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Season's greetings to you all. | 0:00:07 | 0:00:09 | |
I'm travelling as the Victorians would have done | 0:00:09 | 0:00:12 | |
on the London to Dover express driven by John here - expertly. | 0:00:12 | 0:00:15 | |
And we're stepping back in time to celebrate a writer | 0:00:15 | 0:00:18 | |
who many believe invented our traditional Christmas. | 0:00:18 | 0:00:21 | |
His story of Scrooge has become a family favourite | 0:00:21 | 0:00:24 | |
since it was written back in 1843. | 0:00:24 | 0:00:26 | |
And we're gearing ourselves up to the 200th anniversary of his birth. | 0:00:26 | 0:00:30 | |
Who am I talking about? It is, of course, Charles Dickens. | 0:00:30 | 0:00:34 | |
On this week's Songs Of Praise... | 0:00:34 | 0:00:37 | |
We're Christmas Carolling, Dickinson style. | 0:00:37 | 0:00:40 | |
We'll be hearing from his great-great-grandson. | 0:00:40 | 0:00:44 | |
And finding out more about the writer's faith | 0:00:44 | 0:00:46 | |
and passion for social justice. | 0:00:46 | 0:00:49 | |
One of the most important messages of all Dickens' work | 0:01:04 | 0:01:07 | |
is his frustration with social injustice. | 0:01:07 | 0:01:10 | |
His Christianity was of a very practical kind. | 0:01:10 | 0:01:13 | |
He was a great performer - a celebrity, a star on the road. | 0:01:14 | 0:01:20 | |
Dickens' legacy is the love of humanity, | 0:01:20 | 0:01:24 | |
which is the keynote of all his works. | 0:01:24 | 0:01:27 | |
We've come to Kent to the area around Rochester. | 0:01:30 | 0:01:33 | |
It's a place Dickens knew and loved. | 0:01:33 | 0:01:35 | |
The happiest years of his childhood | 0:01:35 | 0:01:37 | |
was spent just down the road in Chatham. | 0:01:37 | 0:01:39 | |
Many of the buildings here in Rochester were mentioned in his novels. | 0:01:39 | 0:01:43 | |
He referred to this area as the birthplace of his fancy and imagination. | 0:01:44 | 0:01:49 | |
As a boy, he and his father would go walking. | 0:01:49 | 0:01:52 | |
And it was on one of these occasions that they came across Gad's Hill Place. | 0:01:52 | 0:01:56 | |
His father told him, if he worked hard enough, | 0:01:56 | 0:01:59 | |
he might one day afford the house. | 0:01:59 | 0:02:02 | |
Dickens never forgot this. Years later, he did buy it. | 0:02:02 | 0:02:06 | |
He spent the last ten years of his life there. | 0:02:06 | 0:02:09 | |
I'm not sure if Dickens ever visited the church we're off to, | 0:02:12 | 0:02:15 | |
but he certainly would have known it. | 0:02:15 | 0:02:17 | |
We're heading to St George's Church in Gravesend. Do you stop there? | 0:02:17 | 0:02:20 | |
Yes, come on-board. | 0:02:20 | 0:02:21 | |
Thanking you. | 0:02:25 | 0:02:26 | |
BELLS RING | 0:02:42 | 0:02:44 | |
Members of the congregation are gathered, dressed as they would've been in Dickens' day. | 0:02:45 | 0:02:50 | |
Everyone has made a huge effort, | 0:02:50 | 0:02:52 | |
bringing our Dickensian Christmas to life. | 0:02:52 | 0:02:55 | |
And we begin with a joyous Advent hymn | 0:02:55 | 0:02:58 | |
I'm sure the man himself would recognise - Hark, The Glad Sound! | 0:02:58 | 0:03:01 | |
On public view here at Eastgate House in Rochester | 0:04:43 | 0:04:46 | |
is Dickens' Swiss chalet. It was originally in his garden at Gad's Hill Place. | 0:04:46 | 0:04:50 | |
It was given to him as a Christmas present, | 0:04:50 | 0:04:52 | |
and it actually arrived as a flat-pack. | 0:04:52 | 0:04:55 | |
