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Maybe between the wee gaps there, maybe a dubstep sound | 0:00:01 | 0:00:01 | |
Hi, I'm Katy B and I love music | 0:00:03 | 0:00:05 | |
and I'm taking a group of Londonderry kids | 0:00:05 | 0:00:08 | |
who all love music too and giving them an opportunity | 0:00:08 | 0:00:11 | |
to perform on the biggest stages I can find. | 0:00:11 | 0:00:13 | |
We take talented young musicians | 0:00:20 | 0:00:22 | |
who are more used to performing in their bedrooms | 0:00:22 | 0:00:24 | |
and put them in front of an audience of thousands. | 0:00:24 | 0:00:28 | |
Big names... | 0:00:28 | 0:00:30 | |
big performances... | 0:00:30 | 0:00:32 | |
and plenty of passion. | 0:00:32 | 0:00:35 | |
This is Music City. | 0:00:35 | 0:00:37 | |
I'm in Derry, which this year is the UK City of Culture. | 0:00:41 | 0:00:45 | |
This means its calendar is packed with world-class events. | 0:00:45 | 0:00:49 | |
The city is determined that Derry's young people | 0:00:51 | 0:00:53 | |
get a chance to be involved | 0:00:53 | 0:00:55 | |
and have created an initiative called The Music Promise. | 0:00:55 | 0:00:58 | |
As part of that we scoured Derry's schools | 0:01:01 | 0:01:03 | |
to find 13 keen young musicians and give them the chance | 0:01:03 | 0:01:07 | |
to up their game, work with some of the artists visiting this year... | 0:01:07 | 0:01:10 | |
I'm already liking your hand position. That's very good. | 0:01:10 | 0:01:13 | |
How are you? I'm Amelia. | 0:01:13 | 0:01:15 | |
..and perform on the biggest stages. | 0:01:15 | 0:01:18 | |
CARIBBEAN DANCE FUSION | 0:01:18 | 0:01:21 | |
I love music myself and as a recording artist I've been lucky | 0:01:21 | 0:01:25 | |
enough to be able to make a life out of it. | 0:01:25 | 0:01:27 | |
# I keep on moving with the lights on... # | 0:01:27 | 0:01:31 | |
'I can't wait to get involved.' | 0:01:36 | 0:01:37 | |
I'd love to be here all year, but I can't, so Derry musicians, | 0:01:43 | 0:01:46 | |
Glenn Rosborough and Jenny Grant are here to help me out. | 0:01:46 | 0:01:50 | |
Glenn plays in Wyldling - | 0:01:57 | 0:01:58 | |
one of Northern Ireland's most promising bands. | 0:01:58 | 0:02:01 | |
The spark of creativity they have really reignites the spark you have | 0:02:01 | 0:02:04 | |
so I'm really looking forward to seeing where this is going to go. | 0:02:04 | 0:02:07 | |
And Jenny is a leading Derry harpist and music teacher. | 0:02:09 | 0:02:13 | |
It's really inspiring to think that these kids | 0:02:13 | 0:02:15 | |
really have so much potential, so I'm really, | 0:02:15 | 0:02:17 | |
really excited to see what they're going to come up with. | 0:02:17 | 0:02:20 | |
First up this time is 15-year-old Connor. | 0:02:26 | 0:02:29 | |
He loves music, and more to the point, loves it loud. | 0:02:29 | 0:02:32 | |
TRANCE MUSIC PLAYS | 0:02:32 | 0:02:34 | |
Connor! Turn it down a bit! | 0:02:38 | 0:02:40 | |
The way I like music is really loud, and it gets atmosphere | 0:02:42 | 0:02:46 | |
and people - the way music generally makes people feel. | 0:02:46 | 0:02:50 | |
Recently, he's discovered the Lambeg. | 0:02:52 | 0:02:54 | |
This drum, when played at full tilt, | 0:02:54 | 0:02:56 | |
has the same decibel level as a jet plane taking off, | 0:02:56 | 0:02:59 | |
so it's a match made in heaven. | 0:02:59 | 0:03:01 | |
You're sitting in a concert, say, | 0:03:01 | 0:03:03 | |
and someone's playing the fiddle or the cello or something like that | 0:03:03 | 0:03:06 | |
and everyone's sitting, just falling asleep and then | 0:03:06 | 0:03:09 | |
someone comes out with Lambeg! It's going to wake everyone up. | 0:03:09 | 0:03:12 | |
Connor is also a trail blazer. | 0:03:13 | 0:03:15 | |
When he sits his exams in May | 0:03:15 | 0:03:17 | |
he'll be one of the first pupils in Northern Ireland to ever use | 0:03:17 | 0:03:20 | |
the Lambeg as his instrument for GCSE music. | 0:03:20 | 0:03:23 | |
