Browse content similar to 25/01/2014. Check below for episodes and series from the same categories and more!
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Now you see me... | 0:00:15 | 0:00:16 | |
..now you don't. | 0:00:18 | 0:00:19 | |
This week, Click goes under the radar | 0:00:34 | 0:00:37 | |
to try on the tech that blinds Big Brother. | 0:00:37 | 0:00:41 | |
And how about this for the ultimate overview? | 0:00:41 | 0:00:44 | |
We'll catch the camera that catches everything from up on high. | 0:00:44 | 0:00:48 | |
The robots are coming, and they're teaming up. | 0:00:48 | 0:00:51 | |
These are the bots that are learning to work together. | 0:00:51 | 0:00:55 | |
All that, plus the latest Tech News | 0:00:55 | 0:00:57 | |
and a tool to protect your reputation online in Webscape. | 0:00:57 | 0:01:00 | |
Welcome to Click. I'm Spencer Kelly, | 0:01:07 | 0:01:09 | |
or Citizen 42509776 | 0:01:09 | 0:01:13 | |
for any fans of George Orwell's novel, 1984. | 0:01:13 | 0:01:16 | |
In that dystopic vision of the future, | 0:01:16 | 0:01:18 | |
we all have all-seeing TV sets in our homes, | 0:01:18 | 0:01:21 | |
watching and critiquing our every move. | 0:01:21 | 0:01:24 | |
Now, although that hasn't happened...yet, | 0:01:24 | 0:01:27 | |
some would say, in 2014, we're not that far off. | 0:01:27 | 0:01:31 | |
For example, here in the UK, we are | 0:01:31 | 0:01:33 | |
all caught on camera around 70 times every day. | 0:01:33 | 0:01:36 | |
Last year's NSA revelations by whistle-blower Edward Snowden | 0:01:38 | 0:01:42 | |
revealed the full scope of the intelligence community's | 0:01:42 | 0:01:45 | |
data-trawling operation. | 0:01:45 | 0:01:47 | |
In March 2013 alone, the NSA collected a massive 97 billion | 0:01:47 | 0:01:53 | |
pieces of intelligence from computer networks worldwide. | 0:01:53 | 0:01:57 | |
But it's, of course, | 0:01:57 | 0:01:58 | |
not just intelligence agencies collecting data on us. | 0:01:58 | 0:02:02 | |
Whether it's our friends or ourselves, | 0:02:02 | 0:02:05 | |
huge swathes of our lives now exist online, | 0:02:05 | 0:02:08 | |
with services like Facebook and Twitter. | 0:02:08 | 0:02:10 | |
On top of that, computers are getting much better at facial | 0:02:12 | 0:02:16 | |
recognition these days, which means wherever you appear in a photo | 0:02:16 | 0:02:20 | |
or video, including in the background of this shot, | 0:02:20 | 0:02:23 | |
you could be identified, whether you like it or not. | 0:02:23 | 0:02:27 | |
We've been to New York, Amsterdam and Tokyo to meet the people | 0:02:27 | 0:02:32 | |
who are trying to hide their faces from the internet. | 0:02:32 | 0:02:36 | |
Information is becoming kind of a weapon, | 0:02:39 | 0:02:42 | |
though we don't view it in that way. | 0:02:42 | 0:02:44 | |
We don't have the tools to deal with it, | 0:02:44 | 0:02:46 | |
or protect ourselves in that way. | 0:02:46 | 0:02:48 | |
The whole thing of, "Well, I have nothing to hide," | 0:02:50 | 0:02:52 | |
I think is quite strange. | 0:02:52 | 0:02:54 | |
Just because you have nothing to hide, | 0:02:54 | 0:02:56 | |
that doesn't mean it's OK that these things are happening. | 0:02:56 | 0:02:59 | |
If we want to execute our right to privacy, | 0:03:00 | 0:03:04 | |
we just wear some special glasses. | 0:03:04 | 0:03:07 | |
Hi, I'm Adam Harvey, an artist in New York. | 0:03:10 | 0:03:13 | |
I'm working with surveillance, fashion, privacy | 0:03:13 | 0:03:18 | |
and what that means in today's context. | 0:03:18 | 0:03:20 | |
It bothers me a lot to know that when I do those average, | 0:03:20 | 0:03:25 | |
day-to-day things, that somebody could be watching me. | 0:03:25 | 0:03:28 | |
And that is really a frustrating feeling, to know | 0:03:28 | 0:03:32 | |
