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Welcome to Heir Hunters, where we search for living family of people who've died | 0:00:03 | 0:00:06 | |
without leaving a will, hoping to unite them with a fortune. | 0:00:06 | 0:00:09 | |
Today the heir hunters are looking into | 0:00:10 | 0:00:13 | |
a spectacular six figure state. | 0:00:13 | 0:00:16 | |
We've actually heard the value of this estate is three-times | 0:00:16 | 0:00:19 | |
what might top hope was really. | 0:00:19 | 0:00:21 | |
Teams across the country will be hunting for relatives who | 0:00:21 | 0:00:24 | |
have no idea they are in line for a windfall. | 0:00:24 | 0:00:27 | |
Could they be knocking at your door? | 0:00:27 | 0:00:30 | |
Coming up on today's programme... | 0:00:45 | 0:00:48 | |
Wow, that's amazing! | 0:00:51 | 0:00:52 | |
The heir hunters uncover the case of Britain's | 0:00:52 | 0:00:55 | |
first international supermodel. | 0:00:55 | 0:00:56 | |
It appears that the deceased was indeed a really famous model in her day. | 0:00:58 | 0:01:01 | |
Who graced the catwalk in the 1940s. | 0:01:01 | 0:01:05 | |
And the team unravels the story of a wartime exile | 0:01:07 | 0:01:11 | |
whose life was secret, even to his family. | 0:01:11 | 0:01:13 | |
I think it was so traumatic for him, that's why he was a loner | 0:01:13 | 0:01:18 | |
and didn't divulge very much to anybody. | 0:01:18 | 0:01:23 | |
And I meet up with the heir hunters to see | 0:01:23 | 0:01:25 | |
if a complex case is any closer to closure. | 0:01:25 | 0:01:29 | |
So how do you feel now? Do you feel... | 0:01:29 | 0:01:32 | |
Very emotional. Just couldn't believe it. | 0:01:32 | 0:01:36 | |
Plus, how you could be entitled to unclaimed estates | 0:01:36 | 0:01:39 | |
where beneficiaries still need to be found. | 0:01:39 | 0:01:41 | |
Could you be in line for an unexpected windfall? | 0:01:41 | 0:01:45 | |
Every year in the UK an estimated 300,000 people | 0:01:50 | 0:01:54 | |
die without leaving a will. If no relatives are found, | 0:01:54 | 0:01:58 | |
then any money that's left behind will go to the government. | 0:01:58 | 0:02:02 | |
And last year they made £14 million from unclaimed estates. | 0:02:02 | 0:02:06 | |
But there are over 30 specialist firms competing | 0:02:09 | 0:02:12 | |
to stop this happening. | 0:02:12 | 0:02:14 | |
They are called heir hunters, and they make it their business to track | 0:02:14 | 0:02:17 | |
down missing relatives and help them claim their rightful inheritance. | 0:02:17 | 0:02:21 | |
I bring about a change | 0:02:23 | 0:02:26 | |
so that the rightful assets | 0:02:26 | 0:02:29 | |
go to the rightful family members and not to the state. | 0:02:29 | 0:02:32 | |
In our first case today, the heir hunter's tackle the case | 0:02:37 | 0:02:40 | |
of a woman with a glamorous past who left a valuable legacy. | 0:02:40 | 0:02:44 | |
But did she have any living relatives? | 0:02:44 | 0:02:46 | |
It's Thursday morning | 0:02:48 | 0:02:50 | |
and the Treasury list was released just hours ago. | 0:02:50 | 0:02:53 | |
It shows the names of people who've died without leaving a will. | 0:02:53 | 0:02:57 | |
And staff at Fraser and Fraser, Britain's largest heir hunting | 0:02:57 | 0:03:00 | |
firm, are scouring the entries. | 0:03:00 | 0:03:03 | |
Today it's unusually lengthy. | 0:03:03 | 0:03:05 | |
25, 13th June. | 0:03:05 | 0:03:07 | |
The team is trying to make an early breakthrough to get an edge | 0:03:07 | 0:03:10 | |
on the competition. | 0:03:10 | 0:03:13 | |
We've got one here aged 101, the deceased, | 0:03:13 | 0:03:16 | |
and got possible near kin on it. | 0:03:16 | 0:03:18 | |
Partner, Neil, has got the lead on one name. | 0:03:18 | 0:03:21 | |
So one of the cases we are going to start today is this | 0:03:23 | 0:03:25 | |
Grace Charlotte Woods, her maiden name is Cook, | 0:03:25 | 0:03:28 | |
and neither Woods nor Cook are good names. | 0:03:28 | 0:03:31 | |
It's going to be tricky, but Grace Charlotte is certainly a good combination. | 0:03:31 | 0:03:35 | |
We found a marriage in Hampstead. | 0:03:35 | 0:03:39 | |
The husband dies, it looks like he was born in 1908. | 0:03:39 | 0:03:43 | |
We haven't really been able to get a good date for her birth | 0:03:43 | 0:03:46 | |
because it's too recent to get her death. | 0:03:46 | 0:03:48 | |
The heir hunters need to discover a date | 0:03:48 | 0:03:51 | |
and place of birth for Grace to build a family tree. | 0:03:51 | 0:03:54 | |
Which may lead them to heirs. | 0:03:54 | 0:03:56 | |
There is a birth in 1908, | 0:03:56 | 0:03:58 | |
which makes husband and wife a very similar age. | 0:03:58 | 0:04:03 | |
Marriage in Hampstead and the birth is in Bethnal Green. | 0:04:03 | 0:04:06 | |
So that all looks quite good, so we will run with that | 0:04:06 | 0:04:09 | |
and hopefully get it confirmed up at some later time. | 0:04:09 | 0:04:12 | |
They've found a marriage for a Grace Cook and Lester Woods in 1939. | 0:04:13 | 0:04:18 | |
According to Lester's death certificate, he was born in 1908. | 0:04:18 | 0:04:22 | |
So there's a fair chance that the Grace Woods | 0:04:22 | 0:04:25 | |
who was also born in 1908 is the same one. | 0:04:25 | 0:04:28 | |
It looks like she had quite a few brothers and sisters, | 0:04:28 | 0:04:31 | |
I'm just putting them on the tree. | 0:04:31 | 0:04:33 | |
If the birth's right, Grace's family was from Bethnal Green | 0:04:33 | 0:04:37 | |
and she was the youngest of seven siblings. | 0:04:37 | 0:04:40 | |
But although the team have a good lead, | 0:04:41 | 0:04:44 | |
they don't yet know if it's a case worth pursuing. | 0:04:44 | 0:04:48 | |
Estates on the Treasury list can range from a jackpot of many | 0:04:48 | 0:04:51 | |
millions to as little as £5,000. | 0:04:51 | 0:04:54 | |
As they tend to work on a commission basis, | 0:04:56 | 0:04:58 | |
deciding which to follow is a risky business. | 0:04:58 | 0:05:02 | |
As far as value goes on this, | 0:05:02 | 0:05:05 | |
it's pretty hard to tell. | 0:05:05 | 0:05:07 | |
I haven't got a great address. | 0:05:07 | 0:05:10 | |
It's the Oxford bit we are trying to concentrate on. | 0:05:10 | 0:05:13 | |
It's hard to ascertain what sort of value we are going to look at. | 0:05:13 | 0:05:18 | |
The value is important. It dictates how much manpower and resources | 0:05:18 | 0:05:22 | |
the team should throw at a case. | 0:05:22 | 0:05:24 | |
Get this wrong and they could easily lose money. | 0:05:24 | 0:05:28 | |
Grace Woods died | 0:05:30 | 0:05:32 | |
on 23rd December, 2009 in Oxford. | 0:05:32 | 0:05:36 | |
She lived alone in her flat for over 20 years, | 0:05:36 | 0:05:40 | |
having originally moved to the city with her husband, Lester, who sadly died in 1986. | 0:05:40 | 0:05:46 | |
I can't remember whether she invited me to her flat | 0:05:46 | 0:05:49 | |
or I just took it upon myself to visit her. | 0:05:49 | 0:05:53 | |
I discovered that she was very isolated there. | 0:05:53 | 0:05:58 | |
Grace was plagued by ill-health for most of her life, | 0:05:59 | 0:06:03 | |
and became increasingly reclusive in her later years. | 0:06:03 | 0:06:06 | |
She gradually became more and more housebound. | 0:06:06 | 0:06:10 | |
I didn't realise then that she was well over 70. | 0:06:10 | 0:06:14 | |
It must have been very difficult to let everything go | 0:06:14 | 0:06:17 | |
and gradually become alone | 0:06:17 | 0:06:22 | |
and have all these health problems to cope with by herself. | 0:06:22 | 0:06:26 | |
Back in London, the heir hunters are trying to work out | 0:06:30 | 0:06:34 | |
the value of Grace Woods' estate. | 0:06:34 | 0:06:36 | |
They are keen to know if she owned her own flat in Oxford. | 0:06:36 | 0:06:39 | |
And case manager Dave Slee is on the phone to neighbours to | 0:06:39 | 0:06:42 | |
see what he can find out. | 0:06:42 | 0:06:44 | |
A Mrs Grace Woods, I wondered if you knew the lady at all. | 0:06:44 | 0:06:48 | |
She's just touched the 100 mark so... | 0:06:48 | 0:06:51 | |
No. Did she own her own property? | 0:06:51 | 0:06:56 | |
No? | 0:06:56 | 0:06:57 | |
You think it might have been council, rent. | 0:06:59 | 0:07:02 | |
No, you have been most helpful. Thank you very much indeed, bye bye. | 0:07:02 | 0:07:06 | |
It's bad news. | 0:07:06 | 0:07:09 | |
Grace didn't own her own property, | 0:07:09 | 0:07:11 | |
although it seems that she may have had an interesting career. | 0:07:11 | 0:07:15 | |
The neighbour had known the deceased for 24 years | 0:07:15 | 0:07:18 | |
but didn't know much about her really. She might have been a model | 0:07:18 | 0:07:22 | |
at one time, the deceased, very tall and elegant. | 0:07:22 | 0:07:24 | |
A bit like my good self! Right, let's pass the information over. | 0:07:24 | 0:07:29 | |
There's no obvious value to the estate but the research team have made good progress. | 0:07:29 | 0:07:33 | |
