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Hello and welcome back to The RHS Chelsea Flower Show 2017, an event | :00:31. | :00:33. | |
Over the last 24 hours, we've witnessed much excitement | :00:34. | :00:42. | |
across the show ground, as the culmination of years | :00:43. | :00:45. | |
of planning and hard work came to fruition, | :00:46. | :00:50. | |
with the announcement of the Large Show Garden medals. | :00:51. | :00:55. | |
Well, tonight, that excitement is set to continue, as we focus | :00:56. | :00:58. | |
on the lifeblood of Chelsea, the plants that make the show | :00:59. | :01:01. | |
With over 60,000 perfect specimens and 500 exhibitors making up | :01:02. | :01:05. | |
the gardens and displays this year, we still have plenty more to | :01:06. | :01:07. | |
discover and explore at the greatest Flower Show on Earth. | :01:08. | :01:14. | |
We've got the medal results for the Great Pavilion. | :01:15. | :01:23. | |
And Carol Klein will be talking with first time gold | :01:24. | :01:25. | |
The ultimate plantsman and all-round horticultural hero | :01:26. | :01:28. | |
Roy Lancaster joins us, as we celebrate his lifelong | :01:29. | :01:30. | |
And I'll be meeting fashion icon Kelly Brook, as she reveals how | :01:31. | :01:35. | |
away from the cameras, her garden at home has | :01:36. | :01:38. | |
Yesterday, the Chelsea judges awarded medals to the main | :01:39. | :01:43. | |
Well, now is your chance to have your say, as we launch | :01:44. | :01:56. | |
this year's BBC RHS People's Choice award. | :01:57. | :01:59. | |
We will have more details on how to do that later on in the show. | :02:00. | :02:05. | |
The Great Pavilion is the heart of the RHS Chelsea Flower Show | :02:06. | :02:08. | |
and, this year, we have a bumper crop of over 100 exhibitors inside. | :02:09. | :02:11. | |
It's a pretty big tent, covering a massive three acres, | :02:12. | :02:16. | |
so Carol had her work cut out for her, as she donned her | :02:17. | :02:19. | |
medals were revealed. the reactions as the Pavilion | :02:20. | :02:35. | |
It is not all about the gardens. In the Great Pavilion, all the | :02:36. | :02:42. | |
exhibitors have arrived this morning biting their nails. They have had a | :02:43. | :02:46. | |
sleepless night waiting to see what the judges have given them. It is | :02:47. | :02:57. | |
fantastic! Yes, I got my credit three! That is | :02:58. | :03:04. | |
the star of the show! Have you told her? I told her this morning, very | :03:05. | :03:14. | |
happy. We are overjoyed! Gold! Three now. There we go. It is a gold. Well | :03:15. | :03:31. | |
done! Well done! Thank you, thank you very much! What have you got? We | :03:32. | :03:42. | |
have got a Silver! We have got a Silver! We are over the moon. Oh! I | :03:43. | :03:53. | |
am so excited, I am so happy. Have you got a Gold? So happy, beyond | :03:54. | :03:54. | |
happy! What a morning! A hell of a morning. | :03:55. | :04:07. | |
You did not do too badly. Not too shabby! I think it was a Gold, the | :04:08. | :04:11. | |
first Chelsea Gold. So you have been before? Yes, it is our third year, | :04:12. | :04:17. | |
the first year was over, not bad. Second years silver-gilt and this | :04:18. | :04:22. | |
year, Gold. The pinnacle. We all strive for it. That is the best | :04:23. | :04:27. | |
display I have ever seen! Thank you very much. Tell me, if it has been | :04:28. | :04:34. | |
Silver, silver-gilt, Gold, what has the standard got the others did not? | :04:35. | :04:38. | |
People are drawn to it and they walk past and they smile. A riot of | :04:39. | :04:43. | |
colour, the fun of the fire. The colours of a funfair and that is | :04:44. | :04:47. | |
what we wanted to echo. I love that idea of the helter-skelter and these | :04:48. | :04:54. | |
flowers Tomlin down. It was about that wave coming down. Tell us about | :04:55. | :05:00. | |
the plants, the colours are really great. Yes, and rich, so you get the | :05:01. | :05:06. | |
best of both worlds. And because they will flower now, they will | :05:07. | :05:09. | |
flower all the way until October and November so you get a lot for your | :05:10. | :05:14. | |
money. As far as keeping them, how many plants could we leave out in | :05:15. | :05:18. | |
our garden? In the national collection, we have about 30 which | :05:19. | :05:21. | |
we would class as Hardy for anywhere in the country and we have 80 which | :05:22. | :05:27. | |
are half hardy. And a couple you need to bring inside with a cup of | :05:28. | :05:32. | |
cocoa and a blanket over the winter so they range greatly within the | :05:33. | :05:35. | |
family. Which of these are really hardy. Or anything related to... A | :05:36. | :05:48. | |
lantern form, by coloured in nature. Anything larger with a very leave, | :05:49. | :05:54. | |
we need to have protection for them. Your display is one of the most | :05:55. | :05:59. | |
imaginative I have ever seen at Chelsea! Your plants are perfect and | :06:00. | :06:04. | |
your Gold medal is richly deserved, well done. Thank you so much. | :06:05. | :06:07. | |
Congratulations to Leila Jackson, from Wall End Nursery. | :06:08. | :06:09. | |
With 61 gold medals being awarded, there is a golden glow | :06:10. | :06:12. | |
But there's still one very important award yet to be revealed - | :06:13. | :06:16. | |
The Diamond Jubilee Award, given to the very best | :06:17. | :06:18. | |
This year, it went to Penberth Plants. | :06:19. | :06:36. | |
This is big, how does it feel? Over the moon, a lot of tears yesterday | :06:37. | :06:43. | |
and every time we talked about it, I went, I am going to cry again. But I | :06:44. | :06:48. | |
am not allowed to! Did you have any inkling? None whatsoever. You always | :06:49. | :06:53. | |
like to have a chance of winning a gold medal. You have to have a 12 | :06:54. | :06:59. | |
point Gold Medal and you cannot drop points and you get put up on your | :07:00. | :07:05. | |
panel with you on the mantle is so we were the best of that. So this is | :07:06. | :07:11. | |
perfection in itself? Yes, I like to think we are the best in the world | :07:12. | :07:15. | |
now. It is tricky because you have a huge range of plants, the succulents | :07:16. | :07:22. | |
and you have gotten the restios and you have tree fern. Why have you got | :07:23. | :07:26. | |
such a diverse range? We represent the garden we work from and we grow | :07:27. | :07:33. | |
all of these there and we specialise in South African plants. Why? We | :07:34. | :07:39. | |
have similar conditions in Cornwall, at Lands End. Granite bedrock is | :07:40. | :07:44. | |
acidic, free draining. We have got the air quality and the reflection | :07:45. | :07:48. | |
from the sea so we can really go for it with South African style. And | :07:49. | :07:54. | |
plenty of rainfall, it is quite wet with draining. The exhibit is | :07:55. | :07:58. | |
stunning and you have got three different areas and the visitors | :07:59. | :08:01. | |
walk through and get up close to the plants, how does that work between | :08:02. | :08:08. | |
