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T is for... Tunes. Trilby. Tremendous. Taxidermy. Tenacity. | :01:47. | :01:53. | |
Tantamount brilliance. Torrential. T is for touch. Tulips. Therapy | :01:53. | :02:00. | |
Tattoo. T is for tatties. T for T In The Park. T is for T in the Park | :02:00. | :02:10. | |
:02:10. | :02:19. | ||
Hello BBC Scotland and welcome back to T In The Park. We have loads to | :02:19. | :02:23. | |
cram into this 45 minutes. KT Tunstall will pop in for a chat. We | :02:23. | :02:33. | |
:02:33. | :02:43. | ||
have live music from the Phantom This programme may contain strong | :02:43. | :02:53. | |
:02:53. | :02:53. | ||
Apology for the loss of subtitles for 107 seconds | :02:53. | :04:41. | |
And there's still more to come. Let's not waste any more time and | :04:41. | :04:46. | |
get across to the main stage to your final headliners for T In The | :04:46. | :04:49. | |
Park. A bit of strobing in this and a bit of strong language. This is | :04:49. | :04:59. | |
:04:59. | :04:59. | ||
Apology for the loss of subtitles for 107 seconds | :04:59. | :05:41. | |
# I've seen your face in another life | :05:41. | :05:51. | |
:05:51. | :05:56. | ||
# Why did you have to go and let it # Why did you have to go and let it | :05:56. | :06:02. | |
# In too deep and out of time # Why did you have to go and let it | :06:02. | :06:12. | |
:06:12. | :06:22. | ||
die? # Simple man and his blushing bride | :06:22. | :06:32. | |
# Intervenous, intertwined # Hearts gone cold, your hands were | :06:32. | :06:35. | |
tied # Why did you have to go and let it | :06:35. | :06:39. | |
die? # Why did you have to go and let it | :06:39. | :06:43. | |
die? # Why did you have to go and let it | :06:43. | :06:50. | |
die? # In too deep and out of time | :06:50. | :06:54. | |
# Why did you have to go and let it die? | :06:54. | :07:01. | |
# Did you ever think of me? # You're so considerate. | :07:01. | :07:10. | |
# Did you ever think of me? # Oh, so considerate. | :07:10. | :07:16. | |
# In too deep and lost in time # Why did you have to go and let it | :07:16. | :07:19. | |
die? # Beautiful vains and blood shot | :07:19. | :07:22. | |
eyes # Why did you have to go and let it | :07:22. | :07:27. | |
die? # Hearts gone cold and hands were | :07:27. | :07:31. | |
tied # Why did you have to go, let it | :07:31. | :07:34. | |
die? # Why did you have to go, let it | :07:34. | :07:44. | |
:07:44. | :07:57. | ||
# Did you ever think of me? # You're so considerate | :07:57. | :08:04. | |
# Did you ever think of me? # Oh, so considerate | :08:04. | :08:12. | |
# In too deep and lost in time # Why did you have to go and let it | :08:12. | :08:14. | |
die? # Beautiful veins and blood shot | :08:14. | :08:16. | |
eyes # Why did you have to go and let it | :08:16. | :08:21. | |
die? # Hearts gone cold and hands were | :08:21. | :08:23. | |
tied # Why did you have to go and let it | :08:23. | :08:29. | |
die? # Why did you have to go and let it | :08:30. | :08:39. | |
:08:40. | :08:40. | ||
die? # Whoa let this die. | :08:40. | :08:49. | |
# Why did you let this die? # Why did you have to go and let | :08:49. | :08:58. | |
this die? # Why did you let it die? # | :08:58. | :09:08. | |
:09:08. | :09:34. | ||
I'm going to dedicate this song to a friend who lost a friend. This | :09:34. | :09:44. | |
:09:44. | :09:45. | ||
one goes out to my friend Lemmy from Motorhead. Because my good | :09:45. | :09:55. | |
friend Lemmy lost a good friend of his today, a guy, who you might not | :09:55. | :10:00. | |
know, but any friend of Lemmy is a friend of mine. So this one goes | :10:00. | :10:10. | |
:10:10. | :10:23. | ||
# The ground Will drop out from # Your heart will stop | :10:23. | :10:33. | |
:10:33. | :10:33. | ||
