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observing a minute's silence in memory of the 22 people who lost | :00:00. | :00:00. | |
their lives here in Manchester and the 59 who were injured. You are | :00:00. | :00:00. | |
watching BBC News. Welcome back to the Chelsea Flower | :00:00. | :00:15. | |
Show. There are so many wonderful plants | :00:16. | :00:20. | |
from all over the world which we in the UK have embraced | :00:21. | :00:23. | |
into our hearts and gardens. And James and Arit are taking a | :00:24. | :00:35. | |
closer look at them in the Chengdu Garden. | :00:36. | :00:38. | |
It's only when you really start looking at our gardens that | :00:39. | :00:41. | |
you realise just how many of the plants we grow in the UK | :00:42. | :00:44. | |
And they aren't just in the Great Pavilion, there are some | :00:45. | :00:54. | |
spectacular examples of them out here on Main Avenue. | :00:55. | :00:56. | |
I'm joined by Arit Anderson on the Chengdu Garden which solely | :00:57. | :00:59. | |
What has caught your either most? I am always looking around at the | :01:00. | :01:11. | |
beautiful rhododendrons, and I see them in Hyde Park, there I am in the | :01:12. | :01:15. | |
most beautiful British place, forgetting that they come from | :01:16. | :01:22. | |
China. Yes, in Cornwall I was asked, have I seen that incredible China | :01:23. | :01:27. | |
Garden, 20% of the world's plants from China. I know this in the UK as | :01:28. | :01:36. | |
an ornamental plant, but my grandmother would consider it an | :01:37. | :01:41. | |
edible, you buy them in supermarkets, stir-fry ingredients. | :01:42. | :01:44. | |
But on the other side of this garden, it is a whole different | :01:45. | :01:46. | |
world showing the massive diversity that China offers. | :01:47. | :01:53. | |
From a design perspective we are spoiled with all the flowers, but | :01:54. | :01:58. | |
look how much interest is here. The grasses, the shrubs that we know, | :01:59. | :02:03. | |
and that is what is important. These are the backbone plants within a | :02:04. | :02:06. | |
garden design and planting scheme, so it is interesting to see. A | :02:07. | :02:11. | |
fascinating use of texture, you don't just rely on colour. | :02:12. | :02:16. | |
Absolutely, and I love the contrast, this real sense of exuberance and | :02:17. | :02:20. | |
foliage, and we can also focus on that. I am fascinated by this. I | :02:21. | :02:26. | |
can't see a single cultivated variety, these are all straight | :02:27. | :02:38. | |
species. Yes, and there are so many hybrids and cultivars Alpe d'Huez. | :02:39. | :02:46. | |
Man's Hand has created some truly amazing Asian cultivars, and one | :02:47. | :02:50. | |
king of those is Jonathan Hogarth. He looks after the UK's national | :02:51. | :02:55. | |
collection of small hostas. Frances Tophill will be meeting him | :02:56. | :02:57. | |
in just a moment, but first let's find out about his | :02:58. | :03:00. | |
path to cultivar glory. Hostas come in all different sizes, | :03:01. | :03:12. | |
but the particular type that take my fancy are the Small and miniature | :03:13. | :03:17. | |
ones. They are just sweet, and when they start to flower, they look like | :03:18. | :03:21. | |
jewels, little wonderful sweet but you want to take home. There is | :03:22. | :03:25. | |
always that one plant you can't resist when you are out shopping, | :03:26. | :03:28. | |
and you buy it. When I got the collection, it was | :03:29. | :03:41. | |
something that was suggested to me that we should split the plants up | :03:42. | :03:45. | |
so that should anything happen in one area where the plants were | :03:46. | :03:48. | |
displayed that the other area would still save that particular plant. By | :03:49. | :03:54. | |
splitting them, that is when the problems started. I took a | :03:55. | :03:58. | |
good-sized plant that was six years old and I split it, and both plants | :03:59. | :04:04. | |
died. They had lost that sparked a live once you got to a point where | :04:05. | :04:07. | |
you were splitting them, they were just too small. I needed to find an | :04:08. | :04:10. | |
answer, and quick. Really quick. This is not that expensive, it takes | :04:11. | :04:25. | |