you? We do a mock-up before the show and this year we only did the main | :08:09. | :08:13. | |
section. Because it was too windy to even do it. It was too windy so you | :08:14. | :08:18. | |
could only really do it and play it by ear? We had to wing it, really. I | :08:19. | :08:25. | |
did not want to say that. And because we know the plants and we | :08:26. | :08:28. | |
propagate everything and we grow it, we know. -- what they will do and | :08:29. | :08:34. | |
how they react together. It is not easy, we just know what we're doing | :08:35. | :08:40. | |
with those plants. You certainly do, congratulations, it is absolutely | :08:41. | :08:42. | |
stunning, nice to meet both. Thank you. | :08:43. | :08:44. | |
This pavilion houses the best in horticulture | :08:45. | :08:46. | |
from across the globe, from South Africa to Barbados. | :08:47. | :08:49. | |
Earlier this year, Frances Tophill visited the tropical island to meet | :08:50. | :08:51. | |
the Barbados Horticultural Society, as they prepared | :08:52. | :08:53. | |
At just 21 miles long and 14 miles wide, Barbados is a tiny island. | :08:54. | :09:11. | |
With the roaring Atlantic to the east and the serene | :09:12. | :09:19. | |
Caribbean Sea to the west, this tropical climate | :09:20. | :09:21. | |
is the perfect place for growing beautiful exotic plants. | :09:22. | :09:27. | |
Every year, a team of passionate growers from the Barbados | :09:28. | :09:31. | |
Horticultural Society travel thousands of miles to bring | :09:32. | :09:33. | |
a flavour of this beautiful island to the Chelsea Flower Show. | :09:34. | :09:42. | |
I'm here in Barbados to meet them, as they prepare | :09:43. | :09:45. | |
So here in Barbados, you have to source all of the plant material. | :09:46. | :09:52. | |
Anybody in Barbados that has a particular plant that we want, | :09:53. | :09:56. | |
go and ask and you get, because we're going to Chelsea. | :09:57. | :10:05. | |
The theme for this year's display is inspired by the different styles | :10:06. | :10:08. | |
So we're trying to depict three different types | :10:09. | :10:12. | |
A chattel house is probably an evolution from a slave hut. | :10:13. | :10:28. | |
When the slaves were freed, they could build a house | :10:29. | :10:31. | |
These houses can be taken down and moved to another spot. | :10:32. | :10:39. | |
The important thing is that the style of the planting | :10:40. | :10:42. | |
in the garden will be different in each one, which gives a lot | :10:43. | :10:45. | |
What an interesting sounding project! | :10:46. | :10:52. | |
And it seems like they have everything more | :10:53. | :10:54. | |
And now I'm off to meet a local grower who makes a really | :10:55. | :10:59. | |
important contribution to the Barbados Horticultural | :11:00. | :11:01. | |
Society's Chelsea display every year. | :11:02. | :11:08. | |
Professional grower Trevor Hunt grows a centrepiece for the display | :11:09. | :11:10. | |
And this year, he's hoping to wow the judges with a real eye-catcher | :11:11. | :11:17. | |
that's never been seen at Chelsea before. | :11:18. | :11:19. | |
And this is one that's never been because it gets so darn big. | :11:20. | :11:34. | |
And it's at right angles, so it's very difficult to pack. | :11:35. | :11:36. | |
But we're going to make a try this year and then | :11:37. | :11:41. | |
So you can kind of force them into flowering at the right time? | :11:42. | :11:48. | |
I hope you get what you're aiming for. | :11:49. | :11:57. | |
Whilst the Barbados Horticultural Society has been in existence | :11:58. | :12:07. | |
since 1927, they only made their debut at Chelsea in 1984. | :12:08. | :12:10. | |
I went along to meet Audrey Thomas, who helped organise their first-ever | :12:11. | :12:13. | |
All we had really was red ginger lilies, so we had to take | :12:14. | :12:25. | |
as many of them as we could actually get on the aeroplane. | :12:26. | :12:28. | |
And I imagine that's changed a lot now? | :12:29. | :12:30. | |
We take heliconias and anthuriums and bromeliads. | :12:31. | :12:33. | |
You know, all of the tropical flowers and plants. | :12:34. | :12:52. | |
Audrey's passion for plants at Chelsea is a real family affair | :12:53. | :12:54. | |
and has rubbed off on her niece Sally, who is now in charge | :12:55. | :12:57. | |
We start picking approximately a week before Chelsea opens. | :12:58. | :13:04. | |
Things that will last well, like this Aloe Arborescens. | :13:05. | :13:09. | |
And then everything has to be packed. | :13:10. | :13:13. | |
The boxes are all shipped on Wednesday, they arrive in London | :13:14. | :13:16. | |
And then they come over to Chelsea and they unpack them all, | :13:17. | :13:23. | |
And then that's it, they get laid out and prepared for the show. | :13:24. | :13:29. | |
Yes, buckets and buckets and buckets. | :13:30. | :13:33. | |
How important is it to win a Gold Medal? | :13:34. | :13:36. | |
I remember one year when we won a silver-gilt, a fella saying to me, | :13:37. | :13:42. | |
I'm sure you'll do absolutely brilliantly. | :13:43. | :13:55. | |
Jennifer, you made it! How did it go? Very well, thank you. We got it | :13:56. | :14:10. | |
all designed and put together and everything fitted. What did you get? | :14:11. | :14:15. | |
We got a silver-gilt. We wanted the Gold Medal but these things happen | :14:16. | :14:19. | |
and Blade Babe dust has 18 gold medals in the last 30 years so we | :14:20. | :14:24. | |
cannot be greedy -- Barbados has. Why did you think you did not get | :14:25. | :14:28. | |
the Gold Medal? The judges said a little think and we missed it by it | :14:29. | :14:34. | |
two points. So tantalising! What reasons debate give? If you look at | :14:35. | :14:40. | |
the paintings, they have paintings who is and they did not like the | :14:41. | :14:46. | |
hinges. The naming of the plants they wanted Latin names rather than | :14:47. | :14:51. | |
some Latin and some, names. And the big anthuriums? They did not make | :14:52. | :14:57. | |
it. We had a drought in Barbados, we had rain a week before we left. That | :14:58. | :15:02. | |
did not help. But maybe next year we will bring it. I notice there is a | :15:03. | :15:11. | |
beautiful one. De Niro, a new one. And in terms of the other plants, | :15:12. | :15:17. | |
many favourites? The judges and me like this behind you. This is the | :15:18. | :15:22. | |
first time we have brought it and they thought it was stunning. That | :15:23. | :15:23. | |
is a good point. We do have a lot of volunteers at | :15:24. | :15:33. | |
home that packs, things came quite well. It's just that the weather | :15:34. | :15:37. | |
here, or flowers do not like anything less than 30 degrees. We've | :15:38. | :15:41. | |
all been saying how lovely the weather has been this year. | :15:42. | :15:46. | |
Congratulations, I think it looks absolutely lovely. People say we | :15:47. | :15:50. | |
should have got a gold but I'm not going to argue with the judges, I'm | :15:51. | :15:52. | |
happy with what we've got. Chelsea attracts notable | :15:53. | :15:57. | |
figures in horticulture from around the world, | :15:58. | :15:58. | |
