Browse content similar to 02/04/2016. Check below for episodes and series from the same categories and more!
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South Africa's President, Jacob Zuma, has denied acting | :00:07. | :00:08. | |
dishonestly in a scandal over public funds spent on renovations | :00:09. | :00:11. | |
But he has promised to obey an order to repay some of the money. | :00:12. | :00:19. | |
The US military says it has carried out a drone strike in Somalia | :00:20. | :00:22. | |
targeting a vehicle carrying three members | :00:23. | :00:24. | |
A Pentagon spokesman named the principle target as | :00:25. | :00:27. | |
Hassan Ali Dhoore, who was accused of organising recent bomb attacks | :00:28. | :00:30. | |
on Mogadishu airport, and a hotel in which US personnel were killed. | :00:31. | :00:42. | |
Now on BBC News, it is time for Click. | :00:43. | :00:47. | |
The -- this week, changing the world with a pencil. Bringing performance | :00:48. | :00:57. | |
to life. And scaring people to death. | :00:58. | :01:24. | |
As amazing as our devices are today, as fast as they run, and as small as | :01:25. | :01:35. | |
they get, Beryl limited by physics. Their limited by the substances that | :01:36. | :01:40. | |
they're made from -- they are limited. We dream of devices that | :01:41. | :01:43. | |
are flexible, wearable, see-through, and, well, just plain future-y. It | :01:44. | :01:56. | |
is a real word, trust me. But before we can do that, we need a substance | :01:57. | :02:01. | |
that can do all those things, be all of those things. Fortunately, such a | :02:02. | :02:05. | |
substance exist. Heroes for decades but only finally created in a lab in | :02:06. | :02:13. | |
2010, by these guys, it was such an amazing feat that it won them the | :02:14. | :02:20. | |
Nobel Prize in Physics. Right, here is how you win a Nobel Prize. Take | :02:21. | :02:24. | |
one pencil and some sticky tape, and you see that? Now, on their, | :02:25. | :02:38. | |
somewhere, a -- flecks of graphite from a pencil, these are known as | :02:39. | :02:43. | |
graphene and they will change the world. Graphene is a single atomic | :02:44. | :02:50. | |
layer of carbon, they are just one atomic layer and yet they have all | :02:51. | :02:53. | |
kinds of fascinating physical properties. So you have a flawless | :02:54. | :02:59. | |
piece of graphene, electrons can move politically without being | :03:00. | :03:02. | |
scattered around. And electrons move as if they have no matters. So it is | :03:03. | :03:08. | |
relativistic. So better than silicon? Oh yes, much better than | :03:09. | :03:13. | |
silicon. The mobility can be hundreds or thousands of times | :03:14. | :03:18. | |
higher than Telecom. Faster? Yes, very good conductivity, and also | :03:19. | :03:22. | |
because it is one atomic layer is transparent. So if you can imagine | :03:23. | :03:26. | |
you have a sheet with transparent electorates. Transparent electronics | :03:27. | :03:32. | |
make all sorts of things possible. Suddenly anything can become a | :03:33. | :03:36. | |
display without locking your view of what is behind. Solar cells can | :03:37. | :03:39. | |
become a lot more efficient if you put the electron collecting | :03:40. | :03:44. | |
circuitry right on top, without locking the sunlight. And graphene | :03:45. | :03:48. | |
is not only transparent and flexible, it is also incredibly | :03:49. | :03:53. | |
strong. As for atom, 207 times stronger than steel. Meet | :03:54. | :04:01. | |
professional cyclist Mr Barker. Today his bike is sporting a new set | :04:02. | :04:07. | |
of super strong wheels, graphene ones. That means he can tackle | :04:08. | :04:10. | |
terrain he would normally steer well clear of like Roque in glass or, in | :04:11. | :04:16. | |
explicit week, a nail board. -- inexplicably. These tyres made by | :04:17. | :04:23. | |
bike giants Victoria are made from special rubber which include flex of | :04:24. | :04:26. | |
graphene to improve their strength dramatically and without the extra | :04:27. | :04:30. | |
weight normally carried by other puncture resistant tyres. You had to | :04:31. | :04:35. | |
