Episode 3 Later... with Jools Holland


Episode 3

Similar Content

Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Good evening and welcome to the extraordinary present of

:00:07.:00:10.

The great circle and cycle of wonderful music.

:00:11.:00:15.

Artists filling the room as the cameras and sound

:00:16.:00:17.

people capture a lot of the magic that we have got.

:00:18.:00:20.

We begin, ladies and gentlemen, with the amazing Barry Gibb!

:00:21.:00:24.

# All my life was so wrapped up in you

:00:25.:01:16.

# I'm only happy when I hear you moan

:01:17.:01:53.

# All my life, I never felt this way before,

:01:54.:02:37.

# I'm only happy when I hear you moan

:02:38.:03:19.

Full sets of mics and beautiful looking audience of

:03:20.:03:51.

And they, like you, will be seeing amazing people

:03:52.:03:55.

From New York, the one and only Norah Jones!

:03:56.:04:00.

From Dublin, the wonderful Lisa Hannigan.

:04:01.:04:05.

We are thrilled and delighted to welcome to this room,

:04:06.:04:09.

Welcoming back from Kent the superb Slaves!

:04:10.:04:16.

And now, please big it up and welcome from

:04:17.:04:23.

# If you can't, if you can't, if you can't...

:04:24.:08:14.

Now, our next guest is not only one of my

:08:15.:08:30.

favourite singers, but also one of my favourite pianists.

:08:31.:08:32.

# Some kind of mystery from long ago,

:08:33.:09:20.

# I finally know who I'm supposed to be

:09:21.:09:23.

# My mind was locked but I found the key

:09:24.:09:26.

# Hope it don't know, slip away from me.

:09:27.:09:39.

# Hard times # Hard lines

:09:40.:09:51.

# Roads pass by and I cry # Step behind

:09:52.:09:53.

# It's hard # If we're all free, then

:09:54.:10:15.

why does it seem we can't just be? # You saw your reflection

:10:16.:10:39.

all over the news # Put the guns away,

:10:40.:10:42.

or we'll all gonna lose # I can't stand when

:10:43.:10:53.

you tell me to get back # If we're all free, then why does

:10:54.:11:44.

it seem we can't just be? # I can't stand

:11:45.:11:50.

when you tell me to get back # If we're all free, then why does

:11:51.:11:58.

it seem we can't just be? These next artists, we welcomed

:11:59.:12:14.

to the show two years ago. Their sound has got a bit beefed up

:12:15.:12:32.

since they were last on. Now, the word legend

:12:33.:15:32.

is often bandied about, but I'm going to use that word

:15:33.:15:34.

to describe our next A great musical legend,

:15:35.:15:37.

a great man indeed. Well, each week I am surprised

:15:38.:15:40.

at what we do or don't have to offer We've got half a glass

:15:41.:15:52.

of water and some cakes. If you want a cake,

:15:53.:15:55.

just help yourself. Well, I made the mistake of taking

:15:56.:15:58.

a gulp of So it could be different

:15:59.:16:00.

as the show goes on! There is a little

:16:01.:16:09.

model of me on there. Now, congratulations,

:16:10.:16:15.

a great new solo record. But it's 30 years, I think,

:16:16.:16:20.

since your last solo record, So it became somewhat

:16:21.:16:25.

of a frustration to step Robin was more keen on making solo

:16:26.:16:32.

albums. I was keen on, you know,

:16:33.:16:39.

keeping the group And you've written a lot of the

:16:40.:16:42.

songs with your sons? My son Stephen is

:16:43.:16:48.

on lead guitar today, And do you find it easy,

:16:49.:16:51.

because you worked with your brothers before, is it easy

:16:52.:16:59.

to work with your sons? Well, the dynamics are the same,

:17:00.:17:02.

the dynamics of three really my son Stephen

:17:03.:17:04.

and Ashley, my So, yeah, it's been

:17:05.:17:07.

quite an experience. It seems like I'm never really out

:17:08.:17:16.

of a trio. Except for this one

:17:17.:17:18.

moment now, just the Now, you have written some

:17:19.:17:21.

incredible iconic songs. I mean, Jive Talking,

:17:22.:17:24.

How Deep Is Your Love, Staying Alive, Night Fever,

:17:25.:17:27.

it goes on and on. What is your favourite

:17:28.:17:29.

cover that someone's done Oh, God, probably Andy

:17:30.:17:33.