that you always have a chaperone or somebody monitoring what you do. | 0:03:32 | 0:03:37 | |
The Anti-Paparazzi Clutch is a project I started in 2009, | 0:03:39 | 0:03:44 | |
and it's a device that goes inside of a purse, | 0:03:44 | 0:03:48 | |
and when a paparazzi photographer takes your photo, | 0:03:48 | 0:03:51 | |
it flashes back with enough light so that it overexposes the photo. | 0:03:51 | 0:03:55 | |
Technically, it has a device, a sensor | 0:03:55 | 0:03:59 | |
which looks for a flash coming from a camera. | 0:03:59 | 0:04:03 | |
As soon as that happens, it triggers a bank of LEDs. | 0:04:03 | 0:04:07 | |
What's unique about that is that there's no recycle time. | 0:04:07 | 0:04:11 | |
Some flashes have that. So this can fire as often as you need it to. | 0:04:11 | 0:04:16 | |
And the time it takes for the light to be triggered is short enough | 0:04:16 | 0:04:21 | |
that it will hit the photographer's sensor and overexpose their photo. | 0:04:21 | 0:04:26 | |
'I don't necessarily want to sound like the angry artist or designer. | 0:04:28 | 0:04:32 | |
'It's not necessarily about that. | 0:04:32 | 0:04:36 | |
'It's not really about paranoia or anything.' | 0:04:36 | 0:04:38 | |
The idea is that you could have something that is reflective | 0:04:40 | 0:04:46 | |
or reacting to light differently, | 0:04:46 | 0:04:48 | |
so if you take a photo, | 0:04:48 | 0:04:50 | |
you basically get lights out of your eyes. | 0:04:50 | 0:04:53 | |
That would obstruct the face and make it unrecognisable. | 0:04:53 | 0:04:57 | |
So, it's something you wouldn't see in normal light or normal | 0:04:57 | 0:05:01 | |
situations, but it does help you to obstruct yourself. | 0:05:01 | 0:05:05 | |
I started a project called CV Dazzle, | 0:06:45 | 0:06:48 | |
which is an ongoing project which explores how | 0:06:48 | 0:06:51 | |
analogue technologies like make-up and hairstyles | 0:06:51 | 0:06:55 | |
can be used to protect yourself from face detection. | 0:06:55 | 0:06:59 | |
So, if you can prevent an algorithm from detecting a face, | 0:06:59 | 0:07:03 | |
then you prevent that automated system from analysing you further. | 0:07:03 | 0:07:08 | |
And I think CV Dazzle is in an interesting grey area, | 0:07:08 | 0:07:13 | |
because it allows you to be seen by someone else. | 0:07:13 | 0:07:17 | |
You're not wearing a ski mask or a balaclava in public, but you don't | 0:07:17 | 0:07:22 | |
appear in these automated systems, and so you're protecting your data. | 0:07:22 | 0:07:26 | |
Another recent project is called Stealth Wear, | 0:07:26 | 0:07:29 | |
and this project is a set of garments | 0:07:29 | 0:07:32 | |
that are made with a metal-plated fabric, which is reflective to heat. | 0:07:32 | 0:07:38 | |
That means it can shield your thermal signature from a thermal camera. | 0:07:38 | 0:07:43 | |
I see Stealth Wear as a provocation. | 0:07:43 | 0:07:46 | |
It shields you from drones, and it can also protect | 0:07:46 | 0:07:50 | |
you from where the future of surveillance is headed. | 0:07:50 | 0:07:53 | |
A big problem right now is mobile phone tracking. | 0:07:53 | 0:07:57 | |
When you walk around with your phone, | 0:07:57 | 0:07:59 | |
you're giving away data to people who can use that to build profiles. | 0:07:59 | 0:08:05 | |
And the data is where you've been, but also who you're around. | 0:08:05 | 0:08:09 | |
The OFF Pocket is a phone case. It's all flexible, fabric-based. | 0:08:09 | 0:08:14 | |
It uses metal-plated fabric to shield the phone from wireless signals. | 0:08:14 | 0:08:20 | |
As soon as you put your phone inside and close it, | 0:08:20 | 0:08:23 | |
then no signals can enter or exit the bag. | 0:08:23 | 0:08:26 | |