a penny a day to run it, but the results are wonderful. The plastic | :04:26. | :04:30. | |
cover reveals a trade, and underneath is the water pump. It has | :04:31. | :04:36. | |
six little sprayers, and this creates a moist atmosphere | :04:37. | :04:40. | |
underneath and dry at the top. This promotes the roots to start growing. | :04:41. | :04:46. | |
And that is how the whole system works. There is no secret, it is | :04:47. | :04:51. | |
just tap water. The first step is to cut the flowers off. You are sending | :04:52. | :04:55. | |
the information to the plant that it's time to make roots rather than | :04:56. | :05:00. | |
the flowers. Hold the plant with your fingers and | :05:01. | :05:12. | |
tip it out this way. And I will just gently tease out the root system. | :05:13. | :05:19. | |
Each one of these can become a separate plant. The genetic | :05:20. | :05:24. | |
information that you need for this plant to be this colour and this | :05:25. | :05:28. | |
particular type is in fact stored in here, so it's important to grab | :05:29. | :05:36. | |
quite a bit of it. Over the next two weeks, buds will start to burst out, | :05:37. | :05:40. | |
rude buds, and from there, that will then start to produce the plant. | :05:41. | :05:47. | |
Here is your cutting. I am now going to put that into the air, and I am | :05:48. | :05:53. | |
going to put it up to its little collar of the top, so the top will | :05:54. | :05:57. | |
sit into the water and the damp atmosphere there, the top will stay | :05:58. | :06:04. | |
dry, and you leave it for two to three weeks. So this one is now two | :06:05. | :06:11. | |
weeks old. The roots are starting to grow again. There were three | :06:12. | :06:16. | |
existing routes, they were half that size when it went in before. The | :06:17. | :06:22. | |
fact is, that is now ready to pot on. I am going to take the pot and | :06:23. | :06:28. | |
put a little soil into it, and then the magic ingredient, the micro | :06:29. | :06:36. | |
riser. It is a fungus that grows in the wild and it will extend the | :06:37. | :06:44. | |
plant's capability of absorbing nutrients. I will add some grit on | :06:45. | :06:48. | |
the top and make it more difficult for vine weevil to lay its eggs into | :06:49. | :06:54. | |
my nice new plant, and that is it, there is nothing else to it. | :06:55. | :07:09. | |
Well, that's 251, so 251 reasons to actually prove that you can take | :07:10. | :07:20. | |
cuttings from small hostas, and here they all are. | :07:21. | :07:30. | |
And here are even more reasons to prove it. Just look at your stand, | :07:31. | :07:36. | |
Jonathan Fawzi yellow I am very pleased to be here. The RHS have | :07:37. | :07:45. | |
been so kind, and we do like to show them off. A lot of hard work has | :07:46. | :07:54. | |
gone into making these perfect. There was quite a bit of worry, you | :07:55. | :07:58. | |
have to be careful of the leaves, they have to be perfect and the | :07:59. | :08:02. | |
best, because this is the best show in the world, so here we are showing | :08:03. | :08:07. | |
off, and here are my friends. Any new additions this year? Yes, | :08:08. | :08:13. | |
miniskirt is the new one, and it is in the centre of my stand. This is | :08:14. | :08:18. | |
the first time it has been available in England. It is a beautiful plant | :08:19. | :08:21. | |
with a wide. This is my habit and | :08:22. | :08:44. | |
obsession. It looks lovely, congratulations. Thank you so much. | :08:45. | :08:54. | |
I do love a hosta, nearly as much as the slugs in my garden do. | :08:55. | :09:00. | |
Now all week we're looking at the Radio 2 Feel Good Gardens | :09:01. | :09:03. | |
and today we have a feast for the eyes. | :09:04. | :09:10. | |
I have just left the listening garden. | :09:11. | :09:16. | |
I'm heading over to the Colour Cutting Garden dedicated to sight | :09:17. | :09:19. | |
to meet its Radio 2 champion, and TV golden girl, Anneka Rice. | :09:20. | :09:22. | |
A keen gardener herself, we caught up with her lending a hand | :09:23. | :09:25. | |
What a blaze of colour, this is beautiful. Isn't it just? You must | :09:26. | :09:41. | |
be delighted. I am so in my element, I am almost dribbling. To be told | :09:42. | :09:52. | |
