Browse content similar to 20/08/2011. Check below for episodes and series from the same categories and more!
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is time for Click. We are now approaching London Heathrow. The | :00:04. | :00:14. | |
:00:14. | :00:32. | ||
weather is fine. We hope you had a pleasant journey. This week, a | :00:32. | :00:37. | |
slightly more realistic flight simulator, as we get to the heart | :00:37. | :00:42. | |
of the action at the extreme end of the NSE of gaining. A brave new | :00:42. | :00:47. | |
piece of camera technology that should make everything clear. That, | :00:47. | :00:52. | |
plus the latest technology news and the smart phone up that promises to | :00:52. | :01:02. | |
:01:02. | :01:09. | ||
make use smart as well. Welcome to Click. For years, video games the | :01:09. | :01:12. | |
current and Simulation designers have tried to make players feel | :01:12. | :01:18. | |
part of the action. And the grassy -- graphics and sound have improved | :01:18. | :01:21. | |
and the experience is more realistic. How realistic is it | :01:22. | :01:27. | |
possible to get? In a quest for the ultimate in Messi that simulated | :01:28. | :01:37. | |
:01:38. | :01:39. | ||
experience, we found ourselves scaling new heights. Gains in the - | :01:39. | :01:43. | |
- simulator designers have tried all sorts of tricks to make games | :01:43. | :01:49. | |
as NSE as possible. From elaborate peripheral to 3 D goggles. We have | :01:49. | :01:56. | |
scoured the globe will find the ultimate simulator experience. And | :01:56. | :02:04. | |
our quest begins here, in Coventry. This street looks pretty normal. In | :02:04. | :02:08. | |
fact, it looks like thousands up- and-down Great Britain. Cars parked | :02:08. | :02:12. | |
outside homes. Beans waiting for collection. But inside this | :02:12. | :02:18. | |
particular house, we find something quite unusual. Commentary's very | :02:18. | :02:28. | |
:02:28. | :02:30. | ||
own suburban 747. This is John Davies. His back bedroom has become | :02:30. | :02:39. | |
the scene of some extreme redecorating. A lot of people use | :02:39. | :02:45. | |
their back bedroom as a Home Office or as a spare room. But John Davies | :02:45. | :02:52. | |
has converted his back bedroom into a polling 747 cockpit simulator. It | :02:52. | :02:56. | |
is very impressive. But it did not always look like this. It will | :02:56. | :03:00. | |
start at 12 years ago, with a PC and a copy of Microsoft Flight | :03:00. | :03:08. | |
simulator. It is really a hobby that got totally out of hand. | :03:08. | :03:12. | |
are about five computers running it, with approximately 30 programmes, | :03:12. | :03:16. | |
interfacing with all of the different things. The main software | :03:16. | :03:20. | |
that runs the flight model and the flight displays that you see in | :03:20. | :03:27. | |
front of us it is called Aero links P S one. That just simulates the | :03:27. | :03:31. | |
Boeing seven for 7. And then I am using Microsoft Flight simulator | :03:31. | :03:36. | |
for the visuals only. We have software that takes over the flight | :03:36. | :03:46. | |
:03:46. | :03:46. | ||
model of Microsoft. So we use that for the Bijan and night and day. | :03:46. | :03:50. | |
Fly at simulators have long been the preserve of a joystick and | :03:50. | :03:54. | |
plug-in computer. But the realistic switches and controls quickly makes | :03:54. | :04:00. | |
me forget that time in the back bedroom of a Coventry terrace house. | :04:00. | :04:09. | |
Convincing as it is, it does not improve my flying. We are on the | :04:09. | :04:13. | |
ground. I am clearly going to need | :04:13. | :04:17. | |
veg will passengers are going to make it to the terminal building | :04:17. | :04:26. | |
and one piece. But that is the beauty of the simulator set up. I n | :04:26. | :04:30. | |
2,500 seats in the air again on approach to Heathrow. I wonder how | :04:30. | :04:35. | |
rich is getting on, he is at the other end of the country, trying | :04:35. | :04:39. | |
