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In the early 1970s, a young priest came here | 0:00:06 | 0:00:09 | |
to the John Rigby College in Wigan to be their new chaplain. | 0:00:09 | 0:00:13 | |
It was his first job. | 0:00:13 | 0:00:15 | |
That plain-speaking northern lad went on | 0:00:15 | 0:00:17 | |
to become Archbishop of Westminster. | 0:00:17 | 0:00:20 | |
And now, as a newly appointed cardinal, | 0:00:20 | 0:00:23 | |
he'll have a hand in choosing the next Pope. | 0:00:23 | 0:00:25 | |
We take Cardinal Vincent Nichols on a trip back in time | 0:00:29 | 0:00:32 | |
to share his vision for the Catholic Church. | 0:00:32 | 0:00:35 | |
Our hymns and songs come from St Oswald and St Edmund Arrowsmith, | 0:00:35 | 0:00:39 | |
where our new church detective discovers a precious relic, | 0:00:39 | 0:00:42 | |
and singer Laurie Ashworth performs. | 0:00:42 | 0:00:45 | |
I'm in Liverpool, not far from where Vincent Nichols was born in 1945. | 0:00:52 | 0:00:57 | |
Fast forward a few decades, | 0:00:57 | 0:00:59 | |
and he's now the leader of the Roman Catholic Church | 0:00:59 | 0:01:02 | |
in England and Wales. He's come here for a short visit, | 0:01:02 | 0:01:05 | |
and I've come to take him to the nearby town, | 0:01:05 | 0:01:08 | |
where his ministry began. We're off to Wigan. | 0:01:08 | 0:01:11 | |
-Here's our taxi. -Good. | 0:01:15 | 0:01:17 | |
Well, we're on our way now to the sixth form college in Wigan | 0:01:20 | 0:01:24 | |
-where you had your first job. -Yes, it is. | 0:01:24 | 0:01:27 | |
I arrived at about 3:45, which was a very bad time, | 0:01:27 | 0:01:30 | |
because 600 teenagers were coming out, | 0:01:30 | 0:01:34 | |
and I was trying to go in. | 0:01:34 | 0:01:36 | |
I thought, "What on earth have I come to?" | 0:01:36 | 0:01:38 | |
Never had a full-time chaplain before, | 0:01:38 | 0:01:41 | |
so I didn't really know what to do all day. | 0:01:41 | 0:01:43 | |
But, eventually, I came up with a kind of job description, | 0:01:43 | 0:01:47 | |
and it was very simple. I was there to loiter with intent, | 0:01:47 | 0:01:52 | |
just to walk with people, just to accompany them a bit. | 0:01:52 | 0:01:56 | |
And I think that's a very important theme | 0:01:56 | 0:01:59 | |
in the ministry of any Catholic priest, | 0:01:59 | 0:02:01 | |
and quite a lot of the students are still in touch with me today. | 0:02:01 | 0:02:04 | |
Can I take you back now to the point that led to the decision | 0:02:04 | 0:02:08 | |
that actually took you to that school, | 0:02:08 | 0:02:11 | |
which is why you became a priest? | 0:02:11 | 0:02:13 | |
Well, I can remember on a number of occasions being at Anfield | 0:02:13 | 0:02:16 | |
and watching Liverpool playing, and just really shouting at God, | 0:02:16 | 0:02:21 | |
saying, "Will you please leave me alone?" | 0:02:21 | 0:02:23 | |
"I don't want to do this. I just want to be one of the crowd. | 0:02:23 | 0:02:27 | |
"I don't want this sense of having to step apart | 0:02:27 | 0:02:31 | |
"and do something different." | 0:02:31 | 0:02:34 | |
So I remember, for example, my older brother Peter, | 0:02:34 | 0:02:37 | |
the night before I was to be ordained a priest, | 0:02:37 | 0:02:39 | |
and we were sitting in a hotel near the college in Rome, | 0:02:39 | 0:02:43 | |
and he said to me, "What are you getting ordained a priest for?" | 0:02:43 | 0:02:47 | |