Looking into Grace's siblings, | 0:07:33 | 0:07:36 | |
they've managed to find a possible niece and nephew. | 0:07:36 | 0:07:39 | |
I think that they will still be alive, and one of them is themselves | 0:07:39 | 0:07:43 | |
well in their 80s and they live in Ongar. | 0:07:43 | 0:07:45 | |
So we've got one of our researchers, David Hadley, | 0:07:45 | 0:07:49 | |
he's hopefully going to go to Ongar to interview | 0:07:49 | 0:07:52 | |
this elderly nephew of the elderly deceased. | 0:07:52 | 0:07:56 | |
The company employs a network of regional heir hunters | 0:08:03 | 0:08:06 | |
who are on standby every day. Whether the researchers are speaking to neighbours | 0:08:06 | 0:08:11 | |
or picking up certificates from register offices, | 0:08:11 | 0:08:14 | |
they leave no stone unturned in the race | 0:08:14 | 0:08:18 | |
to find and sign up heirs. | 0:08:18 | 0:08:19 | |
Dave Hadley, who works the Southeast region, | 0:08:21 | 0:08:24 | |
is sent to sign up the first heir. | 0:08:24 | 0:08:27 | |
It would appear that we've got a possible nephew | 0:08:27 | 0:08:30 | |
living in Chipping Ongar, who's 83 years of age, | 0:08:30 | 0:08:35 | |
and he wants me to go and try and locate him, speak to him, | 0:08:35 | 0:08:40 | |
and see if we can confirm | 0:08:40 | 0:08:43 | |
that he is in fact a nephew and a possible heir. | 0:08:43 | 0:08:46 | |
-'Um... Just a minute.' -Thank you. | 0:08:51 | 0:08:54 | |
But back at the office, alarm bells are starting to ring. | 0:08:57 | 0:09:00 | |
Have they jumped the gun with this case? | 0:09:00 | 0:09:03 | |
Although we've heard little bits of information, | 0:09:03 | 0:09:06 | |
about how the deceased used to be a model | 0:09:06 | 0:09:08 | |
and along those sort of lines, personal information about her, | 0:09:08 | 0:09:12 | |
no-one mentioned her age. | 0:09:12 | 0:09:14 | |
Now, if you're talking about a deceased person | 0:09:14 | 0:09:18 | |
and she's 101 years old, | 0:09:18 | 0:09:20 | |
the first thing I would expect to come out of someone's mouth | 0:09:20 | 0:09:23 | |
is she celebrated her 100th birthday last year, or something like that. | 0:09:23 | 0:09:28 | |
Dave Slee has managed to track down the funeral home in Oxford | 0:09:28 | 0:09:32 | |
where Grace was cremated. | 0:09:32 | 0:09:34 | |
Good afternoon. Sorry to trouble you. | 0:09:34 | 0:09:36 | |
It's a long shot, | 0:09:36 | 0:09:38 | |
but can they confirm that Grace was 101 when she died? | 0:09:38 | 0:09:42 | |
OK. Is there any record to show on your records | 0:09:42 | 0:09:46 | |
her date of birth? Is that something that would be shown on your records? | 0:09:46 | 0:09:51 | |
Said that she was age 89. | 0:09:54 | 0:09:56 | |
It's just as they feared. | 0:09:56 | 0:09:59 | |
The 1908 birth is wrong. | 0:09:59 | 0:10:01 | |
Well, the crematorium tell me that she was age 89, | 0:10:01 | 0:10:05 | |
which makes her born, if my maths is right, 1920. | 0:10:05 | 0:10:08 | |
Have we got a birth in 1920? | 0:10:08 | 0:10:10 | |
I don't know. You've got a birth in 1908, | 0:10:10 | 0:10:12 | |
which I don't think is the right one. | 0:10:12 | 0:10:15 | |
Funeral home are going to come back to me. | 0:10:15 | 0:10:17 | |
So in theory, according to the... | 0:10:17 | 0:10:20 | |
That would still make that marriage right. She'd only be 19. | 0:10:20 | 0:10:24 | |
It means the potential heirs are also wrong, | 0:10:24 | 0:10:28 | |
and travelling researcher Dave Hadley is pulled off the job. | 0:10:28 | 0:10:31 | |
Here's a tree that I made earlier that's all wrong. | 0:10:31 | 0:10:34 | |
-Great. -Here you are. All that's wrong. | 0:10:36 | 0:10:39 | |
While the team still thinks Grace's marriage is right, | 0:10:39 | 0:10:42 | |
and she had no children, they now have to begin a totally new line of research | 0:10:42 | 0:10:46 | |
for a likely birth in 1920. | 0:10:46 | 0:10:49 | |
Can you try and find the marriage on the '11 census? | 0:10:49 | 0:10:53 | |
-Um... And then... And then let me know. All right? -Yeah. | 0:10:53 | 0:10:58 | |
Starting from scratch is frustrating | 0:10:58 | 0:11:00 | |
when they don't even know the value of the estate. | 0:11:00 | 0:11:03 | |
Did you get it? | 0:11:03 | 0:11:04 | |
But it's not long before Dave gets a phone call that changes everything. | 0:11:04 | 0:11:09 | |
Oh, so she was... A top model? | 0:11:10 | 0:11:14 | |
The phone call is from the bereavement officer | 0:11:14 | 0:11:17 | |
who handled Grace's affairs. He's been asked by the funeral home | 0:11:17 | 0:11:20 | |
to see if he can help the heir hunters' enquiries. | 0:11:20 | 0:11:24 | |
I presume she was going to America, to New York, to model there. | 0:11:24 | 0:11:30 | |
Suddenly the estate of Grace Woods is looking a lot more interesting. | 0:11:30 | 0:11:35 | |
Wow, that's amazing! | 0:11:35 | 0:11:39 | |
It appears that the deceased was a really famous model in her day. | 0:11:39 | 0:11:43 | |
She was married very young, to a much older man. | 0:11:43 | 0:11:46 | |
We now know we've got the right family, | 0:11:46 | 0:11:49 | |
so the original research was all wrong, | 0:11:49 | 0:11:51 | |
and now we're on the right tracks. | 0:11:51 | 0:11:54 | |
And it just shows you, sometimes you make these phone calls, | 0:11:54 | 0:11:57 | |
nine out of ten of them will go nowhere. | 0:11:57 | 0:11:59 | |
Something like this today has helped us piece together | 0:11:59 | 0:12:03 | |
the starting of this estate, which I'm really pleased about. | 0:12:03 | 0:12:07 | |
It's a major breakthrough. Not only is the team back on track, | 0:12:07 | 0:12:11 | |
they've discovered that Grace Woods was a top model in her day. | 0:12:11 | 0:12:15 | |
The news has been given to them by the bereavement officer | 0:12:15 | 0:12:18 | |
at the Oxford hospital where Grace died. | 0:12:18 | 0:12:21 | |
Philip Sutton had the job of visiting her flat to sort out her belongings. | 0:12:21 | 0:12:27 | |
It was almost to the end of an hour and a half's search | 0:12:27 | 0:12:30 | |
through many pieces of paper that I came across two folders, | 0:12:30 | 0:12:34 | |
and these two folders revealed her early story, | 0:12:34 | 0:12:38 | |
the story that is most fascinating. | 0:12:38 | 0:12:41 | |
And in a third folder, tucked at the back of the sideboard, | 0:12:41 | 0:12:45 | |
was a collection of about 15 or 20 photographs, | 0:12:45 | 0:12:50 | |
and these revealed a lady | 0:12:50 | 0:12:52 | |
of great elegance and beauty, | 0:12:52 | 0:12:55 | |
oh, probably from about | 0:12:55 | 0:12:58 | |
the age of 15 to early 20s. | 0:12:58 | 0:13:00 | |
Grace Woods began her modelling career | 0:13:00 | 0:13:04 | |
at the tender age of 15. | 0:13:04 | 0:13:06 | |
Her stunning beauty and natural elegance | 0:13:06 | 0:13:08 | |
soon attracted the attention | 0:13:08 | 0:13:10 | |
of the Lucie Clayton Modelling School. | 0:13:10 | 0:13:13 | |
The agency was probably London's top model agency in the 1940s. | 0:13:13 | 0:13:19 | |
You had to be certain height - over 5'9". | 0:13:19 | 0:13:22 | |
There was a specific model walk from the 1940s, | 0:13:22 | 0:13:26 | |
far more straight, | 0:13:26 | 0:13:28 | |
but to flow at the same time. | 0:13:28 | 0:13:31 | |
Grace certainly would have had training | 0:13:31 | 0:13:33 | |
in making sure she didn't use her hands too much | 0:13:33 | 0:13:36 | |
and her head didn't dip. She would have been told how to maintain | 0:13:36 | 0:13:39 | |
a very still figure. | 0:13:39 | 0:13:41 | |
By the 1940s, Grace was a well-known face on the fashion scene, | 0:13:41 | 0:13:45 | |
and was photographed and filmed at prestigious events. | 0:13:45 | 0:13:49 | |
The British fashion industry was starting to boom, | 0:13:50 | 0:13:54 | |
as designers shrugged off the drudgery of war | 0:13:54 | 0:13:56 | |
in search of exciting new styles, | 0:13:56 | 0:13:58 | |
and this design revolution required a new breed of model. | 0:13:58 | 0:14:03 | |
Grace must have had the similar training to me | 0:14:03 | 0:14:06 | |
at her modelling school. | 0:14:06 | 0:14:07 | |
She would have learnt how to walk, how to wear the clothes, | 0:14:07 | 0:14:12 | |
how to promote herself, in other words, really. | 0:14:12 | 0:14:16 | |
And generally learn all the ins and outs | 0:14:16 | 0:14:19 | |
of how to behave in front of a camera, | 0:14:19 | 0:14:22 | |
and as a model. I mean, there was a lot more to it in those days. | 0:14:22 | 0:14:26 | |
Well, Grace certainly was a beautifully elegant model back in the day. | 0:14:30 | 0:14:34 | |
I'm here at the Museum of London to find out more about the world she inhabited. | 0:14:34 | 0:14:38 | |
I've come to meet Beatrice Behlen, fashion curator | 0:14:42 | 0:14:45 | |
and an expert in post-war fashion. | 0:14:45 | 0:14:47 | |