out a different simulator. That's all well and good, but if you | :04:39. | :04:44. | |
happen to have a spare 10 or $15 | :04:44. | :04:50. | |
one of these. Passports at the ready, we are off to New York. This | :04:50. | :04:53. | |
is the British Airways flight training facility near Heathrow | :04:53. | :04:56. | |
Airport. It would be impossible to fix the kit here its way back | :04:56. | :05:01. | |
bedroom. This beast is capable of replicating Maidment as well as the | :05:02. | :05:06. | |
sights and sounds of pilot experiences. How adding the motion | :05:06. | :05:10. | |
and turn and made around just reinforces all of that training | :05:10. | :05:15. | |
that we used to maximum effect. It ok | :05:15. | :05:18. | |
at the visuals and you look like you Attorney and the graphics | :05:18. | :05:22. | |
inside the aeroplane look like you are turning. But if your ears do | :05:22. | :05:26. | |
not tell you, you can get as confusion. In order to make the | :05:26. | :05:31. | |
projected visuals more realistic, the grass set -- graphics have been | :05:31. | :05:36. | |
shifted out of focus. The effect is quite successful. That is | :05:36. | :05:39. | |
incredibly realistic. How do you feel when you are in one of these, | :05:39. | :05:44. | |
do you get into his own? question. You're getting very | :05:44. | :05:48. | |
swiftly. You are getting on with the deep house and it is so | :05:48. | :05:56. | |
realistic that we take the full training process. Mein Yih-Shin | :05:56. | :06:06. | |
:06:06. | :06:09. | ||
ears to land at this vegetable version of a jumbo jet. These back | :06:09. | :06:19. | |
:06:19. | :06:28. | ||
gently. Just told it there. They do say that practice makes perfect. | :06:28. | :06:34. | |
Does easy it back a fraction. was a great landing. That felt a | :06:34. | :06:39. | |
bit better. It was a lot better. You have taking your fing your f | :06:39. | :06:43. | |
You have just seen the advantage of the training. Each approach, you | :06:43. | :06:48. | |
relax more and you have got and better and better. The advantage of | :06:48. | :06:51. | |
repetitious training and Simulation, you have just seen it. Back at | :06:52. | :06:55. | |
Heathrow, after a relatively smooth journey. His you really want to | :06:56. | :07:02. | |
experience the highs and lows and thrills and spills of flying. You | :07:02. | :07:07. | |
need this. That is why we have made this arduous trek to this airfield | :07:07. | :07:10. | |
in southern California. I am feeling the need, the need for | :07:10. | :07:20. | |
speed. They Air is a $5 fine for every Top Gun reference. Air combat | :07:20. | :07:24. | |
pleats would be fighter pilots against one another in a real | :07:24. | :07:29. | |
aircraft. They fully, the combat is simulated. However, everything else | :07:29. | :07:37. | |
is real. Two x the Top Gun pilots will accompany us, taking off and | :07:37. | :07:42. | |
landing the aircraft. In order to help us Channel that, myself and | :07:42. | :07:48. | |
Richard have got to look the part. Adding Lodder zero hours piloting | :07:48. | :07:52. | |
real aircraft, a pre-flight briefing is in order. We will go | :07:52. | :07:57. | |
out and do five dog fights. We're trying to engage somebody from | :07:57. | :08:01. | |
behind the Ling Lin. When you get the gun on them and you shoot, you | :08:02. | :08:08. | |
will see smoke come out of the back end. Breezing over, we received our | :08:08. | :08:13. | |
parachutes, hell lets and pilots call signs. I will be known in the | :08:13. | :08:19. | |
air as Eight years old. And diet will be called At stitch. This is a | :08:19. | :08:25. | |
military trainer. A maximum speed of 287 knots and is capable of | :08:25. | :08:29. | |
achieving a U-turn. If we do Upul that turn up there, I will not be | :08:29. | :08:33. | |
very happy because it really, really will not feel very nice at | :08:33. | :08:39. | |
all. We are essentially playing Laser Tag in the sky. They are | :08:39. | :08:43. | |