Imagine that! Most days, he'd be up there writing away. | 0:04:55 | 0:04:59 | |
I think it's fair to say that it was his best Christmas present ever. | 0:04:59 | 0:05:02 | |
I think one of the reasons that Dickens wrote about Christmas a lot | 0:05:14 | 0:05:18 | |
was that it was a time of year that he really loved. | 0:05:18 | 0:05:21 | |
His parents had been very fun-loving people | 0:05:21 | 0:05:24 | |
and Christmas in their household was presumably very happy - | 0:05:24 | 0:05:27 | |
they were very sociable, they loved parties. | 0:05:27 | 0:05:30 | |
When Dickens got married to his wife, Catherine Hogarth, | 0:05:30 | 0:05:33 | |
from the beginning, Christmas was a real celebration in their family. | 0:05:33 | 0:05:36 | |
There was an increasing interest during the 19th century | 0:05:40 | 0:05:43 | |
in Christmas traditions. | 0:05:43 | 0:05:45 | |
Lots of candles and jollity and celebration. | 0:05:45 | 0:05:50 | |
But what Dickens did through A Christmas Carol in particular | 0:05:50 | 0:05:54 | |
was to bring the idea of Christian charity as an enormous part | 0:05:54 | 0:05:57 | |
of what should be happening at Christmas. | 0:05:57 | 0:06:00 | |
A Christmas Carol was written in 1843, | 0:06:03 | 0:06:06 | |
the first edition sold out within days. | 0:06:06 | 0:06:09 | |
In A Christmas Carol, | 0:06:11 | 0:06:13 | |
the Cratchit family is the ideal Christmas family scene. | 0:06:13 | 0:06:18 | |
The Cratchits themselves are, as Dickens see it, the perfect family. | 0:06:18 | 0:06:21 | |
They don't have much money but they have a lot of love | 0:06:21 | 0:06:23 | |
and they're very considerate to each other. | 0:06:23 | 0:06:26 | |
People often read A Christmas Carol and see Scrooge saying to Bob Cratchit, | 0:06:26 | 0:06:31 | |
"You'll want the whole day off tomorrow, I suppose?" | 0:06:31 | 0:06:35 | |
Bob Cratchit says, "Oh, if it's quite convenient." It's NOT convenient. | 0:06:35 | 0:06:39 | |
One of the messages he was getting over with the novel was that | 0:06:39 | 0:06:43 | |
employers really had to think about this. | 0:06:43 | 0:06:45 | |
It should be automatic that people had Christmas Day off - it was | 0:06:45 | 0:06:49 | |
a day of prayer, of celebration - a day to be with family. | 0:06:49 | 0:06:53 | |
-Hello, everyone! -Hello! -Mrs Cratchit. | 0:06:53 | 0:06:56 | |
A lot of people made quite a secular Bible of A Christmas Carol | 0:07:00 | 0:07:05 | |
and kept it on a little shelf and read it every Christmas, | 0:07:05 | 0:07:08 | |
because of its strong teachings of humanity | 0:07:08 | 0:07:13 | |
and celebrating Christmas in the true sense. | 0:07:13 | 0:07:15 | |
In many of his books, Dickens creates an image of Christmas, | 0:07:17 | 0:07:20 | |
which remains familiar to us today. | 0:07:20 | 0:07:22 | |
Perhaps what he did was to introduce almost a cult of celebrating Christmas. | 0:07:24 | 0:07:28 | |
His first real treatment of Christmas came in Sketches By Boz. | 0:07:28 | 0:07:34 | |
There's a wonderful essay called A Christmas Dinner. | 0:07:34 | 0:07:37 | |
That just about describes everything | 0:07:37 | 0:07:39 | |
and this is really the prototype of the happy Christmases | 0:07:39 | 0:07:43 | |
that we then see at Dingley Dell | 0:07:43 | 0:07:45 | |
in The Pickwick Papers and with the Cratchits. | 0:07:45 | 0:07:48 | |
The ideas of carol singers, the idea of family meals - | 0:07:48 | 0:07:52 | |
all these things that Dickens wrote about. | 0:07:52 | 0:07:54 | |