Brilliant. Is that all right? | 0:03:24 | 0:03:26 | |
Yeah, so that's flowing really nicely now. | 0:03:26 | 0:03:28 | |
OK, so what could you teach me? | 0:03:28 | 0:03:30 | |
Well, first of all, hold the sticks | 0:03:30 | 0:03:32 | |
and make sure the bent side goes in towards the drum. | 0:03:32 | 0:03:34 | |
OK. So like that. | 0:03:34 | 0:03:36 | |
All right, brilliant! | 0:03:36 | 0:03:38 | |
When I was first learning I started learning the sixes, | 0:03:38 | 0:03:40 | |
so it's just diddly dum de dum, so one, two, three, four, five, six. | 0:03:40 | 0:03:44 | |
And it's like each hand... | 0:03:44 | 0:03:46 | |
Yeah, so it's like, de de de de. All right, let's go. | 0:03:46 | 0:03:49 | |
Smack it! It's all right, it's a loud drum! | 0:03:55 | 0:03:58 | |
'Now I like a racket as much as anyone, but I can see why this | 0:03:59 | 0:04:03 | |
'is officially the loudest acoustic instrument in the world.' | 0:04:03 | 0:04:07 | |
Thanks. | 0:04:07 | 0:04:08 | |
Big beats are in the family. | 0:04:10 | 0:04:12 | |
His mum, Joanne, got Connor into dance music from an early age. | 0:04:12 | 0:04:15 | |
Well, I was brought up... when I was really young, | 0:04:15 | 0:04:18 | |
my mum was really young as well, so she was sort of like into that | 0:04:18 | 0:04:21 | |
sort of music at the same time, and she was sort of listening to trance. | 0:04:21 | 0:04:24 | |
I was into testo and all kinds of dance music and just generally | 0:04:24 | 0:04:27 | |
everything. I'm more Lady Gaga and that kind of music now, but! | 0:04:27 | 0:04:31 | |
Connor is now an aspiring DJ | 0:04:33 | 0:04:34 | |
and loves producing his own tracks in his bedroom. | 0:04:34 | 0:04:37 | |
Most people don't want just DJs who can just DJ. | 0:04:37 | 0:04:40 | |
They also want the producing side | 0:04:40 | 0:04:41 | |
because you'll not get anywhere in life if you're DJing all the time | 0:04:41 | 0:04:44 | |
and you can't make your own songs. | 0:04:44 | 0:04:46 | |
The producing side of things is where you start from scratch | 0:04:46 | 0:04:48 | |
and you're making your own music. | 0:04:48 | 0:04:50 | |
Big loud drums and a love of producing dance beats... | 0:04:52 | 0:04:55 | |
that sounds like a Music City collision | 0:04:55 | 0:04:58 | |
that is just going to have to happen. | 0:04:58 | 0:05:00 | |
Someone else who likes noise of a more melodic kind | 0:05:06 | 0:05:08 | |
is 14-year-old Darrell. | 0:05:08 | 0:05:10 | |
Well, I'd love to become a famous composer, go around the world. | 0:05:10 | 0:05:14 | |
I'm glad you're here to tell me. I was so impressed with his playing, | 0:05:14 | 0:05:17 | |
I arranged for him to meet Neil Cowley, | 0:05:17 | 0:05:19 | |
who is City Of Culture's musician in residence. | 0:05:19 | 0:05:22 | |
I'm already liking your hand position. That's very good. | 0:05:22 | 0:05:24 | |
Neil has played on some of the biggest hits of this century, | 0:05:24 | 0:05:27 | |
including Adele's Rolling In The Deep. | 0:05:27 | 0:05:30 | |
# We could have had it all... # | 0:05:30 | 0:05:32 | |
And he thinks Darrell has what it takes to go all the way. | 0:05:32 | 0:05:36 | |
You've got everything within your grasp, technically, for you | 0:05:36 | 0:05:40 | |
to do exactly what you want for the rest of your life. | 0:05:40 | 0:05:43 | |
I'm telling you you really have. | 0:05:43 | 0:05:45 | |
But the only thing holding Darrell back was his schoolwork. | 0:05:45 | 0:05:49 | |
But he promised me he'd try harder, and now his school report is in. | 0:05:49 | 0:05:53 | |
Time to find out how he's getting on. Report's here. | 0:05:53 | 0:05:56 | |
What? What? | 0:05:58 | 0:05:59 | |
Look what came in today. Can you guess what this is? | 0:05:59 | 0:06:02 | |
School report? Aye? School report? | 0:06:02 | 0:06:05 | |
Would you like to read it? | 0:06:05 | 0:06:07 | |
Aye, well, I have to, I guess. | 0:06:07 | 0:06:09 | |
If you look at your maths - he's a very good comment there. | 0:06:10 | 0:06:13 | |