So I said, "Well, Peter, it's a bit late to ask that question! | 0:02:47 | 0:02:51 | |
"It's in the morning." And I said, "Well, | 0:02:51 | 0:02:53 | |
"because I think it makes sense of who I know myself to be." | 0:02:53 | 0:02:57 | |
So it's that defining sense of purpose | 0:02:57 | 0:03:01 | |
that you think you have in life. | 0:03:01 | 0:03:04 | |
But I must admit, I would never regret it. | 0:03:04 | 0:03:08 | |
It has actually been, I suspect, | 0:03:08 | 0:03:10 | |
the one thing in life that has really made me happy. | 0:03:10 | 0:03:13 | |
Really deeply content. | 0:03:13 | 0:03:15 | |
I'm deeply content being a priest. It's right for me. | 0:03:15 | 0:03:19 | |
As the college prepares to welcome its old chaplain, | 0:03:19 | 0:03:22 | |
we'll be back later to find out how the cardinal tackles | 0:03:22 | 0:03:25 | |
questions from today's students. | 0:03:25 | 0:03:28 | |
But now for our first hymn, from St Oswald and | 0:03:28 | 0:03:31 | |
St Edmund Arrowsmith Church just up the road. | 0:03:31 | 0:03:33 | |
Think of Wigan, and you might think of Wigan Pier. | 0:05:48 | 0:05:52 | |
Of course, there's no coastline here and no obvious pier. | 0:05:52 | 0:05:56 | |
The origin of the phrase is a matter of debate. | 0:05:56 | 0:05:59 | |
The pier was probably a simple wooden jetty | 0:05:59 | 0:06:02 | |
used to load coal from a nearby colliery. | 0:06:02 | 0:06:05 | |
According to folklore, someone looking out of a train to Southport | 0:06:05 | 0:06:09 | |
saw it and said, "Where are we?" and was told, "Wigan Pier." | 0:06:09 | 0:06:14 | |
For some reason, the joke stuck. | 0:06:14 | 0:06:17 | |
Then, in 1937, George Orwell wrote this book, The Road To Wigan Pier, | 0:06:18 | 0:06:24 | |
a fairly brutal look at the working class communities | 0:06:24 | 0:06:27 | |
of Britain in the 1930s, | 0:06:27 | 0:06:29 | |
particularly those affected by the coal industry. | 0:06:29 | 0:06:32 | |
Orwell writes of his fondness for Wigan, | 0:06:32 | 0:06:35 | |
disappointed only that "Wigan Pier has been demolished, | 0:06:35 | 0:06:39 | |
"and even the spot where it used to stand is no longer certain." | 0:06:39 | 0:06:43 | |
Wiganers are known as "pie-eaters". | 0:06:46 | 0:06:48 | |
'Once again, nobody knows why for sure.' | 0:06:48 | 0:06:51 | |
Hello. | 0:06:51 | 0:06:53 | |
'One theory dates back to 1926, | 0:06:53 | 0:06:55 | |
'when a general strike brought the country to a standstill. | 0:06:55 | 0:06:58 | |
'In Wigan, the collieries were said | 0:06:58 | 0:07:00 | |
'to have starved the men back down the pit.' | 0:07:00 | 0:07:03 | |
With no money and nothing to eat, | 0:07:03 | 0:07:06 | |
the workers were forced to eat humble pie, and so the tale goes, | 0:07:06 | 0:07:10 | |
they've been known as "pie-eaters" ever since. | 0:07:10 | 0:07:14 | |
Ooh! Lovely. | 0:07:14 | 0:07:15 | |
The legacy of the coal-mining industry is felt | 0:07:18 | 0:07:21 | |
everywhere around here. | 0:07:21 | 0:07:22 | |
A century ago, Lancashire's pits produced | 0:07:22 | 0:07:25 | |
26 million tonnes of coal each year. | 0:07:25 | 0:07:28 | |
Now there's just one colliery left in the whole of Lancashire, | 0:07:28 | 0:07:32 | |
here at Astley Green. And even it's closed. | 0:07:32 | 0:07:35 | |
It stands as a museum to the industry, | 0:07:35 | 0:07:38 | |
an industry fraught with danger. | 0:07:38 | 0:07:40 | |