-Hello, Beatrice. -Hi. -So tell me, | 0:14:49 | 0:14:53 | |
what happened to the global fashion industry during the war? | 0:14:53 | 0:14:56 | |
Paris was occupied by the Germans for about four years, | 0:14:56 | 0:15:00 | |
so they were still producing fashion, but only for people in Paris and France. | 0:15:00 | 0:15:05 | |
Normally, they would have dominated fashion, leading fashion. | 0:15:05 | 0:15:08 | |
Now the British and the Americans, they were developing their own styles | 0:15:08 | 0:15:13 | |
-and they were hoping Paris could be kept down after the war. -What did people wear at the time? | 0:15:13 | 0:15:17 | |
I'll show you some things over here. | 0:15:17 | 0:15:20 | |
I've got three dresses here. | 0:15:20 | 0:15:22 | |
All three are worn about sort of '44, '45. | 0:15:22 | 0:15:26 | |
I think they maybe look a little bit like that. But this one, I think, you could definitely wear now. | 0:15:26 | 0:15:31 | |
So they are different, slightly different. | 0:15:31 | 0:15:33 | |
This one is a utility dress, and you can see the CC41 sign here. | 0:15:33 | 0:15:38 | |
-It's made by a company called Bijou. -Right. | 0:15:38 | 0:15:41 | |
Utility means it was made out of a fabric | 0:15:41 | 0:15:46 | |
that was controlled by regulations. | 0:15:46 | 0:15:49 | |
-So even fashion and material was regulated at the time? -Yes, it was. | 0:15:49 | 0:15:53 | |
In wartime Britain, clothes and materials to make them | 0:15:53 | 0:15:56 | |
were as strictly rationed as food. | 0:15:56 | 0:15:58 | |
The Government had taken control of all imported cloth, | 0:15:58 | 0:16:02 | |
and in 1941 brought in utility clothes for the general public. | 0:16:02 | 0:16:07 | |
They set up a coupon system to ration how many new clothes people could actually buy. | 0:16:07 | 0:16:12 | |
The utility label meant when consumers used their coupons | 0:16:12 | 0:16:16 | |
and saw that mark, they'd know the clothes would be well-made, | 0:16:16 | 0:16:20 | |
hard-wearing and affordable. | 0:16:20 | 0:16:22 | |
Unfortunately, clothes rationing didn't stop there. | 0:16:22 | 0:16:25 | |
There were all sorts of austerity regulations. | 0:16:25 | 0:16:28 | |
They governed how many buttons you could have, how many pleats. | 0:16:28 | 0:16:33 | |
It makes you think there was one style. That's not true - | 0:16:33 | 0:16:36 | |
-you can make quite a lot of different styles, despite the regulations. -Yeah. | 0:16:36 | 0:16:39 | |
Austerity measures aside, the public found ways around them, | 0:16:39 | 0:16:44 | |
using what they already had at home. | 0:16:44 | 0:16:46 | |
This one here is made out of bedding material. | 0:16:46 | 0:16:49 | |
She could do whatever she liked, so she got a pattern, she made this dress, and she thought, | 0:16:49 | 0:16:54 | |
"No, I'll not just have four buttons, I'll have whatever - ten, nine, or whatever she has here. | 0:16:54 | 0:16:58 | |
-She used as many as she could get her hands on. -It's amazing how bright they are. | 0:16:58 | 0:17:03 | |
I imagine war clothing, because of regulations, to be dark and drab. | 0:17:03 | 0:17:08 | |
No, I think the state was quite worried that people would hate it | 0:17:08 | 0:17:13 | |
so they did their best to have different patterns and things like that. | 0:17:13 | 0:17:17 | |
It's amazing to see first-hand just how inventive | 0:17:20 | 0:17:23 | |
and resourceful people were in times of such austerity. | 0:17:23 | 0:17:27 | |
Putting clothes made of bedding to one side for a moment, | 0:17:27 | 0:17:31 | |
I want to find out more about how Grace became the superstar she was in her day. | 0:17:31 | 0:17:36 | |
So, the UK, was that a good place for Grace to be modelling after the war? | 0:17:36 | 0:17:40 | |
After the war, it would have been. There were still regulations for everyone else, | 0:17:40 | 0:17:44 | |
but the designers were made exempt from the regulations so they could make beautiful things for export | 0:17:44 | 0:17:50 | |
so that money would come into the country. | 0:17:50 | 0:17:52 | |
So, of course, they would have needed models to show these new fashions. | 0:17:52 | 0:17:57 | |
It sounds as if Grace was in the right place at the right time. | 0:17:57 | 0:18:00 | |
But what about the clothes she would have been wearing on the catwalks of America and Europe? | 0:18:00 | 0:18:06 | |
From the silhouette, | 0:18:06 | 0:18:08 | |
this would have been the kind of thing she would have modelled in 1946. | 0:18:08 | 0:18:12 | |
This is another utility garment, so what she would have worn for a designer | 0:18:12 | 0:18:16 | |
would probably have been a bit more luxurious. | 0:18:16 | 0:18:18 | |
But it would have had these wide shoulders | 0:18:18 | 0:18:21 | |
-and been quite straight, quite a boxy look. -Amazing detail on here. | 0:18:21 | 0:18:25 | |
Yeah, but also, this is a fake. | 0:18:25 | 0:18:29 | |
Because again, you have to not use that much fabric | 0:18:29 | 0:18:33 | |
so you don't put in proper pockets, you just have sort of fake pockets. | 0:18:33 | 0:18:36 | |
-Were the public happy with the new styles? -The big thing that changed was | 0:18:36 | 0:18:41 | |
when Dior had his first fashion show on 12th February 1947 | 0:18:41 | 0:18:45 | |
and what he introduced was this new style, which you can see here. | 0:18:45 | 0:18:49 | |
This is a beautiful suit by Hardy Amies, | 0:18:49 | 0:18:52 | |
-one of the big designers in London. -I love it. | 0:18:52 | 0:18:55 | |
Yeah, I think you could wear this now. | 0:18:55 | 0:18:57 | |
So this is much more detailed, you have different pockets, | 0:18:57 | 0:19:02 | |
more of the detail here than on the others. | 0:19:02 | 0:19:05 | |
You can see how much fabric these pleats would have needed. | 0:19:05 | 0:19:09 | |
You couldn't have done that under austerity regulations. | 0:19:09 | 0:19:12 | |
Some people liked it, some people absolutely hated it. | 0:19:12 | 0:19:15 | |
There were debates in the Commons about this, because it was using a lot of fabric. | 0:19:15 | 0:19:19 | |
You can't really fight fashion. It was going up that way and there was nothing people could do. | 0:19:19 | 0:19:23 | |
It appears Grace was walking the catwalks | 0:19:23 | 0:19:26 | |
during a fashion revolution, | 0:19:26 | 0:19:28 | |
and subsequently became one of the world's first supermodels. | 0:19:28 | 0:19:32 | |
Coming up - the team learn that Grace Woods was rich | 0:19:37 | 0:19:41 | |
as well as famous. | 0:19:41 | 0:19:44 | |
We've actually heard that the value of this estate | 0:19:44 | 0:19:47 | |
is three times what my top hope was, really. | 0:19:47 | 0:19:49 | |
Our next case today proves a real puzzle for the probate researchers, | 0:19:57 | 0:20:02 | |
as the hunt for missing heirs leads to some of the darkest moments in 20th century history. | 0:20:02 | 0:20:08 | |
Heir hunters can spend years trying to solve complex cases, | 0:20:10 | 0:20:14 | |
but sometimes there's a reason why people's lives | 0:20:14 | 0:20:17 | |
are shrouded in mystery. | 0:20:17 | 0:20:19 | |
That was the story when one company looked for heirs | 0:20:19 | 0:20:23 | |
for Leons Grinbergs. His friends and family knew surprisingly little | 0:20:23 | 0:20:27 | |
of the dramatic events which had shaped his life. | 0:20:27 | 0:20:30 | |
Leons died in Seaford, West Sussex, in 2009, | 0:20:32 | 0:20:36 | |
aged 83. | 0:20:36 | 0:20:38 | |
He was a popular man who Paul Allery had known for over 30 years. | 0:20:38 | 0:20:43 | |
When I first think of Leo, what I remember is his smile, | 0:20:43 | 0:20:48 | |
his laugh, a pipe and a pint. | 0:20:48 | 0:20:51 | |
I've never known him unhappy. | 0:20:51 | 0:20:54 | |
No. Not in all my life. He's never been unhappy. | 0:20:56 | 0:20:59 | |
He'd make you laugh. | 0:20:59 | 0:21:02 | |
Leons died without leaving a will, | 0:21:02 | 0:21:04 | |
and his £13,000 estate was published on the Bona Vacantia list in 2009. | 0:21:04 | 0:21:09 | |
Thanks. Cheerio. | 0:21:12 | 0:21:14 | |
Hector Birchwood, who runs heir-hunting firm Celtic Research | 0:21:14 | 0:21:17 | |
with his father Peter, began to investigate. | 0:21:17 | 0:21:21 | |
We started the case when it was first advertised | 0:21:21 | 0:21:23 | |
with the Treasury solicitor last year. | 0:21:23 | 0:21:25 | |
We didn't get the death certificate immediately, | 0:21:25 | 0:21:28 | |
but we had established a number of different facts | 0:21:28 | 0:21:31 | |
by the time that we had the death certificate. | 0:21:31 | 0:21:34 | |
We knew that he was married. | 0:21:34 | 0:21:36 | |
We... Or at least I guessed that perhaps he may have been divorced | 0:21:36 | 0:21:40 | |
and that there would have been some previous in-law family | 0:21:40 | 0:21:45 | |
still residing here in the UK, | 0:21:45 | 0:21:48 | |