Because in January when I was talking to that teacher, | 0:06:13 | 0:06:16 | |
he says you have a mental block when it comes to maths. | 0:06:16 | 0:06:19 | |
And he's saying now he thinks you're going to get it. | 0:06:19 | 0:06:22 | |
But I kept at you about your maths. | 0:06:22 | 0:06:24 | |
Katy B, what did she tell you? She told you you need it | 0:06:24 | 0:06:28 | |
and you don't want to do what I done | 0:06:28 | 0:06:30 | |
where she had to go to night classes | 0:06:30 | 0:06:32 | |
and do it later, and she says you've got to do it now. | 0:06:32 | 0:06:34 | |
And your music's very good. First place in music, so that's very good. | 0:06:34 | 0:06:38 | |
Well, the report's very good and you've to keep up now the work. | 0:06:38 | 0:06:41 | |
That's a really positive report. If Darrell keeps this up it looks like | 0:06:41 | 0:06:44 | |
he'll pass his maths and there's even a reward for his efforts. | 0:06:44 | 0:06:47 | |
There's a fiver now. Oh, thank you! | 0:06:47 | 0:06:50 | |
If your grades improve, I will double that fiver. | 0:06:50 | 0:06:53 | |
Oh, we'll double it to a grand piano! | 0:06:53 | 0:06:55 | |
I think that might be pushing it, Darrell! | 0:06:55 | 0:06:57 | |
No grand piano, no. | 0:06:57 | 0:06:59 | |
I think it would be great if Connor could use his producing skills | 0:07:02 | 0:07:06 | |
to create a dance track using the unique sound of the Lambeg. | 0:07:06 | 0:07:10 | |
I've got him some studio time. | 0:07:10 | 0:07:12 | |
Well, we're just going starting off making a song and cos I'm a DJ | 0:07:12 | 0:07:16 | |
and I play Lambeg, sort of incorporate the both | 0:07:16 | 0:07:18 | |
in the one track, so today we're going to record | 0:07:18 | 0:07:21 | |
maybe the Lambeg part of it. | 0:07:21 | 0:07:22 | |
Serious tension in those things, isn't there? | 0:07:25 | 0:07:28 | |
Aye, it needs tightening. | 0:07:28 | 0:07:29 | |
It does need tightening more? Is it goat skin? | 0:07:29 | 0:07:31 | |
Aye, it's goat's skin, aye, just strung out and spread out. | 0:07:31 | 0:07:34 | |
It must be some size of a goat. | 0:07:34 | 0:07:38 | |
They must breed supergoats. | 0:07:38 | 0:07:41 | |
Connor records a variety of different beats | 0:07:47 | 0:07:49 | |
and then chooses the best to work with for his dance track. | 0:07:49 | 0:07:53 | |
So you kinda have two different flavours to work with, you know? | 0:07:58 | 0:08:01 | |
I'm really impressed the way it's all like compressed | 0:08:01 | 0:08:03 | |
on that there, cos usually when you hear Lambeg recordings and stuff, | 0:08:03 | 0:08:07 | |
they're all over the show, like, so that actually sounds clean. | 0:08:07 | 0:08:10 | |
Well, that's maybe the advantage of coming into the studio. | 0:08:10 | 0:08:13 | |
You've got more control over the sound. | 0:08:13 | 0:08:17 | |
If he does succeed in creating a Lambeg dance track, | 0:08:17 | 0:08:20 | |
it could well be a world first, | 0:08:20 | 0:08:23 | |
and I've a plan to help him make that happen. | 0:08:23 | 0:08:25 | |
Darrell too loves creating new music | 0:08:32 | 0:08:34 | |
but it's no easy matter, as he composes on a piano | 0:08:34 | 0:08:37 | |
that has been in the family 70 years and doesn't stay in tune. | 0:08:37 | 0:08:41 | |
But amazing mum Sharon has pushed the family budget to the limit | 0:08:44 | 0:08:48 | |
and come to the rescue. | 0:08:48 | 0:08:50 | |
I'm waiting on Darrell and Tyrese to come back from the beach. | 0:08:50 | 0:08:53 | |
They think I'm away shopping to buy clothes but I've went | 0:08:53 | 0:08:56 | |
and I've invested in a good piano for him. | 0:08:56 | 0:08:58 | |
It's not paid for straight-out or nothing, you know. | 0:08:58 | 0:09:01 | |
It's on a bit of credit, like, but I think he deserves now, | 0:09:01 | 0:09:04 | |
all the work he's been doing this year. | 0:09:04 | 0:09:06 | |
He doesn't know that he's getting it | 0:09:06 | 0:09:08 | |
