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Six of the best senior school choirs in Britain are here in Birmingham. | 0:00:02 | 0:00:06 | |
They'll be singing to win a place in next week's final | 0:00:06 | 0:00:10 | |
and pulling out all the stops as they try to become | 0:00:10 | 0:00:13 | |
the 2014 Songs Of Praise Senior School Choir Of The Year. | 0:00:13 | 0:00:18 | |
APPLAUSE | 0:00:23 | 0:00:25 | |
Welcome to Birmingham's International Convention Centre | 0:00:25 | 0:00:28 | |
for the second semifinal in our quest to find | 0:00:28 | 0:00:30 | |
the best school choirs in the land. | 0:00:30 | 0:00:32 | |
Last week, the juniors wowed us with their talent. | 0:00:32 | 0:00:34 | |
Today, these six senior schools have travelled from across the country | 0:00:34 | 0:00:39 | |
to sing their choice of hymn | 0:00:39 | 0:00:40 | |
before the best three are chosen to go forward to the final. | 0:00:40 | 0:00:44 | |
Which choirs will it be? We have, from London, Highgate School! | 0:00:44 | 0:00:49 | |
CHEERING AND APPLAUSE | 0:00:49 | 0:00:53 | |
From Lincoln, Lincoln Minster School! | 0:00:53 | 0:00:55 | |
CHEERING AND APPLAUSE | 0:00:55 | 0:00:59 | |
From Wiltshire, Godolphin! | 0:00:59 | 0:01:01 | |
CHEERING AND APPLAUSE | 0:01:01 | 0:01:04 | |
From Kent, Rochester Grammar School! | 0:01:04 | 0:01:06 | |
CHEERING AND APPLAUSE | 0:01:06 | 0:01:10 | |
From London, the Grey Coat Hospital! | 0:01:10 | 0:01:12 | |
CHEERING AND APPLAUSE | 0:01:12 | 0:01:15 | |
And Cantabile from Hereford Cathedral School! | 0:01:15 | 0:01:18 | |
CHEERING AND APPLAUSE | 0:01:18 | 0:01:21 | |
As usual, there's great support for each of our senior school choirs. | 0:01:21 | 0:01:25 | |
Please give a warm welcome to my co-host, it's Claire McCollum. | 0:01:25 | 0:01:30 | |
CHEERING AND APPLAUSE | 0:01:30 | 0:01:34 | |
Good to see you, Claire. | 0:01:34 | 0:01:36 | |
It was pretty frenzied last week with the primary school choirs. | 0:01:36 | 0:01:39 | |
Do you expect it to be a bit more laid back this week? | 0:01:39 | 0:01:42 | |
I think there's going to be just as much excitement. | 0:01:42 | 0:01:44 | |
The students might be a little bit older than the junior pupils | 0:01:44 | 0:01:47 | |
but I think there's going to be just as much leaping around | 0:01:47 | 0:01:49 | |
and we'll hear what they thought of the judges' comments as well. | 0:01:49 | 0:01:52 | |
So, lots of reaction from backstage. | 0:01:52 | 0:01:54 | |
Thank you, Claire, we will hear from you later. | 0:01:54 | 0:01:57 | |
Now, it's time to introduce our three celebrity judges | 0:01:59 | 0:02:02 | |
who have the incredibly tough job of deciding which three choirs | 0:02:02 | 0:02:06 | |
go forward to the final. | 0:02:06 | 0:02:08 | |
Firstly, someone who embodies the word "expert" | 0:02:08 | 0:02:11 | |
when it comes to judging choral competitions. | 0:02:11 | 0:02:14 | |
She is an internationally renowned choir founder, | 0:02:14 | 0:02:16 | |
teacher and conductor and Professor of Music | 0:02:16 | 0:02:18 | |
at the University of Southern California, | 0:02:18 | 0:02:21 | |
please welcome Suzi Digby! | 0:02:21 | 0:02:23 | |
CHEERING AND APPLAUSE | 0:02:23 | 0:02:28 | |
Our next judge is from right here in Birmingham, | 0:02:28 | 0:02:30 | |
a graduate of Birmingham's Conservatoire of Music. | 0:02:30 | 0:02:33 | |
She's a singer/songwriter with a top 10 album, two Brit nominations | 0:02:33 | 0:02:36 | |
and two MOBO awards under her belt. | 0:02:36 | 0:02:38 | |
Please welcome Laura Mvula! | 0:02:38 | 0:02:41 | |
CHEERING AND APPLAUSE | 0:02:41 | 0:02:43 | |
Next is a choral guru with the magic touch. | 0:02:47 | 0:02:50 | |
The Choir, The Military Wives, | 0:02:50 | 0:02:51 | |
Sing While You Work, just a few examples of his amazing ability | 0:02:51 | 0:02:55 | |
to transform everyday working people into extraordinary choirs. | 0:02:55 | 0:02:59 | |
It's Gareth Malone! | 0:02:59 | 0:03:01 | |
CHEERING AND APPLAUSE | 0:03:01 | 0:03:03 | |
OK, the competition starts right now. | 0:03:05 | 0:03:07 | |
Each of our six choirs will sing their choice of hymn. | 0:03:07 | 0:03:10 | |
Based on that one performance, | 0:03:10 | 0:03:12 | |
the judges will select three choirs to go into next week's final. | 0:03:12 | 0:03:15 | |
It's all to play for. | 0:03:15 | 0:03:17 | |
The first choir to sing are from the lovely city of Lincoln. | 0:03:17 | 0:03:19 | |
It's Lincoln Minster School. | 0:03:19 | 0:03:22 | |
BELLS RING | 0:03:22 | 0:03:25 | |
Lincoln is a real little gem. | 0:03:25 | 0:03:28 | |
Lincoln Minster School is great because it has the cathedral | 0:03:28 | 0:03:31 | |
and all the surrounding Roman remains. | 0:03:31 | 0:03:34 | |
I think that life here is a bit like Hogwarts. | 0:03:34 | 0:03:37 | |
All the prep pupils, when they come over, they're all saying, | 0:03:37 | 0:03:40 | |
"Oh, it's like Hogwarts!" | 0:03:40 | 0:03:41 | |
"Do you learn magic here?" | 0:03:41 | 0:03:43 | |
Faith and music are very, very important components | 0:03:43 | 0:03:47 | |
in the make-up of the Minster School. | 0:03:47 | 0:03:49 | |
We have daily worship and the cathedral is right at the heart | 0:03:49 | 0:03:53 | |
of what the school does. | 0:03:53 | 0:03:54 | |
I think the single biggest thing that he gives us, | 0:03:54 | 0:03:58 | |
it's just, if you do something wrong, | 0:03:58 | 0:04:01 | |
do it and look as if you are totally right! | 0:04:01 | 0:04:04 | |
Good, well done! | 0:04:04 | 0:04:06 | |
'Singing sacred music,' | 0:04:06 | 0:04:07 | |
for me, it's pretty much a blessing, to be honest with you. | 0:04:07 | 0:04:10 | |