and so that then led us down a research avenue | 0:21:48 | 0:21:51 | |
by which we could possibly maybe find the deceased's family. | 0:21:51 | 0:21:55 | |
Dawn Marian Moor was married to Leons Grinbergs. | 0:21:56 | 0:21:59 | |
They met while she was working at Hastings railway station in 1972. | 0:21:59 | 0:22:04 | |
When I met Leo, I had been separated from my husband | 0:22:05 | 0:22:10 | |
for a few years, | 0:22:10 | 0:22:13 | |
and Leo was a great comfort to me. | 0:22:13 | 0:22:16 | |
He was about 6'2", | 0:22:16 | 0:22:19 | |
nicely-built, | 0:22:19 | 0:22:22 | |
very nicely-built. | 0:22:22 | 0:22:23 | |
Always had a little goatee beard and moustache. | 0:22:23 | 0:22:26 | |
Used to laugh at his own jokes. | 0:22:26 | 0:22:30 | |
One of his best points was that he was very good to my children, | 0:22:30 | 0:22:36 | |
and he was very reliable and loving. | 0:22:36 | 0:22:40 | |
And handsome! | 0:22:42 | 0:22:43 | |
At the time, Dawn was living with her 11-year-old son Paul, | 0:22:45 | 0:22:48 | |
when Leons, or Leo as he was known, moved into the family home. | 0:22:48 | 0:22:52 | |
I first met Leo when I was 11 years old, | 0:22:52 | 0:22:55 | |
which would have been about 37 years ago. | 0:22:55 | 0:22:59 | |
I thought, "What's this stranger doing in my house?" | 0:22:59 | 0:23:02 | |
But literally within hours, I loved him straight away. | 0:23:02 | 0:23:05 | |
Lovely man. | 0:23:05 | 0:23:07 | |
Made me laugh. Made me feel much, much better. | 0:23:07 | 0:23:10 | |
Dawn and Leo got married in June 1975, | 0:23:10 | 0:23:14 | |
and they settled into family life with Paul and his elder sisters. | 0:23:14 | 0:23:19 | |
It was very good, you know, very happy. | 0:23:19 | 0:23:22 | |
Everybody jogged on fine, you know. | 0:23:22 | 0:23:26 | |
It was like having Leo and I's family, you know, | 0:23:26 | 0:23:30 | |
because he was really good with the kids. | 0:23:30 | 0:23:33 | |
Dawn and Leo decided to get divorced in 1983, | 0:23:33 | 0:23:37 | |
but the split was amicable. | 0:23:37 | 0:23:40 | |
Paul always kept in touch with him, and if ever I saw him, | 0:23:40 | 0:23:44 | |
because he moved to Seaford, | 0:23:44 | 0:23:47 | |
we used to perhaps go for a drink together. | 0:23:47 | 0:23:49 | |
No animosity. It was very good. Remained friends for a long time. | 0:23:49 | 0:23:55 | |
As Dawn and Leo had divorced, she wasn't an heir to his estate. | 0:23:55 | 0:23:59 | |
Nor was stepson Paul, as he wasn't a blood relative. | 0:23:59 | 0:24:03 | |
So if Hector was going to find any living relatives, | 0:24:03 | 0:24:06 | |
he needed to look further into Leo's past. | 0:24:06 | 0:24:09 | |
But that's where it would get tricky. | 0:24:09 | 0:24:11 | |
He'd only tell you what he wanted you to know. | 0:24:11 | 0:24:14 | |
He never elaborated on anything. | 0:24:14 | 0:24:17 | |
It was as though he'd done it, he'd been there, | 0:24:17 | 0:24:22 | |
and he wanted a fresh beginning. | 0:24:22 | 0:24:24 | |
He had his private side, which he wouldn't talk about, | 0:24:24 | 0:24:28 | |
and we never worried about him, about it. | 0:24:28 | 0:24:31 | |
If he'd wanted to talk about it, he could, | 0:24:31 | 0:24:33 | |
but he kept himself to himself in that respect, his private life. | 0:24:33 | 0:24:38 | |
In order to find heirs to Leo's estate, | 0:24:38 | 0:24:41 | |
Hector would have to delve into his mysterious past. | 0:24:41 | 0:24:46 | |
He was quickly able to establish that Leo was from Latvia, | 0:24:46 | 0:24:49 | |
and that he'd been born in 1926. | 0:24:49 | 0:24:52 | |
But frustratingly, he couldn't find any other details of his birth. | 0:24:52 | 0:24:56 | |
Once you go to places in Eastern Europe, | 0:24:56 | 0:24:59 | |
the former Soviet union, because of historical reasons, | 0:24:59 | 0:25:04 | |
namely lots of armies conquering back and forth | 0:25:04 | 0:25:07 | |
and destroying records in churches, | 0:25:07 | 0:25:09 | |
you begin to see that there's real trouble | 0:25:09 | 0:25:13 | |
in being able to get any form of record | 0:25:13 | 0:25:15 | |
to prove that somebody's related to another person. | 0:25:15 | 0:25:18 | |
And trying to find records in Latvia was especially difficult. | 0:25:20 | 0:25:24 | |
In 1939, the country was turned upside down | 0:25:24 | 0:25:28 | |
when Russian troops invaded and seized control. | 0:25:28 | 0:25:31 | |
Within a one-week period, | 0:25:31 | 0:25:34 | |
around 15,000 Latvians were given 24 hours' notice | 0:25:34 | 0:25:39 | |
to collect 100 kilograms of their possessions. | 0:25:39 | 0:25:41 | |
They weren't allowed to take any more. | 0:25:41 | 0:25:43 | |
They were then taken to the main railway stations. | 0:25:43 | 0:25:46 | |
Families were split into men and women and children, | 0:25:46 | 0:25:49 | |
and they were transported to Siberia. | 0:25:49 | 0:25:51 | |
13-year-old Leo was lucky to avoid this fate. | 0:25:51 | 0:25:55 | |
But like the rest of the Latvian population, | 0:25:55 | 0:25:58 | |
he was now at the mercy of violent Russian oppressors. | 0:25:58 | 0:26:01 | |
CANNON BOOMS | 0:26:01 | 0:26:03 | |
Salvation seemed to come two years later | 0:26:03 | 0:26:07 | |
when German troops arrived in Latvia and forced the Russians out. | 0:26:07 | 0:26:11 | |
Initially, a lot of the Latvians welcomed them on the street, | 0:26:13 | 0:26:18 | |
with flowers in some cases, | 0:26:18 | 0:26:20 | |
because they were seen as at least not being as bad as the Soviets. | 0:26:20 | 0:26:24 | |
But their relief was short-lived. | 0:26:24 | 0:26:26 | |
The arrival of the Nazis brought a new threat to many Latvian people, | 0:26:26 | 0:26:31 | |
and one which would directly affect Leo, who was half-Jewish. | 0:26:31 | 0:26:34 | |
Very soon the Nazis set up ghettos and concentration camps | 0:26:34 | 0:26:39 | |
for the Latvian Jews. | 0:26:39 | 0:26:41 | |
In Latvia, there were around 90,000 to 95,000 Jews, | 0:26:41 | 0:26:44 | |
about 90%of which died by the end of the war. | 0:26:44 | 0:26:48 | |
Sarmite Janovskis was a young girl | 0:26:48 | 0:26:51 | |
living in the Latvian capital city in 1941. | 0:26:51 | 0:26:56 | |
Jewish ghettos in Riga were terrible. They were rounded up. | 0:26:56 | 0:26:59 | |
You weren't allowed to give them a piece of bread. | 0:26:59 | 0:27:02 | |
You did that on the quiet, but not while they were in the road. | 0:27:02 | 0:27:06 | |
You couldn't do anything, and it must have been awful. | 0:27:06 | 0:27:10 | |
They had lived there all their lives, | 0:27:12 | 0:27:15 | |
a peaceful, normal life. | 0:27:15 | 0:27:17 | |
And I suppose the only place they could run | 0:27:17 | 0:27:21 | |
was Sweden, but there was no way to get there. | 0:27:21 | 0:27:24 | |
If they ran to Germany, they would have run into fire. | 0:27:24 | 0:27:29 | |
The same into Poland or Lithuania, | 0:27:29 | 0:27:32 | |
Russia, everything. They had nowhere to run, | 0:27:32 | 0:27:36 | |
and they were very quickly rounded up and shot, and it was terrible. | 0:27:36 | 0:27:40 | |
As a young Jew, Leo was in imminent danger. | 0:27:43 | 0:27:47 | |
And his ex-wife Dawn remembers a rare revelation | 0:27:47 | 0:27:50 | |
about this period in his life. | 0:27:50 | 0:27:53 | |
Leo one day sort of sat down, and, talking about the past, | 0:27:53 | 0:27:59 | |
he told me that...um... | 0:27:59 | 0:28:02 | |
he had to leave Riga | 0:28:02 | 0:28:04 | |
when he was 15, because... | 0:28:04 | 0:28:07 | |
the Jewish part of his family - his father was a Jew - | 0:28:07 | 0:28:11 | |
he feels his parents were murdered anyway, | 0:28:11 | 0:28:14 | |
and his only escape was to make way to a different country to survive. | 0:28:14 | 0:28:21 | |
It took him two years to get to Switzerland, | 0:28:21 | 0:28:24 | |
by sleeping during the day, | 0:28:24 | 0:28:27 | |
travelling at night, | 0:28:27 | 0:28:29 | |
surviving on whatever he could... | 0:28:29 | 0:28:32 | |
um...which made him, today, not leave anything on his plate | 0:28:32 | 0:28:38 | |
because he'd suffered so much hunger in those days. | 0:28:38 | 0:28:41 | |
But it took him two years to get to Switzerland. | 0:28:41 | 0:28:45 | |
The news of Leo's extraordinary wartime journey | 0:28:45 | 0:28:49 | |
and the loss of his parents explained a lot to Dawn. | 0:28:49 | 0:28:52 | |
I think it was so traumatic for him | 0:28:52 | 0:28:54 | |
that each episode of his life he shuts away, | 0:28:54 | 0:29:01 | |
and doesn't want to relive it. | 0:29:01 | 0:29:05 | |
And I think that's the secret of his life. | 0:29:05 | 0:29:08 | |
That's why he was a loner, | 0:29:08 | 0:29:10 | |
you know, and didn't divulge very much to anybody. | 0:29:10 | 0:29:16 | |
But was Leo hiding a secret | 0:29:16 | 0:29:18 | |
that would help the heir hunters find relatives who could inherit his estate? | 0:29:18 | 0:29:22 | |
