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This is a town that embraces the very ancient and the very modern. | 0:00:15 | 0:00:21 | |
These Roman town walls are the oldest in Britain, | 0:00:21 | 0:00:24 | |
built nearly 50 years before Hadrian's Wall, | 0:00:24 | 0:00:26 | |
and they enclosed the oldest recorded town in the country. | 0:00:26 | 0:00:30 | |
And yet 2,000 years on, this is still a city of firsts, | 0:00:30 | 0:00:35 | |
so, welcome to Camulodunum, better known to us as Colchester. | 0:00:35 | 0:00:38 | |
I'll be taking a tour of unusual places of worship, | 0:00:46 | 0:00:48 | |
and I'll be finding out about Colchester's high-tech ambitions | 0:00:48 | 0:00:53 | |
to become the country's first high-speed internet town. | 0:00:53 | 0:00:56 | |
We sing hymns, old and new, | 0:00:56 | 0:00:58 | |
and opera star Noah Stewart performs for us. | 0:00:58 | 0:01:01 | |
Everywhere you walk in Colchester, | 0:01:20 | 0:01:21 | |
you get the feeling that beneath your feet | 0:01:21 | 0:01:24 | |
there is layer upon layer of history. | 0:01:24 | 0:01:27 | |
Take this castle, for instance, | 0:01:27 | 0:01:29 | |
built around 1076 by William the Conqueror, | 0:01:29 | 0:01:32 | |
but it stands on top of the remains of the Roman temple of Claudius. | 0:01:32 | 0:01:37 | |
They say that if you spread your hands on the stonework | 0:01:37 | 0:01:40 | |
of the temple, you are touching the foundations of the Roman Empire. | 0:01:40 | 0:01:46 | |
Many of the bricks from Roman buildings were later reused | 0:01:46 | 0:01:50 | |
to build other important places like this one, St Botolph's, | 0:01:50 | 0:01:54 | |
which dates back to the 11th century | 0:01:54 | 0:01:56 | |
when it was one of the earliest Augustinian priories in England. | 0:01:56 | 0:02:00 | |
So, recycling is hundreds of years old here in Colchester. | 0:02:00 | 0:02:05 | |
And just at the back there, where the monastery kitchens used to be, | 0:02:05 | 0:02:08 | |
stands the present St Botolph's, | 0:02:08 | 0:02:11 | |
and it's there that congregations from all over the town | 0:02:11 | 0:02:14 | |
have gathered to sing their hymns, ancient and modern. | 0:02:14 | 0:02:18 | |
There's a long history of Christianity in Colchester, | 0:04:25 | 0:04:29 | |
and evidence of belief dating back to Roman times. | 0:04:29 | 0:04:32 | |
I've met up with local historian Andrew Phillips, | 0:04:32 | 0:04:36 | |
who's promised to show me | 0:04:36 | 0:04:38 | |
some of the town's most intriguing religious sites. | 0:04:38 | 0:04:41 | |
And this is probably the oldest Christian church | 0:04:41 | 0:04:44 | |
visible in Britain today. | 0:04:44 | 0:04:46 | |
What? Right next door to the police station? | 0:04:46 | 0:04:49 | |
On a busy roundabout? What did they actually discover here? | 0:04:49 | 0:04:52 | |
We have to thank our archaeologists, really, | 0:04:52 | 0:04:55 | |
because we are sitting here | 0:04:55 | 0:04:56 | |
at the very beginning of Christianity in Britain. | 0:04:56 | 0:04:59 | |
Because this is a Roman Church. | 0:04:59 | 0:05:02 | |
How do you know that it was Christian? | 0:05:02 | 0:05:04 | |
Well, all the way round here was a cemetery, | 0:05:04 | 0:05:06 | |
and we know this is a Christian church | 0:05:06 | 0:05:09 | |
because all the early burials are buried north-south, | 0:05:09 | 0:05:12 | |