imagine that the tyres are always full of conflicting targets. You | :04:36. | :04:38. | |
want the grip but you want the milage as well. You want low road | :04:39. | :04:43. | |
resistant and wait but you also want higher puncture resistance. Because | :04:44. | :04:47. | |
graphene is able to make a tyre lighter, less rolling resistance, at | :04:48. | :04:52. | |
the same time more milage and more grip. That was impossible with the | :04:53. | :04:58. | |
existing compounds so far. The rims are made from carbon fibre that is | :04:59. | :05:02. | |
also infused with graphene, which turns out as well at being very good | :05:03. | :05:10. | |
at dissipating heat caused by the breaks. And it is this ability to | :05:11. | :05:14. | |
bind graphene to other substances, improving those materials in the | :05:15. | :05:19. | |
process, that has sparked a lot of interest from scientists around the | :05:20. | :05:25. | |
world. And you can do all sorts of things with graphene. What you do | :05:26. | :05:28. | |
with it depends on what material you deposit on top of the graphene. | :05:29. | :05:32. | |
While graphene is only one atom thick, the materials you put on top | :05:33. | :05:38. | |
are also only a few atoms thick. To do that you need instruments like | :05:39. | :05:44. | |
this. At the UK's graphene Institute in Manchester, researchers are | :05:45. | :05:48. | |
exploring all sorts of applications for this wonderful material. It is | :05:49. | :05:51. | |
being used as a waterproof coating to make our houses damp resistant. | :05:52. | :05:58. | |
It can even be used to purify water. This graphene mesh is already | :05:59. | :06:02. | |
capable of sieving out many impurities but the ultimate goal is | :06:03. | :06:07. | |
to come up with a graph graphene membrane that can turn the water | :06:08. | :06:11. | |
into drink and water in about the same amount of time it takes to | :06:12. | :06:14. | |
filter coffee. Right, so graphene is amazing. At everything. We get it. | :06:15. | :06:22. | |
So why isn't it already in everything? Why is it so far only | :06:23. | :06:28. | |
really being mixed in small flecks with other substances? Well, because | :06:29. | :06:32. | |
we can't yet make it in both big enough sizes and higher enough | :06:33. | :06:38. | |
quality at the same time. You can grow larger samples of graphene on | :06:39. | :06:43. | |
copper sheet, but because of the really high temperatures involved, | :06:44. | :06:48. | |
the graphene is deformed and not very good quality. If only there was | :06:49. | :06:51. | |
a way of growing large graphene sheets on copper but at much lower | :06:52. | :06:57. | |
temperatures. Well, turns out there is. Across the pond, at the | :06:58. | :07:05. | |
California Institute of Technology, they've got a leaky gas valve. We | :07:06. | :07:09. | |
found out, by accident, that we had some leaky valves. I thought I had a | :07:10. | :07:14. | |
hydrogen is, what it was leaking just a small amount of methane. This | :07:15. | :07:20. | |
isn't a very good vacuum system. So you had shoddy equipment. Yes. That | :07:21. | :07:26. | |
led to a world changing discovery. Absolutely. Kids, there is a moral | :07:27. | :07:33. | |
in that. Do not maintain your grip and, just let it go to pot. Hydrogen | :07:34. | :07:37. | |
plasma is only supposed to clean the copper while making graphene at | :07:38. | :07:44. | |
temperatures of 1000?C. Let's try to have plasma assisted growth, and so | :07:45. | :07:49. | |
we lowered the growth temperature from 1000 to 800, and then my group | :07:50. | :07:55. | |
members found that graphene still grows. And then we say, OK, let's | :07:56. | :08:00. | |
lower the temperature further, the environment and temperature to 600. | :08:01. | :08:05. | |
Still grows. And then took 400, still grows. And then, can we turn | :08:06. | :08:09. | |
off the heat and just grow the sample with plasma assistance at | :08:10. | :08:13. | |
room temperatures? And we discover that this graphene has very few | :08:14. | :08:18. | |
defects in it, which means it has very good electrical properties. | :08:19. | :08:22. | |