Apology for the loss of subtitles for 107 seconds | :10:33. | :11:46. | |
# The clocks will stop # I'll bet, I'll bet | :11:46. | :11:56. | |
:11:56. | :12:14. | ||
# Your eyes will close # You will forget to hope | :12:14. | :12:24. | |
:12:24. | :12:24. | ||
Apology for the loss of subtitles for 107 seconds | :12:24. | :13:57. | |
# I'll bet, I'll bet # Your heart will stop | :13:57. | :14:07. | |
:14:07. | :14:07. | ||
Apology for the loss of subtitles for 107 seconds | :14:07. | :15:14. | |
# I'll bet, I'll bet Thank you. Thanks Alan. You're the | :15:14. | :15:21. | |
best locking guitar tech in the whole world. | :15:21. | :15:26. | |
And he's from Scotland, too! CHEERING | :15:26. | :15:30. | |
Everybody knows the best techs are from Scotland. | :15:30. | :15:36. | |
They are. There's a lot of you too. You don't have locking colleges | :15:36. | :15:45. | |
here? BOO Oh, come on! I locking dropped out | :15:45. | :15:55. | |
:15:55. | :15:58. | ||
of high school, look at me! College, smollege, teach you a bunch of shit. | :15:58. | :16:04. | |
We might not need to know. No-one ever taught me how to do this. | :16:04. | :16:06. | |
# I've got another confession # Everyone's got their chains | :16:06. | :16:16. | |
:16:16. | :16:20. | ||
# Is someone getting the best # The best, the best | :16:20. | :16:22. | |
# Is someone getting the best the best | :16:22. | :16:24. | |
# The best, the best the best of you? | :16:24. | :16:26. | |
# Is someone getting the best | :16:26. | :16:30. | |
# The best, the best the best of you? | :16:30. | :16:37. | |
# Are you gone in onto someone new? | :16:37. | :16:42. | |
# I needed somewhere to hang my head | :16:43. | :16:46. | |
# Without your noose | :16:46. | :16:49. | |
# You gave me something that I didn't have | :16:49. | :16:53. | |
# But had no use | :16:53. | :16:56. | |
# I was too weak to give in | :16:56. | :16:59. | |
# Too strong to lose | :16:59. | :17:03. | |
# My heart is under arrest again | :17:03. | :17:06. | |
# But I break loose | :17:07. | :17:10. | |
# My head is giving me life or death | :17:10. | :17:14. | |
# But I can't choose | :17:14. | :17:18. | |
# I swear I'll never give in | :17:18. | :17:21. | |
# No, I refuse | :17:21. | :17:26. | |
# Is someone getting the bestthe best, the best, the best of you? | :17:26. | :17:32. | |
# Is someone getting the bestthe best, the best, the best of you? | :17:32. | :17:40. | |
# Has someone taken your faith? | :17:40. | :17:42. | |
# It's real, the pain you feel | :17:42. | :17:44. | |
# Your trust, you must confess | :17:44. | :17:48. | |
# Is someone getting the bestthe best, the best, the best of you? | :17:48. | :17:54. | |
# Ow, ow! | :17:54. | :18:04. | |
:18:04. | :18:11. | ||
# Has someone taken your faith? | :18:11. | :18:17. | |
# Ow, ow! | :18:17. | :18:24. | |
# Has someone taken your faith? | :18:24. | :18:25. | |
# It's real, the pain you feel | :18:25. | :18:27. | |
# The life, the love you'd die to heal | :18:27. | :18:31. | |
# The hope that starts the broken hearts | :18:31. | :18:35. | |
# Your trust, you must confess | :18:35. | :18:39. | |
# Is someone getting the bestthe best, the best, the best of you? | :18:39. | :18:45. | |
# Is someone getting the bestthe best, the best, the best of you? | :18:45. | :18:53. | |
# Well, I've got another confession my friend | :18:53. | :19:03. | |
:19:03. | :19:42. | ||
# Ow, ow! | :19:42. | :19:48. | |
# Ow, ow! | :19:48. | :19:51. | |
# Ow, ow! | :19:51. | :20:01. | |
:20:01. | :20:20. | ||
# I've got another confession to make Thank you, good night. Oh, how | :20:20. | :20:25. | |
does he do that. If you want to see more, we're showing the entire set | :20:25. | :20:30. | |