Decorating your homes with holly and ivy. | 0:07:54 | 0:07:58 | |
Merry Christmas! | 0:07:58 | 0:07:59 | |
One of the most important things that Dickens says | 0:07:59 | 0:08:01 | |
in his description of the Cratchit family Christmas | 0:08:01 | 0:08:05 | |
is that they were pleased with one another and contented with the time. | 0:08:05 | 0:08:11 | |
Merry Christmas, my dears! God bless us. | 0:08:11 | 0:08:14 | |
I think Dickens was a very simple and a very sincere Christian. | 0:11:31 | 0:11:36 | |
He had a great faith in the teachings of the New Testament. | 0:11:36 | 0:11:40 | |
It was much to do with love, it was much to do with service | 0:11:40 | 0:11:43 | |
it was much to do with good works. | 0:11:43 | 0:11:45 | |
He had very, very severe criticism | 0:11:45 | 0:11:48 | |
and often very satirical treatment to make of people | 0:11:48 | 0:11:53 | |
who held to extremely narrow religious positions. | 0:11:53 | 0:11:57 | |
You think of Mrs Clenham in Bleak House with her very vengeful Christianity - | 0:11:59 | 0:12:04 | |
you've got the complete contrast there. | 0:12:04 | 0:12:07 | |
The kind of people Dickens wanted to get at was those who went to church on Sunday, | 0:12:08 | 0:12:14 | |
but walked past starving children on the streets on their way home and didn't pay any attention to them. | 0:12:14 | 0:12:19 | |
He did feel that a lot of organised religion had lost its way - | 0:12:19 | 0:12:23 | |
it wasn't teaching the Bible, it wasn't teaching what | 0:12:23 | 0:12:26 | |
he felt was the Christian message, which was to treat others | 0:12:26 | 0:12:29 | |
as you'd have them treat you, or to help the poor and the meek. | 0:12:29 | 0:12:33 | |
In 1846, when he started to consider it important to give | 0:12:38 | 0:12:44 | |
some kind of clear statement of religious teaching for his children, | 0:12:44 | 0:12:48 | |
he wrote a work which later became known as The Life Of Our Lord. | 0:12:48 | 0:12:53 | |
It's a very, very sweet book. It's really lovely, actually. | 0:12:53 | 0:12:56 | |
He's got little asides to his children, saying things like, | 0:12:56 | 0:12:59 | |
"I think you've seen a camel, but if you haven't, let me know | 0:12:59 | 0:13:01 | |
"and I'll take you to see one - we have them at the zoo." | 0:13:01 | 0:13:04 | |
He explains what a locust is and writes about the plague of locusts | 0:13:04 | 0:13:07 | |
and talks about the Bible in general. | 0:13:07 | 0:13:09 | |
It does re-state the teachings of Christ, | 0:13:09 | 0:13:13 | |
it does re-state the story of the Gospels. | 0:13:13 | 0:13:17 | |
The Good News message of the Gospel. | 0:13:17 | 0:13:19 | |
These were things which were central to him | 0:13:19 | 0:13:22 | |
and important for him to pass on to his children. | 0:13:22 | 0:13:25 | |
Everybody ought to know about it... | 0:13:25 | 0:13:26 | |
It wasn't published until 1934. The reason being that Dickens didn't want anyone else to see it - | 0:13:26 | 0:13:32 | |
this was just a private thing for him and his family. | 0:13:32 | 0:13:36 | |
It wasn't published until the last of Dickens's children had died. | 0:13:36 | 0:13:39 | |
"You can never think what a good place Heaven is without knowing..." | 0:13:39 | 0:13:44 | |
It gives an insight into Dickens's own religious beliefs, | 0:13:44 | 0:13:47 | |
which was that kindness is the most important thing. | 0:13:47 | 0:13:50 | |
He says to his children, when you are grown up, be kind to people. | 0:13:50 | 0:13:54 | |