I always felt it kept me closer to God. | 0:04:10 | 0:04:13 | |
The piece we're doing is Guide Me, O Thou Great Redeemer. | 0:04:13 | 0:04:18 | |
I think it's good because there's a lot of emotions in there. | 0:04:18 | 0:04:21 | |
It's got a big, rousing tune. You can get a bit Welsh fervour into it. | 0:04:22 | 0:04:25 | |
But also, there's a lovely opportunity for a big descant | 0:04:25 | 0:04:29 | |
and I think the sound of our sopranos is one of our secrets as a choir | 0:04:29 | 0:04:33 | |
so I certainly wanted to make sure that we were able to show that off. | 0:04:33 | 0:04:37 | |
# Guide me, O thou great Redeemer | 0:04:37 | 0:04:42 | |
# Pilgrim through this barren land | 0:04:42 | 0:04:47 | |
# I am weak but thou art mighty | 0:04:47 | 0:04:52 | |
# Hold me with my powerful hand | 0:04:52 | 0:04:57 | |
# Bread of heaven, bread of heaven | 0:04:57 | 0:05:02 | |
# Feed me now and evermore | 0:05:02 | 0:05:07 | |
# Feed me now and evermore | 0:05:07 | 0:05:13 | |
# Open now the crystal fountain | 0:05:15 | 0:05:20 | |
# Whenst the healing stream doth flow | 0:05:20 | 0:05:25 | |
# Let the fiery, cloudy pillar | 0:05:25 | 0:05:29 | |
# Lead me all my journey through | 0:05:29 | 0:05:35 | |
# Strong deliverer, strong deliverer | 0:05:35 | 0:05:40 | |
# Be thou still my strength and shield | 0:05:40 | 0:05:45 | |
# Be thou still my strength and shield | 0:05:45 | 0:05:51 | |
# When I tread the verge of Jordan | 0:05:52 | 0:05:57 | |
# Bid my anxious fears subside | 0:05:57 | 0:06:02 | |
# Death of death and hell's destruction | 0:06:02 | 0:06:07 | |
# Land me safe on Canaan's side | 0:06:07 | 0:06:13 | |
# Songs and praises, songs and praises | 0:06:13 | 0:06:18 | |
# I will ever give to Thee | 0:06:18 | 0:06:23 | |
# I will ever give to Thee. # | 0:06:24 | 0:06:32 | |
HYMN ENDS | 0:06:32 | 0:06:34 | |
CHEERING AND APPLAUSE | 0:06:34 | 0:06:37 | |
Lincoln Minster School, ladies and gentlemen! | 0:06:42 | 0:06:46 | |
CHEERING AND APPLAUSE | 0:06:46 | 0:06:49 | |
Suzi, a very well known hymn to start. | 0:06:49 | 0:06:51 | |
Did Lincoln did themselves proud? | 0:06:51 | 0:06:53 | |
That was very, very fine singing. | 0:06:53 | 0:06:56 | |
What was so impressive is the way you lightened the end of each phrase. | 0:06:56 | 0:07:00 | |
It was so elegant. | 0:07:00 | 0:07:01 | |
I thought your basses were so wonderful, they did a fantastic job. | 0:07:01 | 0:07:04 | |
On the slightly critical side, | 0:07:04 | 0:07:06 | |
perhaps the descant could have been a little lighter, | 0:07:06 | 0:07:10 | |
so it didn't obliterate the melody. | 0:07:10 | 0:07:12 | |
But a wonderful performance, thank you. | 0:07:12 | 0:07:15 | |
Gareth, what did you make of that performance by Lincoln? | 0:07:15 | 0:07:18 | |
Very well done. I thought it was lovely, really charming. | 0:07:18 | 0:07:21 | |
A great start, a really nice, warm sound at the beginning | 0:07:21 | 0:07:25 | |
so I enjoyed that very much. | 0:07:25 | 0:07:28 | |
To be slightly critical, perhaps even more line would help. | 0:07:28 | 0:07:32 | |
It is very easy with these hymns to get quite dah-dee-dah. | 0:07:32 | 0:07:37 | |
Dah-dee-dah, that will communicate your message more clearly. | 0:07:37 | 0:07:41 | |
But a fascinating start the competition. | 0:07:41 | 0:07:45 | |
Laura? | 0:07:45 | 0:07:46 | |
I thought you made a very beautiful sound, really great diction. | 0:07:46 | 0:07:49 | |
Everybody was working really hard. | 0:07:49 | 0:07:51 | |
I could tell that you enjoy singing together | 0:07:51 | 0:07:55 | |
and I think that's important to me and I was moved by that | 0:07:55 | 0:07:58 | |
so thank you. | 0:07:58 | 0:08:00 | |
Thank you, Lincoln Minster School. | 0:08:00 | 0:08:02 | |
CHEERING AND APPLAUSE | 0:08:02 | 0:08:04 | |
How do you think it went out there? | 0:08:04 | 0:08:05 | |
I don't think I've ever performed in quite an atmosphere like that. | 0:08:05 | 0:08:08 | |
-It was just amazing. It went so well. -I was buzzing onstage. | 0:08:08 | 0:08:12 | |
-Do you think you've got that fervour? -I think so, yes. | 0:08:12 | 0:08:15 | |
I think they did rise to the occasion. | 0:08:15 | 0:08:17 | |
Another school entering the competition for the first time | 0:08:18 | 0:08:21 | |
and they're from Kent, it's Rochester Grammar School. | 0:08:21 | 0:08:24 | |
# Tuesday, Wednesday, Thursday, Friday... # | 0:08:24 | 0:08:27 | |
Our choir is called NChant | 0:08:27 | 0:08:29 | |
and we like to think that we "enchant" our audiences in a way. | 0:08:29 | 0:08:33 | |
A lot of choirs will be used to performing in front of their school, | 0:08:35 | 0:08:38 | |
whereas we are used to performing to all kinds of people. | 0:08:38 | 0:08:41 | |
We visit places that you wouldn't think you would visit. | 0:08:41 | 0:08:45 | |
We went to California and we sang in the Vatican in Rome, | 0:08:45 | 0:08:48 | |
which was quite special. | 0:08:48 | 0:08:49 | |
I gave the girls a choice of four different songs | 0:08:51 | 0:08:54 | |
and I have to say I was a little surprised | 0:08:54 | 0:08:56 | |
when they chose The Lord's Prayer. | 0:08:56 | 0:08:58 | |
# Our Father... # | 0:08:58 | 0:09:01 | |
But they absolutely fell in love with it. | 0:09:01 | 0:09:03 | |
The music and the words completely fit together, | 0:09:03 | 0:09:07 | |
especially the line, "For thine be the glory." | 0:09:07 | 0:09:10 | |
It's wonderful. | 0:09:10 | 0:09:11 | |
# ..For ever... # | 0:09:11 | 0:09:14 | |
Singing Christian, sacred hymns, | 0:09:14 | 0:09:17 | |
I think that gives it so much more meaning, | 0:09:17 | 0:09:19 | |