I don't think total privacy is realistic, | 0:08:26 | 0:08:29 | |
and I don't think it's what we are asking for collectively. | 0:08:29 | 0:08:34 | |
I think that a modest amount of privacy, | 0:08:34 | 0:08:37 | |
which is guaranteed by the Constitution in the US, | 0:08:37 | 0:08:41 | |
has been violated and needs to be re-established. | 0:08:41 | 0:08:45 | |
Some pretty ingenious ideas, weren't they? | 0:08:47 | 0:08:49 | |
Maybe you've had some thoughts | 0:08:49 | 0:08:51 | |
on ways to physically protect your image and your face | 0:08:51 | 0:08:53 | |
from the prying eyes of CCTV. | 0:08:53 | 0:08:56 | |
Why not let us know? The crazier, the better. Tweet us... | 0:08:56 | 0:09:01 | |
We'd love to hear from you. Next up, a look at this week's Tech News. | 0:09:01 | 0:09:05 | |
The patent war between two tech giants continues, | 0:09:05 | 0:09:09 | |
with a ruling from a US judge that Samsung has infringed | 0:09:09 | 0:09:13 | |
Apple's word recommendation technology. | 0:09:13 | 0:09:16 | |
The invention describes a way for touch-screen devices | 0:09:16 | 0:09:19 | |
to suggest completed words, | 0:09:19 | 0:09:21 | |
after a user has started typing them. | 0:09:21 | 0:09:24 | |
This comes ahead of a trial in which both companies planned to claim | 0:09:24 | 0:09:27 | |
that the other one copied their ideas. | 0:09:27 | 0:09:29 | |
The fastest ever broadband speeds have been achieved in London. | 0:09:29 | 0:09:35 | |
The joint test between British Telecom and Alcatel Lucent | 0:09:35 | 0:09:38 | |
achieved speeds of around 1.4 terabits per second. | 0:09:38 | 0:09:42 | |
That's enough to send about 44 uncompressed high-def films | 0:09:42 | 0:09:47 | |
every second. | 0:09:47 | 0:09:48 | |
However, you may want to hold off on sending those movies. | 0:09:48 | 0:09:52 | |
It will be some time before these speeds transfer | 0:09:52 | 0:09:55 | |
to the ordinary web user. | 0:09:55 | 0:09:57 | |
The passwords of 16 million e-mail users in Germany have been stolen. | 0:09:57 | 0:10:03 | |
The Federal Office for Security say criminals had infected computers | 0:10:03 | 0:10:07 | |
with software which allowed them to gather e-mail addresses | 0:10:07 | 0:10:10 | |
and account passwords. | 0:10:10 | 0:10:11 | |
The news comes days after it was revealed that almost half of all | 0:10:11 | 0:10:15 | |
South Koreans have had their credit card details stolen | 0:10:15 | 0:10:18 | |
and sold on to marketing firms. | 0:10:18 | 0:10:21 | |
And finally, they say that TV is a window on the world, | 0:10:21 | 0:10:25 | |
but now it could also be an actual window. | 0:10:25 | 0:10:28 | |
The magic is courtesy of special nanoparticles | 0:10:28 | 0:10:32 | |
that only reflect blue light. | 0:10:32 | 0:10:34 | |
They are added to a transparent polymer | 0:10:34 | 0:10:36 | |
that can be stuck onto any window. | 0:10:36 | 0:10:38 | |
The whole thing is transparent until blue light is projected | 0:10:38 | 0:10:42 | |
onto the glass, when you get these delightful patterns. | 0:10:42 | 0:10:45 | |
We've looked at ways to hide yourself from view, but what if you | 0:10:52 | 0:10:56 | |
want to do exactly the opposite and capture everything around you? | 0:10:56 | 0:11:00 | |
This isn't your average game of catch. | 0:11:03 | 0:11:06 | |
This is the Panono camera ball. | 0:11:06 | 0:11:10 | |
When thrown up in the air, it can take stunning photographs | 0:11:10 | 0:11:13 | |
that can be explored in every direction. | 0:11:13 | 0:11:15 | |
The sphere is covered by 36 tiny three-megapixel cameras, | 0:11:19 | 0:11:23 | |
which, once airborne, simultaneously capture individual images. | 0:11:23 | 0:11:28 | |
These are then pieced together remotely in the cloud, | 0:11:28 | 0:11:31 | |