you were going to have a garden at Chelsea was an amazing shock, and | :09:53. | :09:57. | |
when they told me who I was doing it with, and I can't tell you how Sarah | :09:58. | :10:00. | |
Raven and Tricia Guild have both been such a massive part of my life. | :10:01. | :10:08. | |
The inspiration is the Colour Cutting Garden, the opposite of the | :10:09. | :10:11. | |
very formal stylised gardens you might get. This is all about | :10:12. | :10:19. | |
voluptuousness and just an Augean colour. Are you a big Gardner | :10:20. | :10:26. | |
yourself? I am pining for the garden we used to have which was a | :10:27. | :10:31. | |
beautiful Cotswolds garden. Now that you have been here for the bills, | :10:32. | :10:36. | |
what do you make of it? When you see Chelsea and you see it so finished | :10:37. | :10:40. | |
and manicured, you imagine all of the big trees are always there, but | :10:41. | :10:45. | |
every single blade of grass, tree, branch, is brought in, so to see it | :10:46. | :10:53. | |
unfold is gripping. Anneka, will you give me a hand with the delphiniums? | :10:54. | :11:01. | |
What was your thinking behind this? It is a cutting garden, so | :11:02. | :11:04. | |
everything is cut and come again to a certain extent, so in a few | :11:05. | :11:11. | |
mornings, all of the flowers you pick will grow back again. But it | :11:12. | :11:14. | |
has really come together, I couldn't be happier. | :11:15. | :11:26. | |
Anneka, look at you, still hard at it. You are a lady who never stops. | :11:27. | :11:40. | |
This has been such a joy. And a little bird has told me you have | :11:41. | :11:43. | |
been down here practically every hour that there is. The thing is, I | :11:44. | :11:49. | |
couldn't wear to put my name to be involved with something and then | :11:50. | :11:52. | |
just turn up at the end, so I kept e-mailing Sarah Raven and saying, | :11:53. | :11:59. | |
give me a task. I am such a fan of hers, so to be in her wake doing | :12:00. | :12:06. | |
menial tasks, I am very happy to take anything to the skip, do some | :12:07. | :12:12. | |
watering, copy runs. And this all starts in childhood. You have loved | :12:13. | :12:17. | |
gardening since you were little? My family were great gardeners, so my | :12:18. | :12:20. | |
memory is doing that thing little children do, having a toy lawn mower | :12:21. | :12:26. | |
and going up and down behind my dad. And at school, we went to an | :12:27. | :12:29. | |
inspired primary school that had little gardens, so each child had a | :12:30. | :12:37. | |
tiny area to tend, and that plant a seed, literally. It does. How | :12:38. | :12:42. | |
important you think that has been from being a little girl to seeing | :12:43. | :12:47. | |
it through, to having this passion, and what it does for us as well. I | :12:48. | :12:52. | |
think so, because my happiest memories as a child were in the | :12:53. | :12:56. | |
garden. I loved it so much, and it is nourishment for the soul. And the | :12:57. | :13:01. | |
most gratifying thing has been seeing everyone come to this garden, | :13:02. | :13:05. | |
and people yesterday were calling it the goofy smile garden, because it | :13:06. | :13:12. | |
reminds people of their life, and it makes your heart sing when there is | :13:13. | :13:15. | |
something so beautiful. There is nothing fussy or pretentious or | :13:16. | :13:22. | |
formal, and Sarah Raven who is such a genius, we all decided when we sat | :13:23. | :13:29. | |
down, her and Tricia Guild and I, we didn't want a polite garden, and I | :13:30. | :13:34. | |
think we can safely say this is not. It is an explosion of colour, which | :13:35. | :13:38. | |
we know you love. You have a lot of colour in your London garden. While | :13:39. | :13:43. | |
you're here, will you have a spare minute to go out and explore the | :13:44. | :13:47. | |
grounds and get inspiration? The great thing about being here all | :13:48. | :13:50. | |
this week and seeing everything rising from the ground literally is | :13:51. | :13:55. | |
getting to talk to a lot of people, so I have got lots of ideas, and | :13:56. | :14:00. | |
that's been such a privilege, because usually I just come on press | :14:01. | :14:06. | |
