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And welcome to the BBC's Broadcasting House in London. | :00:13. | :00:48. | |
But what does the future of TV look like? | :00:49. | :00:51. | |
Well, back in the '80s, the futurologists were telling us | :00:52. | :00:53. | |
exploring our own virtual worlds from the comfort of our own homes. | :00:54. | :00:58. | |
The problem was back then VR was rubbish. | :00:59. | :00:59. | |
So it went away, but not, as it turns out, for good. | :01:00. | :01:02. | |
These days the displays inside the goggles are much better | :01:03. | :01:05. | |
and the motion`sensing technology is far more responsive, | :01:06. | :01:07. | |
and that means virtual reality is back. | :01:08. | :01:08. | |
And it's not just being used in video games. | :01:09. | :01:11. | |
Dan Simmons has been to the Commonwealth Games in Scotland | :01:12. | :01:13. | |
where the BBC is attempting to give you a ringside seat. | :01:14. | :01:20. | |
It's the biggest sporting event Scotland has ever hosted, | :01:21. | :01:24. | |
and for those responsible for broadcasting the Commonwealth Games, | :01:25. | :01:26. | |
the aim is not solely to show what's here. | :01:27. | :01:30. | |
It's to make some lucky people feel that they are. | :01:31. | :01:35. | |
Inside the Hydro Arena, camera operators have been practising | :01:36. | :01:39. | |
their own floor routines to ensure smooth coverage of the gymnastics. | :01:40. | :01:42. | |
is setting up a different kind of kit. | :01:43. | :01:49. | |
He's capturing and then sending a live 360 degrees video signal | :01:50. | :01:54. | |
To capture it all, this camera has seven lenses ` | :01:55. | :02:00. | |
six around the side and one on the top. | :02:01. | :02:04. | |
Special software stitches together the seven video feeds on the fly | :02:05. | :02:08. | |
a spatial audio microphone records the sound from all directions. | :02:09. | :02:20. | |
The action in the Hydro is streamed live over the internet | :02:21. | :02:24. | |
to the Science Centre, in this case just half a mile away, | :02:25. | :02:27. | |
but of course theoretically viewers could be anywhere | :02:28. | :02:31. | |
Creating the illusion that you're actually there | :02:32. | :02:52. | |
that show a small section of that 360 degree video. | :02:53. | :02:59. | |
Motion sensors work out your head movements | :03:00. | :03:02. | |
to show you what you'd be looking at as if you were there. | :03:03. | :03:08. | |
Now, we've seen surround vision cameras before, | :03:09. | :03:11. | |
but getting the footage to the audiences with minimal time lag, | :03:12. | :03:14. | |
around three or four seconds, is the impressive part. | :03:15. | :03:19. | |
that the quality of the video needs to be reduced | :03:20. | :03:24. | |
so it can be stitched together faster and sent across the net. | :03:25. | :03:28. | |
So the picture isn't as sharp as we're used to, | :03:29. | :03:32. | |
that the screen is so close to our eyes. | :03:33. | :03:38. | |
In future, higher powered processing and more bandwidth for each viewer | :03:39. | :03:41. | |
For now, getting a smooth, reliable feed is more important. | :03:42. | :03:47. | |
This is the first time that a major sporting event | :03:48. | :03:51. | |
has been streamed live to a VR headset, | :03:52. | :03:56. | |
something that could be an everyday reality in the future. | :03:57. | :03:59. | |
We're sending the sound in a special format that allows us to move that | :04:00. | :04:03. | |
when you move your head, and that can really add to the experience, | :04:04. | :04:08. | |
because you'll hear something that happens over your shoulder | :04:09. | :04:12. | |
and turn your head to be able to look and see what's going on. | :04:13. | :04:17. | |
So people usually just think of the video side of things, | :04:18. | :04:20. | |
but the audio really adds to the experience. | :04:21. | :04:22. | |
We're running it in real time so that we can do a live broadcast. | :04:23. | :04:32. | |
Of course, with a lot of money going into this area | :04:33. | :04:34. | |
from broadcasters and web streaming companies, | :04:35. | :04:48. | |
and a glimpse into the director's gallery backstage. | :04:49. | :04:52. | |
And out in the field with reporters, literally, | :04:53. | :04:56. | |
could this be the future of nature programmes? | :04:57. | :05:05. | |
If viewers truly invest in its use, then these experiments today | :05:06. | :05:08. | |
for the Commonwealth Games could be offered up for real | :05:09. | :05:10. | |
in time for the next Olympic Games in just two years' time. | :05:11. | :05:13. | |
Next up, a look at this week's tech news. | :05:14. | :05:38. | |
The UK Government has announced that driverless cars | :05:39. | :05:40. | |
will be allowed on public roads from January next year. | :05:41. | :05:43. | |
Previously, concerns about legal and insurance issues | :05:44. | :05:44. | |
had restricted the machines to only being allowed on private roads. | :05:45. | :05:47. | |
The Government has also invited cities | :05:48. | :05:49. | |
to compete in trials of the tech, while a review of road regulations | :05:50. | :05:52. | |
has been ordered to provide guidelines for the introduction. | :05:53. | :05:54. | |
Next step ` flying DeLoreans, I promise! | :05:55. | :05:55. | |
on Canada's National Research Council | :05:56. | :05:58. | |
could take up to a year to repair, according to its government. | :05:59. | :06:01. | |
The attack, which temporarily shut down Research Council's computers, | :06:02. | :06:03. | |
has been blamed on a Chinese state`sponsored actor | :06:04. | :06:08. | |
dismissed the report as a groundless allegation. | :06:09. | :06:15. | |
It is unclear which information was compromised. | :06:16. | :06:25. | |