so I'm just going to surprise him, and I've been thinking about it | 0:09:08 | 0:09:11 | |
this past while. When Darrell comes back now, he's actually, | 0:09:11 | 0:09:16 | |
I think he could faint, even, for the shock of seeing this new piano. | 0:09:16 | 0:09:20 | |
I can't believe she has managed to keep this a secret. | 0:09:20 | 0:09:23 | |
I love a good surprise... | 0:09:23 | 0:09:25 | |
That's them. | 0:09:25 | 0:09:27 | |
Well, how did the beach go? | 0:09:29 | 0:09:31 | |
Was it good? Did you enjoy the beach? | 0:09:31 | 0:09:33 | |
Oh, my! | 0:09:33 | 0:09:36 | |
This can't be real. No, no, no, this isn't real. | 0:09:36 | 0:09:39 | |
How'd you get that? Ah, no, this is impossible! | 0:09:44 | 0:09:47 | |
It's in tune and all! | 0:09:51 | 0:09:53 | |
What will I play? | 0:09:56 | 0:09:57 | |
Even brother Tyrese is liking the sound of this. | 0:10:01 | 0:10:04 | |
So shocked. It is a dream come true. | 0:10:09 | 0:10:11 | |
like, I'm amazed that me mum's given me this. | 0:10:11 | 0:10:14 | |
Really happy, I really appreciate it, | 0:10:14 | 0:10:17 | |
and, like, best thing in the world to happen. | 0:10:17 | 0:10:19 | |
Like, new pianos means new tunes, basically, | 0:10:19 | 0:10:23 | |
cos it's completely new, different touch. | 0:10:23 | 0:10:26 | |
You know it's going to be different, it's going to be better. | 0:10:26 | 0:10:29 | |
Just time for one last goodbye to his old faithful. | 0:10:31 | 0:10:34 | |
I will miss it in a way, but in a way I won't miss it. | 0:10:36 | 0:10:40 | |
Goodbye. | 0:10:40 | 0:10:41 | |
But a new piano isn't the only surprise in store for Darrell. | 0:10:44 | 0:10:48 | |
Jenny is calling round with some exciting news. | 0:10:48 | 0:10:50 | |
Hi, Darrell. | 0:10:50 | 0:10:51 | |
I've heard that your mum has bought you a brand-new piano. | 0:10:51 | 0:10:54 | |
I hope this means that you're going to be helping out with | 0:10:54 | 0:10:57 | |
the housework. I know you've been really enjoying | 0:10:57 | 0:11:00 | |
working with Neil Cowley, and you know what? | 0:11:00 | 0:11:03 | |
Neil was really enjoying working with you and he's very impressed. | 0:11:03 | 0:11:07 | |
Neil and his band have a massive performance coming up | 0:11:07 | 0:11:10 | |
and guess what? He wants you to join him and play your own composition. | 0:11:10 | 0:11:14 | |
Are you serious? Oh, yes! | 0:11:14 | 0:11:17 | |
I'm so excited for you, Darrell, best of luck. | 0:11:17 | 0:11:20 | |
I can't believe this is happening to me. | 0:11:20 | 0:11:22 | |
Like, to get on stage with him for a proper performance! | 0:11:22 | 0:11:26 | |
I'm really shocked. That's a massive surprise. | 0:11:26 | 0:11:30 | |
It's amazing how something so simple like getting a new instrument | 0:11:30 | 0:11:33 | |
can really fire your creativity, | 0:11:33 | 0:11:35 | |
and with a brand spanking new piano under the stairs, I can't wait to | 0:11:35 | 0:11:40 | |
hear what Darrell is going to come up with for his big performance. | 0:11:40 | 0:11:43 | |
Connor has got one half of his dance track - the Lambeg recordings. | 0:11:46 | 0:11:51 | |
Now he needs to produce it into something that's going to get | 0:11:51 | 0:11:53 | |
a crowd up on its feet and moving. | 0:11:53 | 0:11:56 | |
I've organised for him to go to Leeds to get some help | 0:11:56 | 0:11:59 | |
from dance legends Utah Saints. | 0:11:59 | 0:12:01 | |
I thought it would have took me a good 10, 20 years to get this far, | 0:12:04 | 0:12:07 | |
because that's what happens with most DJs. | 0:12:07 | 0:12:09 | |
They start in their 30s or something like that. | 0:12:09 | 0:12:12 | |
I'm grateful that I'm here and can't wait to get started and get going. | 0:12:12 | 0:12:16 | |
Utah Saints have been there and done it all. | 0:12:20 | 0:12:22 | |
They've had massive chart success and are now recognised | 0:12:22 | 0:12:25 | |
among the best producers in the business. If Connor is serious | 0:12:25 | 0:12:28 | |