but very few are as highly regarded A complete hero of mine. Thank you | :15:59. | :16:12. | |
for coming. I know this is a very special Chelsea for you because the | :16:13. | :16:16. | |
RHS has given you a lifetime achievement award and you've won | :16:17. | :16:20. | |
just about everything else. So congratulations on that. Thank you. | :16:21. | :16:26. | |
Was it on the new expected? I did not I was totally in shock and had | :16:27. | :16:32. | |
not prepared anything. But yeah, I'm still trying to get my head around | :16:33. | :16:36. | |
it. Of course I feel honoured and I'm so grateful to all those | :16:37. | :16:43. | |
involved in making that decision. You genuinely have spent a lifetime | :16:44. | :16:48. | |
in horticulture, particularly as a Parkman, how did you begin? I | :16:49. | :16:53. | |
started at Bolton Parks Department. I was given the chance of working | :16:54. | :16:57. | |
with two foreman in that park, Moss bank Park in Bolton, who were | :16:58. | :17:03. | |
genuine plant men. They grabbed me and taught me about plants, told me | :17:04. | :17:08. | |
the Latin names, and they taught me about where plants come from, how | :17:09. | :17:14. | |
they came to be in our gardens. When I left school I knew little about | :17:15. | :17:26. | |
the three Rs but I learned the three Clippy, plants, people and places. A | :17:27. | :17:31. | |
much better education. Talking about places, you are famous for your | :17:32. | :17:35. | |
travels. You've been all over the world looking for plants. How did | :17:36. | :17:40. | |
that start? Because that is a far cry from Bolton Parks Department. | :17:41. | :17:44. | |
You're right. That's where I started. Like charity, planned | :17:45. | :17:52. | |
knowledge begins at home. The true value, I feel, of knowledge, it | :17:53. | :17:56. | |
adheres to plants, comes in the sharing of it. That is how it | :17:57. | :18:01. | |
starts, people share their knowledge with me, I've been able to pass that | :18:02. | :18:07. | |
on. To travel the world from my home, my doorstep, my home garden, | :18:08. | :18:11. | |
and see the gardens of China, Chile... And it still continues. | :18:12. | :18:16. | |
You're clutching a notebook. I know you've kept notebooks about all your | :18:17. | :18:21. | |
travels and what you do. Is that from the very beginning or is it | :18:22. | :18:25. | |
selective? This is the latest in... I must have maybe 200 notebooks | :18:26. | :18:31. | |
dating back to the 1950s. I can never keep a diary. I never get on | :18:32. | :18:36. | |
with diaries. But notebooks, in here you can see there are plants, | :18:37. | :18:42. | |
people, places. Lots of stories about all three. That's what my life | :18:43. | :18:51. | |
is about. Plans, people and places. You've written a book, did you have | :18:52. | :18:54. | |
to trawl back through the notebooks? Right at the beginning. It contains | :18:55. | :18:59. | |
what I feel are some of my best stories and most interesting people, | :19:00. | :19:05. | |
and plants. A garden makes many friends, as you're well aware of, | :19:06. | :19:09. | |
all over the world, who are kind and sharing and generous, it's the best | :19:10. | :19:15. | |
profession you could ever be in. In your professional life you were the | :19:16. | :19:20. | |
curator of Hillier 's arboretum. We haven't even touched upon that, a | :19:21. | :19:26. | |
considerable job. All I would say is, there are hundreds of thousands, | :19:27. | :19:31. | |
probably millions, of Ross, who are eternally grateful for the | :19:32. | :19:33. | |
inspiration you've given us, the advice, and it has been such a | :19:34. | :19:37. | |
pleasure working and knowing you. Thank you. Thank you, Monty. | :19:38. | :19:45. | |
Always a huge inspiration and a thoroughly top bloke. | :19:46. | :19:49. | |
Yesterday, we revealed the medals awarded to the Large Show Gardens | :19:50. | :19:51. | |
Tonight, we're launching the 2017 BBC RHS People's | :19:52. | :19:56. | |
Choice Award, giving you the opportunity to vote | :19:57. | :19:58. | |
for your favourite Large Show Garden. | :19:59. | :20:02. | |
Simply go to our website, bbc.co.uk/chelsea, and you will see | :20:03. | :20:05. | |
all of the eight gardens up for the award and the information | :20:06. | :20:07. | |
Voting opens at the end of tonight's show, at 9 o'clock. | :20:08. | :20:11. | |
To help you decide, Rachel de Thame and Toby Buckland will be guiding | :20:12. | :20:15. | |
you through each of the eight gardens. | :20:16. | :20:18. | |
Breaking ground, designed by Andrew Wilson and Gavin McWilliam, aims to | :20:19. | :20:34. | |
show how Wellington College are breaking down barriers to education. | :20:35. | :20:39. | |
That comes through in the messages from students etched onto the copper | :20:40. | :20:44. | |
wall, and these large architectural structures, transparent walls that | :20:45. | :20:46. | |
appear to disintegrate towards the ends. The main landscaping material | :20:47. | :20:53. | |
is sandstone and it is repeated throughout the garden for | :20:54. | :20:56. | |
continuity. In the walling at the back and the large Hugh Dennis labs. | :20:57. | :21:01. | |
It is also used to make these chunky pieces of furniture. The planting | :21:02. | :21:05. | |
towards the back of the garden represents the heathland that | :21:06. | :21:10. | |
surrounds Wellington College. There are some silver birch saplings. | :21:11. | :21:13. | |
Towards the front of the garden, still very much green is the main | :21:14. | :21:17. | |
colour, but highlights of purple from the delphinium, Salvia... | :21:18. | :21:30. | |
Tracy Foster's garden is a snapshot of the Yorkshire coastline in full | :21:31. | :21:37. | |
bloom of summertime. Wild flowers everywhere from foxgloves in the | :21:38. | :21:40. | |
hedgerows and under trees to white and pink Campion with bloom like | :21:41. | :21:49. | |
flowers on the banks. Of course, thrift, basking in the Sundown the | :21:50. | :21:56. | |
beach. It's a garden with authenticity, because every pebble, | :21:57. | :22:00. | |
every stone, even the rocks in the abbey behind me, have been brought | :22:01. | :22:08. | |
here by truck from Yorkshire. The water here isn't just a babbling | :22:09. | :22:12. | |
brook, it's the sea being sucked from the sand as the tide, | :22:13. | :22:15. | |
represented by the pool at the front of the garden, goes out. There are | :22:16. | :22:19. | |
even boys bobbing in the water out in the bay. | :22:20. | :22:27. | |
takes inspiration from green spaces for patients recovering from cancer. | :22:28. | :22:42. | |
It's an enclosed garden with a hornbeam hedge running round it. The | :22:43. | :22:45. | |
only way to view is either through the slatted garden gate or up on the | :22:46. | :22:53. | |
walkway. The core of the garden is a granite cuboid which has been broken | :22:54. | :22:57. | |
apart. All the other elements are made from the same material. From | :22:58. | :23:01. | |
the chippings at ground level, the furniture, and the water feature. | :23:02. | :23:06. | |
