Browse content similar to 16/08/2014. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
European destinations are expected to be delayed. This is BBC News. In | :00:00. | :00:08. | |
ten minutes, we will have the Film Review. First, Click. | :00:09. | :00:11. | |
Welcome to Click. More and more of us are using our mobile devices to | :00:12. | :00:30. | |
do pretty much everything in our lives these days. When you switch | :00:31. | :00:39. | |
them on the chances of... Are we in? This should be yours. A keycode, if | :00:40. | :00:44. | |
you like, that you have to enter. It's yours. It's yours. Don't worry. | :00:45. | :00:49. | |
I actually do work for the BBC and Mike has come along for the ride. We | :00:50. | :00:56. | |
want to show you something they didn't want to show you ` a hack and | :00:57. | :01:00. | |
a serious hack at the world's most important hacking convention. | :01:01. | :01:03. | |
Defcon. Running since the early '90s, Las | :01:04. | :01:09. | |
Vegas hosts this annual semi secretive shindig for the world's | :01:10. | :01:19. | |
cameras. `` hackers. It only let cameras in three years ago. We're | :01:20. | :01:22. | |
going in under the wire, literally, to the casino resort where | :01:23. | :01:25. | |
government agents rub keyboards with cyber criminals. Everybody is told | :01:26. | :01:31. | |
to play nicely. This is no ordinary gathering. Leave your phone | :01:32. | :01:38. | |
connected to Wi`Fi or Bluetooth and someone will probably hack it and | :01:39. | :01:42. | |
posted here, for to see. Everyone should know better. Of course | :01:43. | :01:51. | |
visitors do just that each other. Presenters go public about how to | :01:52. | :01:53. | |
bring down anything from a toaster to an aircraft. These guys | :01:54. | :02:00. | |
specialise in cars. This year they have ranked them on how easy they | :02:01. | :02:05. | |
are to hack. In the past they've taken over the brakes and steering | :02:06. | :02:14. | |
controls by plugging into a laptop. Here is the no break attack. I can't | :02:15. | :02:20. | |
stop it right now. Obviously that's a very dangerous attack. `` so far | :02:21. | :02:28. | |
there's not a lot of risk. It's pretty hard to hack your car but in | :02:29. | :02:35. | |
a few years it will be easier. We want car Manufacturer is fixing | :02:36. | :02:38. | |
things now, instead of waiting until there is a problem. This year they | :02:39. | :02:44. | |
showed just how dumb are so`called smart cities could be. Imagine the | :02:45. | :02:48. | |
traffic in Las Vegas grinding to a halt. Sensors embedded in the road | :02:49. | :02:59. | |
detect cars and send that information to receivers. The data | :03:00. | :03:04. | |
is used to switch the traffic lights to avoid congestion. Without | :03:05. | :03:08. | |
encryption of that data, it's possible to send fake information | :03:09. | :03:11. | |
that could lead to a traffic jam or accident. And even to upload new | :03:12. | :03:15. | |
software to do the job remotely. He's released all the information | :03:16. | :03:18. | |
publicly at Defcon and insists publishing the hack is the right | :03:19. | :03:26. | |
thing to do. This is not my fault. I'm just pointing out the problem. | :03:27. | :03:30. | |
I'm not creating it. If I keep quiet the problem will remain there. | :03:31. | :03:34. | |
Sooner or later someone as we know it ` it could be someone with bad | :03:35. | :03:39. | |
intentions. Pretty scary stuff. What do you make of that? It is pretty | :03:40. | :03:46. | |
scary, isn't it? We have devices out there in our roads that are | :03:47. | :03:49. | |
vulnerable to very, very basic attacks so there's no authentication | :03:50. | :03:56. | |
on the devices. There's no encryption. That's inexcusable. The | :03:57. | :04:02. | |
scariest thing is this equipment is bought by government and they aren't | :04:03. | :04:05. | |
checking the security of these devices. It makes me wonder what | :04:06. | :04:09. | |
else is out there? Defcon is also about having fun. There are rooms | :04:10. | :04:12. | |
where you can test your lock picking or wireless hacking skills. You can | :04:13. | :04:21. | |