about producing his own music, | 0:12:28 | 0:12:30 | |
there are no better people to be working with. | 0:12:30 | 0:12:32 | |
Right, so this is the studio. | 0:12:37 | 0:12:40 | |
This is Dom, who's our engineer for the day. Hi, Dom. | 0:12:40 | 0:12:42 | |
Hi there. And so what have you got? Have you got your memory stick? | 0:12:42 | 0:12:45 | |
Can you give it to Dom, we'll get it up, have a listen | 0:12:45 | 0:12:48 | |
and see what we've got to work with. | 0:12:48 | 0:12:50 | |
The main bit we're interested in is how the Lambeg sounds, | 0:12:50 | 0:12:53 | |
so we'll give that a listen | 0:12:53 | 0:12:56 | |
and work out if we can make it sound absolutely enormous. | 0:12:56 | 0:13:01 | |
LAMBEG TRACK PLAYS | 0:13:01 | 0:13:04 | |
I think something like that's going to be the best starting point. | 0:13:07 | 0:13:11 | |
It's really well played. You do a fantastic job there. | 0:13:11 | 0:13:14 | |
We need to get the huge drum coming across in the track | 0:13:14 | 0:13:17 | |
so I think we can do that with this sound. Sounds good. | 0:13:17 | 0:13:20 | |
They start laying down some new musical layers on top of the Lambeg beat. | 0:13:22 | 0:13:26 | |
The track is starting to take shape. | 0:13:26 | 0:13:28 | |
One of the key things about dance music is obviously | 0:13:28 | 0:13:32 | |
the dynamics and that, so probably the first thing to do now | 0:13:32 | 0:13:37 | |
is a little breakdown and introduce some kind of melodic riff to it. | 0:13:37 | 0:13:41 | |
DANCE TRACK PLAYS | 0:13:41 | 0:13:47 | |
That all sounds... pieced together nicely | 0:13:51 | 0:13:54 | |
and it's coming along greatly, so, not to sound rude or anything, | 0:13:54 | 0:13:57 | |
but is there any way to just take a look at the bassline | 0:13:57 | 0:14:01 | |
and see what's going on there? | 0:14:01 | 0:14:02 | |
OK. Yeah, let's do that. | 0:14:02 | 0:14:04 | |
BASS TRACK PLAYS | 0:14:06 | 0:14:08 | |
So this is quite a deep bassline. Yeah. | 0:14:08 | 0:14:11 | |
So what would your thoughts be on this, | 0:14:11 | 0:14:13 | |
if you were to add or take away? | 0:14:13 | 0:14:14 | |
Maybe between the wee gaps there, maybe a dubstep sound | 0:14:14 | 0:14:18 | |
sort of comes to mind, or something like that could work. | 0:14:18 | 0:14:21 | |
That's a good idea. Let's try something kind of dubsteppy. | 0:14:21 | 0:14:25 | |
Just give it a little bit of flavour. | 0:14:25 | 0:14:28 | |
BASS LINE WITH DUBSTEP WOBBLE | 0:14:28 | 0:14:31 | |
That sort of sound? That sounds better. You like that? | 0:14:31 | 0:14:35 | |
It's so exciting that the Utah Saints think Connor's ideas are good | 0:14:37 | 0:14:41 | |
but they have even more exciting news in store for him. | 0:14:41 | 0:14:44 | |
In a few weeks' time, we're actually out in Derry. Are you? | 0:14:44 | 0:14:47 | |
In your neck of the woods, and what we're going to be doing is a gig | 0:14:47 | 0:14:51 | |
and we'd like to know if you'd be up for this, | 0:14:51 | 0:14:54 | |
if you would care to support us. | 0:14:54 | 0:14:56 | |
And then maybe you could drop the track | 0:14:56 | 0:14:58 | |
and, you know, it would be... Aye, if yous will have me, like. | 0:14:58 | 0:15:01 | |
No, we'd love you, it would be awesome to do. | 0:15:01 | 0:15:04 | |
Thanks for that anyway, like. | 0:15:04 | 0:15:06 | |
Congratulations. Thanks for working so hard today. It's brilliant. | 0:15:06 | 0:15:09 | |
Nice one, Connor. Aye, no bother. | 0:15:09 | 0:15:11 | |
Playing with your dance heroes is one thing, | 0:15:13 | 0:15:15 | |
but playing your own tune that they've helped to produce | 0:15:15 | 0:15:18 | |
is something else. | 0:15:18 | 0:15:20 | |
With only a couple of weeks to go before he supports | 0:15:28 | 0:15:31 | |
Neil Cowley on tour, Darrell is busy | 0:15:31 | 0:15:33 | |
putting the finishing touches to his composition. | 0:15:33 | 0:15:36 | |
I want to really impress Neil, | 0:15:36 | 0:15:38 | |
show him that I'm really putting in the hard work for this big gig. | 0:15:38 | 0:15:42 | |