It's a really nice way on looking at the Bible without making it | 0:13:54 | 0:13:57 | |
really full of hellfire and brimstone - but looking at the good messages in there. | 0:13:57 | 0:14:01 | |
Towards the end of his career, | 0:15:46 | 0:15:47 | |
Dickens made almost 500 public readings of his work. | 0:15:47 | 0:15:51 | |
He toured the length and breadth of Britain as well as America. | 0:15:51 | 0:15:55 | |
Wherever he went, audiences flocked to see him. | 0:15:55 | 0:15:58 | |
The performances were incredibly theatrical and dramatic | 0:16:00 | 0:16:03 | |
and absolutely engaged his audiences in the passion | 0:16:03 | 0:16:07 | |
and excitement of the stories, which of course they all knew | 0:16:07 | 0:16:10 | |
so well from the original novels. | 0:16:10 | 0:16:12 | |
Dickens had loved the theatre from childhood. | 0:16:12 | 0:16:15 | |
He adored the sense of... Well, play acting. | 0:16:15 | 0:16:19 | |
As a young man, he really almost became an actor. He had an audition | 0:16:19 | 0:16:23 | |
booked at the Covent Garden theatre... He missed it - | 0:16:23 | 0:16:26 | |
he was suffering from flu on the day, but it was generally reckoned that if | 0:16:26 | 0:16:30 | |
he had had that audition, that would have been his career, as an actor. | 0:16:30 | 0:16:34 | |
So really the readings enabled him to come back to that first love of his. | 0:16:34 | 0:16:39 | |
Gerald is now following in his great-great grandfather's footsteps. | 0:16:39 | 0:16:43 | |
"Don't be cross, Uncle," said the nephew. | 0:16:44 | 0:16:47 | |
"What else can I be?", returned the uncle. | 0:16:47 | 0:16:50 | |
'Someone came to me with the idea of recreating a reading of A Christmas Carol.' | 0:16:50 | 0:16:54 | |
I started working through the script | 0:16:54 | 0:16:56 | |
and putting all my own characters and voices and expressions into it. | 0:16:56 | 0:16:59 | |
I was rather proud - I thought I'd done this rather well. | 0:16:59 | 0:17:02 | |
After I'd done it, I went and did a little research into Dickens | 0:17:02 | 0:17:05 | |
and found that I was just recreating exactly what he had done | 0:17:05 | 0:17:09 | |
with all the voices and expressions and everything! | 0:17:09 | 0:17:11 | |
"As the good, old city knew..." | 0:17:11 | 0:17:14 | |
'He has created each and every one of his characters so precisely | 0:17:14 | 0:17:18 | |
'and he would perform them first in a mirror to himself. | 0:17:18 | 0:17:22 | |
'And he would watch and listen to the character as it came back to him | 0:17:22 | 0:17:26 | |
'and then he would go and write it down.' | 0:17:26 | 0:17:28 | |
Part of his success absolutely is that ability to include his readers | 0:17:32 | 0:17:36 | |
in the scene. Suddenly he describes a scene and you are there. | 0:17:36 | 0:17:41 | |
If it's a winter scene, you're shivering - if it's a summer scene, you're hot. And it... | 0:17:41 | 0:17:46 | |
Even today, an image of Dickens's Christmas is a wonderful snowscape with carol singers | 0:17:46 | 0:17:52 | |
and stagecoaches and you're there, right in the middle of the snow. | 0:17:52 | 0:17:57 | |