Williams, How Can You Which is about seven minutes long,

:17:34.:17:36.

but still wonderful. It must have made you really

:17:37.:17:46.

happy when you first Yeah, because I love

:17:47.:17:49.

that kind of music. I love R music and I love black

:17:50.:17:53.

music, so, you know, it's a great And we've got some footage

:17:54.:17:56.

of you back I think in 1967. # Talk about the life

:17:57.:18:03.

in Massachusetts... # Speak about the

:18:04.:18:10.

people I have seen. # And the lights all went

:18:11.:18:18.

out in Massachusetts... # And Massachusetts is one

:18:19.:18:27.

place I have seen... Well, a silly mistake

:18:28.:18:46.

there because you were there, but it

:18:47.:18:51.

wasn't your main... No, it was Robin's lead,

:18:52.:18:53.

and it was wonderful. Well, it was great seeing

:18:54.:18:56.

you all back there. I mean, you have not only had a very

:18:57.:18:59.

long and incredibly successful career

:19:00.:19:02.

in making great music, but you worked with all sorts

:19:03.:19:04.

of other artists. Barbara Streisand, Dolly Parton,

:19:05.:19:07.

Kenny Rogers, Diana Ross. But from all your experience,

:19:08.:19:08.

what would your advice be from the perspective of having

:19:09.:19:12.

done all this, for new people Of which there are some in

:19:13.:19:15.

this room. Because you're always

:19:16.:19:18.

going to have a hit, you may So every time you go down,

:19:19.:19:25.

you've got to claw your So look for the opportunities

:19:26.:19:29.

and be careful that Miss those ones, but grab the golden

:19:30.:19:32.

ones because they come around every Well, that's all we've

:19:33.:19:39.

got time for now! Thank you for your help

:19:40.:19:44.

and thank you for We will be hearing more

:19:45.:19:49.

from him later on. Somebody who has a really

:19:50.:19:55.

magical voice, who I love whenever I hear her sing,

:19:56.:20:00.

it just makes me happy. # Who drain the spirits

:20:01.:20:03.

from the jars # And burn for us

:20:04.:20:28.

right through the fall # Brush your hair

:20:29.:20:49.

like it could be tamed # They swing the

:20:50.:20:57.

bridges one and more # And burn for us

:20:58.:21:10.

right through the fall # All our running ahead,

:21:11.:21:14.

all our running ahead # And we'll seize

:21:15.:21:31.

the captain's wheel # I wonder who will,

:21:32.:21:47.

I wonder who will # And burns for us

:21:48.:22:08.

right through the fall # All our running ahead,

:22:09.:22:17.

all our running ahead Lisa Hannigan with

:22:18.:22:27.

Fall, from her album. This next song, you will have heard

:22:28.:23:19.

a lot of covers, but now let's # I want my life

:23:20.:23:23.

to be lived with you. # And I'm blind,

:23:24.:23:55.

so so sorrily blind. # You don't know

:23:56.:25:24.

what it's like, baby. # You don't know

:25:25.:25:58.

what it's like, baby. What a treat to have the great

:25:59.:26:24.

originator with us. And speaking of godfathers and

:26:25.:27:14.

originators, here is the Godfather # And we're doing this ting,

:27:15.:27:21.

go check out the songs # "Man Don't Care",

:27:22.:27:44.

we shut down the park # You can see us onstage

:27:45.:27:46.

like "what's going on?" # Skepta,

:27:47.:27:49.

that's my brudda, that's my don # They could never control

:27:50.:27:52.

how man are doing it # When it's straight

:27:53.:27:55.

from the heart, you can't go wrong # If it's a real vibe

:27:56.:28:01.

then you can't go wrong # When it's straight from the heart,

:28:02.:28:04.

you can't go wrong # When it's straight from the heart,

:28:05.:28:08.

the music gets heard # Could've been a roadman,

:28:09.:28:11.

could've been a nerd # Dad told me

:28:12.:28:13.

