Episode 7 Later... with Jools Holland

CHEERING AND APPLAUSE.

Welcome to our show!

And what better way to start than with Sheryl Crow!

# Saw my shrink today He said, girl, I can't help you

# I've been seeing you so long but nothing has changed

# You tried Adderall and alcohol Sadly the fact remains

# You're terminally normal, I'm sorry to say

# So I shaved my head, I changed my name, I gave my pills away

# Cos if I can't be someone else

# If I can't be someone else

# Oh, if I can't be someone else

# I might as well be myself, myself

# Be myself

# Hanging with the hipsters is a lot of hard work

# How many selfies can you take before you look like a jerk?

# I took an Uber to a juice bar to hear a new indie band play

# They got 99 million followers in only one day

# Well, I snapped that pic and I made the slip

# I got into a stranger's car

# Well, the heels don't fit I finally quit

# And headed back to my favorite bar

# Cos if I can't be someone else

# If I can't be someone else

# Oh, if I can't be someone else

# I might as well be myself, myself

# Don't you wanna be your own girl?

# Oh, oh

# If I can't be someone else

# Oh, if I can't be someone else

# If I can't be someone else

# Oh, if I can't be someone else

# I might as well, might as well be myself

# Be myself

# Oh, if I can't be someone else

# I might as well be myself, myself

# Be myself

APPLAUSE.

The brilliant sound, the voice, the guitar and songs

of Sheryl Crow with Be Myself.

The title of her new wonderful album.

Tonight in the room, it is filled with amazing people.

Are you feeling good?

AUDIENCE: YES!

I am, too, because from London, we have Pumarosa.

Over in this corner, I will be challenged

by the legendary Jane Birkin.

From Mali, we will be enjoying the legendary

sound of Oumou Sangare.

From London, we will be welcoming the exquisite Stefflon Don.

From New Zealand, it is Aldous Harding.

And now, from Auckland, New Zealand, we welcome back to the show, Lorde!

CHEERING AND APPLAUSE.

# I do my makeup in somebody else's car

# We order different drinks at the same bars

# I know about what you did and I wanna scream the truth

# She thinks you love the beach, you're such a damn liar

# Those great whites, they have big teeth

# Hope they bite you

# Thought you said that you would always be in love

# But you're not in love no more

# Did it frighten you

# How we kissed when we danced on the light up floor

# On the light up floor

# But I hear sounds in my mind

# Brand new sounds in my mind

# But honey I'll be seein' you 'ever I go

# But honey I'll be seein' you down every road

# I'm waiting for it, that green light, I want it

# Cause honey I'll come get my things, but I can't let go

# I'm waiting for it, that green light, I want it

# Cause honey I'll come get my things, but I can't let go

# I'm waiting for it, that green light, I want it

# Sometimes I wake up in a different bedroom

# I whisper things, the city sings 'em back to you

# All those rumours, they have big teeth

# Hope they bite you

# Thought you said that you would always be in love

# But you're not in love no more

# Did it frighten you

# How we kissed when we danced on the light up floor

# On the light up floor

# But I hear sounds in my mind

# Brand new sounds in my mind

# But honey I'll be seein' you 'ever I go

# But honey I'll be seein' you down every road

# I'm waiting for it, that green light, I want it

# Cause honey I'll come get my things, but I can't let go

# I'm waiting for it, that green light, I want it

# Oh, honey I'll come get my things, but I can't let go

# I'm waiting for it, that green light, I want it

# Yes, honey I'll come get my things, but I can't let go

# I'm waiting for it, that green light, I want it

# Oh, I wish I could get my things and just let go

# I'm waiting for it, that green light, I want it

# I'm waiting for it, that green light, I want it. #

Green Light.

From Lorde.

CHEERING AND APPLAUSE.

From her upcoming album, Melodrama.

We have all beautiful strands of music on this programme, so now,

from Mali, where she is known as The Songbird of Wassoulou.

We welcome, Oumou Sangare.

MUSIC: Djoukourou by Oumou Sangare.

APPLAUSE.

Djoukourou.

Great song from Oumou Sangare!

Great songbird she is indeed.

How wonderful tonight, almost all of the artists or the

main protagonists, apart from myself are all female.

What a great thing for the studio to have.

Let's meet...

I quite agree with you.

Who did say that?

Was that you?

It was Sheryl, agreeing with me.