# God rest you merry gentlemen | 0:17:57 | 0:17:59 | |
# Let nothing you dismay | 0:17:59 | 0:18:02 | |
# For Jesus Christ our saviour was born upon this day | 0:18:02 | 0:18:09 | |
# To save us all from Satan's power when we were gone astray | 0:18:09 | 0:18:16 | |
# Oh, tidings of comfort and joy | 0:18:16 | 0:18:21 | |
# Comfort and joy | 0:18:21 | 0:18:22 | |
# Oh, tidings of comfort and joy | 0:18:22 | 0:18:28 | |
# From God, our Heavenly Father a blessed angel came | 0:18:30 | 0:18:37 | |
# And unto certain shepherds brought tidings of the same | 0:18:37 | 0:18:43 | |
# How that in Bethlehem was born the Son of God by name | 0:18:43 | 0:18:50 | |
# Oh, tidings of comfort and joy | 0:18:50 | 0:18:54 | |
# Comfort and joy | 0:18:54 | 0:18:56 | |
# Oh, tidings of comfort and joy | 0:18:56 | 0:19:02 | |
# But when to Bethlehem they came where our dear saviour lay | 0:19:04 | 0:19:11 | |
# They found Him in a manger Where oxen feed on hay | 0:19:11 | 0:19:17 | |
# His mother Mary kneeling unto the Lord did pray | 0:19:17 | 0:19:24 | |
# Oh, tidings of comfort and joy | 0:19:24 | 0:19:29 | |
# Comfort and joy | 0:19:29 | 0:19:31 | |
# Oh, tidings of comfort and joy | 0:19:31 | 0:19:37 | |
# Now to the Lord sing praises All you within this place | 0:19:38 | 0:19:45 | |
# And with true love and brotherhood Each other now embrace | 0:19:45 | 0:19:52 | |
# This holy tide of Christmas All others doth deface | 0:19:52 | 0:19:58 | |
# Oh, tidings of comfort and joy | 0:19:58 | 0:20:04 | |
# Comfort and joy | 0:20:04 | 0:20:06 | |
# Oh, tidings of comfort and joy. # | 0:20:06 | 0:20:14 | |
All of Dickens's novels engage with important social issues. | 0:20:20 | 0:20:24 | |
Dickens had a good deal of exposure to social inequality as a child. | 0:20:27 | 0:20:33 | |
When he moved to London in the 1820s, | 0:20:33 | 0:20:37 | |
very soon after their arrival, | 0:20:37 | 0:20:41 | |
his family found themselves descending into | 0:20:41 | 0:20:44 | |
an ever-worsening spiral of debt, and difficulty - the consequence | 0:20:44 | 0:20:48 | |
of which was that his father was sent to the Marshalsea Prison. | 0:20:48 | 0:20:52 | |
He was living in London on his own for several months - | 0:20:53 | 0:20:56 | |
walking along the streets of London late at night on his way back | 0:20:56 | 0:21:00 | |
from seeing his family at the prison. | 0:21:00 | 0:21:01 | |
He would pass terrible scenes. London was a really frightening place - | 0:21:01 | 0:21:06 | |
there was a lot of social deprivation, a lot of poverty and a lot of crime. | 0:21:06 | 0:21:10 | |
In order to supplement the family's difficulties with finance, | 0:21:12 | 0:21:17 | |
he was found a job working at Warren's Blacking | 0:21:17 | 0:21:19 | |
at Hungerford Stairs near the River Thames, | 0:21:19 | 0:21:22 | |
pasting labels on pots of shoe blacking. | 0:21:22 | 0:21:25 | |
For a little boy who had dreamt of being a learned | 0:21:25 | 0:21:28 | |
and distinguished man, it was the death of all his hopes | 0:21:28 | 0:21:32 | |
to become a little labouring hind with all these common men and boys. | 0:21:32 | 0:21:37 | |
He had a very unhappy time. | 0:21:37 | 0:21:39 | |
And I think this never quite left him. | 0:21:39 | 0:21:43 | |
This was what really came into his fiction, his journalism. | 0:21:43 | 0:21:47 | |
The fact that he wanted to do something | 0:21:47 | 0:21:50 | |
about these people living in terrible circumstances. | 0:21:50 | 0:21:53 | |
Dickens's principal social concern was with the way in which | 0:21:53 | 0:21:57 | |
society treats its children, because the children are the future. | 0:21:57 | 0:22:02 | |
He said, "I'm going to write a book that will deliver | 0:22:03 | 0:22:07 | |
"a hammer-blow in favour of the poor man's child". | 0:22:07 | 0:22:10 | |
What Dickens does a great deal with A Christmas Carol | 0:22:12 | 0:22:15 | |