It's all softened by planting. So we've got that colour of the bar | :23:07. | :23:16. | |
salt picked out. -- of the basalt. We've got the bright purples of the | :23:17. | :23:19. | |
irises, pinks of the geraniums. One of the first things I look for | :23:20. | :23:36. | |
when I enter any garden is it's feeling or mood. | :23:37. | :23:38. | |
It's such an important element to a garden, | :23:39. | :23:39. | |
Each evening this week, multi-gold-winning Chelsea designer | :23:40. | :23:42. | |
Adam Frost has been exploring the gardens at this year's show | :23:43. | :23:45. | |
to reveal the innovative design tricks and ideas that can be | :23:46. | :23:48. | |
You might have me feel full of energy. And that can be manipulated, | :23:49. | :23:57. | |
you can use that to create the right mood in your garden. Each evening | :23:58. | :24:02. | |
this week our multi-gold winning Chelsea designer Adam Frost has been | :24:03. | :24:08. | |
exploring the gardens on show to reveal how design tricks and ideas | :24:09. | :24:11. | |
can be utilised in your own gardens to get the effect you want. Tonight | :24:12. | :24:16. | |
Adam is looking at how designers have gone about creating the right | :24:17. | :24:18. | |
atmosphere. When I'm designing a garden, I | :24:19. | :24:29. | |
really want them to have atmosphere. What I do to help that process is | :24:30. | :24:35. | |
use a word. I think of romantic, maybe bold, may be calm, may be hot. | :24:36. | :24:39. | |
By doing that it really helps me to sort of focus on what I'm trying to | :24:40. | :24:46. | |
get out of that space I'm designing. To me, this is party. I feel I've | :24:47. | :24:52. | |
off a plane and arrived in Mexico. I think that's one of the things about | :24:53. | :24:56. | |
gardens and atmospheres, you can really think about maybe some you | :24:57. | :25:00. | |
love, somewhere you want to be. And bring that home with you in a | :25:01. | :25:04. | |
suitcase. I love the way, actually, there is some colour on these walls. | :25:05. | :25:08. | |
Sometimes we are fearful of colour. Playing with a bit of colour, maybe | :25:09. | :25:11. | |
only in one space, and really, really bring it alive. | :25:12. | :25:21. | |
Do you know, for me what is an incredible element in any garden. | :25:22. | :25:27. | |
You really think about it you can change the mood so much and so | :25:28. | :25:32. | |
easily. You can have a calm reflective space, then you can add | :25:33. | :25:36. | |
some drama. You can have water roaring, drown out the outside | :25:37. | :25:40. | |
sound. Really think about how you want to use it. Is it the sound, is | :25:41. | :25:45. | |
it a reflective surface? What are you really trying to do when you | :25:46. | :25:46. | |
create that space? I absolutely love that, just makes | :25:47. | :26:05. | |
me smile. It might drive other people crackers, just that sounds... | :26:06. | :26:14. | |
CREAKING.. Reminds me of being a kid with a garden gate, it demonstrates | :26:15. | :26:18. | |
how much sound can create atmosphere in the garden. It actually sounds | :26:19. | :26:20. | |
more like my knees. I think that's a fantastic idea, | :26:21. | :26:32. | |
just a great way of creating a little bit of sort of tension and | :26:33. | :26:36. | |
mystery. You could do that at home just to divide a space, even a wide | :26:37. | :26:40. | |
gap, something to pull you through. I think it's a lovely way of adding | :26:41. | :26:52. | |
to that atmosphere. This is a fantastic little space I found | :26:53. | :26:56. | |
tucked away. I think it's a really thing to do in a garden, create | :26:57. | :27:01. | |
somewhere slightly hidden away. With plans, it's got a really mellow | :27:02. | :27:06. | |
palette to it, we've got firms... They told everything down. It makes | :27:07. | :27:10. | |
you realise planting really can affect the mood. If you choose one | :27:11. | :27:14. | |
of those words, whether it's romance, drama, and you use it to | :27:15. | :27:19. | |
drive your design, you can really end up with that place you really | :27:20. | :27:26. | |
want to spend some time with. Pick a word, what do you think? How about a | :27:27. | :27:32. | |
disaster? Your garden isn't that bad! We still have a lot to come | :27:33. | :27:36. | |
this evening from the Chelsea flower show supported by M Investments. | :27:37. | :27:39. | |
We immerse ourselves in colour and scent, | :27:40. | :27:41. | |
as we meet garden designer Sarah Raven in the Radio 2 | :27:42. | :27:46. | |
We look behind the garden gate, as fashion icon Kelly Brook invites | :27:47. | :27:50. | |
us into her stunning English Country garden and reveals her | :27:51. | :27:52. | |
And if you have any questions for myself or Joe, send them | :27:53. | :27:56. | |
We'll be answering them at the end of the programme. | :27:57. | :28:08. | |
As well as being beautiful to look at, some of the gardens | :28:09. | :28:11. | |
here at Chelsea also have a story to tell. | :28:12. | :28:13. | |
When garden designers Jonathan Smith and Adam Woolcott joined forces | :28:14. | :28:15. | |
to create an Artisan garden for the World Horse Welfare charity, | :28:16. | :28:18. | |
that story took the form of a little horse named Clippy. | :28:19. | :28:30. | |
What we're really, really hoping for with this garden is that people | :28:31. | :28:33. | |
come and see the garden and they will | :28:34. | :28:35. | |
They will become passionate about the | :28:36. | :28:37. | |
I'm Adam Woolcott, I've done gardening all my | :28:38. | :28:46. | |
My grandmother was mad on gardening, my mum was mad on | :28:47. | :28:51. | |
We both love plants, and we love what we do, but we have | :28:52. | :29:04. | |
different approaches and I think that complements each other. | :29:05. | :29:06. | |
We actually said at the last show that we wouldn't | :29:07. | :29:11. | |
actually do another RHS show, because it is a lot of work, it is | :29:12. | :29:15. | |
very stressful, but you know what, we just couldn't resist. | :29:16. | :29:19. | |
When we first got the call from World Horse | :29:20. | :29:22. | |
Welfare, we went up to their main rescue centre. | :29:23. | :29:24. | |
It's quite humbling to see the horses there. | :29:25. | :29:26. | |
In different stages of rehabilitation. | :29:27. | :29:37. | |
There was a particular horse called Clippy | :29:38. | :29:38. | |
that really gave us the | :29:39. | :29:40. | |
inspiration to create the garden at Chelsea flower show. | :29:41. | :29:42. | |
Clippy was a horse that was found in the most | :29:43. | :29:45. | |
Actually standing up all the time because the space was so small. | :29:46. | :29:50. | |
Really, really terribly abandoned horse. | :29:51. | :29:55. | |
But Clippy was rescued, Clippy was looked after, | :29:56. | :29:57. | |
And now you just wouldn't believe the difference. | :29:58. | :30:01. | |
I mean, this horse now is having a wonderful life out | :30:02. | :30:04. | |
in the paddocks, out in the wild herbs, the wild flowers. | :30:05. | :30:07. | |
And this is the kind of garden that we are | :30:08. | :30:09. | |
So what we've done is, we've created a wild | :30:10. | :30:15. | |