They'd been able to establish that after the war ended, | 0:29:22 | 0:29:25 | |
Leo somehow made his way to a military hospital near Cologne. | 0:29:25 | 0:29:29 | |
From here, records show Leo was moved | 0:29:29 | 0:29:33 | |
to a displaced-persons' camp in Western Europe. | 0:29:33 | 0:29:36 | |
These camps housed 150,000 Latvian refugees, | 0:29:36 | 0:29:41 | |
who'd fled their country when it fell under the Iron Curtain. | 0:29:41 | 0:29:45 | |
Hundreds of camps formed in Germany, | 0:29:45 | 0:29:47 | |
both in the English zone and in the American zone, | 0:29:47 | 0:29:52 | |
and as soon as the camps opened, we started forming schools | 0:29:52 | 0:29:56 | |
and choirs and our own social life, | 0:29:56 | 0:29:58 | |
and life was very, very difficult. | 0:29:58 | 0:30:01 | |
The Latvians were free to leave the camps, | 0:30:01 | 0:30:04 | |
but with little prospect of jobs, they survived on rations, | 0:30:04 | 0:30:08 | |
and in sometimes squalid conditions. | 0:30:08 | 0:30:11 | |
We were seven in a room, | 0:30:11 | 0:30:13 | |
with one tap to about 16 families. | 0:30:13 | 0:30:16 | |
The toilets weren't usable. They were full of... | 0:30:16 | 0:30:21 | |
faeces and worms. | 0:30:21 | 0:30:23 | |
Maggots! | 0:30:23 | 0:30:25 | |
But there were always the woods. | 0:30:25 | 0:30:28 | |
Yes. | 0:30:28 | 0:30:29 | |
Yes. It was... | 0:30:29 | 0:30:31 | |
That part of my life was horrible. | 0:30:31 | 0:30:35 | |
No-one seems to know what happened to Leo when he left the displaced-persons' camp. | 0:30:35 | 0:30:40 | |
But his stepson Paul was about to make a dramatic revelation. | 0:30:40 | 0:30:44 | |
He believed that Leon had an illegitimate daughter. | 0:30:44 | 0:30:49 | |
Heir hunters solve thousands of cases a year, | 0:30:57 | 0:31:00 | |
and millions of pounds are paid out to rightful heirs. | 0:31:00 | 0:31:03 | |
But not every case can be cracked. | 0:31:03 | 0:31:05 | |
The Treasury has a database of over 2,000 names | 0:31:05 | 0:31:08 | |
that have baffled the heir hunters and remain unsolved. | 0:31:08 | 0:31:12 | |
This is known as the Bona Vacantia list. | 0:31:12 | 0:31:15 | |
Bona Vacantia is Latin for "ownerless goods". | 0:31:15 | 0:31:18 | |
And we deal with the estates of people | 0:31:18 | 0:31:20 | |
who die intestate and without known kin. | 0:31:20 | 0:31:24 | |
And this unclaimed money could belong to you, not the Government, | 0:31:24 | 0:31:28 | |
but you'll have to show them you're the rightful heir. | 0:31:28 | 0:31:31 | |
If they write to us enclosing a simple family tree, | 0:31:31 | 0:31:34 | |
just showing how they're actually related to the deceased person, | 0:31:34 | 0:31:37 | |
then we can have a look at it, make sure we're talking about the same family, | 0:31:37 | 0:31:42 | |
before we go off and ask them to supply various certificates | 0:31:42 | 0:31:46 | |
of birth, death and marriage | 0:31:46 | 0:31:49 | |
to actually substantiate the claim. | 0:31:49 | 0:31:51 | |
The estate could be worth as little as a few hundred pounds | 0:31:51 | 0:31:55 | |
or as much as many millions. | 0:31:55 | 0:31:57 | |
Today we're focussing on three names from the list. | 0:31:57 | 0:32:00 | |
Are they relatives of yours? | 0:32:00 | 0:32:02 | |
Could you be in line for an unexpected windfall? | 0:32:02 | 0:32:05 | |
Edna Youle died in Sheffield, South Yorkshire, in September 2006. | 0:32:05 | 0:32:10 | |
The surname Youle is medieval, | 0:32:10 | 0:32:13 | |
and was traditionally taken by people born on Christmas day. | 0:32:13 | 0:32:18 | |
Did you know Edna? So far, all efforts to trace her entitled relatives have failed. | 0:32:18 | 0:32:23 | |
Did you know Robert William Walker-Hesp? | 0:32:25 | 0:32:28 | |
He died on the 7th of October 2008 in Bideford, Devon. | 0:32:28 | 0:32:33 | |
Do you recognise Robert's distinctive double-barrelled surname? | 0:32:33 | 0:32:38 | |
Can you help solve this case? | 0:32:38 | 0:32:40 | |
Also on our list is John Francis Christopher Fleming, | 0:32:42 | 0:32:45 | |
who died in Coventry on the 4th of August 2006. | 0:32:45 | 0:32:49 | |
The name Fleming is commonly associated | 0:32:49 | 0:32:52 | |
with people from Flanders. | 0:32:52 | 0:32:55 | |
Was John a friend or neighbour or yours? | 0:32:55 | 0:32:57 | |
Someone out there must remember him. | 0:32:57 | 0:32:59 | |
But these estates won't be around for ever. | 0:32:59 | 0:33:03 | |
It'll stay on the list as long as it's claimable. | 0:33:03 | 0:33:06 | |
Actually, under the Limitation Act, | 0:33:06 | 0:33:08 | |
people have 12 years to come forward and claim. | 0:33:08 | 0:33:12 | |
A reminder of those names again. | 0:33:13 | 0:33:15 | |
Edna Youle, Robert Walker-Hesp, and John Christopher Fleming. | 0:33:15 | 0:33:21 | |
So if you're a relative of someone on today's list, | 0:33:21 | 0:33:23 | |
you could have a fortune coming your way. | 0:33:23 | 0:33:26 | |
Still to come - the heir hunters know about Grace Woods' fame, | 0:33:31 | 0:33:35 | |
but what about her fortune? | 0:33:35 | 0:33:37 | |
Now, though, it's back to the difficult search for heirs | 0:33:37 | 0:33:40 | |
to the estate of Latvian exile Leons Grinbergs. | 0:33:40 | 0:33:45 | |
'Later, I've some more news about the case.' | 0:33:45 | 0:33:48 | |
-So do you have any updates for us? -Well, I do have some updates. | 0:33:48 | 0:33:52 | |
But first, it's back to the investigation. | 0:33:52 | 0:33:55 | |
The heir hunters at Celtic Research | 0:33:55 | 0:33:58 | |
have been looking into Leon's case. | 0:33:58 | 0:34:01 | |
He was born in Eastern Europe, and died in West Sussex, | 0:34:01 | 0:34:04 | |
leaving an estate worth around £13,000. | 0:34:04 | 0:34:07 | |
But uncovering the tracks of someone who wanted their past left behind was proving very difficult. | 0:34:07 | 0:34:12 | |
A lot of people who left Latvia they live in the past, | 0:34:14 | 0:34:20 | |
and they think of what was in Latvia, | 0:34:20 | 0:34:24 | |
but they can't tell people in England about it | 0:34:24 | 0:34:28 | |
because they wouldn't understand. It was a different world. | 0:34:28 | 0:34:31 | |
And the war experiences - | 0:34:31 | 0:34:34 | |
I mean, they were just so horrendous. | 0:34:34 | 0:34:37 | |
I think they like to bury them. | 0:34:37 | 0:34:42 | |
After the Second World War, | 0:34:42 | 0:34:44 | |
the only evidence of what happened to Leo next | 0:34:44 | 0:34:46 | |
are photographs which show him living in North America. | 0:34:46 | 0:34:51 | |
I would think, obviously, in Canada. | 0:34:51 | 0:34:55 | |
It looks like he's studying for something. | 0:34:55 | 0:34:58 | |
These are the sort of things I wish he'd told me about. | 0:34:58 | 0:35:00 | |
What was he, 25, 30? | 0:35:00 | 0:35:02 | |
What was he doing and why? | 0:35:07 | 0:35:11 | |
In 1947, Canada adopted emergency measures | 0:35:11 | 0:35:14 | |
to assist the resettlement of refugees, | 0:35:14 | 0:35:18 | |
many of whom were from Eastern Europe. | 0:35:18 | 0:35:20 | |
It's likely Leo was part of this programme. | 0:35:20 | 0:35:23 | |
After 1945, 150,000 Latvian refugees were unable to return home, | 0:35:23 | 0:35:28 | |
because Latvia was controlled by the Soviet Union until 1991. | 0:35:28 | 0:35:31 | |
The majority of the Latvian refugees moved to North America, | 0:35:31 | 0:35:35 | |
to the United States and to Canada. | 0:35:35 | 0:35:37 | |
Toronto has one of the largest Latvian communities, | 0:35:37 | 0:35:41 | |
and is the second-largest Latvian city outside of Latvia. | 0:35:41 | 0:35:45 | |
But none of these movements were making Hector's task of finding an heir any easier. | 0:35:46 | 0:35:51 | |
The only tangible record that we have | 0:35:52 | 0:35:55 | |
is the Merchant Marine record that we have for Leon, | 0:35:55 | 0:35:59 | |
which states that he was here first in 1953. | 0:35:59 | 0:36:03 | |
We don't have any records of Leon having resided in Canada, | 0:36:03 | 0:36:08 | |
or coming back and forth from Canada, | 0:36:08 | 0:36:10 | |
or having any form of family | 0:36:10 | 0:36:14 | |
that you could say was related to him in Canada, | 0:36:14 | 0:36:19 | |
so it's... | 0:36:19 | 0:36:21 | |
It really has led nowhere. | 0:36:21 | 0:36:23 | |
So they were left with a black hole in Leo's life. | 0:36:23 | 0:36:27 | |
For a period of almost ten years, | 0:36:27 | 0:36:30 | |
the heir hunters had no idea of Leo's whereabouts, | 0:36:30 | 0:36:33 | |
or what was going on in his personal life. | 0:36:33 | 0:36:35 | |
And then stepson Paul dropped a bombshell. | 0:36:35 | 0:36:39 | |
The last tantalising clue that we got from Paul | 0:36:39 | 0:36:43 | |
is that he believed that Leon had an illegitimate daughter, | 0:36:43 | 0:36:48 | |
that during his travels to and from Canada | 0:36:48 | 0:36:52 | |
as a Merchant Marine man, | 0:36:52 | 0:36:55 | |
