | |
table and chairs and enjoy your barbecue. But it is a garden in the | :11:41. | :11:45. | |
way that you might have a lake and a Himalayan planting or something like | :11:46. | :11:48. | |
that, maybe as part of a larger garden. I'm sure it would be fun to | :11:49. | :11:54. | |
own and sit in and enjoy. You are really tried to conjure up the | :11:55. | :11:57. | |
Yorkshire landscape, that is what this is all about. It is here to | :11:58. | :12:02. | |
give a message and to show people that there is something beautiful up | :12:03. | :12:04. | |
there and it is worth going to have a look. And all of the plants and | :12:05. | :12:09. | |
materials have been sourced locally? All the materials were sourced | :12:10. | :12:12. | |
locally, right down to the pebbles and the sand. So where are these | :12:13. | :12:17. | |
from? They are on loan from Flamborough Beach, they are going | :12:18. | :12:22. | |
back. The plants would grow there, quite unique conditions, but they | :12:23. | :12:28. | |
are not all grown there. And the hedgerow is stunning, it is | :12:29. | :12:31. | |
beautiful. I love it, it is one of the first things to go in, all quite | :12:32. | :12:35. | |
light and wispy, and the planting team did an amazing job on that. And | :12:36. | :12:39. | |
you sourced the stone from the Abbey? The stone from the Abbey is | :12:40. | :12:43. | |
the same sort of stone that would have been used for Whitby Abbey, but | :12:44. | :12:47. | |
we didn't actually take Whitby Abbey apart! I'm glad to hear it! It is | :12:48. | :12:53. | |
very authentic, I can hear the seagulls in the background, you have | :12:54. | :12:56. | |
a soundscape going on, I can smell the salt coming off the seaweed | :12:57. | :13:00. | |
here. That has been drying in my greenhouse for a few weeks. It is as | :13:01. | :13:06. | |
if I am there, the visitors will love your garden. I hope so. Lovely | :13:07. | :13:09. | |
to meet you, and thank you for bringing it here. Thank you. | :13:10. | :13:14. | |
Today, the red carpet has been rolled out for Her Majesty | :13:15. | :13:17. | |
In celebration of the Royal visit, Carol Klein went to discover | :13:18. | :13:21. | |
the regal plants holding court in the Great Pavilion. | :13:22. | :13:28. | |
The Great Pavilion has plenty of oil subjects, whether it is because of | :13:29. | :13:36. | |
their name or their colour. But amongst this sea of contenders for | :13:37. | :13:42. | |
the throne, some plants have a Majesty all of their own. | :13:43. | :13:51. | |
Haq, the trumpet to announce the entrance of the Royal Courts. These | :13:52. | :13:57. | |
wonderful plants with their saturated colours are really | :13:58. | :14:03. | |
straightforward to grow. Keep them frost free Jorinde Muller into, and | :14:04. | :14:08. | |
don't water them at all, and then come spring, they will burst into | :14:09. | :14:15. | |
growth. -- keep them frost free during the winter. Then they will | :14:16. | :14:20. | |
fill the whole place with their glorious music. | :14:21. | :14:25. | |
In the Royal Courts, surely the plant that lends itself to the role | :14:26. | :14:34. | |
of footman is the delphinium. Tall, stately, often in lines, they really | :14:35. | :14:40. | |
form the basis of the brilliant border. | :14:41. | :14:48. | |
Every court needs its royal jester to keep the aristocracy entertained | :14:49. | :15:01. | |
and bring a touch of frivolity to the proceedings. These little jester | :15:02. | :15:08. | |
hats bring that. They are such reliable plants and so easy to grow, | :15:09. | :15:11. | |
and the perfect solution if you have got dry shade bringing their dancing | :15:12. | :15:17. | |
flowers to really liven up the proceedings. | :15:18. | :15:23. | |
This stand is fit for a King. In fact, it is full of King's. The | :15:24. | :15:34. | |
National plan of South Africa. It makes constant attention and if you | :15:35. | :15:39. | |
want to grow it in this country, grow it under glass wall move to | :15:40. | :15:49. | |
Cornwall and the Scilly Isles! We're in a Royal presence. The Queen of | :15:50. | :15:55. | |
hearts is in attendance presiding over this lovely stand. It takes | :15:56. | :16:05. | |
centre stage and is often known as bleeding hearts with its beautiful | :16:06. | :16:11. | |
elegant delightful flowers. During the summer, it dies down. And if it | :16:12. | :16:18. | |
does not, of its own accord, take a tape from the Queen of hearts. Off | :16:19. | :16:21. | |
its head! This year, the RHS have teamed up | :16:22. | :16:23. | |
with BBC Radio 2 to celebrate the station's 50th birthday | :16:24. | :16:27. | |
Chelsea-style. 'The Feel Good Gardens' | :16:28. | :16:28. | |
are designed to be the ultimate spaces in which to relax | :16:29. | :16:32. | |
and indulge your senses. There are five designs, each based | :16:33. | :16:35. | |
around one of the five senses. This is the Texture Garden, | :16:36. | :16:44. | |
with its designer, Matt Keitley. Hello. Everything relates to touch? | :16:45. | :16:59. | |
Absolutely right. And this was difficult because you can see what | :17:00. | :17:04. | |
you are doing with side and you can smell fragrance, how did you | :17:05. | :17:09. | |
approach this? The big challenge is the public cannot move through the | :17:10. | :17:14. | |
space. So trying to create something that your way they want to move into | :17:15. | :17:19. | |
it and to walk through it and to get that tactile experience across | :17:20. | :17:22. | |
without touching it and going through it. That is very tricky to | :17:23. | :17:28. | |
do that, and it is very nice coming in here but it is a shame the public | :17:29. | :17:33. | |
cannot. This is one of the best parts and using this level change | :17:34. | :17:35. | |