flower garden that has almost like two areas. | :30:16. | :30:17. | |
There is one area of the garden that is a neglected, dreadful | :30:18. | :30:21. | |
stable area, planted with plants that are quite harmful to horses. | :30:22. | :30:26. | |
This year actually growing a lot of our plants, as we normally do, | :30:27. | :30:29. | |
Here we've got hemlock, which kind of speaks for itself. | :30:30. | :30:35. | |
It really is incredibly toxic to sort | :30:36. | :30:37. | |
This is ragwort, one of the most poisonous plants | :30:38. | :30:47. | |
to horses that most people have heard of. | :30:48. | :30:49. | |
Part of it is a bit of education, so we can show people, | :30:50. | :30:52. | |
these are the sorts of plants that are very | :30:53. | :30:54. | |
harmful for horses, so if | :30:55. | :30:55. | |
you've got them in your paddocks, get rid of them. | :30:56. | :30:58. | |
And then we wanted to open up the garden so that the | :30:59. | :31:00. | |
horse was then led into a more welcoming space. | :31:01. | :31:03. | |
That side of the garden represents hope. | :31:04. | :31:05. | |
Dandelions is one plant that's really, really | :31:06. | :31:07. | |
Some people say it's actually good for their | :31:08. | :31:10. | |
Look at that fantastic flower, you know, yellow, wonderful | :31:11. | :31:13. | |
We thought it was important this year to include a sculpture in the | :31:14. | :31:23. | |
garden, a horse sculpture, because we wanted to show | :31:24. | :31:25. | |
that the invisible horse that was in the stable has now | :31:26. | :31:28. | |
We discovered a chap called Tom, and this chap is | :31:29. | :31:36. | |
absolutely incredibly talented, and can create all sorts of animal | :31:37. | :31:38. | |
sculptures literally out of nothing but horseshoes, and we thought, | :31:39. | :31:41. | |
It's good, though, going off to see this sculpture. | :31:42. | :31:48. | |
I actually, I was kind of thinking we're not | :31:49. | :31:54. | |
It's going to get a lot of attention at Chelsea, this one, | :31:55. | :32:12. | |
It is something completely different. | :32:13. | :32:15. | |
Knockout, just what we were looking for. | :32:16. | :32:17. | |
Some of the supporters of the charity have donated their | :32:18. | :32:23. | |
Are there any well-known ones on the sculpture yet? | :32:24. | :32:26. | |
That's Milford Haven, one of the Queen's | :32:27. | :32:27. | |
This is actually from one of the Queen's horses. | :32:28. | :32:33. | |
There's plenty more as well to go on. | :32:34. | :32:42. | |
All in all, we're just hoping that our passion for this | :32:43. | :33:02. | |
There is that pressure, added pressure, that it is the best that | :33:03. | :33:07. | |
we can do, because we don't want to let anybody down, | :33:08. | :33:09. | |
and we certainly don't want to let the horses down. | :33:10. | :33:18. | |
The fabulous garden. It looks great. There are a lot of wild flowers and | :33:19. | :33:28. | |
weeds, at Chelsea, you serious? Yes, we are, wild flowers can be really | :33:29. | :33:34. | |
stunning and there eyes an irony as well because a lot of weeds you | :33:35. | :33:38. | |
think will be difficult to get rid of like underlines and docks and | :33:39. | :33:42. | |
when you try to get rid of them, they possessed and they will not | :33:43. | :33:47. | |
disappear and when you give them some love and get them to show | :33:48. | :33:51. | |
standard, they show off. Not as easy to grow as you would imagine. I | :33:52. | :33:55. | |
thought they would be the easiest in the world. No, they show off. The | :33:56. | :34:01. | |
horse looks good, it has rusted and it blends in. Yes, the horse has | :34:02. | :34:06. | |
only just been finished. We really chuffed and it has taken that night | :34:07. | :34:11. | |
rescue Bale and eventually it will get a dark rusty colour. How many | :34:12. | :34:16. | |
horseshoes? Between 300 and 400 and some have been donated by the Rhyl | :34:17. | :34:20. | |
family, Princess Anne and the Queen and the champion Olympic horses. So | :34:21. | :34:25. | |
it eyes really nice and we are really chuffed with it. It does look | :34:26. | :34:31. | |
great. But Clippy was down here on Monday. What did he think of this | :34:32. | :34:36. | |
garden? Clippy over liked it! He started launching around! And we did | :34:37. | :34:43. | |
say, can we bring the Clippy onto the garden? We said, no, that cannot | :34:44. | :34:47. | |
happen! Was torture because he has come a long way from Somerset and he | :34:48. | :34:51. | |
saw these lovely plants and he could not eat one of them. There are some | :34:52. | :34:58. | |
that horses should not eat? Brag what eyes the classic and we have | :34:59. | :35:02. | |
deadly nightshade. We have box globe. It eyes ironic because things | :35:03. | :35:08. | |
like horseradish with horse in the name and horse-chestnut, they are | :35:09. | :35:12. | |
bad for horses. It eyes great here and it looks stunning and you got a | :35:13. | :35:17. | |
Gold Medal, I am not surprised, it eyes the most fantastic garden I | :35:18. | :35:21. | |
have ever visited. Congratulations, great to see you. | :35:22. | :35:25. | |
Earlier this evening, we launched this year's BBC RHS | :35:26. | :35:27. | |
People's Choice award, giving you the opportunity to vote | :35:28. | :35:29. | |
for your favourite design in the Large Show Garden category. | :35:30. | :35:31. | |
You can vote at the end of the show, but to help you decide, | :35:32. | :35:35. | |
we're reminding you of each garden across tonight's programme. | :35:36. | :35:37. | |
Here are Rachel and Toby with the next three. | :35:38. | :35:44. | |
Walk on the wild side, that sums up the work of Charlotte Harris | :35:45. | :35:53. | |
perfectly because her garden eyes a representation of the boreal forests | :35:54. | :35:57. | |
of Northern Canada. This eyes a large wilderness, ravaged by fire in | :35:58. | :36:00. | |
summer and covered in snow in winter. The fires release nutrients | :36:01. | :36:05. | |
and caused lush growth and the flames reference in that the work, | :36:06. | :36:12. | |
the scorched on the bridge and the furniture of the Pavilion. And the | :36:13. | :36:18. | |
furniture of the Pavilion. Are strewn through the Borders giving | :36:19. | :36:22. | |
the garden a rugged feel. This eyes more than a forest garden, the patio | :36:23. | :36:29. | |
eyes big enough to use for a table. This eyes softened around the edges | :36:30. | :36:36. | |
by wild planting of water, the bees working the blames here. 500 Years | :36:37. | :36:47. | |
of Covent Garden by Lee Bestall eyes inspired by that famous part of | :36:48. | :36:50. | |
London and Lee has used the same materials you would find there, the | :36:51. | :36:55. | |
car. -- the cobbles and the paving stones and the brick wall. These | :36:56. | :37:02. | |
arches are how the structure looks at Covent Garden. You have got a | :37:03. | :37:06. | |
hornbeam hedge surrounding it and even each corner, you pick up on the | :37:07. | :37:09. | |
history of the market with these old Apple trees. And there is also | :37:10. | :37:17. | |
