Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Good evening and welcome to the extraordinary present of | :00:07. | :00:10. | |
The great circle and cycle of wonderful music. | :00:11. | :00:15. | |
Artists filling the room as the cameras and sound | :00:16. | :00:17. | |
people capture a lot of the magic that we have got. | :00:18. | :00:20. | |
We begin, ladies and gentlemen, with the amazing Barry Gibb! | :00:21. | :00:24. | |
# All my life was so wrapped up in you | :00:25. | :01:16. | |
# I'm only happy when I hear you moan | :01:17. | :01:53. | |
# All my life, I never felt this way before, | :01:54. | :02:37. | |
# I'm only happy when I hear you moan | :02:38. | :03:19. | |
Full sets of mics and beautiful looking audience of | :03:20. | :03:51. | |
And they, like you, will be seeing amazing people | :03:52. | :03:55. | |
From New York, the one and only Norah Jones! | :03:56. | :04:00. | |
From Dublin, the wonderful Lisa Hannigan. | :04:01. | :04:05. | |
We are thrilled and delighted to welcome to this room, | :04:06. | :04:09. | |
Welcoming back from Kent the superb Slaves! | :04:10. | :04:16. | |
And now, please big it up and welcome from | :04:17. | :04:23. | |
# If you can't, if you can't, if you can't... | :04:24. | :08:14. | |
Now, our next guest is not only one of my | :08:15. | :08:30. | |
favourite singers, but also one of my favourite pianists. | :08:31. | :08:32. | |
# Some kind of mystery from long ago, | :08:33. | :09:20. | |
# I finally know who I'm supposed to be | :09:21. | :09:23. | |
# My mind was locked but I found the key | :09:24. | :09:26. | |
# Hope it don't know, slip away from me. | :09:27. | :09:39. | |
# Hard times # Hard lines | :09:40. | :09:51. | |
# Roads pass by and I cry # Step behind | :09:52. | :09:53. | |
# It's hard # If we're all free, then | :09:54. | :10:15. | |
why does it seem we can't just be? # You saw your reflection | :10:16. | :10:39. | |
all over the news # Put the guns away, | :10:40. | :10:42. | |
or we'll all gonna lose # I can't stand when | :10:43. | :10:53. | |
you tell me to get back # If we're all free, then why does | :10:54. | :11:44. | |
it seem we can't just be? # I can't stand | :11:45. | :11:50. | |
when you tell me to get back # If we're all free, then why does | :11:51. | :11:58. | |
it seem we can't just be? These next artists, we welcomed | :11:59. | :12:14. | |
to the show two years ago. Their sound has got a bit beefed up | :12:15. | :12:32. | |
since they were last on. Now, the word legend | :12:33. | :15:32. | |
is often bandied about, but I'm going to use that word | :15:33. | :15:34. | |
to describe our next A great musical legend, | :15:35. | :15:37. | |
a great man indeed. Well, each week I am surprised | :15:38. | :15:40. | |
at what we do or don't have to offer We've got half a glass | :15:41. | :15:52. | |
of water and some cakes. If you want a cake, | :15:53. | :15:55. | |
just help yourself. Well, I made the mistake of taking | :15:56. | :15:58. | |
a gulp of So it could be different | :15:59. | :16:00. | |
as the show goes on! There is a little | :16:01. | :16:09. | |
model of me on there. Now, congratulations, | :16:10. | :16:15. | |
a great new solo record. But it's 30 years, I think, | :16:16. | :16:20. | |
since your last solo record, So it became somewhat | :16:21. | :16:25. | |
of a frustration to step Robin was more keen on making solo | :16:26. | :16:32. | |
albums. I was keen on, you know, | :16:33. | :16:39. | |
keeping the group And you've written a lot of the | :16:40. | :16:42. | |
songs with your sons? My son Stephen is | :16:43. | :16:48. | |
on lead guitar today, And do you find it easy, | :16:49. | :16:51. | |