hopefully makes the space better. In fact, you have won | :17:36. | :17:38. | |
the People's Choice award twice But there are no medals awarded. No, | :17:39. | :17:51. | |
that element of the page is off at the time constraints Andy King | :17:52. | :17:56. | |
challenge. We had eight weeks to design and prepare and get ready and | :17:57. | :18:01. | |
to build the garden. Was that a liberation or panic? More towards | :18:02. | :18:07. | |
liberating. There is something lovely about spontaneous creativity. | :18:08. | :18:11. | |
That initial reaction to a brief and often the first idea is the best. | :18:12. | :18:16. | |
What the public cannot do that I can, that is quite dense and | :18:17. | :18:24. | |
prickly, pine, against delivery and shiny Stones and I want to touch | :18:25. | :18:31. | |
them. And you have progresses. -- and you have the grass. You have the | :18:32. | :18:37. | |
juxtaposition. How do we do that without being scratched? You can | :18:38. | :18:46. | |
achieve it. We could swap the pine that is the idea with Chelsea, to | :18:47. | :18:49. | |
push the boundaries and do something different and hopefully we have | :18:50. | :18:55. | |
achieved that. Do you think a valuable element of touching our | :18:56. | :19:00. | |
gardens? Absolutely. For myself and you and like-minded people about the | :19:01. | :19:04. | |
gardens, you move into a space and you want to interact and these five | :19:05. | :19:10. | |
are good gardens take that element to the extreme. And I hope we have | :19:11. | :19:16. | |
done it. -- these 520 macro. And you have. | :19:17. | :19:20. | |
The Great Pavilion houses some of the nation's favourite | :19:21. | :19:22. | |
plants and alliums are up there with the best of them. | :19:23. | :19:29. | |
Peter Warmenhoven has been exhibiting in the Great Pavilion | :19:30. | :19:31. | |
for the past 29 years and was instrumental | :19:32. | :19:33. | |
in making the allium a border favourite, loved by millions. | :19:34. | :19:37. | |
Look at the allium, it is a sure-fire, it stand straighter and | :19:38. | :19:49. | |
amazing colours. Amazing hats. We are close to Amsterdam. We have | :19:50. | :19:59. | |
grown since 1885, it is a family company and we have 55 varieties of | :20:00. | :20:07. | |
bulbs. It is 15,000 square metres where the bulbs get planted and we | :20:08. | :20:11. | |
have around 8,000 square metres in the greenhouse. We have more than a | :20:12. | :20:18. | |
million bulbs outside, on the field. Our business is maybe -- mainly set | :20:19. | :20:25. | |
up for bulb growing but you see they start to flower and there is a | :20:26. | :20:28. | |
market for the flowers so we sell the flowers to the auction. It is | :20:29. | :20:34. | |
hard to follow them, they go all over the world, every country. These | :20:35. | :20:42. | |
are mature bulbs, big bulbs and most flowers. You see the thickness of | :20:43. | :20:53. | |
the stem. Like a well-drained soil. They do not like heavy clay, that is | :20:54. | :20:56. | |
all the bulbs, not just the alliums. You plant them in the autumn and | :20:57. | :21:01. | |
they need a cold period to produce the flower. I started mainly with | :21:02. | :21:11. | |
the amorous, in 1985, I started to grow allium as well. I got one | :21:12. | :21:17. | |
variety, purple sensation. We came to Hampton Court and the people were | :21:18. | :21:25. | |
really keen on alliums and intimate Craig Ewers, I sold all my bulbs | :21:26. | :21:32. | |
abroad and I phoned my wife, can you get bulbs? It is really crazy. I | :21:33. | :21:38. | |
have been showing intro -- in Chelsea, this is my 29th year. I had | :21:39. | :21:44. | |
my biggest success in 2013 and we were best in show. That is for a | :21:45. | :21:49. | |
Dutch company, which was really amazing. We still enjoy that moment. | :21:50. | :21:54. | |
This is my last Chelsea, being in charge. I went to hand it over to my | :21:55. | :22:03. | |
son. I have learned from my dad. So I am confident of doing what I am | :22:04. | :22:09. | |
doing. Most of the ecosystems, not to be in charge any more, he has to | :22:10. | :22:15. | |
make the decisions. -- it is nice to be an assistant. He has to think, | :22:16. | :22:18. | |
this is the right driver for the show and just enjoy it. From here, | :22:19. | :22:26. | |
they going to the nursery, let me prepare them and they go into cold | :22:27. | :22:30. | |
storage for another week because we use them for Chelsea next week. As | :22:31. | :22:38. | |
soon as we cut the flowers, they go straight into cold storage, the | :22:39. | :22:42. | |
quicker the better. The flowers, they can be there the following day | :22:43. | :22:45. | |
already at customs or at the florist. We know when to cut them, | :22:46. | :22:51. | |
to store them until the end of July. We will not give away all our | :22:52. | :22:57. | |
secrets. They flower about three, four weeks. This is really a long | :22:58. | :23:03. | |
time for a flower. A Chudley is just ten days, a week. That is why they | :23:04. | :23:12. | |
are maybe so popular. Hopefully, it is going to make Chelsea. Not sure | :23:13. | :23:19. | |
at the moment, no. We need another couple more days to get bigger and | :23:20. | :23:25. | |
then they need a couple of days to open. I'm not sure. But that is | :23:26. | :23:31. | |
nature. There is nothing we can do. We have tried it in the greenhouse, | :23:32. | :23:35. | |
we try everything, you know what you are doing on it, but I do not | :23:36. | :23:47. | |
believe it is going to make it. I am pretty proud of him. How he runs | :23:48. | :23:52. | |
everything and how he does everything. Yes, it is always to | :23:53. | :23:57. | |