cornice at the back. The pale colours filtered through the garden. | :37:18. | :37:23. | |
Whether it is on the foxgloves, and there are also the yew creating | :37:24. | :37:32. | |
mounds throughout the border. But on the front of the garden, clouds of | :37:33. | :37:37. | |
grass punctuated by the warm pink of roses and lupins. Based on a Maltese | :37:38. | :37:45. | |
quarry, James Basson's design is like a labyrinth in the land that | :37:46. | :37:51. | |
Time forgot. Thanks to changes of level that dominate the scene. It is | :37:52. | :37:59. | |
a garden that has surprises around every corner from a table for | :38:00. | :38:05. | |
alfresco dining to this cool pool. There is the wiry yellow spires, | :38:06. | :38:13. | |
fluffy tops of bunny tail grass. And I have not seen the plant at Chelsea | :38:14. | :38:19. | |
before, it is called squirting cucumber and it has Kiwi sized fruit | :38:20. | :38:23. | |
that propel themselves across your garden 30 feet. With this regiment | :38:24. | :38:30. | |
of stones which are of cuts from the quarry matched with the planting, it | :38:31. | :38:34. | |
is not a garden that is a match between two people. One likes to | :38:35. | :38:38. | |
keep things neat and tidy and the other does not. | :38:39. | :38:44. | |
I'm in the 'BBC Radio 2 Feel Good, Colour Cutting Garden', | :38:45. | :38:46. | |
one of five gardens here at this year's Chelsea designed to celebrate | :38:47. | :38:49. | |
And this garden is a real feast for the eyes. | :38:50. | :39:01. | |
And it is a celebration. The colour is exploding out. But not in a | :39:02. | :39:07. | |
chaotic way, in the most extraordinary and controlled and | :39:08. | :39:13. | |
triumphant march of every colour so it is wonderful. Really beautiful. I | :39:14. | :39:17. | |
love it. Everybody else is loving it and it is a good job you do as well. | :39:18. | :39:23. | |
Everybody is saying not just looks nice, it is a garden they feel they | :39:24. | :39:27. | |
could have at home. Could you? It really is and one thing I have | :39:28. | :39:31. | |
noticed today is the Eucalyptus wood planted and days ago was literally | :39:32. | :39:35. | |
at the height of the Silver birch frame and all those who are bees and | :39:36. | :39:40. | |
sunflowers have crowded it well so things are really growing. They | :39:41. | :39:44. | |
planted on the ground or are they in pots? A lot in pots. It is an | :39:45. | :39:51. | |
artifice and carefully constructed. But could people do this at home and | :39:52. | :39:56. | |
is it possible or did you take the idea and a couple of colour | :39:57. | :39:59. | |
combinations or could you create something as rich as this that is | :40:00. | :40:04. | |
sustainable? You could, they are annuals, a lot of them are self | :40:05. | :40:09. | |
seeding and there is a structure of evergreen with eucalyptus and Roses | :40:10. | :40:12. | |
and perennials and there are bedding areas we change every year so you | :40:13. | :40:16. | |
can bed out. I have beds like this at home and they will give you a | :40:17. | :40:20. | |
succession because if you cut them, it is like deadheading, but alive. | :40:21. | :40:26. | |
You have colour outside and you replenish it by bringing it inside | :40:27. | :40:30. | |
and that is the difference to most perennials like it PNE. It is the | :40:31. | :40:36. | |
reverse. But you cannot really do much in the shade, you are limited. | :40:37. | :40:40. | |
You definitely are limited and there are some things like the Angelica, | :40:41. | :40:46. | |
we have a shady zone over here. But you are more restricted because | :40:47. | :40:52. | |
annuals make their food from the sunshine and it is like putting them | :40:53. | :40:56. | |
on a starvation diet, in the shade. A lot of annuals. One thing is | :40:57. | :41:01. | |
annuals and some of the most popular ones have flower heads that are | :41:02. | :41:08. | |
convoluted and very busy and not so good for pollinators. Is it possible | :41:09. | :41:12. | |
to balance having a lot of wildlife and in and this incredible amount? | :41:13. | :41:18. | |
Yes, it genuinely is and you need to look at the centre of the flower. | :41:19. | :41:23. | |
Because Moss is perfect and the poppies blow for the pollen and not | :41:24. | :41:28. | |
the nectar. And this beautiful single dahlia which is very | :41:29. | :41:35. | |
elaborate but if you watch, the bees are going and feasting on the centre | :41:36. | :41:41. | |
of the flower. So they are not contradictory. We are feasting on | :41:42. | :41:45. | |
the colour, it is lovely, it is a triumph and thank you for bringing | :41:46. | :41:47. | |
it to Chelsea. Well, it has been really good fun! But! -- good! | :41:48. | :41:54. | |
The Chelsea Flower Show attracts some of the world's most | :41:55. | :41:57. | |
International fashion icon and actress Kelly Brook | :41:58. | :41:59. | |
is a regular visitor to the show and when the cameras stop | :42:00. | :42:02. | |
rolling, there's only one place she wants to be - | :42:03. | :42:05. | |
This is the true version of meat and it is not what you see it on the | :42:06. | :42:27. | |
television. This is the real me really, I guess. You kind of putting | :42:28. | :42:32. | |
yourself out there and that is why I have kept my passion for gardening | :42:33. | :42:36. | |
and to one side because that is funny and I never wanted it to be | :42:37. | :42:40. | |
judged. When I got older, I realised it is important to share those | :42:41. | :42:43. | |
things because that really who you are. It is basically like a 10-year | :42:44. | :42:51. | |
labour of love. The gardens were completely overgrown and it was in | :42:52. | :42:56. | |
disrepair and falling down so for me it was about stripping it back to | :42:57. | :43:01. | |
its bare bones and getting the landscape right and now I am | :43:02. | :43:05. | |
starting a two but the plants backend that I love. -- I am | :43:06. | :43:12. | |
starting to put the plants back in it that I love. My grandfather was a | :43:13. | :43:16. | |
gardener and he had an amazing vegetable patch up and he was always | :43:17. | :43:22. | |
out in the garden, so maybe a bit of my passion comes from him. What I | :43:23. | :43:32. | |
love about Bond planting, I am getting stuck! Everything goes in so | :43:33. | :43:38. | |
easily! I have put Primula is over there and I hope that is not too | :43:39. | :43:43. | |
wet. It does not sit in the water, it wants to meet around the outside. | :43:44. | :43:48. | |
The thing with gardening for me is that I learn as I go along and the | :43:49. | :43:53. | |
things I do is from experience over the ten years of planting stuff and | :43:54. | :43:57. | |
it not working and seeing something self seeding and driving somewhere. | :43:58. | :44:01. | |
This is why you need to have experienced gardeners helping deep | :44:02. | :44:06. | |
because it can be an expensive hobby because if everything dies, you have | :44:07. | :44:09. | |
to start over, but that never happens, so you are all right! The | :44:10. | :44:17. | |