because you worked with your brothers before, is it easy | :16:52. | :16:59. | |
to work with your sons? Well, the dynamics are the same, | :17:00. | :17:02. | |
the dynamics of three really my son Stephen | :17:03. | :17:04. | |
and Ashley, my So, yeah, it's been | :17:05. | :17:07. | |
quite an experience. It seems like I'm never really out | :17:08. | :17:16. | |
of a trio. Except for this one | :17:17. | :17:18. | |
moment now, just the Now, you have written some | :17:19. | :17:21. | |
incredible iconic songs. I mean, Jive Talking, | :17:22. | :17:24. | |
How Deep Is Your Love, Staying Alive, Night Fever, | :17:25. | :17:27. | |
it goes on and on. What is your favourite | :17:28. | :17:29. | |
cover that someone's done Oh, God, probably Andy | :17:30. | :17:33. | |
Williams, How Can You Which is about seven minutes long, | :17:34. | :17:36. | |
but still wonderful. It must have made you really | :17:37. | :17:46. | |
happy when you first Yeah, because I love | :17:47. | :17:49. | |
that kind of music. I love R music and I love black | :17:50. | :17:53. | |
music, so, you know, it's a great And we've got some footage | :17:54. | :17:56. | |
of you back I think in 1967. # Talk about the life | :17:57. | :18:03. | |
in Massachusetts... # Speak about the | :18:04. | :18:10. | |
people I have seen. # And the lights all went | :18:11. | :18:18. | |
out in Massachusetts... # And Massachusetts is one | :18:19. | :18:27. | |
place I have seen... Well, a silly mistake | :18:28. | :18:46. | |
there because you were there, but it | :18:47. | :18:51. | |
wasn't your main... No, it was Robin's lead, | :18:52. | :18:53. | |
and it was wonderful. Well, it was great seeing | :18:54. | :18:56. | |
you all back there. I mean, you have not only had a very | :18:57. | :18:59. | |
long and incredibly successful career | :19:00. | :19:02. | |
in making great music, but you worked with all sorts | :19:03. | :19:04. | |
of other artists. Barbara Streisand, Dolly Parton, | :19:05. | :19:07. | |
Kenny Rogers, Diana Ross. But from all your experience, | :19:08. | :19:08. | |
what would your advice be from the perspective of having | :19:09. | :19:12. | |
done all this, for new people Of which there are some in | :19:13. | :19:15. | |
this room. Because you're always | :19:16. | :19:18. | |
going to have a hit, you may So every time you go down, | :19:19. | :19:25. | |
you've got to claw your So look for the opportunities | :19:26. | :19:29. | |
and be careful that Miss those ones, but grab the golden | :19:30. | :19:32. | |
ones because they come around every Well, that's all we've | :19:33. | :19:39. | |
got time for now! Thank you for your help | :19:40. | :19:44. | |
and thank you for We will be hearing more | :19:45. | :19:49. | |
from him later on. Somebody who has a really | :19:50. | :19:55. | |
magical voice, who I love whenever I hear her sing, | :19:56. | :20:00. | |
it just makes me happy. # Who drain the spirits | :20:01. | :20:03. | |
from the jars # And burn for us | :20:04. | :20:28. | |
right through the fall # Brush your hair | :20:29. | :20:49. | |
like it could be tamed # They swing the | :20:50. | :20:57. | |
bridges one and more # And burn for us | :20:58. | :21:10. | |
right through the fall # All our running ahead, | :21:11. | :21:14. | |
all our running ahead # And we'll seize | :21:15. | :21:31. | |
the captain's wheel # I wonder who will, | :21:32. | :21:47. | |
I wonder who will # And burns for us | :21:48. | :22:08. | |
right through the fall # All our running ahead, | :22:09. | :22:17. | |
all our running ahead Lisa Hannigan with | :22:18. | :22:27. | |
Fall, from her album. This next song, you will have heard | :22:28. | :23:19. | |
a lot of covers, but now let's # I want my life | :23:20. | :23:23. | |