And Wigan was the site of a major disaster in 1979. | 0:07:44 | 0:07:48 | |
A gas explosion at Golborne Colliery killed ten miners. | 0:07:48 | 0:07:53 | |
Engineer Eric Foster was there. | 0:07:53 | 0:07:55 | |
We were working that Sunday morning, | 0:07:57 | 0:08:00 | |
me and my colleagues, and all of a sudden, | 0:08:00 | 0:08:04 | |
we heard this tremendous thud. | 0:08:04 | 0:08:06 | |
I was at the pit bottom at the time. | 0:08:06 | 0:08:09 | |
We realised that, when there's smoke coming towards us, | 0:08:09 | 0:08:12 | |
we saw that morning, there could be fire behind it, | 0:08:12 | 0:08:15 | |
flames, so we dove into where our tool boxes were, | 0:08:15 | 0:08:19 | |
and pandemonium broke out. | 0:08:19 | 0:08:22 | |
From then on, we went in and tried to get the men out. | 0:08:22 | 0:08:25 | |
When we got to the area where the explosion was, | 0:08:27 | 0:08:30 | |
this huge girder was across the tunnel, | 0:08:30 | 0:08:33 | |
so we had to physically push it back in the tunnel | 0:08:33 | 0:08:37 | |
while we got the manriders ready to bring the men out. | 0:08:37 | 0:08:40 | |
'The 11 men were working on electrical switchgear | 0:08:42 | 0:08:44 | |
'and ventilation equipment.' | 0:08:44 | 0:08:45 | |
And then, at 11:25, | 0:08:45 | 0:08:47 | |
methane which had built up in the tunnel suddenly ignited. | 0:08:47 | 0:08:51 | |
And you lost ten colleagues? | 0:08:51 | 0:08:54 | |
Ten men. Yeah. And one was a good friend. | 0:08:54 | 0:08:59 | |
You know, one electrician. Was always laughing. | 0:08:59 | 0:09:02 | |
The Golborne Colliery is long gone, | 0:09:06 | 0:09:09 | |
and the site now contains business units, | 0:09:09 | 0:09:11 | |
but this community doesn't want Wigan families | 0:09:11 | 0:09:14 | |
to forget those who braved the coal mines. | 0:09:14 | 0:09:17 | |
Members of the community have gathered in a procession | 0:09:17 | 0:09:20 | |
to remember those who lost their lives in Golborne. | 0:09:20 | 0:09:24 | |
For Eric, his faith continues to help, | 0:09:37 | 0:09:40 | |
as it did on the day of the tragedy. | 0:09:40 | 0:09:42 | |
Some lads were killed outright. Some were in hospital, | 0:09:44 | 0:09:47 | |
and the least I could do was go and say my prayers for them. | 0:09:47 | 0:09:50 | |
You think of the lads, don't you? Who you knew, and what you did. | 0:09:51 | 0:09:55 | |
And you do get overcome by it. | 0:09:55 | 0:09:58 | |
In a moment, we'll have a performance | 0:12:47 | 0:12:50 | |
-from local soprano Laurie Ashworth. -Hi, Dad. | 0:12:50 | 0:12:52 | |
Hi, Laurie. Ready for later? | 0:12:52 | 0:12:54 | |
But Laurie doesn't just sing in churches. | 0:12:54 | 0:12:57 | |
She and her father Mike share a love of Wigan Athletic Football Club. | 0:12:57 | 0:13:01 | |
-Bye. -And they're more than just fans. | 0:13:01 | 0:13:03 | |
At the football, I'm going to be providing | 0:13:03 | 0:13:05 | |
the pre-match entertainment, | 0:13:05 | 0:13:07 | |
and I will be singing Puccini's Nessun Dorma. | 0:13:07 | 0:13:09 | |
My association with Wigan Athletic is quite long-standing. | 0:13:09 | 0:13:13 | |
My dad has been the club doctor for, I think, about 32 years. | 0:13:13 | 0:13:17 | |
Yeah, you'll be fine, OK? | 0:13:19 | 0:13:20 | |
My prime duty is on match days. | 0:13:20 | 0:13:22 | |
It's to sit at the side of the pitch | 0:13:22 | 0:13:25 | |