he'd fathered a girl. | 0:36:55 | 0:36:57 | |
Perhaps she resides in Canada, speculatively. | 0:36:57 | 0:37:01 | |
Shortly after Leo passed away, the council got in touch with me | 0:37:01 | 0:37:06 | |
and left me all his personal possessions, | 0:37:06 | 0:37:09 | |
and I was pretty much talking to my mother, | 0:37:09 | 0:37:13 | |
and we were going through things, | 0:37:13 | 0:37:15 | |
and she just suddenly says, like, "Oh, he had a daughter in Canada." | 0:37:15 | 0:37:19 | |
I thought, "What's this?" I didn't know anything about this. | 0:37:19 | 0:37:24 | |
He paid for her college, I believe. | 0:37:24 | 0:37:28 | |
He mentioned paying for her college. | 0:37:28 | 0:37:31 | |
But that's all he said about his daughter. | 0:37:31 | 0:37:34 | |
I think his past... He didn't want to dwell on it. | 0:37:34 | 0:37:38 | |
Leo's daughter is likely to be the sole heir to his £13,000 estate. | 0:37:38 | 0:37:44 | |
But in order to find her, they need his name on the birth certificate. | 0:37:44 | 0:37:47 | |
For us, it's exceptionally hard | 0:37:47 | 0:37:50 | |
to try and find that needle in a haystack | 0:37:50 | 0:37:52 | |
without knowing a name. If somebody's born illegitimately, | 0:37:52 | 0:37:56 | |
normally they would take on their mother's surname, | 0:37:56 | 0:38:00 | |
so without knowing who the relationship was with, | 0:38:00 | 0:38:03 | |
or where it even took place, | 0:38:03 | 0:38:05 | |
we have no way of being able to find out who this person is. | 0:38:05 | 0:38:09 | |
The ongoing search for Leo's daughter | 0:38:09 | 0:38:12 | |
is being championed by his stepson Paul. | 0:38:12 | 0:38:15 | |
Well, I know I'm not entitled to anything, | 0:38:15 | 0:38:17 | |
and because he died intestate, | 0:38:17 | 0:38:19 | |
I thought I didn't want his money going to the Government. | 0:38:19 | 0:38:23 | |
I'll try my damnedest, if he has got a daughter, | 0:38:23 | 0:38:25 | |
to make sure it goes to her. | 0:38:25 | 0:38:27 | |
Despite searching every record available to him, | 0:38:27 | 0:38:30 | |
Hector has so far been unable locate any trace of Leo's missing daughter, | 0:38:30 | 0:38:34 | |
who may be in Canada, or even in the UK. | 0:38:34 | 0:38:37 | |
Without having the luxury of a birth certificate | 0:38:37 | 0:38:41 | |
or a baptismal record, | 0:38:41 | 0:38:44 | |
or the name of a potential illegitimate daughter, | 0:38:44 | 0:38:49 | |
or even the name of the person with whom he may have had a relationship | 0:38:49 | 0:38:53 | |
and then had an illegitimate daughter, | 0:38:53 | 0:38:55 | |
it really leaves us in a very difficult spot, | 0:38:55 | 0:38:58 | |
and, on the face of it, | 0:38:58 | 0:39:01 | |
I don't really think that there's any resolution to this case, | 0:39:01 | 0:39:06 | |
so eventually the Crown will be quite happy | 0:39:06 | 0:39:10 | |
to obtain the deceased's assets, | 0:39:10 | 0:39:13 | |
and this will all go to Her Majesty's Government. | 0:39:13 | 0:39:17 | |
But Paul hasn't given up hope of finding his stepsister, | 0:39:19 | 0:39:24 | |
Leo's long-lost daughter. | 0:39:24 | 0:39:27 | |
I think Leo would have wanted me to do it. | 0:39:27 | 0:39:30 | |
He would have liked me to do it. | 0:39:30 | 0:39:32 | |
Last thing I can do for him. | 0:39:34 | 0:39:37 | |
Are you Leo's daughter, or do you know someone that could be? | 0:39:40 | 0:39:43 | |
Do you hold the key to solving this £13,000 case? | 0:39:43 | 0:39:49 | |
'Well, there's been a dramatic twist in the hunt for Leon's heirs. | 0:39:52 | 0:39:55 | |
'I've come to London to meet heir hunter Hector Birchwood and Leon's stepson Paul. | 0:39:55 | 0:40:00 | |
'Both men have been working for years to solve the riddle of Leon's life.' | 0:40:00 | 0:40:04 | |
-Paul, it's lovely to meet you. -Lovely to meet you. -Thank you. | 0:40:06 | 0:40:10 | |
-You're obviously really fond of Leon? -Yeah. | 0:40:10 | 0:40:13 | |
-Terribly. -And what are your favourite memories of him? -Hmm, good Lord, loads. | 0:40:13 | 0:40:19 | |
I suppose when I first met him, he used to look after me, | 0:40:19 | 0:40:22 | |
treat me well... | 0:40:22 | 0:40:24 | |
When I left school he got me my first job. | 0:40:24 | 0:40:27 | |
-And taking me to the pub. -So, Hector, I'm glad you could join us. -Pleasure. | 0:40:27 | 0:40:33 | |
Did you know from the start this was going to be a difficult case? | 0:40:33 | 0:40:37 | |
Yes, I knew it was going to be very hard. | 0:40:37 | 0:40:39 | |
There were a number of reasons why this case was going to be hard from the outset. | 0:40:39 | 0:40:43 | |
Latvia, because of its history, has had a number of its records destroyed. | 0:40:43 | 0:40:47 | |
So we knew that even if we found anyone, | 0:40:47 | 0:40:50 | |
it would have been very difficult to document any form of claim. | 0:40:50 | 0:40:53 | |
We've not had a lot of success in Latvia before. | 0:40:53 | 0:40:56 | |
And in addition to that, | 0:40:56 | 0:40:59 | |
we could not find a birth for Leon where he said he was. | 0:40:59 | 0:41:05 | |
So the initial research that we did | 0:41:05 | 0:41:09 | |
didn't prove very fruitful at all. | 0:41:09 | 0:41:12 | |
And it was at that point that I decided to research | 0:41:12 | 0:41:15 | |
in the family that Leon married into. | 0:41:15 | 0:41:19 | |
That's when I contacted Paul. | 0:41:19 | 0:41:21 | |
And Paul was himself doing a lot of research, | 0:41:21 | 0:41:23 | |
trying to find Leon's family. | 0:41:23 | 0:41:26 | |
So we effectively traded information. | 0:41:26 | 0:41:28 | |
He gave me papers that he had in his possession and I gave him | 0:41:28 | 0:41:32 | |
papers that I had found in the National Archives. | 0:41:32 | 0:41:35 | |
We traded information, we put it all together, | 0:41:35 | 0:41:38 | |
and we still didn't really get anywhere! | 0:41:38 | 0:41:41 | |
'Hector's main problem in this case was trying to locate the potential illegitimate daughter. | 0:41:41 | 0:41:46 | |
'It had been suggested Leons had her whilst living abroad.' | 0:41:46 | 0:41:51 | |
So where did the trail ran cold? | 0:41:51 | 0:41:53 | |
Well, the trail ran cold in Canada, because, as you knew, | 0:41:53 | 0:41:59 | |
he came to the UK as a Merchant Mariner. | 0:41:59 | 0:42:03 | |
So we thought that perhaps maybe he had a daughter there, | 0:42:03 | 0:42:07 | |
and that was our idea. | 0:42:07 | 0:42:08 | |
-You gave me pictures of Leon in his time in Canada. -Canada, that's right. | 0:42:08 | 0:42:13 | |
He was a young man, so we thought perhaps maybe | 0:42:13 | 0:42:16 | |
he might have had an illegitimate child there. | 0:42:16 | 0:42:19 | |
We got some help from the Latvian community in Canada | 0:42:19 | 0:42:22 | |
and we managed to trace down the daughter of his landlord | 0:42:22 | 0:42:27 | |
-who rented his apartment. -Good Lord. | 0:42:27 | 0:42:30 | |
Sadly, no-one could confirm, A, he had any relationship, | 0:42:30 | 0:42:35 | |
and B, and he had any daughter. No-one knew of any daughter, no-one knew of any children. | 0:42:35 | 0:42:40 | |
So it seems unlikely that Leons did have a daughter after all.' | 0:42:42 | 0:42:46 | |
So, Hector, have you got an update for us? | 0:42:47 | 0:42:51 | |
Well, I do have some updates. We managed to find... | 0:42:51 | 0:42:56 | |
a farmhouse, which is where Leon was born. | 0:42:56 | 0:43:01 | |
Strewth! | 0:43:01 | 0:43:03 | |
The farmland - we found his family still reside there. | 0:43:03 | 0:43:07 | |
You're joking? | 0:43:07 | 0:43:09 | |
Good Lord. | 0:43:11 | 0:43:12 | |
-How do you feel? -Shocked. | 0:43:15 | 0:43:19 | |
I wasn't expecting that at all. | 0:43:19 | 0:43:21 | |
We found the descendants of a paternal aunt of the deceased. | 0:43:21 | 0:43:26 | |
Anna Grinbergs. She was the sister of his father Fricis. | 0:43:26 | 0:43:32 | |
Fricis Grinbergs. | 0:43:32 | 0:43:36 | |
She died in the late 1970s. | 0:43:36 | 0:43:38 | |
She was born in 1894. | 0:43:38 | 0:43:41 | |
Two years younger than his father. | 0:43:41 | 0:43:44 | |
And she had two children - Krishus and Ilma - | 0:43:44 | 0:43:48 | |
both of whom married and are now deceased. | 0:43:48 | 0:43:51 | |
And so we found their children - | 0:43:51 | 0:43:53 | |
one of them who is still living in the farmhouse Where Leons was born. | 0:43:53 | 0:43:57 | |
-I really wasn't expecting it. -It's really amazing. -Fantastic. | 0:43:57 | 0:44:02 | |
So all those years, a good few years of working this case, | 0:44:02 | 0:44:06 | |
but finally Hector has cracked it. | 0:44:06 | 0:44:08 | |
-Have you been in touch with them? -Yes, yes. | 0:44:08 | 0:44:11 | |
We've been in touch, we've submitted their claim, it's been accepted, | 0:44:11 | 0:44:15 | |
and the money will be distributed actually this week. | 0:44:15 | 0:44:19 | |
