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Because your father was a piper, and a very famous one, | 0:04:13 | 0:04:18 | |
you were probably expected to be just a piper. | 0:04:18 | 0:04:22 | |
My Uncle Roddy was... He lived... | 0:04:22 | 0:04:25 | |
He was working in America and used to come back with all these records, | 0:04:25 | 0:04:28 | |
'so American music was a huge influence for me, | 0:04:28 | 0:04:32 | |
'so I bought a guitar, but I had to sneak it into the house, you know, | 0:04:32 | 0:04:36 | |
'and it was in the house for about three weeks in my wardrobe | 0:04:36 | 0:04:40 | |
'and I'd practise at night without my dad hearing, | 0:04:40 | 0:04:42 | |
'and when he heard the guitar,' | 0:04:42 | 0:04:44 | |
um...yeah, he didn't speak to me for about two weeks. | 0:04:44 | 0:04:48 | |
# Going to listen to the waves and why | 0:04:59 | 0:05:02 | |
# They crumble down, I can't say how | 0:05:02 | 0:05:04 | |
# The winter wind, it breathes in life | 0:05:04 | 0:05:07 | |
# The winter wind, it passes through time | 0:05:07 | 0:05:11 | |
# Stormy days keep me in line | 0:05:15 | 0:05:18 | |
# I walk through the rain and tides | 0:05:18 | 0:05:21 | |
# Trying to find a reason why | 0:05:21 | 0:05:24 | |
# The very mention of her name, I | 0:05:24 | 0:05:26 | |
# Cry | 0:05:26 | 0:05:30 | |
# She said she'd follow me | 0:05:30 | 0:05:33 | |
# All my days | 0:05:36 | 0:05:40 | |
# She said she'd follow me | 0:05:40 | 0:05:44 | |
# We walked on the beach that night | 0:05:53 | 0:05:56 | |
# You talked about how you'd be my bride | 0:05:56 | 0:05:58 | |
# A Lewis summer and childhood lies | 0:05:58 | 0:06:01 | |
# The Lewis summer and childhood lies | 0:06:01 | 0:06:05 | |
# Those young days I believed in you | 0:06:09 | 0:06:12 | |
# Like God for the chosen few | 0:06:12 | 0:06:14 | |
# This heart's still there for you | 0:06:14 | 0:06:17 | |
# My heart's still there for | 0:06:17 | 0:06:19 | |
# You | 0:06:19 | 0:06:23 | |
# She said she'd follow me | 0:06:23 | 0:06:25 | |
# All my days | 0:06:30 | 0:06:33 | |
# She said she'd follow me | 0:06:33 | 0:06:38 | |
# All my days | 0:07:24 | 0:07:26 | |
# She said she'd follow me | 0:07:26 | 0:07:29 | |
# All my days | 0:07:34 | 0:07:38 | |
# She said she'd follow me | 0:07:38 | 0:07:40 | |
# All my days | 0:07:45 | 0:07:49 | |
# She said she'd follow me | 0:07:49 | 0:07:52 | |
# All my days | 0:07:55 | 0:08:00 | |
# She said she'd follow me. # | 0:08:00 | 0:08:03 | |
# Ring them bells, ye heathen | 0:08:36 | 0:08:40 | |
# From the city that dreams | 0:08:40 | 0:08:42 | |
# Ring them bells from the sanctuaries | 0:08:42 | 0:08:45 | |
# Cross the valleys and streams | 0:08:45 | 0:08:47 | |
# For they're deep and they're wide | 0:08:47 | 0:08:52 | |
# And the world's on its side | 0:08:52 | 0:08:54 | |
# And time is running backwards | 0:08:54 | 0:08:57 | |
# And so is the bride | 0:08:57 | 0:09:01 | |
# Ring them bells, Saint Peter | 0:09:01 | 0:09:04 | |
# Where the four winds blow | 0:09:04 | 0:09:07 | |
# Ring them bells with an iron hand | 0:09:07 | 0:09:10 | |
# So the people will know | 0:09:10 | 0:09:12 | |
# For it's rush hour now | 0:09:12 | 0:09:16 | |
# On the wheel and the plough | 0:09:17 | 0:09:19 | |
# And the sun is going down | 0:09:19 | 0:09:24 | |
# Upon the sacred cow | 0:09:24 | 0:09:26 | |
# Ring them bells, Sweet Martha for the poor man's son | 0:09:51 | 0:09:57 | |
# Ring them bells so the world will know that God is one | 0:09:57 | 0:10:03 | |
# Oh, the shepherd is asleep Where the willows weep | 0:10:03 | 