and be available for any medical emergencies. | 0:13:25 | 0:13:27 | |
I've been doing this job for over 32 years, and during that time, | 0:13:27 | 0:13:32 | |
obviously, there's a potential for a lot of serious injuries, | 0:13:32 | 0:13:35 | |
but fingers crossed and touch wood, it doesn't happen very often. | 0:13:35 | 0:13:39 | |
Wigan's a very community-minded town, | 0:13:39 | 0:13:42 | |
and I think that's reflected in the football club. | 0:13:42 | 0:13:45 | |
And next to me is this beautiful trophy, the FA Cup, | 0:13:45 | 0:13:49 | |
won by Wigan Athletic last year. | 0:13:49 | 0:13:51 | |
It was the best day of my life. | 0:13:51 | 0:13:53 | |
I was baptised in St Oswald's Church in Ashton-in-Makerfield, | 0:13:56 | 0:14:00 | |
which was our local parish. | 0:14:00 | 0:14:02 | |
My mum brought both my sister and I up as Catholics, | 0:14:02 | 0:14:05 | |
and it was a very important upbringing for us. | 0:14:05 | 0:14:08 | |
And it's definitely shaped how I behave in my adult life. | 0:14:08 | 0:14:12 | |
-ANNOUNCER: -Laurie Ashworth! | 0:14:15 | 0:14:16 | |
APPLAUSE | 0:14:16 | 0:14:19 | |
# Nessun dorma | 0:14:20 | 0:14:24 | |
# Nessun dorma... # | 0:14:24 | 0:14:28 | |
Performing in a church is wonderful. It's a wonderful experience. | 0:14:28 | 0:14:33 | |
Very spiritual experience, really. | 0:14:33 | 0:14:34 | |
Performing in front of the fans at the football, it can be... | 0:14:34 | 0:14:38 | |
Well, it's more nerve-racking. I don't have any music, | 0:14:38 | 0:14:40 | |
which I can fall back on when I'm performing in church. | 0:14:40 | 0:14:44 | |
# Ma il mio mistero e chiuso in me... # | 0:14:44 | 0:14:51 | |
I have on occasion been jeered by the away fans. | 0:14:51 | 0:14:54 | |
It's true. Spurs fans! | 0:14:54 | 0:14:56 | |
SHE LAUGHS | 0:14:56 | 0:14:59 | |
I would hope that my singing inspires others. | 0:14:59 | 0:15:01 | |
The music definitely inspires me, | 0:15:01 | 0:15:04 | |
and I think music has this power | 0:15:04 | 0:15:06 | |
to bring people together and to heal people. | 0:15:06 | 0:15:08 | |
HOLDS LONG NOTE | 0:15:08 | 0:15:12 | |
CHEERING | 0:15:12 | 0:15:14 | |
# May the Lord show his mercy upon you | 0:15:26 | 0:15:34 | |
# May the light of his presence be your guide | 0:15:34 | 0:15:41 | |
# May he guard you and uphold you | 0:15:41 | 0:15:49 | |
# May his spirit be ever by your side | 0:15:49 | 0:15:57 | |
# When you sleep, may his angels watch over you | 0:15:57 | 0:16:05 | |
# When you wake, may he fill you with his grace | 0:16:05 | 0:16:13 | |
# May you love him and serve him all your days | 0:16:13 | 0:16:23 | |
# Then in heaven may you see his face | 0:16:23 | 0:16:37 | |
# May the Lord's loving kindness surround you | 0:16:41 | 0:16:49 | |
# Keep you safe as you journey on your way | 0:16:49 | 0:16:55 | |
# May he lead you and inspire you | 0:16:56 | 0:17:04 | |
# As he grants you the gift of each new day | 0:17:04 | 0:17:11 | |
# May he bless all your loved ones and cherish them | 0:17:11 | 0:17:20 | |
# Ev'ry friend, ev'ry stranger at your door | 0:17:20 | 0:17:26 | |
# In the name of his Son our Saviour Christ | 0:17:28 | 0:17:38 | |
# May God bless you now and ever-more | 0:17:38 | 0:17:52 | |
# Bless you now and ever-more. # | 0:17:52 | 0:18:06 | |
A Clare Benediction, performed by Laurie Ashworth | 0:18:09 | 0:18:13 | |