Composing a piece on your own can be a bit hard, | 0:15:44 | 0:15:47 | |
even with other people, a bit hard, but it's well worth it. | 0:15:47 | 0:15:51 | |
It's really enjoyable. | 0:15:51 | 0:15:53 | |
I've more or less done it now, actually, | 0:15:53 | 0:15:56 | |
so I'm going to go down to the piano and try it out. | 0:15:56 | 0:15:58 | |
I think getting a new piano has really helped | 0:16:09 | 0:16:11 | |
improve Darrell's skills, and in just a couple of weeks' time, | 0:16:11 | 0:16:14 | |
he'll be playing his own tune in front of a crowd for the very first time. | 0:16:14 | 0:16:18 | |
I'm really excited about doing it. | 0:16:21 | 0:16:23 | |
Not even nervous - I'm just really excited. | 0:16:23 | 0:16:26 | |
I can't wait to be sitting at that piano and just playing away | 0:16:26 | 0:16:30 | |
in front of a big massive audience, like. It's so exciting. | 0:16:30 | 0:16:33 | |
Along with their own musical journeys, | 0:16:42 | 0:16:44 | |
our Music City kids are also playing together | 0:16:44 | 0:16:46 | |
as a City of Culture supergroup. | 0:16:46 | 0:16:48 | |
And they're in the studio as well to record their unique cover version | 0:16:50 | 0:16:55 | |
of Snow Patrol's hit song Chasing Cars... | 0:16:55 | 0:16:57 | |
Ready when you are! | 0:16:57 | 0:17:00 | |
..before making a music video to go with it. | 0:17:00 | 0:17:04 | |
But if you aren't used to being in the studio, it can be tough. | 0:17:04 | 0:17:08 | |
I'm trying. I'm really trying. | 0:17:08 | 0:17:09 | |
Recording in the bag, it's time for the group to have some fun | 0:17:14 | 0:17:17 | |
filming their very own music video. | 0:17:17 | 0:17:20 | |
We are on our way to Belfast to record the music video | 0:17:20 | 0:17:24 | |
in front of the green screen and I think we're really excited, | 0:17:24 | 0:17:27 | |
aren't we, Brianna? Yep, I'm really excited. | 0:17:27 | 0:17:29 | |
Really looking forward to it. | 0:17:29 | 0:17:31 | |
Well, I'm fine with everything else as long as we don't have to dance. | 0:17:31 | 0:17:34 | |
Can you see me? | 0:17:41 | 0:17:43 | |
Everyone will mime their parts in front of the cameras | 0:17:44 | 0:17:47 | |
and then computer trickery enables any kind of background | 0:17:47 | 0:17:49 | |
to be dropped in behind the kids. | 0:17:49 | 0:17:51 | |
It's important to look your best, and even the boys need make-up. | 0:17:53 | 0:17:56 | |
You need to get your make-up on so you don't shine. | 0:17:59 | 0:18:02 | |
The cameras in the studio are really strong so as soon as they shine on | 0:18:02 | 0:18:05 | |
your face, any oil at all is going to be sparkling like a glitter ball. | 0:18:05 | 0:18:10 | |
That looks lovely. | 0:18:10 | 0:18:11 | |
Make-up done, it's time to get on with making a video! | 0:18:13 | 0:18:16 | |
I can't wait to see the finished product. | 0:18:20 | 0:18:23 | |
Connor is scheduled to debut his Lambeg dance track | 0:18:28 | 0:18:31 | |
with the Utah Saints at City of Cultures Culture Tech festival. | 0:18:31 | 0:18:35 | |
But before he can think about that, it's GCSE results day, | 0:18:38 | 0:18:41 | |
and time to see if his Lambeg skills are up to the mark. | 0:18:41 | 0:18:45 | |
Auntie Laura and Gran have come along too. | 0:18:45 | 0:18:48 | |
Passed everything, like. | 0:18:48 | 0:18:50 | |
Wa-hey, very good. | 0:18:50 | 0:18:52 | |
Very good. Congratulations. | 0:18:52 | 0:18:55 | |
Passed music. | 0:18:55 | 0:18:56 | |
Passed music as well, pretty good. I'm all pleased for you. | 0:18:56 | 0:18:59 | |
His Lambeg playing has passed the test - | 0:18:59 | 0:19:01 | |
can his dance tracks do the same? | 0:19:01 | 0:19:03 | |
Tonight it's Connor's big night and he is due to support | 0:19:09 | 0:19:12 | |
the Utah Saints with a half an hour DJ set. | 0:19:12 | 0:19:14 | |
I'm kind of nervous at the minute but I think I'll get through it | 0:19:16 | 0:19:18 | |