0:10:10 | |
# And the mountains are filled with lost sheep | 0:10:10 | 0:10:15 | |
# Ring them bells | 0:10:15 | 0:10:18 | |
# For the blind and the deaf | 0:10:18 | 0:10:21 | |
# Ring them bells | 0:10:22 | 0:10:25 | |
# For all of us who are left | 0:10:25 | 0:10:27 | |
# Ring them bells | 0:10:27 | 0:10:30 | |
# For the chosen few | 0:10:30 | 0:10:34 | |
# Who will judge the many | 0:10:34 | 0:10:37 | |
# When the game is through | 0:10:37 | 0:10:40 | |
# Ring them bells | 0:10:40 | 0:10:43 | |
# For the time that flies | 0:10:43 | 0:10:47 | |
# For the child that cries | 0:10:47 | 0:10:50 | |
# When the innocence dies | 0:10:50 | 0:10:55 | |
# Ring them bells, Saint Catherine, from the top of the room | 0:10:57 | 0:11:03 | |
# Ring them from the fortress for the lilies that bloom | 0:11:03 | 0:11:10 | |
# Oh, the lines are long | 0:11:10 | 0:11:12 | |
# And the fighting is strong | 0:11:12 | 0:11:16 | |
# And they're breaking down the distance between right and wrong | 0:11:16 | 0:11:23 | |
Bill Monroe's bluegrass music was a combination of rural blues music | 0:15:07 | 0:15:12 | |
with the influences of Scottish and Irish fiddle music | 0:15:12 | 0:15:17 | |
so obviously, you know, Americans evolved... | 0:15:17 | 0:15:21 | |
whether we know it or not, we've been influenced by those type of fiddle tunes, | 0:15:21 | 0:15:25 | |
cos it didn't start in America. | 0:15:25 | 0:15:27 | |
# On Ridgetop, Tennessee, in 1973 | 0:15:38 | 0:15:43 | |
# The Brown boys killed Stringbean and Estelle | 0:15:43 | 0:15:48 | |
# The reason for it all was in the bib of his overalls | 0:15:49 | 0:15:55 | |
# At least that's what the Brown boys would tell | 0:15:55 | 0:16:00 | |
# The thieves laid in wait for hours | 0:16:00 | 0:16:04 | |
# But things didn't go their way | 0:16:05 | 0:16:11 | |
# It was just a simple plan To rob a banjo man | 0:16:11 | 0:16:16 | |
# But he wouldn't let go of his Opry pay | 0:16:16 | 0:16:21 | |
# There must have been a terrible struggle | 0:16:32 | 0:16:37 | |
# For the cash in his bib overalls | 0:16:37 | 0:16:42 | |
# The Brown boys said, "Don't give us no trouble | 0:16:43 | 0:16:48 | |
# "We came for some but now we want it all" | 0:16:48 | 0:16:53 | |
# And the thieves said, "Stand and deliver" | 0:16:53 | 0:16:58 | |
# But Stringbean would not tell | 0:16:59 | 0:17:04 | |
# And later we would learn there was a point of no return | 0:17:04 | 0:17:10 | |
# They shot him dead, then they shot Estelle | 0:17:10 | 0:17:13 | |
# He saw no smoke from the chimney | 0:17:26 | 0:17:31 | |
# So Grandpa knew that something was not right | 0:17:31 | 0:17:37 | |
# It would burn evermore in his memory | 0:17:37 | 0:17:42 | |
# The picture of that dreadful, awful sight | 0:17:42 | 0:17:47 | |
# And then 23 years later | 0:17:47 | 0:17:52 | |
# They tore the fireplace down | 0:17:52 | 0:17:59 | |
# There was 20,000 dollars | 0:17:59 | 0:18:03 | |
# That the Brown boys never found | 0:18:03 | 0:18:07 | |
# Yeah, it seemed like easy money | 0:18:30 | 0:18:35 | |
# But things didn't go their way | 0:18:35 | 0:18:40 | |
# It was just a simple plan To rob a banjo man | 0:18:40 | 0:18:46 | |
# But he wouldn't let go of his Opry pay | 0:18:46 | 0:18:51 | |
# Now, String said, "You can't have my Opry pay" | 0:18:51 | 0:18:56 | |
# They say that nothing's sacred | 0:19:02 | 0:19:07 | |
# And now I have seen it all | 0:19:07 | 0:19:13 | |
# I read it in this morning's paper | 0:19:13 | 0:19:18 | |
# They've auctioned off Strings overalls. # | 0:19:18 | 0:19:24 | |
# Galileo fell in love | 0:19:48 | 0:19:53 | |
# As a Galilean boy | 0:19:55 | 0:19:58 | |
# And he wondered what in heaven | 0:19:58 | 0:20:03 | |
# Who invented such a joy | 0:20:03 | 0:20:07 | |
# But the question got the better of his | 0:20:07 | 0:20:12 | |
# Scientific mind | 0:20:12 | 0:20:17 | |
# And to his blind and dying gaze | 0:20:17 | 0:20:22 | |
# He looked up high | 0:20:22 | 0:20:26 | |
# And often sighed | 0:20:26 | 0:20:30 | |
# And sometimes cried | 0:20:30 | 0:20:34 | |
# Who puts the rainbow in the sky? | 0:20:34 | 0:20:40 | |
# Who lights the stars at night? | 0:20:43 | 0:20:50 | |
# Who dreamt up someone so divine? | 0:20:53 | 0:21:00 | |
# Someone like you and made them mine? | 0:21:03 | 0:21:09 | |
# Love can make you ask some funny questions now and then | 0:21:14 | 0:21:22 | |
# Just remember the alternatives | 0:21:23 | 0:21:28 | |
# For I remember when | 0:21:28 | 0:21:32 | |
# I was lonely and unhappy | 0:21:32 | 0:21:37 | |
# And my lips were cold as ice | 0:21:37 | 0:21:43 | |
# But you kissed me and good heavens | 0:21:43 | 0:21:47 | |
# Now I'm here in paradise | 0:21:47 | 0:21:52 | |
# So if ever I'm not kissing you | 0:21:52 | 0:21:57 | |
# Or looking in your eyes | 0:21:57 | 0:22:02 | |
# I won't be blind and I won't cry | 0:22:02 | 0:22:08 | |
# I'll look up high | 0:22:08 | 0:22:12 | |
# And gladly sigh | 0:22:12 | 0:22:15 | |
# And thank the guy | 0:22:15 | 0:22:18 | |
# Who puts the rainbow in the sky | 0:22:19 | 0:22:26 | |
# Who lights the stars at night | 0:22:29 | 0:22:36 | |
# Who dreamt up someone so divine | 0:22:39 | 0:22:46 | |
# Someone like you and made them mine | 0:22:49 | 0:22:55 | |
# Someone like you and made them mine. # | 0:22:58 | 0:23:06 | |
-OK, thanks. -That was brilliant. | 0:23:14 | 0:23:17 | |
-Thank you. -I was watching. Really lovely, yeah. | 0:23:17 | 0:23:20 | |
OK, brilliant. | 0:23:20 | 0:23:22 | |
-You the man, he the man. -Yeah. Very subtle and lovely. | 0:23:22 | 0:23:25 | |
# This old house is falling down around my ears | 0:23:48 | 0:23:56 | |
# I'm drowning in a river of my tears | 0:24:01 | 0:24:09 | |
# When all my will is gone | 0:24:13 | 0:24:17 | |
# You hold me sway | 0:24:17 | 0:24:21 | |
# I need you at the dimming of the day | 0:24:24 | 0:24:31 | |
# You pull me like | 0:24:37 | 0:24:39 | |
# The moon pulls on the tide | 0:24:39 | 0:24:46 | |
# You know just where I keep my better side | 0:24:48 | 0:24:56 | |
# Oh-oh-oh-oh-oh | 0:24:58 | 0:25:02 | |
# What days have come | 0:25:07 | 0:25:10 | |
# To keep us far apart | 0:25:10 | 0:25:15 | |
# A broken promise | 0:25:18 | 0:25:21 | |
# Or a broken heart | 0:25:21 | 0:25:27 | |
# Now all the bonny birds | 0:25:31 | 0:25:35 | |
# Have wheeled away | 0:25:35 | 0:25:39 | |
# I need you at the dimming of the day | 0:25:43 | 0:25:51 | |
# Come the night you're only what I want | 0:25:56 | 0:26:04 | |
# Come the night you could be my confidant | 0:26:08 | 0:26:16 | |
# Oh-oh-oh-oh | 0:26:16 | 0:26:22 | |
# Come the night you're only what I want | 0:27:15 | 0:27:23 | |
# Come the night you could be my confidant | 0:27:27 | 0:27:34 | |
# Oh-oh-oh-oh | 0:27:34 | 0:27:40 | |
# I see you walk the street in company | 0:27:45 | 0:27:53 | |
# Why don't you come and ease your mind with me | 0:27:56 | 0:28:04 | |
# I'm living for the night we steal away | 0:28:09 | 0:28:17 | |
# I need you at the dimming of the day | 0:28:20 | 0:28:28 | |
# I need you at the dimming of the day. # | 0:28:33 | 0:28:41 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:48 | |
E-mail [email protected] | 0:28:48 | 0:28:50 |