on BBC Three at 10.45. BBC introducing is about unsigned, | :20:30. | :20:35. | |
under the radar musicians, the chance to get on a stage at a big | :20:35. | :20:40. | |
festival and show us what they've got. Our voice and ears of BBC | :20:40. | :20:46. | |
introducing is alley McCrae with the best of BBC introducing. | :20:46. | :20:50. | |
I've been coming to T in the Park since I was 16 years old. For me | :20:50. | :20:54. | |
the best part of the festival is seeing young bands on the small | :20:54. | :20:57. | |
stages, before they become megastarts. This is the place that | :20:57. | :21:07. | |
:21:07. | :21:10. | ||
happened. This is the BBC Right so we are all about every | :21:10. | :21:14. | |
kind of genre of new music. That includes hip-hop. Therecy | :21:14. | :21:18. | |
flourishing hip-hop scene in Scotland. At the top of the pile is | :21:18. | :21:23. | |
this man. How was that set for you? Amazing. That was crazy. Tell us a | :21:23. | :21:30. | |
bit about how it felt to be part of the BBC introducing? It felt | :21:30. | :21:35. | |
amazingly. It just all Spiraled, through Vic playing me back in the | :21:35. | :21:39. | |
day, to go -- to going on the show, you playing me and coming here. | :21:39. | :21:45. | |
Hopefully you can put me in touch with Westwood. We'll see what we | :21:45. | :21:55. | |
:21:55. | :22:01. | ||
I think this is the reason why they come, to find new music. Want to | :22:01. | :22:04. | |
give the smaller bands a chance to be heard, to be scene. This gives | :22:04. | :22:09. | |
an opportunity to be on a bigger stage. Yeah, and have a crowd that | :22:09. | :22:13. | |
you'd not normally have. T In The Park, put your hands together for | :22:13. | :22:23. | |
:22:23. | :22:36. | ||
one of the most exciting bands in How do you feel? Awesome. Out of | :22:36. | :22:43. | |
breath. That reaction was unbelievable. BBC interdueing, sum | :22:43. | :22:49. | |
it up? How's the experience been for you? Top notch. Really cool. | :22:49. | :22:54. | |
Crazy. That's only a taster of the 22 bands we've had on the stage | :22:54. | :22:57. | |
this weekend. If you want to see more highlights go online and | :22:57. | :23:01. | |
remember, if you're making music in this country, you can send your | :23:01. | :23:08. | |
music to us, via the BBC introducing uploader. Go to | :23:08. | :23:15. | |
bbc.co.uk/introducing and that might be you next year. | :23:15. | :23:24. | |
I love Ally. I liked what I heard last night. KT Tunstall is here. | :23:24. | :23:28. | |
It wouldn't be T in the Park if I didn't chat to you. It's lovely to | :23:28. | :23:32. | |
be here. It's so nice to be here. How long since you have been here? | :23:32. | :23:37. | |
I don't know, at least three years I think. Wow. You've been off and | :23:37. | :23:41. | |
got married, travelled the word. Wrote an album. I remember this was | :23:41. | :23:48. | |
the first festival that I ever came to. Dito. In the back of a transit | :23:48. | :23:57. | |
called -- singing with a band called Scooby Doo collaboration. It | :23:57. | :24:03. | |
doesn't feel it's changed that much. Today were you... It's amazing. | :24:03. | :24:08. | |
It's, the atmosphere in that place is undescribable. It's a feat of | :24:08. | :24:10. | |
camping technology. I don't understand how you can have a tent | :24:10. | :24:14. | |
that fits 10,000 people. It's brilliant. How was it? Great. I | :24:14. | :24:20. | |
have to say that if I had to choose, I'd probably go with the tent as a | :24:20. | :24:24. | |
gig. Because you're just really sweaty and close and everyone os | :24:24. | :24:28. | |
packed in to see it. You can really see the whites of people's eyes. | :24:28. | :24:33. | |