at the beautiful St Oswald and St Edmund Arrowsmith Church in Ashton. | 0:18:13 | 0:18:17 | |
But what secrets does this church conceal to an expert eye? | 0:18:19 | 0:18:22 | |
Richard Taylor is our church detective. | 0:18:24 | 0:18:27 | |
As a Christian and lifelong churchgoer, | 0:18:29 | 0:18:31 | |
I've always been fascinated | 0:18:31 | 0:18:33 | |
by church buildings and what they mean, | 0:18:33 | 0:18:36 | |
and this one is an absolute cracker. | 0:18:36 | 0:18:40 | |
It's the sort of building that you might find on the Continent, | 0:18:40 | 0:18:43 | |
somewhere in southern Europe. | 0:18:43 | 0:18:45 | |
So what's it doing here, just outside Wigan? | 0:18:45 | 0:18:48 | |
This is magnificent, and intriguing. | 0:18:55 | 0:18:59 | |
This is a style of architecture known as Romanesque. | 0:18:59 | 0:19:03 | |
In Britain, we're much more used to a style called Gothic, | 0:19:03 | 0:19:06 | |
where you've got pointed arches | 0:19:06 | 0:19:08 | |
and stone carvings in the middle, but here, the arches are all round, | 0:19:08 | 0:19:13 | |
covered by these delicate little chevrons. | 0:19:13 | 0:19:16 | |
My first task is to find out when it was built. | 0:19:18 | 0:19:21 | |
Well, this is the foundation stone, and this tells you the date. | 0:19:25 | 0:19:29 | |
MCMXXV. | 0:19:29 | 0:19:32 | |
So why was it built in 1925? | 0:19:32 | 0:19:34 | |
This was a prosperous area at that time. | 0:19:34 | 0:19:37 | |
Maybe there was just an influx of new workers, | 0:19:37 | 0:19:40 | |
and they just needed more space. | 0:19:40 | 0:19:42 | |
Now, this is a surprise. | 0:19:48 | 0:19:49 | |
These are stained-glass windows by the Irish artist Harry Clarke. | 0:19:50 | 0:19:55 | |
You can tell, because he always used to work | 0:19:55 | 0:19:57 | |
in these deep reds and vivid greens. | 0:19:57 | 0:20:01 | |
I wonder if there's a connection with Ireland? | 0:20:01 | 0:20:04 | |
I think this is a place for which martyrdom is important. | 0:20:08 | 0:20:12 | |
You've got three stained-glass windows here, | 0:20:12 | 0:20:15 | |
and at each of their feet is a scene of horrible violence. | 0:20:15 | 0:20:20 | |
And they're all set in the 17th century, | 0:20:20 | 0:20:23 | |
in that period of strife between Catholics and Protestants, | 0:20:23 | 0:20:27 | |
but I've got to tell you, I'm ending up with a lot of loose ends. | 0:20:27 | 0:20:30 | |
Local expert John Francis is on hand to provide some answers. | 0:20:34 | 0:20:38 | |
Well, the church replaces the original church, | 0:20:39 | 0:20:41 | |
which was built on this site in 1820. | 0:20:41 | 0:20:44 | |
-Oh, yes. -Completely different design. | 0:20:44 | 0:20:47 | |
-But really pretty. -Indeed. | 0:20:47 | 0:20:49 | |
The old church was getting too small. | 0:20:49 | 0:20:51 | |
-Lots of people coming into the area? -Indeed. The area had become | 0:20:51 | 0:20:55 | |
more populated due to the influx of miners and metalworkers. | 0:20:55 | 0:21:00 | |
Who actually did the building on the church? | 0:21:00 | 0:21:03 | |
They were the local miners. | 0:21:03 | 0:21:05 | |
And the unemployed who were out on strike, | 0:21:05 | 0:21:08 | |
because it was the era of the general strike. | 0:21:08 | 0:21:10 | |
-Oh, wow. -In the late '20s. | 0:21:10 | 0:21:12 | |
-So that's the 1925 connection. -That's right. | 0:21:12 | 0:21:14 | |
-They effectively built their own church. -That's amazing. | 0:21:14 | 0:21:17 | |