Graphene is inching ever closer to a fulfilling its promise as this | :08:23. | :08:27. | |
all-purpose wonder material. And in fact, even now, scientists are | :08:28. | :08:31. | |
working on other substances, themselves just one atom thick, | :08:32. | :08:35. | |
which also promised to have superpowers. The world, it seems to | :08:36. | :08:45. | |
me, is getting very 2-dimensional. Another week, and another operating | :08:46. | :08:54. | |
system update from Apple, which brings one or more features of its | :08:55. | :08:58. | |
phones. This time it is the Safari web browser. If iPhone owners try to | :08:59. | :09:02. | |
click on web links these links can freeze or even crash the app. After | :09:03. | :09:07. | |
several days of problems, Apple says it has fixed the issues. Whatever | :09:08. | :09:11. | |
happened to it just works, he? Microsoft tried to make waves this | :09:12. | :09:15. | |
week with its annual Build conference. The company unveiled a | :09:16. | :09:21. | |
series of chat bots meant to help us go about our daily lives. Let's hope | :09:22. | :09:28. | |
they work better than Microsoft's team chat bots, Tay, which had to be | :09:29. | :09:32. | |
switched off after tweeting offensive comments. Microsoft also | :09:33. | :09:35. | |
gave journalists the chance to experience its much hyped augmented | :09:36. | :09:44. | |
reality headset, Hololens. Bad news for Facebook after it was forced to | :09:45. | :09:49. | |
apologise. It's a safety check system wrongly asked people if they | :09:50. | :09:51. | |
were caught up in the Pakistan bomb attack which killed over 70 people | :09:52. | :09:56. | |
last weekend. The FBI announced they have succeeded in accessing the | :09:57. | :10:02. | |
smartphone of San Bernardino gunman Syed Farook without the help of | :10:03. | :10:10. | |
Apple. And DARPA have been testing their continuous trial unmanned | :10:11. | :10:13. | |
vessel. It has been designed and built to travel thousands of miles | :10:14. | :10:17. | |
without a single crew member on board. Open water testing will begin | :10:18. | :10:19. | |
off the California coast this summer. With Apple and Samsung | :10:20. | :10:29. | |
absolutely dominating the smartphone market these days, it seems like all | :10:30. | :10:35. | |
the other manufacturers have to do something really special in order to | :10:36. | :10:39. | |
get any interest at all. Well, that is what LG is hoping it has done | :10:40. | :10:46. | |
with its new phone G5. We caught a glimpse of it in Barcelona in | :10:47. | :10:52. | |
February, and LJ Rich has her hands on the first full production model | :10:53. | :10:56. | |
to land in the UK a head of the launch. We have seen modular phones | :10:57. | :11:00. | |
on the market for a little while, at a big manufacturer like LG wants to | :11:01. | :11:04. | |
do something a little bit different, and they have always prided | :11:05. | :11:06. | |
themselves on being able to swap batteries. So the idea is, instead | :11:07. | :11:11. | |
of just swapping batteries, why don't you swap more? For example, | :11:12. | :11:15. | |
you can put a high-end audio converter on the end, or a little | :11:16. | :11:19. | |
grip that allows you to take pictures 1-handed. And it gives you | :11:20. | :11:25. | |
a wheel to zoom with, and an extra battery burst at the same time. Now, | :11:26. | :11:31. | |
swapping modules also boosts the phone because you take the battery | :11:32. | :11:36. | |
out. It automatically recognises the new added end. LG have designed a | :11:37. | :11:39. | |
phone it actually wants you to pull apart, in stark contrast to the | :11:40. | :11:44. | |
closed culture of other smartphones. It is also getting other brands | :11:45. | :11:48. | |
involved with a plug and play digital to analogue converter or | :11:49. | :11:56. | |
DAC. Higher end DAC can produce a more detailed and clearer sound. So | :11:57. | :12:00. | |
when listening to jazz you can also hear the space created by the drums | :12:01. | :12:06. | |
and in this case saxophone. I'm actually very impressed. It is worth | :12:07. | :12:09. | |