is to talk about how his readers should behave, | 0:22:15 | 0:22:18 | |
and two of the most important characters are not only Scrooge | 0:22:18 | 0:22:22 | |
and the ghosts who visit him, but two children named Ignorance and Want. | 0:22:22 | 0:22:26 | |
The Spirit Of Christmas Present says to Scrooge to beware them both, | 0:22:26 | 0:22:31 | |
they're both frightening figures. | 0:22:31 | 0:22:34 | |
But most of all, beware this boy - the boy is Ignorance - | 0:22:34 | 0:22:38 | |
because if nothing is done to improve the prospects | 0:22:38 | 0:22:43 | |
of the child, if nothing is done to educate the next generation, | 0:22:43 | 0:22:49 | |
then the prospects facing all of us are alarming indeed. | 0:22:49 | 0:22:54 | |
But his main message was to get across to people that Christmas | 0:22:54 | 0:22:59 | |
wasn't the only time of year | 0:22:59 | 0:23:01 | |
when people needed to be kind to the poor - but it was a very good start. | 0:23:01 | 0:23:05 | |
# Hear my prayer | 0:23:14 | 0:23:17 | |
# Oh, Heavenly Father | 0:23:17 | 0:23:19 | |
# Ere I lay me down to sleep | 0:23:19 | 0:23:26 | |
# Bid Thy angels, pure and holy | 0:23:26 | 0:23:32 | |
# Round my bed their vigil keep | 0:23:32 | 0:23:39 | |
# Keep me through this night of peril | 0:23:39 | 0:23:45 | |
# Underneath its boundless shade | 0:23:45 | 0:23:52 | |
# Take me to Thy rest, I pray Thee | 0:23:52 | 0:23:58 | |
# When my pilgrimage is made | 0:23:58 | 0:24:05 | |
# Guide and guard me with Thy blessing | 0:24:05 | 0:24:12 | |
# Till the angels bid me home. # | 0:24:12 | 0:24:21 | |
This year marks the 150th anniversary of Dickens's novel Great Expectations. | 0:24:41 | 0:24:47 | |
Once again, it was the area around the River Medway in Kent | 0:24:47 | 0:24:50 | |
that inspired him. | 0:24:50 | 0:24:51 | |
The story remains one of Charles Dickens's most dramatised works. | 0:24:51 | 0:24:55 | |
A new BBC adaptation is set to hit our screens this Christmas. | 0:24:59 | 0:25:05 | |
One of its stars is Gillian Anderson, who plays Miss Haversham. | 0:25:05 | 0:25:09 | |
In this day and age, when everything is in your face, | 0:25:09 | 0:25:12 | |
it's fascinating to see that the same themes ran back then | 0:25:12 | 0:25:18 | |
and the fact that part of what Dickens was interested in | 0:25:18 | 0:25:23 | |
is the impact of society on human beings. | 0:25:23 | 0:25:27 | |
Ray Winstone plays Magwitch. | 0:25:28 | 0:25:30 | |
I think it's a story that can be told again and again | 0:25:30 | 0:25:33 | |
and it's relevant to any time it's told in, you know? | 0:25:33 | 0:25:36 | |
What's different with it? Hopefully not too much, because the story was such a great story anyway. | 0:25:36 | 0:25:41 | |
Because it was so well written, if you go too far off the text, | 0:25:41 | 0:25:46 | |
I think you'd probably be making a different story. | 0:25:46 | 0:25:49 | |
That was all right, wasn't it? | 0:25:51 | 0:25:53 | |
Charles Dickens was working on his final novel - | 0:25:55 | 0:25:59 | |
The Mystery of Edwin Drood - | 0:25:59 | 0:26:00 | |
when he was taken ill and collapsed at his home, Gad's Hill Place. | 0:26:00 | 0:26:04 | |
He died 24 hours later, | 0:26:04 | 0:26:07 | |
on the 9th of June, 1870. | 0:26:07 | 0:26:09 | |
He was 58-years-old. | 0:26:09 | 0:26:11 | |
Dickens left instructions that he was to be buried very simply | 0:26:12 | 0:26:16 | |
here in Rochester Cathedral, but his final wish wasn't granted. | 0:26:16 | 0:26:21 | |