especially when you really believe it like we do. | 0:09:19 | 0:09:22 | |
# Our Father | 0:09:25 | 0:09:31 | |
# Which art in heaven | 0:09:34 | 0:09:41 | |
# Hallowed be | 0:09:45 | 0:09:53 | |
# Thy name | 0:09:53 | 0:09:59 | |
# Thy Kingdom come | 0:10:02 | 0:10:07 | |
# Thy will be done | 0:10:08 | 0:10:15 | |
# On Earth | 0:10:15 | 0:10:18 | |
# As it is in Heaven | 0:10:18 | 0:10:26 | |
# Give us this day our daily bread | 0:10:46 | 0:10:54 | |
# And forgive us our debts | 0:10:57 | 0:11:01 | |
# As we forgive our debtors | 0:11:01 | 0:11:07 | |
# And lead us not into temptation | 0:11:12 | 0:11:18 | |
# But deliver us from evil | 0:11:18 | 0:11:23 | |
# For thine is the kingdom | 0:11:23 | 0:11:30 | |
# And the power and the glory | 0:11:30 | 0:11:38 | |
# For ever | 0:11:38 | 0:11:44 | |
# Amen. # | 0:11:45 | 0:11:53 | |
HYMN ENDS | 0:11:59 | 0:12:02 | |
CHEERING AND APPLAUSE | 0:12:02 | 0:12:06 | |
Rochester Grammar School, ladies and gentlemen! | 0:12:10 | 0:12:14 | |
Gareth, an all girl choir singing The Lord's Prayer. | 0:12:14 | 0:12:17 | |
Was it a good choice for their range of voices? | 0:12:17 | 0:12:19 | |
I'm charmed, it was a perfect choice. Really lovely. | 0:12:19 | 0:12:23 | |
A very special sound that you created and a very special stillness | 0:12:23 | 0:12:27 | |
and focus that you created at the beginning, it was wonderful. | 0:12:27 | 0:12:31 | |
I could just have used a little more richness in the tone at times. | 0:12:31 | 0:12:36 | |
-Laura? -I'm going to disagree with Gareth. | 0:12:36 | 0:12:39 | |
I felt your tone was so beautiful. | 0:12:39 | 0:12:43 | |
I was really moved. | 0:12:43 | 0:12:46 | |
When your unison line sounded like one voice, who needs boys? | 0:12:46 | 0:12:50 | |
You sound perfect! | 0:12:52 | 0:12:53 | |
APPLAUSE | 0:12:53 | 0:12:55 | |
-Suzi? -This is an example of where perfect tuning takes a performance | 0:12:55 | 0:13:00 | |
to another level. | 0:13:00 | 0:13:02 | |
There might be a danger of developing one tone colour | 0:13:02 | 0:13:06 | |
in the lower voices and what I would do | 0:13:06 | 0:13:08 | |
is try and explore different kinds of colour. | 0:13:08 | 0:13:11 | |
That is very nit-picky. Actually, what really touched me was the start. | 0:13:11 | 0:13:18 | |
It was so beautiful. | 0:13:18 | 0:13:20 | |
That glossy, simple, almost child-like but not children | 0:13:21 | 0:13:25 | |
and by the way, I love your dresses! | 0:13:25 | 0:13:29 | |
Thank you, Rochester Grammar School! | 0:13:29 | 0:13:31 | |
CHEERING AND APPLAUSE | 0:13:31 | 0:13:34 | |
The comments were so encouraging. | 0:13:34 | 0:13:37 | |
Fantastic feedback. I'm thrilled. | 0:13:37 | 0:13:39 | |
-The Lord's Prayer, was it very spiritual, singing that? -Definitely. | 0:13:39 | 0:13:44 | |
A lot of us are very spiritual and we all believe everything we said | 0:13:44 | 0:13:47 | |
and we really hope it came across in our faces and everything. | 0:13:47 | 0:13:50 | |
It really means a lot to us. | 0:13:50 | 0:13:52 | |
Our next choir know this competition well. | 0:13:52 | 0:13:54 | |
Over recent years, they've made the semifinals three times | 0:13:54 | 0:13:57 | |
and the final itself in 2012. | 0:13:57 | 0:14:00 | |
It's the Godolphin School from Salisbury. | 0:14:00 | 0:14:03 | |
Our uniform is somewhat unusual. They wear a pinny. | 0:14:05 | 0:14:09 | |
Sometimes, if it's your birthday, you can go around for the whole day | 0:14:09 | 0:14:12 | |
wearing a pink pinny, which means everyone knows it's your birthday! | 0:14:12 | 0:14:16 | |
Proud hearts and stubborn wills are put to flight. F-light. | 0:14:17 | 0:14:23 | |
It's quite hard to find a hymn that is suitable for just girls to sing | 0:14:23 | 0:14:27 | |
because most hymns are written for men and women to sing, | 0:14:27 | 0:14:30 | |
so I've found something that I think is suitable for the girls. | 0:14:30 | 0:14:33 | |
Tell Out My Soul has always been one of my favourites | 0:14:33 | 0:14:36 | |
because it just has such a beautiful message. | 0:14:36 | 0:14:40 | |
It's the Magnificat, when Mary finds out she's going to have God's Son | 0:14:40 | 0:14:45 | |
and it is the song that she sings. | 0:14:45 | 0:14:48 | |
It's very hard to not get carried along by the piece. | 0:14:48 | 0:14:52 | |
Just before we go on stage, I will say to the girls, | 0:14:52 | 0:14:54 | |
"Really enjoy yourselves, really give everything you've got | 0:14:54 | 0:14:58 | |
"and just have a ball!" | 0:14:58 | 0:15:00 | |
# Tell out my soul the greatness of the Lord | 0:15:02 | 0:15:08 | |
# Unnumbered blessings give my spirit voice | 0:15:08 | 0:15:15 | |
# Tender to me the promise of His word | 0:15:16 | 0:15:22 | |
# In God my saviour | 0:15:23 | 0:15:26 | |
# Shall my heart rejoice | 0:15:26 | 0:15:31 | |
# Tell out, my soul, the greatness of His name | 0:15:33 | 0:15:38 | |
# Make known His might, | 0:15:39 | 0:15:42 | |
# The deeds His arm has done | 0:15:42 | 0:15:46 | |
# His mercy sure, from age to age the same | 0:15:47 | 0:15:54 | |
# His holy name | 0:15:54 | 0:15:56 | |
# The Lord, the mighty one | 0:15:56 | 0:16:01 | |
# Tell out, my soul, the greatness of His might! | 0:16:03 | 0:16:09 | |
# Powers and dominions lay their glory by | 0:16:10 | 0:16:17 | |
# Proud hearts and stubborn wills are put to flight | 0:16:18 | 0:16:24 | |
# The hungry fed | 0:16:24 | 0:16:27 | |
# The humble lifted high | 0:16:27 | 0:16:32 | |
# Tell out, my soul, the glories of His word! | 0:16:34 | 0:16:40 | |
# Firm is His promise | 0:16:40 | 0:16:44 | |
# And His mercy sure | 0:16:44 | 0:16:48 | |
# Tell out my soul, the greatness of the Lord | 0:16:48 | 0:16:54 | |
# To children's children | 0:16:55 | 0:17:00 | |
# And forevermore! # | 0:17:00 | 0:17:04 | |
APPLAUSE AND CHEERING | 0:17:07 | 0:17:09 | |