mentioning that the DAC sound module can work on its own, which I think | :12:10. | :12:16. | |
is a very savvy approach. Sean from LG is sharing something from his | :12:17. | :12:19. | |
playlist and I asked him how future proof these modules can be. It looks | :12:20. | :12:27. | |
like this will only work with that unibody, and then when you get the | :12:28. | :12:31. | |
next phone up does that make this obsolete? That's a good question. I | :12:32. | :12:34. | |
think at this particular moment in time the modules have been developed | :12:35. | :12:39. | |
for the G five. The module idea is not going to be unique just to the | :12:40. | :12:47. | |
G5. We are trying to make as many of the modules as flexible as possible. | :12:48. | :12:51. | |
But for the time being, yes, they are fit for purpose on the G5. As we | :12:52. | :13:06. | |
consume more content on the go, our choice of headphones has become | :13:07. | :13:11. | |
increasingly important. So I have been testing some of the latest, | :13:12. | :13:23. | |
more interesting options. These are the Ear-In earbuds, a pair of | :13:24. | :13:27. | |
totally wireless headphones. While they are in this container not only | :13:28. | :13:31. | |
are they being kept clean but they are also being charged. As long as | :13:32. | :13:34. | |
you judge the case it can power them up three times. Once you have | :13:35. | :13:37. | |
introduced them to your phone via Bluetooth, the left one will | :13:38. | :13:40. | |
automatically sync up once it has been taken out of the case, and then | :13:41. | :13:44. | |
the right earbud will connect to the left earbud and from there you can | :13:45. | :13:48. | |
play your tunes. I have no complaints about the sound quality | :13:49. | :13:53. | |
or the connection, but I do feel slightly conscious that they could | :13:54. | :13:57. | |
fall out of my ears, which makes me feel comfortable walking, but a | :13:58. | :14:02. | |
little less sure about running. Taking the idea of wireless | :14:03. | :14:08. | |
headphones to another level are these, a pair of smart headphones | :14:09. | :14:12. | |
that are definitely designed for life on the go. They can track | :14:13. | :14:16. | |
activities including swimming, if you trust them to stay in your ears, | :14:17. | :14:20. | |
and track heart rate as well as stream music from your phone, or | :14:21. | :14:24. | |
play tracks stored on them. While the touches and swipes to operate | :14:25. | :14:31. | |
our intuitive to use, at some point I found that even on top volume the | :14:32. | :14:36. | |
music didn't seem to be loud enough. But the time I really felt the | :14:37. | :14:40. | |
benefit of these headphones was when I was walking and making phone calls | :14:41. | :14:43. | |
on the go, because the person on the other end, even though the | :14:44. | :14:46. | |
microphone was in here, couldn't tell that I was holding my phone | :14:47. | :14:54. | |
handset. -- wasn't holding. They do offer the option of sound | :14:55. | :14:57. | |
transparency being on or off so you can hear your surroundings if you | :14:58. | :15:02. | |
choose. And for those it is a priority for, so cyclists or people | :15:03. | :15:05. | |
who run on busy streets, the latest in phone conduction technology could | :15:06. | :15:10. | |
come in handy. The sound travels through vibrations on your | :15:11. | :15:13. | |
cheekbones rather than playing directly into your eardrums. I was | :15:14. | :15:18. | |
actually really impressed by the sound quality, and I've never felt | :15:19. | :15:23. | |
so save pounding the streets of London. But after a little while I | :15:24. | :15:27. | |
did start to feel that the vibrations on my cheeks were feeling | :15:28. | :15:31. | |
a bit odd. I think that maybe because they had made the volume is | :15:32. | :15:36. | |
so high. For something that looks a bit different, this is LG's latest | :15:37. | :15:40. | |
offering. You pull it out like this. It is ridiculous. Why is that | :15:41. | :15:46. | |
necessary? OK, actually, that isn't bad. If you move your head a lot you | :15:47. | :15:48. | |