day, but now I have been here is one of the workers. Any one thing you | :14:07. | :14:13. | |
are looking at for? I am looking out for things that are good for the | :14:14. | :14:16. | |
climate change we seem to be having. More Mediterranean? Yes, maybe a fig | :14:17. | :14:23. | |
tree or an olive tree, and I have spotted the most beautiful one. You | :14:24. | :14:27. | |
are going to be De your homework. Congratulations on this beautiful | :14:28. | :14:27. | |
garden. And we'll catch up with Anneka | :14:28. | :14:30. | |
to find out how she's got on later in the show but for now it's | :14:31. | :14:33. | |
over to Rachel de Thame. This year, she's showing us | :14:34. | :14:36. | |
how there is something for everyone here at Chelsea | :14:37. | :14:40. | |
whatever your garden or situation. Every day she's picking out a one | :14:41. | :14:44. | |
metre square section on a garden border in order to reveal how | :14:45. | :14:47. | |
and why it works so well. Today, in-keeping with the golden | :14:48. | :14:49. | |
hue of medal's day she's focusing Lots of plants love a south | :14:50. | :14:55. | |
facing sunny garden. And I'm not just talking | :14:56. | :15:10. | |
about drought-tolerant plants. If you pay special attention | :15:11. | :15:14. | |
to watering there are several truly wonderful plants that will thrive | :15:15. | :15:17. | |
in a sunny position. I love this corner of the garden, | :15:18. | :15:28. | |
this square metre. It's a mixed Matrix planting because they're | :15:29. | :15:31. | |
repeated and dotted through the planting. We've got things at the | :15:32. | :15:35. | |
lower level, California poppy there, and that lovely bright colour and | :15:36. | :15:40. | |
this's picked up here as well. Then we come through the planting with | :15:41. | :15:45. | |
these plants which will take a bit of shade, these are astranias. | :15:46. | :15:52. | |
They're coming through the softness of this one, which gives you that | :15:53. | :16:01. | |
lovely flattened top to the flower, a Pimpinelia. We have these tall | :16:02. | :16:09. | |
vertical accent plants just poking through, things like Beaujolais | :16:10. | :16:13. | |
which I adore. We have irises coming out into flower and this lovely tall | :16:14. | :16:19. | |
spikes pale linkth pink of the Lenaria. The whole thing is softened | :16:20. | :16:25. | |
beautifully by plants that mould and bring everything together. We have | :16:26. | :16:28. | |
the bronze fennel towards the front and that builds up into this lovely | :16:29. | :16:36. | |
grass. Of course, this is Chelsea's show garden planting, so there are | :16:37. | :16:39. | |
lots of plants crammed in very closely together. In your own | :16:40. | :16:42. | |
garden, you would give everything a bit more space to breathe and | :16:43. | :16:46. | |
develop and become bigger individual plants. So to create an effect like | :16:47. | :16:51. | |
this will depend very much on how you put the plants together. Here | :16:52. | :16:56. | |
they're really very much just dotted through making sure there is a | :16:57. | :16:59. | |
lovely balance and flow. If you can achieve that, you'll have this | :17:00. | :17:05. | |
wonderful soft, romantic effect. Plants come with their own likes and | :17:06. | :17:14. | |
dislikes. If you get that right, you'll enjoy the fruits of their | :17:15. | :17:15. | |
labours for many years to come. However, some plants aren't as picky | :17:16. | :17:19. | |
as others and one we Brits all know and love that can grow pretty much | :17:20. | :17:22. | |
anywhere is the native Primrose. Melvyn Jones reveals they're far | :17:23. | :17:31. | |
from commonplace. Primrose I found in Asia and Japan, | :17:32. | :17:49. | |
I love the simplicity of them. These Japanese with their love of plants | :17:50. | :17:57. | |
are the ones that have made the Siboldians what they are today. It's | :17:58. | :18:01. | |
identified in the earliest garden books of Japan, so it's an old, | :18:02. | :18:08. | |
established plant form. There is a Japanese flower translating along | :18:09. | :18:11. | |
the lines of even grasses have cherry Blossom flowers in Japan, the | :18:12. | :18:16. | |
land of the cherry Blossom. The Japanese Gods Jewth used to | :18:17. | :18:20. | |