to be lived with you. # And I'm blind, | :23:24. | :23:55. | |
so so sorrily blind. # You don't know | :23:56. | :25:24. | |
what it's like, baby. # You don't know | :25:25. | :25:58. | |
what it's like, baby. What a treat to have the great | :25:59. | :26:24. | |
originator with us. And speaking of godfathers and | :26:25. | :27:14. | |
originators, here is the Godfather # And we're doing this ting, | :27:15. | :27:21. | |
go check out the songs # "Man Don't Care", | :27:22. | :27:44. | |
we shut down the park # You can see us onstage | :27:45. | :27:46. | |
like "what's going on?" # Skepta, | :27:47. | :27:49. | |
that's my brudda, that's my don # They could never control | :27:50. | :27:52. | |
how man are doing it # When it's straight | :27:53. | :27:55. | |
from the heart, you can't go wrong # If it's a real vibe | :27:56. | :28:01. | |
then you can't go wrong # When it's straight from the heart, | :28:02. | :28:04. | |
you can't go wrong # When it's straight from the heart, | :28:05. | :28:08. | |
the music gets heard # Could've been a roadman, | :28:09. | :28:11. | |
could've been a nerd # Dad told me | :28:12. | :28:13. | |
"don't follow the herd" # I used to go and get | :28:14. | :28:15. | |
what I'm given # Still going strong | :28:16. | :28:19. | |
cause I gotta believe # That I'm | :28:20. | :28:23. | |
the wickedest grime MC on this earth # And we're doing this ting, | :28:24. | :28:26. | |
go check out the songs # "Man Don't Care", | :28:27. | :28:30. | |
we shut down the park # You can see us onstage | :28:31. | :28:32. | |
like "what's going on?" # Skepta, | :28:33. | :28:35. | |
that's my brudda, that's my don # You could never control | :28:36. | :28:38. | |
how man are doing it # When it's straight | :28:39. | :28:41. | |
from the heart, you can't go wrong # If it's a real vibe | :28:42. | :28:47. | |
then you can't go wrong # And we're doing this ting, | :28:48. | :28:49. | |
go check out the songs # "Man Don't Care", | :28:50. | :29:09. | |
we shut down the park # You can see us onstage | :29:10. | :29:12. | |
like "what's going on?" # BBK got a lot going on Skepta, | :29:13. | :29:14. | |
that's my brudda, that's my don # They could never control | :29:15. | :29:17. | |
how man are doing it # When it's straight | :29:18. | :29:20. | |
from the heart, you can't go wrong # If it's a real vibe | :29:21. | :29:26. | |
then you can't go wrong # When it's straight | :29:27. | :29:28. | |
from the heart, you can't go wrong # If it's a real vibe | :29:29. | :29:33. | |
then you can't go wrong # Fresh out the oven | :29:34. | :29:36. | |
like a Sunday roast # You can find me | :29:37. | :29:40. | |
swimming in the ocean # Sunset, | :29:41. | :29:42. | |
I might drive round the coast # When it's showtime, | :29:43. | :29:44. | |
jump on a plane and take time # But you and your crew | :29:45. | :29:47. | |
are just one great hype # And we're doing this ting, | :29:48. | :29:51. | |
go check out the songs # "Man Don't Care", | :29:52. | :29:56. | |
we shut down the park # You can see us onstage | :29:57. | :29:58. | |
like "what's going on?" # Skepta, | :29:59. | :30:00. | |
that's my brudda, that's my don # They could never control | :30:01. | :30:04. | |
how man are doing it # It's authentic, | :30:05. | :30:06. | |
can't go wrong # When it's straight | :30:07. | :30:08. | |
from the heart, you can't go wrong # If it's a real vibe | :30:09. | :30:12. | |
then you can't go wrong # If it's a real vibe | :30:13. | :30:15. | |
then you can't go wrong # # And after all's | :30:16. | :30:30. | |
been said and done. # Who said it best, | :30:31. | :30:56. | |
were you the one?. # Let's just forget, | :30:57. | :31:00. | |
