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This is Mike Peabody for HHTV News. | 0:00:02 | 0:00:03 | |
I've reported from some of the worst war zones in history, | 0:00:03 | 0:00:06 | |
but today has to be one of THE most terrifying of my life. | 0:00:06 | 0:00:10 | |
Yes, I'm at the red carpet at the Royal Albert Hall | 0:00:10 | 0:00:14 | |
for the Horrible Histories Prom. | 0:00:14 | 0:00:16 | |
We've got Vikings, we've got plague victims, | 0:00:16 | 0:00:18 | |
we've got Cleopatra and Henry VIII, all under the same roof. | 0:00:18 | 0:00:21 | |
It's going to be absolute carnage. | 0:00:21 | 0:00:23 | |
And I think I can see... Yes, it's Charles II. | 0:00:23 | 0:00:26 | |
-Your Majesty, may we have a quick word? -Ah, yes, of course. | 0:00:26 | 0:00:29 | |
How's it going? Where's the party at? | 0:00:29 | 0:00:31 | |
I think it's going to be more of a concert than a party. | 0:00:31 | 0:00:34 | |
Trust me, wherever I am, there's a party! | 0:00:34 | 0:00:37 | |
Ooh, there's Queen Victoria, she's a fox - | 0:00:37 | 0:00:39 | |
and single since the death of her husband. | 0:00:39 | 0:00:42 | |
Single, yes, but permanently in mourning. | 0:00:42 | 0:00:45 | |
Whatever you do, do not mention Albert. | 0:00:45 | 0:00:48 | |
(Very good, yes.) | 0:00:48 | 0:00:49 | |
Your Majesty. | 0:00:49 | 0:00:50 | |
Your Majesty, welcome to the Royal Albert Hall. | 0:00:50 | 0:00:54 | |
-Albert?! -SHE SOBS | 0:00:54 | 0:00:56 | |
Albert! | 0:00:56 | 0:00:58 | |
Good one, Mike. I was in there. | 0:00:58 | 0:01:01 | |
Well, it looks like the show is about to start, | 0:01:03 | 0:01:06 | |
so I have to take my seat for what promises to be absolute chaos. | 0:01:06 | 0:01:10 | |
Oh, I can't believe I'm late! | 0:01:11 | 0:01:13 | |
It's very hard to get a taxi when you're a rat. | 0:01:16 | 0:01:19 | |
I'm going to have to do this old-school. | 0:01:19 | 0:01:21 | |
TOILET FLUSHES | 0:01:23 | 0:01:25 | |
WOMAN SCREAMS | 0:01:25 | 0:01:27 | |
You'd think she's never seen a rat come out of a toilet before! | 0:01:29 | 0:01:32 | |
HE LAUGHS Ooh! | 0:01:32 | 0:01:34 | |
Ooh, I can hear Also Sprach Zarathustra by Strauss. | 0:01:34 | 0:01:38 | |
The show must be starting. | 0:01:38 | 0:01:40 | |
Oh, the show must be starting! | 0:01:40 | 0:01:42 | |
MUSIC: "Also Sprach Zarathustra" by Strauss | 0:01:42 | 0:01:46 | |
APPLAUSE AND CHEERING | 0:02:14 | 0:02:17 | |
# Terrible Tudors Gorgeous Georgians | 0:02:22 | 0:02:24 | |
# Slimy Stuarts, vile Victorians Woeful wars, ferocious fights | 0:02:24 | 0:02:27 | |
# Dingy castles, daring knights | 0:02:27 | 0:02:29 | |
# Horrors that defy description Cut-throat Celts, awful Egyptians | 0:02:29 | 0:02:33 | |
# Vicious Vikings, cruel crimes Punishment from ancient times | 0:02:33 | 0:02:36 | |
# Romans, rotten, rank and ruthless | 0:02:36 | 0:02:38 | |
# Cavemen, savage fierce and toothless | 0:02:38 | 0:02:39 | |
# Groovy Greeks, brainy sages Mean and measly Middle Ages | 0:02:39 | 0:02:44 | |
# Gory stories, we do that | 0:02:44 | 0:02:46 | |
# And your host's a talking rat | 0:02:46 | 0:02:49 | |
# The past is no longer a mystery | 0:02:49 | 0:02:53 | |
# Welcome to... | 0:02:53 | 0:02:55 | |
# Horrible Histories. # | 0:02:55 | 0:03:02 | |
APPLAUSE AND CHEERING | 0:03:02 | 0:03:04 | |
Hello, and welcome to HHTV News. The headlines today... | 0:03:06 | 0:03:10 | |
Thousands gather at the Royal Albert Hall | 0:03:11 | 0:03:14 | |
for a special Horrible Histories Prom. | 0:03:14 | 0:03:16 | |
Henry VIII and Charles II arrive | 0:03:17 | 0:03:20 | |
for this unusual Royal Variety Performance, | 0:03:20 | 0:03:23 | |
in which a variety of royals will perform. | 0:03:23 | 0:03:26 | |
King Ethelred The Unready totally forgets what day the concert's on. | 0:03:27 | 0:03:31 | |
WAH-WAH-WAH! | 0:03:31 | 0:03:33 | |
Our lead story is the special concert | 0:03:33 | 0:03:36 | |
in which the Aurora Orchestra and their conducted Nick Collon | 0:03:36 | 0:03:40 | |
are ready to guide us through the best bits of the history of music. | 0:03:40 | 0:03:43 | |
But first, the origins of the orchestra | 0:03:43 | 0:03:46 | |
involve a tuneful tale full of twists and turns. | 0:03:46 | 0:03:50 | |
So here with a summary is Bob Hale, with the Orchestra Report. Bob. | 0:03:50 | 0:03:54 | |
APPLAUSE AND CHEERING Thank you! Thank you so much! | 0:03:54 | 0:03:57 | |
No, no, no. Come on now, come on now. Enough, enough! | 0:03:57 | 0:04:00 | |
Thank you, sir, and thank you ladies and gentlemen. | 0:04:00 | 0:04:03 | |
Well, behind me, I am reliably informed, is an orchestra. | 0:04:03 | 0:04:06 | |
Yep, there they are. A big group of people all playing music together. | 0:04:07 | 0:04:11 | |
But where did they come from? | 0:04:11 | 0:04:12 | |
Some came from as far away as Guildford. | 0:04:12 | 0:04:15 | |
Hello, Simon! TOOT, TOOT! | 0:04:15 | 0:04:16 | |
But the concept of an orchestra comes form even further away. | 0:04:16 | 0:04:19 | |
In fact, it existed as far back as Ancient Greece - | 0:04:19 | 0:04:22 | |
home, unsurprisingly, of the Ancient Greeks, | 0:04:22 | 0:04:26 | |
who came up not only with the word "orchestra", | 0:04:26 | 0:04:28 | |
but with the first musical scales... HE PLAYS A SCALE | 0:04:28 | 0:04:32 | |
AND some instruments to play them on. | 0:04:32 | 0:04:34 | |
Things like the pan pipes... | 0:04:34 | 0:04:36 | |
Percussion... | 0:04:37 | 0:04:38 | |
And something called a lyre... | 0:04:38 | 0:04:41 | |
though it looks pretty trustworthy to me! BA-DOOM-CHING! | 0:04:41 | 0:04:43 | |
And just when we have something approaching an orchestra, | 0:04:43 | 0:04:46 | |
along come the Dark Ages, | 0:04:46 | 0:04:48 | |
the Church bans instruments and that's the end of that. | 0:04:48 | 0:04:51 | |
But not for long! LAUGHTER | 0:04:51 | 0:04:52 | |
In the Medieval Era, groups make a comeback, | 0:04:52 | 0:04:55 | |
this time with ridiculously-named instruments, such as the serpent... | 0:04:55 | 0:04:59 | |
the racket... | 0:04:59 | 0:05:00 | |
LAUGHTER | 0:05:02 | 0:05:04 | |
the crumhorn... | 0:05:04 | 0:05:07 | |
and the sackbut. | 0:05:07 | 0:05:09 | |
Ha-ha, you just blew down a sackbut! | 0:05:12 | 0:05:15 | |
LAUGHTER | 0:05:15 | 0:05:17 | |
And if you play them all together, they sound like this... | 0:05:17 | 0:05:21 | |
Absolutely awful. | 0:05:23 | 0:05:24 | |
Which is probably why modern orchestras don't use them. | 0:05:24 | 0:05:27 | |
But they do use this - written music. | 0:05:27 | 0:05:30 | |
Which, thanks to the invention of the printing press, | 0:05:30 | 0:05:33 | |
during the Renaissance, can now be shared around. | 0:05:33 | 0:05:36 | |
There you go. | 0:05:36 | 0:05:37 | |
Meaning we can all now "get down" to the same "banging tunes". | 0:05:37 | 0:05:40 | |
THE ORCHESTRA PLAYS | 0:05:40 | 0:05:43 | |
And as dance music's popularity grows, so does the orchestra, | 0:05:43 | 0:05:46 | |
as they add a trumpet. | 0:05:46 | 0:05:47 | |
Oh, there it is! And a tambourine. | 0:05:47 | 0:05:50 | |
TAMBOURINE PLAYS | 0:05:50 | 0:05:53 | |
And a big bag of woodwind. | 0:05:53 | 0:05:56 | |
PFFFFRT! | 0:06:00 | 0:06:01 | |
Sorry, part of that was me. Shouldn't have had the Bolognese... | 0:06:01 | 0:06:04 | |
In fact, by the time we enter the so-called Baroque period, | 0:06:04 | 0:06:08 | |
some orchestras have as many as 30 people in - | 0:06:08 | 0:06:10 | |
now including drums. | 0:06:10 | 0:06:11 | |
Don't do that! | 0:06:13 | 0:06:14 | |
Then as the Baroque period merges into the classical one, | 0:06:14 | 0:06:17 | |
having your own personal composer becomes the "in" thing. | 0:06:17 | 0:06:20 | |
All the best composers are hired by the kings and queens of Europe, | 0:06:20 | 0:06:24 | |