using specialist imaging software, which can be temperamental | 0:11:31 | 0:11:35 | |
if even one of the cameras fail. | 0:11:35 | 0:11:38 | |
And this prototype does need to be plugged into a computer first. | 0:11:38 | 0:11:42 | |
Now, apparently there's a technique to throwing this thing, | 0:11:42 | 0:11:44 | |
which is to not spin it too much, | 0:11:44 | 0:11:48 | |
to get it high enough | 0:11:48 | 0:11:49 | |
and not to drop it when it comes back down! | 0:11:49 | 0:11:52 | |
And this is the only one they've got. It's the prototype, | 0:11:52 | 0:11:54 | |
and it's worth thousands of euros. So, no pressure... | 0:11:54 | 0:11:57 | |
Here we go. One, two, three... | 0:11:57 | 0:12:00 | |
CRASH, GLASS SHATTERS | 0:12:00 | 0:12:02 | |
HORSE WHINNIES | 0:12:02 | 0:12:04 | |
The result is one grandiose photo, | 0:12:05 | 0:12:09 | |
a 108-megapixel interactive picture | 0:12:09 | 0:12:12 | |
which you can view on your desktop or mobile device. | 0:12:12 | 0:12:16 | |
And although you can pan left and right as usual, | 0:12:16 | 0:12:19 | |
it's when you pan up, or even cooler - down - | 0:12:19 | 0:12:23 | |
that the magic really happens. | 0:12:23 | 0:12:25 | |
The final product will look like this, | 0:12:26 | 0:12:29 | |
more stylish and a bit easier to fit in your pocket. | 0:12:29 | 0:12:33 | |
The German start-up behind the device hopes the ball will be | 0:12:33 | 0:12:36 | |
used in all sorts of situations. | 0:12:36 | 0:12:39 | |
It's good to have a brief overview over a situation. | 0:12:39 | 0:12:42 | |
So, that the wall on the one side, | 0:12:42 | 0:12:43 | |
and there might have been an earthquake, | 0:12:43 | 0:12:45 | |
so you want to see what's on the other side. You can throw it up in | 0:12:45 | 0:12:48 | |
the air, see what's on the other side, see if there's someone | 0:12:48 | 0:12:51 | |
you have to help. But it's also fun using it, just throwing it around. | 0:12:51 | 0:12:54 | |
It's like a ball. I mean, it feels like a ball! | 0:12:54 | 0:12:57 | |
At a price tag of nearly 600, though, it's a good thing it's not | 0:12:57 | 0:13:01 | |
available until September, so you'll have plenty of time to save up. | 0:13:01 | 0:13:05 | |
Now, as impressive as they may look, | 0:13:11 | 0:13:13 | |
the latest generation of robots lead a pretty solitary existence. | 0:13:13 | 0:13:18 | |
They all look different, they're all made by different universities | 0:13:18 | 0:13:21 | |
and research departments, and they all talk different languages. | 0:13:21 | 0:13:25 | |
If they really do want to have a crack at taking over the place, | 0:13:25 | 0:13:28 | |
they're going to have to learn to work together, like we did. | 0:13:28 | 0:13:31 | |
And the ants. Don't forget the ants. NEVER forget the ants. | 0:13:31 | 0:13:35 | |
Well, Lara Lewington has been to Eindhoven in the Netherlands | 0:13:35 | 0:13:39 | |
to meet the bots who are starting to learn for themselves and each other. | 0:13:39 | 0:13:43 | |
Imagine a future where robots could simply access shared data | 0:13:48 | 0:13:53 | |
and know how to do any task you threw at them. | 0:13:53 | 0:13:56 | |
Well, after four years of research | 0:13:56 | 0:13:59 | |
involving several European universities and four million euros | 0:13:59 | 0:14:03 | |
of European Union investment, | 0:14:03 | 0:14:05 | |
RoboEarth may show the beginnings of just that. | 0:14:05 | 0:14:09 | |
What's being created here has the potential to become | 0:14:11 | 0:14:14 | |
a sort of World Wide Web for robots. | 0:14:14 | 0:14:16 | |
So a place that they can share knowledge, | 0:14:16 | 0:14:18 | |
communicate with others, and even learn new skills. | 0:14:18 | 0:14:22 | |
Here, four robots show what they could do within the care sector. | 0:14:23 | 0:14:27 | |