look at it and you can learn a lot from him. And of course, you want to | :23:58. | :24:01. | |
do it your own way but still, you always look back. Finally, it is | :24:02. | :24:08. | |
merely end. But I do not want to be number one any more. I have donated | :24:09. | :24:16. | |
more than 35 years. We have lovely children and lovely grandchildren | :24:17. | :24:21. | |
and a lovely wife and I want to do a lot of things as well. I say goodbye | :24:22. | :24:26. | |
to what I ever did and I have a good feeling about it. | :24:27. | :24:34. | |
The alliums make it to the show, who was right? So you are right. And | :24:35. | :24:45. | |
Nacho? I was not sure because I thought it was not going to make it. | :24:46. | :24:49. | |
With all my experience, I thought, it is not going to make it. Is this | :24:50. | :24:54. | |
a significant moment in the nursery's history? This is the | :24:55. | :24:59. | |
moment to step back and let him go on because he was right and I was | :25:00. | :25:05. | |
wrong after 29 years. I thought I knew and I had the experience. You | :25:06. | :25:10. | |
have passed on that knowledge and experience. It is a beautiful plant. | :25:11. | :25:15. | |
It is quite unusual and quite delicate compared to the bigger | :25:16. | :25:20. | |
flowering plants. It is unusual and it is tall with a funny flower. You | :25:21. | :25:28. | |
can say that. We have two say beautiful and delicate, you can say | :25:29. | :25:31. | |
it is a funny flower because you grow thousands. Allium seem to be at | :25:32. | :25:38. | |
a pig, they are so popular, everyone grows them. Have they reached a | :25:39. | :25:44. | |
peak, can they go anywhere? No, they can go further, developing new | :25:45. | :25:49. | |
varieties. Yes, you are right, but it will go on. Absolutely. So you | :25:50. | :25:54. | |
will take this further and you will return to Chelsea and I hope you | :25:55. | :25:59. | |
will return to Chelsea every year. Are you going to let him in to help | :26:00. | :26:05. | |
out? Yes, he is always welcome to help me out and help me with details | :26:06. | :26:12. | |
if I need something, I can always go back to him and ask for help. He has | :26:13. | :26:18. | |
a little bit of experience! This be your last major 29th year, you hope | :26:19. | :26:24. | |
for a big medal? I hope for a gold medal, yes. Fingers crossed, you | :26:25. | :26:29. | |
never know. Fingers crossed for you both and the nursery in the future, | :26:30. | :26:31. | |
lovely to meet you. Bulbs like alliums play an essential | :26:32. | :26:33. | |
role in our gardens. Many of the plants we love | :26:34. | :26:35. | |
the most are in fact bulbs. Here in the Great Pavilion, | :26:36. | :26:38. | |
exhibitors showcase some Frances Tophill has been on the hunt | :26:39. | :26:40. | |
to discover the best of these buried Bulbs are a vital part of our | :26:41. | :27:05. | |
gardens throughout the growing season and Great Pavilion, we are | :27:06. | :27:09. | |
spoiled for choice. Daffodils always held beginning of spring. | :27:10. | :27:16. | |
Understand, there are around 70 different varieties containing | :27:17. | :27:20. | |
25,000 different types and they are not all yellow trumpets, you can get | :27:21. | :27:25. | |
pink ones and multiheaded runs and even very scented ones. So there | :27:26. | :27:32. | |
really is no excuse not to grow them. Daffodil is a classic bulb but | :27:33. | :27:53. | |
a coroner stores the same nutrient. Glad you like a little more | :27:54. | :27:56. | |
complicated and they need protection from the frost. Gladioli flower 100 | :27:57. | :28:07. | |
days after planting seeds should plant some every week. But you will | :28:08. | :28:19. | |
agree, they are worth it. Lilies make a wonderful addition to your | :28:20. | :28:23. | |
garden or as cut flowers in your home and look at the colours, so | :28:24. | :28:28. | |
beautiful. And they could not be easier to grow. They need a | :28:29. | :28:34. | |
well-drained soil and some sunshine. Do not plant them too closely on the | :28:35. | :28:39. | |
ground containers and two times the depth of the board. Look at that | :28:40. | :28:44. | |
beautiful double flower and amazing stem and that is what they are all | :28:45. | :28:55. | |
about. Incredible! If you are a lover of bulbs, it is not too late | :28:56. | :28:59. | |
to plant something that will flower this year. This is a great example | :29:00. | :29:04. | |
and they grow anywhere that is sunny and sheltered with very good | :29:05. | :29:09. | |
drainage. Plant blubs slightly higher than the style and you will | :29:10. | :29:12. | |
have perfection throughout the autumn. -- higher than the soil. | :29:13. | :29:19. | |
Still to come from The RHS Chelsea Flower Show, an event | :29:20. | :29:22. | |
supported by M Investment: Monty will be in conversation with the | :29:23. | :29:25. | |
Absolutely Fabulous Joanna Lumley, who will be revealing how | :29:26. | :29:27. | |
she discovered her passion for gardening. | :29:28. | :29:32. | |
We'll discover how one designer's trek through the Canadian wilderness | :29:33. | :29:35. | |
inspired one of Main Avenue's most challenging designs. | :29:36. | :29:37. | |
And we'll be bringing you exclusive coverage, | :29:38. | :29:38. | |
as Her Majesty The Queen tours this year's show. | :29:39. | :29:47. | |
Whilst the Main Avenue show gardens often garner | :29:48. | :29:50. | |
the greatest attention, for me, the smaller gardens are... | :29:51. | :29:58. | |
All of the different types are just as interesting, both in the way that | :29:59. | :30:03. | |
they use their plants and in the details of design. And this is a | :30:04. | :30:10. | |
great example. It is only a very small footprint, but it is a | :30:11. | :30:12. | |