cultivate the most wonderful gardens with the wonderful cherry trees that | :18:21. | :18:24. | |
bloomed over the streams and lakes. Unfortunately, the Blossom tended to | :18:25. | :18:28. | |
fall too quickly and the Gods were so upset after all their efforts | :18:29. | :18:34. | |
that it was such a short blooming that they Creted in future when it | :18:35. | :18:39. | |
fell it would come over the grasses and the grasses would flower and | :18:40. | :18:44. | |
happen there would be a Primula and that formed this. It's a wonderful | :18:45. | :18:53. | |
plant. The blooms are so nice and there is such a nice variation in | :18:54. | :18:57. | |
them. It's typical of many of the plants the Japanese like to grow. | :18:58. | :19:03. | |
They'll look for the variety. Primulas with good for that, they're | :19:04. | :19:10. | |
promiscuous and variable but the Siboldia, it goes from magenta, | :19:11. | :19:15. | |
pink, through the blue shades up to the pure whites like this. Because | :19:16. | :19:22. | |
they feel almost pastelly in colour, you can put any variety together and | :19:23. | :19:26. | |
they'll look as if they're suited and compliment each other. In the | :19:27. | :19:42. | |
wild, the closest form we have here is the Sumizomegenji. | :19:43. | :19:55. | |
We have tried it in edge of woodland conditions which they thrive in | :19:56. | :20:02. | |
because they love the leaf mould and they do well there. Obviously, you | :20:03. | :20:05. | |
need a bit of light also for the flowers to come out. Very popular | :20:06. | :20:11. | |
form is this one, which is called snow glaik. It looks really delicate | :20:12. | :20:17. | |
but they're reliable, happy in our conditions. They'll normally come | :20:18. | :20:22. | |
into flower mid to late February. You will have them flowering mid to | :20:23. | :20:27. | |
end of June. Don't be deceived by the fact they look delicate, they're | :20:28. | :20:32. | |
quite forgiving and if the right place, they'll reward you for years. | :20:33. | :20:38. | |
We've been having a bit of an Asian theme running through today's show | :20:39. | :20:44. | |
and lo and behold here is another plant with its roots steeped | :20:45. | :20:47. | |
How's this year been for you? It's been difficult. The season started | :20:48. | :20:57. | |
early, the flowers were in flower about five weeks earlier than we'd | :20:58. | :21:01. | |
expect them to be. We have struggled to get here but we have managed to | :21:02. | :21:07. | |
bring a display here in a traditional Japanese form. We have | :21:08. | :21:11. | |
done it but it's not as nice as we'd have liked. To me this looks | :21:12. | :21:17. | |
spectacular, but through March and April I was thinking about the | :21:18. | :21:20. | |
exhibitors because there's only so much you can do with nature, you are | :21:21. | :21:24. | |
restricted by certain plants. Yes. What did you do in the medal stakes? | :21:25. | :21:28. | |
We got to silver. The judges were right. I totally agree with them. | :21:29. | :21:34. | |
We'd have liked more, but the season prevented it. Next year we'll come | :21:35. | :21:38. | |
back stronger. It's frustrating. I heard you had the most spectacular | :21:39. | :21:42. | |
new introduction that you almost got to the show but not quite. Quietly | :21:43. | :21:47. | |
fell out of flower four days ago... Four days? ! Yes, it's one that we | :21:48. | :21:54. | |
got from Alan Bloom's garden, one he raised many years ago, it's been | :21:55. | :21:58. | |
name and is being sold in support of a charity for special Olympics, so | :21:59. | :22:02. | |
we'd have loved to have brought it here but unfortunately again we were | :22:03. | :22:07. | |
beaten by the weather. You don't have necessarily all the plants but | :22:08. | :22:11. | |
you have all the information. I have questions from Facebook. You love | :22:12. | :22:15. | |
shady plants. Even else Sa asks, moved into a house with a huge | :22:16. | :22:20. | |
conifer, the soil is full of roots and well-established weeds, no idea | :22:21. | :22:23. | |
what to plant in the dry shade. What a nightmare. Nightmare having a | :22:24. | :22:28. | |