meaning if you don't want to work for the royals, | 0:06:24 | 0:06:27 | |
you're basically stuck between Baroque and a hard place! BA-DOOM-CHING! | 0:06:27 | 0:06:31 | |
Little joke there. Nice one, Bobsy. | 0:06:31 | 0:06:33 | |
And talking of little, along comes Mozart, | 0:06:33 | 0:06:36 | |
who starts writing music at just two years old, | 0:06:36 | 0:06:39 | |
proving he's a complete genius and a horrible show-off. | 0:06:39 | 0:06:42 | |
Then he grows up, writes 1,000 tunes, discovers the clarinet... | 0:06:42 | 0:06:47 | |
and then dies. | 0:06:47 | 0:06:48 | |
Killed by rival composer Salieri in a jealous rage. | 0:06:48 | 0:06:53 | |
DUN-DUN-DUN! | 0:06:53 | 0:06:56 | |
Or possibly not, no-one really knows. | 0:06:56 | 0:06:58 | |
But we do know that while Mozart made a big noise in the music world, | 0:06:58 | 0:07:02 | |
it wasn't as big a noise as Beethoven. | 0:07:02 | 0:07:03 | |
DUN-DUN-DUN-DUN! | 0:07:03 | 0:07:06 | |
Who, partly because he's deaf, | 0:07:06 | 0:07:08 | |
makes the orchestra bigger and louder than before. | 0:07:08 | 0:07:10 | |
Which means, as we enter the Romantic period, | 0:07:10 | 0:07:13 | |
some orchestras have swollen to a whopping 100 pieces, | 0:07:13 | 0:07:16 | |
which is so big and unwieldy - no offence - | 0:07:16 | 0:07:18 | |
that they need someone to keep them all in time. So conductors appear - | 0:07:18 | 0:07:21 | |
hello - and in no time at all, | 0:07:21 | 0:07:23 | |
becomes bigger and more famous than the orchestra themselves. | 0:07:23 | 0:07:27 | |
TA-DA! | 0:07:27 | 0:07:29 | |
APPLAUSE | 0:07:29 | 0:07:31 | |
All right, mate. | 0:07:31 | 0:07:34 | |
With everything getting bigger, including somebody's ego, | 0:07:34 | 0:07:37 | |
the venues have to get bigger too. | 0:07:37 | 0:07:39 | |
So it's goodbye to royal palaces and hello to enormous new concert halls. | 0:07:39 | 0:07:44 | |
And in these huge halls, modern music goes absolutely crazy! | 0:07:44 | 0:07:48 | |
And now, ladies and gentlemen, I would like you to go crazy. | 0:07:48 | 0:07:51 | |
As, for my big finale, I present my favourite modern musical masterpiece, | 0:07:51 | 0:07:55 | |
played with aplomb for you, and you only, | 0:07:55 | 0:07:57 | |
by the one, the only, | 0:07:57 | 0:07:59 | |
time-straddling, foot-pumping, heart-pumping, hit-making orchestra | 0:07:59 | 0:08:03 | |
Take it away, guys! | 0:08:03 | 0:08:04 | |
APPLAUSE | 0:08:04 | 0:08:09 | |
Ah-ah-ah, Bob! | 0:08:09 | 0:08:10 | |
Bob! Bob, Bob... | 0:08:10 | 0:08:12 | |
I can't hear anything. | 0:08:12 | 0:08:13 | |
Of course you can't. | 0:08:13 | 0:08:15 | |
This is John Cage's classic Four Minutes And 33 Seconds - | 0:08:15 | 0:08:18 | |
-four and a half minutes of absolute silence. -And you enjoy that? | 0:08:18 | 0:08:23 | |
Wait, this is the best bit! | 0:08:23 | 0:08:25 | |
Aw, so good. | 0:08:26 | 0:08:27 | |
Thank you, boys, thank you for listening. And back to you, Sam! | 0:08:27 | 0:08:32 | |
APPLAUSE AND CHEERING | 0:08:32 | 0:08:33 | |
So, it seems that the orchestra as we know it, | 0:08:33 | 0:08:38 | |
began life in Medieval times, | 0:08:38 | 0:08:41 | |
-which is around the same time as Bob. -I heard that! | 0:08:41 | 0:08:44 | |
And you were meant to. | 0:08:44 | 0:08:45 | |
-LAUGHTER -Coming up next in HHTV News, | 0:08:45 | 0:08:48 | |
we go over to the Medieval era for.. Oh, no, wait... | 0:08:48 | 0:08:52 | |
I have some breaking news. | 0:08:52 | 0:08:54 | |
It seems I'm being told I'm not allowed to start yet, | 0:08:54 | 0:08:57 | |
because some Georgian kings want to be allowed to sing first. | 0:08:57 | 0:09:01 | |
So, I will hand you over now, live, | 0:09:01 | 0:09:03 | |
to Kings George, George, George and George, | 0:09:03 | 0:09:07 | |
for the story of The Four Georges. | 0:09:07 | 0:09:09 | |
APPLAUSE AND CHEERING | 0:09:09 | 0:09:12 | |
# I took the throne of England | 0:09:31 | 0:09:34 | |
# Just cos I was Protestant | 0:09:34 | 0:09:37 | |
# German prince Whose English stank | 0:09:37 | 0:09:40 | |
# King George Number One | 0:09:40 | 0:09:42 | |
# I like to argue Now that's clear | 0:09:42 | 0:09:45 | |
# Especially with my father here | 0:09:45 | 0:09:48 | |
# Before I died of diarrhoea | 0:09:48 | 0:09:50 | |
# I fought with my son | 0:09:50 | 0:09:54 | |
# I broke records With my 60-year reign | 0:09:54 | 0:09:58 | |
# And I broke the scales With my giant frame | 0:09:58 | 0:10:03 | |
# Born to rule over you | 0:10:04 | 0:10:10 | |
-# King George # -Four, -Three, -One -and Two | 0:10:10 | 0:10:15 | |
# You had to do | 0:10:15 | 0:10:18 | |
# What we told you to | 0:10:18 | 0:10:21 | |
# Just because our blood was blue | 0:10:21 | 0:10:26 | |
# I was the hunk Girls adored me | 0:10:31 | 0:10:34 | |
# Ladies all swooned before me | 0:10:34 | 0:10:36 | |
# They would do anything for me | 0:10:36 | 0:10:39 | |
# Or I'd have their husbands killed | 0:10:39 | 0:10:42 | |
# Had a war with Prince Charles Bonnie | 0:10:42 | 0:10:45 | |
# Everyone said that I was f-f-funny | 0:10:45 | 0:10:47 | |
# I spent everyone's money | 0:10:47 | 0:10:50 | |
# Our subjects were not thrilled | 0:10:50 | 0:10:53 | |
# I was the sad one | 0:10:53 | 0:10:56 | |
# And I was the bad one | 0:10:56 | 0:10:58 | |
# I was the mad one | 0:10:58 | 0:11:01 | |
# And I was the fat one | 0:11:01 | 0:11:03 | |
# We were born to rule over you | 0:11:03 | 0:11:09 | |
-# Georges One, -Three, -Four -and Two | 0:11:09 | 0:11:15 | |
# England's Kings Though we were German too | 0:11:15 | 0:11:21 | |
-# -Him, -then him, -then me | 0:11:21 | 0:11:25 | |
-# -Then you # -We were born | 0:11:25 | 0:11:28 | |
-# Born to rule over you # -All over you! | 0:11:28 | 0:11:33 | |
-# -Gorged on fruit Then I died on the loo | 0:11:33 | 0:11:38 | |
# People hated us And we hated them too | 0:11:38 | 0:11:43 | |
# Born to rule over you | 0:11:43 | 0:11:48 | |
# Born to rule over you | 0:11:48 | 0:11:53 | |
-# -Me, I was as batty as a bonkers kangaroo | 0:11:53 | 0:11:58 | |
-# -Me, I would have been more at home in a zoo | 0:11:58 | 0:12:04 | |
# And now | 0:12:04 | 0:12:06 | |
# Our song is through | 0:12:06 | 0:12:12 | |
-# -Yeah-eah-eah. -# | 0:12:12 | 0:12:14 | |
APPLAUSE AND CHEERING | 0:12:14 | 0:12:16 | |
Can't believe I have to share a dressing room with my dad. | 0:12:24 | 0:12:28 | |
Must you leave your pants lying around? | 0:12:28 | 0:12:33 | |
They're yours. Look at the size of them! | 0:12:33 | 0:12:36 | |
-You're much bigger than me. -Right, I am bigger than you. | 0:12:36 | 0:12:38 | |
Don't you forget it. That's why I have a solo and you don't. | 0:12:38 | 0:12:41 | |
-What time am I on, Pops? -Oh, not for ages. | 0:12:41 | 0:12:45 | |
First, we have music to represent the Middle Ages, | 0:12:45 | 0:12:48 | |
Danse Macabre by Saint-Saens. It's all about death | 0:12:48 | 0:12:52 | |
and features skeletons being brought to life by a fiddler. | 0:12:52 | 0:12:55 | |
Well, this is a rare treat - | 0:12:55 | 0:12:56 | |
us having an actual conversation, rather than you just being mad. | 0:12:56 | 0:13:00 | |
It's being played by an orchestra of lemons and chickens. | 0:13:00 | 0:13:04 | |
HE IMPERSONATES A CHICKEN | 0:13:04 | 0:13:06 | |
And he's back. | 0:13:06 | 0:13:07 | |
MUSIC: "Danse Macabre" By Camille Saint-Saens | 0:13:10 | 0:13:14 | |
APPLAUSE AND CHEERING | 0:14:48 | 0:14:50 | |
SHE SOBS | 0:14:50 | 0:14:51 | |
I thought this concert was supposed to cheer me up, Fortescue. | 0:14:51 | 0:14:55 | |
They're playing music about death. I miss Albert! | 0:14:55 | 0:14:59 | |
I think I need more comfort food. | 0:14:59 | 0:15:02 | |
-What happened to the popcorn, Ma'am? -Oh, it's finished. | 0:15:02 | 0:15:05 | |
