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We're live and now we're going to enjoy John Newman. | :00:39. | :01:17. | |
# I'm rising up to you # With all the strength I've found | :01:18. | :01:38. | |
# Stuff that I can do # I need to know now | :01:39. | :01:55. | |
# Know now can you love me again # Hash I need to know now | :01:56. | :02:22. | |
# Know now can you love me again # They stole everything | :02:23. | :02:32. | |
# They breakdown everything # I'm rising up to you | :02:33. | :02:39. | |
# With all the strength I found # There's nothing I can do | :02:40. | :02:46. | |
# I need to know now # Know now | :02:47. | :02:50. | |
# Can you love me again # I need to know now, know now | :02:51. | :03:05. | |
# Can you love me again # Can you love me again | :03:06. | :03:35. | |
# I told you once I came through this | :03:36. | :03:40. | |
# I told you once I came through this again | :03:41. | :04:01. | |
# I can't do this again # I need to know now, know now | :04:02. | :04:07. | |
# Can you love me again # I need to know now, know now | :04:08. | :04:16. | |
# Can you love me again # I need to know now | :04:17. | :04:20. | |
# Know now # Can you love me again | :04:21. | :04:28. | |
# I need to know now, know now # Can you love me again... # | :04:29. | :04:42. | |
APPLAUSE John Newman. Tonight we have an | :04:43. | :04:51. | |
amazing line-up. From New York, we have Buika. We have Passenger and we | :04:52. | :04:59. | |
have from blooBG Lynn New York, we have MGMG and we have Lloyd Cole and | :05:00. | :05:04. | |
now we have Anna Calvi. # Tomorrow, tomorrow's too late so | :05:05. | :05:15. | |
hold me up # Hold me up I know that I could be | :05:16. | :06:19. | |
you, Eliza # So dress-less and godless I wait | :06:20. | :06:27. | |
to leave # This should behind entangled the | :06:28. | :06:46. | |
jangle of bells # They ring my fear through the | :06:47. | :06:51. | |
night # Taking unpaid leave from my | :06:52. | :07:11. | |
women's studies, uh huh # Out here in the meadow With A | :07:12. | :09:09. | |
People's History Of America # I smoke a pipe to Johnny 99 | :09:10. | :09:15. | |
Bipartisan Consensus # I'm keeping it dry, nothing | :09:16. | :09:23. | |
flighty # We were young and we were stupid | :09:24. | :09:26. | |
and it was fine while it lasted # To complete my education I hake up | :09:27. | :09:36. | |
in your bathtub # Oh, those Monday morning quarters | :09:37. | :09:44. | |
I grew so accustomed to # I've seen enough, I've made | :09:45. | :10:00. | |
my recommendations # Your powers of reduction remain | :10:01. | :10:02. | |
strangely undiminished # Yes you, in your hushed tones | :10:03. | :10:13. | |
and your campus etiquette # Then nothing should keep her mouth | :10:14. | :10:19. | |
shut # We were young and we were stupid | :10:20. | :10:26. | |
and it was fine while it lasted # Yes you, in your hushed tones | :10:27. | :11:28. | |
and your campus etiquette # Then nothing should keep her mouth | :11:29. | :11:28. | |
shut # Trying to relocate my arms around | :11:29. | :11:51. | |
a memory # I'm drinking tea and taking unpaid | :11:52. | :12:04. | |
leave from my women's study # And he was there | :12:05. | :12:11. | |
# Maybe hiding I can be funny or maybe not funny at all | :12:12. | :12:17. | |
# We were young and we were stupid # It was fine while it lasted | :12:18. | :12:25. | |
# To come clean with my education # I have awakened in your bathtub | :12:26. | :12:44. | |
# With the shadows of the women that I have... # | :12:45. | :12:54. | |
Hash APPLAUSE | :12:55. | :12:59. | |
Thank you Lloyd Cole. And now, at the piano, who betters to meet than | :13:00. | :13:06. | |
one of the greatest of all time, it's Suggs. This book, I refuse to | :13:07. | :13:10. | |
put it down. I cannot. Wherever I go people are reading it. It's an | :13:11. | :13:15. | |
absolutely top read and the title. Where does it come from? It's a long | :13:16. | :13:20. | |
I wrote about my life and that close to the enormous success and indeed | :13:21. | :13:24. | |
close to burning, crashing and disaster. All at the same time? You | :13:25. | :13:31. | |
never know. And as well as it being funny, but it's also - when you go | :13:32. | :13:38. | |
to the sadder points. That's the wrong point, but you have been very | :13:39. | :13:43. | |
forthright, because here is your school report. Can we look at that? | :13:44. | :13:49. | |
You may, yes. OK. E for effort. That's all you've got. February | :13:50. | :13:54. | |
1975. "Macpherson seems to be incapable of understanding the | :13:55. | :13:58. | |
simplest of procedures, questions or instructions." Would you say that | :13:59. | :14:02. | |
was right? Probably. "Together with the apparent lazy attitude that he | :14:03. | :14:10. | |
exudes... ." That confused me. Can you skewed a lazy attitude? Exactly. | :14:11. | :14:18. | |
How can you do that? And, "Therefore it's inevitable he obtained the low | :14:19. | :14:23. | |
marks. He seems incapable of copying a sentence." Was that true? | :14:24. | :14:27. | |
Extremely slow, you can't say that. He's all right, but he's a bit slow. | :14:28. | :14:34. | |