and then suddenly they start burying them east-west. | 0:05:12 | 0:05:16 | |
And that is a sure sign that they are Christian. | 0:05:16 | 0:05:18 | |
They are buried in wooden coffins lying facing east | 0:05:18 | 0:05:22 | |
so that they are there for the Day of Resurrection. | 0:05:22 | 0:05:25 | |
And they arise. | 0:05:25 | 0:05:26 | |
And the key thing is this - inside the coffins there are no grave goods. | 0:05:26 | 0:05:31 | |
Because a Christian doesn't need to take anything with them. | 0:05:31 | 0:05:35 | |
Well, look, will you take me with you and show me | 0:05:35 | 0:05:37 | |
some other old churches around Colchester? | 0:05:37 | 0:05:40 | |
I tell you what, you've heard of a pub crawl, | 0:05:40 | 0:05:42 | |
-we're going on a church crawl. -Sounds good to me. | 0:05:42 | 0:05:45 | |
-This looks really impressive. -Well, yes, indeed. | 0:05:54 | 0:05:57 | |
This is only the gatehouse of the great St John's Abbey, | 0:05:57 | 0:06:00 | |
which lay behind us in mediaeval times. | 0:06:00 | 0:06:03 | |
One of the last abbeys to be seized by Henry VIII | 0:06:03 | 0:06:06 | |
when he took over the monasteries. | 0:06:06 | 0:06:08 | |
So what would it have looked like in its heyday? | 0:06:08 | 0:06:11 | |
Well, in its heyday it was a vast community. | 0:06:11 | 0:06:13 | |
It was a power standing on this hill, facing Colchester, | 0:06:13 | 0:06:17 | |
on the hill over there. | 0:06:17 | 0:06:19 | |
It was a hostelry for travelling VIPs, it was a hospital, | 0:06:19 | 0:06:23 | |
it was a vast institution in its day. | 0:06:23 | 0:06:26 | |
And of course the loss of it to Colchester was very severe. | 0:06:26 | 0:06:29 | |
So what happened to it? | 0:06:29 | 0:06:30 | |
Well, in the end, it was seized by Henry VIII, | 0:06:30 | 0:06:33 | |
when he seized the monasteries. One of the last he got his hands on, | 0:06:33 | 0:06:36 | |
because the Abbot refused to hand it over. | 0:06:36 | 0:06:39 | |
You're not going to tell me that this is a church? | 0:06:46 | 0:06:49 | |
Well, it is, actually, yes. | 0:06:49 | 0:06:50 | |
It's the garrison church that was, | 0:06:50 | 0:06:53 | |
because Colchester is Britain's oldest garrison town. | 0:06:53 | 0:06:56 | |
So how old is this? | 0:06:56 | 0:06:57 | |
Well, this was put up in the time of the Crimean War, and it was actually | 0:06:57 | 0:07:02 | |
made by the same company which made Florence Nightingale's hospitals. | 0:07:02 | 0:07:06 | |
It's a prefabricated building. | 0:07:06 | 0:07:09 | |
I can't believe it's so enormous, and it's made of wood. | 0:07:09 | 0:07:12 | |
Indeed it is, and it's probably the biggest wooden church | 0:07:12 | 0:07:15 | |
in the whole of England. | 0:07:15 | 0:07:17 | |
But that's not all. The biggest surprise is inside. | 0:07:17 | 0:07:20 | |
Wow! | 0:07:25 | 0:07:28 | |
Yes, it's a Russian Orthodox Church today. | 0:07:28 | 0:07:31 | |
Beautifully laid out, as you see, and happily, three years ago, | 0:07:31 | 0:07:36 | |
the Russian Orthodox community moved in here, | 0:07:36 | 0:07:39 | |
so we have a living Christian community | 0:07:39 | 0:07:41 | |
making use of this church once again. | 0:07:41 | 0:07:44 | |
Well, when it comes to unusual churches, | 0:07:44 | 0:07:46 | |
Colchester takes the biscuit. | 0:07:46 | 0:07:48 | |