You should have bought me a large tub instead of this tiny one. | 0:15:05 | 0:15:10 | |
-It did take two of us to carry it, Ma'am. -Hmm... | 0:15:10 | 0:15:13 | |
Right, what's next? | 0:15:13 | 0:15:16 | |
Oh, Richard III. | 0:15:16 | 0:15:18 | |
He only reigned from 1483 to 1485, that's two years. | 0:15:18 | 0:15:24 | |
-I -reigned for 63. | 0:15:24 | 0:15:26 | |
He shouldn't even be able to call himself a king | 0:15:26 | 0:15:29 | |
if he only reigned for two years. | 0:15:29 | 0:15:31 | |
He should be called a... A kin. Or a ki. | 0:15:31 | 0:15:34 | |
As you say, Ma'am. | 0:15:34 | 0:15:36 | |
Let's see what "Ki" Richard has to say for himself. | 0:15:36 | 0:15:40 | |
You know, I've heard he's a nasty piece of work. | 0:15:40 | 0:15:43 | |
Honestly, some people just seem to have the wrong idea about me. | 0:15:44 | 0:15:48 | |
They all seem to think I'm this vicious, murdering hunchback. | 0:15:48 | 0:15:52 | |
-ON THE VERGE OF TEARS: -It's about time I set them straight. | 0:15:52 | 0:15:55 | |
# I was sure that you'd love me | 0:15:58 | 0:16:00 | |
# To that hope I did cling | 0:16:00 | 0:16:03 | |
# Cos I'm Richard the Third | 0:16:03 | 0:16:06 | |
# And everybody loves a king Don't they? | 0:16:06 | 0:16:09 | |
# Thought I did a good job Why do you disagree? | 0:16:09 | 0:16:13 | |
# There's a lot of people spreading nasty rumours 'bout me | 0:16:13 | 0:16:16 | |
# Every word is a lie So I'm singing this song | 0:16:16 | 0:16:19 | |
# Cos the history books Have been telling it wrong! | 0:16:19 | 0:16:22 | |
# Never had a limp Always walked my full height | 0:16:22 | 0:16:25 | |
# Never had a hump And my arm was all right | 0:16:25 | 0:16:28 | |
# Never took the crown with illegal power | 0:16:28 | 0:16:31 | |
# Never killed my nephews The princes in the tower | 0:16:31 | 0:16:34 | |
# Tudor propaganda It's all absurd | 0:16:34 | 0:16:38 | |
# Time to tell the truth About King Richard the Third | 0:16:40 | 0:16:44 | |
OK? | 0:16:44 | 0:16:45 | |
# My brother Edward died | 0:16:46 | 0:16:49 | |
# His kids too young to rule | 0:16:49 | 0:16:53 | |
# So I took the throne | 0:16:53 | 0:16:55 | |
Excuse me. | 0:16:55 | 0:16:56 | |
# Why not? I'm nobody's fool | 0:16:56 | 0:16:58 | |
Hi, nice to meet you. | 0:16:58 | 0:16:59 | |
# Thomas Moore wrote a history Said I murdered Edward's boys | 0:16:59 | 0:17:02 | |
# Shakespeare says their death was an evil ploy | 0:17:02 | 0:17:05 | |
# But I say those two are historical vandals | 0:17:05 | 0:17:08 | |
# They've ruined my image I mean, what a scandal! | 0:17:08 | 0:17:11 | |
# Never bumped off those harmless young heirs | 0:17:11 | 0:17:14 | |
# Never buried them under the Tower Of London stairs | 0:17:14 | 0:17:17 | |
# Never poisoned my wife Bumped off my daddy | 0:17:17 | 0:17:20 | |
# This is me, sweet Richard Do I look like a baddie, love? | 0:17:20 | 0:17:23 | |
# Never was two-faced Sure you'll agree | 0:17:23 | 0:17:29 | |
# I was misunderstood King Richard Three | 0:17:29 | 0:17:33 | |
# Can you imagine it I'm the last Plantagenet | 0:17:36 | 0:17:39 | |
# Beaten by Henry in the Wars Of The Roses | 0:17:39 | 0:17:42 | |
# The Tudor dynasty didn't care that much for me | 0:17:42 | 0:17:45 | |
# Now I'm painted as a baddie That's why one supposes | 0:17:45 | 0:17:48 | |
# Never forget When you hear of my crimes | 0:17:48 | 0:17:51 | |
# Never drowned my brother in a massive vat of wine | 0:17:51 | 0:17:54 | |
# Never said "A horse, my kingdom for a horse" | 0:17:54 | 0:17:57 | |
# Who made that up? Why, William Shakespeare of course! | 0:17:57 | 0:18:00 | |
# Now my tale is told You won't hear a bad word | 0:18:00 | 0:18:05 | |
# About a special ruler King Richard the Third. # | 0:18:05 | 0:18:11 | |
I'm a nice guy. | 0:18:11 | 0:18:13 | |
APPLAUSE AND CHEERING | 0:18:13 | 0:18:16 | |
Yeah, so maybe that's more, like, "true" | 0:18:19 | 0:18:22 | |
and "factually accurate", | 0:18:22 | 0:18:24 | |
but my version of Richard III was far more entertaining. | 0:18:24 | 0:18:27 | |
I mean, I never let facts get in the way of a good story. | 0:18:27 | 0:18:31 | |
Still, I might hide here until he's gone. | 0:18:32 | 0:18:34 | |
What's next? | 0:18:36 | 0:18:38 | |
Oh, a bit from the ballet of Romeo And Juliet, | 0:18:38 | 0:18:42 | |
another one of mine - | 0:18:42 | 0:18:43 | |
with some music by Prokofiev - | 0:18:43 | 0:18:45 | |
but mainly me. | 0:18:45 | 0:18:46 | |
I think you'll find all the best bits of this concert are moi. | 0:18:46 | 0:18:50 | |
Oh, this is the bit where Romeo takes on Tybalt, | 0:18:50 | 0:18:53 | |
revenging the death of his best friend. | 0:18:53 | 0:18:55 | |
It's brilliant! | 0:18:55 | 0:18:57 | |
Quite brilliant. | 0:18:57 | 0:18:58 | |
Romeo And Juliet, by me. | 0:18:58 | 0:19:01 | |
And I'm missing it! | 0:19:01 | 0:19:03 | |
MUSIC: "Romeo Decides To Avenge Mercutio's Death" By Prokofiev | 0:19:06 | 0:19:10 | |
Watch out, Romeo! | 0:20:12 | 0:20:14 | |
Ah, it's no good. I can't look! | 0:20:14 | 0:20:16 | |
Cats may have nine lives, but us rats only have one. | 0:20:18 | 0:20:21 | |
It's the wrong way round, if you ask me. | 0:20:21 | 0:20:24 | |
Now, did you know, when Prokofiev first presented this music | 0:20:24 | 0:20:28 | |
to the Bolshoi Ballet Company in 1935, | 0:20:28 | 0:20:30 | |
they said it was undanceable. | 0:20:30 | 0:20:33 | |
Well, I beg to differ. | 0:20:33 | 0:20:35 | |
Ooh, fighting's over. | 0:20:38 | 0:20:39 | |
APPLAUSE AND CHEERING | 0:21:01 | 0:21:02 | |
Your Majesty, may I present Mr Neil Short, | 0:21:04 | 0:21:07 | |
purveyor of theatrical snacks. | 0:21:07 | 0:21:09 | |
Ah! | 0:21:09 | 0:21:10 | |
-Your Majesty, may I say what an honour and a priv... -Yes, yes. | 0:21:10 | 0:21:13 | |
I want popcorn, chocolates and a tub of raspberry ripple ice cream. | 0:21:13 | 0:21:17 | |
Ah. I'm afraid we're only selling historical snacks today, Ma'am, | 0:21:17 | 0:21:20 | |
what with it being the Horrible Histories Prom. | 0:21:20 | 0:21:23 | |
Oh, I don't like where this is headed. What have you got? | 0:21:23 | 0:21:27 | |
-I've got snacks from Ancient Greece. -What did they eat? | 0:21:27 | 0:21:30 | |
-Roasted goat lungs. -I don't think so. -Ah. | 0:21:30 | 0:21:33 | |
I CAN do you a mini Tudor blancmange. | 0:21:33 | 0:21:36 | |
-That's more like it. Is it strawberry? -No. | 0:21:36 | 0:21:39 | |
Chicken brain. | 0:21:39 | 0:21:40 | |
Oh! Disgusting! | 0:21:40 | 0:21:42 | |
Do you have anything that's in the slightest bit edible? | 0:21:42 | 0:21:44 | |
-I do have a jelly. -Oh. | 0:21:44 | 0:21:46 | |
-Made from fish bladders. -Revolting! | 0:21:46 | 0:21:49 | |
-Who made that, the cave men? -No, that would be you Victorians, Ma'am. | 0:21:49 | 0:21:54 | |
Oh. Well, I'll take one of those, then. | 0:21:54 | 0:21:56 | |
Oh, and see if you can find me some Aztecs, | 0:21:56 | 0:21:59 | |
they're rolling in chocolate. | 0:21:59 | 0:22:01 | |
Little bit complicated buying it off them, though, | 0:22:01 | 0:22:03 | |
they use the chocolate as money. | 0:22:03 | 0:22:06 | |
-Very good, Ma'am. -And I'll take one of the chicken brain blancmanges. | 0:22:06 | 0:22:10 | |
It's...for a friend. | 0:22:10 | 0:22:12 | |
If he comes back without chocolate, you chop his head off. | 0:22:14 | 0:22:18 | |
-I don't think you can do that any more, Ma'am. -Oh... | 0:22:18 | 0:22:21 | |
I wish I was Queen in Henry VIII's time - he could do what he liked. | 0:22:21 | 0:22:25 | |
Oh, how does that song of his go? | 0:22:25 | 0:22:27 | |
Funny you should say that, Ma'am, he's on now. | 0:22:27 | 0:22:30 | |
Oh! | 0:22:30 | 0:22:32 | |
Oh, here we go. HENRY VIII LAUGHS | 0:22:32 | 0:22:35 | |