idea behind the garden was that I wanted to create rooms in the garden | :44:18. | :44:22. | |
and because I am from a theatrical background, I wanted it to have an | :44:23. | :44:26. | |
experienced. Every area to have a different atmosphere and a different | :44:27. | :44:31. | |
field. There is formal areas and then at wild areas as well because | :44:32. | :44:35. | |
that is me, that is who I am and that is what I love. | :44:36. | :44:40. | |
This is the lime walk. Sitting Reach Sissinghurst has a fabulous lime | :44:41. | :44:52. | |
walk. After ten years of growing it has reached its potential. | :44:53. | :45:05. | |
This, I have to say, is the reason that I bought the house, this is a | :45:06. | :45:11. | |
freshwater spring that comes up right outside my kitchen door. I | :45:12. | :45:18. | |
planted it with some iris, this daisy I put in last year has done | :45:19. | :45:22. | |
really well. It evolved a little bit over the years. This year we've been | :45:23. | :45:26. | |
really lucky and everything has come up really beautifully. So this is | :45:27. | :45:35. | |
the natural stream that kind of follows an from the freshwater | :45:36. | :45:39. | |
spring. As you can see it's quite established and starting to come up | :45:40. | :45:43. | |
now. I've just come back from France where I went to Mono's garden. I was | :45:44. | :45:49. | |
so overwhelmed and jealous of the colour that was in that garden. I | :45:50. | :45:58. | |
put in some water lilies and we have a gun that I planted. | :45:59. | :46:05. | |
I love the ease. They are nice around a pond because they give a | :46:06. | :46:10. | |
bitter fight. They are really, really pretty for a spring land | :46:11. | :46:19. | |
around a pond. So, this is my laburnum arch. This was kind of do | :46:20. | :46:24. | |
we keep it, do we get rid of it? Because it is such a lot of | :46:25. | :46:27. | |
maintenance. I went to stay at Barnsley house and saw Rosemary | :46:28. | :46:33. | |
Berry's laburnum arch with the alleys and I came back inspired and | :46:34. | :46:36. | |
said, we're keeping it. And we'll make the best of it because when it | :46:37. | :46:43. | |
comes out, in flower, it is yellow. -- we saw the aliums. As one thing | :46:44. | :46:49. | |
is finishing another thing is flourishing, which I think is really | :46:50. | :46:52. | |
important in a garden. It's beautiful. At the moment I've only | :46:53. | :47:03. | |
got one vegetable patch but the idea is if it works what I would do is | :47:04. | :47:07. | |
build four and have a crop rotation. One salad, one vegetable, maybe one | :47:08. | :47:12. | |
for cut flowers, maybe a herbal one, I don't know. I need to get some | :47:13. | :47:16. | |
ideas when I go to Chelsea and see what they recommend. You know how | :47:17. | :47:20. | |
you use to what your grandpa and your mum in the garden watering the | :47:21. | :47:23. | |
plants every night. You're like, what are they doing that for? Now | :47:24. | :47:28. | |
I'm doing that. It's bizarre to me. But it's just so relaxing and | :47:29. | :47:32. | |
therapeutic, watching something grow and nurturing something, I just | :47:33. | :47:35. | |
don't think there is anything more satisfying, really. I love it. You | :47:36. | :47:45. | |
really are our hands-on gardener, aren't you? You get stuck in, get | :47:46. | :47:49. | |
the wellies on, get in the pond. I thought I was until I came here | :47:50. | :47:54. | |
today and saw this, now I feel completely amateur, this is | :47:55. | :47:57. | |
incredible. This is like my dream vegetable patch can I just say? I'm | :47:58. | :48:02. | |
desperate to grow a vegetable patch for so long now. I realise now I | :48:03. | :48:06. | |
really do plant everything way too close together. What have you seen? | :48:07. | :48:13. | |
The Kayal. I have to say my Kayal does look like that at the moment. | :48:14. | :48:18. | |
Chelsea standard. So I was really happy when I saw that. It's probably | :48:19. | :48:24. | |
all I've got at Chelsea standard. -- Chelsea standard kale. You want to | :48:25. | :48:32. | |
grow some herbs, don't you? These flowering chives I love, I love | :48:33. | :48:35. | |
anything I can eat but also looks pretty. It's not my garden, but eat | :48:36. | :48:42. | |
away. Have a little chive breath, we both have to have one. Aren't they | :48:43. | :48:49. | |
nice? Full of flavour. You've had chives. Sprinkle a little salad. I | :48:50. | :48:55. | |
don't normally do flowers. Chive flowers are beautiful, really nice. | :48:56. | :49:08. | |
What is this? Nasturtium. 123, go. That's delicious. Little bit | :49:09. | :49:15. | |
peppery. That's really nice. Suite then the pepper comes through. That | :49:16. | :49:22. | |
strong. In a good way. They are so beautiful just dotted around a | :49:23. | :49:27. | |
salad. They look great. They flower all summer. I need to do that, then. | :49:28. | :49:33. | |
Plenty of sun, good drainage, they will grow away. I definitely need | :49:34. | :49:35. | |
some of those. Now have you got a Mulberry? | :49:36. | :49:55. | |
Handbag? Know, a mulberry bush! Or treat! I don't have a mulberry tree | :49:56. | :50:01. | |
but that is so cute. This won plant of the year. It is a black and white | :50:02. | :50:08. | |
mulberry crossed together and everyone's after one, frankly. | :50:09. | :50:11. | |
They've been breeding this for about 30 years. They come in these compact | :50:12. | :50:15. | |
varieties covered in fruit. This could be great in my vegetable | :50:16. | :50:18. | |
patch, wouldn't take up too much room. I love it. You know what, I do | :50:19. | :50:24. | |
like that, then it doesn't spread out too much. That's gorgeous, | :50:25. | :50:35. | |
that's beautiful, that's perfect. I think this is such a genius idea. I | :50:36. | :50:40. | |
saw a picture of it so I bought an old palate and a staple gun. The | :50:41. | :50:44. | |
herb palette was an absolute disaster, it looked awful. You are | :50:45. | :50:48. | |
trying out making something for nothing. I love the idea it was | :50:49. | :50:52. | |
something for nothing and it would have a big impact. I've heard you | :50:53. | :50:56. | |
are prolific on social media. Yeah, I love to tweet my aliums, people | :50:57. | :51:05. | |
seem to respond to it and love it. I hate to miss this opportunity. Shall | :51:06. | :51:13. | |
we do a selfie? Right, I'll put that on social media. You've got the | :51:14. | :51:18. | |
model pose, I just did a grin. We'll see how many likes you get. Had fun | :51:19. | :51:23. | |
at Chelsea? I'm in my element here, I'm going here completely inspired, | :51:24. | :51:28. | |
I'll be in the garden all weekend trying to recreate them in I've seen | :51:29. | :51:33. | |
here. That's one of the dangers. Lovely to meet you, Kelly. Thank | :51:34. | :51:34. | |
you. Now it's your chance to be | :51:35. | :51:37. | |
the judge, as we take a look at the last two of the eight | :51:38. | :51:40. | |
Large Show Gardens you can vote for in the BBC RHS | :51:41. | :51:43. | |
People's Choice award. The Morgan Stanley garden is | :51:44. | :51:57. | |