They map the hospital room using a laser range-finder and camera, | 0:14:27 | 0:14:31 | |
and upload this data to the cloud, where other robots can access it too, | 0:14:31 | 0:14:36 | |
reducing the need for enormous computer power within each device. | 0:14:36 | 0:14:40 | |
This helps to build on learned knowledge, and in this instance, | 0:14:40 | 0:14:44 | |
pick up some crisps before passing them on. | 0:14:44 | 0:14:47 | |
Well, Arm managed to pick up the crisps OK | 0:14:47 | 0:14:50 | |
and transfer them to this robot, called Pico. | 0:14:50 | 0:14:53 | |
The only problem is that although the mapping technology is in place, | 0:14:53 | 0:14:56 | |
that they know where they're going, | 0:14:56 | 0:14:58 | |
the actual crisps haven't gone anywhere. | 0:14:58 | 0:15:00 | |
They stayed on this tray and they never made it over there | 0:15:00 | 0:15:03 | |
to the person in bed. It did also take quite a long time. | 0:15:03 | 0:15:07 | |
Admittedly, simple tasks may appear challenging, | 0:15:08 | 0:15:12 | |
but this is a concept, and one in its infancy. | 0:15:12 | 0:15:16 | |
It's harder to teach robots than you might imagine. | 0:15:16 | 0:15:19 | |
They lack common sense, | 0:15:19 | 0:15:20 | |
and have to translate their knowledge of what to do into physical actions. | 0:15:20 | 0:15:24 | |
The aim is affordable yet multi-skilled creatures, | 0:15:24 | 0:15:29 | |
so you choose a robot a bit like deciding which telly to buy, | 0:15:29 | 0:15:32 | |
based on your own personal preferences. | 0:15:32 | 0:15:34 | |
If serving breakfast is your priority, | 0:15:34 | 0:15:37 | |
your bot will probably need arms and to get about the place, | 0:15:37 | 0:15:40 | |
but if you simply want it to polish your shoes and mow the lawn, | 0:15:40 | 0:15:44 | |
it might not need much height, or arms. | 0:15:44 | 0:15:46 | |
A mix of the eight necessary programming languages | 0:15:47 | 0:15:50 | |
will exist in the database | 0:15:50 | 0:15:52 | |
with a combination of human and machine-learned input | 0:15:52 | 0:15:55 | |
to extend their talents to, well, pretty much anything. | 0:15:55 | 0:15:59 | |
Robots can help us in daily things we do in our households. | 0:15:59 | 0:16:05 | |
And especially for elderly people. | 0:16:05 | 0:16:07 | |
We think that it is useful to have robots in the future which | 0:16:07 | 0:16:10 | |
can help with getting things for us, getting a cup of tea, | 0:16:10 | 0:16:14 | |
or help us with changing clothing or help us to stand up if we lie down. | 0:16:14 | 0:16:21 | |
So in normal households, we see that those service robotics | 0:16:21 | 0:16:25 | |
will take an important place in, say, a decade from now. | 0:16:25 | 0:16:29 | |
Yet the robotic form does take a bit of getting used to. | 0:16:29 | 0:16:33 | |
The robots don't actually look that friendly. | 0:16:33 | 0:16:36 | |
And when they turn round - probably going to do it any minute now - | 0:16:36 | 0:16:39 | |
when that turns round and looks at you like that, | 0:16:39 | 0:16:41 | |
it feels quite menacing. | 0:16:41 | 0:16:43 | |
It feels rather odd that you're being watched, and really quite aggressive. | 0:16:43 | 0:16:47 | |
Well, at least they do come in all shapes and sizes. | 0:16:47 | 0:16:50 | |
This is not a robot which is going to help you in the household. | 0:16:50 | 0:16:53 | |
This is not going to bring you drinks. | 0:16:53 | 0:16:56 | |
But this robot is a platform where people can develop software. | 0:16:56 | 0:17:00 | |
This robot is typically intended to become a robot as a friend. | 0:17:00 | 0:17:04 | |
But before you worry about them taking over the planet, fear not. | 0:17:05 | 0:17:09 | |
They do have an off switch. | 0:17:09 | 0:17:10 | |