"don't follow the herd" # I used to go and get

:28:14.:28:15.

what I'm given # Still going strong

:28:16.:28:19.

cause I gotta believe # That I'm

:28:20.:28:23.

the wickedest grime MC on this earth # And we're doing this ting,

:28:24.:28:26.

go check out the songs # "Man Don't Care",

:28:27.:28:30.

we shut down the park # You can see us onstage

:28:31.:28:32.

like "what's going on?" # Skepta,

:28:33.:28:35.

that's my brudda, that's my don # You could never control

:28:36.:28:38.

how man are doing it # When it's straight

:28:39.:28:41.

from the heart, you can't go wrong # If it's a real vibe

:28:42.:28:47.

then you can't go wrong # And we're doing this ting,

:28:48.:28:49.

go check out the songs # "Man Don't Care",

:28:50.:29:09.

we shut down the park # You can see us onstage

:29:10.:29:12.

like "what's going on?" # BBK got a lot going on Skepta,

:29:13.:29:14.

that's my brudda, that's my don # They could never control

:29:15.:29:17.

how man are doing it # When it's straight

:29:18.:29:20.

from the heart, you can't go wrong # If it's a real vibe

:29:21.:29:26.

then you can't go wrong # When it's straight

:29:27.:29:28.

from the heart, you can't go wrong # If it's a real vibe

:29:29.:29:33.

then you can't go wrong # Fresh out the oven

:29:34.:29:36.

like a Sunday roast # You can find me

:29:37.:29:40.

swimming in the ocean # Sunset,

:29:41.:29:42.

I might drive round the coast # When it's showtime,

:29:43.:29:44.

jump on a plane and take time # But you and your crew

:29:45.:29:47.

are just one great hype # And we're doing this ting,

:29:48.:29:51.

go check out the songs # "Man Don't Care",

:29:52.:29:56.

we shut down the park # You can see us onstage

:29:57.:29:58.

like "what's going on?" # Skepta,

:29:59.:30:00.

that's my brudda, that's my don # They could never control

:30:01.:30:04.

how man are doing it # It's authentic,

:30:05.:30:06.

can't go wrong # When it's straight

:30:07.:30:08.

from the heart, you can't go wrong # If it's a real vibe

:30:09.:30:12.

then you can't go wrong # If it's a real vibe

:30:13.:30:15.

then you can't go wrong # # And after all's

:30:16.:30:30.

been said and done. # Who said it best,

:30:31.:30:56.

were you the one?. # Let's just forget,

:30:57.:31:00.

leave it behind. # If you should find

:31:01.:31:05.

the time to speak. # What you have lost,

:31:06.:31:14.

I've never found. # I lost my nerve,

:31:15.:31:37.

yet peace surrounds. # What you have lost,

:31:38.:31:41.

I've never found. # I lost my nerve,

:31:42.:32:31.

yet peace surrounds. # And now that all's

:32:32.:32:35.

been said and done. # Who said it best,

:32:36.:32:43.

were you the one?. # Let's just forget,

:32:44.:32:47.

leave it behind. # Let's just forget,

:32:48.:32:52.

leave it behind. Now the youngest star

:32:53.:33:01.

in the room this evening, please avert your eyes down to this,

:33:02.:33:35.

or divert your eyes down to this # To show the country

:33:36.:33:38.

that you're from. # Is where the world

:33:39.:34:08.

should want to be for. # Though we win every time

:34:09.:34:12.

and I don't know how. # Cause I haven't bought

:34:13.:34:23.

you and I haven't sold me. # But the people are

:34:24.:34:27.

dying to get on TV. # I heard he lives down

:34:28.:34:32.

a river somewhere. # Well, he talks like an angel

:34:33.:34:39.

but he looks like me. # I'm the face of God

:34:40.:34:47.

I'm my fathers' son. # I know you can't eat leather,

:34:48.:34:54.

but you can't stop me. # Why would you lie, why

:34:55.:35:03.

would you lie about how you feel?. # I've got a mission

:35:04.:35:07.

and my mission is real. # Because you've had your chances,

:35:08.:35:10.

yeah you've had enough. # I'm gonna burn your house down

:35:11.:35:14.

to spread peace and love. # I heard he lives down

:35:15.:35:18.

a river somewhere. # Well, he talks like an angel

:35:19.:35:34.

but he looks like me. # I wanna play the beautiful game

:35:35.:35:41.

while I'm in Brazil. # Cause everybody plays

:35:42.:36:01.

the beautiful game while in Brazil. # It's all you've ever wanted,

:36:02.:36:04.

and it's all that you want still. # Don't you wanna play

:36:05.:36:10.

the beautiful game out in Brazil? # I wanna play the beautiful game

:36:11.:36:14.

while I'm in Brazil. # Cause everybody plays

:36:15.:36:16.

the beautiful game while in Brazil. # It's all you've ever wanted,

:36:17.:36:20.

and it's all that you want still. # Don't you wanna play

:36:21.:36:25.

the beautiful game out in Brazil? # I heard he lives down

:36:26.:36:29.

a river somewhere. # Well, he talks like an angel

:36:30.:36:36.

but he looks like me! # I heard he lives down

:36:37.:36:45.

a river somewhere. # Well, he talks like an angel

:36:46.:36:49.

but he looks like me!# Before that we enjoyed the wonderful

:36:50.:37:12.