-Oh, result. -Fantastic news. -What a result. | 0:44:19 | 0:44:24 | |
-Well done. -Thank you. -Cor, absolutely fantastic. | 0:44:24 | 0:44:27 | |
Wait till I tell everybody. | 0:44:29 | 0:44:32 | |
I think it's so lovely that you've been trying to find out | 0:44:32 | 0:44:36 | |
-and working so hard to crack this... -Yeah. | 0:44:36 | 0:44:38 | |
If it wasn't for Hector, | 0:44:38 | 0:44:41 | |
I would have got nowhere. I was just going round and round in circles. | 0:44:41 | 0:44:44 | |
By the way, they did confirm he didn't have any daughter either, | 0:44:44 | 0:44:48 | |
I did ask! | 0:44:48 | 0:44:50 | |
-So where that came from... -I don't know. | 0:44:50 | 0:44:53 | |
At least we haven't been able to verify that. | 0:44:53 | 0:44:56 | |
So, Paul, where would you like to go from here, would you like to get in touch with the heirs? | 0:44:56 | 0:45:01 | |
Now I know, I would love to, | 0:45:01 | 0:45:04 | |
if Hector would be good enough to give them their address. | 0:45:04 | 0:45:08 | |
-If I could meet her, better still. -A whole new journey to go on. | 0:45:08 | 0:45:14 | |
And after it's all over with. I just can't wait. | 0:45:14 | 0:45:17 | |
One chapter comes to an end in the hunt for Leon's rightful heirs. | 0:45:17 | 0:45:22 | |
But another begins in reuniting his long-lost family | 0:45:22 | 0:45:26 | |
and it's all thanks to the heir hunters. | 0:45:26 | 0:45:30 | |
Now, do you have long-lost family? Here's some more names of unclaimed estates | 0:45:33 | 0:45:38 | |
from the Treasury Solicitor's list. | 0:45:38 | 0:45:41 | |
Could you be in line for a forgotten fortune? | 0:45:41 | 0:45:44 | |
The list of unclaimed estates | 0:45:44 | 0:45:45 | |
is money that is owed to members of the public | 0:45:45 | 0:45:49 | |
and new names are added all the time. | 0:45:49 | 0:45:52 | |
The unclaimed list is a list of cases that we haven't found kin for. | 0:45:52 | 0:45:56 | |
The list goes back to 1997 | 0:45:56 | 0:45:59 | |
because that's when our case management system came on line. | 0:45:59 | 0:46:02 | |
The idea is to produce a list of all those solvent cases | 0:46:02 | 0:46:05 | |
so there should be a few pounds in there, possibly many thousands. | 0:46:05 | 0:46:09 | |
So how is the Bona Vacantia Division working on your behalf? | 0:46:09 | 0:46:13 | |
The Bona Vacantia Division doesn't employ genealogists or agents | 0:46:13 | 0:46:17 | |
we work very hard to find kin ourselves. We advertise in local and national newspapers | 0:46:17 | 0:46:21 | |
and ultimately put the names on our website. | 0:46:21 | 0:46:25 | |
Do the names on the list mean anything to you? | 0:46:25 | 0:46:28 | |
Could they be relatives of yours? | 0:46:28 | 0:46:30 | |
Christopher Michael O'Riordan died in Fulham, London, | 0:46:33 | 0:46:36 | |
on 18th August 2010. | 0:46:36 | 0:46:39 | |
O'Riordan is a Celtic Irish name | 0:46:39 | 0:46:41 | |
and originally derived from words meaning Royal poet. | 0:46:41 | 0:46:46 | |
Do you remember Christopher, does his Irish surname ring a bell with you? | 0:46:46 | 0:46:50 | |
Alexander Clark Molyneux died in Corby on 3rd August 2010. | 0:46:50 | 0:46:56 | |
The name Molyneux derives from Moulins, | 0:46:57 | 0:47:00 | |
a town on the River Allier in France, famous for its water mills. | 0:47:00 | 0:47:04 | |
Moulin is the French for mill. | 0:47:04 | 0:47:06 | |
Were you a friend or neighbour of Alexander's? | 0:47:08 | 0:47:10 | |
So far, all efforts to find his heirs have drawn a blank. | 0:47:10 | 0:47:14 | |
John Samuel Earnshaw died on 11th October 1997 | 0:47:14 | 0:47:19 | |
in the district hospital in York. | 0:47:19 | 0:47:22 | |
I've got John's death certificate here | 0:47:22 | 0:47:25 | |
and it shows he used to work in a canteen. Did you used to work in a kitchen or a cafe in the York area | 0:47:25 | 0:47:30 | |
and maybe know a John Earnshaw? | 0:47:30 | 0:47:32 | |
Maybe you could crack this case. | 0:47:32 | 0:47:35 | |
The death certificate also shows | 0:47:35 | 0:47:37 | |
that John was born on 26 December 1919 in Putney, London. | 0:47:37 | 0:47:42 | |
Were you part of the Earnshaw family living in a Putney at that time? | 0:47:42 | 0:47:45 | |
A reminder of those names again. | 0:47:45 | 0:47:48 | |
Christopher O'Riordan, Alexander Molyneux and John Earnshaw. | 0:47:48 | 0:47:54 | |
If today's names are relatives of yours, you could have a windfall coming your way. | 0:47:54 | 0:47:58 | |
Finally today, let's rejoin the heir hunters | 0:48:03 | 0:48:06 | |
as they search for heirs to the estate of former model, Grace Woods. | 0:48:06 | 0:48:10 | |
The team are investigating Grace's case. | 0:48:10 | 0:48:14 | |
She died in Oxford in 2009 without leaving a will | 0:48:14 | 0:48:17 | |
and her name was advertised on the Treasury Solicitor's list. | 0:48:17 | 0:48:21 | |
But one wrong step in their search has sent that team wildly off course. | 0:48:23 | 0:48:27 | |
I've made a mistake on this case and run with the birth in 1908 | 0:48:27 | 0:48:32 | |
and it looks as though the birth is in 1920. | 0:48:32 | 0:48:36 | |
Knowing that Grace was a famous model, | 0:48:36 | 0:48:38 | |
the team is now working flat out to find relatives for the 1920 birth. | 0:48:38 | 0:48:43 | |
Trawling through records, they make another exciting discovery. | 0:48:43 | 0:48:47 | |
Apparently she went over to the US of A. | 0:48:47 | 0:48:51 | |
It seems Grace Woods was so sought after as a model, | 0:48:51 | 0:48:54 | |
she travelled to America on the Queen Elizabeth in 1946. | 0:48:54 | 0:48:59 | |
There she is... A mannequin. | 0:48:59 | 0:49:02 | |
Let's get stuff in on priority on that | 0:49:04 | 0:49:06 | |
because there could be value on this. | 0:49:06 | 0:49:09 | |
The team is now certain it's an estate worth working. | 0:49:09 | 0:49:13 | |
We have a little bit of information which is from a shipping record | 0:49:13 | 0:49:16 | |
where the deceased is travelling to America in a first class cabin. | 0:49:16 | 0:49:20 | |
That first class cabin is on the Queen Elizabeth, | 0:49:20 | 0:49:22 | |
which is a very, very luxury liner. | 0:49:22 | 0:49:25 | |
Certainly a very expensive cabin to be travelling to America on. | 0:49:25 | 0:49:30 | |
So indications like that sort of gear us to the line | 0:49:30 | 0:49:33 | |
that we're dealing with a person who certainly had wealth at one stage. | 0:49:33 | 0:49:37 | |
In fact, Grace Woods wasn't just any model | 0:49:38 | 0:49:40 | |
but Britain's top model after the war. | 0:49:40 | 0:49:43 | |
Now for British mannequins going to the States, | 0:49:43 | 0:49:47 | |
Georgie Clifford, Grace Woods, Jane Lynch... | 0:49:47 | 0:49:50 | |
in 1946, she led a team of models on a famous trip | 0:49:50 | 0:49:54 | |
which showcased British style in America. | 0:49:54 | 0:49:57 | |
The tour was set up by Grace's modelling agency. | 0:49:57 | 0:50:00 | |
The trip of the mannequins to New York | 0:50:01 | 0:50:04 | |
was a very important part of Lucy Clayton's involvement. | 0:50:04 | 0:50:09 | |
She saw on opportunity to take her girls over | 0:50:09 | 0:50:12 | |
as ambassadors for British fashion. | 0:50:12 | 0:50:15 | |
The idea of this glamorous Englishwoman | 0:50:15 | 0:50:17 | |
travelling abroad with her girls, hand selected, | 0:50:17 | 0:50:21 | |
brought immediate American media attention. | 0:50:21 | 0:50:24 | |
Grace's glamorous look was so in vogue, | 0:50:25 | 0:50:28 | |
it made her the British supermodel of her day. | 0:50:28 | 0:50:31 | |
I think the English market was very influenced | 0:50:31 | 0:50:34 | |
by Hollywood in the 1930s. | 0:50:34 | 0:50:38 | |
If we think of those wonderful 1930s movies | 0:50:38 | 0:50:41 | |
that were coming out of Hollywood, | 0:50:41 | 0:50:43 | |
it was the beginning of platinum blonde, | 0:50:43 | 0:50:46 | |
it was the beginning of quite curvy women. | 0:50:46 | 0:50:50 | |
Records show that all of Lucie Clayton's original models | 0:50:50 | 0:50:54 | |
had a life-changing experience when she scouted them out. | 0:50:54 | 0:50:58 | |
I should imagine she loved every moment of it. | 0:50:58 | 0:51:00 | |
At the office, the race is now on | 0:51:04 | 0:51:06 | |
to find heirs to the estate ahead of the competition. | 0:51:06 | 0:51:08 | |
We know it's about £5,000. | 0:51:08 | 0:51:11 | |
Our indication is we think it may be up to about £20,000 or £30,000 | 0:51:11 | 0:51:15 | |
or possibly higher. | 0:51:15 | 0:51:17 | |
We've done a lot more digging into this life. | 0:51:17 | 0:51:20 | |
The team now believes Grace was born | 0:51:20 | 0:51:23 | |
to William John Cooke and Gertrude Johnson | 0:51:23 | 0:51:25 | |
and they're hoping the 1911 census will reveal her wider family. | 0:51:25 | 0:51:30 | |
Johnson and Cooke is a surname that's difficult for us | 0:51:30 | 0:51:35 | |