equipped with generators, so when I score a direct hit, he will know | :08:43. | :08:48. | |
about it. His plane will be up in smoke. Let's just hope that he | :08:48. | :08:58. | |
:08:58. | :09:10. | ||
makes it back down. Way are false start I am looking forward to this. | :09:10. | :09:20. | |
:09:20. | :09:44. | ||
Bring it right. You need to deflect your wings. I have got you. OK | :09:44. | :09:54. | |
:09:54. | :09:56. | ||
false start --. You have gone into a spin. He well, Bonnie to your | :09:56. | :10:06. | |
:10:06. | :10:10. | ||
right. We are heading back to the airfield. I believe recheck got hit | :10:10. | :10:17. | |
me a few more times than I got him. Seeking permission to pass the hour. | :10:17. | :10:27. | |
:10:27. | :10:30. | ||
That is $25. You have to remember, as every good fighter pilot knows, | :10:30. | :10:36. | |
it is the first deal that counts. It looks as though you have lost | :10:36. | :10:46. | |
:10:46. | :10:50. | ||
that feeling. Any is now $70 that you owe any. That feeling is gone. | :10:50. | :10:54. | |
That is the closest that those two will ever come to wading through | :10:54. | :11:00. | |
the danger zone. A look at this week's technology news. Two men are | :11:00. | :11:05. | |
posted messages on Facebook inciting others to riot have been | :11:05. | :11:10. | |
they'll -- jailed for four years, even though no violence took place. | :11:11. | :11:15. | |
They admitted encouraging crime in Northwich and Warrington during the | :11:15. | :11:20. | |
English Rights earlier this month. Both men are to appeal the decision. | :11:20. | :11:25. | |
Google is forking out 12 and a half billion dollars to buy a Motorola's | :11:25. | :11:29. | |
Mobile Division. It will give Google an opportunity to develop | :11:29. | :11:34. | |
hardware, which should give users of its Andrew Raines operating | :11:34. | :11:38. | |
system, a more integrated experience. Other man said | :11:38. | :11:43. | |
operators welcomed the purges as it brings about 107 -- 170,000 patents | :11:43. | :11:49. | |
which could help good will defend against potential lawsuits. The AA | :11:49. | :11:57. | |
Japanese outfit is giving a helping hand to iPhone for users. It is a | :11:57. | :12:01. | |
case where a seller can hand on the outside. Maybe it is so that you | :12:01. | :12:04. | |
can feel more in touch with your loved ones when they call. If you | :12:04. | :12:10. | |
think that it is a high, here is a video proved. You have got to hand | :12:10. | :12:16. | |
it to them. One of the great things about digital photography is that | :12:16. | :12:20. | |
even if you do take a bad picture, you can usually corrected using | :12:20. | :12:25. | |
software. It is too dark, you can brighten it. It is a level, you can | :12:25. | :12:30. | |
straighten it. You can croc and refrain as well. One thing that you | :12:30. | :12:34. | |
cannot do, not very well, is to correct the focus. The few have | :12:34. | :12:40. | |
shot something and it has turned out Lowery. Until now. Fresh from | :12:40. | :12:44. | |
his aerial dogfight, Richard has been looking at some technology | :12:44. | :12:48. | |
which promises to do something that previously has sounded completely | :12:48. | :12:55. | |
impossible. It is a scene that will instantly resonate for anybody with | :12:55. | :12:59. | |
children. Trying to catch that precious moment through a lens. | :12:59. | :13:04. | |
Memories may be priceless, but all too often, they end up as worthless. | :13:04. | :13:08. | |
Photography has exploded into the mainstream that as it has, skills | :13:08. | :13:14. | |
or lack thereof, has become all the more exposed. And frequently, over | :13:14. | :13:18. | |
or under. And when you are dealing with a tricky scene where your | :13:18. | :13:21. | |
subject just will not sit still, one of the hardest things to get | :13:22. | :13:31. | |
Even compacts can have problems with auto focus, especially if | :13:31. | :13:40. | |
there is a busy background. if you have a digital SLR and do no -- do | :13:40. | :13:46. | |