I will discuss that with you later.

Sheryl Crow.

I will be discussing things with

her later.

CHEERING AND APPLAUSE.

And now we welcome our next wonderful artist in

the shape of Pumarosa!

# God gave us honey

# Oh, he gave us honey

# God gave us honey

# Oh, you stupid son of a bitch

# Yeah, you stupid son of a bitch

# Oh, you stupid son of a bitch

# Events come and go

# As waves of a fever

# And you tell me stories

# I want to believe in

# Events come and go

# As waves of a fever

# And you tell me stories

# Of good and evil

# Into the wasteland we blindly stray

# Wake up your sleeping family

# Into the wasteland we blindly stray

# Stuck inside this dance forever

# Walk in circles all together

# Stuck inside this dance forever

# Events come and go

# As waves of a fever

# And you tell me stories

# I want to believe in

# Events come and go

# As waves of a fever

# And you tell me stories

# Of good and evil

# Oh, we go

# Through every open door

# Always wanting more

# Always wanting more, yeah

# Oh, we go

# Through every open door

# Always wanting more

# And more and more and more and more

CHEERING AND APPLAUSE.

Thank you, Pumarosa.

The song, Honey, from their new album Bewitched.

Now I am delighted to welcome at the table,

a great legend of music, art, film, the lot.

It is a thrill, I am delighted to welcome

to the studio, Jane Birkin.

CHEERING AND APPLAUSE.

Welcome to the show.

It is so nice to have you here.

And great to have you here and you have made this fantastic

record, it is a lovely sounding record, orchestral record

of Serge Gainsbourg music.

It's music you made with Serge Gainsbourg, but orchestrated.

But I think we should start, for some of the British

viewers who are not sure, because he is one of the greatest

legends of French music, how would you describe him to people

who are not familiar with his work?

Oh, he is probably the greatest French writer since

Baudelaire, Apollinaire.

I think people recognise him as being one of

France's greatest poets.

He was also a wonderful composer, but he used a lot of classical music

which is why I did this with the Philharmonic.

Because of him being inspired by Brahms, Chopin...

He was also one of the funniest men in the world.

Yes.

So, you could have someone who was at the same time a clown,

at the same time a poet, at the same time a composer,

and of great sadness as well.

Then you would have him.

Yes.

He was a great artist.

This record is your orchestral recording of some of

the things you had and some of his music, orchestrated.

I noticed, Je T'aime, which was a huge hit

here, you did not think of redoing that one.

Well, no, because he is not there, so I wouldn't have

anyone to sing it with.

I see.

There is an orchestral version, which is absolutely sublime,

which is during the concert, but, in fact, if this is a success

I want to take the orchestral bit, which is about six minutes,

because it is so beautiful, especially Je T'aime...

Moi Non Plus, but if not, a lot of them were ones

that he wrote for me but we broke up.

Because he wrote for me from when I was 20 years old,

until he died and so I must have been about 45.

You were his main muse, really?

Yes.

We've got a little bit of footage of the making of the album

and the lovely sound of you with the orchestra.

Let's have a little listen to that.

Let's have a look here.

# Je chante pour les transistors # Ce recit de l'etrange histoire # De

# De tes anamours transitoires

# De Belle au Bois Dormant qui dort

# Je t'aime et je crains de m'egarer

# Et je seme des grains de pavot sur les paves...

That is lovely sounding, really lovely.

Very romantic sounding.

Very romantic and there is a wonderful...

I went to Japan after the tsunami to sing concerts for the morale

really and I met this pianist, Nobuyuki Najakima, and I asked him

to do all the orchestrations, which is why you do not get fed up

during the hour and half of me singing it, because he did it

in such a way that it is like film music.

Very, very like film music.

The orchestration is beautiful.

If it was just you and a piano, I wouldn't get fed up,

but something I was going to say is you got absorbed

into the sort of haute cuisine of French culture,

music, film, fashion, all of that and they're famously brilliant,

but not particularly...

They do not take in new people very often, especially

if they are not French.

Why was it that they took to you so much, do you think?

I was just lucky because I got there first.

I mean, I must have turned up there at around 1968,

when everything actually was English, fashion-wise.

There was Jean Shrimpton, there was the Beatles,

the Rolling Stones, photography, everything, it was a renaissance

in England and that is when I went to France to see if I would get this

part in a movie with Serge and I got it and then I did another film

with Romy Schneider and Alain Delon and suddenly I was off.