combination of architecture and garden that I love. Upstairs we have | :30:13. | :30:18. | |
a high-rise garden and lowdown here, a shady garden, but the views have | :30:19. | :30:24. | |
been framed, the materials thought about and it feels like a cohesive | :30:25. | :30:28. | |
design, great example of what you can do in your own space. Here we | :30:29. | :30:35. | |
have nice crisp box hedging and then this really lush shady environment. | :30:36. | :30:40. | |
These plants don't get much sun or rain, they will all be irrigated, | :30:41. | :30:43. | |
but we still have this wonderful textural foliage of plants like tree | :30:44. | :30:52. | |
ferns and changes and I really like this rusty metal trellis work that | :30:53. | :30:55. | |
ties in with the detail on the steps as well. It just shows you that you | :30:56. | :31:00. | |
can grow plants in the city in an urban environment. Plants should | :31:01. | :31:06. | |
always come first. They should, but the way they work with the design | :31:07. | :31:09. | |
should be seamless, and it does work here. I think this is one of those | :31:10. | :31:14. | |
gardens that gets better and better every time you look at it. These are | :31:15. | :31:18. | |
not the only small gardens. There is also the Artisan category. | :31:19. | :31:33. | |
Yesterday we made a mistake saying that Juliet Sargeant had won, but | :31:34. | :31:39. | |
she and fact won a gold medal, and today she has been to take a look at | :31:40. | :31:50. | |
the Artisan Gardens. These gardens are an opportunity for the designers | :31:51. | :31:53. | |
to really celebrate traditional skills of fine craftsmanship and to | :31:54. | :31:57. | |
enjoy working with these beautiful materials. This is the poetry lovers | :31:58. | :32:04. | |
garden, and the designer, Fiona Cadwallader, has created a beautiful | :32:05. | :32:09. | |
tranquil space. I can hear the trickle of the waterfall. She has | :32:10. | :32:14. | |
been quite brave in using stainless steel against the dry stonewalling, | :32:15. | :32:18. | |
but I think it does work, and it is a celebration of craftsmanship. And | :32:19. | :32:24. | |
I love the way that Fiona has created a really delicate palate of | :32:25. | :32:30. | |
planting. The tones of the flowers are very muted, very subtle, and | :32:31. | :32:34. | |
there is a lightness and airiness about the atmosphere of this | :32:35. | :32:38. | |
planting. But my favourite plant is this one, the fritellaria, usually | :32:39. | :32:48. | |
we expect those to be bright yellow or red, but this one is a dusty | :32:49. | :32:52. | |
purple which creates an accent for the planting, but isn't too in your | :32:53. | :33:01. | |
face, it is really subtle. Another Artisan Gardens celebrates the | :33:02. | :33:04. | |
heritage and habitat of the Norfolk Broads. It was designed by Gary | :33:05. | :33:09. | |
Breeze. The first thing that struck me about this garden was the | :33:10. | :33:14. | |
beautiful tones of the wood. What is the project were bad? It's sort of | :33:15. | :33:19. | |
tells a story from the tree to the sea. We have an oak tree and then | :33:20. | :33:28. | |
oaks that have been taken to smaller and smaller pieces of wood until we | :33:29. | :33:32. | |
have a boat under construction. Everything is made of natural | :33:33. | :33:35. | |
materials, then you put that in a natural environment and it comes | :33:36. | :33:40. | |
together. And it really transports us to the Norfolk Broads. I can | :33:41. | :33:44. | |
imagine myself there at this moment with the sunshine in and the birds | :33:45. | :33:49. | |
singing, all we need now is for a frog to hop into the water. Are | :33:50. | :33:54. | |
there any particularly rare plants? We have water soldiers that are | :33:55. | :34:00. | |
essential to a local dragonfly, and milk parsley which is where | :34:01. | :34:04. | |
swallowtail butterflies lay their eggs, and they lay them nowhere | :34:05. | :34:07. | |
else, so it is a full ecosystem here. | :34:08. | :34:15. | |
One of the great joys of Chelsea is that the gardens, | :34:16. | :34:17. | |
whatever their size, are awash with fresh ideas | :34:18. | :34:19. | |
and innovative designer tricks to be discovered. | :34:20. | :34:21. | |
But just how achievable are these ideas to recreate at home? | :34:22. | :34:28. | |
Throughout the week, multi-gold-medal-winning garden | :34:29. | :34:30. | |
designer Adam Frost will be revealing that it really is possible | :34:31. | :34:32. | |
to create a little bit of Chelsea magic in your own garden. | :34:33. | :34:35. | |
And tonight, he's focusing on how to make the most of your space. | :34:36. | :34:49. | |
Gardens seem to be shrinking by the day, but that doesn't mean you can't | :34:50. | :34:56. | |
have a beautiful garden. I think there are a load of ideas out there | :34:57. | :35:00. | |
to make a small space feel a whole lot bigger. | :35:01. | :35:13. | |
This really is a small garden. It is five metres by seven metres, and | :35:14. | :35:21. | |
there is so much going on. You might look at it and think, I couldn't do | :35:22. | :35:25. | |
that, and I'm not sure I could do some of the detail in the garden, | :35:26. | :35:30. | |
but there are so many ideas in here, it could really help you make your | :35:31. | :35:35. | |
space feel much bigger. In smaller gardens, we tend to forget that | :35:36. | :35:39. | |
actually you have more space around the garden than we have on the | :35:40. | :35:43. | |
surface, and we accept that we have a fence or wall, but if you think | :35:44. | :35:48. | |
about those boundaries, as part of the design process, you can make the | :35:49. | :35:51. | |