leave it behind. # If you should find | :31:01. | :31:05. | |
the time to speak. # What you have lost, | :31:06. | :31:14. | |
I've never found. # I lost my nerve, | :31:15. | :31:37. | |
yet peace surrounds. # What you have lost, | :31:38. | :31:41. | |
I've never found. # I lost my nerve, | :31:42. | :32:31. | |
yet peace surrounds. # And now that all's | :32:32. | :32:35. | |
been said and done. # Who said it best, | :32:36. | :32:43. | |
were you the one?. # Let's just forget, | :32:44. | :32:47. | |
leave it behind. # Let's just forget, | :32:48. | :32:52. | |
leave it behind. Now the youngest star | :32:53. | :33:01. | |
in the room this evening, please avert your eyes down to this, | :33:02. | :33:35. | |
or divert your eyes down to this # To show the country | :33:36. | :33:38. | |
that you're from. # Is where the world | :33:39. | :34:08. | |
should want to be for. # Though we win every time | :34:09. | :34:12. | |
and I don't know how. # Cause I haven't bought | :34:13. | :34:23. | |
you and I haven't sold me. # But the people are | :34:24. | :34:27. | |
dying to get on TV. # I heard he lives down | :34:28. | :34:32. | |
a river somewhere. # Well, he talks like an angel | :34:33. | :34:39. | |
but he looks like me. # I'm the face of God | :34:40. | :34:47. | |
I'm my fathers' son. # I know you can't eat leather, | :34:48. | :34:54. | |
but you can't stop me. # Why would you lie, why | :34:55. | :35:03. | |
would you lie about how you feel?. # I've got a mission | :35:04. | :35:07. | |
and my mission is real. # Because you've had your chances, | :35:08. | :35:10. | |
yeah you've had enough. # I'm gonna burn your house down | :35:11. | :35:14. | |
to spread peace and love. # I heard he lives down | :35:15. | :35:18. | |
a river somewhere. # Well, he talks like an angel | :35:19. | :35:34. | |
but he looks like me. # I wanna play the beautiful game | :35:35. | :35:41. | |
while I'm in Brazil. # Cause everybody plays | :35:42. | :36:01. | |
the beautiful game while in Brazil. # It's all you've ever wanted, | :36:02. | :36:04. | |
and it's all that you want still. # Don't you wanna play | :36:05. | :36:10. | |
the beautiful game out in Brazil? # I wanna play the beautiful game | :36:11. | :36:14. | |
while I'm in Brazil. # Cause everybody plays | :36:15. | :36:16. | |
the beautiful game while in Brazil. # It's all you've ever wanted, | :36:17. | :36:20. | |
and it's all that you want still. # Don't you wanna play | :36:21. | :36:25. | |
the beautiful game out in Brazil? # I heard he lives down | :36:26. | :36:29. | |
a river somewhere. # Well, he talks like an angel | :36:30. | :36:36. | |
but he looks like me! # I heard he lives down | :36:37. | :36:45. | |
a river somewhere. # Well, he talks like an angel | :36:46. | :36:49. | |
but he looks like me!# Before that we enjoyed the wonderful | :36:50. | :37:12. | |
Norah Jones at the piano there. And now it's a return | :37:13. | :37:31. | |
to more fabulous guests. More lovely cakes, more cheap | :37:32. | :37:33. | |
and cheerful soft drinks. Welcome to the show, | :37:34. | :37:35. | |
great to have you here. Like Barry Gibb, you are | :37:36. | :37:40. | |
and originator. You are an originator | :37:41. | :37:44. | |
in the grime style. And your new album is called | :37:45. | :37:48. | |
the Godfather. And you're also known | :37:49. | :37:50. | |
as the Godfather of grime. It didn't used to be, | :37:51. | :37:54. | |
now I've accepted it, I've But it is my dad who said to me | :37:55. | :37:58. | |
listen, son, James Brown Everyone can't just be | :37:59. | :38:06. | |
the Godfather. So he helped me to want | :38:07. | :38:09. | |
to be the Godfather. Out of interest, going back | :38:10. | :38:14. | |