# Divorced, beheaded and died | 0:22:35 | 0:22:38 | |
# Divorced, beheaded, survived! | 0:22:38 | 0:22:41 | |
# I'm Henry the Eighth I had six sorry wives | 0:22:41 | 0:22:43 | |
# Some might say I ruined their lives | 0:22:43 | 0:22:46 | |
Ah, here we go. HE CHUCKLES | 0:22:46 | 0:22:51 | |
# Catherine Of Aragon was One | 0:22:51 | 0:22:53 | |
# She failed to give me a son | 0:22:53 | 0:22:55 | |
# I had to ask her for a divorce | 0:22:55 | 0:22:58 | |
# That broke her poor heart Of course | 0:22:58 | 0:23:00 | |
# Young Anne Boleyn, she was Two | 0:23:00 | 0:23:02 | |
# Had a daughter The best she could do | 0:23:02 | 0:23:05 | |
# I said she flirted with some other man | 0:23:05 | 0:23:07 | |
# And off for the chop went dear Anne | 0:23:07 | 0:23:10 | |
Ugh... | 0:23:10 | 0:23:12 | |
# Lovely Jane Seymour was Three | 0:23:12 | 0:23:15 | |
# The love of a lifetime for me | 0:23:15 | 0:23:17 | |
# She gave me a son Little Prince Ed | 0:23:17 | 0:23:19 | |
# Then poor old Jane went and dropped dead | 0:23:19 | 0:23:22 | |
Oh, dear. | 0:23:22 | 0:23:24 | |
# Divorced, beheaded and died | 0:23:24 | 0:23:26 | |
# Divorced, beheaded, survived! | 0:23:26 | 0:23:29 | |
# I'm Henry the Eighth I had six sorry wives | 0:23:29 | 0:23:31 | |
# Some might say I ruined their lives | 0:23:31 | 0:23:34 | |
OK, here we go. | 0:23:34 | 0:23:36 | |
# Anne of Cleves came at Four | 0:23:38 | 0:23:41 | |
# I fell for the portrait I saw | 0:23:41 | 0:23:43 | |
# Then laid eyes on her face And cried, "She's a horse! | 0:23:43 | 0:23:46 | |
# "I must have another divorce!" | 0:23:46 | 0:23:48 | |
# Catherine Howard was Five | 0:23:48 | 0:23:50 | |
# A child of nineteen, so alive | 0:23:50 | 0:23:53 | |
# She flirted with others No way to behave | 0:23:53 | 0:23:55 | |
# The axe sent young Cath to her grave | 0:23:55 | 0:23:57 | |
Ha-huh. | 0:23:57 | 0:24:00 | |
# Catherine Parr, she was last | 0:24:00 | 0:24:03 | |
# By then all my best days were past | 0:24:03 | 0:24:06 | |
# I lay on my deathbed, aged just 55 | 0:24:06 | 0:24:09 | |
# Lucky Catherine the Last stayed alive | 0:24:09 | 0:24:13 | |
I mean, how unfair! | 0:24:13 | 0:24:15 | |
LAUGHTER | 0:24:15 | 0:24:18 | |
# Divorced, beheaded and died | 0:24:18 | 0:24:20 | |
# Divorced, beheaded, survived! | 0:24:20 | 0:24:23 | |
# I'm Henry the Eighth I had six sorry wives | 0:24:23 | 0:24:25 | |
# Some might say I ruined their lives. # | 0:24:25 | 0:24:27 | |
OBOE SOLO | 0:24:27 | 0:24:31 | |
How about that, then? | 0:24:35 | 0:24:37 | |
# Divorced, beheaded and died | 0:24:39 | 0:24:41 | |
# Divorced, beheaded, survived... # | 0:24:41 | 0:24:43 | |
Catchy song, that. Might have to do one about my father, | 0:24:43 | 0:24:46 | |
The King Charles song. | 0:24:46 | 0:24:48 | |
# Beheaded, died. # | 0:24:48 | 0:24:49 | |
Might be a bit short. | 0:24:51 | 0:24:52 | |
What's on now? | 0:24:52 | 0:24:53 | |
-ORCHESTRA PLAYS -March To The Scaffold by Berlioz? | 0:24:53 | 0:24:57 | |
More executions? This party's getting a bit depressing! | 0:24:57 | 0:25:01 | |
I'll have to go in there and sort them all out. | 0:25:01 | 0:25:04 | |
HE CHUCKLES | 0:25:04 | 0:25:05 | |
Let's choose some victims then! | 0:25:05 | 0:25:09 | |
MUSIC: "March To The Scaffold" By Belioz | 0:25:09 | 0:25:13 | |
I can't watch! | 0:25:28 | 0:25:30 | |
Oh... | 0:25:30 | 0:25:31 | |
APPLAUSE AND CHEERING | 0:26:24 | 0:26:26 | |
Hold your horses, chaps. | 0:26:26 | 0:26:28 | |
It doesn't say anything in here about beheadings. | 0:26:28 | 0:26:30 | |
Bit of a downer - this is supposed to be family entertainment, | 0:26:30 | 0:26:34 | |
you don't want to see people being beheaded, do you, children? | 0:26:34 | 0:26:38 | |
CHILDREN: Yes! | 0:26:38 | 0:26:39 | |
Right, well, you're weird, some of you. | 0:26:39 | 0:26:42 | |
It happened to my dad and I don't think he liked it very much. | 0:26:42 | 0:26:45 | |
No, no, it won't do at all. Come on, let's cheer things up. | 0:26:45 | 0:26:48 | |
If you've been blindfolded by those nasty men, | 0:26:48 | 0:26:51 | |
free yourselves and let's party! | 0:26:51 | 0:26:54 | |
-APPLAUSE AND CHEERING -Who do you think you are?! | 0:26:54 | 0:26:57 | |
I'll tell you who I am. | 0:26:57 | 0:27:00 | |
# My name is My name is | 0:27:00 | 0:27:02 | |
# My name is Charles II | 0:27:02 | 0:27:05 | |
# I love the people and the people love me | 0:27:05 | 0:27:07 | |
# So much that they restored the English monarchy | 0:27:07 | 0:27:10 | |
# I'm part Scottish, French, Italian A little bit Dane | 0:27:10 | 0:27:12 | |
# But 100% party animal Champagne? | 0:27:12 | 0:27:15 | |
# Spaniels, I adore Named after me, too | 0:27:15 | 0:27:17 | |
# Like me, they were fun With a Natty hairdo | 0:27:17 | 0:27:20 | |
# Is today my birthday? I can't recall | 0:27:20 | 0:27:23 | |
# Lets have a party anyway Because I love a masked ball! | 0:27:23 | 0:27:25 | |
# All hail The King | 0:27:25 | 0:27:28 | |
# Of bling | 0:27:28 | 0:27:29 | |
# Let's sing | 0:27:29 | 0:27:31 | |
# Bells ring Ding-ding | 0:27:31 | 0:27:33 | |
# I'm the king Who brought back partying | 0:27:33 | 0:27:36 | |
# King Charles, my daddy | 0:27:41 | 0:27:43 | |
# Lost his throne when kings were banned | 0:27:43 | 0:27:44 | |
# They chopped off his head Then Olly Cromwell ruled the land | 0:27:44 | 0:27:46 | |
# Old Olly wasn't jolly He was glum and was proud | 0:27:46 | 0:27:49 | |
# He'd be miserable as sin Only sinning's not allowed | 0:27:49 | 0:27:51 | |
# When Olly died the people said "Charlie, me-hearty | 0:27:51 | 0:27:54 | |
# "Get rid of his dull laws Come back, we'd rather party!" | 0:27:54 | 0:27:57 | |
# This action's what they call the Monarchy Restoration | 0:27:57 | 0:28:00 | |
# Which naturally was followed by a huge celebration! | 0:28:00 | 0:28:02 | |
# The King, of Eng-land say "No sin to sing | 0:28:02 | 0:28:07 | |
# Or anything | 0:28:07 | 0:28:10 | |
# I'm the king who brought back partying | 0:28:10 | 0:28:13 | |
-# Great London Fire was a -whopper | 0:28:18 | 0:28:20 | |
-# In my reign London city came a -cropper | 0:28:20 | 0:28:22 | |
-# So this King did what was right and -proper | 0:28:22 | 0:28:25 | |
-# Fought the fire Proved I'm more than a -bopper | 0:28:25 | 0:28:27 | |
# I'm a fire-stopper! | 0:28:27 | 0:28:28 | |
# Married Catherine Braganza She was a love so true | 0:28:29 | 0:28:32 | |
# There would never be another Well, maybe one or two | 0:28:32 | 0:28:34 | |
# Lucy Walter, Nell Gwynn Moll Davis, Barbara Villiers | 0:28:34 | 0:28:37 | |
# You think that's bad But her name's not as silly as | 0:28:37 | 0:28:40 | |
# Hortense Manzini | 0:28:40 | 0:28:42 | |
# As King, I must admit I broke the wedding rules | 0:28:42 | 0:28:45 | |
# But who cares when I brought back the crown jewels? | 0:28:45 | 0:28:48 | |
# I reinstated Christmas, make-up Sport and even plays | 0:28:48 | 0:28:50 | |
# I was the Merry Monarch They were good old days | 0:28:50 | 0:28:53 | |
# When said And done | 0:28:53 | 0:28:56 | |
# King Charles Did run | 0:28:56 | 0:28:58 | |
# England For fun | 0:28:58 | 0:29:01 | |
# I was the King Loved by everyone | 0:29:01 | 0:29:02 | |
# My song is done. # | 0:29:02 | 0:29:04 | |
APPLAUSE AND CHEERING | 0:29:04 | 0:29:07 | |
Party anyone? | 0:29:07 | 0:29:09 | |
Calm down, son, it's not that bad! | 0:29:11 | 0:29:15 | |
I'm over here! | 0:29:15 | 0:29:17 | |
Oh, there you are. | 0:29:18 | 0:29:19 | |
I mean, it's so unfair. | 0:29:19 | 0:29:20 | |
Charles II's had a solo, Henry VIII's had a solo. | 0:29:20 | 0:29:23 | |
When's my solo? | 0:29:23 | 0:29:25 | |
Oooh, someone's in a bad mood, isn't he? Again! | 0:29:25 | 0:29:30 | |
Hopefully the next piece will calm him down. | 0:29:30 | 0:29:32 | |