conifer next to you, totally agree. We do have a couple of plants in the | :22:29. | :22:31. | |
back of the display which would cope with that. One is the Victorian | :22:32. | :22:44. | |
Brooch. That will tolerate dry shade. Another question from Melanie | :22:45. | :22:49. | |
Louise Watson, she asks, the opposite problem, a garden backs on | :22:50. | :22:54. | |
to a river, very large trees from another garden shading it, nothing | :22:55. | :22:58. | |
but nettles grow there. Desperately trawling the Internet for some nice | :22:59. | :23:03. | |
colour and ground colour? Again, that selection is a bit close to | :23:04. | :23:11. | |
that. Moist shade and semishade. I would recommend things like | :23:12. | :23:17. | |
epimediums and nice spider flowers in early to mid spring. If it's | :23:18. | :23:27. | |
dapple spring, the Siboldeii would be ideal. They'd be happy there as | :23:28. | :23:32. | |
well. This is a plant of food plains. Even if the garden floods, | :23:33. | :23:35. | |
they'll survive and produce that colour? In Japan, the rivers flood | :23:36. | :23:39. | |
and bring up the silt which covers the plants and then it drains away | :23:40. | :23:44. | |
and that's how they get a lot of the new nutrients and keep going. | :23:45. | :23:46. | |
Thanks, Melvyn. Earlier on we saw Anneka Rice | :23:47. | :23:49. | |
who told us about her desire to bring the Mediterranean | :23:50. | :23:52. | |
into her London garden and salt water problem due | :23:53. | :23:53. | |
to living by the sea. I've obviously been here a lot | :23:54. | :24:05. | |
during the week because our Colour Cutting Garden is just up there and | :24:06. | :24:11. | |
I saw all of this take shape, being planted up. There was one thing I | :24:12. | :24:21. | |
saw in particular, I think it's over there... When we first met on that | :24:22. | :24:24. | |
Tuesday you were here and there was just this olive tree at that stage. | :24:25. | :24:30. | |
I have no idea about this, I had no idea it was all going on. It's so | :24:31. | :24:34. | |
sculptural. How many hundreds of years old would that tree be? I | :24:35. | :24:39. | |
think it's probably 100 years. It's very hard to tell. It's such a | :24:40. | :24:44. | |
beautiful character the tree. I'll be keeping my eye open for the right | :24:45. | :24:49. | |
tree and each one is like a piece of sculpture I think. It is. It is | :24:50. | :24:54. | |
architectural, it's beautiful. In our London garden, the garden is set | :24:55. | :24:59. | |
up as a Mediterranean garden with bright orange walls and pots and | :25:00. | :25:03. | |
herbs. I think an ancient olive would probably be a good accent. I | :25:04. | :25:08. | |
love the way you have contrasted with the silver green with the under | :25:09. | :25:13. | |
planting because you have Marguerite and Salvias. That's right. The | :25:14. | :25:17. | |
under-planting is important to create a setting for theologiley and | :25:18. | :25:21. | |
you can do this in your garden as well. The olive will need large | :25:22. | :25:26. | |
planters. There are plenty of opportunities to under-plant. | :25:27. | :25:30. | |
Because it's a dry zone plant, we have used Mediterranean plants like | :25:31. | :25:35. | |
the culinary herbs and there's culinary sage down there and the | :25:36. | :25:41. | |
ornamental sage we have used. The Marguerite love it dry and it's a | :25:42. | :25:47. | |
perfect environment for those. This is a very good, dry grass called | :25:48. | :25:52. | |
Prairie Fire. We are talking about the dry climate the whole time. It | :25:53. | :25:55. | |
will probably rain for the rest of the year! We have to say | :25:56. | :25:58. | |
congratulations. Thank you very much. Thank you very much. Yes. I | :25:59. | :26:05. | |
mean, that is your third? Third, yes. I'm very pleased. They're still | :26:06. | :26:11. | |
hard-won, you work very hard at it.iful to think carefully how you | :26:12. | :26:16. | |
are going to present your ideas and we are thrilled -- you have to think | :26:17. | :26:18. | |
carefully. Monty and Joe will be back tonight. | :26:19. | :26:40. | |
They'll be looking at the Best Show Garden coveted award. That is it | :26:41. | :26:43. | |
from us, see you tomorrow. Bye. | :26:44. | :26:46. |