The Godolphin School, ladies and gentlemen! | 0:17:15 | 0:17:18 | |
Laura, Godolphin have got a lot of experience singing in this | 0:17:19 | 0:17:22 | |
competition, did it show? | 0:17:22 | 0:17:24 | |
Yes, absolutely! | 0:17:24 | 0:17:26 | |
I thought when you broke into harmony your balance was | 0:17:26 | 0:17:29 | |
really good. I could hear each part and that was really great. | 0:17:29 | 0:17:32 | |
I wondered when some of the descant parts, though, met. | 0:17:32 | 0:17:36 | |
Just as a minor point, maybe we | 0:17:36 | 0:17:38 | |
could think about just how it balances. | 0:17:38 | 0:17:42 | |
We don't want to over hear those parts. | 0:17:42 | 0:17:45 | |
But I think your performance was really spirited and joyous. | 0:17:45 | 0:17:50 | |
Suzi, a beautiful hymn. Did they sing it beautifully? | 0:17:50 | 0:17:54 | |
What a glorious sound! | 0:17:54 | 0:17:55 | |
Particularly the opening, it was just, | 0:17:55 | 0:17:58 | |
again, it was such a fresh colour of sound...beautiful! | 0:17:58 | 0:18:02 | |
Erm, when you sing a series of words, so, "Tell out my soul", | 0:18:02 | 0:18:07 | |
four syllables. | 0:18:07 | 0:18:08 | |
If they are all weighted equally, | 0:18:08 | 0:18:10 | |
it's very hard to get the sense of where the text is going. | 0:18:10 | 0:18:14 | |
I just slightly felt that there were a lot of syllables that were | 0:18:14 | 0:18:19 | |
equally weighted, rather than seeing a phrase | 0:18:19 | 0:18:21 | |
and deciding which syllable should we energise towards. | 0:18:21 | 0:18:24 | |
That would, I think, | 0:18:24 | 0:18:26 | |
then take it onto another level of communication. | 0:18:26 | 0:18:28 | |
Thank you. | 0:18:28 | 0:18:30 | |
Gareth, a polished performance from Godolphin, did it shine for you? | 0:18:30 | 0:18:33 | |
Yeah, very slick. | 0:18:33 | 0:18:35 | |
Great, clear diction, good balance and I totally agree with Laura. | 0:18:35 | 0:18:40 | |
Erm, it was a good decision, I think, to have fewer voices on the descant. | 0:18:40 | 0:18:44 | |
Actually, you've got some very good soloists, potentially, | 0:18:44 | 0:18:47 | |
maybe one would have done it. | 0:18:47 | 0:18:49 | |
A small point but I felt at times, certainly at the beginning, | 0:18:49 | 0:18:53 | |
you made a fantastic impact with your first phrase | 0:18:53 | 0:18:55 | |
and perhaps releasing a bit too much breath. | 0:18:55 | 0:18:57 | |
You got to the end and I just felt that slight tightening of not | 0:18:57 | 0:19:00 | |
saving something to the end of the phrase. | 0:19:00 | 0:19:02 | |
I think there's some development in | 0:19:02 | 0:19:04 | |
the sound to go but spoke very well, that performance. | 0:19:04 | 0:19:07 | |
Congratulations, good. | 0:19:07 | 0:19:09 | |
Thank you, Godolphin School. | 0:19:09 | 0:19:10 | |
APPLAUSE | 0:19:10 | 0:19:12 | |
Well, Mrs Sparkhall, did they sparkle they sparkle for you today? | 0:19:12 | 0:19:15 | |
They absolutely sparkled, they were fantastic! | 0:19:15 | 0:19:17 | |
I was delighted, delighted with their performance. | 0:19:17 | 0:19:19 | |
I was quite apprehensive about going on but as | 0:19:19 | 0:19:22 | |
soon as you get on the atmosphere is great | 0:19:22 | 0:19:24 | |
and it's a really, really good experience and I enjoyed it so much! | 0:19:24 | 0:19:28 | |
Our next school, literally, are a school choir run by students, | 0:19:28 | 0:19:32 | |
for students. | 0:19:32 | 0:19:33 | |
It's the Grey Coat Hospital, from London. | 0:19:33 | 0:19:36 | |
# Lived to die... # | 0:19:38 | 0:19:40 | |
OK, what do we need to do differently? | 0:19:40 | 0:19:42 | |
The fact that they've got here really by doing everything | 0:19:42 | 0:19:45 | |
themselves, does make it actually a very, very special achievement. | 0:19:45 | 0:19:48 | |
And something that here in the school, we're incredible proud of. | 0:19:48 | 0:19:52 | |
Carys is the leader. I aid Carys with whatever she needs musically. | 0:19:52 | 0:19:59 | |
We both, together, we sit down and we pick the songs | 0:20:01 | 0:20:04 | |
and we choose the arrangement and how we want it to sound, | 0:20:04 | 0:20:07 | |
where we want harmonies to go. | 0:20:07 | 0:20:09 | |
So, we do do everything from scratch. | 0:20:09 | 0:20:11 | |
Let's go from, "Above all wisdom..." | 0:20:11 | 0:20:14 | |
Doing our rehearsals, she does have a funny way of telling us | 0:20:14 | 0:20:16 | |
be quiet, she tells us to snip. | 0:20:16 | 0:20:18 | |
She comes towards us and goes "snip". | 0:20:18 | 0:20:20 | |
She loves to do her Ts like t...t...t... | 0:20:20 | 0:20:23 | |
# Like a rose | 0:20:23 | 0:20:25 | |
# Trampled on the ground... # | 0:20:25 | 0:20:27 | |
Because our style is more gospel, I think that will set us | 0:20:27 | 0:20:30 | |
apart slightly and I think that will, hopefully, give us the edge. | 0:20:30 | 0:20:33 | |
# You lived to die... # | 0:20:33 | 0:20:35 | |
I really feel the message of the song because it's | 0:20:35 | 0:20:38 | |
about the crucifixion of Jesus, | 0:20:38 | 0:20:39 | |
which is a real important part of Christianity. | 0:20:39 | 0:20:41 | |
Thank you cos you're a glorious God. | 0:20:41 | 0:20:43 | |
Thank you so much for all you have done. | 0:20:43 | 0:20:45 | |
We always pray together as choir before we do any | 0:20:45 | 0:20:47 | |
performance, so I think that will calm people down, erm, and me down. | 0:20:47 | 0:20:51 | |
I think I'll be very nervous... | 0:20:51 | 0:20:53 | |