We haven't quite done yet. Come with me. | 0:07:48 | 0:07:51 | |
You don't expect to see a church | 0:07:59 | 0:08:01 | |
-right in the middle of a shopping centre, do you? -Well, no. | 0:08:01 | 0:08:04 | |
But it's not a church. It's actually only a spire. | 0:08:04 | 0:08:06 | |
So where's the church, then? | 0:08:06 | 0:08:08 | |
Well, the church went when we built the shopping precinct, | 0:08:08 | 0:08:11 | |
because when the shopping precinct was built, we put the new church in, | 0:08:11 | 0:08:15 | |
and there it is up above, and down below there are shops. | 0:08:15 | 0:08:20 | |
-Worship above, and retail therapy below. -I'm glad they kept that spire. | 0:08:20 | 0:08:24 | |
Indeed. | 0:08:24 | 0:08:25 | |
And it stands as a memorial, really, | 0:08:25 | 0:08:27 | |
to 2,000 years of Christian worship in this town. | 0:08:27 | 0:08:32 | |
Colchester boasts many historical firsts. | 0:10:51 | 0:10:54 | |
It was here, back in the 16th century, | 0:10:54 | 0:10:56 | |
that Queen Elizabeth's physician, William Gilbert, | 0:10:56 | 0:10:59 | |
first coined the word electricity. | 0:10:59 | 0:11:01 | |
Since then, technology has come a long way, | 0:11:01 | 0:11:04 | |
and Colchester remains at the cutting edge. | 0:11:04 | 0:11:06 | |
It's hoping to become Britain's first high-speed | 0:11:06 | 0:11:09 | |
wireless broadband town. | 0:11:09 | 0:11:11 | |
Michael Snaith has been involved in the scheme | 0:11:11 | 0:11:14 | |
aimed at making it happen. | 0:11:14 | 0:11:16 | |
I would have thought that towns as big as Colchester | 0:11:16 | 0:11:19 | |
would have high-speed broadband already - | 0:11:19 | 0:11:21 | |
is that not so here? | 0:11:21 | 0:11:22 | |
There are areas of Colchester where super-fast broadband already exists, | 0:11:22 | 0:11:26 | |
but people forget that in Colchester, | 0:11:26 | 0:11:28 | |
two-thirds of the borough of Colchester is rural. | 0:11:28 | 0:11:30 | |
And so, it's very much a case of actually | 0:11:30 | 0:11:33 | |
enabling the rural parts of the borough of Colchester | 0:11:33 | 0:11:36 | |
to be included in this new digital age. | 0:11:36 | 0:11:39 | |
How could you get that service to those outlying areas? | 0:11:39 | 0:11:43 | |
Well, if we're looking at actually using wireless | 0:11:43 | 0:11:46 | |
to link up with villages in rural areas, | 0:11:46 | 0:11:48 | |
what we do need in those communities is high points. | 0:11:48 | 0:11:51 | |
-And the highest building in most villages is... -BOTH: The church. | 0:11:51 | 0:11:55 | |
Coggeshall Church on the outskirts of Colchester | 0:11:58 | 0:12:01 | |
is piloting the project. | 0:12:01 | 0:12:03 | |
The vicar here is keen to enable the rural community | 0:12:03 | 0:12:06 | |
to get hooked up to the World Wide Web, | 0:12:06 | 0:12:08 | |
and it's certainly a talking point. | 0:12:08 | 0:12:10 | |
One question that's going to come up is, "What's it going to look like?" | 0:12:10 | 0:12:15 | |
We've got these fantastic historic buildings. | 0:12:15 | 0:12:17 | |
Is it going to fit in? Is it going to spoil the look of the building? | 0:12:17 | 0:12:20 | |
This is the design that we've actually put on the church itself. | 0:12:20 | 0:12:24 | |
It's designed to be sympathetic with the building. | 0:12:24 | 0:12:27 | |
If you'd like to have a look. | 0:12:27 | 0:12:29 | |