and I have all my family and friends there to support me. | 0:19:18 | 0:19:21 | |
Woo, party! | 0:19:21 | 0:19:23 | |
The big crowd-pleasing tunes keep coming from Utah Saints, | 0:19:23 | 0:19:27 | |
but how will Connor's Lambeg track stack up | 0:19:27 | 0:19:30 | |
when it gets its debut play? | 0:19:30 | 0:19:32 | |
I don't know, I'm kind of nervous. | 0:19:32 | 0:19:34 | |
No-one's ever heard it bar me and my family, like. | 0:19:34 | 0:19:36 | |
I hope it's a good reaction. | 0:19:36 | 0:19:38 | |
But right now I think you should make some noise for Utah Saints. | 0:19:38 | 0:19:42 | |
CHEERING | 0:19:42 | 0:19:43 | |
Thank you. | 0:19:43 | 0:19:45 | |
A few weeks ago, Connor sent us a unique noise | 0:19:45 | 0:19:48 | |
that we in Leeds hadn't heard before, of a big Lambeg drum. | 0:19:48 | 0:19:52 | |
CHEERING | 0:19:52 | 0:19:54 | |
And the Utah Saints, we love big noises, | 0:19:54 | 0:19:57 | |
and this is the first time ever it's been played out in a club. | 0:19:57 | 0:20:01 | |
It's Connor's track and it really, really rocks! | 0:20:01 | 0:20:05 | |
CHANTING: Connor, Connor! | 0:20:05 | 0:20:08 | |
CONNOR'S TRACK PLAYS | 0:20:08 | 0:20:11 | |
Connor did really, really well. He rose to the occasion | 0:20:21 | 0:20:24 | |
and just made the party happen, so full credit to him. | 0:20:24 | 0:20:27 | |
If someone would have come up to me nine months ago, | 0:20:29 | 0:20:32 | |
I wouldn't even have thought I'd even get near Utah Saints, | 0:20:32 | 0:20:34 | |
never mind make a track with them and perform it tonight, like. | 0:20:34 | 0:20:37 | |
It was just insane. | 0:20:37 | 0:20:38 | |
It's been class and I've loved every minute of it. | 0:20:38 | 0:20:41 | |
Best time I've had since I used to rave ten years ago. | 0:20:51 | 0:20:54 | |
Brilliant, really buzzing. I thought it was amazing. | 0:20:54 | 0:20:56 | |
I felt like crying, I was that proud. | 0:20:56 | 0:20:58 | |
You could tell it was a big success because all the tracks | 0:21:06 | 0:21:08 | |
we played either side of it were big, big records that are out | 0:21:08 | 0:21:12 | |
at the moment, and right in the middle of that, | 0:21:12 | 0:21:14 | |
Connor plays his track, and you know, and it totally went off. | 0:21:14 | 0:21:17 | |
TRACK ENDS | 0:21:36 | 0:21:38 | |
CHEERING | 0:21:38 | 0:21:40 | |
The track went down well and it was a good audience, | 0:21:49 | 0:21:51 | |
everyone was loving it. | 0:21:51 | 0:21:54 | |
Hopefully, Connor will now use this experience | 0:21:54 | 0:21:56 | |
and take it to the next level. If he ever needs to ask some advice | 0:21:56 | 0:21:59 | |
about record companies or whatever, then, you know, we're there. | 0:21:59 | 0:22:02 | |
And for Darrell, his big moment has arrived as well. | 0:22:08 | 0:22:11 | |
He's made it to Lancaster Jazz Festival | 0:22:11 | 0:22:14 | |
for his performance supporting Neil Cowley. | 0:22:14 | 0:22:16 | |
There it is. It's becoming real now, isn't it? It really is. | 0:22:16 | 0:22:21 | |
And it's time for his soundcheck | 0:22:22 | 0:22:24 | |
to make sure everything is ready for tonight's gig. | 0:22:24 | 0:22:27 | |
How you doing, Darrell? How you doing? | 0:22:33 | 0:22:36 | |
Hi, girls? How you doing, all right? Nice to see you. You too. | 0:22:36 | 0:22:39 | |
Tonight will be the first time a crowd will ever have heard | 0:22:45 | 0:22:48 | |
one of Darrell's own compositions, and it seems Neil is impressed. | 0:22:48 | 0:22:52 | |
Wow! | 0:22:59 | 0:23:00 | |
Darrell, I... you know what, your timing's really nice | 0:23:00 | 0:23:04 | |
and you're fluid and just... You know, you exude something. | 0:23:04 | 0:23:08 | |
It's really amazing, I'm really blown away, I really am. | 0:23:08 | 0:23:11 | |
That's great. | 0:23:11 | 0:23:12 | |
With the venue filling up for tonight's sold-out concert, | 0:23:16 | 0:23:19 | |
Darrell is raring to go. | 0:23:19 | 0:23:22 | |
I'm going to kill this audience. | 0:23:22 | 0:23:24 | |