because it's hard to identify. | 0:51:35 | 0:51:37 | |
It's a case of putting the name in and seeing if we come up lucky | 0:51:37 | 0:51:40 | |
but it doesn't seem to be happening. | 0:51:40 | 0:51:42 | |
The team urgently needs to find a marriage certificate | 0:51:42 | 0:51:45 | |
that will identify the right parents. | 0:51:45 | 0:51:48 | |
-Anything you can get would be most appreciated. | 0:51:48 | 0:51:52 | |
Birmingham based researcher Paul Matthews | 0:51:52 | 0:51:54 | |
is sent to nearby West Bromwich to get the proof. | 0:51:54 | 0:51:57 | |
-Can we have that marriage, please? -Of course. -In 1919. | 0:51:59 | 0:52:02 | |
Can we have it on the express service? I know there's an extra charge, but that's fine. | 0:52:02 | 0:52:07 | |
OK. No problem, sir. | 0:52:07 | 0:52:08 | |
If it's held here, the certificate will be a vital link | 0:52:08 | 0:52:12 | |
that will speed up the heir hunt. | 0:52:12 | 0:52:14 | |
OK. Thank you very much indeed. I suppose you want my money as well. | 0:52:15 | 0:52:19 | |
Thank you very much. | 0:52:19 | 0:52:21 | |
This is the marriage of the deceased's parents. | 0:52:22 | 0:52:25 | |
The mother was Gertrude Johnson and the dad was William John Cook. | 0:52:25 | 0:52:30 | |
He was 29, she was 22. Bachelor to spinster. | 0:52:31 | 0:52:34 | |
Um... Yeah. Everything fits into place, | 0:52:35 | 0:52:39 | |
so all we've got to do now is find Gertrude's brothers and sisters. | 0:52:39 | 0:52:45 | |
At the office, the team's now making progress | 0:52:45 | 0:52:48 | |
finding heirs through Grace's mother, Gertrude Johnson. | 0:52:48 | 0:52:52 | |
There were seven children born, | 0:52:52 | 0:52:54 | |
so the deceased's mother had six siblings. | 0:52:54 | 0:52:57 | |
They're finally starting to build an accurate family tree. | 0:52:57 | 0:53:01 | |
One, two, three, four, five, six, seven. | 0:53:01 | 0:53:04 | |
The team's got names of Grace's six aunts and uncles. | 0:53:04 | 0:53:08 | |
If they have living descendants, they'll be heirs. | 0:53:08 | 0:53:12 | |
We're making good progress. The tree's gone from a single page | 0:53:12 | 0:53:16 | |
out to five, six pages long. We've come down at least one generation. | 0:53:16 | 0:53:20 | |
We're dealing with cousins of the deceased. | 0:53:20 | 0:53:22 | |
One of Grace's uncles, Thomas Richard Johnson, | 0:53:22 | 0:53:26 | |
married an Amy, and the couple lived in Birmingham. | 0:53:26 | 0:53:29 | |
Paul Matthews is sent to another register office | 0:53:31 | 0:53:34 | |
to find out if Thomas and Amy have any living descendants, | 0:53:34 | 0:53:38 | |
who would be heirs. | 0:53:38 | 0:53:40 | |
We've now got the deaths of Richard Johnson, an uncle of the deceased, | 0:53:40 | 0:53:45 | |
but the actual informant on the second death, | 0:53:45 | 0:53:48 | |
which was Amy, | 0:53:48 | 0:53:51 | |
in 1971... | 0:53:51 | 0:53:53 | |
The informant was an Elizabeth Millicent Hill. | 0:53:53 | 0:53:56 | |
Elizabeth Millicent was actually Thomas and Amy's daughter, | 0:53:56 | 0:54:00 | |
and Grace's cousin. Elizabeth died in 1991, | 0:54:00 | 0:54:03 | |
but she had two children, a son called Martin and a daughter Sharron. | 0:54:03 | 0:54:08 | |
Paul's managed to find an address for Sharron in nearby Solihull. | 0:54:08 | 0:54:12 | |
She would have been born 1947, so she's retirement age, | 0:54:13 | 0:54:17 | |
so hopefully she'll be in and we can get a hold of her, | 0:54:17 | 0:54:20 | |
and tell her all about this and get her signed up. | 0:54:20 | 0:54:23 | |
The team have invested many man-hours into this case, | 0:54:25 | 0:54:28 | |
and it looks like they've finally found their first heir. | 0:54:28 | 0:54:32 | |
The pressure's now on Paul to sign her up | 0:54:32 | 0:54:34 | |
ahead of the competition. | 0:54:34 | 0:54:36 | |
Good afternoon. Paul Matthews, Fraser & Fraser. | 0:54:40 | 0:54:43 | |
Basically it's an estate we're dealing with, | 0:54:43 | 0:54:46 | |
coming down through your late mother. | 0:54:46 | 0:54:48 | |
-We think you're entitled. Can you spare me half an hour? -Certainly. | 0:54:48 | 0:54:52 | |
OK, that's great. Thank you very much indeed. | 0:54:52 | 0:54:54 | |
A visit from the heir hunters has taken Sharron by surprise. | 0:54:56 | 0:55:00 | |
I bet you never thought we'd knock on your door! | 0:55:00 | 0:55:04 | |
I didn't! None of our relatives have had any money. Most of them have died paupers. | 0:55:04 | 0:55:08 | |
We don't know the value. You might get a few bob out of it. | 0:55:08 | 0:55:11 | |
Well, you know, even 50 pence is better than nothing. | 0:55:11 | 0:55:15 | |
Paul needs to make sure that Sharron is, in fact, | 0:55:15 | 0:55:17 | |
Grace Woods' first cousin once removed | 0:55:17 | 0:55:20 | |
before she can make a claim. | 0:55:20 | 0:55:22 | |
Right. Your dad's forenames. | 0:55:22 | 0:55:24 | |
-My father? -Yeah. | 0:55:24 | 0:55:26 | |
William Charles Kendall. | 0:55:26 | 0:55:30 | |
Luckily, Sharron's able to provide the names of her relatives | 0:55:30 | 0:55:33 | |
to help the heir hunt, and she recalls her distant cousin. | 0:55:33 | 0:55:37 | |
-Was she very famous, or... -I think so. | 0:55:38 | 0:55:40 | |
I don't know whether they used to call her Grace Darling | 0:55:40 | 0:55:44 | |
or something like that, because she was a darling of Vogue magazine. | 0:55:44 | 0:55:48 | |
Sharron signs with the company, and in return for an agreed percentage, | 0:55:48 | 0:55:52 | |
they'll help her claim her share of Grace's estate, | 0:55:52 | 0:55:55 | |
currently estimated at £30,000. | 0:55:55 | 0:55:58 | |
First heir signed up. No sign of any competition so far, | 0:55:59 | 0:56:03 | |
so obviously they all think there's no value to it, | 0:56:03 | 0:56:06 | |
but we hope that our educated guesswork | 0:56:06 | 0:56:10 | |
is...is correct. | 0:56:10 | 0:56:14 | |
A few weeks later, the heir hunters learn their hard work and the gamble have paid off. | 0:56:16 | 0:56:22 | |
A sample claim has been accepted by the Treasury solicitor, | 0:56:22 | 0:56:25 | |
and it's only at this time we get to find the real value of the estate. | 0:56:25 | 0:56:30 | |
We were hoping for a value of between £30,000 and £50,000. | 0:56:30 | 0:56:34 | |
Fingers crossed, it may have been a bit more. | 0:56:34 | 0:56:37 | |
We've actually heard that the value of this estate | 0:56:37 | 0:56:39 | |
is 153,000, so three times what my top hope was, really. | 0:56:39 | 0:56:45 | |
It's a substantial estate, | 0:56:46 | 0:56:48 | |
and in total it will be shared amongst 18 heirs. | 0:56:48 | 0:56:52 | |
That was the car he had when we were there. | 0:56:52 | 0:56:54 | |
For Sharron and her brother Martin, who's also an heir, | 0:56:54 | 0:56:58 | |
the experience has stirred up memories of their famous relative. | 0:56:58 | 0:57:01 | |
The last time I saw Grace, I think I was about seven years old. | 0:57:01 | 0:57:06 | |
I remember her coming to my grandmother's house, | 0:57:06 | 0:57:09 | |
and being in the lounge, | 0:57:09 | 0:57:11 | |
but I can remember looking at her, thinking how beautiful she was. | 0:57:11 | 0:57:14 | |
I mean, I was in awe of her, | 0:57:14 | 0:57:16 | |
because she wore the most beautiful clothes, | 0:57:16 | 0:57:19 | |
and she was absolutely beautiful, and I made my mind up | 0:57:19 | 0:57:23 | |
I wanted to be a fashion model, too. | 0:57:23 | 0:57:24 | |
Martin also recalls that Grace had suffered from an illness. | 0:57:26 | 0:57:30 | |
I was told that during the war, | 0:57:30 | 0:57:33 | |
she'd had TB of the throat, | 0:57:33 | 0:57:35 | |
and she had to have an operation to have the windpipe removed | 0:57:35 | 0:57:39 | |
and replaced with a stainless-steel tube. When I saw her last, | 0:57:39 | 0:57:43 | |
she had a big necklace round, hiding her throat part. | 0:57:43 | 0:57:46 | |
In fact, Grace contracted TB | 0:57:46 | 0:57:49 | |
while she was on her famous trip to New York. | 0:57:49 | 0:57:51 | |
She was gravely ill, and although she recovered, | 0:57:51 | 0:57:55 | |
it seems the tracheotomy put paid to her illustrious career. | 0:57:55 | 0:57:58 | |
But for those who knew her, she remains an inspirational figure. | 0:57:58 | 0:58:03 | |
She was just a sweet lady, and she WAS a lady. | 0:58:03 | 0:58:06 | |
You couldn't say she was a woman. She was a lady. She was elegant. | 0:58:06 | 0:58:10 | |
The thing that pleased me most was, | 0:58:12 | 0:58:15 | |
when she was telling me about her happy days as a model, | 0:58:15 | 0:58:19 | |
and, um, | 0:58:19 | 0:58:22 | |
to reminisce about those days, | 0:58:22 | 0:58:25 | |
I could see the pleasure in her face, | 0:58:25 | 0:58:28 | |
and the happiness it gave her to reflect on. | 0:58:28 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:40 | 0:58:42 | |
E-mail [email protected] | 0:58:42 | 0:58:45 |