hack your hat. Or your hair. Often it's people who are the weak link to | :04:22. | :04:25. | |
data security, so over to the social engineering room where two actors | :04:26. | :04:27. | |
were making fake calls to real companies trying to illicit | :04:28. | :04:32. | |
compromising information. It's illegal to film this conversation in | :04:33. | :04:35. | |
the US but both attempts we witnessed hit gold. | :04:36. | :04:43. | |
In the last call we found out this company still uses Windows XP, still | :04:44. | :04:48. | |
is on Internet Explorer, a lower version. Hacking is a family | :04:49. | :04:50. | |
business here. Children are allowed in and encouraged to steal each | :04:51. | :04:57. | |
other's passwords. You could break into their account. Jeff created | :04:58. | :05:01. | |
both Defcon and Black Hat and defends blowing the cover | :05:02. | :05:05. | |
this information. Organised crime don't tell us what they're doing. We | :05:06. | :05:15. | |
have to find out ourselves, and protect ourselves. Conferences | :05:16. | :05:19. | |
like this, whether they're in the UK, France or America, they're one | :05:20. | :05:23. | |
of the few ways we have the information out to what's going on | :05:24. | :05:26. | |
that's not being filtered by a company or a government. This is | :05:27. | :05:33. | |
what's really happening. For the most part, these aren't the bad | :05:34. | :05:36. | |
guys. They love making things work even better and exposing | :05:37. | :05:38. | |
vulnerabilities for companies who ought to know better to fix. And | :05:39. | :05:40. | |
intercepting satellite broadcasts, yeah, that's included. Cheers. | :05:41. | :05:55. | |
Have you ever had a museum completely to yourself? Me neither. | :05:56. | :05:58. | |
Imagine what it would be like to Rome to place after the doors have | :05:59. | :06:03. | |
shot for the night. Don't worry, no one hungry dinosaurs or even Ben | :06:04. | :06:11. | |
Stiller to worry about. Just a horde of robots and Lara Lewington. | :06:12. | :06:13. | |
Fortunately, these bots aren't trying to take over the world. | :06:14. | :06:19. | |
They're just after a bit of culture. For the last week, the main | :06:20. | :06:22. | |
attraction in the Tate Britain's Galleries hasn't been the Constables | :06:23. | :06:25. | |
or the Hockneys, it's been four remote controlled robots. Visitors | :06:26. | :06:35. | |
to the Tate Britain's After Dark website have been given the chance | :06:36. | :06:38. | |
to explore galleries filled with 500 years of priceless art, all from | :06:39. | :06:44. | |
their laptops. This isn't about creating an alternative to actually | :06:45. | :06:46. | |
visiting an art gallery, it's about a totally different experience. How | :06:47. | :06:55. | |
often is it that you actually operate a robot anyway? The idea is | :06:56. | :06:58. | |
that you can move around the gallery, turning left or right, | :06:59. | :07:03. | |
looking up or down. If you reach a dead end, these sensors will light | :07:04. | :07:06. | |
up red, which means you need to reverse and replan your journey. | :07:07. | :07:14. | |
David and the rest of the team at the studio won the ?70,000 IK Prize, | :07:15. | :07:17. | |
a competition to encourage innovative digital uses of the | :07:18. | :07:21. | |
museum. We've been lucky enough to work on a number of jobs with | :07:22. | :07:24. | |
different museums recently. We are fortunate because we get to walk | :07:25. | :07:27. | |
around the galleries at night in the dark. You're basically looking at | :07:28. | :07:30. | |
these paintings by yourself and it's an amazing experience. For a long | :07:31. | :07:33. | |
time we wanted to make this project a reality. A team of art experts | :07:34. | :07:39. | |
have been on hand to provide live commentary about anything | :07:40. | :07:48. | |
interesting the bots. `` bots spot. Who hasn't dreamt of going around a | :07:49. | :07:51. | |
gallery after dark alone and encounter those wonderful art | :07:52. | :07:53. | |
objects and see what happens in the gallery after dark? It's something | :07:54. | :07:58. | |