They're going to go off their seats and I am going to kill the audience. | 0:23:24 | 0:23:29 | |
But one look at the crowd, and it's a different story. | 0:23:32 | 0:23:35 | |
Five minutes to the gig. I'm feeling nervous. Really nervous. | 0:23:35 | 0:23:39 | |
Me stomach's feeling sore and I... | 0:23:39 | 0:23:43 | |
I feel sick, I feel really like I'm going to make mistakes but... | 0:23:43 | 0:23:47 | |
Hello, mate, you all right? Nervous. | 0:23:47 | 0:23:50 | |
You nervous? Yeah. | 0:23:50 | 0:23:52 | |
Come on, give us a hug. | 0:23:52 | 0:23:54 | |
You're going to be fine. | 0:23:54 | 0:23:55 | |
Has it got to you, finally? Yeah. It was going to. | 0:23:55 | 0:23:58 | |
20 minutes before now I was all right. Now, five minutes before... | 0:23:58 | 0:24:01 | |
But this is... this is normal, natural, this is the way it should be. | 0:24:01 | 0:24:04 | |
This is? Yeah, you need a bit of nerves, | 0:24:04 | 0:24:06 | |
cos if you go out there all bolshie and confident | 0:24:06 | 0:24:08 | |
it won't be quite the same performance. You need a little bit of nerves. | 0:24:08 | 0:24:12 | |
Good. Going to nail it. All right. Five minutes... Miss Piggy! | 0:24:12 | 0:24:15 | |
(AS SCOOTER) Five minutes, Miss Piggy. | 0:24:15 | 0:24:18 | |
I was worried there for a second. | 0:24:18 | 0:24:20 | |
Working with Neil has really paid off for Darrell. | 0:24:39 | 0:24:42 | |
This is world-class and he looks right at home on the big stage. | 0:24:42 | 0:24:45 | |
CHEERING | 0:26:01 | 0:26:04 | |
How do you feel? Great! Do you feel good? Thanks! | 0:26:20 | 0:26:24 | |
Sounded fantastic. Thank you. That's class! | 0:26:24 | 0:26:26 | |
That was class! Happy flippin' days! | 0:26:26 | 0:26:29 | |
It's a big memory he's got now, it's a big tag in his brain saying, | 0:26:30 | 0:26:34 | |
"I did that, I achieved that, I could do that again." | 0:26:34 | 0:26:37 | |
I bet he's addicted. Best time of my life. | 0:26:37 | 0:26:40 | |
It's the end of our Music City journey. | 0:26:42 | 0:26:44 | |
It's been good getting involved with other musicians | 0:26:46 | 0:26:49 | |
and especially with the group. It was good meeting new friends. | 0:26:49 | 0:26:52 | |
You know, working with everybody, meeting new people, | 0:26:55 | 0:26:59 | |
I never thought I would get this opportunity. | 0:26:59 | 0:27:02 | |
I've really just enjoyed every moment of it. | 0:27:02 | 0:27:04 | |
It just shows you, right, I play... it's literally a bit of wood. | 0:27:10 | 0:27:14 | |
And it shows you how far it brought me. | 0:27:14 | 0:27:16 | |
# On our own... # | 0:27:17 | 0:27:21 | |
We're all part of each other's experience and we can look back | 0:27:21 | 0:27:24 | |
and laugh and have memories and I'm sure we'll keep in contact. | 0:27:24 | 0:27:27 | |
# Let's waste time | 0:27:28 | 0:27:32 | |
# Chasing cars | 0:27:32 | 0:27:35 | |
# Around our head. # | 0:27:35 | 0:27:39 | |
# I need your grace... # | 0:27:42 | 0:27:44 | |
Well, I never thought I would have achieved | 0:27:44 | 0:27:47 | |
what I've achieved from the show. | 0:27:47 | 0:27:49 | |
# To find my own... # | 0:27:49 | 0:27:52 | |
It's changed me as a person. | 0:27:52 | 0:27:54 | |
# If I lay here | 0:27:54 | 0:27:58 | |
# If I just lay here | 0:27:58 | 0:28:01 | |
# Would you lie with me and just forget the world? # | 0:28:01 | 0:28:08 | |
Is this the end now? Was that it? Oh! | 0:28:10 | 0:28:13 | |
Oh, it was so short, it felt so short! | 0:28:13 | 0:28:16 | |
# Would you lie with me and just forget the world? # | 0:28:16 | 0:28:21 | |
Can I do it again? I don't want to be free, I want to do it again. | 0:28:23 | 0:28:26 | |
I never knew it would be that good. | 0:28:26 | 0:28:28 | |
Ah, I'd do it again. I want to do it again. | 0:28:28 | 0:28:30 | |
Can I do that again? | 0:28:30 | 0:28:32 | |
# If I lay here | 0:28:35 | 0:28:40 | |
# If I just lay here | 0:28:40 | 0:28:45 | |
# Would you lie with me and just forget the world? # | 0:28:45 | 0:28:53 |