to your dad and that sort of thing, what was the stuff | :38:15. | :38:16. | |
that the Godfather was listening He was listening to a lot | :38:17. | :38:19. | |
of like reggae music. He was listening to whatever | :38:20. | :38:24. | |
was going on in the chart. But my first song I loved my own, | :38:25. | :38:28. | |
without anyone helping me to love a song, like in primary school, | :38:29. | :38:34. | |
was Especially For You, You see, not everyone | :38:35. | :38:36. | |
would have known that. Had a lot of mainstream hits, | :38:37. | :38:45. | |
you know, I love But also known as an | :38:46. | :38:47. | |
underground artist. I'm going mad, Jools, | :38:48. | :38:50. | |
it's quite worrying. It's like being torn | :38:51. | :38:54. | |
apart because you have to please one side, you have | :38:55. | :39:02. | |
to please the other. And the main thing is to just please | :39:03. | :39:10. | |
the masses. But if you pigeonhole yourself, | :39:11. | :39:18. | |
you get caught up, you know. So you've got to just not | :39:19. | :39:21. | |
pigeonhole yourself. Let's remind ourselves | :39:22. | :39:23. | |
of one of your super hits. # That's when I start | :39:24. | :39:26. | |
promising the world. # To a brand new girl | :39:27. | :39:28. | |
I don't even know yet. # Too much champs don't | :39:29. | :39:30. | |
know where my phone is. # Here's my number, | :39:31. | :39:34. | |
she already knows it. # This chapters so long, | :39:35. | :39:36. | |
better close it. # Just the look in her eye | :39:37. | :39:38. | |
was so evil. # Wiley's a party guy | :39:39. | :39:41. | |
and she knows it. # Usually drink, usually | :39:42. | :39:43. | |
dance, usually bubble. # That's when I start | :39:44. | :39:46. | |
promising the world. # To a brand new girl | :39:47. | :39:48. | |
I don't even know yet. What inspired that song, Wearing | :39:49. | :39:50. | |
my Rolex? The Rolex song, I was searching for | :39:51. | :39:56. | |
a hit, Jools. It was number one, but that's | :39:57. | :40:00. | |
actually my biggest tune ever. Like, that did the most for me, | :40:01. | :40:10. | |
it got me a Bentley, you know. I wish I could make | :40:11. | :40:13. | |
another one tomorrow. Barry, did you ever get a Bentley | :40:14. | :40:16. | |
and an Aston out of a hit? Yeah, but I got rid of them, | :40:17. | :40:25. | |
and I drive an SUV. Actually what I learned | :40:26. | :40:27. | |
by having them is they just And what you paid for them, you | :40:28. | :40:32. | |
don't get back. Now, Skepta has just | :40:33. | :40:35. | |
won the Mercury Prize. Why'd you think grime is so popular | :40:36. | :40:38. | |
at the moment? I think it's had its | :40:39. | :40:46. | |
first full circle. Like, where it started, | :40:47. | :40:49. | |
and it had ten, 15 years And I think it's come | :40:50. | :40:51. | |
background and I think it will come, the next generation, | :40:52. | :40:55. | |
the next generation, I think Stormzy has | :40:56. | :40:57. | |
turned up at the most And Skepta's actually | :40:58. | :41:01. | |
turned on the volume Is it right that you're writing your | :41:02. | :41:06. | |
autobiography at the moment? No, you start going down | :41:07. | :41:14. | |
memory lane, Jools. And out of interest, | :41:15. | :41:24. | |
are you the well rehearsed person, Like, it's not | :41:25. | :41:34. | |
actually a good thing. I wake up and I just get | :41:35. | :41:39. | |
on a plane, and just end up And finally, what do | :41:40. | :41:44. | |
you do to relax, I listen to music that's | :41:45. | :41:51. | |
totally the opposite I really like Laura Marlon and stuff | :41:52. | :41:56. | |
like that. Where do you go for | :41:57. | :42:06. | |