It's such a good vibe. Even though there's 10,000 people this there, | :24:33. | :24:37. | |
you get incredible intimacy. Yeah, I had a new experience this year. I | :24:37. | :24:43. | |
got hit by quite a lot of stuff. This was fine. Soft toys or? There | :24:43. | :24:47. | |
was liquid, which I didn't really... Don't investigate that. I didn't | :24:47. | :24:53. | |
analyse. But there was a few missiles of the plastic bottle | :24:53. | :24:58. | |
flavour, which actually got me quite fired up. I quite liked it. | :24:58. | :25:03. | |
That's not to say I want to encourage that at my gigs or other | :25:03. | :25:08. | |
gigs. Any way... Is there kind of slap bang in the middle of a summer | :25:08. | :25:14. | |
of festivals and tours? Yeah pretty much in the middle. Glasto we've | :25:14. | :25:19. | |
had. I've come straight from Belgium and Latitude next weekend. | :25:19. | :25:26. | |
Going up to the outer Hebrides for heb kelt felt Val and playing | :25:26. | :25:32. | |
Orkney as well. Have you done that before? No, I can't wait. There's | :25:32. | :25:37. | |
something cool doing a festival on an island where you're captive. | :25:37. | :25:43. | |
want to see your performance. This is Katie earlier on today in the | :25:43. | :25:53. | |
:25:53. | :25:54. | ||
This song is for anybody who has been through a horrible break up. | :25:54. | :25:57. | |
That's pretty much everyone. This song is about the fact you can do | :25:57. | :26:07. | |
:26:07. | :26:22. | ||
# Oh, oh, oh, # Come on | :26:22. | :26:32. | |
:26:32. | :26:52. | ||
# We could make it easy # We could do it right | :26:52. | :26:55. | |
# Because you know the time has come | :26:55. | :27:02. | |
# It must be done # We're going down | :27:02. | :27:07. | |
# Down hey, hey # Come on | :27:07. | :27:14. | |
# See the light # Come on | :27:14. | :27:24. | |
:27:24. | :27:32. | ||
# The door is open # Got to do it | :27:32. | :27:38. | |
# Got to do it soon hrb got to get this evil beast out of the room | :27:38. | :27:48. | |
:27:48. | :27:49. | ||
# Because he's greedy # I let him creep up on us from | :27:49. | :27:51. | |
behind # He's not getting you | :27:51. | :28:01. | |
:28:01. | :28:08. | ||
# Because you know the time has # Come on, can you see the light? | :28:08. | :28:15. | |
# Come on, you know it feels right # The door is open, are you gonna | :28:15. | :28:18. | |
take the ride? # We're playing it all wrong | :28:18. | :28:25. | |
# That's why I'm saying it, come on, get in | :28:25. | :28:35. | |
:28:35. | :28:40. | ||
# Get in # Na, na, na, na | :28:40. | :28:44. | |
# I'll take the anger # You take the pain | :28:44. | :28:51. | |
# And we'll promise that we won't go back again | :28:51. | :28:56. | |
# Because the time has come # We could break these chains | :28:56. | :28:59. | |
# And baby we could run # So keep your eyes on the road | :29:00. | :29:04. | |
# Keep your hands on the wheel ksh because we know the time is right | :29:04. | :29:14. | |
:29:14. | :29:15. | ||
# We just might make it going downhill. | :29:15. | :29:20. | |
# Come on, can you see the light? # Come on, you know it feels right. | :29:20. | :29:30. | |
:29:30. | :29:33. | ||
# The door is open # Are you gonna take the ride? | :29:33. | :29:40. | |
# Come on, can you see the light? # Come on, you know it feels right. | :29:40. | :29:44. | |
# The door is open # Are you gonna take the ride? | :29:44. | :29:47. | |
# We're playing it all wrong, that's why I'm saying it | :29:48. | :29:52. | |
# Come on, get in # Get in | :29:52. | :30:02. | |
:30:02. | :30:09. | ||
# Come on # I love KT Tunstall. Charlotte | :30:09. | :30:15. | |
Hathaway on guitar. I saw that. Saw Katie, she was fantastic. What a | :30:15. | :30:20. | |