space feel bigger. And here, the back wall is sort of water wall | :35:52. | :36:00. | |
meets green wall. If you imagine the sort of office at home, by lifting | :36:01. | :36:04. | |
this building up and carrying the garden on straight under, the | :36:05. | :36:10. | |
proportions are beautiful. There is a lovely beach tree sitting outside | :36:11. | :36:14. | |
of this landscape, so imagine having a tree in a neighbour's garden, | :36:15. | :36:18. | |
maybe using that colour of that tree or the leaf of it to bring it into | :36:19. | :36:23. | |
your garden, and start to lose your boundaries, which makes your garden | :36:24. | :36:28. | |
feel bigger. I think it is absolutely exquisite. | :36:29. | :36:42. | |
Ultimately, this is really a hole in the ground, just a few steps down, | :36:43. | :36:47. | |
some nice seating surrounded by planting. All of a sudden it changes | :36:48. | :36:53. | |
the atmosphere totally, I am engaged with the garden and it feels | :36:54. | :36:58. | |
comfortable. My eye is at the same level as the moving grasses, the | :36:59. | :37:01. | |
flowers look beautiful, it is a similar thing to do. You imagine the | :37:02. | :37:08. | |
path closer to the house starts wide, and as it comes out into the | :37:09. | :37:11. | |
garden it gets thinner which makes the back wall feel much further | :37:12. | :37:16. | |
away. Sometimes actually just being brave enough to use a large area of | :37:17. | :37:20. | |
water in a small space can work really well. It is reflective and | :37:21. | :37:25. | |
bounces light around the garden. But on top of that, it gives the garden | :37:26. | :37:27. | |
space to breathe. What I really love about this space | :37:28. | :37:41. | |
is it is really simple. If you think about it in plan form, it is a | :37:42. | :37:44. | |
series of rectangles, and these beautiful slabs and change of level | :37:45. | :37:48. | |
slow your movement into the space, bringing you up onto this big slab | :37:49. | :37:56. | |
that cantilevers out over the water, and the water pushes the planting | :37:57. | :37:59. | |
away leaving you with the feeling that you have this really lovely | :38:00. | :38:02. | |
usable space. However small your garden is, there really are some | :38:03. | :38:08. | |
ideas out there that can make the space feel so much bigger. | :38:09. | :38:15. | |
For all its internationalism, Chelsea is quintessentially a | :38:16. | :38:23. | |
British affair, and always brings the most famous faces, especially on | :38:24. | :38:33. | |
the first day. Amongst them is possibly the most famous and most | :38:34. | :38:36. | |
British of all, Joanna Lumley. Do often? I am lucky enough to come | :38:37. | :38:43. | |
most years, and most years on Monday, and the first year I came, I | :38:44. | :38:47. | |
was 18 and I was staying with my in Earls Court, and it was Friday and | :38:48. | :38:52. | |
they sold off the plants, and I bought a lily that high in a pot, | :38:53. | :38:59. | |
and I didn't realise I had to get it back to Earls Court, I got a lift in | :39:00. | :39:06. | |
an ice cream van, and the fair he exacted from me was the case. But | :39:07. | :39:11. | |
was the sixties! And are you a keen gardener? You wouldn't be buying | :39:12. | :39:15. | |
plants if you were not. I am, we have a long thin garden in | :39:16. | :39:18. | |
Stockwell, the kind of people who sold us that has made a quarter of a | :39:19. | :39:21. | |
century ago had divided into three rooms. In the first bit, people | :39:22. | :39:26. | |
think gosh, you have a garden, then you have another bit with fish ponds | :39:27. | :39:31. | |
on the pear tree, and then you go down to the end with a walnut tree. | :39:32. | :39:37. | |
And I just adore it because we pick our own pairs, apples, plums, we | :39:38. | :39:41. | |
have got walnuts, but we have never managed to get one because the | :39:42. | :39:47. | |
squirrels get their first! Figs, lemons, about two kilos of lemons. | :39:48. | :39:51. | |
And do you keep them outside all winter? I don't even put stuff | :39:52. | :39:54. | |
around on. I couldn't do that at home. But this is London, the heat | :39:55. | :39:59. | |
of London. It is divine, I love it. I should add that it is what I call | :40:00. | :40:03. | |
a wild garden, which is how I love it. Maybe a little bit too wild! And | :40:04. | :40:11. | |
abandoned garden! And do you love it because of the way look is all | :40:12. | :40:15. | |
because of the wildlife it attracts, what is it? I am very keen on | :40:16. | :40:19. | |
wildlife, butterflies and insects and bees. I adore the Foxes, I | :40:20. | :40:24. | |
whistle them in for supper, I have something for them. Sadly some of | :40:25. | :40:30. | |
them have Mainge now, and the anywhere to stop that is to feed | :40:31. | :40:34. | |
them good dog food, which I do. We have squirrels, they are adorably | :40:35. | :40:37. | |
funny to watch, acrobats, lots of birds. So those are all important | :40:38. | :40:45. | |
for me, and the rain is all-important, we love the sweet | :40:46. | :40:49. | |
rain. That thing about weather, it is such an integral part of | :40:50. | :40:53. | |
gardening. Rather than seeing it as an enemy, it is what it is. We were | :40:54. | :40:59. | |
chatting earlier about having a little bit more time and a little | :41:00. | :41:02. | |
bit more age, and one of the things I have learned is to brace the | :41:03. | :41:07. | |
weather, not to see it as an enemy. And not the kind of predict how it | :41:08. | :41:11. | |
ought to be, take what comes, and bring with you something so that you | :41:12. | :41:15. | |
are not angry at cross. If you are going to be frozen, take something | :41:16. | :41:19. | |