What I was was not anything that great, I just had a very short skirt

and had a terrible accent, I had teeth with a gap

in them and I don't know...

But they loved you.

They took to you.

I was a bit funny.

The thing is, the French films and the culture is so fantastic,

it is unique, it is not like anything else.

Serge Gainsbourg seems to encapsulate all of that.

You're right, you're right.

He does.

He was Russian Jewish, so he has also got that

thing of melancholy, that thing of being particularly

brilliant in Slav.

It is not only French, it is that wonderful mixture.

Now, there are live shows coming up, you're at the Barbican on the 26th,

which I am hoping to come and see and it is fantastic

to have you here tonight.

Thank you for joining us, Jane Birkin!

Thank you.

APPLAUSE.

So, we must now move over into this corner

here and we welcome, from New Zealand, Aldous Harding!

# Let me put the water in the bowl for your wounds, babe

# Let me fill you up with the fingers of love

# You can't lose, babe

# When you watch me play, does it feel bad, darling

# When they choose me

# Say again, this place

# Say again, this place

# I broke my neck dancing to the edge of the world, babe

# My mouth is wet, don't you forget it

# Don't you lose me

# Here is your princess and here is your horizon

# Here is your princess and here is your horizon

# I've gotta scratch it down,

# I never could amount, that's it, babe

# And now the sugar's run out and I don't know what to say

# Say again, this place

# Say again, this place

# Here is your princess and here is your horizon

# Here is your princess and here is your horizon

# And every now and then, I think about when you'll die, babe

# There's a fall in my head

# It floods what you said into the room, babe

# I don't belong in the desert

# Yes, I can see it, take me home, babe

# Say again, this place

# Say again, this place

# Say again, this place

# Here is your princess and here is your horizon

# Here is your princess and here is your horizon

# Here is your princess and here is your horizon

# Here is your princess and here is the horizon. #

# I like the sunshine

# Bouncing off your mirror shades

# Well, I love that you love loving me

# Can't you see?

# I need a little more of your embrace

# But you start to panic more of your embrace

# You can't stand still more of your embrace

# You getting a message more of your embrace

# Talk about a buzz kill more of your embrace

# I, I, I more of your embrace

# I want some attention more of your embrace

# I want to put you centre stage more of your embrace

# I, I, I more of your embrace

# Don't want competition more of your embrace

# So put your phone away more of your embrace

# Let's roller-skate more of your embrace

# I've got your picture more of your embrace

# Swimming round inside my head more of your embrace

# While all the kids snapping pics more of your embrace

# They can click on what they missed more of your embrace

# I kinda like real life instead more of your embrace

# Well, how about a little of that human touch?

# Old-school contact

# Would it be asking too much?

# I, I, I

# I want some attention

# I want to put you centre stage

# I, I, I

# Don't want competition

# I want a little face-to-face

# I, I, I

# I ain't in no hurry

# But baby, I don't like to wait

# I, I, I

# I want to be your distraction

# So put your phone away

# Let's roller-skate

# I, I, I

# Roller skaters - let's go!

# I, I, I

# I want some attention

# I want to put you centre stage

# I, I, I

# Don't want competition

# I want a little face-to-face

# I, I, I

# I ain't in no hurry

# But baby, I don't like to wait

# I, I, I

# I want to be your distraction

# So put your phone away

# Let's roller-skate. #

APPLAUSE.

Terrific sound of Sheryl Crow.

Roller Skate.

Before that, we enjoyed Aldous Harding!

CHEERING AND APPLAUSE.

And now, in this corner, we welcome, Stefflon Don.

CHEERING AND APPLAUSE.