Uh-oh! Handel's Royal Fireworks music? | 0:29:32 | 0:29:36 | |
-HE CHUCKLES -Don't think that'll help. | 0:29:36 | 0:29:39 | |
MUSIC: "Music For The Royal Fireworks" by Handel | 0:29:39 | 0:29:43 | |
This Music for the Royal Fireworks | 0:30:00 | 0:30:02 | |
was written by Handel for King George II. | 0:30:02 | 0:30:05 | |
And when it was first performed | 0:30:05 | 0:30:07 | |
they had a massive fireworks display on a huge wooden stage, | 0:30:07 | 0:30:10 | |
which caught fire. | 0:30:10 | 0:30:11 | |
Ha ha ha! | 0:30:11 | 0:30:13 | |
And just in case that happens here, | 0:30:13 | 0:30:15 | |
I've brought a marshmallow along to toast. | 0:30:15 | 0:30:18 | |
Oh, it's dropped off somewhere. | 0:30:18 | 0:30:21 | |
Oh! Going to have to slip off for an early interval. | 0:30:21 | 0:30:24 | |
Check the bins for another one. 'Scuse I. | 0:30:24 | 0:30:27 | |
CHEERING AND APPLAUSE | 0:31:11 | 0:31:15 | |
We're at the end of the first half. Time for a short interval. | 0:31:17 | 0:31:20 | |
So far things seem to be going without a hitch, | 0:31:20 | 0:31:22 | |
probably because they're keeping the Vikings | 0:31:22 | 0:31:24 | |
locked up in their dressing room. | 0:31:24 | 0:31:26 | |
Me here for music. | 0:31:26 | 0:31:27 | |
No, no. No. We're already halfway through, you're late, man. | 0:31:27 | 0:31:30 | |
No. No, me not late man, | 0:31:30 | 0:31:32 | |
me early man. | 0:31:32 | 0:31:33 | |
-I see. No, no, no. -I meant... | 0:31:33 | 0:31:35 | |
I know what you meant, man. | 0:31:35 | 0:31:37 | |
No, no, no! | 0:31:39 | 0:31:40 | |
Hello? | 0:31:41 | 0:31:43 | |
Hi, I'm a shouty man, | 0:31:44 | 0:31:46 | |
and I'm here to tell you about the fantastic Royal Albert Hall, | 0:31:46 | 0:31:49 | |
the Victorian concert hall sensation. | 0:31:49 | 0:31:51 | |
The amazing Royal Albert Hall is made from all natural ingredients, | 0:31:51 | 0:31:55 | |
including woe, heartbreak and tears, as it was built by | 0:31:55 | 0:31:58 | |
a grieving Queen Victoria in memory of her dead husband. | 0:31:58 | 0:32:01 | |
That's him. | 0:32:01 | 0:32:03 | |
He's dead. | 0:32:03 | 0:32:04 | |
SHE SOBS | 0:32:04 | 0:32:05 | |
There, there, Your Majesty. And that's not all. | 0:32:05 | 0:32:07 | |
As well as being a national memorial | 0:32:07 | 0:32:09 | |
it was perfectly designed for | 0:32:09 | 0:32:11 | |
all your concert, festival and concert needs. Right? | 0:32:11 | 0:32:14 | |
Wrong. | 0:32:14 | 0:32:15 | |
Unfortunately the giant dome ceiling | 0:32:15 | 0:32:17 | |
gave the whole place a terrible echo. | 0:32:17 | 0:32:19 | |
Echo. Echo. What he said. | 0:32:19 | 0:32:22 | |
So they had to fit | 0:32:22 | 0:32:23 | |
a load of giant mushroom-shaped thingies to the ceiling | 0:32:23 | 0:32:25 | |
to absorb the sound. | 0:32:25 | 0:32:27 | |
No, really. Look. | 0:32:27 | 0:32:28 | |
And what's more, | 0:32:28 | 0:32:29 | |
the Victorians would squeeze a whopping 9,000 people in here, | 0:32:29 | 0:32:33 | |
though any more than 6,000 is massively unsafe. | 0:32:33 | 0:32:36 | |
Ha ha ha! | 0:32:36 | 0:32:37 | |
So when Victorian Robert Newman | 0:32:37 | 0:32:39 | |
established his promenade concerts in 1895 | 0:32:39 | 0:32:42 | |
where else would he hold them, but, | 0:32:42 | 0:32:44 | |
just down the road at the Queen's Hall. | 0:32:44 | 0:32:46 | |
Straight up Regent Street, on your right. | 0:32:46 | 0:32:48 | |
But the Queen's Hall was destroyed by a bomb in World War II | 0:32:48 | 0:32:52 | |
so now the Proms are held here, | 0:32:52 | 0:32:54 | |
at the fantastic Royal Albert Hall. | 0:32:54 | 0:32:57 | |
So come to the Royal Albert Hall, | 0:32:57 | 0:33:00 | |
your first choice for orchestral entertainment. | 0:33:00 | 0:33:03 | |
Or your second choice | 0:33:03 | 0:33:04 | |
if the other place gets bombed. | 0:33:04 | 0:33:06 | |
Come on, get out of the way. | 0:33:09 | 0:33:10 | |
This is the royal toilet and I am the King. | 0:33:10 | 0:33:12 | |
I'm King too. | 0:33:12 | 0:33:13 | |
And I'm a King. | 0:33:13 | 0:33:15 | |
-I'm a cupcake. -Course you are, mate. | 0:33:15 | 0:33:17 | |
Henry VIII's in there with his personal bottom-wiper. | 0:33:17 | 0:33:20 | |
Calls him his groom of the stool. | 0:33:20 | 0:33:22 | |
Popular job in his day, apparently. | 0:33:22 | 0:33:24 | |
Not my sort of party, but each to their own. | 0:33:24 | 0:33:27 | |
Oh, but I'm busting! | 0:33:27 | 0:33:29 | |
Out of your breeches! | 0:33:29 | 0:33:30 | |
-You should eat less. -Does anyone mind if I go to the front? | 0:33:30 | 0:33:34 | |
Wait your turn, young man. | 0:33:34 | 0:33:36 | |
Story of my life. | 0:33:36 | 0:33:37 | |
Oh, get on with it! They're starting again! | 0:33:37 | 0:33:40 | |
MUSIC: # Marche pour la ceremonie des Turcs by Jean-Baptiste Lully | 0:33:41 | 0:33:48 | |
CHEERING AND APPLAUSE | 0:35:02 | 0:35:04 | |
Coooeeee, | 0:35:04 | 0:35:06 | |
cooeee, it's me, Death! | 0:35:06 | 0:35:10 | |
He he he he! | 0:35:10 | 0:35:13 | |
Hey, look, it's only my favourite conductor! | 0:35:13 | 0:35:16 | |
Jean-Baptiste Lully. | 0:35:16 | 0:35:18 | |
Cooeee! Lully! I love you. | 0:35:18 | 0:35:21 | |
I do. I really do. | 0:35:21 | 0:35:24 | |
Thank you, I think. | 0:35:24 | 0:35:25 | |
I love the conducting you do with the big stick too. All this stuff. | 0:35:25 | 0:35:29 | |
# Da da da, da da da da | 0:35:29 | 0:35:31 | |
# Di, di-di di di. # | 0:35:31 | 0:35:33 | |
I love it. Love it. | 0:35:33 | 0:35:35 | |
So much classier than that other fellow with his little twig. | 0:35:35 | 0:35:38 | |
# Ni ni-ni ni ni ni ni. # | 0:35:38 | 0:35:40 | |
-Rubbish. -Do you mind? | 0:35:40 | 0:35:42 | |
Ooh, sorry, maestro. | 0:35:42 | 0:35:44 | |
If looks could kill. | 0:35:44 | 0:35:47 | |
I'm already dead, mate. I'm already dead. | 0:35:47 | 0:35:50 | |
Keep up, keep up. | 0:35:50 | 0:35:51 | |
So, which of my musical pieces do you like the most? | 0:35:51 | 0:35:55 | |
The one you just heard, perhaps? | 0:35:55 | 0:35:57 | |
Marche pour la ceremonie des Turcs? | 0:35:57 | 0:35:59 | |
Or maybe you prefer my Air des Demons? | 0:35:59 | 0:36:02 | |
Oh, no, no, no, no. | 0:36:04 | 0:36:05 | |
Listen, I'm not a big fan of your music, mate. | 0:36:05 | 0:36:09 | |
I mean, it's all right and all that, | 0:36:09 | 0:36:11 | |
but I am a big fan of your Stupid Death. | 0:36:11 | 0:36:14 | |
Come on organ grinder, that was your cue. | 0:36:14 | 0:36:17 | |
Come on, here we go! | 0:36:17 | 0:36:19 | |
Let's get the jingle, come on. | 0:36:19 | 0:36:21 | |
Move it, you lot. Come on. Oh! | 0:36:21 | 0:36:23 | |
Watch it! | 0:36:23 | 0:36:24 | |
Join in if you know the words. | 0:36:24 | 0:36:28 | |
One, two, three, four. | 0:36:28 | 0:36:29 | |
# Stupid death, stupid death | 0:36:29 | 0:36:30 | |
# They're funny cos they're true. # | 0:36:30 | 0:36:33 | |
# Stupid death, stupid death Hope next time it's not you. # | 0:36:33 | 0:36:38 | |
CHEERING AND APPLAUSE | 0:36:38 | 0:36:41 | |
Right, come on then, Monsieur Lully, fire away. | 0:36:44 | 0:36:47 | |
What's your story? | 0:36:47 | 0:36:49 | |
Well, I was the official composer | 0:36:49 | 0:36:52 | |
to non other than the French King, Louis XIV. | 0:36:52 | 0:36:56 | |
Between 1672 and 1686 I wrote no less than 20 operas so... | 0:36:56 | 0:37:04 | |
Ner, ner, ner, well done, top of the class. Swotty trousers! | 0:37:04 | 0:37:09 | |
But the Stupid Death, if you don't mind. | 0:37:09 | 0:37:11 | |
Well, in 1687 to celebrate Louis XIV's recent recovery | 0:37:11 | 0:37:15 | |
from a terrible illness I was conducting a Te Deum. | 0:37:15 | 0:37:20 | |
A tedium? | 0:37:20 | 0:37:22 | |
What's that? | 0:37:22 | 0:37:23 | |
A spectacularly boring piece of music? | 0:37:23 | 0:37:26 | |