makes you want them to be longer. The turn Platinum can receive high | :15:49. | :16:01. | |
res audio, has dual noise cancelling iPhones building and some added | :16:02. | :16:04. | |
voice control benefits for android phone users. But the design seems to | :16:05. | :16:10. | |
be a matter of taste. These are more about sound quality than something | :16:11. | :16:14. | |
you should run with, especially how they feel on my neck, so for that | :16:15. | :16:18. | |
reason I'm going to take a seat... For no other reason at all. So | :16:19. | :16:22. | |
however active or not you're expecting to be, there are options | :16:23. | :16:27. | |
aplenty offering something beyond the basic factors of looks, fit and | :16:28. | :16:37. | |
sound quality. Now, in some kinds of theatre the | :16:38. | :16:42. | |
lighting can often be as important as the sets, as the choreography, as | :16:43. | :16:50. | |
the performances themselves. With the latest motion sensing | :16:51. | :16:53. | |
technology, the brain that programmes that lighting might not | :16:54. | :16:59. | |
be human. One British choreographer and one computer programmer have | :17:00. | :17:04. | |
between them created an artificially intelligent performance where the | :17:05. | :17:08. | |
lighting responds to two dancers on stage. Jane Caro take has been to | :17:09. | :17:20. | |
see it in action. The Xbox connects we are using in this space which | :17:21. | :17:26. | |
cracks our bodies uses artificial intelligence. When we stand in front | :17:27. | :17:29. | |
of them they immediately recognise the shape of the body, they picked | :17:30. | :17:37. | |
out a skeleton structure. Alex, where are we right now? We are at | :17:38. | :17:44. | |
Cambridge Junction and we're doing our rehearsals for the second | :17:45. | :17:46. | |
preview of the new performance of hours. The four on the left... Four | :17:47. | :17:55. | |
on the left. The ones on the left are following you and the ones on | :17:56. | :17:58. | |
the right are following me. If I go down here they should finally. The | :17:59. | :18:08. | |
Cure neckeds are able to follow us and predict where we're going to go | :18:09. | :18:10. | |
next, there's a system that can learn from the movement it observes | :18:11. | :18:16. | |
and make more informed choices about the way, the lights on the stage | :18:17. | :18:24. | |
work with us. It's about observation systems predicting the next steps. | :18:25. | :18:30. | |
So I see this stage as an instrument. So what Alex as a | :18:31. | :18:36. | |
choreographer creates in my mind could not be created in any other | :18:37. | :18:41. | |
way. You might watch the finished show or a lighting designer, | :18:42. | :18:45. | |
traditional lighting designer, might watch the finished show and they | :18:46. | :18:48. | |
might think they could programme that, it might take them really long | :18:49. | :18:52. | |
because there's a lot of intricate behaviour. But even if they could | :18:53. | :18:57. | |
it's not the same because the reason why the choreography is the way it | :18:58. | :19:02. | |
is because Alex choreographed it in this setting. | :19:03. | :19:09. | |
We've got a system where we can control how they move with the | :19:10. | :19:16. | |
position of our hands. See that's backwards. That's it, so you're | :19:17. | :19:21. | |
bringing them round. When they're together they won't move. It should | :19:22. | :19:29. | |
stop... Yet, that's it. The lights on stage almost look like dancers, | :19:30. | :19:35. | |
do you see them that way? It's very tempting to see them that way. There | :19:36. | :19:39. | |
are certain modes when they do look so alive and to me that's a | :19:40. | :19:40. | |
success. That was Jen really getting into her | :19:41. | :19:50. | |
part there, although you'd never catch me wearing a leotard | :19:51. | :19:58. | |
on-screen. Anyway, there are some performances which actually require | :19:59. | :20:00. | |
audience participation, something you will know if you have ever taken | :20:01. | :20:06. | |
part in immersive theatre. Hear the audience actually becomes part of | :20:07. | :20:10. | |