Then you've gone on to conquer the whole world. The last bit says, "It | :14:35. | :14:40. | |
goes without saying that any form of work seems totally beyond him. I | :14:41. | :14:44. | |
wonder if I can even hope for any improvement." Look, how long they | :14:45. | :14:49. | |
were. Indeed. I wouldn't take any pleasure in seeing that teacher | :14:50. | :14:52. | |
again and I'm sure he pretty much got that wrong. He's probably out | :14:53. | :14:57. | |
there somewhere. You are doing a one half man show, and you draw on the | :14:58. | :15:02. | |
book? I started doing that a few years ago. It's my life story. The | :15:03. | :15:06. | |
inspiration for the book. It's everything in my life so far. Of | :15:07. | :15:11. | |
which is there is aplenty. It's amazing, because from this to | :15:12. | :15:19. | |
closing the Jubilee and the Olympics. It seemed to be our new | :15:20. | :15:23. | |
line of work. We closed TV centre and the Post Office was a bit of a | :15:24. | :15:30. | |
blow. It must be because we replaced I wp kill wp always Love You at | :15:31. | :15:36. | |
funerals. This is marvellous and the one-man show is something I refuse | :15:37. | :15:41. | |
to miss. The Garrick Theatre in December. It's an hanor to have this | :15:42. | :15:48. | |
man here. Thank you. I hope I haven't put you off. | :15:49. | :15:54. | |
I say feed the cold with great music and this is Passenger. | :15:55. | :16:09. | |
# Well, you only need the light when it's burning low | :16:10. | :16:12. | |
# Only miss the sun when it starts to snow | :16:13. | :16:15. | |
# Only know you love her when you let her go | :16:16. | :16:22. | |
# Only know you've been high when you're feeling low | :16:23. | :16:28. | |
# Only hate the road when you're missin' home | :16:29. | :16:30. | |
# Only know you love her when you let her go | :16:31. | :16:36. | |
# Staring at the bottom of your glass | :16:37. | :16:53. | |
# Hoping one day you'll make a dream last | :16:54. | :16:55. | |
# But dreams come slow and they go so fast | :16:56. | :17:04. | |
# You see her when you close your eyes | :17:05. | :18:06. | |
# You see her when you close # Love comes slowly, closes so fast | :18:07. | :18:16. | |
# You loved her too much # You cared | :18:17. | :18:23. | |
# You loved her too much # Only miss the sun when | :18:24. | :18:44. | |
let her go # You let her go oh, oh, oh, | :18:45. | :18:56. | |
# You let her go, oh, oh, oh, # You let her go oh, oh, oh, oh | :18:57. | :19:14. | |
# But you only need the light when it's burning low | :19:15. | :19:17. | |
# Only miss the sun when it starts to snow | :19:18. | :19:25. | |
# Only know you love her and let her go | :19:26. | :19:29. | |
# You know you've been hurt when you're feeling low | :19:30. | :19:33. | |
# Only hate the road when you're missing home | :19:34. | :19:41. | |
# Only know you love her when you let her go | :19:42. | :19:56. | |
# When you let her go... # Hash They're already getting warmed | :19:57. | :20:01. | |
up. They went away for one year to refresh themselves and now they've | :20:02. | :20:03. | |
returned. It's MGMG. # He knows it's all right | :20:04. | :20:14. | |
to live a life # Not knowing that your life | :20:15. | :21:35. | |
is a lie Thank you MGMT. Our next star is | :21:36. | :22:32. | |
wonderful and she is a star of the international Latin world. We | :22:33. | :22:35. | |
welcome Buika. A thank you, bruBGia. Thanks to all | :22:36. | :26:06. | |
our guests. Thanks to Passenger. Thank you to the Suggs and to Anna | :26:07. | :26:12. | |
Calvi and Lloyd Cole. I think we only have a few seconds and thank | :26:13. | :26:18. | |
you to MGMT. We'll be back on Friday, but you can't catch me at | :26:19. | :26:25. | |
home. We'll finish with the wonderful John Newman. | :26:26. | :26:56. | |
# I saw you Sunday, Monday, right hanging with your man again | :26:57. | :27:04. | |
# Came back on a Tuesday night with that cold hard look of shame | :27:05. | :27:13. | |
# Oh, I could love you better better than you once knew | :27:14. | :27:20. | |
# Yeah, cos cheating's just a thing you do | :27:21. | :27:27. | |
# I saw you Friday, Saturday right tearing up another heart | :27:28. | :27:39. | |
# You know I love you better, better than you once knew | :27:40. | :27:57. | |
# But I would never cheat on you yeah | :27:58. | :28:06. | |
# I could love you better, better than you once knew | :28:07. | :28:12. | |
# Yeah, cos cheating's just a thing you do | :28:13. | :28:19. | |
But if your heart is beating bring it home, bring it to me | :28:20. | :28:47. | |
# But if your heart is beating bring it home, bring it to me | :28:48. | :28:53. | |
# But if your heart is beating bring it home bring, it to me | :28:54. | :29:02. | |
# But if your heart is beating bring it home bring, it to me | :29:03. | :29:08. | |
# I could love you better, better than you once knew | :29:09. | :29:13. | |
# And if you're cheating, cheat on yeah | :29:14. | :29:17. | |
# I could love you better, better than you once knew | :29:18. | :29:28. | |
# Yeah, cos cheating's just a thing you do | :29:29. | :29:37. |