# Above all powers | 0:20:57 | 0:21:00 | |
# Above all kings | 0:21:00 | 0:21:04 | |
# Above all nature and all created things | 0:21:05 | 0:21:10 | |
# Above all wisdom and all the ways of man | 0:21:12 | 0:21:18 | |
# You were here before the world began | 0:21:21 | 0:21:27 | |
# He was crucified | 0:21:27 | 0:21:31 | |
# Laid behind a stone | 0:21:31 | 0:21:35 | |
# Lived to die | 0:21:35 | 0:21:39 | |
# Rejected and alone | 0:21:39 | 0:21:42 | |
# Like a rose trampled on the ground | 0:21:42 | 0:21:49 | |
# You took the fall | 0:21:49 | 0:21:53 | |
# And thought of me | 0:21:53 | 0:21:56 | |
# Above all | 0:21:56 | 0:21:59 | |
# Above all kingdoms | 0:22:01 | 0:22:04 | |
# Above all thrones | 0:22:04 | 0:22:08 | |
# Above all wonders | 0:22:08 | 0:22:11 | |
# The world has ever known | 0:22:11 | 0:22:15 | |
# Above all wealth and treasures of the Earth | 0:22:15 | 0:22:20 | |
# There's no way to measure what you're worth, oooh | 0:22:24 | 0:22:30 | |
# He was crucified, laid behind a stone | 0:22:30 | 0:22:37 | |
# Lived to die | 0:22:39 | 0:22:42 | |
# Rejected and alone | 0:22:42 | 0:22:45 | |
# Like a rose trampled on the ground | 0:22:45 | 0:22:51 | |
# You took the fall | 0:22:54 | 0:22:58 | |
# And thought of me | 0:22:58 | 0:23:02 | |
# Above all | 0:23:02 | 0:23:06 | |
# All. # | 0:23:06 | 0:23:12 | |
APPLAUSE AND CHEERING | 0:23:15 | 0:23:17 | |
Grey Coat Hospital, everybody! | 0:23:21 | 0:23:23 | |
Suzi, we've never had a school where the choir are led, | 0:23:26 | 0:23:29 | |
arranged and accompanied purely by students. | 0:23:29 | 0:23:32 | |
Did it work for you? | 0:23:32 | 0:23:33 | |
What a wonderful achievement! | 0:23:33 | 0:23:35 | |
I really thought so, yes. | 0:23:35 | 0:23:38 | |
You've found an arrangement, you've worked, | 0:23:40 | 0:23:42 | |
you've got it so slick, you've got it so well prepared. | 0:23:42 | 0:23:45 | |
On the critical side, it felt a little low. | 0:23:45 | 0:23:48 | |
Erm, I'd love to hear you transpose that up. | 0:23:48 | 0:23:52 | |
You can then continue the progress of perfecting the tuning, | 0:23:52 | 0:23:56 | |
which is top priority. | 0:23:56 | 0:23:59 | |
But there was a lovely, sort of, earthy quality to your sound, | 0:23:59 | 0:24:02 | |
a lovely bloom at the end of the phrases and I really enjoyed it. | 0:24:02 | 0:24:05 | |
Gareth, judging a traditional choir alongside a gospel choir is | 0:24:05 | 0:24:10 | |
not going to be easy, is it? | 0:24:10 | 0:24:12 | |
I don't see any problem because it's music and I've got the same | 0:24:12 | 0:24:17 | |
criteria here, I'm looking for the same sort of things. | 0:24:17 | 0:24:20 | |
I mean, there are stylistic things that you've got absolutely | 0:24:20 | 0:24:22 | |
bang on, the rhythmic impetus was there. | 0:24:22 | 0:24:24 | |
The movement, the visual impression | 0:24:24 | 0:24:26 | |
was all totally gospel and I really appreciated that. | 0:24:26 | 0:24:30 | |
I think where you struggled towards the end, | 0:24:30 | 0:24:32 | |
you really lost your tonal centre. | 0:24:32 | 0:24:34 | |
I didn't quite know where we were key-wise | 0:24:34 | 0:24:37 | |
and that is something to work on...always listening. | 0:24:37 | 0:24:41 | |
So, look, so together, so beautiful, congratulations! | 0:24:41 | 0:24:44 | |
Laura. | 0:24:44 | 0:24:46 | |
Erm, I'm really excited by your group, amazing! | 0:24:46 | 0:24:49 | |
Yeah, these guys are right about the key. | 0:24:49 | 0:24:52 | |
I reckon if you guys put it up a few keys or maybe just inverted the | 0:24:52 | 0:24:56 | |
harmonies, it would sing just a little bit better. | 0:24:56 | 0:25:00 | |
But in terms of your sincerity, you know, I believed everything | 0:25:00 | 0:25:05 | |
you were singing, I want to sing with you guys! | 0:25:05 | 0:25:08 | |
SHE LAUGHS | 0:25:08 | 0:25:09 | |
Loved it! | 0:25:09 | 0:25:11 | |
Thank you, Grey Coat Hospital! | 0:25:11 | 0:25:12 | |
APPLAUSE | 0:25:12 | 0:25:15 | |
Whether the tuning or not was right, we were there, the energy was there, | 0:25:15 | 0:25:19 | |
we were able to convey the words, people understood. | 0:25:19 | 0:25:21 | |
So, that's, I think, the most important thing for us. | 0:25:21 | 0:25:23 | |
Did the pre-performance prayer pay-off, do you think? | 0:25:23 | 0:25:26 | |
Yeah, I believe that God's in control, it was amazing, | 0:25:26 | 0:25:28 | |
we enjoyed it, we loved it, God helped us. | 0:25:28 | 0:25:31 | |
I think it went really well. | 0:25:31 | 0:25:32 | |
We did, just before we went out, we said, to just enjoy it | 0:25:32 | 0:25:35 | |
and not think about the fact it was a competition. | 0:25:35 | 0:25:37 | |
So, I really think they did that. So, yeah, I'm really proud of them! | 0:25:37 | 0:25:42 | |
Our next choir are another new choir to the competition | 0:25:42 | 0:25:45 | |
and they're and they're also from London, it's Highgate School! | 0:25:45 | 0:25:49 | |
THEY VOCALISE | 0:25:51 | 0:25:54 | |
Keep going. | 0:25:54 | 0:25:56 | |
Highgate has a long choral tradition with ex-pupils such | 0:25:56 | 0:25:58 | |
as John Rutter and John Tavener, who used to sing in the choir here. | 0:25:58 | 0:26:02 | |
One, two, three, four, five, six, seven, eight, nine, ten... | 0:26:02 | 0:26:04 | |
Miss Price always makes us very enthusiastic by doing all these | 0:26:04 | 0:26:08 | |
crazy warm-ups, which really, kind of, get us going to the day, | 0:26:08 | 0:26:12 | |
wake us up. | 0:26:12 | 0:26:13 | |
The main thing, I think, | 0:26:15 | 0:26:17 | |
we've been working on is performance, | 0:26:17 | 0:26:19 | |
especially for the girls. | 0:26:19 | 0:26:20 | |