the show as the action happens all around you. Well, a terrifying new | :20:11. | :20:17. | |
experience has come to east London, which promises to immerse audiences | :20:18. | :20:24. | |
even deeper in virtual reality. Without briefing him about his | :20:25. | :20:28. | |
impending doom or anything at all for that matter, we sent Click's | :20:29. | :20:33. | |
resident scary cat to suffer an evening with the virtually dead. And | :20:34. | :20:38. | |
a quick spoiler alert, if you've bought tickets for this show, if | :20:39. | :20:43. | |
you're watching with young children or can't stand the sight of a grown | :20:44. | :20:47. | |
man screaming like a little boy, look away now. | :20:48. | :20:51. | |
We are in Hackney Wick, I have no idea what's going on, there's an | :20:52. | :20:56. | |
army man shouting at me over there. Down and give me ten. Come on, | :20:57. | :21:10. | |
Rambo! Come on, chop, chop, chop. We are going to location unknown. I | :21:11. | :21:14. | |
feel like I'm in a 90s rock music video. Everybody out, let's go. Come | :21:15. | :21:17. | |
on. Let's go, let's go. Immersive theatre is obviously a massive thing | :21:18. | :21:25. | |
at the moment but VR has never been put in it, we want to do something | :21:26. | :21:30. | |
that's never been done before. Our home state of Arizona is overrun by | :21:31. | :21:38. | |
a terrible infection. The goal was to blur the lines between what's | :21:39. | :21:42. | |
real and what's not. As soon as you enter an immersive theatre you're | :21:43. | :21:45. | |
stepping out of normal reality and in our eyes it was, OK, can we take | :21:46. | :21:51. | |
that one step further? Oh my God. Holi... Go, go, go! We created a | :21:52. | :22:07. | |
story here where we are training the soldiers to go to Arizona to kill | :22:08. | :22:10. | |
zombies, and the VR we think has been sandwiched perfectly in the | :22:11. | :22:16. | |
middle of the theatre, so it's the middle of the training process. What | :22:17. | :22:22. | |
about these recruits? Do we cancel their training? No. Right, you lead | :22:23. | :22:34. | |
through the door. Welcome to VR training. There are over 70 sensors | :22:35. | :22:41. | |
in these things here my neck, it's the only VR system that allows you | :22:42. | :22:45. | |
to move within your environment. With immersive theatre it's all | :22:46. | :22:49. | |
about making things one-on-one, the beauty with VR is you can have this | :22:50. | :22:54. | |
immersive solo experience with a headset on. Can you see these things | :22:55. | :22:59. | |
here? Hands up, Nick. These things will be picked up and used to | :23:00. | :23:02. | |
shoot. We are looking for a simulation. Now, Nick, remember, you | :23:03. | :23:09. | |
can move around and crouched down. Oh, I have hands! Look at the gun! | :23:10. | :23:17. | |
I've got it! A zombie coming towards me! Get it! How I see immersive | :23:18. | :23:24. | |
theatre and also now VR is like a lucid dream. We control the | :23:25. | :23:28. | |
environment but you still have control of yourself. As graphics | :23:29. | :23:34. | |
improve hopefully you'll get to a stage where people don't even | :23:35. | :23:38. | |
realise they're entering virtual reality. Have that. This is | :23:39. | :23:46. | |
amazeballs! OK, Nick, I need you to stay very calm for me. There has | :23:47. | :23:53. | |
been a small contamination issue. I need to leave this room. Don't die, | :23:54. | :24:00. | |
Nick. This is an evacuation. I'm going to get you out of here. Just | :24:01. | :24:06. | |
got through training and... We're still in the game. Coming out of | :24:07. | :24:12. | |
that end experience with huge smiles on their face or crying with fear, | :24:13. | :24:21. | |
which is a good thing. Honestly, like,... How did you feel it when? | :24:22. | :24:27. | |
It was great. When I was immersed in the headset, it was, like, | :24:28. | :24:34. | |
unstoppable. Absolute madness. That was Nick. Come the dawn of the | :24:35. | :24:38. | |
dead I'm standing behind that guy. Don't forget you can still immerse | :24:39. | :24:43. | |
yourself in Click's own virtual reality programme filmed entirely in | :24:44. | :24:48. | |