not know what you're doing, it can get messy. You want to train the | :13:46. | :13:50. | |
eye on the subject of the image and get everything else around it out | :13:50. | :13:54. | |
of focus. It is a principle called depth of field and it is something | :13:54. | :13:59. | |
the pros know all about. Casting an eye all over this London street | :13:59. | :14:06. | |
photography exhibition displays it perfectly. It is a kind of holy | :14:06. | :14:12. | |
grail for amateur photographers and the geographers seeking to emulate | :14:12. | :14:18. | |
the pros. Now there is technology that offers us all the chance of | :14:18. | :14:22. | |
getting creative which allows us to change the focal point of the image | :14:22. | :14:26. | |
even after we have taken the photo and it promises to revolutionise | :14:26. | :14:30. | |
photography as we know it. This is the way his website of a Silicon | :14:30. | :14:36. | |
Valley start-up which recently received a whopping $50 million in | :14:36. | :14:40. | |
funding. Their idea is to develop a consumer camera whose images you | :14:40. | :14:46. | |
can refocus after you have taken them. Clicking around these Flash | :14:46. | :14:50. | |
animations on the website gives you a good idea of what you can achieve. | :14:50. | :14:57. | |
Being able to refocus after you click the shutter is mind-blowing, | :14:57. | :15:02. | |
especially when you can share the experiences with others. People | :15:03. | :15:11. | |
through the Web, mobile phones, will be allowed to experience the | :15:11. | :15:15. | |
whole story of the picture, interact with it and discover new | :15:15. | :15:21. | |
things. The camera itself is available through Reserve before | :15:21. | :15:24. | |
its release at the end of the year but the company is releasing | :15:24. | :15:32. | |
precious few details about what you will buy. What they are sure we | :15:32. | :15:42. | |
knew his the technology behind the camera. The redefinition of the | :15:42. | :15:45. | |
Light Field is the amount of all the light travelling at every | :15:45. | :15:52. | |
direction at every point in space. Literally 100 cameras were plugged | :15:52. | :15:55. | |
into a supercomputer taking many Peters at the same time and then | :15:55. | :16:01. | |
trying to back up his light field in software. My dissertation was | :16:01. | :16:05. | |
how we could miniaturise the room full of cameras into the body of a | :16:05. | :16:08. | |
single camera to make it practical for regular folks to take pictures. | :16:08. | :16:14. | |
In Europe, one German company has in some ways already stolen the | :16:14. | :16:20. | |
march. They had spent the last year selling cameras using similar plan | :16:20. | :16:28. | |
optic technology. It can raise tethered to a PC to process it's | :16:28. | :16:31. | |
the photos but it uses the same light field techniques to capture | :16:31. | :16:36. | |
the photo. Instead of a camera Sensex capturing a single flight in | :16:36. | :16:41. | |
which, thousands of images are captured in a different way, by an | :16:41. | :16:45. | |
array of micro lenses housed in a glass wafer placed just in front of | :16:45. | :16:52. | |
the censor. This thing here is the' lenses. They are so small you | :16:52. | :16:57. | |
cannot see them with the naked eye. You. A laser at it and threw it and | :16:57. | :17:02. | |
then you can see the different focus points of the Micra lenses. | :17:02. | :17:05. | |
These lenses or catch a slightly different views of a scene which | :17:05. | :17:10. | |
software processes to work out the location of each point in space. | :17:10. | :17:14. | |
All that depth information means any pointing images -- point in the | :17:14. | :17:24. | |
:17:24. | :17:26. | ||
images can be refocused by pointing at different microbe pixels. Screw | :17:26. | :17:28. | |
heads of their production line can be scrutinised to see if they are | :17:28. | :17:33. | |
the same height and the perspective of images can be shifted to. There | :17:33. | :17:39. | |