And finally, it turns out Facebook isn't the only site | :06:26. | :06:27. | |
Lots of them do, including dating company OK Cupid. | :06:28. | :06:31. | |
The matchmaking site released analytics | :06:32. | :06:32. | |
showing how it made up compatibility ratings | :06:33. | :06:33. | |
to influence how people viewed prospective matches. | :06:34. | :06:36. | |
The result? Well, love is just as complicated | :06:37. | :06:38. | |
no matter how compatible you're told you are. | :06:39. | :06:42. | |
Fans of sci`fi movies and TV shows are an incredibly loyal bunch. | :06:43. | :06:58. | |
Which means if you make a video game of their favourite movie | :06:59. | :07:02. | |
and you don't get it right, they will not forgive you. | :07:03. | :07:05. | |
And that's why the team behind the latest attempts | :07:06. | :07:07. | |
to adapt the sci`fi franchise Alien really had its work cut out for it. | :07:08. | :07:10. | |
Marc Cieslak has been finding out if anyone can hear him scream. | :07:11. | :07:15. | |
I think... I think there's something here. | :07:16. | :07:24. | |
And the prospect of a close encounter which won't end well. | :07:25. | :07:35. | |
Alien: Isolation remixes the ingredients from | :07:36. | :07:38. | |
the 1979 movie to create a first person survival`horror video game. | :07:39. | :07:43. | |
Set 15 years after the events of the sci`fi classic chiller, | :07:44. | :07:47. | |
the player adopts the role of Amanda Ripley, | :07:48. | :07:49. | |
the daughter of the movie's original heroine. | :07:50. | :07:55. | |
And in a nod to the big screen incarnation | :07:56. | :07:57. | |
of cinema's unfriendliest ET, two bonus missions, | :07:58. | :08:00. | |
which these exclusive shots reveal, reimagine key points from the film. | :08:01. | :08:06. | |
It's disappeared into one of the cooling ducts. | :08:07. | :08:16. | |
And the movie's cast have returned to lend vocal talents to the game. | :08:17. | :08:21. | |
We should never have landed on this damn ball. Over and out. | :08:22. | :08:29. | |
to meet the actress who played the only surviving crew member | :08:30. | :08:33. | |
of the commercial shipping vessel the Nostromo. | :08:34. | :08:35. | |
Sigourney Weaver returns to the role that made her famous, | :08:36. | :08:38. | |
this time playing a virtual version of herself in 1979. | :08:39. | :08:46. | |
Why return to the role of Ellen Ripley? | :08:47. | :08:49. | |
The movie, you know, it still sort of means something to people. | :08:50. | :08:54. | |
I still meet people who are, you know, | :08:55. | :08:57. | |
young people who are still discovering it for the first time. | :08:58. | :09:05. | |
And I thought it's such a specific, cool, claustrophobic world, | :09:06. | :09:07. | |
that the idea of giving everybody the opportunity | :09:08. | :09:12. | |
to come into that world and make some of those decisions, | :09:13. | :09:16. | |
and have that adventure personally, I get it, I dig it, | :09:17. | :09:18. | |
and I think it's very immersive, and really scary, | :09:19. | :09:21. | |
and also, in its odd way, very beautiful. | :09:22. | :09:27. | |
As soon as I opened my mouth, it was Ripley's voice, | :09:28. | :09:30. | |
It was like she'd been sitting next to me for these 35 years, | :09:31. | :09:36. | |
and I guess if you've played a part that many times, | :09:37. | :09:42. | |
that they sort of become part of your DNA. | :09:43. | :09:44. | |
So there she was, you know, and we had quite an interesting day. | :09:45. | :09:49. | |
Alien is one of cinema's great horror movies. | :09:50. | :09:52. | |
Do you think this video game can compete | :09:53. | :09:54. | |
I think they take the scare in a really new, visceral direction. | :09:55. | :10:06. | |
that people really hated leaving that world. | :10:07. | :10:10. | |
I feel, with this, that after probably so many of the fans | :10:11. | :10:15. | |
watching this movie so many times, the opportunity to trade places | :10:16. | :10:19. | |
with one of the characters and be in that world | :10:20. | :10:25. | |
that has sort of haunted you for so long will be very satisfying. | :10:26. | :10:30. | |
And I think... I've only, you know, dabbled in video games, | :10:31. | :10:37. | |
but I actually think they are a very interesting creative, new world. | :10:38. | :10:41. | |
People who make games are discovering that there is | :10:42. | :10:45. | |
a much bigger audience for games, that's much more interested | :10:46. | :10:48. | |
in content and in story and in subtlety of character | :10:49. | :10:52. | |
and things like that, than just shoot`'em`up. | :10:53. | :10:58. | |
My husband directed a video game that's based and inspired by a play, | :10:59. | :11:04. | |
so there's a whole huge world that video games are heading into | :11:05. | :11:10. | |
that I think will be fantastic for the audience. | :11:11. | :11:14. | |
They will be the stars of their own picture. | :11:15. | :11:18. | |
And gamers will be able to find out if they have the stomach | :11:19. | :11:21. | |
to star in their own version of this deep space scare`'em`up | :11:22. | :11:24. | |
when the title is released in October. | :11:25. | :11:45. | |
That is it for short version, for the full version you can go to the | :11:46. | :11:50. | |
website. Thank you for watching, we will see you next time. | :11:51. | :12:08. | |
Some of us have had a lovely weekend, for others it has not | :12:09. | :12:12. | |
stopped raining, particularly across parts of Scotland and Northern | :12:13. | :12:17. | |
Ireland. Closest to the centre, you can see the cloud wrapped into the | :12:18. | :12:23. | |
eye of the storm, across Glasgow. It is now edging slowly northwards. The | :12:24. | :12:28. | |
worst of the weather will continue in that direction, but still some | :12:29. | :12:30. |