character as well. We know her well. We grew up with her. Saw a bit of | :30:20. | :30:25. | |
KT Tunstall. Saw a bit of Tinie Tempaah. I've had a really varied | :30:25. | :30:30. | |
day. I've been running round the site. Saw a band called United | :30:30. | :30:37. | |
Fruit. Saw a bit of BBC introducing. Saw dot JR there. Meeting loads of | :30:37. | :30:39. | |
punters and having great conversations everywhere. There's | :30:39. | :30:43. | |
been a bit of mud, there's been a bit of rain. But the highlight of | :30:43. | :30:48. | |
my day was meeting Blondie. wow! I grew up with Blondie right, | :30:48. | :30:55. | |
I managed to interview Christine, and Debbie Harry from the band. We | :30:55. | :31:00. | |
hit it off. You know when you do an interview and you bond with the | :31:00. | :31:04. | |
band. You're off for dinner with Blondie, is that what you're | :31:04. | :31:09. | |
saying? I would like to say so, but I think they're playing London. | :31:09. | :31:12. | |
That was an absolute highlight for me. I've been having a great time. | :31:13. | :31:17. | |
The band that we're going to check out a tune by wrt band that started | :31:17. | :31:24. | |
my day. I got here pretty early about 11.55am, this band took to | :31:24. | :31:28. | |
the stage. To me, they're one of the best bands around, whether it's | :31:28. | :31:34. | |
Scotland or beyond. They've released a couple of records on | :31:34. | :31:39. | |
Chemical Underground records. Check mate savage the first one and the | :31:39. | :31:44. | |
Want the second. Here they're playing the acoustic version of | :31:44. | :31:54. | |
:31:54. | :31:59. | ||
everybody knows it's true. It's the # When I was a falling bird | :31:59. | :32:09. | |
:32:09. | :32:10. | ||
# Everybody stay add way # Everybody craned their heads | :32:10. | :32:20. | |
:32:20. | :32:21. | ||
# To see my change in shape # And the weightless dance | :32:21. | :32:31. | |
:32:31. | :32:31. | ||
# Against a torch light moon # Everybody knows it's true | :32:31. | :32:38. | |
# The ship that sailed on its deck with sand | :32:38. | :32:45. | |
# And I combed my hair and prayed, do not take us down | :32:45. | :32:52. | |
# We we're made of stone and we are not hollow | :32:52. | :33:02. | |
:33:02. | :33:05. | ||
# Everybody knows it's true # From the shallow to the top | :33:05. | :33:15. | |
:33:15. | :33:16. | ||
# Everybody wants to learn, but the cost is just the words | :33:16. | :33:26. | |
:33:26. | :33:34. | ||
# I crucify my own # Everybody knows it's true | :33:34. | :33:39. | |
# It was an arresting time # Like a secret care | :33:39. | :33:49. | |
:33:49. | :33:50. | ||
# Like the saddest rainbow, which you tied into my bones | :33:51. | :33:57. | |
# Faded to blue # Everybody knows it's true | :33:58. | :34:04. | |
# Not in my life # Barely rich enough from the | :34:04. | :34:11. | |
shadow to the top # Everybody wants to learn, but the | :34:11. | :34:21. | |
:34:21. | :34:29. | ||
cross is by the words I crucified my own. | :34:29. | :34:39. | |
:34:39. | :34:39. | ||
Apology for the loss of subtitles for 107 seconds | :34:39. | :35:22. | |
# Everybody knows it's true Wow. Thank you so much, guys. | :35:22. | :35:27. | |
Really appreciate you coming in. Andy, what is that thing you're | :35:27. | :35:33. | |
playing, I want one? This is a kaso from about 1982 or something like | :35:33. | :35:39. | |
that. I think it's meant to be a children's toy. It's got a | :35:39. | :35:46. | |
calculator. I've got one. How was T for you today? Lovely. Muddy. | :35:46. | :35:50. | |
are things going at the moment, I know you're down in London recently. | :35:50. | :35:55. | |