in your bag to wrap around you or take off. So what do you take from | :41:20. | :41:25. | |
Chelsea? I just adore it here. I feel that if you didn't have a faith | :41:26. | :41:29. | |
and you came to Chelsea and looked at what's here, you would end up | :41:30. | :41:33. | |
believing in a new god, which is nature, the oldest god of all. Thank | :41:34. | :41:39. | |
you very much indeed. Thank you. We do worship nature, but we also | :41:40. | :41:41. | |
worship you, Joanna, too! Creating a show garden at Chelsea | :41:42. | :41:45. | |
is a monumental task, even But if your garden represents | :41:46. | :41:48. | |
the vast boreal forests and freshwater lakes of Canada, | :41:49. | :41:51. | |
and it's your first large show garden, it becomes | :41:52. | :41:54. | |
a challenge of epic proportion. We joined designer Charlotte | :41:55. | :41:58. | |
Harris on her journey The boreal wilderness is vast and | :41:59. | :42:20. | |
magnificent, and it would be impossible to bring that to a | :42:21. | :42:24. | |
Chelsea show garden, so I have tried to create a garden inspired by it | :42:25. | :42:32. | |
and that evokes it. The boreal is the largest intact ecosystem on | :42:33. | :42:35. | |
earth. It stretches across the northern hemisphere, with one third | :42:36. | :42:41. | |
of it in Canada. It accounts for 25% as the world's wetlands, acting as a | :42:42. | :42:47. | |
huge global long. Last September I was lucky enough to travel to Canada | :42:48. | :42:51. | |
and I recorded the adventure on my camera. But landing in Toronto was | :42:52. | :42:55. | |
just the first step. I had to take another two hour flight further on | :42:56. | :42:58. | |
before catching a float plane to the far north of Ontario. | :42:59. | :43:05. | |
Flying low over the boreal is a memory that will stay with me for | :43:06. | :43:13. | |
ever and has made this Chelsea Jenny spectacular. | :43:14. | :43:21. | |
So we arrived yesterday by float plane to Lake Whitewater to strikers | :43:22. | :43:28. | |
point, and today we are going to take these boats right across to | :43:29. | :43:33. | |
best island, where we will go on an exploration looking at native flora | :43:34. | :43:39. | |
for the boreal region. The lakes and waterways are so vast, traffic by | :43:40. | :43:43. | |
boat is the only way to go. And it was on the island that has started | :43:44. | :43:47. | |
to draw inspiration for the native flora and geology. My guide, Evelyn, | :43:48. | :43:53. | |
grew up in this region and knows from her elders how to identify | :43:54. | :44:01. | |
plants as food and medicine. So we are in this quite vast expanse of | :44:02. | :44:07. | |
what is called Labrador tea, and as you walk through it you can smell | :44:08. | :44:09. | |
it. It is a lovely smell. So wherever possible, I have tried | :44:10. | :44:21. | |
to find Canadian natives that suit that habitat, so I have managed to | :44:22. | :44:28. | |
find some Labrador tea. There was one specialist supplier in Europe, | :44:29. | :44:32. | |
and I managed to track it down. I came last week and it was looking a | :44:33. | :44:37. | |
bit dry and scrappy, but in the last week, it has really pushed an | :44:38. | :44:40. | |
encouragingly, and the nursery have assured me but that by the time we | :44:41. | :44:47. | |
get a Chelsea, it will have more growth. And here are the | :44:48. | :44:53. | |
gooseberries! Look at those. What do the berries taste like? Try them. | :44:54. | :45:08. | |
That is lovely. UC? They are sharp! I just love them. Are delicious. | :45:09. | :45:15. | |
Evelyn and I found the Laburnum in the forest in Canada, and I couldn't | :45:16. | :45:25. | |
source that anywhere over the past few months, so instead what I have | :45:26. | :45:31. | |
done is to select this meadowsweet. It has lobed leaves as well, and it | :45:32. | :45:35. | |
has the similar feel to the berries we saw in the forest. | :45:36. | :45:43. | |
This afternoon, we have been paddling down the river through the | :45:44. | :45:50. | |
boreal and we have found a bank of Iris. This is a Chelsea store what | :45:51. | :45:55. | |
because they look fantastic in May and I had not thought about using | :45:56. | :45:59. | |
them in the garden but that has given me food for thought. The | :46:00. | :46:08. | |
spades on them! They are just coming through. What a relief! Iris has | :46:09. | :46:16. | |
made the list, looking fantastic. And more exciting, we're starting to | :46:17. | :46:20. | |
see the little buds coming up so crossed fingers they would be | :46:21. | :46:29. | |
perfect for flowering for Chelsea. A bit of a Chelsea confession, I was | :46:30. | :46:33. | |
not going to use Jack Pines in the garden, I was going to use large | :46:34. | :46:38. | |
because they are native to the boreal, but I fell in love on the | :46:39. | :46:44. | |
expedition with their character, they look a bit like old men to me. | :46:45. | :46:49. | |
-- they fell in love with their character. It has been a really | :46:50. | :46:53. | |
amazing and nerve-racking and anxious experience. The journey has | :46:54. | :47:02. | |
been incredible. I felt that now was the time for me to step up as the | :47:03. | :47:08. | |
lead designer in my own right and to take on the challenge of a Chelsea | :47:09. | :47:10. | |
garden. Amazing trip. What a way to do | :47:11. | :47:21. | |
research for a Chelsea garden! Yes, to kick off your first Chelsea | :47:22. | :47:24. | |
garden, there is no better way than to be dropped in by a plane and to | :47:25. | :47:31. | |
travel by Canute and an incredible and Wales and epic landscape. So | :47:32. | :47:35. | |
many different ideas that it is hard to distil into a Show Garden. Yes, I | :47:36. | :47:40. | |