I don't know how to stop it! | 0:17:10 | 0:17:13 | |
Oh. When it works. | 0:17:13 | 0:17:15 | |
Lara Lewington. Now, earlier, we looked at some novel ways | 0:17:18 | 0:17:23 | |
to keep your photographs off the web. | 0:17:23 | 0:17:25 | |
But of course, many of us don't mind our images | 0:17:25 | 0:17:28 | |
and details from being spread on social networks, within reason. | 0:17:28 | 0:17:34 | |
We do, of course, want to know where and when they will be used. | 0:17:34 | 0:17:37 | |
And that's where Kate Russell comes in. | 0:17:37 | 0:17:39 | |
She has some tools now to manage your online reputation in Webscape. | 0:17:39 | 0:17:44 | |
What goes online stays online, and when friends can post tagged | 0:17:47 | 0:17:52 | |
photographs and comments about you on social media networks, | 0:17:52 | 0:17:56 | |
it's not just the paparazzi you have to worry about. | 0:17:56 | 0:17:59 | |
Persona is a reputation management tool that | 0:18:01 | 0:18:04 | |
protects you by monitoring Twitter, Facebook and Google+ accounts | 0:18:04 | 0:18:08 | |
for any potentially offensive material. | 0:18:08 | 0:18:11 | |
Around half of all recruiters admit to having checked applicants out | 0:18:11 | 0:18:15 | |
online before making a hiring decision, | 0:18:15 | 0:18:17 | |
and if you're in the dating game, | 0:18:17 | 0:18:19 | |
you can expect around a third of the people you go out with | 0:18:19 | 0:18:22 | |
to have snooped around on your social media profile. | 0:18:22 | 0:18:26 | |
# And I don't give a damn 'bout my bad reputation... # | 0:18:26 | 0:18:28 | |
Persona scans for content by keyword, keeping an eye out for profanity, | 0:18:29 | 0:18:34 | |
adult content and references to violence or drug and alcohol abuse. | 0:18:34 | 0:18:39 | |
The free account monitors ongoing activity with real-time alerts | 0:18:39 | 0:18:43 | |
via SMS or e-mail, and additional features if you upgrade to paid. | 0:18:43 | 0:18:47 | |
Big data impact, feeding nine billion people, ageing national populations. | 0:18:51 | 0:18:58 | |
These are all 21st-century problems, | 0:18:58 | 0:19:01 | |
and just a few of the topics being tackled at the moment | 0:19:01 | 0:19:04 | |
in a series of talks hosted by the UK's Royal Geographical Society. | 0:19:04 | 0:19:09 | |
Founded in 1830, the Royal Geographical Society | 0:19:10 | 0:19:15 | |
is considered a world leader in advancing our understanding | 0:19:15 | 0:19:19 | |
of geography and supporting its practitioners across the world. | 0:19:19 | 0:19:23 | |
The charity makes a lot of fantastic educational content | 0:19:23 | 0:19:27 | |
which is free for everyone online. | 0:19:27 | 0:19:30 | |
There are a couple of other little gems from the society | 0:19:30 | 0:19:33 | |
I'd like to show you too. | 0:19:33 | 0:19:35 | |
Discovering Britain is a charming site | 0:19:37 | 0:19:40 | |
and all the walks it describes are downloadable as text or audio guides. | 0:19:40 | 0:19:45 | |
So if you're heading out into the great British countryside | 0:19:45 | 0:19:48 | |
any time soon, why not take one with you to experience the very best | 0:19:48 | 0:19:52 | |
of these rolling green vistas? | 0:19:52 | 0:19:55 | |
# ..in an English country garden... # | 0:19:55 | 0:19:58 | |
And the third site from the Geographical Society. | 0:20:02 | 0:20:05 | |
If you've ever gazed out of an aeroplane window wondering what's | 0:20:05 | 0:20:08 | |
passing by, thousands of metres below, and wanted to know more, | 0:20:08 | 0:20:12 | |
Hidden Journeys is full of interactive flight paths that | 0:20:12 | 0:20:15 | |
let you explore some of the world's most interesting aerial routes. | 0:20:15 | 0:20:19 | |
It's not something I expected to ever say, | 0:20:24 | 0:20:27 | |