I think the key aspect is, actually the pilot started three months ago. | 0:12:29 | 0:12:32 | |
And how many comments have you had about it? | 0:12:32 | 0:12:34 | |
Nobody seems to have noticed the aerials are even there, | 0:12:34 | 0:12:37 | |
so that really sells a story of its own. | 0:12:37 | 0:12:39 | |
There will be people who think that the church should get on with | 0:12:39 | 0:12:42 | |
its age-old "proper job" of spreading the gospel, | 0:12:42 | 0:12:45 | |
and leave these newfangled projects to other people. | 0:12:45 | 0:12:48 | |
Well, I think the church and Christians down the generations, | 0:12:48 | 0:12:51 | |
since the invention of the printing press and before, | 0:12:51 | 0:12:54 | |
have used the latest technology for the spread of the gospel. | 0:12:54 | 0:12:58 | |
But, actually, this isn't so much about that, | 0:12:58 | 0:13:01 | |
this is the life that the church has in its abundance, | 0:13:01 | 0:13:04 | |
sharing something for the local community that it serves. | 0:13:04 | 0:13:08 | |
The church doesn't exist for itself. Never has. | 0:13:08 | 0:13:11 | |
And the church is there to serve the local community, | 0:13:11 | 0:13:14 | |
and I believe that's something very much part of the gospel for us | 0:13:14 | 0:13:17 | |
to contribute to, today. | 0:13:17 | 0:13:19 | |
So, what are the benefits? | 0:13:19 | 0:13:21 | |
The benefits for the wider community are huge, | 0:13:21 | 0:13:24 | |
because, of course, those rural communities beyond Coggeshall | 0:13:24 | 0:13:28 | |
who have very low broadband speeds really can't access so many things, | 0:13:28 | 0:13:34 | |
from simple things like paying their bills online, | 0:13:34 | 0:13:36 | |
doing internet banking, | 0:13:36 | 0:13:38 | |
to more serious things like getting their prescriptions downloaded | 0:13:38 | 0:13:41 | |
from the doctor, those kinds of things. | 0:13:41 | 0:13:43 | |
The church also gains from having super-fast internet access. | 0:13:43 | 0:13:49 | |
Enid Bardrick is the baptism administrator, | 0:13:49 | 0:13:52 | |
and her job means she's on the computer every day. | 0:13:52 | 0:13:54 | |
We have about 40 baptisms a year. | 0:13:56 | 0:13:58 | |
So it's pretty busy, isn't it? | 0:13:58 | 0:13:59 | |
And very difficult to do without the internet. | 0:13:59 | 0:14:02 | |
Well, for me, it would be impossible, | 0:14:02 | 0:14:04 | |
because I have decreasing mobility. | 0:14:04 | 0:14:07 | |
I can't do many of the functions that I used to do. | 0:14:07 | 0:14:11 | |
I can now really only do things from home, or from a sedentary position. | 0:14:11 | 0:14:16 | |
Do you use the internet a lot at home, then? | 0:14:16 | 0:14:18 | |
I do indeed, because I do all my shopping, all my food shopping. | 0:14:18 | 0:14:23 | |
I'd starve without the internet. | 0:14:23 | 0:14:26 | |
I do all my clothes shopping, | 0:14:26 | 0:14:28 | |
I get my repeat prescriptions by logging on to the special website, | 0:14:28 | 0:14:34 | |
and I also keep in contact with people, | 0:14:34 | 0:14:36 | |
because I've lived abroad a lot, | 0:14:36 | 0:14:38 | |
and I keep in contact with friends I've made worldwide, | 0:14:38 | 0:14:42 | |
through the internet. | 0:14:42 | 0:14:43 | |
What would you say to people who feel they are too long in the tooth | 0:14:43 | 0:14:47 | |
to learn new skills like computers? | 0:14:47 | 0:14:49 | |