'John also explained that there was an Irish connection. | 0:21:17 | 0:21:20 | |
'The priest at the time, Canon O'Mara, was Irish. | 0:21:20 | 0:21:24 | |
'But I could never have guessed the reason behind this Romanesque style.' | 0:21:24 | 0:21:28 | |
The story goes that the architect, Brocklesby, | 0:21:28 | 0:21:31 | |
went on holiday to France | 0:21:31 | 0:21:34 | |
and was very much taken with the French Romanesque designs. | 0:21:34 | 0:21:39 | |
HE LAUGHS | 0:21:39 | 0:21:40 | |
-So the whole place is a sort of holiday tour present? -Very much so. | 0:21:40 | 0:21:46 | |
And is there a connection with the church | 0:21:46 | 0:21:48 | |
-over martyrdom? -There is. | 0:21:48 | 0:21:51 | |
I mean, this area of South West Lancashire | 0:21:51 | 0:21:53 | |
produced quite a number of the English martyrs, | 0:21:53 | 0:21:56 | |
including St Edmund Arrowsmith. | 0:21:56 | 0:21:58 | |
He was hung, drawn and quartered at Lancaster in the 17th century, | 0:21:58 | 0:22:02 | |
-and we hold the relic of his right hand. -Right! | 0:22:02 | 0:22:06 | |
-Here in the church. -Good heavens. | 0:22:06 | 0:22:08 | |
Now, this is the treasure of St Edmund Arrowsmith. | 0:22:12 | 0:22:16 | |
Gosh, I hardly know what to say. | 0:22:16 | 0:22:19 | |
How do you use the relic nowadays? | 0:22:19 | 0:22:21 | |
It is used to give blessings to the sick, | 0:22:21 | 0:22:24 | |
but anybody can come to the church and request the parish priest | 0:22:24 | 0:22:27 | |
to give them a blessing with the holy hand. | 0:22:27 | 0:22:30 | |
-Well, thank you very much for sharing it with us. -Thank you. | 0:22:30 | 0:22:33 | |
In Deum potentis... | 0:25:03 | 0:25:05 | |
In February, Archbishop Vincent Nichols | 0:25:05 | 0:25:08 | |
was formally elevated to the College of Cardinals | 0:25:08 | 0:25:10 | |
by Pope Francis in a ceremony in Rome. | 0:25:10 | 0:25:13 | |
Now, he's back in Wigan, on a visit to St John Rigby College, | 0:25:13 | 0:25:17 | |
where his ministry began over 40 years ago. | 0:25:17 | 0:25:20 | |
I know you are! | 0:25:20 | 0:25:22 | |
# With roots to grow and wings to fly... # | 0:25:22 | 0:25:29 | |
I greeted you this morning. | 0:25:29 | 0:25:31 | |
-I noticed the ring that you have. -Oh, yeah? | 0:25:31 | 0:25:34 | |
I got this from Pope Francis on February 22. | 0:25:34 | 0:25:39 | |
And so, this is the ring of a cardinal. | 0:25:39 | 0:25:42 | |
OK? Now, do you want to have a look at it? | 0:25:42 | 0:25:45 | |
So, in St Peter, you've got this image of the solidity of faith. | 0:25:45 | 0:25:49 | |
So there's something rock-like about Peter and about our faith. | 0:25:49 | 0:25:54 | |
Paul was the great adventurer, the great missionary, | 0:25:54 | 0:25:58 | |
the one who had a drive that kept him going, | 0:25:58 | 0:26:01 | |
travelling, on and on and on. | 0:26:01 | 0:26:03 | |
And Mary, as it were, reflects the light of Christ to us | 0:26:03 | 0:26:07 | |
in a very warm and personal and motherly way. | 0:26:07 | 0:26:10 | |
Have a look. Pass it round. | 0:26:10 | 0:26:12 | |
THEY SING | 0:26:12 | 0:26:16 | |
How do you see yourself? Do you see yourself any different? | 0:26:16 | 0:26:20 | |
Well, I'm very conscious that people see me differently, | 0:26:20 | 0:26:23 | |
and I think I have to grow into this a bit, yeah. | 0:26:23 | 0:26:27 | |