There seems to be sometimes a bit more reticence to act, | 0:26:20 | 0:26:24 | |
which the boys are perfect at but the girls need a bit more | 0:26:24 | 0:26:27 | |
encouragement to come out of their shells. | 0:26:27 | 0:26:31 | |
The hymn we've chose to sing is, When I Survey The Wondrous Cross, | 0:26:31 | 0:26:35 | |
which is about Easter but also | 0:26:35 | 0:26:38 | |
about the execution of Christ. | 0:26:38 | 0:26:42 | |
Out of all the hymns, I think | 0:26:42 | 0:26:44 | |
it's one of the most beautifully put and it goes from celebration | 0:26:44 | 0:26:48 | |
to more, sort of, slightly reserved emotional state. | 0:26:48 | 0:26:53 | |
Hopefully, when it's done, we'll all think, that was an achievement, | 0:26:53 | 0:26:56 | |
we've really done this well. | 0:26:56 | 0:26:58 | |
I completely, 100%, believe in them. | 0:26:58 | 0:27:00 | |
If they do their absolute best then I think they will win. | 0:27:00 | 0:27:03 | |
# When I survey the wondrous cross | 0:27:04 | 0:27:11 | |
# On which the Prince of glory died | 0:27:11 | 0:27:17 | |
# My richest gain I count but loss | 0:27:17 | 0:27:24 | |
# And pour contempt on all my pride | 0:27:24 | 0:27:31 | |
# Forbid it, Lord, that I should boast | 0:27:33 | 0:27:39 | |
# Save in the death of Christ my God | 0:27:40 | 0:27:47 | |
# All the vain things | 0:27:47 | 0:27:51 | |
# That charm me most | 0:27:51 | 0:27:55 | |
# I sacrifice them to His blood | 0:27:55 | 0:28:02 | |
# See from His head, His hands, His feet | 0:28:04 | 0:28:10 | |
# Sorrow and love flow mingled down | 0:28:11 | 0:28:17 | |
# Did e'er such love and sorrow meet | 0:28:17 | 0:28:24 | |
# Or thorns compose so rich a crown? | 0:28:25 | 0:28:30 | |
# His dying crimson, like a robe | 0:28:33 | 0:28:40 | |
# Spreads o'er His body on the tree | 0:28:41 | 0:28:47 | |
# Then am I dead to all the globe? | 0:28:48 | 0:28:55 | |
# And all the globe is dead to me | 0:28:56 | 0:29:02 | |
# Were the whole realm of nature mine | 0:29:05 | 0:29:11 | |
# That were a present far too small | 0:29:11 | 0:29:18 | |
# Love so amazing, so divine | 0:29:19 | 0:29:25 | |
# Demands my soul | 0:29:26 | 0:29:29 | |
# My life, my all. # | 0:29:29 | 0:29:35 | |
APPLAUSE AND CHEERING | 0:29:37 | 0:29:39 | |
Highgate School, ladies and gentlemen! | 0:29:43 | 0:29:46 | |
Gareth. | 0:29:48 | 0:29:49 | |
I thought it was a great choice, a simple choice | 0:29:49 | 0:29:52 | |
and within that you found great range of colours. | 0:29:52 | 0:29:55 | |
Lots of verses but you made each one different and I applaud you for that. | 0:29:55 | 0:29:59 | |
Two little points to work on, beware of swelling onto the vowels. | 0:29:59 | 0:30:05 | |
It's very, very dangerous. | 0:30:05 | 0:30:07 | |
You want to get a smooth flowing sound and then descant, it was | 0:30:07 | 0:30:10 | |
just riding up a little bit sharp | 0:30:10 | 0:30:13 | |
and that's something always to watch with the descant. | 0:30:13 | 0:30:15 | |
That it's nice and rooted into the floor. | 0:30:15 | 0:30:18 | |
Although you're singing high, think of it low. | 0:30:18 | 0:30:21 | |
Laura. | 0:30:21 | 0:30:22 | |
In the a cappella moments, I just felt moved to tears, I don't cry | 0:30:22 | 0:30:27 | |
a lot and I tried not to just now cos it would be very embarrassing. | 0:30:27 | 0:30:32 | |
But there's something about the way that you listened to each other | 0:30:32 | 0:30:35 | |
in those unaccompanied verses that was just so still and quiet. | 0:30:35 | 0:30:41 | |
You're dynamic ranges were great but in those quiet moments, | 0:30:41 | 0:30:45 | |
I didn't want to breathe. | 0:30:45 | 0:30:47 | |
It's one of my favourite hymns so maybe that helps as well. | 0:30:47 | 0:30:51 | |
Suzi, did Highgate impress you with their performance? | 0:30:51 | 0:30:54 | |
Well, I agree with Laura, it was so musically performed | 0:30:54 | 0:30:58 | |
and it's all interwoven with your choice of arrangement, | 0:30:58 | 0:31:02 | |
which was really intelligent, cos each verse was so different. | 0:31:02 | 0:31:06 | |
So, it brought all the different facets of the choir. | 0:31:06 | 0:31:09 | |
If you scrambled your singers, | 0:31:09 | 0:31:12 | |
so that the men were amongst the women, | 0:31:12 | 0:31:15 | |
you'd be able to improve your tuning overnight | 0:31:15 | 0:31:17 | |
but I loved the performance, it was very moving and very musical. | 0:31:17 | 0:31:21 | |
Thank you, Highgate School! | 0:31:21 | 0:31:23 | |
CHEERING AND APPLAUSE | 0:31:23 | 0:31:25 | |
How do you think it went out on stage? | 0:31:25 | 0:31:27 | |
Erm, I think it went quite well. | 0:31:27 | 0:31:29 | |
I thought they went a tiny bit sharp, | 0:31:29 | 0:31:31 | |
which Gareth obviously picked up on. | 0:31:31 | 0:31:33 | |
But I thought they really performed their hearts out on it. | 0:31:33 | 0:31:36 | |
It was really nice to hear the judges talk about how | 0:31:36 | 0:31:39 | |
they were moved by our quieter, unaccompanied verses. | 0:31:39 | 0:31:42 | |
We're already so proud to have made it to this point. | 0:31:42 | 0:31:44 | |
So, you know, | 0:31:44 | 0:31:46 | |
making it through would just be like a cherry on top of the cake. | 0:31:46 | 0:31:48 | |
Our last choir to perform tonight are another all-girl choir, | 0:31:48 | 0:31:52 | |
who've been at this stage before in the competition. | 0:31:52 | 0:31:55 | |
It's Cantabile from Hereford Cathedral School. | 0:31:55 | 0:31:58 | |
# And yet I want to love thee, Lord. # | 0:32:01 | 0:32:06 | |
Cantabile means "singing". | 0:32:06 | 0:32:11 | |
They're excited about exploring what they're singing about. | 0:32:11 | 0:32:15 | |