Well, you've just got to try and do it, | 0:14:49 | 0:14:51 | |
if you want to really be progressive, | 0:14:51 | 0:14:54 | |
and I think they mustn't be overawed by all the people who, | 0:14:54 | 0:14:58 | |
the nerds, the people who use all these complicated whiz words. | 0:14:58 | 0:15:03 | |
I do get very frustrated with it, from time to time, | 0:15:03 | 0:15:06 | |
but you get there in the end. | 0:15:06 | 0:15:08 | |
Colchester's newest building is where 21st-century architecture | 0:17:12 | 0:17:16 | |
meets fourth-century archaeology. | 0:17:16 | 0:17:19 | |
First Site is a contemporary art centre which has been | 0:17:19 | 0:17:22 | |
built on top of an ancient Roman site. | 0:17:22 | 0:17:24 | |
It floats on a concrete plate to preserve the history beneath it. | 0:17:24 | 0:17:30 | |
First Site directly refers to Colchester's status | 0:17:30 | 0:17:33 | |
as Britain's first Roman city, | 0:17:33 | 0:17:35 | |
but it also reminds us that we are here | 0:17:35 | 0:17:37 | |
to give first site to new ideas, and new art from all over the world. | 0:17:37 | 0:17:41 | |
The centrepiece of this new building is a mosaic | 0:17:41 | 0:17:45 | |
unearthed in the 1920s. | 0:17:45 | 0:17:47 | |
It was the dining-room floor of a Roman townhouse. | 0:17:47 | 0:17:51 | |
Well, today we have a snapshot of what we do, | 0:17:51 | 0:17:54 | |
so we've got drop-in activities for families for all ages, | 0:17:54 | 0:17:58 | |
where they can come and enjoy the mosaic, | 0:17:58 | 0:18:00 | |
but also make some art of their own. | 0:18:00 | 0:18:01 | |
And we've got an older group of people | 0:18:01 | 0:18:03 | |
working with one of our associate artists, Jevan Watkins Jones, | 0:18:03 | 0:18:07 | |
who are making art with him together in the learning space. | 0:18:07 | 0:18:10 | |
What I'm hoping is that within the activities | 0:18:15 | 0:18:17 | |
you find something you like. | 0:18:17 | 0:18:19 | |
There might be one that you really get into, and identify with, | 0:18:19 | 0:18:23 | |
and, hopefully, | 0:18:23 | 0:18:24 | |
you'll leave with something that feels a little bit new. | 0:18:24 | 0:18:28 | |
So, we'll be doing things like breathing on glass, | 0:18:28 | 0:18:32 | |
and experiencing our own breath, | 0:18:32 | 0:18:35 | |
and the visual effect of our own breath on the mirror, in actual fact. | 0:18:35 | 0:18:40 | |
I love the way it sort of shrinks back, the way it evaporates, | 0:18:40 | 0:18:44 | |
disintegrates, it's beautiful. | 0:18:44 | 0:18:46 | |
I feel my faith comes into it when I get excited about what I'm doing, | 0:18:46 | 0:18:51 | |
and when I feel there is a genuine connection | 0:18:51 | 0:18:53 | |
happening with those that I'm working with. | 0:18:53 | 0:18:56 | |
Just as your own handwriting is intrinsically unique, | 0:18:57 | 0:19:01 | |
so is your mark, when you're drawing, intrinsically unique. | 0:19:01 | 0:19:06 | |
There's a lot of good work being done here. | 0:19:06 | 0:19:09 | |
The joy of the Lord is my strength, | 0:19:09 | 0:19:12 | |
and I just have to tell myself that every day, | 0:19:12 | 0:19:14 | |
I think it's all about pursuing that joy, | 0:19:14 | 0:19:16 | |
and obviously, creativity is where I access that, and tap into that. | 0:19:16 | 0:19:21 | |
I'm a very young Christian and therefore it's a new walk for me | 0:19:29 | 0:19:34 | |