did not want to be a wee creation, and wanted it to inspired because | :47:41. | :47:45. | |
you cannot recreate the stale -- the scale of the landscape. These are | :47:46. | :47:51. | |
fabulous. Yes, they are so beautiful and tactile, that is granite from | :47:52. | :47:59. | |
Wales. And the plant. A great and shady ground cover. Yes, lovely | :48:00. | :48:03. | |
plant and I saw it with us going through it but we have not been able | :48:04. | :48:08. | |
to find those. You have had to adapt. I cannot remember the name of | :48:09. | :48:15. | |
this. Labrador. Fantastic and aromatic. You can make tea with it | :48:16. | :48:23. | |
and you can use it as a pastor for a small cut. Very handy, just in case! | :48:24. | :48:30. | |
If I cut myself! I like the scale and destruction. These pounds, the | :48:31. | :48:35. | |
character they bring, and you must have book, they are going to bring | :48:36. | :48:40. | |
character. They are magnificent and when I started thinking about the | :48:41. | :48:44. | |
Show Garden, I burst was going to put too March because that is | :48:45. | :48:49. | |
archetypal but after that journey, I kept seeing these magnificent pines | :48:50. | :48:55. | |
and I thought they were the ones. I can see why and the water is | :48:56. | :48:59. | |
perfectly clear, the clearest here. Out of any of the gardens. We can | :49:00. | :49:06. | |
paddle later! It was important to get that right because I wanted this | :49:07. | :49:09. | |
idea of the pristine nature of fresh water to the garden. You have helped | :49:10. | :49:14. | |
on a lot of gardens and I have seen you at the show many times you have | :49:15. | :49:18. | |
bitten the bullet and you are The Boss! Have has that been, you make | :49:19. | :49:23. | |
the decisions? Fantastic, there have been moments of doubt and worry in | :49:24. | :49:30. | |
the middle of the night at about four o'clock. And the difference is | :49:31. | :49:34. | |
I have worked on planting and you take one specific area, but you are | :49:35. | :49:38. | |
responsible now for getting it right. You have built up the | :49:39. | :49:42. | |
experience and created this fantastic garden, it is great to see | :49:43. | :49:46. | |
you at Chelsea and on Main Avenue. Well done. Thank you. | :49:47. | :49:55. | |
The event has become a barometer for future trends | :49:56. | :49:57. | |
and signposts what we can expect from our own gardens | :49:58. | :49:59. | |
Every show is different, with trains and challenges. | :50:00. | :50:05. | |
To discuss what this year's show can tell us about the future, | :50:06. | :50:08. | |
I'm joined by the Director General of the RHS, Sue Biggs. | :50:09. | :50:11. | |
Hello. It is very nice to be here at Chelsea. It is really exciting. This | :50:12. | :50:20. | |
year has had its own challenges, how has it been? It has had a couple of | :50:21. | :50:24. | |
challenges, the climate for the growers. Incredible testament to | :50:25. | :50:31. | |
their professionalism that they can go to the warmth and the frost in | :50:32. | :50:35. | |
May and the rain we had in the build-up and still the best Pavilion | :50:36. | :50:39. | |
and some of the best gardens we have had. That has been one set of | :50:40. | :50:44. | |
challenges and we did have less gardens, it in the Artisan and in | :50:45. | :50:50. | |
the Fresh Garden categories and in the Show Gardens, it is funny, out | :50:51. | :50:55. | |
of adversity we get inspiration and we have new gardens this year, the | :50:56. | :51:01. | |
Feel Good gardens which Radio 2 has been involved in. So good. The | :51:02. | :51:05. | |
quality this year is high. It is a good show. You cannot avoid the fact | :51:06. | :51:11. | |
and newspapers have been writing about it and people have been | :51:12. | :51:15. | |
phoning me asking if I would do interviews about it, which I have | :51:16. | :51:19. | |
not, there are noticeably fewer big gardens, why is that? I personally | :51:20. | :51:24. | |
think it was everything to do with what happened in the country. Our | :51:25. | :51:29. | |
Flower Show is part of what is happening in the country and when | :51:30. | :51:33. | |
our Show Garden applications go out, it was just when the Brexit vote | :51:34. | :51:38. | |
happened. I think it is completely understandable the chief executives | :51:39. | :51:44. | |
thinking of sponsoring it would have thought maybe it is not the year to | :51:45. | :51:47. | |
do it. It is a sponsorship issue rather than the design is not | :51:48. | :51:53. | |
wanting to do it? Absolutely, yes. Is it potentially good that it takes | :51:54. | :51:56. | |
the pressure and attention away from the Show Gardens onto the Pavilion? | :51:57. | :52:02. | |
It is no bad thing we have got a change of emphasis. We should be so | :52:03. | :52:10. | |
proud of our nurseries. It is achingly beautiful. And the small | :52:11. | :52:15. | |
jewels, the Artisan and the Fresh Gardens. I hope I have another | :52:16. | :52:20. | |
chance to torture you again, there have been recent polls on gardening | :52:21. | :52:27. | |
in the UK. -- I have a chance to chat with you again. Not | :52:28. | :52:31. | |
encouraging, in what people do know what to do and they are anxious. How | :52:32. | :52:36. | |
can Chelsea encourage people? It is encouraging. It is strange, only 3% | :52:37. | :52:44. | |
of people in our survey thought they were expert gardeners, I am not an | :52:45. | :52:48. | |
expert but I love gardening and it does not matter. The fact people say | :52:49. | :52:51. | |
they want to know more about horticulture is very encouraging and | :52:52. | :52:56. | |
you help at Gardeners' World and Chelsea Flower Show, on our website | :52:57. | :53:00. | |