No, no, no. It's Te Deum, it's Latin, | 0:37:26 | 0:37:29 | |
it means a hymn of praise. | 0:37:29 | 0:37:33 | |
I know, I know, I was being amusing. | 0:37:33 | 0:37:36 | |
Oh, sorry, you're French, you wouldn't understand. | 0:37:36 | 0:37:40 | |
I was beating time for the orchestra using my big staff | 0:37:40 | 0:37:44 | |
which I bang against the floor. | 0:37:44 | 0:37:46 | |
You may have noticed me doing it on the way in with the...? | 0:37:46 | 0:37:49 | |
Ah yes, maestro, | 0:37:49 | 0:37:50 | |
you see, they hadn't invented tiddly little batons like yours | 0:37:50 | 0:37:54 | |
in Lully's day, so they had to conduct using a proper big stick. | 0:37:54 | 0:37:57 | |
# De de de de. # | 0:37:57 | 0:37:58 | |
See? Much better, watch him, you'll learn from him! | 0:37:58 | 0:38:01 | |
Carry on. | 0:38:01 | 0:38:03 | |
So yes, I was beating time for the music like so. | 0:38:03 | 0:38:06 | |
Boom boom boom! You get the idea. | 0:38:06 | 0:38:09 | |
Yeah, yeah. | 0:38:09 | 0:38:10 | |
When I was a little careless, | 0:38:10 | 0:38:12 | |
and I missed the floor | 0:38:12 | 0:38:13 | |
and struck instead my own toe. | 0:38:13 | 0:38:16 | |
Argh! Not again! | 0:38:16 | 0:38:18 | |
Oooh, that sounds almost as painful as it is funny. | 0:38:18 | 0:38:22 | |
Yes, well the wound became infected, creating an abscess. | 0:38:22 | 0:38:27 | |
Ooh, I like where this is going! | 0:38:27 | 0:38:31 | |
And the abscess then developed gangrene... | 0:38:31 | 0:38:33 | |
Yes? | 0:38:33 | 0:38:36 | |
..and I died. | 0:38:36 | 0:38:37 | |
Ha ha! | 0:38:37 | 0:38:41 | |
Oh, hey! | 0:38:43 | 0:38:45 | |
You came to a STICKY end! | 0:38:45 | 0:38:47 | |
Ha ha ha! | 0:38:47 | 0:38:49 | |
Do you get it? Because of the... She gets it. | 0:38:49 | 0:38:51 | |
Ha ha! | 0:38:51 | 0:38:53 | |
Hey, maestro, don't let him near one of your little batons, | 0:38:53 | 0:38:57 | |
he'll probably have his eye out. Priceless! | 0:38:57 | 0:39:00 | |
Oh, come on then, Lully. | 0:39:00 | 0:39:01 | |
Let's get you backstage. | 0:39:01 | 0:39:03 | |
I want to take a look at this gangrenous toe. | 0:39:03 | 0:39:06 | |
He he! Exit music, please. | 0:39:06 | 0:39:09 | |
# Stupid Death, Stupid Death They're funny cos they're true | 0:39:11 | 0:39:15 | |
# Stupid Death, Stupid Death Hope next time it's not you. # | 0:39:15 | 0:39:21 | |
CHEERING AND APPLAUSE | 0:39:21 | 0:39:23 | |
Hello, guten tag. | 0:39:27 | 0:39:30 | |
Guten tag. | 0:39:31 | 0:39:33 | |
I'm Wolfgang Amadeus Mozart, | 0:39:33 | 0:39:35 | |
the greatest composer that has ever lived. | 0:39:35 | 0:39:38 | |
I played to your King George III of England | 0:39:38 | 0:39:41 | |
when I was just eight years old. | 0:39:41 | 0:39:43 | |
Can you imagine how cute? | 0:39:43 | 0:39:45 | |
Hello. | 0:39:45 | 0:39:47 | |
Excuse me, I'm talking, please. | 0:39:47 | 0:39:49 | |
Now where was I? | 0:39:49 | 0:39:50 | |
I'm Wolfgang Amadeus Mozart, | 0:39:50 | 0:39:52 | |
the greatest composer that has every lived. | 0:39:52 | 0:39:55 | |
At the age of 11 I composed the opera Bastien und Bastienne. | 0:39:55 | 0:40:00 | |
Yes, what do you want? | 0:40:00 | 0:40:01 | |
Excuse me, what time does the concert start? | 0:40:01 | 0:40:05 | |
The concert's already started. | 0:40:05 | 0:40:07 | |
-We're over halfway through. -What? | 0:40:07 | 0:40:09 | |
I said it's already started. | 0:40:09 | 0:40:11 | |
What? | 0:40:11 | 0:40:13 | |
WE'RE OVER HALFWAY THROUGH! | 0:40:13 | 0:40:16 | |
Why are you whispering? | 0:40:17 | 0:40:19 | |
Right, you stay there. | 0:40:20 | 0:40:23 | |
Excuse me, may I borrow this? | 0:40:23 | 0:40:25 | |
Thanks you so much. | 0:40:25 | 0:40:26 | |
IT'S ALREADY STARTED! | 0:40:29 | 0:40:32 | |
Now, where was I? | 0:40:35 | 0:40:36 | |
I'm Wolfgang Amadeus Mozart, | 0:40:36 | 0:40:39 | |
the greatest composer that has ever lived. | 0:40:39 | 0:40:41 | |
It has already started? | 0:40:41 | 0:40:43 | |
Yes! | 0:40:43 | 0:40:45 | |
OK. | 0:40:45 | 0:40:46 | |
You need to relax. | 0:40:46 | 0:40:48 | |
You need to chill off, buddy, huh? | 0:40:48 | 0:40:50 | |
My name is Ludwig van Beethoven. | 0:40:52 | 0:40:57 | |
I am the greatest composer that ever lived. | 0:40:57 | 0:41:00 | |
Well this is awkward. | 0:41:04 | 0:41:05 | |
CLEARS THROAT | 0:41:06 | 0:41:08 | |
I'm Mozart. | 0:41:09 | 0:41:10 | |
I was greater than you. | 0:41:10 | 0:41:12 | |
I don't think so, Wolfie. | 0:41:14 | 0:41:17 | |
My Third Symphony revolutionised music. | 0:41:17 | 0:41:21 | |
My Ninth Symphony was the first to involve singers und orchestra. | 0:41:21 | 0:41:27 | |
And you might recognise my most famous piece of music, | 0:41:27 | 0:41:29 | |
my Fifth Symphony, it goes something like this. | 0:41:29 | 0:41:32 | |
# Va va va va... # | 0:41:32 | 0:41:34 | |
You recognise that? | 0:41:34 | 0:41:36 | |
So you stick that in your Schnitzel. | 0:41:36 | 0:41:38 | |
Oh yeah? | 0:41:40 | 0:41:41 | |
Well I composed over 600 pieces of music. | 0:41:42 | 0:41:45 | |
Operas, duets, trios, quartets, quintets, concertos, and symphonies | 0:41:45 | 0:41:51 | |
and all before I was 36. | 0:41:51 | 0:41:54 | |
So you beat that. | 0:41:54 | 0:41:55 | |
Girlfriend. | 0:41:55 | 0:41:57 | |
I composed half my music when I was deaf. | 0:42:01 | 0:42:06 | |
Shall we call it a draw? | 0:42:10 | 0:42:11 | |
Okey doke. | 0:42:12 | 0:42:13 | |
Come on, let's find you a hairbrush. | 0:42:13 | 0:42:15 | |
-I was so the greatest. -What? | 0:42:15 | 0:42:17 | |
Nothing, nothing. | 0:42:17 | 0:42:18 | |
It was me. It was me! | 0:42:18 | 0:42:20 | |
It's true. | 0:42:22 | 0:42:23 | |
Brilliant Beethoven got deafer as he got older. | 0:42:23 | 0:42:26 | |
In fact, after the first performance of his Ninth Symphony | 0:42:26 | 0:42:29 | |
Beethoven didn't know the audience was applauding | 0:42:29 | 0:42:32 | |
until someone turned him round to face them. | 0:42:32 | 0:42:34 | |
I thought I was going deaf once. Down in the sewer. | 0:42:34 | 0:42:37 | |
It turned out I just had poo in my ears. | 0:42:37 | 0:42:39 | |
Ha ha! | 0:42:39 | 0:42:40 | |
Marvellous Mozart was pretty brilliant too, | 0:42:40 | 0:42:44 | |
and this piece is one of his most famous. | 0:42:44 | 0:42:46 | |
It's the overture to the opera, Marriage of Figaro. | 0:42:46 | 0:42:51 | |
MUSIC: # Overture to Marriage of Figaro by Mozart | 0:42:51 | 0:42:53 | |
I've had just about enough of this, | 0:43:56 | 0:43:58 | |
I've waited for all the other kings to sing, waited for the toilet, | 0:43:58 | 0:44:01 | |
I don't care if it's my turn or not, I am going on. | 0:44:01 | 0:44:03 | |
Oh look, you're up next. | 0:44:03 | 0:44:05 | |
I don't care what you say, you can't hold me back any longer, | 0:44:05 | 0:44:08 | |
I'm going on now. | 0:44:08 | 0:44:09 | |
That's what I said, isn't it? | 0:44:09 | 0:44:11 | |
They say I'm mad! Wait for me! | 0:44:11 | 0:44:14 | |
CHEERING AND APPLAUSE | 0:44:20 | 0:44:22 | |
That's enough! | 0:44:23 | 0:44:25 | |
CHEERING CONTINUES | 0:44:25 | 0:44:28 | |
It's time for my solo. | 0:44:34 | 0:44:36 | |
# I'm George the IV the Regent King | 0:44:43 | 0:44:46 | |
# Which means I was just standing in | 0:44:46 | 0:44:49 | |
# Acting King because my dad | 0:44:49 | 0:44:53 | |
# George III had gone barking mad | 0:44:53 | 0:44:56 | |
Bananas! | 0:44:56 | 0:44:57 | |
# Great palaces I did design | 0:44:57 | 0:45:00 | |
# Buckingham was one of mine | 0:45:00 | 0:45:04 | |
# Art and fashion I so rated | 0:45:04 | 0:45:06 | |
And wives | 0:45:06 | 0:45:08 | |
# That's more complicated | 0:45:08 | 0:45:11 | |
# Actresses and duchesses | 0:45:11 | 0:45:14 | |
# The great loves of my life | 0:45:14 | 0:45:17 | |
# I loved more girls than I ate pies | 0:45:17 | 0:45:20 | |
# But I couldn't stand my wife | 0:45:20 | 0:45:24 | |
-# He couldn't stand his wife -Just go away! | 0:45:24 | 0:45:27 | |