Norah Jones at the piano there. And now it's a return

:37:13.:37:31.

to more fabulous guests. More lovely cakes, more cheap

:37:32.:37:33.

and cheerful soft drinks. Welcome to the show,

:37:34.:37:35.

great to have you here. Like Barry Gibb, you are

:37:36.:37:40.

and originator. You are an originator

:37:41.:37:44.

in the grime style. And your new album is called

:37:45.:37:48.

the Godfather. And you're also known

:37:49.:37:50.

as the Godfather of grime. It didn't used to be,

:37:51.:37:54.

now I've accepted it, I've But it is my dad who said to me

:37:55.:37:58.

listen, son, James Brown Everyone can't just be

:37:59.:38:06.

the Godfather. So he helped me to want

:38:07.:38:09.

to be the Godfather. Out of interest, going back

:38:10.:38:14.

to your dad and that sort of thing, what was the stuff

:38:15.:38:16.

that the Godfather was listening He was listening to a lot

:38:17.:38:19.

of like reggae music. He was listening to whatever

:38:20.:38:24.

was going on in the chart. But my first song I loved my own,

:38:25.:38:28.

without anyone helping me to love a song, like in primary school,

:38:29.:38:34.

was Especially For You, You see, not everyone

:38:35.:38:36.

would have known that. Had a lot of mainstream hits,

:38:37.:38:45.

you know, I love But also known as an

:38:46.:38:47.

underground artist. I'm going mad, Jools,

:38:48.:38:50.

it's quite worrying. It's like being torn

:38:51.:38:54.

apart because you have to please one side, you have

:38:55.:39:02.

to please the other. And the main thing is to just please

:39:03.:39:10.

the masses. But if you pigeonhole yourself,

:39:11.:39:18.

you get caught up, you know. So you've got to just not

:39:19.:39:21.

pigeonhole yourself. Let's remind ourselves

:39:22.:39:23.

of one of your super hits. # That's when I start

:39:24.:39:26.

promising the world. # To a brand new girl

:39:27.:39:28.

I don't even know yet. # Too much champs don't

:39:29.:39:30.

know where my phone is. # Here's my number,

:39:31.:39:34.

she already knows it. # This chapters so long,

:39:35.:39:36.

better close it. # Just the look in her eye

:39:37.:39:38.

was so evil. # Wiley's a party guy

:39:39.:39:41.

and she knows it. # Usually drink, usually

:39:42.:39:43.

dance, usually bubble. # That's when I start

:39:44.:39:46.

promising the world. # To a brand new girl

:39:47.:39:48.

I don't even know yet. What inspired that song, Wearing

:39:49.:39:50.

my Rolex? The Rolex song, I was searching for

:39:51.:39:56.

a hit, Jools. It was number one, but that's

:39:57.:40:00.

actually my biggest tune ever. Like, that did the most for me,

:40:01.:40:10.

it got me a Bentley, you know. I wish I could make

:40:11.:40:13.

another one tomorrow. Barry, did you ever get a Bentley

:40:14.:40:16.

and an Aston out of a hit? Yeah, but I got rid of them,

:40:17.:40:25.

and I drive an SUV. Actually what I learned

:40:26.:40:27.

by having them is they just And what you paid for them, you

:40:28.:40:32.

don't get back. Now, Skepta has just

:40:33.:40:35.

won the Mercury Prize. Why'd you think grime is so popular

:40:36.:40:38.

at the moment? I think it's had its

:40:39.:40:46.

first full circle. Like, where it started,

:40:47.:40:49.

and it had ten, 15 years And I think it's come

:40:50.:40:51.

background and I think it will come, the next generation,

:40:52.:40:55.

the next generation, I think Stormzy has

:40:56.:40:57.

turned up at the most And Skepta's actually

:40:58.:41:01.