Because our choir director used to be a professional singer | 0:32:15 | 0:32:18 | |
herself, she's very, very supportive, very helpful | 0:32:18 | 0:32:22 | |
and knows exactly what we need to improve on. | 0:32:22 | 0:32:24 | |
Keeps us calm. | 0:32:24 | 0:32:26 | |
She's been there, she knows. | 0:32:26 | 0:32:29 | |
-Yes, now go "cr-r-ruel". -CHOIR: Cr-r-ruel! | 0:32:29 | 0:32:33 | |
We're singing, for our hymn choice, Ex Ore Innocentium, which I have | 0:32:33 | 0:32:36 | |
to say is one of my absolute favourite pieces we've ever sung. | 0:32:36 | 0:32:39 | |
Such a beautiful piece of music and being able express one's | 0:32:43 | 0:32:46 | |
emotion through such beauty, I think, is really special. | 0:32:46 | 0:32:51 | |
I really feel the message of how he was crucified. | 0:32:52 | 0:32:56 | |
And how Jesus loved us all and all the children | 0:32:56 | 0:32:59 | |
and we're his children and that he died for us. | 0:32:59 | 0:33:03 | |
The meaning behind the words really gets to me when I sing it sometimes. | 0:33:04 | 0:33:09 | |
It's very, very intense and I'm hoping that the girls really | 0:33:09 | 0:33:13 | |
pull this out because it's just a stunning piece. | 0:33:13 | 0:33:17 | |
# It is a thing most wonderful | 0:33:19 | 0:33:25 | |
# Almost too wonderful to be | 0:33:26 | 0:33:32 | |
# That God's own Son should come from Heaven | 0:33:34 | 0:33:42 | |
# And die to save | 0:33:43 | 0:33:47 | |
# A child like me | 0:33:47 | 0:33:52 | |
# And yet, I know that it is true | 0:33:56 | 0:34:02 | |
# He chose a poor and humble lot | 0:34:02 | 0:34:07 | |
# And wept, and toiled and mourned and died | 0:34:07 | 0:34:13 | |
# For love of those who loved him not | 0:34:16 | 0:34:21 | |
# I sometimes think about the Cross | 0:34:28 | 0:34:32 | |
# And shut my eyes | 0:34:32 | 0:34:35 | |
# And try to see the cruel nails | 0:34:35 | 0:34:41 | |
# And crown of thorns | 0:34:41 | 0:34:44 | |
# And Jesus crucified for me | 0:34:44 | 0:34:49 | |
# But even could I see him die | 0:34:54 | 0:34:59 | |
# I should but see a little part | 0:34:59 | 0:35:05 | |
# Of that great love, which, like a fire | 0:35:05 | 0:35:10 | |
# Is always burning in his heart | 0:35:10 | 0:35:17 | |
# And yet I want | 0:35:31 | 0:35:34 | |
# To love thee, Lord | 0:35:34 | 0:35:38 | |
# O, light the flame within my heart | 0:35:40 | 0:35:46 | |
# And I will love thee more and more | 0:35:48 | 0:35:54 | |
# Until I see thee | 0:36:01 | 0:36:07 | |
# As thou art. # | 0:36:08 | 0:36:15 | |
APPLAUSE AND CHEERING | 0:36:24 | 0:36:26 | |
Cantabile, from Hereford Cathedral School! | 0:36:32 | 0:36:35 | |
Gareth, our final performance, | 0:36:37 | 0:36:39 | |
was it a good one for you? | 0:36:39 | 0:36:40 | |
I thought it was a very sophisticated performance. | 0:36:40 | 0:36:43 | |
Not an easy piece to choose and you pulled it off with aplomb. | 0:36:43 | 0:36:46 | |
I really, really enjoyed it. | 0:36:46 | 0:36:47 | |
I felt we were in a very different choral world from the others, | 0:36:47 | 0:36:50 | |
which makes it very difficult. | 0:36:50 | 0:36:53 | |
You know, we've had a gospel choir, we've had very young choirs and | 0:36:53 | 0:36:56 | |
here we have a mature sound, | 0:36:56 | 0:36:58 | |
in the British choral tradition of the 19th century, which is | 0:36:58 | 0:37:02 | |
perfect for the piece, I thought that worked really, really nicely. | 0:37:02 | 0:37:06 | |
For me, it's my sort of thing, it may not be everyone's | 0:37:06 | 0:37:10 | |
but I love that tradition and I really enjoyed it, thank you. | 0:37:10 | 0:37:13 | |
Laura. | 0:37:13 | 0:37:14 | |
I felt that was so special. | 0:37:14 | 0:37:17 | |
Really lyrical and there's a way that you sing that's | 0:37:17 | 0:37:21 | |
sort of weighty and muscular, like proper singing. | 0:37:21 | 0:37:25 | |
Erm, you really engaged me, loads of shapes and colours. | 0:37:25 | 0:37:29 | |
They way you do that thing, I wish I could do them in my voice, | 0:37:29 | 0:37:32 | |
when you start phrases so delicately and so, sort of, like a lady, | 0:37:32 | 0:37:37 | |
it's really special. | 0:37:37 | 0:37:39 | |
LAUGHTER | 0:37:39 | 0:37:40 | |
Suzi. | 0:37:40 | 0:37:42 | |
Well, from the very first note chord, you can | 0:37:42 | 0:37:45 | |
tell that every one of those girls has individual singing lessons. | 0:37:45 | 0:37:50 | |
And that is what opens up a canvas for you. | 0:37:50 | 0:37:53 | |
And, as a sort of expression of faith, I thought you also | 0:37:53 | 0:37:57 | |
managed to bring some dimension to it that was very special. | 0:37:57 | 0:38:01 | |
If I had to be super, super picky, when you're in two parts, | 0:38:01 | 0:38:04 | |
I would give a little bit more...how shall I say, | 0:38:04 | 0:38:07 | |
meatiness in the sound, that's what I would develop. | 0:38:07 | 0:38:09 | |
But that's a very personal thing. Thank you. | 0:38:09 | 0:38:12 | |
Thank you, Cantabile, from Hereford Cathedral School. | 0:38:12 | 0:38:14 | |
-How proud are you of them and their performance? -Extremely proud them! | 0:38:17 | 0:38:20 | |
I do of give them grief | 0:38:20 | 0:38:21 | |
but they do pull the stops out for me, I'm very pleased with them. | 0:38:21 | 0:38:24 | |
You're happy now but how happy would you be to get to the final? | 0:38:24 | 0:38:28 | |
Ecstatic, honestly, ecstatic! | 0:38:28 | 0:38:30 | |
We've got a really good piece in store. | 0:38:30 | 0:38:32 | |
If we do get a chance to perform, it would be amazing! | 0:38:32 | 0:38:35 | |
So, our judges have left the hall to decide which three | 0:38:35 | 0:38:38 | |