inspired by the geometry found within nature and, by extension, how | :51:58. | :52:03. | |
nature then inspires musicians. It's very much a garden of three parts. | :52:04. | :52:08. | |
In the centre, you've got this performance space, with oak and | :52:09. | :52:16. | |
limestone. And on this side it's a very informal feel, so you've got | :52:17. | :52:21. | |
trees. Underneath it, the planting of firms. Primulas and other shade | :52:22. | :52:28. | |
lovers. As you walk through into this part of the garden the | :52:29. | :52:31. | |
atmosphere becomes much more exuberant. | :52:32. | :52:34. | |
These clipped you shapes surrounded by the planting of perennials. | :52:35. | :52:44. | |
Inspiration from this design was taken from the Chinese city of | :52:45. | :53:02. | |
Chengdu in Szechuan. If you look up the origin of apparent online or in | :53:03. | :53:07. | |
a book, there is a good chance it comes from Szechuan. Their flora is | :53:08. | :53:11. | |
not only immense, it also mostly grows happily here in the UK. So | :53:12. | :53:22. | |
everything from peonies, irises, primulas, two rhododendrons... | :53:23. | :53:27. | |
They're all Chinese and they are all from Szechuan. Now in this garden | :53:28. | :53:35. | |
they are arranged in these almost smoky green contrails. I use that | :53:36. | :53:39. | |
word because all those these colourful triangles are supposed to | :53:40. | :53:42. | |
represent the mountain ranges of the region, they looked like the tail | :53:43. | :53:47. | |
fins of claims, cutting through cloud pruned plants. | :53:48. | :53:52. | |
That's all 8 of the large show gardens you can vote for. | :53:53. | :53:55. | |
Voting opens online at the end of the programme and closes | :53:56. | :53:57. | |
But it's not only the gardens out in the show ground | :53:58. | :54:03. | |
This year more exhibits in the Great Pavilion | :54:04. | :54:06. | |
are pushing the boundaries to create complete gardens. | :54:07. | :54:08. | |
Award winning designer Juliet Sargeant went to see them. | :54:09. | :54:19. | |
Traditionally, the Great Pavilion has been all about showing | :54:20. | :54:25. | |
individual plants to absolute perfection. But recently there has | :54:26. | :54:28. | |
been a bit of a move to show us what we can do in our own gardens by | :54:29. | :54:34. | |
displaying them in more of a garden setting, in absolutely fabulous | :54:35. | :54:40. | |
combinations. On the alias stand, Sarah Eberle has teamed up with | :54:41. | :54:43. | |
Caitlin McLaughlin to create a garden inside. When plants are shown | :54:44. | :54:50. | |
as single specimens it doesn't give you any idea how to plant them, what | :54:51. | :54:55. | |
to plant them with. And so I really wanted to bring that reality to the | :54:56. | :55:02. | |
marquee. You really have created this haven. It doesn't feel as if | :55:03. | :55:05. | |
there's anything else around this garden. I think part of that is | :55:06. | :55:10. | |
probably the trees you've used. Are there any people could use in a | :55:11. | :55:15. | |
small garden? The hornbeam we have at the front is a bigotry but for | :55:16. | :55:19. | |
smaller garden you can cut it, keep it under control. These are in | :55:20. | :55:26. | |
containers. And the peaches we have. Another way to create a tall hedge, | :55:27. | :55:31. | |
if you like. We call it a hedge on sticks. Caitlin, any favourite | :55:32. | :55:36. | |
combinations of plants you suggest people try at home? I'm a big fan of | :55:37. | :55:43. | |
totally tangerine, we've got it scattered through, got it in | :55:44. | :55:47. | |
sections, I think it's so cheerful looking, it makes me happy. There is | :55:48. | :55:51. | |
that wonderful pop of colour. Exactly. In all the years Rosie | :55:52. | :56:01. | |
Hardy has been exhibiting at Chelsea, she's always embraced the | :56:02. | :56:05. | |
idea of displaying her plants in the garden combinations. We're growing | :56:06. | :56:13. | |
things that grow in people's gardens and they want to see how they can | :56:14. | :56:17. | |
grow them in their gardens. There must be challenges because you are | :56:18. | :56:21. | |
having to create a design in three dimensions, people can see it from | :56:22. | :56:24. | |
all the different angles. Quite often I will use quite tall plants | :56:25. | :56:33. | |
right at the edge. Something like the grass has beautiful, long wavy | :56:34. | :56:38. | |
grass, but the actual greenery is quite low, so it does bend itself | :56:39. | :56:43. | |
being on an edge. That's really interesting, you are using what I | :56:44. | :56:49. | |
would call translucent plants. It is, it's that keeping of using maybe | :56:50. | :56:53. | |
something bold, then something translucent in front of it that | :56:54. | :56:56. | |
might be taller than the thing that is bowled behind. Anything new for | :56:57. | :57:04. | |
us this year? This year we were very lucky, we've got a new salvia called | :57:05. | :57:08. | |
Crystal blue, mixes well with a lot of grass planting or other perennial | :57:09. | :57:11. | |
planting, is a really fabulous new plant. Rosie is certainly at the top | :57:12. | :57:22. | |
of her game. Hashtag ask Monty and Joe, following on from yesterday's | :57:23. | :57:26. | |
results, Carol from Dorset asks, who are the judges and what are their | :57:27. | :57:31. | |
qualifications for judging? The judges are a team, they apply, they | :57:32. | :57:34. | |
don't get paid at any stage. They are trained for two years and in | :57:35. | :57:39. | |
that process they attend and watch and pass, then they do a year of | :57:40. | :57:44. | |
provincial shows. Ben Ando only then can they apply to come to Chelsea. | :57:45. | :57:49. | |
It could be more, could be five. There is a designer, landscape, | :57:50. | :57:52. | |
plantsman, and they are hugely respected in their field. Often | :57:53. | :57:59. | |
gold-medal winners. James Alexander Sinclair will join me on Friday and | :58:00. | :58:03. | |
we will talk and walk through a gold medal winning garden just explaining | :58:04. | :58:08. | |
how points were awarded. If you have any Chelsea related questions about | :58:09. | :58:11. | |
judging or otherwise and you would like Joe and I to answer, send them | :58:12. | :58:18. | |
to us through the hashtag. That's it I'm afraid we're out of time this | :58:19. | :58:21. | |
evening, but we'll be back here again tomorrow night at 8pm when the | :58:22. | :58:24. | |
nation's favourite culinary queen Mary Berry takes us on an exclusive | :58:25. | :58:31. | |
tour of her garden at home. If you can't wait until then James Wong and | :58:32. | :58:38. | |
Nicki Chapman will be back at 3:45pm tomorrow. Go online now and cast | :58:39. | :58:42. | |
your vote for one of the eight large show gardens of this year's BBC RHS | :58:43. | :58:47. | |
People's choice award. The details are on our website. That's it, see | :58:48. | :58:50. | |
you tomorrow. Goodbye. I have never slept with | :58:51. | :59:23. | |
a man that I just met. | :59:24. | :59:27. |