in terms of reconciling my ways of making art with what that output is. | 0:19:34 | 0:19:40 | |
So the images that I create... | 0:19:40 | 0:19:42 | |
I make work which is very representational, very figurative, | 0:19:42 | 0:19:45 | |
which tends to be drawing in the landscape, with people in it, | 0:19:45 | 0:19:50 | |
but I also work quite abstractly with objects, | 0:19:50 | 0:19:53 | |
and things which have a symbolic value. | 0:19:53 | 0:19:56 | |
So now for me, in reading the Word a lot more, | 0:19:56 | 0:20:01 | |
I'm finding ways of bringing my living faith into those images. | 0:20:01 | 0:20:04 | |
I draw inspiration fundamentally from the natural world, | 0:20:10 | 0:20:16 | |
you know, which He has created. | 0:20:16 | 0:20:18 | |
And that's what I desire to tap into, | 0:20:21 | 0:20:24 | |
that sort of natural order, that life force, which comes from God. | 0:20:24 | 0:20:31 | |
# I'll walk with God | 0:20:34 | 0:20:38 | |
# From this day on | 0:20:38 | 0:20:42 | |
# His helping hand I'll lean upon | 0:20:43 | 0:20:51 | |
# This is my prayer | 0:20:51 | 0:20:56 | |
# My humble plea | 0:20:56 | 0:21:01 | |
# May the Lord be ever with me | 0:21:01 | 0:21:09 | |
# There is no death | 0:21:12 | 0:21:17 | |
# Though eyes grow dim | 0:21:17 | 0:21:21 | |
# There is no fear | 0:21:21 | 0:21:25 | |
# When I'm near to Him | 0:21:25 | 0:21:31 | |
# I'll lean on Him forever | 0:21:32 | 0:21:40 | |
# And He'll forsake me never | 0:21:40 | 0:21:48 | |
# He will not fail me | 0:21:51 | 0:21:56 | |
# As long as my faith is strong | 0:21:56 | 0:22:02 | |
# Whatever road I may walk along | 0:22:02 | 0:22:14 | |
# I'll walk with God | 0:22:14 | 0:22:18 | |
# I'll take His hand | 0:22:18 | 0:22:24 | |
# I'll talk with God | 0:22:24 | 0:22:28 | |
# He'll understand | 0:22:28 | 0:22:33 | |
# I'll pray to Him | 0:22:33 | 0:22:37 | |
# Each day to Him | 0:22:37 | 0:22:40 | |
# And He'll hear the words | 0:22:40 | 0:22:45 | |
# That I say | 0:22:45 | 0:22:50 | |
# His hand will guide | 0:22:50 | 0:22:54 | |
# My throne and rod | 0:22:54 | 0:22:58 | |
# And I'll never walk alone | 0:22:59 | 0:23:04 | |
# While I walk with God. # | 0:23:04 | 0:23:17 | |
The Romans said the only good thing to come out of Britain | 0:23:25 | 0:23:28 | |
were Colchester oysters. | 0:23:28 | 0:23:30 | |
The town has been famous for them ever since, | 0:23:30 | 0:23:33 | |
and celebrates with an Oyster Feast which dates back to 1318. | 0:23:33 | 0:23:37 | |
The oysters are grown just south of Colchester on the Essex coast. | 0:23:41 | 0:23:47 | |
For centuries, the Hawards | 0:23:47 | 0:23:49 | |
have been harvesting them here on Mersea Island. | 0:23:49 | 0:23:52 | |
My family's been | 0:23:52 | 0:23:54 | |
growing oysters here since the mid 18th century. | 0:23:54 | 0:23:57 | |
And, we've got evidence that my however many times grandfather, it was, in 1792, | 0:23:58 | 0:24:03 | |
actually sailed to Billingsgate Market to deliver oysters. | 0:24:03 | 0:24:07 | |
And every generation since then has been involved in it. | 0:24:07 | 0:24:11 | |
The boats were sailing boats, and everything was done by manual labour, | 0:24:11 | 0:24:14 | |
hand-hauling the dredgers, and that. | 0:24:14 | 0:24:17 | |
Nowadays it is made easier by modern aids | 0:24:17 | 0:24:20 | |