choirs will be going through to next week's final. | 0:38:38 | 0:38:41 | |
That's not going to be easy. | 0:38:41 | 0:38:42 | |
You've probably got a favourite but if not, | 0:38:42 | 0:38:45 | |
here's a look back at all six senior choir performances. | 0:38:45 | 0:38:48 | |
# Guide me, O, though great redeemer... # | 0:38:49 | 0:38:53 | |
It was a good performance, it set a really good standard, didn't it? | 0:38:53 | 0:38:57 | |
My misgivings were there wasn't always a beautiful line. | 0:38:57 | 0:39:01 | |
This was a little bouncy, a little bit by numbers. | 0:39:01 | 0:39:04 | |
# Hold me with thy powerful hand... # | 0:39:04 | 0:39:08 | |
I felt that it was really strong but I wasn't moved | 0:39:08 | 0:39:12 | |
but then I kept thinking, are they first, and that's hard. | 0:39:12 | 0:39:16 | |
# And lead us not into temptation... # | 0:39:16 | 0:39:21 | |
It was a sound, it was almost like a recording sound. | 0:39:21 | 0:39:23 | |
I thought I was listening to a CD. | 0:39:23 | 0:39:25 | |
-Everything was so immaculate. -Yes. | 0:39:25 | 0:39:27 | |
# Divine is the kingdom... # | 0:39:27 | 0:39:32 | |
The problem is there is, does it get through to the emotive? | 0:39:32 | 0:39:35 | |
Yeah, that's right. | 0:39:35 | 0:39:37 | |
I felt that I was wanting just for a little more | 0:39:37 | 0:39:40 | |
when we got to three quarters of the way through. | 0:39:40 | 0:39:43 | |
# Tell out my soul | 0:39:43 | 0:39:45 | |
# The greatness of the Lord... # | 0:39:45 | 0:39:49 | |
Really good, I just felt like the tuning issues took over, for me. | 0:39:49 | 0:39:54 | |
-Having said that, it was solid. -Yeah. | 0:39:54 | 0:39:57 | |
The other thing is, # Tell out my soul... # | 0:39:59 | 0:40:02 | |
There's four syllables there, they really need to direct. | 0:40:02 | 0:40:06 | |
TOGETHER: # Tell out my soul! # | 0:40:06 | 0:40:08 | |
Exactly! | 0:40:08 | 0:40:10 | |
-Also a fine choir. -A very fine choir. | 0:40:12 | 0:40:15 | |
# Above all powers | 0:40:15 | 0:40:18 | |
# Above all kings... # | 0:40:18 | 0:40:23 | |
I think the choir as a group, to me, they represent something | 0:40:23 | 0:40:28 | |
really phenomenal because they're doing it all on their own. | 0:40:28 | 0:40:31 | |
I felt that energy, that's really fresh, for me. | 0:40:31 | 0:40:34 | |
# Laid behind the stone | 0:40:34 | 0:40:37 | |
# Live to die... # | 0:40:37 | 0:40:39 | |
There is lots that they can learn that they can learn. | 0:40:39 | 0:40:42 | |
The potential is really limitless, isn't it? | 0:40:42 | 0:40:45 | |
There was a moment when they did reject, the word "rejected". | 0:40:45 | 0:40:48 | |
# Rejected and alone. # | 0:40:48 | 0:40:51 | |
That was ensemble singing of the first order, | 0:40:51 | 0:40:54 | |
it really came together, I thought. | 0:40:54 | 0:40:56 | |
But, yeah, I wish they had done it in a higher key. | 0:40:56 | 0:40:59 | |
# When I survey the wondrous cross... # | 0:40:59 | 0:41:03 | |
The took a very simple thing and made something really, | 0:41:04 | 0:41:08 | |
really special out of it. | 0:41:08 | 0:41:10 | |
This was the choir where they seemed to sing for ever | 0:41:10 | 0:41:13 | |
and ever without taking a breath. | 0:41:13 | 0:41:15 | |
I thought there were support problems | 0:41:16 | 0:41:18 | |
because I couldn't quite tell what the words were all the time. | 0:41:18 | 0:41:22 | |
-This is the most moved I've been in the competition. -Yes. | 0:41:22 | 0:41:27 | |
# It is a thing most wonderful... # | 0:41:27 | 0:41:33 | |
The epitome of beautiful, for me. | 0:41:33 | 0:41:36 | |
It wasn't girlish singing, it was womanly. | 0:41:36 | 0:41:38 | |
It wasn't girly, it was proper grown-up, woman singing. | 0:41:38 | 0:41:41 | |
# That God's own son should come from heaven. # | 0:41:41 | 0:41:46 | |
We've seen performances that felt like they were by young people, | 0:41:46 | 0:41:50 | |
loving the sort of repertoire that they were doing and this was | 0:41:50 | 0:41:53 | |
the one, perhaps, I felt like it was more the choice of the conductor. | 0:41:53 | 0:41:56 | |
So, there wasn't that immediacy of engagement. | 0:41:56 | 0:42:00 | |
Right, this is it, our judges are back and our choirs | 0:42:00 | 0:42:03 | |
are waiting patiently and nervously for their decisions. | 0:42:03 | 0:42:07 | |
Laura, can you can you please tell us | 0:42:07 | 0:42:10 | |
the first choir going through to the final. | 0:42:10 | 0:42:12 | |
SHE SIGHS | 0:42:12 | 0:42:14 | |
The first choir going through to the | 0:42:14 | 0:42:16 | |
final of Songs Of Praise Senior Choir Of The Year is... | 0:42:16 | 0:42:21 | |
..Rochester Grammar School. | 0:42:23 | 0:42:26 | |
APPLAUSE AND CHEERING | 0:42:26 | 0:42:28 | |
Suzi. | 0:42:35 | 0:42:37 | |
The second choir going through to the final of the competition is... | 0:42:37 | 0:42:42 | |
Highgate. | 0:42:42 | 0:42:43 | |
APPLAUSE AND CHEERING | 0:42:43 | 0:42:45 | |
And, Gareth, can you tell us | 0:42:51 | 0:42:53 | |
the last choir going through to the final, please? | 0:42:53 | 0:42:56 | |
The last choir going through to the final is... | 0:42:56 | 0:43:00 | |
Hereford Cathedral Choir. | 0:43:00 | 0:43:02 | |
APPLAUSE AND CHEERING | 0:43:02 | 0:43:04 | |
So, our senior finalists will be back next week when | 0:43:12 | 0:43:15 | |
one of them will be taking home the famous trophy and the title, | 0:43:15 | 0:43:18 | |
2014 Song Of Praise Senior School Choir Of The Year. | 0:43:18 | 0:43:22 | |
It's going to be exciting, it's going to be nerve-racking. | 0:43:22 | 0:43:25 | |
You'd be mad to miss it! Bye for now. | 0:43:25 | 0:43:28 |