360 in Switzerland and the UK, and you'll find it on Click's YouTube | :24:49. | :24:54. | |
channel. That's it for now. See you soon. | :24:55. | :25:11. | |
It is set to be a chilly start to the weekend. | :25:12. | :25:16. | |
We've got a touch of frost around first thing | :25:17. | :25:18. | |
But things are gradually going to be warming up over the next couple | :25:19. | :25:25. | |
Some decent spells of sunshine but equally there's a bit of rain | :25:26. | :25:29. | |
in the forecast, especially for northern and western | :25:30. | :25:32. | |
areas, but nowhere immune to rain at some point in the weekend. | :25:33. | :25:34. | |
We have this front draped through parts of northern England, | :25:35. | :25:37. | |
To the north of that in Scotland and much of Northern Ireland, | :25:38. | :25:41. | |
after that chilly start to the morning, sunny spells first thing. | :25:42. | :25:44. | |
Further south across the Borders into northern England, | :25:45. | :25:46. | |
heavier bursts of rain over the hills and patchy rain affecting | :25:47. | :25:49. | |
the western half of Wales and parts of Cornwall and west Devon. | :25:50. | :25:53. | |
Moving our way further east across the bulk of England through | :25:54. | :25:57. | |
the Midlands, East Anglia and the south-east, after that chilly start | :25:58. | :26:00. | |
things will warm up nicely in the sunshine with a southerly breeze. | :26:01. | :26:03. | |
Staying dry across the bulk up England through the day, the rain | :26:04. | :26:06. | |
in the north edging further north into southern Scotland and Northern | :26:07. | :26:08. | |
Ireland, raining in Belfast through the early part of afternoon. | :26:09. | :26:11. | |
But the rain should gradually clear from Wales and the south-west of | :26:12. | :26:14. | |
England and in the south we'll see dry and settled weather, 9-10 with | :26:15. | :26:17. | |
the cloud and rain in the north but further south with the light winds | :26:18. | :26:22. | |
and sunshine, 15 or so will feel very pleasant. Won't stay dry all | :26:23. | :26:27. | |
Won't stay dry all the time in the south-east and | :26:28. | :26:30. | |
we'll see a few showers later in the day. | :26:31. | :26:32. | |
Premier League matches on Saturday, our featured games here should stay | :26:33. | :26:35. | |
dry with sunshine and fairly light winds. | :26:36. | :26:36. | |
It's not until the latter part of the afternoon we see the rain | :26:37. | :26:40. | |
moving from the south affecting the London region, East Anglia, some | :26:41. | :26:42. | |
uncertainty about the position and timing of this area of rain but it | :26:43. | :26:46. | |
looks like it will move to the north-east of England through | :26:47. | :26:49. | |
Sunday brings a few more more spells of rain in Scotland and | :26:50. | :26:53. | |
Northern Ireland, perhaps later in the day a few showers for Wales | :26:54. | :26:57. | |
Central and eastern areas will see the best of the dry weather | :26:58. | :27:02. | |
on Sunday and with the southerly breeze it will feel warm, 17 or 18 | :27:03. | :27:05. | |
in the south, more like 11 for the likes of Belfast and Glasgow. | :27:06. | :27:08. | |
For the Scottish Premiership action on Sunday, | :27:09. | :27:12. | |
We could see some spells of rain, probably won't be raining all | :27:13. | :27:19. | |
Things are looking fairly unsettled into the new working week. | :27:20. | :27:28. | |
Low pressure dominates things heading into Monday, | :27:29. | :27:29. | |
with a frontal system coming in from the south from France. | :27:30. | :27:32. | |
Some spells of rain for central and eastern areas in particular through | :27:33. | :27:35. | |
the day on Monday, northern and western parts of the UK staying a | :27:36. | :27:38. | |
bit drier, still showers possible, temperatures not far off where they | :27:39. | :27:41. | |
should be for the time of year with highs generally around 10-15. | :27:42. | :27:44. | |
Welcome to BBC News, broadcasting to viewers on public television | :27:45. | :30:13. | |
Our top stories: The threat of nuclear terrorism remains and | :30:14. | :30:17. |