# No gyal can tell me bout my mother

# 16 shots, we go longer than a ladder

# Them nuffi talk bout the real dun dudder

# Put body in my pock and me move like grabber

# No boy can diss me or my mother

# Round here ain't safe, everybody need armour

# 16 shots, we go shotta in the blodda

# Ba ba, ba ba, ba ba, ba ba, ba ba, ba ba

# Now would I be bothered bout a thing stoney

# Diss my mother then your skin start bleed

# So don't bother mess with my mommy

# With my mommy, with my mommy

# Baby, take your bad, say your body don't cheat

# Stand up the bar, come climb and don't eat

# Wrap on, wrap off, make you move like freak

# Them say they a gangsta but so is mommy

# They say they gon' put their hands on a chick

# They gon' put hands on my

# Eyes watchin' when they comin' through the door

# What I'ma do, they ain't prepared for

# No gyal can tell me bout my mother

# 16 shots, we go longer than a ladder

# Them nuffi talk bout the real dun dudder

# No boy can diss me or my mother

# Round here ain't safe, everybody need armour

# 16 shots, we go shotta in the blodda

# Ba ba, ba ba, ba ba, ba ba, ba ba, ba ba

# Da da da daa

# This my mother y'all now

# Nobody be mother than grand Kobe

# Diss my mother then your lip won't speak

# So don't bother mess with my mommy

# With my mommy, with my mommy

# You really take it back so your mother run me

# If things start tonight, you won't sleep

# Bump on, got off, make it look like creak

# They say them a bad gyal, but gyal them know me

# They say they gon' put their hands on a chick

# They gon' put hands on my

# Eyes watchin' when they comin' through the door

# What I'ma do, they ain't prepared for

# No gyal can tell me bout my mother

# 16 shots, we go longer than a ladder

# Them nuffi talk bout the real dun dudder

# Put body in my pock and me move like grabber

# No boy can diss me or my mother

# Round here ain't safe, everybody need armour

# 16 shots, we go shotta in the blodda

# Ba ba, ba ba, ba ba, ba ba, ba ba, ba ba

# Take one shot if they think they my man

# Get two shot if they feel they my don

# Get three shot if they take me for idiot

# Get four shot, this a couple shots, know that

# Get five shot, for anybody think they hard

# Street and top your monster

# If you hit up the Don

# Ooh, it's gon' hit you wherever you are

# No gyal can tell me bout my mother

# 16 shots, we go longer than a ladder

# Them nuffi talk bout the real dun dudder

# Put body in my pock and me move like grabber

# No boy can diss me or my mother

# Round here ain't safe, everybody need armour

# 16 shots, we go shotta in the blodda

# Ba ba, ba ba, ba ba, ba ba, ba ba, ba ba

# No gyal can tell me bout my mother

# 16 shots, we go longer than a ladder

# Them nuffi talk bout the real dun dudder

# Put body in my pock and me move like grabber

# No boy can diss me or my mother

# Round here ain't safe, everybody need armour

# 16 shots, we go shotta in the blodda

# Ba ba, ba ba, ba ba, ba ba, ba ba, ba ba.

# APPLAUSE.

# One, two

# Baby really hurt me

# Crying in the taxi

# He don't wanna know me

# Says he made the big mistake of dancing in my storm

# Says it was poison

# So I guess I'll go home

# Into the arms of the girl that I love

# The only love I haven't screwed up

# She's so hard to please

# But she's a forest fire

# I do my best to meet her demands

# Play at romance, we slow dance

# In the living room, but all that a stranger would see

# Is one girl swaying alone

# Stroking her cheek

# They say "You're a little much for me"

# "You're a liability"

# "You're a little much for me"

# So they pull back, make other plans

# I understand, I'm a liability

# Get you wild, make you leave

# I'm a little much for

# Ee-a-na-na-na, everyone

# The truth is I am a toy

# That people enjoy

# Till all of the tricks don't work anymore

# And then they are bored of me

# I know that it's exciting

# Running through the night

# But every perfect summer's

# Eating me alive until you're gone

# Better on my own

# They say, "You're a little much for me"

# "You're a liability"

# "You're a little much for me"

# So they pull back, make other plans

# I understand, I'm a liability

# Get you wild, make you leave

# I'm a little much for

# Ee-a-na-na-na, everyone

# They're gonna watch me

# Disappear into the sun

# You're all gonna watch me

# Disappear into the sun. #

APPLAUSE.

Thank you, Lorde, with Liability.

From her album, Melodrama.

Before that, we enjoyed, Stefflon Don!

Wherever she is.

Now I'm so pleased to welcome to the table here,

the incredibly talented, the brilliant, Sheryl Crow.

Sheryl, it is great to have you here in this room.

Thank you.

Now, wonderful new record you've got out, Be Myself.

Is that how you are feeling at the moment?

Being yourself?

It is, yeah.

Yes.

I love being myself right now.

What sort of thing inspires you now then?