A couple of friends saw you at a gig, which they said was incredible. | :35:55. | :35:59. | |
Things are picking up in terms of people knowing about you and the | :35:59. | :36:05. | |
music is fab. I hope stkpwhro. What are your plans? Latitude next week. | :36:05. | :36:10. | |
We're playing on Friday. We're playing Belgium on the Friday night | :36:10. | :36:17. | |
and the festival on the Saturday. It's the B weekend. I want some | :36:17. | :36:26. | |
sleep. A few hours sleep. No! Plans for a new album, are you thinking | :36:26. | :36:29. | |
about that? Early days yet? We've got a few ideas. Probably take | :36:29. | :36:34. | |
about three years to come to fruition. I'm sure we can wait. | :36:34. | :36:39. | |
Hopefully you'll still remember us by then. Really appreciate you | :36:39. | :36:44. | |
coming in. It's great when you come in and do that for us. The Phantom | :36:44. | :36:47. | |
Band everybody. Check out the two albums they have for you. Please do | :36:47. | :36:53. | |
check them out. Now, Foo Fighters, whole set is coming to you on BBC 3, | :36:53. | :36:57. | |
very, very shortly. So make sure you stay tuned for that. We have | :36:57. | :37:03. | |
more on the red button. Stay in touch with us as well. Head to the | :37:03. | :37:12. | |
website bbc.co.uk/T In The Park, # Bbctitp. Loads of great Foo | :37:12. | :37:16. | |
Fighters tracks. I've been asked to pick a highlight. It's been so hard | :37:16. | :37:19. | |
to pick something. Last night was quite an emotional night. I think | :37:19. | :37:22. | |
just seeing those big bands an the way they finish their sets is | :37:23. | :37:26. | |
something that I think you guys need to relive. We're going to | :37:26. | :37:30. | |
check out the last track from Coldplay last night, which was | :37:30. | :37:34. | |
pretty special and we'll see you back here on BBC Three for more | :37:34. | :37:37. | |
from the Foo Fighters, your headliners on the last day. This is | :37:37. | :37:47. | |
:37:47. | :38:02. | ||
# I turn the music up # I've got my records on | :38:02. | :38:05. | |
# I shut ut world outside until the lights come on | :38:05. | :38:11. | |
# Maybe the trees are gone # I feel my heart stop beating | :38:11. | :38:19. | |
# And all the kids they dance, # But till Monday morning feels | :38:19. | :38:22. | |
another path # I turn the music up | :38:22. | :38:32. | |
:38:32. | :38:44. | ||
# I'm on a role this time and # I turn the music up, | :38:44. | :38:53. | |
# I turn the music up # Don't want to see | :38:53. | :38:55. | |
# Maybe I'm in the black, maybe I'm on my knees | :38:55. | :38:58. | |
# Maybe I'm in the gap between the two trapezes | :38:58. | :39:02. | |
# But my heart is beating and my pulses start | :39:02. | :39:06. | |
# Cathedrals in my heart | :39:06. | :39:11. | |
# As we saw | :39:11. | :39:15. | |
# Oh, this light | :39:15. | :39:19. | |
# I swear you emerge blinking into | :39:19. | :39:23. | |
# To tell me it's all right | :39:23. | :39:27. | |
# As we soar walls | :39:27. | :39:34. | |
# Every siren is a symphony | :39:34. | :39:38. | |
# And every tear's a waterfall | :39:38. | :39:43. | |
# Is a waterfall, ah | :39:43. | :39:47. | |
# Is a waterfall, ah | :39:47. | :39:50. | |
# Is a waterfall | :39:50. | :39:55. | |
# Every tear is a waterfall, ah | :39:55. | :39:59. | |
# So you can hurt | :39:59. | :40:02. | |
# Hurt me bad | :40:02. | :40:06. | |
# But still I'll raise | :40:06. | :40:12. | |
# The flag | :40:12. | :40:20. | |
# Oh | :40:20. | :40:24. | |
# It was a wa-ah-ah-ah, waterfall | :40:25. | :40:29. | |
# A wa-ah-ah-ah, waterfall | :40:29. | :40:39. | |
:40:39. | :40:54. | ||
# Oh, oh | :40:54. | :40:57. |