with videos. I think the fact we now know those many people like | :53:01. | :53:06. | |
gardening and horticulture, we need to give them the tools and it does | :53:07. | :53:10. | |
not matter if you are not an expert. If you plant a plant, you are a | :53:11. | :53:14. | |
gardener. That is a good way to finish, thank you very much and I | :53:15. | :53:18. | |
look forward to spending a week at Chelsea! Fantastic, thank you! | :53:19. | :53:21. | |
As well as hosting a myriad of famous faces and VIPs, | :53:22. | :53:24. | |
Monday is also the day we welcome the most important visitor of them | :53:25. | :53:27. | |
Earlier, Sophie Raworth was with the Royal party, | :53:28. | :53:30. | |
The Queen has come to Chelsea man than 50 times over the years and it | :53:31. | :53:47. | |
is always a very big moment at this Flower Show. The Queen is now | :53:48. | :53:55. | |
talking to somebody who has been here 53 years and he keeps a | :53:56. | :54:00. | |
scrapbook at home of the Royal visits and indications and members | :54:01. | :54:04. | |
of the Royal family he has met over the years. You have probably been | :54:05. | :54:09. | |
here as many times the green! I did not like to that, probably! -- as | :54:10. | :54:16. | |
many times as the Queen. This is an exhibit the Queen knows very well, | :54:17. | :54:22. | |
Raymond and his stunning clematis. The Queen is always very interested | :54:23. | :54:28. | |
in it and it is a great thrill. Ian Price is from Belfast and his garden | :54:29. | :54:32. | |
is a representation of his struggle with depression and the Duchess of | :54:33. | :54:39. | |
Cambridge is keen to see it. You were showing her around the garden, | :54:40. | :54:42. | |
how did she find it? She said it did feel completely different from the | :54:43. | :54:46. | |
outside looking in to when she went inside. She was excited to go inside | :54:47. | :54:51. | |
the garden and experience that directly. That is what this garden | :54:52. | :54:57. | |
is about, feeling. What a day for you! It has been fantastic. The Duke | :54:58. | :55:05. | |
of Edinburgh is a regular at Chelsea and he has been so many times over | :55:06. | :55:10. | |
the decades and now he has announced he will step down from his Royal | :55:11. | :55:13. | |
duties after the summer, who knows whether he will return again! | :55:14. | :55:21. | |
You had a Royal chat! It was amazing, I loved it. I'm the Queen | :55:22. | :55:27. | |
was very interested. She said she had listened to you this morning. I | :55:28. | :55:33. | |
said, really? Radio 2, because it was the Chelsea Flower Show. Well | :55:34. | :55:36. | |
done with the garden. Thank you so much. Well, I will be listening to | :55:37. | :55:43. | |
Miro, with the green. OK! -- tomorrow. | :55:44. | :55:47. | |
Very nice to see the Queen and the Royal family and younger members. | :55:48. | :55:56. | |
Anyone gardening Royal or not, is good news. Nobody will have known | :55:57. | :56:02. | |
about the medals unless somebody has told the Queen, what you think we | :56:03. | :56:06. | |
will see tomorrow, the gold medals? It tough this year with eight large | :56:07. | :56:10. | |
show gardens and they will not be handing them out. Four gold medals, | :56:11. | :56:18. | |
probably three. James Basson, Chris Beardshaw with a gold medal. And | :56:19. | :56:23. | |
Darren Hawkes with Maggie's garden is probably a gold medal. And it | :56:24. | :56:30. | |
would not surprise me if Breaking Ground got one, it is very | :56:31. | :56:33. | |
impressive when you get on it. At the other end? Welcome to Yorkshire | :56:34. | :56:39. | |
is tricky and it would work better as an Artisan Garden, it takes over | :56:40. | :56:43. | |
a large space, it is a concept garden. Bronze and maybe Silver. | :56:44. | :56:49. | |
That sounds mean. A number of gardens here, they are in the | :56:50. | :56:53. | |
silver-gilt category and if there were more, ten, 15 gardens, they | :56:54. | :56:59. | |
would not hold their own against more gold medals. Interesting to see | :57:00. | :57:06. | |
if they get elevated. Best in Show? Quickly. Chris Beardshaw. James | :57:07. | :57:17. | |
Basson. Good, we have a good script. We have questions. Nadia would like | :57:18. | :57:24. | |
to know the strangest combination of colours that we have seen on the | :57:25. | :57:29. | |
gardens this year. Easy, one shrieks out, it is wonderful blue and pink | :57:30. | :57:38. | |
rhododendron and the two together, they are a horror story on the Silk | :57:39. | :57:42. | |
Road garden! You are feeling mean! On a positive note, a blue jeans | :57:43. | :57:50. | |
Orange and burgundy and blue and purple, Sarah Reagan showed you how | :57:51. | :57:54. | |
to put that together with a lot of green to grow it together. David | :57:55. | :57:59. | |
wants to know how designers are selected to create gardens at the | :58:00. | :58:04. | |
show. Briefly, it is a long process and you know better than anybody. | :58:05. | :58:08. | |
They have to have a good team and a sponsor and a good landscaping | :58:09. | :58:11. | |
company and there is a strict adjudication process and you have to | :58:12. | :58:14. | |
show you can deliver. You have shown that! | :58:15. | :58:16. | |
It's been an exciting first day here at the Chelsea Flower Show, | :58:17. | :58:19. | |
but I'm afraid that's all we have time for this evening. | :58:20. | :58:22. | |
Join us back here on BBC2 tomorrow night at the same time, | :58:23. | :58:25. | |
when we will be revealing who has won the most coveted prize of all - | :58:26. | :58:28. | |
Nicki Chapman and James Wong will be back tomorrow at 3:45 on BBC 1 | :58:29. | :58:33. | |
to share the excitement of the medal announcements. | :58:34. | :58:38. |