such as diesel engines and hydraulic winches and that, | 0:24:20 | 0:24:23 | |
but the method is still the same. | 0:24:23 | 0:24:25 | |
Every day, you're dealing with the natural world, | 0:24:25 | 0:24:28 | |
which is ever-changing, and has changed over time. | 0:24:28 | 0:24:32 | |
You've got to have a belief that this comes from somewhere, | 0:24:32 | 0:24:35 | |
and where else can it have come from but God, a supreme being? | 0:24:35 | 0:24:42 | |
Richard supplies oysters all over the country, | 0:24:49 | 0:24:51 | |
but some are served up by his wife Heather | 0:24:51 | 0:24:55 | |
at the family's quayside cafe, known as The Shed. | 0:24:55 | 0:24:59 | |
Originally The Shed was a purification plant for the oysters. | 0:24:59 | 0:25:03 | |
Richard bought The Shed several years ago | 0:25:03 | 0:25:06 | |
and had this bright idea that I would like to run it, | 0:25:06 | 0:25:08 | |
and sell fish and stuff. | 0:25:08 | 0:25:09 | |
There was one window that opened onto the road, and I just had this... | 0:25:09 | 0:25:13 | |
You know, we'd sell stuff out the window, | 0:25:13 | 0:25:15 | |
shrimps and cockles and stuff like that. | 0:25:15 | 0:25:17 | |
People started coming then, word-of-mouth, | 0:25:17 | 0:25:20 | |
then it got a bit bigger, and it's busy practically all the time now. | 0:25:20 | 0:25:24 | |
It's rough and ready, and I think a lot of people like that. They don't like to | 0:25:24 | 0:25:27 | |
come in and you're fussing round them, putting napkins on their lap. | 0:25:27 | 0:25:31 | |
And plus, I've always allowed people to bring their own bread, | 0:25:31 | 0:25:34 | |
and their own wine, which they have done, for years. | 0:25:34 | 0:25:38 | |
For Heather, The Shed is a way of putting her faith into practice. | 0:25:38 | 0:25:42 | |
Because we get so full up, | 0:25:42 | 0:25:44 | |
I'll just put total strangers on the same table. | 0:25:44 | 0:25:47 | |
And being a bit British they are like, I could see, "Ooh" | 0:25:47 | 0:25:51 | |
but within five or ten minutes, | 0:25:51 | 0:25:52 | |
you have two couples sitting at the table sharing their bread, | 0:25:52 | 0:25:56 | |
sharing their drink, and they're all making friends. | 0:25:56 | 0:25:58 | |
I always think they are sort of my fellowship, in a way. | 0:25:58 | 0:26:02 | |
In this church is a very nice stained-glass window. | 0:26:04 | 0:26:08 | |
Somebody had this idea of doing a stained-glass window | 0:26:08 | 0:26:12 | |
more or less dedicated to the fish and the oysters. | 0:26:12 | 0:26:15 | |
Two or three people came up with designs, and they chose this one. | 0:26:15 | 0:26:19 | |
They started a fund, raising money and that. | 0:26:19 | 0:26:22 | |
And I said, "Well, for every oyster I sell, I'll put a penny in a pot." | 0:26:22 | 0:26:25 | |
So, I did things like that. | 0:26:25 | 0:26:27 | |
In the end Richard said, "I'll tell you how many oysters you've had | 0:26:27 | 0:26:30 | |
"rather than you keep putting a penny in." | 0:26:30 | 0:26:32 | |
And a lot of different people give donations. | 0:26:32 | 0:26:34 | |
Every time I look at it I think it's so good. Just such a... | 0:26:34 | 0:26:38 | |
You know, and when the sun is behind it, it's brilliant. | 0:26:38 | 0:26:41 | |
And the church, and the oysters, and the fishing | 0:26:41 | 0:26:43 | |