that I, working in the gallery, have done, but the idea of extending that | :07:59. | :08:02. | |
to anybody sitting in an armchair at home is fantastic. What a brilliant | :08:03. | :08:12. | |
idea! The robots also have built in proximity sensors that can kill | :08:13. | :08:15. | |
power and movement if they touch anything in the gallery. So, while | :08:16. | :08:21. | |
this could be the easiest way to spend a night in a museum, it is not | :08:22. | :08:25. | |
claiming to be the experience of visiting a gallery yourself. Lara | :08:26. | :08:32. | |
Lewington spending a night at the museum, virtually, of course. This | :08:33. | :08:35. | |
month marks the 100th anniversary of the outbreak of the First World War. | :08:36. | :08:40. | |
More than 16 million people died in the fighting and while it can be | :08:41. | :08:43. | |
difficult to comprehend the magnitude of that event, one BBC | :08:44. | :08:46. | |
show is using modern techniques to try to make the conflict relevant to | :08:47. | :09:00. | |
a modern audience. Muddy trenches, bullets through the air. Life or | :09:01. | :09:05. | |
death decisions that have to be made in seconds. This is Our World War, | :09:06. | :09:08. | |
another programme aiming to show the First World more from their point of | :09:09. | :09:11. | |
view of the soldiers who fought in it. It might look like a period | :09:12. | :09:16. | |
drama but the team behind it have also created what they call an | :09:17. | :09:28. | |
interactive episode. It brings elements of a game and stories | :09:29. | :09:31. | |
together to present you with an experience that, if you are 16 to | :09:32. | :09:34. | |
24, you recognise and perhaps become more engaged with it because you | :09:35. | :09:38. | |
have a role to play. You go from being viewer to participants and | :09:39. | :09:40. | |
that should be satisfying. This episode will be available on tablet | :09:41. | :09:43. | |
and desktop and invites the viewer to make choices that could affect | :09:44. | :09:52. | |
the story. Participants can also unlock bonus footage and experience | :09:53. | :09:55. | |
animated back stories, as well as feedback and analytics on the | :09:56. | :09:57. | |
decisions they've made. I chose to take the injured soldier prisoner. | :09:58. | :10:00. | |
Apparently that was the correct decision to make. I have no idea | :10:01. | :10:05. | |
whether the decisions I just made will lead to a bad or not quite so | :10:06. | :10:12. | |
bad result. The decisions become harder and harder as you work your | :10:13. | :10:16. | |
way through. The last decision is really critical and very difficult. | :10:17. | :10:23. | |
Unbeknownst to you, what's been happening is we have been scoring | :10:24. | :10:33. | |
your tactics and morale. But the main antagonist in the film also has | :10:34. | :10:36. | |
an opinion on your decisions and this is perhaps the cleverest bit. | :10:37. | :10:40. | |
He will or will not help you in your last decision, I won't give it away, | :10:41. | :10:43. | |
depending on the decisions you've made. If he thinks you are right all | :10:44. | :10:52. | |
the way through and his morale has been high then he will help you. If | :10:53. | :10:55. | |
not, he won't help you. The episode has been put together with the help | :10:56. | :10:59. | |
of CGI and animation studio MI, who have designed the user interface and | :11:00. | :11:02. | |
hope to offer a seamless video experience. The programme makers | :11:03. | :11:06. | |
even believe this could bring in a new era of interactive | :11:07. | :11:10. | |
entertainment, that combines the best elements of gaming and drama. | :11:11. | :11:19. | |
That's it for the short version of click. Much more in the full`length | :11:20. | :11:24. | |
version online. And we are always keen to hear your thoughts on | :11:25. | :11:28. | |
anything going on in your world, at least if it is tech related. We | :11:29. | :11:32. | |
don't know what you had for dinner and no more cat pictures. We are on | :11:33. | :11:40. | |
Google+, Facebook, Twitter and e`mail. Thanks for watching and see | :11:41. | :11:42. | |
you next time. | :11:43. | :11:44. |