This record was really the result of what was going on in America,

which is what is still going on in America.

I started to feel like I did not recognise my country and I felt

like, the dialogue had become sort of vitriolic and a lot of it

influenced the way this record sounds and feels.

Then also, just the presence of technology and raising two

little boys, and it's a whole different world...

Two little boys are going to become people and trying to keep them

from the fascination of everything that is coming at them

through this thing, you know.

Your record has got this great sort of boogie lilt to it,

do you think that sort of thing gets better as it goes along?

No machine can possibly capture it.

I felt completely and totally liberated and I made the record

during school hours, which, you know, in the old days,

you stayed up all night and you drank and you recorded.

It was completely different than anything I have done before

and I felt completely liberated.

There was so much to write about.

Would you say that you have been in the studio and they have said,

that was an amazing vocal, just one more take

and you've got it.

And you have said, I have to go and get my children now!

I swear to God, yes.

The whole thing about it was, we made the whole album in a month

and the reason it went so fast was the way that Jeff Trott and I,

old buddies, who I made a lot of the early stuff with,

Jeff Trott, and I, he plays guitar, I played bass and we set up a mic

and we would record as we went and it wound up being the record.

It has got a fantastic feel to it, Gary Clark Junior is on there.

Chad Blake.

Yes.

Flew in from Wales, came in, engineered,

it was just, a total, love, joy project.

Now then, to sort of rush back to the past, to Top of the Pops,

which we have got some of here.

Oh my.

I think, when All I Wanna Do, which changed everything for you.

It did.

We've got some of that here.

# The good people of the world are washing their cars.

# On their lunch break.

# Hosing and scrubbing as best they can.

# In skirts and suits.

# And they drive up in their shiny Datsuns and Buicks.

# Back to the phone company, and record stores, too.

# But they're nothing like Billy and me.

# Cos all I wanna do is have some fun.

# I've got a feeling, I'm not the only one.

# All I wanna do is have some fun.

# I got a feeling, I'm not the only one.

# All I wanna do is have some fun.

# Until the sun comes up over Santa Monica Boulevard.

Great.

You have been doing lots of amazing things.

Actually, your career is amazing, because you did backing vocals

for all these people, like Stevie Wonder and

Michael Jackson and then you get all the Grammys,

Celine Dion is doing your songs, everybody, it is an amazing job.

But this must have been a big step.

That was a big one.

Actually, that one song took us from South America to Singapore.

We went all over the world and it changed my life, completely.

And you know, really up until that point,

I had been a schoolteacher and then a back-up singer and then

I was doing commercials and I had a lot of real jobs and then the next

thing you know, I was on the road and we have not stopped.

It has been 24 years.

Sounding better as it goes along.

Are you going to be doing festivals here this summer?

You must be doing the festivals.

You're the best person to see at a festival that I can think of.

Yes, I would be the best person to see at a festival.

I am just saying that now.

Shall I announce some festival dates that I am doing?

Glastonbury isn't on, but I'm going to do it the next year

and what other ones will I be doing?

Just loads of them.

I will be doing loads of them.

So make sure and ask your promoter.

Make sure I'm on the ticket, before you buy it.

Exactly.

Write a little note to him.

I'm Going to cut you in 15%.

That's absolutely fine.

Before I go.

I've got lots of amazing female artists in.

By coincidence, most of the artists here are female.

Fantastic.

Do you think it is a Big time for women in music?

I think the female voices now are more important than ever.

I am an old fan of Lorde and I am a new fan of these amazing women

over here and I love coming on your show because of that.

It is fantastic for me to see what is really happening and to hear

some amazing musicians and amazing female bass players.

Just musicians across the board, females tonight.

Really great.

Wonderful to have you here, we look forward to hearing more

from you from this fantastic record, Be Myself, as we go along.

Thank you so much for joining us, the wonderful Sheryl Crow!

CHEERING AND APPLAUSE.

And now we go all the way, we charge off like we couldn't care less,

to get to the other end of the studio to introduce

you back to Pumarosa!