# I only married Queen Caroline | 0:45:27 | 0:45:31 | |
# When my debts began to climb | 0:45:31 | 0:45:34 | |
# Cos if I agreed to tie the knot | 0:45:34 | 0:45:37 | |
# I said I'd pay off the lot | 0:45:37 | 0:45:40 | |
-Didn't I? -Yes. | 0:45:40 | 0:45:41 | |
# But the wedding caused all sorts of strife | 0:45:41 | 0:45:45 | |
# Cos I already had a wife | 0:45:45 | 0:45:48 | |
A divorced Catholic! | 0:45:48 | 0:45:49 | |
# Dad did sigh, but the mad old goat | 0:45:49 | 0:45:52 | |
# Just wouldn't die | 0:45:52 | 0:45:54 | |
Still here! | 0:45:54 | 0:45:55 | |
Oh, spoke too soon! | 0:45:55 | 0:45:57 | |
At last, I go solo, all right! | 0:45:57 | 0:45:59 | |
# As true king my reign began | 0:45:59 | 0:46:02 | |
# Though I was now older than your nan | 0:46:02 | 0:46:05 | |
# And as the ruler of our nation | 0:46:05 | 0:46:08 | |
I banned my wife from my coronation | 0:46:08 | 0:46:10 | |
# And knowing now that I did hate her | 0:46:10 | 0:46:14 | |
# She promptly died just three weeks later | 0:46:14 | 0:46:17 | |
# But all those pies that I got through | 0:46:17 | 0:46:20 | |
# Meant ten years later I died too! # | 0:46:20 | 0:46:24 | |
Hello! Have we met? | 0:46:24 | 0:46:26 | |
I'm a kangaroo! | 0:46:26 | 0:46:28 | |
# Actresses, duchesses | 0:46:28 | 0:46:31 | |
# The great loves of my life | 0:46:31 | 0:46:33 | |
# I loved more girls than I ate pies | 0:46:33 | 0:46:37 | |
# But I couldn't stand my wife | 0:46:37 | 0:46:40 | |
# I had just ten years on the throne | 0:46:40 | 0:46:43 | |
# Do you remember that? | 0:46:43 | 0:46:46 | |
# No, all that you remember is... | 0:46:46 | 0:46:50 | |
# I was really fat | 0:46:59 | 0:47:00 | |
# He was really fat. # | 0:47:02 | 0:47:04 | |
Sorry. | 0:47:08 | 0:47:10 | |
CHEERING AND APPLAUSE | 0:47:10 | 0:47:11 | |
No wonder George IV's so miserable. | 0:47:11 | 0:47:14 | |
Born too late for me to write a play about him. | 0:47:14 | 0:47:17 | |
Ha ha ha! | 0:47:17 | 0:47:19 | |
Let's see what's next. | 0:47:19 | 0:47:21 | |
Oh, another one of mine. | 0:47:21 | 0:47:23 | |
Mendelssohn's Wedding March. | 0:47:23 | 0:47:25 | |
Wrote it as music for my play, A Midsummer Night's Dream. | 0:47:25 | 0:47:28 | |
Basically mine. | 0:47:28 | 0:47:30 | |
Sort of his, but mainly mine. | 0:47:30 | 0:47:32 | |
Yeah, they've used it for weddings ever since. | 0:47:32 | 0:47:35 | |
I mean, who doesn't like to hear The Wedding March, eh? | 0:47:35 | 0:47:38 | |
Oh, Albert! | 0:47:38 | 0:47:40 | |
Her. | 0:47:41 | 0:47:42 | |
Philistine! | 0:47:42 | 0:47:43 | |
SHE SOBS | 0:47:43 | 0:47:45 | |
Shhh! | 0:47:45 | 0:47:47 | |
MUSIC: # The Wedding March by Mendelssohn | 0:47:47 | 0:47:50 | |
This is Mike Peabody, HHTV News, with a breaking story. | 0:48:28 | 0:48:33 | |
Queen Victoria has locked herself inside the royal toilet | 0:48:33 | 0:48:36 | |
and is refusing to come out to sing her song. | 0:48:36 | 0:48:39 | |
It's devastating news. | 0:48:39 | 0:48:40 | |
It could spell disaster for the whole Horrible Histories Prom. | 0:48:40 | 0:48:44 | |
No, no, it's fine, my man. | 0:48:44 | 0:48:45 | |
They've just asked another queen to do it. Cheers. | 0:48:45 | 0:48:48 | |
Well, you heard it here first. | 0:48:48 | 0:48:51 | |
Everything's fine, there is no story. | 0:48:51 | 0:48:53 | |
Another Mike Peabody exclusive. | 0:48:53 | 0:48:55 | |
# Ra ra Cleopatra | 0:49:09 | 0:49:11 | |
# Famous beauty comin' atcha | 0:49:11 | 0:49:13 | |
# Ra ra Patra-cleo | 0:49:13 | 0:49:14 | |
# Guys all go Gaga for me-o | 0:49:14 | 0:49:17 | |
# I am a leader and a lady and a Queen | 0:49:17 | 0:49:20 | |
# I'm Cleopatra such a Queen never been seen | 0:49:20 | 0:49:24 | |
# I am a Pharaoh yet they're-o meant to be guys | 0:49:24 | 0:49:28 | |
# But I don't care-o I just wear-o beard disguise | 0:49:28 | 0:49:32 | |
# My mum and dad were Pharaohs I thought my rule's due | 0:49:32 | 0:49:35 | |
# But both my older sisters thought that they should rule too | 0:49:35 | 0:49:39 | |
# Oh dear they both died I wonder who that will leave | 0:49:39 | 0:49:43 | |
# Little me-o? Pharaoh Cleo? OK, no time to grieve | 0:49:43 | 0:49:46 | |
# Think that's alarming you'd be right but it gets worse | 0:49:46 | 0:49:50 | |
# Married my half-brother and we ruled the universe | 0:49:50 | 0:49:54 | |
# That bad romance led to an overcrowded throne | 0:49:54 | 0:49:57 | |
# But then he died, boo hoo so now I rule alone | 0:49:57 | 0:50:01 | |
# Wah wah wah, woh who | 0:50:01 | 0:50:03 | |
# All hail Lady Cleo | 0:50:03 | 0:50:04 | |
# Wah wah wah, la la | 0:50:04 | 0:50:06 | |
# Coolest Pharaoh by far | 0:50:06 | 0:50:08 | |
# Fashion topped my list of vices | 0:50:11 | 0:50:13 | |
# Bathed in ass' milk and spices | 0:50:13 | 0:50:15 | |
# Then I dressed like Goddess Isis | 0:50:15 | 0:50:17 | |
# Long black hair in ringlets nicest | 0:50:17 | 0:50:19 | |
# Vipers too, for men entices | 0:50:19 | 0:50:21 | |
# Finest linen robe top prices | 0:50:21 | 0:50:23 | |
# Married another brother He's an OK geezer | 0:50:30 | 0:50:34 | |
# But never told of my love for with Julius Caesar | 0:50:34 | 0:50:37 | |
# Had Caesar's child and hoped that he'd be crowned king | 0:50:37 | 0:50:41 | |
# My bro said no, I said oh | 0:50:41 | 0:50:43 | |
# And I murdered him | 0:50:43 | 0:50:44 | |
# Cos I am Cleopatra, Egypt's royalty | 0:50:44 | 0:50:48 | |
# The ruling Pharaoh don't you dare-o mess with me | 0:50:48 | 0:50:52 | |
# My poker face smiles only when I see | 0:50:52 | 0:50:55 | |
# A man who takes my fancy like, ooh Marc Antony | 0:50:55 | 0:50:59 | |
# Wah wah wah, woh who | 0:50:59 | 0:51:01 | |
# Another Roman leader | 0:51:01 | 0:51:03 | |
# Wah wah wah, la la | 0:51:03 | 0:51:05 | |
# No Egyptian crowd pleaser | 0:51:05 | 0:51:06 | |
# Ra ra Cleopatra | 0:51:06 | 0:51:08 | |
# Finally I'd met my match-a | 0:51:08 | 0:51:11 | |
# Ra ra Patra-cleo | 0:51:11 | 0:51:12 | |
# Ends in death for him and me-o | 0:51:12 | 0:51:14 | |
# My life was a drama | 0:51:14 | 0:51:15 | |
# I was one kooky mamma | 0:51:15 | 0:51:17 | |
# Wah wah wah, you know | 0:51:17 | 0:51:21 | |
# Today I'd be a favourite of the Paparazzo. # | 0:51:21 | 0:51:25 | |
No pictures! No pictures! | 0:51:25 | 0:51:27 | |
CHEERING AND APPLAUSE | 0:51:27 | 0:51:28 | |
Good song. | 0:51:28 | 0:51:30 | |
Not as good as my play about Cleopatra. | 0:51:30 | 0:51:32 | |
Antony and Cleopatra. | 0:51:32 | 0:51:33 | |
But good song, catchy. | 0:51:33 | 0:51:36 | |
Oh, that's the last of my bits. | 0:51:36 | 0:51:38 | |
I imagine everyone will be going home now. | 0:51:38 | 0:51:41 | |
Oh, oh! | 0:51:41 | 0:51:42 | |
My, what command of language you have! | 0:51:42 | 0:51:45 | |
You should write! | 0:51:45 | 0:51:47 | |
Oh, I see, your lot are up next. | 0:51:47 | 0:51:49 | |
I see what they've done there. | 0:51:49 | 0:51:51 | |
Yes, because Stone Age man | 0:51:51 | 0:51:52 | |
was around at the same time as the Ancient Egyptians. | 0:51:52 | 0:51:55 | |
They were a bit more advanced than you, though, weren't they? | 0:51:55 | 0:51:58 | |
I mean, they were building vast pyramids and palaces | 0:51:58 | 0:52:01 | |
when you were working on Stonehenge. | 0:52:01 | 0:52:04 | |
What are you, anyway? | 0:52:04 | 0:52:05 | |
Neolithic or Palaeolithic? | 0:52:05 | 0:52:07 | |
I always get confused. | 0:52:07 | 0:52:08 | |
Talk too much! | 0:52:09 | 0:52:11 | |
# I'm sure you've heard | 0:52:23 | 0:52:25 | |
# The Stone Age occurred | 0:52:25 | 0:52:28 | |
# For two and a half million years | 0:52:28 | 0:52:32 | |
# But there's more of stone Age | 0:52:32 | 0:52:35 | |
# To engage | 0:52:35 | 0:52:36 | |
# Than maybe at first appears | 0:52:36 | 0:52:41 | |
Hit it! | 0:52:41 | 0:52:43 | |