is drawbacks, most glaring is that the final image resolution is | :17:39. | :17:45. | |
smaller than that of a regular camera. That could be off-putting | :17:45. | :17:54. | |
for consumers. That is why the German company says the Silicon | :17:54. | :18:04. | |
:18:04. | :18:05. | ||
Valley company's ambitions is very -- is a very tall order indeed. | :18:05. | :18:13. | |
When all the' lenses come together, the processing will take longer. | :18:13. | :18:19. | |
Outfits with more resources are also taking an interest. Creative | :18:19. | :18:23. | |
software leader's Adobe make Photoshop, used for years by | :18:23. | :18:26. | |
photographers trying to recreate the hallowed low depth of field | :18:26. | :18:31. | |
effect. Behind the scenes, they have been researching the same | :18:31. | :18:34. | |
technology and policy challenge is bringing a camera to market they | :18:34. | :18:39. | |
are in no doubt as to the impact of the technology. -- while they see a | :18:39. | :18:44. | |
challenge. For we see it as the future of imaging, the next great | :18:44. | :18:48. | |
revolution. It started off been about digitising what you could see | :18:48. | :18:53. | |
and progressively we started getting more information and | :18:54. | :18:57. | |
figuring out ways to run algorithms on what was captured so you can | :18:57. | :19:01. | |
have more flexibility to do things after the shot and this technology | :19:01. | :19:08. | |
takes things to an entirely new level. The creator in Silicon | :19:08. | :19:11. | |
Valley is pleased with the potential. For when you change the | :19:11. | :19:14. | |
perspective, you can see the light refracting through these droplets | :19:14. | :19:22. | |
of water. Not everyone shares his enthusiasm. Critics have called it | :19:22. | :19:32. | |
:19:32. | :19:32. | ||
a novelty and others have pointed out that it will not stop blurry | :19:32. | :19:37. | |
pictures from camera shake. Toby Smith is a professional | :19:37. | :19:44. | |
photographer. He blows post processing could have a real market. | :19:44. | :19:49. | |
From a consumer point of view, photography has shifted from being | :19:49. | :19:53. | |
a print based media took online. For technology to provide a new way | :19:53. | :19:59. | |
of looking at that image could possibly take off. I can imagine a | :19:59. | :20:03. | |
scenario where the latest Facebook posts, the latest online | :20:03. | :20:06. | |
photography group posts have an interactive version and it could | :20:06. | :20:12. | |
become the next must have way of doing a photo-shoot and it could | :20:12. | :20:19. | |
take off in a viral way. If they can get light-filled technology | :20:19. | :20:23. | |
down to a reasonable price and manageable size, we could have a | :20:23. | :20:27. | |
revolution on our hands. Many of us have smartphones these days but | :20:27. | :20:34. | |
does that mean we the owners are smart? Well, apparently having the | :20:34. | :20:43. | |
bright apps may very well improve your intellect and education. -- | :20:43. | :20:48. | |
the right. What is the point of having a smartphone if you cannot | :20:48. | :20:55. | |
use it to help prove you are smart? Neurons is a very app that does | :20:55. | :21:05. | |
:21:05. | :21:09. | ||
exactly that. Wait for the like to stop the traffic. -- delight. Then | :21:09. | :21:16. | |
collect your cracked not safely. The streaming content comes from a | :21:16. | :21:25. | |
variety of sources. They are truly enlightening videos which should | :21:25. | :21:33. | |
help get your grey matter nicely lubricated. The interface makes | :21:33. | :21:39. | |
great use of the phones user interface styling and be streaming | :21:39. | :21:44. | |
his great quality, streaming decently over Wi-Fi. Be aware of | :21:44. | :21:49. | |
how much does that the video eats up over 3G and if you tap and hold | :21:49. | :21:59. | |
:21:59. | :22:01. | ||
a thumbnail, you can share items you find with your social network. | :22:01. | :22:06. | |