# Save me from myself Save my mind from my body

# Teach me how to look and you teach me how to be

# Save me from the violence that lives inside of us

# Tell me I'm an animal Without you I'd be lost

# Without you I'd be lost

# You teach me dependency I'm coming back for more

# Sucking on a cigarette even though I'm bored

# Gonna build a fire and warm up my hands

# Cos you're a liar

# I think I understand

# But it's not human nature It's what they made you

# It's not human nature It's what they made you, oh

# Gonna build a fire and warm up my hands

# Cos you're a liar

# I think I understand

# Closing up the curtains now and blocking out the night

# Cover me in ashes, yeah You make me up in white

# Paint a pretty face upon the one who saved your tears

# Only shame can save you now, you whisper in my ear

# But there's no good for me

# I don't go easily

# Oh, oh, I, I

# Gonna build a fire and warm up my hands

# Cos you're a liar

# I think I understand

# Gonna build a fire and warm up my hands

# Cos you're a liar, yeah, you are

# I think I understand

# But it's not human nature It's what they made you

# It's not human nature It's what they made you

# It's not human nature It's what they made you, oh

# Oh

# Yeah yeah, oh, yeah yeah

# Yeah yeah, oh, yeah yeah. #

APPLAUSE.

Pumarosa, The Witch.

The Witch, which is the title track of their new album.

The vibrations in this room are always different at every moment.

Something different, something fresh comes up in each corner.

Now we welcome Oumou Sangare!

APPLAUSE

's

# A bena bena e yi kognouman bena

# A bena bena houn houn gnouman bena Allah

# A bena bena tiekoro yi ya gala kan barow bena

# A bena bena moussokoro yi ya woula la kuma gnalen

# Ayi ya a kognouman kadi Allah

# A bena bena e yi ko gnouman bena Allah

# Ibe gnouman ke doye siguiro

# Ibe gnouman ke doye fitiriwale a te gnouman nin don

# Tche I be gnouman ke doye badegna la ibe gnouman ke doye baden

# Djougou a te gnouman nin don I be gnouman ke do ye bara la I be

# A bena bena heyi heyi heyi

# A bena bena houn ko gnouman bena Allah

# A bena bena moussokoro yi ya wurala kouma gnana

# Moungne gnouman lokobona siguiro moungne gnouman lokobona

# Gnouman ke doye baragnokon djougou n go a te

# A bena bena heyi heyi heyi

# Moungne gnouman lokobona siguiro moungne gnouman lokobona

# Lokobona fitiwalew ye Gnouman lokobo ne la

CHEERING AND APPLAUSE

# Ooh

# I woke up and called this morning

# The tone of your voice was a warning

# That you don't care for me anymore

# I made up the bed we sleep in

# I look at the clock when you creep in

# It's 6am and I'm alone

# Did you know when you go

# It's the perfect ending

# To the bad day I was just beginning

# When you go all I know is

# You're my favorite mistake

# Your friends are sorry for me

# They watch you pretend to adore me

# But I'm no fool to this game

# Now here comes your secret lover

# She'd be unlike any other

# Until your guilt goes up in flames

# Did you know when you go

# It's the perfect ending

# To the bad day I'd gotten used to spending

# When you go all I know is

# You're my favorite mistake

# Well, maybe nothin' lasts forever

# Even when you stay together

# I don't need forever after

# It's your laughter won't let me go

# So I'm holding on this way

# Did you know, could you tell?

# You were the only one

# That I ever loved

# Now everything's so wrong

# Did you see me walking by?

# Did it ever make you cry?

# You're my favorite mistake

# You're my favorite mistake. #

CHEERING AND APPLAUSE.

My Favourite Mistake by Sheryl Crow!

I'll be back on Tuesday with The XX, Wild Blood,

Trombone Shorty and much more.

But now, let's thank all of our guests and, if you go to our

website, you can discover a lot.

But you've got something, Fred, up your sleeve there.

DRUMBEAT STARTS

I hope you don't mind me talking to him directly like that.

I thought that would get the job done.

Thank you, Fred.

So thank you to all of our beautiful musicians here this

evening.

Thank you to Sheryl Crow!

CHEERING

Thank you to the legendary Jane Birkin!

CHEERING

Thank you, Oumou Sangare!

CHEERING

Thank you, Stefflon Don!

CHEERING

Thank you, Aldous Harding!

CHEERING

Thank you, Lorde!

CHEERING

Thank you, Pumarosa!

CHEERING.

Thank you to you!

One, two, one, two, three...

They found a body. That's not my department any more.

Cardinal.

They think it might be her.

He has his next victim.

He won't stop.

Not until we stop him.

I made him bleed.

For you.