turned on the volume Is it right that you're writing your

:41:02.:41:06.

autobiography at the moment? No, you start going down

:41:07.:41:14.

memory lane, Jools. And out of interest,

:41:15.:41:24.

are you the well rehearsed person, Like, it's not

:41:25.:41:34.

actually a good thing. I wake up and I just get

:41:35.:41:39.

on a plane, and just end up And finally, what do

:41:40.:41:44.

you do to relax, I listen to music that's

:41:45.:41:51.

totally the opposite I really like Laura Marlon and stuff

:41:52.:41:56.

like that. Where do you go for

:41:57.:42:06.

your fish and chips? I've got one on the Roman Road

:42:07.:42:16.

in east London, it's really Saucy Kpper, it's a free ad,

:42:17.:42:19.

it's the BBC, but I don't care! We look forward

:42:20.:42:26.

to hearing some more. From Saucy Kipper himself,

:42:27.:42:29.

it's Wiley! Now, please, we have

:42:30.:42:30.

a lovely chain of vibration, the beautiful

:42:31.:42:33.

voice of Lisa Hannigan! # Swung through the yards

:42:34.:42:40.

on winter evenings. # There is no signs of life

:42:41.:43:50.

in the factory of death. # In the shadow of a city,

:43:51.:46:34.

we have got nothing left. # Crawling through the tunnels

:46:35.:46:37.

in the dead of the night. # You do as you're told

:46:38.:46:41.

although you know it's not right. # There's no signs of life

:46:42.:46:44.

in the factory of death. # In the shadow of the city,

:46:45.:47:29.

we have got nothing left. # Crawling through the tunnels

:47:30.:47:32.

in the dead of the night. # You do as you're told

:47:33.:47:36.

although you know it's not right. Lies, from their album,

:47:37.:47:39.

Take Control. Before that we had

:47:40.:48:33.

the wonderful Lisa Hannigan. A lovely piece of music,

:48:34.:48:38.

a Seamus Heaney poem. And now we manoeuvre back to this

:48:39.:48:41.

lovely lady here, with # Used to sit on the

:48:42.:48:43.

steps at school. # They came to hear

:48:44.:49:30.

the golden sound. # There they were

:49:31.:50:34.

on the Sunset Strip. # Playing their songs

:50:35.:50:38.

for the highest bid. # Well, all that

:50:39.:50:43.

glitters isn't gold. # I know you've heard

:50:44.:51:56.

that story told. # She's a pauper

:51:57.:51:59.

in a naked disguise. # A millionaire through

:52:00.:52:04.

a business man's eyes. The amazingly talented voice

:52:05.:52:10.

and piano of Norah Jones! We would like to thank

:52:11.:53:01.

all of our guests this We will be back next

:53:02.:53:03.

week with James Vincent, We now finish with the legendary

:53:04.:53:29.

Barry Gibb! # I ain't the poster

:53:30.:53:34.

boy you made me. # I've been to heaven

:53:35.:53:56.

and I've been to hell. # Just let me tell you

:53:57.:54:03.

where I should not go. # We stand together

:54:04.:54:30.

in a one-man show. # I need somebody to hold me

:54:31.:54:32.

when the night is long. # I am the man who does

:54:33.:54:39.

it all or nothing. # I am the one who will not fade

:54:40.:54:42.

away. # I will be standing

:54:43.:54:46.

with my hand in the fire. # With the weight of

:54:47.:54:50.

the world on my shoulders. # This runaway train

:54:51.:55:18.

keeps on rollin'. # With a storm on the ocean

:55:19.:55:25.

at the river's end. # I won't be lonely,

:55:26.:55:49.

it's my only friend. # I need somebody to hold me when it

:55:50.:55:53.

all goes wrong. # I am the one who does

:55:54.:56:01.

it all or nothin'. # I am the one who

:56:02.:56:05.

will not fade away. # I will be standin'

:56:06.:56:09.

with my hand in the fire # I've been to heaven

:56:10.:56:12.

and I've been to hell. # You want me to be the man

:56:13.:56:48.

you know I never wanna be. # I am the man who does

:56:49.:57:01.

it all or nothing. # I am the one who

:57:02.:57:12.

will not fade away. # I will be standin' with my hand

:57:13.:57:16.

in the fire.

:57:17.:57:20.

Download Subtitles

SRT

ASS