In this high-speed hi-tech age we live in, it could be easy to forget | :22:06. | :22:13. | |
our roots. Get back to basics with a visit to this website from the | :22:13. | :22:17. | |
Institute of the study of human knowledge maps out the human | :22:17. | :22:27. | |
:22:27. | :22:35. | ||
It is fair to say the website is pretty old-fashioned although not | :22:35. | :22:40. | |
quite as old as 100,000 years. There is no video or interactivity, | :22:40. | :22:45. | |
just words and pictures but it is a fascinating compendium of | :22:45. | :22:49. | |
information about the abolition of humanity. This content offers more | :22:49. | :22:54. | |
than just a timeline of our biological progress. It discusses | :22:54. | :22:59. | |
changes in culture, diet, world- view, perception, social | :22:59. | :23:05. | |
organisation, language, maps and forms of communication. It is all | :23:05. | :23:08. | |
completely fascinating stuff if you ever wondered where you really came | :23:08. | :23:18. | |
:23:18. | :23:23. | ||
I have been making history this week. Really, I have, thanks to the | :23:23. | :23:29. | |
launch of this app for iPhone and Android. It lets you pick historic | :23:29. | :23:39. | |
:23:39. | :23:43. | ||
photos to real world locations. GPS brings automatic location tagging. | :23:43. | :23:47. | |
If you just want to enjoy a random sampling of great historic images | :23:47. | :23:57. | |
:23:57. | :24:16. | ||
from around the world, give your As always, if you would like to | :24:16. | :24:22. | |
suggest an app al website for Webscape, get in touch. E-mail us | :24:22. | :24:26. | |
all get in touch on Twitter. At everything from today's programme | :24:26. | :24:32. | |
is up on our website. You can get all the reports in video and text | :24:32. | :24:37. | |
form and watch the entire programme too. That's it for now. Thanks for | :24:37. | :24:47. | |
:24:47. | :24:58. | ||
If one thing, it will be a mild start to our weekend because we had | :24:58. | :25:01. | |
a weather system working its way southwards across the country, | :25:01. | :25:06. | |
giving us some rain. It tends to grind or hold across central areas. | :25:06. | :25:10. | |
For the north, heavy showers into the north and west and a brisk wind. | :25:10. | :25:13. | |
For the Southend East, dry and brittle whether making its way | :25:13. | :25:18. | |
through the clouds. -- drier and brighter weather. Cloud more broken | :25:18. | :25:22. | |
across the eastern side of England but they could be some mist around | :25:22. | :25:27. | |
as well given the light winds. Similarly across the south-east, | :25:27. | :25:31. | |
the temperatures start mild -- on a mock note. The cloud is quite low, | :25:32. | :25:36. | |
giving me a lot of hill fog already across Cornwall and Devon as well | :25:36. | :25:39. | |
as that wet weather around the coast. That will work its way into | :25:39. | :25:44. | |
the south-east of Wales moving north-east. By morning we will | :25:44. | :25:48. | |
still have that cloud across parts of North Wales but for Northern | :25:48. | :25:51. | |
Ireland it is looking brighter. There are some showers waiting in | :25:51. | :25:55. | |
the wings and they will be frequent and at times heavier cross parts of | :25:55. | :25:59. | |
north-western Scotland blown in by a strong wind here. We will see | :25:59. | :26:04. | |
some showers east of the Grampians but dry and brighter than it was | :26:04. | :26:07. | |
yesterday for Northern Ireland. That heavier rain making its way | :26:07. | :26:16. | |
gradually north-east Woods. South- east of that, we may escape with | :26:16. | :26:20. | |
just an odd shower. Some strong sunshine further north of London as | :26:20. | :26:23. | |
well. That rain will pester North Wales and Northern England, parts | :26:23. | :26:27. | |
of Scotland and possibly Northern Ireland later in the night as well | :26:27. | :26:32. | |
and as it clears across the East on Sunday, we could have some thundery | :26:32. | :26:35. |