but this unit and currency converter app is awesome! | 0:20:27 | 0:20:32 | |
It's not free, but Vert on iOS | 0:20:32 | 0:20:34 | |
is far more than just a weights and measures tool. | 0:20:34 | 0:20:38 | |
It has over 800 conversion units in 33 categories | 0:20:38 | 0:20:42 | |
including data transfer speeds, cooking measurements, viscosity, | 0:20:42 | 0:20:48 | |
and essential clothing sizes such as bra, hat and shoe. | 0:20:48 | 0:20:53 | |
There is even a typographic section to convert pixels | 0:20:53 | 0:20:56 | |
into millimetres, and somewhat randomly, | 0:20:56 | 0:21:00 | |
the rating certificates for rock climbing around the world. | 0:21:00 | 0:21:03 | |
You can literally convert anything. | 0:21:03 | 0:21:06 | |
OK, there are some things that aren't covered, | 0:21:06 | 0:21:09 | |
such as how many cats it takes to learn the Spanish language. | 0:21:09 | 0:21:13 | |
Luckily, Cat Academy on iOS does know that. | 0:21:15 | 0:21:20 | |
No me gusta. | 0:21:20 | 0:21:21 | |
It's a serious language learning platform that got a lot of attention | 0:21:21 | 0:21:25 | |
when it launched recently and is still one of my favourites. | 0:21:25 | 0:21:29 | |
Que pasa? | 0:21:29 | 0:21:30 | |
It uses humour and learning science | 0:21:30 | 0:21:33 | |
combined with the greatest Internet meme of all time - cat pictures! - | 0:21:33 | 0:21:38 | |
to help users learn conversational Spanish. | 0:21:38 | 0:21:41 | |
Tengo hambre. | 0:21:41 | 0:21:43 | |
According to the developers, | 0:21:43 | 0:21:45 | |
users learn three times faster than with comparable tools. | 0:21:45 | 0:21:48 | |
Sounds pretty purr-fect to me. | 0:21:48 | 0:21:52 | |
Por favor. | 0:21:53 | 0:21:55 | |
# It's a god-awful small affair... # | 0:21:58 | 0:22:01 | |
This week, NASA celebrated a very special anniversary. | 0:22:01 | 0:22:06 | |
Ten years ago, on 24th January, Mars Rover Opportunity | 0:22:06 | 0:22:10 | |
touched down on the Red Planet. | 0:22:10 | 0:22:13 | |
And despite the initial mission being planned for just 92 Earth days, | 0:22:13 | 0:22:17 | |
the plucky little robot is still going strong, | 0:22:17 | 0:22:20 | |
trundling around the surface of Mars collecting scientific data | 0:22:20 | 0:22:24 | |
and taking photographs to send back to Earth. | 0:22:24 | 0:22:27 | |
You can find out more about all of the Mars Rover projects | 0:22:27 | 0:22:30 | |
and the amazing information they're collecting | 0:22:30 | 0:22:33 | |
on the official NASA website. | 0:22:33 | 0:22:35 | |
# ..is there life on Mars? # | 0:22:36 | 0:22:43 | |
This is my bedtime routine. | 0:22:44 | 0:22:46 | |
We finish this week with an incredible video from | 0:22:48 | 0:22:51 | |
Vine magician Zach King, who also posts on his YouTube channel, | 0:22:51 | 0:22:55 | |
for those who don't use the Vine app. | 0:22:55 | 0:22:57 | |
It's mind-boggling what this guy can do in a six-second clip. | 0:22:57 | 0:23:02 | |
When you lock your keys in your car... | 0:23:02 | 0:23:04 | |
Aww! | 0:23:13 | 0:23:14 | |
Cooking ping-pong balls for breakfast. | 0:23:22 | 0:23:25 | |
Mmm! Yummy! | 0:23:25 | 0:23:27 | |
Kate Russell. | 0:23:27 | 0:23:28 | |
And those links are available at our website as usual. | 0:23:28 | 0:23:31 | |
bbc.co.uk/click the address you need. | 0:23:31 | 0:23:34 | |
If you'd like to comment on anything that you've seen today - | 0:23:34 | 0:23:37 | |
some pretty controversial topics in this week's programme, I know - | 0:23:37 | 0:23:40 | |
[email protected] is our e-mail address. | 0:23:40 | 0:23:42 | |
We're also on Twitter, Google+ and Facebook too. That's it for now. | 0:23:42 | 0:23:46 | |
Thank you very much for watching and we'll see you next time. | 0:23:46 | 0:23:49 |