your fish and chips? I've got one on the Roman Road | :42:07. | :42:16. | |
in east London, it's really Saucy Kpper, it's a free ad, | :42:17. | :42:19. | |
it's the BBC, but I don't care! We look forward | :42:20. | :42:26. | |
to hearing some more. From Saucy Kipper himself, | :42:27. | :42:29. | |
it's Wiley! Now, please, we have | :42:30. | :42:30. | |
a lovely chain of vibration, the beautiful | :42:31. | :42:33. | |
voice of Lisa Hannigan! # Swung through the yards | :42:34. | :42:40. | |
on winter evenings. # There is no signs of life | :42:41. | :43:50. | |
in the factory of death. # In the shadow of a city, | :43:51. | :46:34. | |
we have got nothing left. # Crawling through the tunnels | :46:35. | :46:37. | |
in the dead of the night. # You do as you're told | :46:38. | :46:41. | |
although you know it's not right. # There's no signs of life | :46:42. | :46:44. | |
in the factory of death. # In the shadow of the city, | :46:45. | :47:29. | |
we have got nothing left. # Crawling through the tunnels | :47:30. | :47:32. | |
in the dead of the night. # You do as you're told | :47:33. | :47:36. | |
although you know it's not right. Lies, from their album, | :47:37. | :47:39. | |
Take Control. Before that we had | :47:40. | :48:33. | |
the wonderful Lisa Hannigan. A lovely piece of music, | :48:34. | :48:38. | |
a Seamus Heaney poem. And now we manoeuvre back to this | :48:39. | :48:41. | |
lovely lady here, with # Used to sit on the | :48:42. | :48:43. | |
steps at school. # They came to hear | :48:44. | :49:30. | |
the golden sound. # There they were | :49:31. | :50:34. | |
on the Sunset Strip. # Playing their songs | :50:35. | :50:38. | |
for the highest bid. # Well, all that | :50:39. | :50:43. | |
glitters isn't gold. # I know you've heard | :50:44. | :51:56. | |
that story told. # She's a pauper | :51:57. | :51:59. | |
in a naked disguise. # A millionaire through | :52:00. | :52:04. | |
a business man's eyes. The amazingly talented voice | :52:05. | :52:10. | |
and piano of Norah Jones! We would like to thank | :52:11. | :53:01. | |
all of our guests this We will be back next | :53:02. | :53:03. | |
week with James Vincent, We now finish with the legendary | :53:04. | :53:29. | |
Barry Gibb! # I ain't the poster | :53:30. | :53:34. | |
boy you made me. # I've been to heaven | :53:35. | :53:56. | |
and I've been to hell. # Just let me tell you | :53:57. | :54:03. | |
where I should not go. # We stand together | :54:04. | :54:30. | |
in a one-man show. # I need somebody to hold me | :54:31. | :54:32. | |
when the night is long. # I am the man who does | :54:33. | :54:39. | |
it all or nothing. # I am the one who will not fade | :54:40. | :54:42. | |
away. # I will be standing | :54:43. | :54:46. | |
with my hand in the fire. # With the weight of | :54:47. | :54:50. | |
the world on my shoulders. # This runaway train | :54:51. | :55:18. | |
keeps on rollin'. # With a storm on the ocean | :55:19. | :55:25. | |
at the river's end. # I won't be lonely, | :55:26. | :55:49. | |
it's my only friend. # I need somebody to hold me when it | :55:50. | :55:53. | |
all goes wrong. # I am the one who does | :55:54. | :56:01. | |
it all or nothin'. # I am the one who | :56:02. | :56:05. | |
will not fade away. # I will be standin' | :56:06. | :56:09. | |
with my hand in the fire # I've been to heaven | :56:10. | :56:12. | |
and I've been to hell. # You want me to be the man | :56:13. | :56:48. | |
you know I never wanna be. # I am the man who does | :56:49. | :57:01. | |
it all or nothing. # I am the one who | :57:02. | :57:12. | |
will not fade away. # I will be standin' with my hand | :57:13. | :57:16. | |
in the fire. | :57:17. | :57:20. |