I have a sense that being a Cardinal | 0:26:27 | 0:26:29 | |
gives me greater profile, | 0:26:29 | 0:26:32 | |
and a greater access, | 0:26:32 | 0:26:34 | |
and I think people are more attentive to what I say. | 0:26:34 | 0:26:37 | |
And on that occasion, that glorious occasion for you, | 0:26:37 | 0:26:41 | |
the pinnacle so far of your priesthood, in a way, | 0:26:41 | 0:26:44 | |
is there a bit of you that's saying to yourself, | 0:26:44 | 0:26:46 | |
"I'm just a wee boy from Liverpool"? | 0:26:46 | 0:26:47 | |
Oh, yes, absolutely. | 0:26:47 | 0:26:49 | |
He said in his letter that he sent to us, | 0:26:50 | 0:26:52 | |
"Please do not think of this as a promotion. | 0:26:52 | 0:26:55 | |
"Please do not think of it as an honour. | 0:26:55 | 0:26:58 | |
"Please think of it as an opportunity to serve." | 0:26:58 | 0:27:01 | |
And so in that sense, it's in absolute continuity | 0:27:01 | 0:27:03 | |
with where I started out wanting to be a priest. | 0:27:03 | 0:27:07 | |
But just in a different framework, in a different setting. | 0:27:07 | 0:27:10 | |
We'd like to present you with a memento. | 0:27:11 | 0:27:13 | |
LAUGHTER | 0:27:13 | 0:27:14 | |
It's got the college motto on the front. | 0:27:14 | 0:27:16 | |
Now, who's not had a go? You've not had a go yet. | 0:27:18 | 0:27:20 | |
I was wondering if you've any future visions or hopes? | 0:27:20 | 0:27:23 | |
Four or five years ago, people would often happily say, | 0:27:23 | 0:27:28 | |
and would be proud to say, "Oh, I'm a lapsed Catholic." | 0:27:28 | 0:27:32 | |
Now, I think today, people are saying, "Actually, I'm a Catholic." | 0:27:32 | 0:27:37 | |
So I'd like to see more confidence in the life of faith, | 0:27:37 | 0:27:41 | |
in the Catholic way of life. | 0:27:41 | 0:27:43 | |
I'd like to see us, all of YOU, you know, | 0:27:43 | 0:27:46 | |
really confident about your faith. | 0:27:46 | 0:27:49 | |
Let us pray. | 0:30:25 | 0:30:26 | |
Visit, we beseech thee, oh Lord, this house and family, | 0:30:28 | 0:30:31 | |
and drive far from it all the snares of the enemy. | 0:30:31 | 0:30:34 | |
May your holy angels dwell herein, who may keep us in peace, | 0:30:34 | 0:30:39 | |
and may your blessing be always upon us, through Christ, our Lord. | 0:30:39 | 0:30:44 | |
-ALL: -Amen. | 0:30:44 | 0:30:45 | |
And may the blessing of Almighty God, father, son, and holy spirit, | 0:30:45 | 0:30:50 | |
come upon you and remain with you tonight and always. | 0:30:50 | 0:30:53 | |
Amen. | 0:30:53 | 0:30:55 | |
There's a real sense of confidence when you visit Wigan. | 0:31:04 | 0:31:07 | |
Of course, this might be something to do with the fact that | 0:31:07 | 0:31:09 | |
Wigan Athletic is defending its FA trophy next weekend | 0:31:09 | 0:31:12 | |
but, appropriately, our final hymn | 0:31:12 | 0:31:15 | |
is about having the courage of our convictions. | 0:31:15 | 0:31:19 | |
It's Bunyan's famous Who Would True Valour See. | 0:31:19 | 0:31:22 | |
Next week, it's Palm Sunday, and Pam's in Bradford | 0:33:23 | 0:33:26 | |
to explore what Holy Week means for some remarkable people. | 0:33:26 | 0:33:29 | |
Tom Courtenay reads the Bible's account | 0:33:29 | 0:33:31 | |
of the days before Jesus' crucifixion. | 0:33:31 | 0:33:34 | |
Pam introduces hymns from the city's cathedral, | 0:33:34 | 0:33:37 | |
and there's a special performance by Beth Nielsen Chapman. | 0:33:37 | 0:33:40 |