are all long-term parts of the community here. | 0:26:43 | 0:26:48 | |
'Heavenly Father, ever constant, | 0:28:39 | 0:28:42 | |
'as each generation is blessed by your love and compassion...' | 0:28:42 | 0:28:46 | |
'Help us to make the most of the present, and appreciate | 0:28:46 | 0:28:49 | |
'the beauty of the world around us, and the fruits of your creation.' | 0:28:49 | 0:28:55 | |
'May we today plant seeds of hope and harmony, | 0:28:55 | 0:28:58 | |
'which will bring fulfilment and peace to those who follow us.' | 0:28:58 | 0:29:03 | |
'Loving God, as we go our separate ways,' | 0:29:03 | 0:29:06 | |
help us to see the world through your eyes, | 0:29:06 | 0:29:09 | |
to share and celebrate our gifts, | 0:29:09 | 0:29:10 | |
to work together for change and to care for our communities. | 0:29:10 | 0:29:16 | |
And the blessing of God Almighty, the Father, the Son, | 0:29:16 | 0:29:20 | |
and the Holy Spirit, be with you this day and for ever more. | 0:29:20 | 0:29:25 | |
ALL: Amen. | 0:29:25 | 0:29:27 | |
# Risen Lord, Risen Lord | 0:29:30 | 0:29:34 | |
# Give us a heart for simple things | 0:29:34 | 0:29:38 | |
# Love, laughter Bread, wine, and dreams | 0:29:38 | 0:29:42 | |
# Fill us with green growing hope | 0:29:42 | 0:29:45 | |
# Risen Lord, Risen Lord | 0:29:45 | 0:29:50 | |
# Make us a people whose song is Alleluia | 0:29:50 | 0:29:54 | |
# Whose sign is peace and whose name is love | 0:29:54 | 0:29:59 | |
# Risen Lord, Risen Lord | 0:29:59 | 0:30:04 | |
# Give us a heart for simple things | 0:30:04 | 0:30:07 | |
# And to sing Alleluia... | 0:30:07 | 0:30:11 | |
# And to sing Alleluia | 0:30:11 | 0:30:15 | |
-# Risen Lord, Risen Lord -Aaaah-ah-ah-ah | 0:30:15 | 0:30:20 | |
-# Give us a heart for simple things -Ah-ah | 0:30:20 | 0:30:23 | |
-# Love, laughter Bread, wine, and dreams -Aaah-ah-ah | 0:30:23 | 0:30:28 | |
-# Fill us with green growing hope -Ah-ah-ah | 0:30:28 | 0:30:31 | |
-# Risen Lord, Risen Lord -Ah-ah | 0:30:31 | 0:30:36 | |
# Make us a people whose song is Alleluia | 0:30:36 | 0:30:40 | |
-# Whose sign is peace -Ah-ah-ah | 0:30:40 | 0:30:43 | |
-# And whose name is love -Ah-ah-ah-ah | 0:30:43 | 0:30:46 | |
-# Risen Lord, Risen Lord -Ah-ah-aaaah ah-ah | 0:30:46 | 0:30:50 | |
-# Give us a heart for simple things -Ah-ah-ah | 0:30:50 | 0:30:54 | |
# And to sing Alleluia | 0:30:54 | 0:30:58 | |
# And to sing Alleluia. # | 0:30:58 | 0:31:04 | |
Well, as we sing praise here this evening, | 0:31:07 | 0:31:09 | |
it is reassuring to think that there has been Christian worship | 0:31:09 | 0:31:13 | |
in this town since Roman times, 2,000 years ago. | 0:31:13 | 0:31:16 | |
Which means that our last hymn this evening is a relative youngster - | 0:31:16 | 0:31:20 | |
only 250 years old. | 0:31:20 | 0:31:22 | |
But it does come from the pen of Charles Wesley, | 0:31:22 | 0:31:24 | |
so from all of us here in Colchester tonight, | 0:31:24 | 0:31:27 | |
it's goodbye with Ye Servants Of God. | 0:31:27 | 0:31:30 | |
Next week, Aled meets some of today's gifted hymn writers. | 0:33:26 | 0:33:29 | |
They reveal what inspires them to compose the wonderful hymns | 0:33:29 | 0:33:34 | |
that are already becoming classics for congregations around the world. | 0:33:34 | 0:33:38 | |
Subtitles by Red Bee Media Ltd | 0:33:54 | 0:33:57 | |
Email [email protected] | 0:33:57 | 0:34:00 |