# Dinosaurs, Neanderthals Let's make this clearer | 0:52:44 | 0:52:47 | |
# Didn't live together Came from different eras | 0:52:47 | 0:52:50 | |
# That's not all I can tell you | 0:52:50 | 0:52:51 | |
# So much more to be known | 0:52:51 | 0:52:54 | |
# About the many phases in the Ages of Stone | 0:52:54 | 0:52:56 | |
# Shoo be doo be doo wop It's all the rage | 0:52:56 | 0:52:59 | |
# To skiddely bop do wah Brush up on your Stone Age | 0:52:59 | 0:53:02 | |
# Oh yeah | 0:53:02 | 0:53:04 | |
# All right | 0:53:04 | 0:53:05 | |
# It's fine to define an era Palaeolithic | 0:53:05 | 0:53:09 | |
# But you have to be a little more specific | 0:53:09 | 0:53:11 | |
# Do you mean Lower? | 0:53:11 | 0:53:13 | |
# When ancient beings first used tools? | 0:53:13 | 0:53:15 | |
# Or Middle Palaeolithic | 0:53:15 | 0:53:16 | |
# When Neanderthal rules? | 0:53:16 | 0:53:18 | |
# That's when Homo sapien starts to emerge | 0:53:18 | 0:53:21 | |
# But just in Africa It's long before their global surge | 0:53:21 | 0:53:24 | |
# Not til Upper Palaeolithic | 0:53:24 | 0:53:26 | |
# 40,000 years ago | 0:53:26 | 0:53:27 | |
# Did Neanderthal and Homo sapien say hello | 0:53:27 | 0:53:31 | |
# Neanderthals and Homosapie | 0:53:31 | 0:53:34 | |
# Living in caveman harmony | 0:53:34 | 0:53:37 | |
# Language was invented Cave painting, art | 0:53:37 | 0:53:40 | |
# Then Palaeolithic ended which meant the start | 0:53:40 | 0:53:43 | |
# Of phase two be doo be doo wop Turn a new page | 0:53:43 | 0:53:46 | |
Skiddely bop do wah Mug up on the Stone Age | 0:53:46 | 0:53:49 | |
# Oh yeah | 0:53:49 | 0:53:51 | |
# All right | 0:53:51 | 0:53:53 | |
# This is where it starts to get all scientific | 0:53:53 | 0:53:56 | |
# Palaeolithics followed by the era of Mesolithic | 0:53:56 | 0:53:59 | |
# Then Neanderthals are wiped out by the Ice Age - horrific! | 0:53:59 | 0:54:02 | |
# After which the Neolithic Age which was terrific | 0:54:02 | 0:54:05 | |
# Man learned to farm Built homes so that they could settle | 0:54:05 | 0:54:08 | |
# Then some other folks turned up and they discovered metal | 0:54:08 | 0:54:12 | |
# Beaker Men from Europe found bronze and outgrown | 0:54:12 | 0:54:14 | |
# The simple and traditional ways of stone | 0:54:14 | 0:54:18 | |
# Bronze age was invented by now men was flying | 0:54:18 | 0:54:22 | |
# Cos hot on its heels came the Age of Iron | 0:54:22 | 0:54:24 | |
# Celts, Druids | 0:54:24 | 0:54:26 | |
# Religion, then Rome | 0:54:26 | 0:54:28 | |
# By now a distant memory those Ages of Stone | 0:54:28 | 0:54:31 | |
# Shoo be doo be doo wop | 0:54:31 | 0:54:32 | |
# Since that metallic stage | 0:54:32 | 0:54:34 | |
# Skiddely bop do wah There was no more Stone Age | 0:54:34 | 0:54:37 | |
# Shoo be doo be doo wop Now you know what is known | 0:54:37 | 0:54:40 | |
# About the many phases Of the Ages of Stone | 0:54:40 | 0:54:43 | |
# Yeah! # | 0:54:43 | 0:54:47 | |
All right! | 0:54:47 | 0:54:49 | |
CHEERING AND APPLAUSE | 0:54:49 | 0:54:50 | |
I interrupt this Prom to bring you breaking news | 0:54:53 | 0:54:57 | |
that Vikings have invaded the Royal Albert Hall. | 0:54:57 | 0:54:59 | |
Did someone say an invasion? | 0:55:01 | 0:55:03 | |
Ooh, I love a good invasion! | 0:55:03 | 0:55:05 | |
No, no, no, no. This is not good. | 0:55:05 | 0:55:07 | |
The Vikings are invading, they're nearly here. | 0:55:07 | 0:55:09 | |
Oh, I can't wait! | 0:55:09 | 0:55:11 | |
For your own safety, ladies and gentlemen, | 0:55:11 | 0:55:13 | |
please keep your heads down to avoid any flying axes. | 0:55:13 | 0:55:17 | |
Oh, don't be such a spoilsport. Hey, maestro, | 0:55:17 | 0:55:19 | |
play them something they can invade by. | 0:55:19 | 0:55:22 | |
How about Wagner's The Ride of the Valkyries? | 0:55:22 | 0:55:26 | |
MUSIC: # The Ride of the Valkyries by Wagner | 0:55:26 | 0:55:31 | |
I love Vikings, I do. | 0:55:32 | 0:55:34 | |
We've got a lot in common. | 0:55:34 | 0:55:36 | |
Furry face, eat anything, always wash once a week. | 0:55:36 | 0:55:39 | |
Although I wash in the sewer. | 0:55:39 | 0:55:40 | |
But I'm not such a big fan of their axes and swords. | 0:55:40 | 0:55:44 | |
Oh, here they come! | 0:55:44 | 0:55:47 | |
Gangway! | 0:55:47 | 0:55:48 | |
Do enjoy the rest of the Prom. | 0:55:50 | 0:55:52 | |
CHEERING AND APPLAUSE | 0:56:56 | 0:57:00 | |
Let's do this thing. | 0:57:00 | 0:57:02 | |
# Was the summer of 793 | 0:57:07 | 0:57:11 | |
# When we sailed across the great North Sea | 0:57:11 | 0:57:14 | |
# Comets crossed the skies that night | 0:57:14 | 0:57:16 | |
# You must have known something wasn't right | 0:57:16 | 0:57:19 | |
# We arrived upon your English shore | 0:57:19 | 0:57:23 | |
# And you offered friendship but we wanted more | 0:57:23 | 0:57:26 | |
# Yeah so much more, whoa whoa | 0:57:28 | 0:57:32 | |
# We're tearing up this place tonight | 0:57:32 | 0:57:34 | |
# Literally! | 0:57:34 | 0:57:37 | |
# We're gonna set this sleepy town alight | 0:57:37 | 0:57:41 | |
# Literally! | 0:57:41 | 0:57:43 | |
# We'll kill and steal and burn and drink | 0:57:45 | 0:57:47 | |
# Cos us Viking don't care what you think | 0:57:47 | 0:57:54 | |
# Whoa whoa | 0:57:54 | 0:57:55 | |
# Let me in now, won't you, please? | 0:57:57 | 0:58:00 | |
# We're here to raid your monasteries | 0:58:00 | 0:58:03 | |
# We're primed and ready to attack | 0:58:03 | 0:58:06 | |
# And we love how monks just don't fight back | 0:58:06 | 0:58:09 | |
# You'll die or become a slave to me | 0:58:09 | 0:58:12 | |
# Though our slaves often get chucked in the sea! | 0:58:12 | 0:58:16 | |
BOTH: # If the boat's heavy! Yeah yeah! | 0:58:18 | 0:58:22 | |
# You're gonna lose your head my friend | 0:58:22 | 0:58:24 | |
# Literally! | 0:58:24 | 0:58:28 | |
# We're gonna get you in the end! | 0:58:28 | 0:58:31 | |
# Literally! | 0:58:31 | 0:58:33 | |
# Then I'll drink a toast from your skull | 0:58:33 | 0:58:37 | |
# Cos we're Vikings | 0:58:37 | 0:58:39 | |
# And that's how we roll. # | 0:58:39 | 0:58:45 | |
Play that axe, Ragnar! | 0:58:45 | 0:58:47 | |
# We're gonna paint the whole town red! | 0:58:59 | 0:59:02 | |
# Literally! | 0:59:02 | 0:59:05 | |
# With the blood of the dead | 0:59:05 | 0:59:09 | |
# Literally! | 0:59:09 | 0:59:13 | |
# We'll take everything that you own | 0:59:13 | 0:59:16 | |
# And get back on our ship... | 0:59:16 | 0:59:17 | |
# And go back home! | 0:59:17 | 0:59:23 | |
# We're going home | 0:59:23 | 0:59:28 | |
# Woh, woh, wooooh | 0:59:28 | 0:59:30 | |
# We're going home | 0:59:30 | 0:59:34 | |
# Woh, woh, wooooh | 0:59:34 | 0:59:38 | |
# We're going home. # | 0:59:38 | 0:59:47 | |
CHEERING AND APPLAUSE | 0:59:47 | 0:59:49 | |
Thank you, everyone. | 0:59:51 | 0:59:53 | |
I'm afraid, everyone, that is all we've got time for. | 0:59:53 | 0:59:59 | |
Thank you so much for listening. | 0:59:59 | 1:00:01 | |
It's been really, really horrible. | 1:00:01 | 1:00:04 | |
But in a good way. | 1:00:04 | 1:00:05 | |
And now it's time to say goodbye in true Horrible Histories style. | 1:00:05 | 1:00:10 | |
# Tall tales, Atrocious acts We gave you all the fearsome facts | 1:00:15 | 1:00:18 | |
# The ugly truth, no glam or glitz We showed you all the juicy bits | 1:00:18 | 1:00:22 | |
# Gory Stories for you all | 1:00:22 | 1:00:25 | |
# From the Royal Albert Hall | 1:00:25 | 1:00:29 | |
# The past is no longer a mystery | 1:00:29 | 1:00:32 | |
# Hope you enjoyed | 1:00:32 | 1:00:34 | |
# Horrible Histories. # | 1:00:34 | 1:00:41 | |
Subtitled by Red Bee Media Ltd | 1:00:46 | 1:00:49 | |
E-mail [email protected] | 1:00:49 | 1:00:52 |