The Dean and Chapter of Rochester's Cathedral actually started | 0:26:21 | 0:26:26 | |
to dig a grave for him there, | 0:26:26 | 0:26:28 | |
but then the call came out from the Times and Queen Victoria | 0:26:28 | 0:26:32 | |
that the correct place for Dickens, | 0:26:32 | 0:26:35 | |
the genius of Dickens, was Poets' Corner, in Westminster Abbey. | 0:26:35 | 0:26:39 | |
And so that is where he is buried. | 0:26:39 | 0:26:42 | |
His body was moved to Westminster Abbey | 0:26:42 | 0:26:44 | |
and following a private service, as news spread about his death, | 0:26:44 | 0:26:47 | |
thousands arrived to pay tributes. | 0:26:47 | 0:26:49 | |
There's a story of a little girl in London who said, | 0:26:49 | 0:26:52 | |
"Charles Dickens, dead? | 0:26:52 | 0:26:54 | |
"Will Father Christmas die, too?" | 0:26:54 | 0:26:58 | |
He wanted his work to provide his legacy | 0:26:58 | 0:27:01 | |
and it has proved a lasting memorial. | 0:27:01 | 0:27:04 | |
He remains a master of the language. | 0:27:04 | 0:27:07 | |
He remains someone who can create for us experiences, people, | 0:27:07 | 0:27:14 | |
circumstances, of which we have had no direct personal experience. | 0:27:14 | 0:27:19 | |
But in which we can participate through the words of someone | 0:27:19 | 0:27:24 | |
who can write as skilfully as he can. | 0:27:24 | 0:27:28 | |
In his will, Dickens wrote... | 0:27:29 | 0:27:32 | |
"I commit my soul to the mercy of God through our Lord and saviour, Jesus Christ. | 0:27:32 | 0:27:38 | |
"And I exhort my dear children humbly to try to guide themselves | 0:27:38 | 0:27:43 | |
"by the teaching of the New Testament in its broad spirit. | 0:27:43 | 0:27:48 | |
"And to put no faith in any man's narrow construction of its letter, here or there." | 0:27:48 | 0:27:54 | |
Perhaps the lasting appeal of the book A Christmas Carol | 0:29:54 | 0:29:58 | |
lies in the fact that we see that the miserable miser Scrooge | 0:29:58 | 0:30:01 | |
is not beyond redemption after all. | 0:30:01 | 0:30:04 | |
It's a heart-warming tale full of hope, just like the Christmas story, | 0:30:04 | 0:30:07 | |
where the birth of Jesus brings us the good news that change is possible. | 0:30:07 | 0:30:11 | |
And as Bob Cratchit says in A Christmas Carol, | 0:30:11 | 0:30:15 | |
"A Merry Christmas to us all, my dears - God bless us". | 0:30:15 | 0:30:18 | |
God bless us, everyone. | 0:30:18 | 0:30:20 | |
Jesus Christ, | 0:30:24 | 0:30:25 | |
light of the world, | 0:30:25 | 0:30:27 | |
shine on us as we prepare to celebrate again | 0:30:27 | 0:30:30 | |
the coming of your birth. | 0:30:30 | 0:30:32 | |
Help us to follow your example of gentleness, peace and mercy. | 0:30:32 | 0:30:38 | |
To love our neighbours as ourselves | 0:30:38 | 0:30:40 | |
and as we are so often reminded by the words of Charles Dickens, | 0:30:40 | 0:30:45 | |
to try to do the right in everything. | 0:30:45 | 0:30:48 | |
And the blessing of God Almighty, the Father, the Son and the Holy Spirit, | 0:30:48 | 0:30:54 | |
be among us and remain with us now and always. | 0:30:54 | 0:30:57 | |
-Amen. -ALL: Amen. | 0:30:57 | 0:31:00 | |
Next week, sumptuous carols by candlelight, | 0:33:27 | 0:33:30 | |
as Pam introduces the story of the first Christmas, | 0:33:30 | 0:33:33 | |
as told by the people of Stratford-upon-Avon. | 0:33:33 | 0:33:36 | |
And Joe McElderry sings some favourite festive songs. | 0:33:36 | 0:33:39 | |
Subtitles by Red Bee Media Ltd | 0:33:57 | 0:33:59 | |
E-mail [email protected] | 0:33:59 | 0:34:01 |